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IRELAND MEDIA RESULTS 2014–2020
INTRODUCTION CREATIVE EUROPE DESK
Fund | Support | Connect IRELAND
The inaugural Creative Europe Programme Creative Europe MEDIA supports Creative Europe Desk Ireland comprises The MEDIA offices have a technical
(2014–2020) was the European Union European film and audiovisual industries three offices representing the MEDIA assistance role in assisting applicants
support programme for the cultural and in the development, distribution and and Culture sub-programmes. The Co- with applications for MEDIA support
creative sectors. Over a seven year period promotion of their projects. MEDIA also ordinator of Creative Europe Desk Ireland and a networking role in facilitating
the EU invested ¤1.46 billion in the offers opportunities to develop skills in is Screen Ireland. The information office European partnerships and co-production
audiovisual and culture sectors. A second traditional and new media technologies as for Culture is based in the Irish Arts opportunities. We organise information
edition of the Creative Europe Programme well as supporting European companies Council. MEDIA has two specialist MEDIA events on the Programme but also events
has been agreed for the period 2021–2027. in targeting markets and networks within information offices, one based in Dublin to upskill and internationalise the sector
and beyond European borders. and one in Galway. and to facilitate networking on a European
The Creative Europe Programme combined level.
two previous stand-alone programmes – Since the first MEDIA Programme The MEDIA offices offer comprehensive
the Culture Programme supporting pan- commenced in 1991 the Irish audiovisual information on the European Union’s The Creative Europe Desk MEDIA Office
European arts and cultural projects and sector has received a total of almost ¤48 Creative Europe Programme and Galway serves as a regional MEDIA office
the MEDIA Programme supporting the million in EU funding for the sector. specifically the MEDIA sub- programme. and also has a remit to provide information
European audiovisual sector. We provide advice, support, and and services as Gaeilge to the growing
information on Creative Europe funding Irish language audio-visual community.
calls and applications for the audiovisual
industries including film, television, video For more information, check out the
¤6m MEDIA 1 (1990–1995) games, festivals and markets. Creative Europe Desk Ireland website,
subscribe to our newsletter, and follow us
¤8.2m MEDIA 2 (1996–2000) on social media.
¤9.5m MEDIA Plus (2001–2006)
¤11m MEDIA 2007 (2007–2013)
¤13m Creative Europe MEDIA (2014–2020)
Cover (clockwise from top): The Racer, Blinder Films; Wolfwalkers, Cartoon Saloon; Cuba’s Wild
Revolution, Crossing the Line; The Day Henry Met, Wiggleywoo; Sea Fever, Fantastic Films
2 3
MEDIA IN IRELAND VIEW FROM THE WEST
MEDIA has been active in Ireland for As the audiovisual sector here has The Creative Europe Funding cycle Galway Film Fair received annual funding
the last 30 years when the MEDIA Desk changed and developed in this time, so too 2014–2020 coincided with a number totalling ¤371,750 for the international
opened its doors first in Dublin with has the type of funding that the MEDIA of key developments in the cultural and market at the Galway Film Fleadh.
Siobhan O’Donoghue at the helm. As a programme offered. Funding for areas creative sectors in the West of Ireland. Gaeltacht company Abú Media was also a
link between the growing Irish sector and such as Video Games and innovative In 2014 Galway was awarded a UNESCO co-beneficiary with an Austrian company
EU Funding, the Desk has been a support business models have been introduced City of Film designation; Halloween 2016 for a project supported under the TV
for many Irish companies as they navigate alongside Producer Support, Festivals, saw the celebration of Broadcaster TG4’s Programming Scheme.
the challenging European funding process Markets, Distribution and Training. The 20th birthday; the Western Regional
and become stronger companies in the programme also provided indirect support Audiovisual Producers (WRAP) Fund was In addition to the direct funding received,
process. by subsidising professional training and launched in 2017; and in 2020 Galway the West of Ireland benefited from Creative
providing access to international markets was European Capital of Culture albeit Europe MEDIA training and market events
A key element in assisting Irish companies at preferential rates through the Creative virtually for the most part due to the such as the hosting of MEDIA supported
grow and compete on a European level, Europe MEDIA Stands. Covid-19 pandemic. Training Programme EAVE in Galway
the MEDIA programme has invested in 2020 which included a special Irish/
almost ¤48 million in the Irish audiovisual It has been a very strong seven years for During this seven-year period, Creative Croatian exchange and events organised
industry. In 2014, the MEDIA programme the Irish audiovisual industry and we are Europe MEDIA invested a total of by MEDIA Office Galway including the
became part of the Creative Europe honoured to be in a position to be able ¤1,867,798 in the audiovisual and Video annual MEDIA Co-Production Dinner at
Programme and has awarded ¤13 million to help the industry tell their stories to Games sectors in the West of Ireland. the Galway Film Fleadh.
