Golden globe awards 73rd - Golden Globes
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HOLLYWOOD FOREIGN PRESS ASSOCIATION ®
73 ®
rd
ANNUAL golden globe awards
Sunday, January 10, 2016
H O L L Y W O O D F O R E I G N P R E S S A S S O C I A T I O N®
The 73 rd Annual
®
GOLDEN GLOBE AWARDS
Sunday, , January 10,, 2016
HOLLYWOOD FOREIGN
PRESS ASSOCIATION ®
Lorenzo Soria
PRESIDENT
Meher Tatna
VI C E P R E S I D E N T
Serge Rakhlin
EXECUTIVE SECRETARY
Jorge Camara
TREASURER
BOARD OF DIRECTORS
Ali Sar
CHAIRMA N
Luca Celada
Helen Hoehne
Anke Hofmann
Theo Kingma
Mario Amaya
Gregory P. Goeckner
COO/ GENERAL COUNSEL
Chantal Dinnage
MANAGING DIRECTOR
646 N. Robertson Blvd.
West Hollywood, CA 90069-5022
p 310.657.1731
f 310.657.5576
office@hfpa.org
www.goldenglobes.com
H O L LYWOOD FO R E I G N P R ESS A S S O C IATION ®
OFFICERS 2015 - 2016
LORENZO SORIA MEHER TATNA SERGE RAKHLIN JORGE CAMARA
PRESIDENT VICE PRESIDENT EXECUTIVE SECRETARY TREASURER
BOARD OF DIRECTORS
ALI SAR LUCA CELADA HELEN HOEHNE ANKE HOFMANN THEO KINGMA MARIO AMAYA
CHAIRMAN
HFPA® MISSION STATEMENT To establish favorable relations and cultural ties between foreign countries and the United States of America by the dissemination of information concerning the American culture and traditions as depicted in motion pictures and television through news media in various foreign countries; To recognize outstanding achievements by conferring annual Awards of Merit (Golden Globe® Awards), serving as a constant incentive within the entertainment industry, both domestic and foreign, and to focus wide public attention upon the best in motion pictures and television; To contribute to other nonprofit organizations connected with the entertainment industry and involved in educational, cultural, and humanitarian activities; To promote interest in the study of the arts, including the development of talent in the entertainment field through scholarships given to major learning institutions.
THE HOLLYWOOD FOREIGN PRESS ASSOCIATION® 2015 - -2016
ACTIVE MEMBERS
Paoula Abou-Jaoude Brazil Barbara Gasser Austria Alexander Nevsky Russia
Mario Amaya Colombia André Guimond Canada Yenny Nun-Katz Chile, Peru
Vera Anderson Mexico John Hiscock United Kingdom Scott Orlin Germany
Ray Arco Canada Helen Hoehne Germany Mira Panajotovic Serbia
Husam “Sam” Asi United Kingdom Anke Hofmann Germany H.J. Park South Korea
Rocio Ayuso Spain Nellee A. Holmes Russia Alena Prime Tahiti
Ana Maria Bahiana Brazil Munawar Hosain Germany, Japan, United Kingdom Serge Rakhlin Russia, Ukraine
Gilda Baum-Lappe Yoram Kahana United Kingdom Frank Rousseau Belgium, France, French Antilles
Philip Berk Australia, Malaysia Erkki “Erik” Kanto Finland Ali Sar Russia
Elmar Biebl Germany Theo Kingma Australia, The Netherlands Frances Schoenberger Germany
Silvia Bizio Italy Mirai Konishi Japan Elisabeth Sereda Austria
Jorge Camara Dominican Republic Elisa Leonelli Italy Dierk Sindermann Germany, Switzerland
Luca Celada Italy Gabriel Lerman Spain Judy Solomon Israel
Jean-Paul Chaillet France Emanuel Levy Italy Lorenzo Soria Italy
Tina Jøhnk Christensen Denmark Lisa Lu China Hans J. Spürkel Austria, Switzerland
Rui Henriques Coimbra Portugal Lilly Lui Hong Kong Magnus Sundholm Sweden
Jenny Cooney Carrillo Australia, New Zealand Ramzy Malouki Belgium, France, West Africa Aida Takla-O’Reilly Dubai, Turkey
Jean E. Cummings Japan Michele Manelis Australia Meher Tatna India, Singapore
Yola Czaderska-Hayek Poland Karen Martin Germany Jack Tewksbury Argentina
Patricia Danaher Ireland Paz Mata Spain Herve Tropea Belgium, France
Ersi Danou Greece Juliette Michaud France Lynn M. Tso Taiwan
Noël de Souza India Kristien Gijbels Morato Belgium Katherine Tulich Australia, Croatia
Gabrielle Donnelly United Kingdom Aud Berggren Morisse Norway Kirpi Uimonen Ballesteros Finland
George Doss Egypt Yukiko Nakajima Japan Alessandra Venezia Italy
Mahfouz Doss Egypt Yoko Narita Japan Marlène von Arx Switzerland
Dagmar Dunlevy Canada Aniko Skorka Navai Hungary, Singapore Noemia Young Canada
Armando Gallo Italy Janet R. Nepales Philippines
Margaret Gardiner South Africa Ruben V. Nepales Philippines
Ricky Gervais
feels right at home
as host of the
Golden Globe Awards ®
S
tanding on the stage at the Beverly Hilton for the fourth time for one of the biggest
nights of the year on the Hollywood calendar, Ricky Gervais returns a conquering hero. The three
previous telecasts which he hosted were ratings bonanzas and the talk of the town.