in direct funding to Irish companies across audiences across the world. We look ¤500,000 was invested in Gaeltacht
the Film, Documentary, Animation, TV forward to the next Creative Europe companies representing 3.8% of the total The audio-visual sector in the West
and video games sectors within the last programme and to supporting the Irish Creative Europe MEDIA funding to Ireland. continues to grow and flourish. We hope
seven years. audiovisual sector for years to come. to build on this success in the forthcoming
The majority of funding received was Creative Europe MEDIA Programme
Film and TV development has always been Orla Clancy, MEDIA Office Dublin for the development of Film and TV (2021–2027).
an important resource accounting for 58% projects and Video Games. 3 companies
of the funding awarded (¤7.5 million) with – Telegael Teo, Moetion Films and Soilsiú Eibhlín Ní Mhunghaile,
22 companies receiving Slate funding and Teo – received ¤585,000 in Slate Funding Creative Europe Desk Ireland, MEDIA
39 companies awarded funding under the support. 7 companies – Magamedia Office Galway
Single Project Funding scheme. Films such Teo, Soilsiú Teo, Aliceway/Bandit Films,
as The Killing of a Sacred Deer, Handsome Léirithe Rúnda, South Wind Blows, Lunar
Devil and Wolfwalkers were supported Pictures and Magpie 6 Media – received
alongside documentaries Mattress Men, ¤285,000 for the development of Single
School Life and Wild Ireland as well as projects. 4 companies – Tribal City
TV shows Dead Still, Acceptable Risk and Interactive, Isometric Dreams, Psychic
Becca’s Bunch. Games and Timeslip Software – received a
total of ¤566,077 for the development of
Industry Breakfast EU Copyright Directive, 2019 6 Video games. MEDIA Co-production Dinner at Galway Film Fleadh
4 5
FUNDING TO IRELAND
2014–2020
Distribution
(All & Online)
¤219,761
Markets & Festivals
(includes Audience)
Development ¤636,721
¤7,496,964
Promotion
Training Online
¤1,423,985 ¤534,406
TV Since 2014, over ¤13 million has been
awarded to Irish companies through
¤1,467,118 Creative Europe MEDIA. This funding
has helped to grow and internationalise
the Irish audiovisual sector by not only
Video Games investing in the creation of international
¤1,224,356 projects through the Producer Support
Schemes but also by giving Irish
professionals access to International
markets and training. Irish films have
also been seen across Europe thanks to
Distribution support.
6 7
Humanity Complex, Gambrinous Screen Leaders, Screen Ireland Dead Still, Deadpan Pictures Becca’s Bunch, JAM Media The Winter Lake, Tailored Films Emmy Award for The Farthest, Crossing the Line, 2018 Cork International Film Festival Elaine Geraghty, Simteractive Alva’s World, Kavaleer Productions Herself, Element Pictures (Distribution) 8 9
DEVELOPMENT Year
2014
Company
Samson Films
Genre
Drama
2014 Fastnet Films Drama
Creative Europe MEDIA provided SLATE DEVELOPMENT
2014 Subotica Ltd Drama
opportunities for film producers to develop Support was available for the development
projects with the potential to circulate in of Slates of 3–5 projects. 2014 Cartoon Saloon Animation
the European Union and internationally. 2014 Telegael Teoranta Animation / Drama
MEDIA also seeks to facilitate European > A total of ¤5,346,964 was awarded
2014 Kavaleer Animation
and international co-productions. to 22 Irish companies between 2014–
2020. 2014 Crossing the Line Documentary
From 2014-2020 Creative Europe 2014 Brown Bag Animation
MEDIA provided Development support
2014 Treasure Drama
through Single Project and Slate
Funding supporting animation, creative 2015 Element Pictures Drama
documentary, and fiction projects for 2015 Jam Media Animation
cinema release, television broadcasting,
2016 Fantastic Film Ltd. Drama
or digital distribution. Support was also
available for the development of narrative 2016 Treasure Entertainment Drama
Video Games. 2016 Fastnet Films Drama
2016 Crossing the Line Documentary
2017 Element Pictures Drama
‘Our long association with 2017 Subotica Ltd Drama
Creative Europe has allowed 2017 Deadpan Pictures Drama
us to build a reputation not 2017 Moetion Films Animation
only as a creative generator 2018 Jam Media Animation
of distinctive, observational
2018 Green Pavilion Drama
documentaries but also as
reliable European coproducers 2018 Savage Productions Drama
who can bring insight and 2019 Samson Films Drama
energy to a project. We are 2019 Film & Music Entertainment (IRE) Drama
delighted to have Creative
2019 Wild Atlantic Pictures Drama
Europe as partners in our new
initiatives – funding an Irish 2019 Underground Films Drama
company to confidently move 2020 Hell’s Kitchen Drama & Documentary
beyond the confines of our own 2020 Element Pictures Drama
borders and pools of finance.’