A winner of seven BAFTA Awards, three Golden Globes and two Emmys, Gervais remains one of
the most talented and respected comedian-actors working today. He created and currently stars
in the Netflix series Derek, for which he has been Emmy-nominated for two consecutive years.
Gervais first introduced himself to global audiences with his 2001 British TV hit The Office, in
which he starred as his tragic creation, David Brent. The Office, would soon become a wildly
successful global format, including an Emmy-winning nine-season run on NBC. Gervais is about to
continue The Office saga by directing his fourth Hollywood movie, David Brent: Life on the Road.
Following The Office, Gervais starred and created a string of HBO projects: Extras, Life’s Too Short and
The Ricky Gervais Show, which was based on his record-breaking podcast that has been downloaded
more than 500 million times. He has also guest-starred on many popular TV series, including Curb Your
Enthusiasm, Louie, Sesame Street, The Simpsons and Family Guy.
On the film side, Gervais has co-starred in several features, including Night at the Museum
franchise, Muppets Most Wanted, Ghost Town and The Invention of Lying, and is currently putting final
touches to Special Correspondents, which he wrote and co-directed.
As a stand-up comedian, Gervais has sold over two million tickets in arenas around the world. He is also
the author of the popular children’s book series “Flanimals.”®
HFPA
PHILANTHROPY
Ice Cube and O’Shea Jackson, Jr.
Lady Gaga and HFPA President Lorenzo Soria
MGM’s claim of once having more stars than in the firmament was seriously challenged last
August when 28 Hollywood stars participated in our Annual Installation banquet, handing
out over $2 million to non-profits and educational institutions.
HFPA president Lorenzo Soria welcomed guests seated at red rose-decorated tables in the
Champagne Room of the Beverly Wilshire Hotel, and then introduced Nick Jonas who roused
the audience with his cover of Sam Cooke’s “What a Wonderful World This Would Be.”
First among presenters was Jamie Lee Curtis who set the tone of the fun-filled evening by
saying, “If you want to have a party and you want to give away $2 million, Lady Gaga’s gonna
come to the party, I’m gonna come to the party, Jake’s gonna come to the party, because
these people put their money where their mouth is.”
Nick JonasTopher Grace and Ashley Hinshaw Halle Berry and Jake Gyllenhaal Lady Gaga, Emily Blunt and Benicio del Toro
She then announced grants for children’s health-related charities like Children’s Hospital Los Angeles, The Lollipop
Theater Network, and St. Jude’s Children’s Hospital. She also paid tribute to publicist Nadia Bronson, “a mentor for many”
and a great friend of the HFPA, who passed away last January. The Association previously established a scholarship in
her name at the U.S.C. Annenberg School for Communication.
Halle Berry followed with a grant to FilmAid and GlobalGirl Media, an organization close to her heart. She apologized for
having trouble reading the teleprompter without her glasses, but as she explained, “I’m 49 tomorrow.”
Soria then introduced the new officers and announced that the HFPA had handed out over $20 million in grants
in the past 20 years, funding 1,000 scholarships and restoring 92 films, including Shadow of a Doubt, King Kong, and The
Red Shoes. Then it was Lady Gaga’s turn and she brought down the house by alluding to an olive that was stuck in her
nose. In announcing grants to the Los Angeles Music Center and the Young Musicians Foundation, she spoke of the role
music played in her happiness as a child.
When Emily Blunt and Benicio del Toro missed their cue to appear onstage, Jane Fonda (who announced
a grant for Women Make Films and one for the Sundance Institute, acknowledging her friend and costar Robert Redford)
Sarah Silverman and John KrasinskiJamie Lee Curtis and Nick Jonas
Brie Larson and Joe Manganiello Ty Burrell, Allison Janney and Bryan Cranston
had no trouble covering for them. When they finally showed up amid warm applause, Blunt
confessed that she couldn’t see the teleprompter which was placed in the very back of the
room, but del Toro came to her rescue, announcing grants to AFI, Cinematheque, UCLA and
NYU. They were followed by Sarah Silverman and John Krasinski who mimed their presenter
banter in a nod to their recipient San Francisco’s Silent Film Festival. They were more audible
when they announced grants for Outfest, UC Berkeley Film Archive, and the International
Documentary Association.
Jake Gyllenhaal presented the largest single award among the 67 grants to The Film
Foundation and the UCLA Film & Television Archive, which together received $350,000 for
their film preservation efforts. Others stars announcing grants were Bryan Cranston
(Los Angeles City College); Allison Janney and Ty Burrell (Toronto Film Festival,
LA Conservancy, Museum of the Moving Image, and Library Foundation); Jon Hamm and
Jane FondaAllison Janney and Elizabeth Banks
Jack Huston and John Boyega Andrew Garfield, Saoirse Ronan and Jon Hamm
Elizabeth Banks (Motion Picture Fund, New Filmmakers Lab, SAG Foundation, Independent Filmmakers
Project); Dakota Johnson and Topher Grace (LA County High School for the Arts, University of Illinois
Ebertfest, and Pablove); Andrew Garfield and Saoirse Ronan (Higher Education); America Ferrera and
Jason Isaacs (Latin Cinema of LA, Streetlights, Cal State Summer Arts, and Film Noir Foundation); Joe
Manganiello and Brie Larson (Film Independent Project Evolve, Film Independent Live Read Series);
Ice Cube and his actor son O’Shea Jackson, Jr. (Ghetto Film School, Inner City Arts, Inner City Filmmakers, Young
Storytellers); Sophia Bush and Zachary Levi (Coalition of Asian Pacifics, Echo Park Film Center, USC Cinematic
Arts & Engineering School); and Jack Huston and John Boyega (Exceptional Minds, Ensemble Studio Theater,
and Gingold Theater Group). Grants of $125,000 were presented both to the University of California, Los
Angeles for fellowships and institutional support, and to the film program at the Los Angeles County Museum
of Art for promoting cultural exchange. The Sundance Institute also received $100,000 for its training and
mentoring programs.
Joe Manganiello, Sophia Bush and Zachary LeviJason Isaacs and America Ferrera Jamie Lee Curtis
Dakota Johnson and Brie Larson Jon Hamm and Ty Burrell
In 2015, the HFPA announced a separate pledge of $2 million, the largest individual donation in its history, to Los Angeles City
College’s cinema and television department. That gift will go toward both scholarships and upgrading studio, post production
and theater facilities at the school, which will be renamed the HFPA Center for Cinema and Television at LACC. That, Soria promised, was
“the first of several major grants and endowments we will be announcing in the next few months.”
A further donation was announced a few days ago.
$2,000,000 went to California State University at Northridge, Department of Cinema and Television, to be used equally to fund
scholarships for underprivileged students and to upgrade the editing faciities. And $500,000 went to the American Cinematheque
for capital improvements.
The evening was best summed up by Oscar Isaac who mused, “What kind of people would put on a TV show in Hollywood,
Benicio del Toro and Emily Blunt
make a shitload of money and give it all away? Only foreigners.”HFPA 2015 DONATIONS
®
HIGHER EDUCATION FELLOWSHIPS PROFESSIONAL TRAINING & MENTORING PROMOTE CULTURAL EXCHANGE
& INSTITUTIONAL SUPPORT THROUGH FILM
Coalition of Asian Pacifics in Entertainment - $15,000
California Institute for the Arts (CalArts) - $60,000 American Cinematheque - $45,000
Film Independent, Project: Involve - $40,000
Cal State Fullerton Philanthropic Foundation - $15,000 American Film Institute - $30,000
Cal State Long Beach - $60,000 Independent Filmmaker Project (Brooklyn, NY) - $20,000 FilmAid International - $60,000
Cal State Los Angeles - $60,000 International Documentary Association - $10,000 Latin American Cinemateca of Los Angeles - $10,000
Cal State Northridge - $60,000 Motion Picture & Television Fund - $10,000 Library Foundation of Los Angeles - $10,000
Columbia University - $60,000 New Filmmakers Los Angeles - $10,000 Museum of the Moving Image - $10,000
Los Angeles City College - $25,000 Screen Actors Guild Foundation - $10,000 Los Angeles Conservancy - $35,000
Mt. San Antonio College Foundation - $5,000 Streetlights - $10,000 Los Angeles County Museum of Art/Film - $125,000
New York University - $48,000 Women Make Movies - $10,000 San Francisco Silent Film Festival - $10,000
University of California, Los Angeles - $125,000 Sundance Institute - $100,000 Toronto International Film Festival - $15,000
University of California, Berkeley Film Archive - $20,000
HFPA SCHOLARSHIP/FELLOWSHIP PRE-PROFESSIONAL TRAINING & EDUCATION University of Illinois at Champaign-Urbana (Ebertfest) - $10,000
ENDOWMENTS California State Summer School Arts Foundation - $25,000
American Film Institute - $20,000 SPECIAL PROJECTS
Echo Park Film Center - $10,000
CalArts - $12,500 Ghetto Film School - $30,000 Children’s Hospital - $25,000
Cal State Fullerton - $5,000 GlobalGirl Media - $10,000 Ensemble Studio Theatre - $15,000
Cal State Long Beach - $5,000 Inner-City Arts (Downtown LA) - $30,000 Gingold Theatre Group/Shaw Festival - $10,000
Cal State Los Angeles - $2,650 Inner City Filmmakers (Santa Monica) - $30,000 Lollipop Theater Network - $20,000
Cal State Northridge - $5,000 Los Angeles County High School for the Arts - $25,000 Pablove Foundation - $7,500
Columbia University - $20,000 Performing Arts Center of Los Angeles (Music Center) - $5,000 Young Musicians Foundation - $10,000
Los Angeles City College - $4,000 Young Storytellers Foundation - $10,000
Loyola Marymount - $20,000 PRESERVE THE CULTURE & HISTORY OF FILM
Mt. San Antonio College Foundation - $5,000 ONE TIME GRANTS
The Film Foundation, Inc./UCLA Film &
New York University - $20,000 Television Archive - $350,000 CalArts - $58,672
UCLA - $20,000 Film Noir - $25,000 Exceptional Minds - $15,000
University of North Carolina - $5,000 Outfest (UCLA LGBT project) - $35,000 LAUSD/USC Arts & Engineering Magnet - $25,000
University of Southern California - $20,000HFPA Donates to LACC I n addition to covering the entertainment industry for their worldwide audience, members of the Hollywood Foreign Press Association have been equally passionate about the philanthropic side of the organization. Throughout the years, the HFPA has been privileged to be able to share the success of the Golden Globe Awards with numerous entertainment-related organizations, schools and universities and students.
In 2015, the Hollywood Foreign Press Association expanded its philanthropic program with the donation of a record $2 million grant to Los Angeles City College. Over the summer months LACC’s film and television facilities were completely overhauled and upgraded to the highest standards. “The LACC Foundation has been truly honored to be the recipient of this extraordinary gift from the Hollywood Foreign Press,” said Robert Schwartz, Executive Director of the Los Angeles College Foundation. “This donation will be transformational in its impact, not only in the upgrade of facilities at the college’s cinema and television program, but also in the effect that this will have on the lives of the more than 1,500 students who will study at the HFPA Center for Cinema and Television each semester.” Today, the newly named HFPA Center for Cinema and Television at LACC features a studio in honor of longtime Golden Globe Award producer Dick Clark and a theater after LACC alumnus, Golden Globe winner and Cecil B. deMille recipient, Morgan Freeman.
SHOW YEAR RECIPIENT SHOW YEAR RECIPIENT
72 2015 George Clooney 40 1983 Laurence Olivier
71 2014 Woody Allen 39 1982 Sidney Poitier
70 2013 Jodie Foster 38 1981 Gene Kelly
Cecil B. 69
68
67
2012
2011
2010
Morgan Freeman
Robert De Niro
Martin Scorsese
37
36
35
1980
1979
1978
Henry Fonda
Lucille Ball
Red Skelton
deMILLE®
66 2009 Steven Spielberg 34 1977 Walter Mirisch
65 2008 {no award given} 33 1976 {no award given}
64 2007 Warren Beatty 32 1975 Hal B. Wallis
63 2006 Anthony Hopkins 31 1974 Bette Davis
62 2005 Robin Williams 30 1973 Samuel Goldwyn
AWARD 61
60
2004
2003
Michael Douglas
Gene Hackman
29
28
1972
1971
Alfred Hitchcock
Frank Sinatra
59 2002 Harrison Ford 27 1970 Joan Crawford
58 2001 Al Pacino 26 1969 Gregory Peck
57 2000 Barbra Streisand 25 1968 Kirk Douglas
56 1999 Jack Nicholson 24 1967 Charlton Heston
55 1998 Shirley MacLaine 23 1966 John Wayne
54 1997 Dustin Hoffman 22 1965 James Stewart
53 1996 Sean Connery 21 1964 Joseph E. Levine
52 1995 Sophia Loren 20 1963 Bob Hope
51 1994 Robert Redford 19 1962 Judy Garland
50 1993 Lauren Bacall 18 1961 Fred Astaire
49 1992 Robert Mitchum 17 1960 Bing Crosby
48 1991 Jack Lemmon 16 1959 Maurice Chevalier
47 1990 Audrey Hepburn 15 1958 Buddy Adler
46 1989 Doris Day 14 1957 Mervyn LeRoy
45 1988 Clint Eastwood 13 1956 Jack L. Warner
44 1987 Anthony Quinn 12 1955 Jean Hersholt
43 1986 Barbara Stanwyck 11 1954 Darryl F. Zanuck
42 1985 Elizabeth Taylor 10 1953 Walt Disney
PAST RECI PI ENTS 41 1984 Paul Newman 9 1952 Cecil B. deMilleD ENZEL
WASH I NGTON
2016
Cecil B. deMille®
Award
Recipientabout Denzel Washington From his first notable appearance on screen in A Soldier’s Story, Denzel Washington has always stood out among the crowd. And over a distinguished career in which he’s won three Golden Globes and two Academy Awards, he’s been the ultimate Hollywood star. Who can forget his Detective Alonzo Harris in Training Day or Rubin Carter in The Hurricane. The list is endless: Steve Biko, Malcolm X, Joe Miller in Philadelphia, Frank Lucas in American Gangster, Whip Whitaker in Flight. Critic Gavin Smith best sums up his talent when he writes, “Integrity. That’s the quality that Washington has most come to embody in his acting across 30-plus years. It lies at the heart of his appeal, and on screen, circumstances permitting, he seems to naturally exude it. Self-control is key. As a rule, Washington doesn’t do misfits, mavericks, or loners. He embraces genre material while anchoring it to resolutely level-headed life-sized humanity—no mean feat in today’s Hollywood.” He once described the arc of his career as “chopping wood slowly,” attributing his early successes to people like Bruce Paltrow (St. Elsewhere), Ed Zwick (Glory), Richard Attenborough (Cry Freedom) and Julia Roberts (The Pelican Brief). He holds no brief with those who call Hollywood racist. “There’s racism everywhere,” he said in one of the many press conferences HFPA members have had with him over the years. “People are racist. People are biased. That’s a part of life. All I know is I had to work very hard. Everybody has to work very hard no matter what color you are.” He has been married to musician-singer Pauletta Pearson for 30 years. They met in 1977 when they both appeared in a TV movie, Wilma, and are the proud parents of four adult children. What makes their marriage work so well? “I think friendship is key. We’re friends still. And responsibility helps too. But my wife has done a wonderful job in making sure all our kids have a good spiritual base.” In spite of his unparalleled success, he hasn’t forgotten the lean years “when I worked as a garbage man, when I worked for the post office. I worked in factories. I had nightshifts at a record pressing plant. And I remember before Pauletta and I were married, we had one dollar between us. I let her take the train while I sneaked on, both figuring how we were going to eat when we got downtown. I don’t forget.” And he’s philosophical about turning 60. “In Asian cultures they talk about that as being the age of mastery.’ Okay, that makes sense. That’s when you learn to simplify your life. When you’re young you’re constantly running around, and when you start getting older you think you’re doing less, but the reality is you’re just as effective or more so than you once were. So I embrace it. I mean, it’s life.” When he gave $1 million dollars to Nelson Mandela and the New South Africa, there was no public announcement. That’s not his style. “I’m involved in a lot of different organizations. I do a lot of work for the Boys’ and Girls’ Club. I happen to believe that you have to grab a person’s mind when they’re very young. Prejudice is taught, discrimination is taught, by somebody older. So that’s why I’m involved in teaching young people.” How difficult is it maintaining his high standards? “I’m still looking for movies that inspire. I’m determined to work harder and harder. I like the mail I get. I like how people are responding to what I’m doing. So I will continue to send a positive message.” The late Tony Scott called him the consummate method actor, but he doesn’t appreciate titles or definitions. He doesn’t like to intellectualize or discuss his work. He doesn’t see himself as anything special. “That’s for someone else to say,” he adds. “I just do my job the way I know how.” So what is the best thing about being Denzel Washington? “Being alive is good. I’ve been blessed. My family is everything to me.” The Hollywood Foreign Press Association is proud to present this year’s Cecil B. deMille Award to Denzel Washington for outstanding contribution to the world of entertainment.
D ENZEL WASHINGTON
a life
in film
and
FILM television
The Magnificent Seven (2016) Actor The Bone Collector (1999) Actor
The Equalizer (2014) The Siege (1998) Actor
2 Guns (2013) Actor He Got Game (1998) Actor
Flight (2012) Actor Fallen (1998) Actor
Safe House (2012) Actor The Preacher’s Wife (1996) Actor Cry Freedom (1987) Actor
Unstoppable (2010) Actor Courage Under Fire (1996) Actor Power (1986) Actor
The Book of Eli (2010) Actor, Producer Devil in a Blue Dress (1995) Actor A Soldier’s Story (1984) Actor
The Taking of Pelham 123 (2009) Actor Virtuosity (1995) Actor Carbon Copy (1981) Actor
The Great Debaters (2007) Actor, Director Crimson Tide (1995) Actor
American Gangster (2007) Actor Philadelphia (1993) Actor
Deja Vu (2006) Actor The Pelican Brief (1993) Actor
TELEVISION
Inside Man (2006) Actor Much Ado About Nothing (1993) Actor The March (2013) Narrator
The Manchurian Candidate (2004) Actor Malcolm X (1992) Actor Happily Ever After: Fairy Tales for Every
Man on Fire (2004) Actor Ricochet (1991) Actor Child (1997, 1995) Voice Actor
Out of Time (2003) Actor Mississippi Masala (1991) Actor Great Performances (1992) Narrator
Antwone Fisher (2002) Actor, Director, Producer Mo’ Better Blues (1990) Actor The George McKenna Story (1986) Actor
John Q (2002) Actor Heart Condition (1990) Actor License to Kill 1984) Actor
Training Day (2001) Actor Glory (1989) Actor St. Elsewhere (1982-88) Actor
Remember the Titans (2000) Actor The Mighty Quinn (1989) Actor Flesh & Blood (1979) Actor
The Hurricane (1999) Actor For Queen and Country (1988) Actor The Wilma Rudolph Story (1977) ActorStarry N ights with the
®
Golden Globes at the
Cocoanut Grove
blinking electrified amber eyes. Stars twinkled in the blue ceiling
sky, with a full Hawaiian moon shining over a painted landscape
and splashing waterfall in one corner; on the other side of the
grand room was a wide plush staircase perfect for dramatic
entrances. The city of make-believe had never seen anything like it.
F
Nearly three decades after it opened, the Cocoanut Grove was still
the hottest nightspot in Southern California, attracting the biggest
stars in an endless celebration of the Golden Age of Hollywood.
So naturally it was a perfect match for the 7th annual Golden
rom the day in 1921 when the Ambassador Hotel opened those Globe Awards ceremony of 1950. The still-fledging awards event
gold leaf and etched palm tree doors to the Cocoanut Grove put on by the Hollywood Foreign Correspondents Association
nightclub, Hollywood glitterati flocked there to see and be seen. (precursor to today’s HFPA), had already sampled four venues in
The Moorish-style extravaganza had overhead coconut trees and its brief history – from Fox Studios to the Beverly Hills Hotel,
real palm fronds donated by Rudolph Valentino from his film The Knickerbocker Hotel, and the Hollywood Roosevelt Hotel. But for
Sheik. Life-like stuffed monkeys swung from the branches with the next two decades, with only four exceptions, the Globes wouldJean Simmons and Rock Hudson
William Wyler
make their home at the Ambassador’s glamorous Cocoanut Grove. Robert Wyler, Cathy O’Donnell, William Wyler, Haya Harareet,
Debbie Reynolds and Glenn Ford
Honoring the films of the previous year, the winner for Best Picture was
director Robert Rossen’s All the King’s Men.
The night of the Globes has always been memorable but one standout at the
Cocoanut Grove was in 1954 – the year the hottest star in the room, Marilyn
Monroe, was upstaged when all eyes followed actress Vikki Dougan, in one of
her famous ‘backless’ dresses celebrated in song by the folk music group, the
Limeliters. Not that it mattered to Marilyn, who still got plenty of love as she
clutched her trophy for World Film Favorite. Marilyn, being Marilyn, knew how
to work the press, and in the end she and her Globe were the most
photographed couple of the night.
Yes, the Hollywood Foreign Press shared many cherished memories with the William Wyler (Best Director-Ben Hur)
historic Cocoanut Grove, as part of our own colorful history.
These days the venue may have changed, but nothing stops the flow of
champagne and laughter at what, even back then, was already considered
the best party in town.
Jack Lemmon and Eddie Fisher
Anthony Quinn and Edmond O’BrienThe
Way We
Were –THE GOLDEN GLOBES ®
1960
The 17th Golden Globe Awards were held March 9, 1960 at the
Doris D
Ambassador Hotel’s famous nightclub and celebrity hot spot, the and Ro y
a
ck Hud
son
Cocoanut Grove with a glittering crowd of 1,200 in attendance. The
show, presided over by emcee Dick Powell, was aired locally on KTTV
with plans to syndicate it later, a somewhat controversial decision
protested by AFTRA as the actors present were not going to be paid.
ree
Mille Award hono
Bing Crosby, de
The studios, however, had sanctioned their presence, which may or may not have
been in retaliation for an actors’ strike led by Ronald Reagan, then-President of
SAG, two days earlier. The hour-long show was sponsored by Gelatin-in-Capsules,
a health stimulant.
112 members of the Hollywood Foreign Press Association voted for the winners in all
categories except for World Film Favorite Actor and Actress, which were based on
international newspaper and fan magazine reader polls, and awarded that year to
Rock Hudson and Doris Day.
Ben Hur and its director William Wyler won Best Picture and Best Director.
Andrew Marton, second unit director, was given a special award for his direction
Cocoanut Grove ballroom
of the chariot race in the film.Tony Curtis an
d rt M. Allan Jr.
illand and Rupe
Peter Ustinov Olivia DeHav
y MacLaine,
Steve Parker, Shirle
an d De bb ie Re ynolds
William Wyler Marilyn Monroe
and Haya Harare
et
Some Like It Hot won Best Comedy, and its stars Jack Lemmon and
Marilyn Monroe won Best Actor and Actress for Comedy. In fact, this
was the only American acting award that Monroe won in her entire
career, though she won Globes for World Film Favorite three times.
Army Archerd in Daily Variety had this to say about her appearance:
“Marilyn Monroe, covered to the chin in her furs, left no doubt as to
her reputation for underclothes as she undulated on-off stage. Arthur
Miller didn’t attend.”Archerd went on to take another shot, this time at presenter Jayne
Mansfield: “Jayne Mansfield got on stage moving every muscle, fluffed a
“Black Orpheus” credit, and said, “I have to be international in every
department.” Black Orpheus (France-Brazil) was one of five foreign films that
won that night. The others were Aren’t We Wonderful (Germany), The Bridge Alma and Alfred
Hitchcock
(Germany), Odd Obsession (Japan), and Wild Strawberries (Sweden).
Anthony Franciosa won Best Actor Drama for Career and no-show Elizabeth
Taylor, apparently indisposed, won for Suddenly, Last Summer.
Other awards since retired included Best Motion Picture to Promote
Julie Andrews
International Understanding which went to The Diary of Anne Frank, and Andy Williams
and the Samuel Goldwyn Award for the Best Motion Picture made
Outside of the US which went to Room at the Top.
andall
Tony R
d D o ris Day
an
Cocoanut Grove dinner
Jayne Mansfield and Bradford Dillmand and
Natalie Woo
y W ill ia m s
And
Special Awards for Famous Silent Film Star went to
Francis X. Bushman and Ramon Novarro, and the
International Stars of Tomorrow were Barry Coe, Angie
Dickinson, Troy Donahue, George Hamilton, Janet
Munro, James Shigeta, Stella Stevens and Tuesday Weld.
Georg
Hedda Hopper and Louella Parsons won Special e
Moniq Hamilton
ue Va a
Journalistic Merit awards. According to Archerd, n Voo nd
ren
Powell, who later declared “I honestly didn’t know it was
on tv” despite the presence of television cameras, made
strike jokes and “w.c. jokes,” and referred to an ongoing
Troy Donahue and Barbara Stanwyck
fight between Hopper and Ed Sullivan. Hopper had a
television special on NBC in January in competition with
Sullivan’s eponymous CBS show, and her guest list was impressive. But what made
Sullivan mad was that he had just paid $10,000 to Charlton Heston to appear on his
show when he found out that Hopper only paid him and her other guests (Gary
Cooper, Harold Lloyd, Mickey Rooney and Joan Crawford) the union minimum, $210,
for an interview appearance.
As the evening wore on, Archerd described Mrs.
William Wyler as the “heroine of the evening who
gave instructions which W.W. followed: Get off fast.”
Jayne Mansfiel
d,
Ed Sullivan,
and Sophie Tu
cker
Angie Dickinso
Parsons n and Ricardo
y Curtis and Louella Montalban
William Holden, Ton2015 and the
goldeN ®
globe went to
BOYHOOD RICHARD LINKLATER
JULIANNE MOORE
BEST MOTION PICTURE - DRAMA BEST DIRECTOR - MOTION PICTURE
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BEST MOTION PICTURE - ANIMATED BEST PERFORMANCE BY AN ACTOR
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KEVIN SPACEY JÓHANN JÓHANNSSON
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A MOVIE
THAT
CHANGED
YOUR LIFE CHANNIN
G TATU JULIANNE MOORE
COOL HA M THREE WOMEN
What the m ND LUKE
lly truly noticed
LANCHETT how Paul N
ovie’s sayin
g about free It was firs time that I rea
t
CATE B ewman cou dom – a directorial voice (Rober
t Altman)
DER ld be impriso
WOMAN UN and still be
free. Newm ned
CE an’s just so
THE INFLUEN effortless. H
e never look rt of
a film like it or a per- trying , but ed like he w
I had never seen en . Th er e is no he was doin
g so much an
as
and op he just had
formance as raw a Ro wl an ds and me that life go
ing on behin
d
n G en eyes. It spok
membrane betwee ha pp ening e to me per d his
t like it was sonally and
as the viewer. I fel au di en ce m em-
just like, I
wish I could I was
to me as an land even in
through me and rol when I
ballpark of
whatever h the
ta lly ou t of cont e was doin
be r, an d I fel t to thri lli ng. is definitely g. Th at
wh ich wa s real ly the pinnacl
wa s wa tchi ng it be as an act
or.
eof who I w
ant to
TIFAH
LEONARDO
D ICAPRIO QUE EN LA
TAPS
TAXI DRIVER this
was one of of m y favorite films to
m as a young man It is still one ere
To watch that fil th e psyche of the first fil m s wh
or e im m er siv e experienc es in day. It was one of ly su ch
th e m completely pl aying re al
al. To be actually I saw young actors
another individu ckle wasn’t it was ve ry em ot io nal.
ng that Travis Bi intense roles and
tricked into thinki us e you so kid so I co ul d re al ly get
breakdown beca I was a sensitive
having a sort of a an d hi s longing, BOB ODENKIRK in g th ro ug h, like
s loneliness were go
identified with hi And so that BRYAN CRANSTON into what people ings
ately betrays you. THE LAST DETAIL ffering and bad th
and then he ultim e, and still COMING HOME tough times or su so me-
the transformativ It chal leng ed me to do mor e had to ov er co m e
to me was one of made. Hal Ashby’s movie had a profound happening or you rol in
pendent film ever heav y stuf f but to ger people in cont
the greatest inde emotional impact on me for what it said thing. To see youn have
keep it ligh t way if you will, I
about relationships and mental health such a responsible
n to see.
never really gotteL IA M H E M HELEN MIRREN
SW ORTH
A GUIDE T
O RECOGN L’AVVENTURA
YOUR SAIN IZING My great ambition was to be Sarah Bernhardt,
For me Dito M TS
ontiel’s movie Eleanora Duse, to be one of the great theatre
STEVE CARELL something com was actresses. We didn’t have television at home so
I
pletely didn’t watch TV and we never went to the
DR. STRANGELOVE different and
unique. cinema. I was working as a waitress in my aunt’
matter is very RANTINO
It’s terrifying , the subject QUENTIN TA bed and breakfast in Brighton and it was a rainy
s
al and funny ROCKY
scary, but done in a satiric afternoon and I didn’t have anything to do and
to me that a . It didn’t make
way. It was a revelation I saw it at 12 or 13 e
there was this really stinky little fleapit of an
movie could make you feel
so many m maker but it mad cinema. They either played pornography or art
e. You me want to be a fil fil m . movies, and I just wandered in and sat down.
sam e tim lved in
different ways at the me want to be invo
one mo me nt but feel like al lon e’s whole story of writing There on the screen was Monica Vitti in Anto-
could laugh And St influential to nioni’s L’Avventura. You know those moments
you s ve ry
your guts are being pulled
out of the screenplay wa when you’re young and you see something for the
ly the people’s
fou nd tha t to be really spe- me and he was tru
the next. I I was concerned. first time? I was just breathless with excitement
d to be a part champion as far as
cial. And I always aspire g for him at the afterwards. From that moment I always thoug
ht
tes with people I remember rootin d of film in a different way and wanted to be a cer-
of something that resona like somebody ha
le bit. Academy Awards d in a way tain kind of film actress. Anna Magnani becam
the same way, even a litt snuck into Hollyw
oo d. An
ta my great teacher about film acting, you know,
e
ction, I kind of fel just
when I did Pulp Fi som eh ow gotte n watching her.
I ha d
similar way, like
something.
across the wall or
CHRISTIAN BALE
NAKED
Besides Mike Leigh’s direction
and David
Thewlis’s performance the fact that
it was HFPA members attended more
so local made it more universal; than 600 press conferences in
something
about it made it feel very global
to me 2015. Here are some of the
responses to one of our questions.EATON WAGNER MOURA
MICHAEL K
COWBOY ROCCO AND HIS BROTHERS
MIDNIGHT ic , th os e
yl is ti ca ll y, it s us e of m us (Visconti) pointed the way to neo realism
St en a m ov ie
s, I ha dn’t se for Brazilian Cinema,
pe rf or m an ce TOM MC CARTHY
at be fo re . resulting in films like City of God
m ad e li ke th GANDHI
Rich ard Atte nbo roug h intr odu ced
me
to a wor ld I had neve r seen with
idea s at
LEIGH that time that wer e beyo nd me
JENNIFER JASON.
OON
DOG DAY AFTERN
e out. So I wasn’t actu-
I was 14 when that cam
movie. But me and my
ally old enough to see the e
d we would find someon
girlfriends would go. An it,
ets for us. And I saw
in line that would buy tick
pletely opened my eyes
literally, 17 times. It com
a way, about what a
and changed my world in d
can be. It was so real an
film can do, what acting I felt
l and intens e. An d
so alive and so emotiona
JOANNE F these peo ple that were so on the
ROG myself caring for
GATT ’s performance is just,
WHATEVER
AHPPPENE edges of society. Al Pacino
D lly spoke to me as an
TO BABY JA
N E beyond. It’s just really, rea
me in that way.
It was the first tim
e I saw women artist, that he could reach DIANE LANE
portrayed in a
different way;
I had THE TURNING POINT DONALD SUTHERLAND
no idea actres
ses (Bette Dav
is You got to go inside the female PATHS OF GLORY
Crawford) w , Joan
ere allowed to experience of one woman staying Stanley Kub rick’s anti -wa r film
do that
sort of thing on home (Anne Bancroft) and the other cha nged my life and it alte red me
screen
politica lly and cons ciou sly.
(Shirley Maclaine) choosing a careerRYAN GO SLING
HOLD THAT GHO
ST
JANE FONDA I haven’t really gone
that way in my
TH
GRAPES OF WRA career, but that kind
of slapstick (Abbott ANGELINA JOLIE
ich obviously I saw
My father’s film, wh and Costello) was my
first real THE HILL
ung I thi nk is responsible
very, very yo exposure to film I love Sydney Lumet’s film, both as
father didn’t talk
for my activism. My a piece of art and what it says about
the se movies like
much, but he made man and confinement and friendship
h, Th e Ox bow Incident,
Grapes of Wrat
and t kind of
tha
Twelve Angry Men,
In terms of acting ,
got into my DNA.
y when I was
WILL SMITH it was a Broadway pla
e Page and it was
twelve with Geraldin
STAR WARS saw someone on
the first time that I
be com e a person. They
It was the first film that ever exploded in stage who had
said well,
my mind. It was creatures interacting with weren’t acting and I
kn ow,
people and I didn’t know how they did that. that’s different, you
ved me .
It really opened my mind to the possibilities and it really mo
of what a human brain could create. It was
such an overwhelming experience for me in
that movie theater and it really inspired me
to want to reach and create on the level that
made other people feel how I felt when I was SAMUEL
watching that movie. Figuratively and L .JACK
SON
literally, it took me to another world.
T h e 1 9 3 3 KING KONG
NNAVALE
B OBBY CA
ve
I sa w , I w r si o n , it w a s th e fi OUT A
a tc h ed th r st m o v ie REBEL WITH
a t a n d sa CAUS E
id , I h a v e
b e a m o v ie to dn’t know that
di
st a r. James Dean. I
actors co ul d act like thatCorinne Foxx
Corinne Foxx Miss Golden Globe 2016
Corinne Foxx, 21, is the daughter of Golden Globe award-winning actor, Jamie Foxx.
Currently a senior at USC, she will graduate next May.
She is signed to LA Models and has studied acting at the Howard Fine Acting Studio and the
American Academy for Dramatic Arts. She was featured in a spring/summer campaign for Icing
stores, NYLON Magazine and ASOS Magazine. In February 2015, she appeared on her first
major fashion magazine cover for Rollacoaster Magazine.
Corinne has developed a bullying prevention program and has hosted a school-wide
“Bullying Prevention Week,” a cause close to her heart through high school and college.
Here is Corinne, in her own words:
Having an entertainer as a parent, it becomes easy to put off your education and run
wild with extravagant privileges. It is easy for one to get lost in the limelight of Hollywood.
However, I have always had my north stars to guide me: my two little sisters.
Right after high school, I was given the opportunity to start in the entertainment
industry. I had the ability to pursue acting and modeling at a young age. However, I stayed
strong in my desires to be accepted to a university on my own: without using my name,
without donations or promises of special appearances by my dad. I am about to graduate
from the University of Southern California and will receive a Bachelor of Arts in Public
Relations and a minor in Marketing. My sisters have watched me move into the dorms, get my
first apartment, join a sorority, study for final exams and study abroad in London.
For the last four years, they have watched me grow academically and personally as a result
of my studies. I hope that they will say: “I want to graduate from college, just like Sissy.”
Throughout the years I’ve grown up watching my dad establish himself as a well-
respected actor. I’m honored that the HFPA has given me the opportunity to now
share the same stage where he’s been recognized for some of his greatest accomplishments.dick clark productions
Executive Producers: Allen Shapiro, Mike Mahan Supervising Producer: Louise Van Patten
and Barry Adelman Line Producer: Nicole Velasco
Directed By: Louis J. Horvitz Coordinating Producer: Don Harary
Co-Producer: Melissa Trueblood Lighting Designer: Robert Dickinson
Consulting Producer: Al Schwartz Production Designer: Brian Stonestreet
Music Director: Lenny Stack
A SPECIAL THANK YOU TO:
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InStyle Magazine Mike Goodridge Yangaroo
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2016 PROGRAM DESIGNED AND CREATED BY:
MARIA DIMULESCU - Email: info@mariadimulescu.com www.mariadimulescu.com
DAN HALVERSON - Email: rdprint2000@yahoo.com PRINTED BY: Boss LithoTHE GOLD EN GLOBE® AWARDS
produced by the H olly wood F oreign P ress A ssociation ® with dick clark productions and presented by NBC
P resident : Lorenzo Soria P hotography : Armando Gallo, Magnus Sundholm
T alent C oordinators : Scott Orlin, Elisabeth Sereda D igital & S ocial M edia T eam : Paoula Abou-Jaoude, Mario Amaya, Ana Maria Bahiana,
S eating C ommit tee : Silvia Bizio, Jorge Camara, Jenny Cooney Carrillo, Luca Celada, Erkki Kanto, Meher Tatna, Katherine Tulich
Karen Martin, Paz Mata, Herve Tropea Marlène von Arx
Kirpi Uimonen Ballesteros COO and General Counsel: Gregory P. Goeckner
T icketing C ommittee : Rocio Ayuso, Helen Hoehne, Anke Hofmann, HFPA M anaging D irector : Chantal Dinnage
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P roduction L iaison : Paoula Abou-Jaoude, Noel de Souza P ublic R elations : Sunshine Sachs
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B anquet S upervisors : Lilly Lui, Alessandra Venezia
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E ditors : Philip Berk , Meher Tatna
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R ed C arpet : Sam Asi, Rui Coimbra, Dagmar Dunlevy, Margaret Gardiner,
C ontributors : Vera Anderson, Theo Kingma
Munawar Hosain, Yoram Kahana, H.J. Park, Hans Spürkel
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P ress R ooms : Elmar Biebl, Jorge Camara, Patricia Danaher,
Helen Hoehne, Anke Hofmann, Yoram Kahana,
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