2020 Soilsiú Drama & Documentary
School Life, Soilsiú Films Soilsiú Films
2020 Treasure Entertainment Drama
Total: ¤5,346,964
10 11
SINGLE PROJECT SUPPORT SINGLE PROJECT FUNDING TO IRISH COMPANIES 2014–2020
Year Company Project Title Genre
Support was available for the development 2014 Soilsiú Teoranta School Life Documentary
of Animation, Drama, and Creative 2014 Magamedia Teoranta Leaning into the wind Documentary
Documentaries under the Single project 2014 Planet Korda Butterfly City Documentary
strand.
‘We were absolutely delighted 2014 Screenworks Ltd Undercard Drama
> A total of ¤2,150,000 was awarded to to receive Single Project 2014 Zanita Associates Ltd The Blue Flower Drama
39 Irish companies for 46 projects. Development funding from 2014 Aliceway Ltd Rare Earth Drama
Creative Europe! This is our 2014 Savage Productions Why the Dogs had to Die Drama
first time ever receiving the Grand Pictures D (aka
single project award though 2014 Breakfast at the New Yorker Drama
Deadpan)
we’d applied for it before. The CR Entertainment (Beactive
2014 Get Happy Drama
application process wasn’t too Int)
difficult - it’s just important 2014 Fantastic Film Ltd Sea Fever Drama
to understand what Creative 2014 Newgrange Pictures Ltd Playdate Drama
Europe are looking to fund.’ 2015 Igloo Films Ltd The Boy in the Bubble Animation
2015 El Zorrero Films Mattress Men Documentary
Julianne Ford & Ruth Treacy,
Tailored Films 2015 Blacksheep The End of Romance Drama
2015 Fantastic Film Ltd Vivarium Drama
2015 Footnote Productions The Traveller’s Daughter Drama
2015 Whackala Slow Documentary
2016 Zanzibar Films Less Than Human Documentary
2016 Wide Eye Films Don’t Let Go Drama
2016 Light Cube Ltd Jelly Pixels Animation
2016 Monster Entertainment Hunted Animation
2016 Léirithe Rúnda Farewell to Music Documentary
2017 Igloo Films Ltd Peek Zoo Animation
I’ve Got a Time Travelling
2017 Treehouse Republic Animation
Monkey on My Back
2017 Kite Entertainment Brain Freeze XL Animation
Old Friend - New Master:
2017 Gambit Pictures Will China Save Europe’s Documentary
Julianne Ford & Ruth Treacy, Tailored Films
Piano industry
The Pervert’s Guide to the
2017 Blinder Films Documentary
Twenty First Century
12 13
2017 Tailored Films Winter Lake Drama
2017 Merlin Films Halfway House Drama
2017 Lightcube Ltd. Emotional Weather Station Animation
2018 Wiggly Woo Scribe Animation
2018 Cartoon Saloon Silly Sundays Animation
That They May Face the
2018 South Wind Blows Drama
Rising Sun
2019 Tailored films Black Unicorn Drama
2019 Tiger Darling Productions The Sparrow Drama
Ebony Smart & The Book of
2019 Ripple World Pictures Drama
Learning
2019 Light Cube Ltd. Play it Again Animation
2019 Ink and light Stories from Backwoods Animation Sea Fever, Fantastic Films
2019 Wide Eye Media That’s Alright Mama Fiction
2020 El Zorrero Films Piece Animation
2020 Planet Korda Pictures Mother’s Little Secret Documentary
The Northwest Scourge
2020 Fastnet Films Fiction
(El Azote Noroccidente)
2020 Lunar Pictures Dad’s Red Dress Fiction
2020 Dream Logic Animation Studios The Ghastly Ghoul Animation
2020 Roundstone Media Young Pirate Queen Fiction
2020 Magpie 6 Media The Wee Littles Animation
Total: ¤2,150,000
‘It’s incredible news that Slán Leis an gCeol (Farewell to Music), Léirithe Rúnda
Creative Europe is funding
the development of the TV
series, Young Pirate Queen. We
can’t wait to start working on
bringing the adventures of a
Young Grace O’Malley to Irish
and international TV screens.’
Triona Campbell,
Roundstone Media Peek Zoo, Igloo Films Mattress Men, El Zorrero Films
14 15
VIDEO GAMES TELEVISION
Support was available for the development > A total of ¤1,224,356 was awarded to Support was available to Independent > 6 Irish companies received ¤1,467,118
of narrative Video Games. 8 Irish companies to develop 11 video production companies to produce fiction, for 9 TV projects from 2014–2020.
games. creative documentaries, or animated
programmes that had the potential to
Year Company Project Title circulate within the European Union and
2014 Story Toys Ltd CLIKS beyond.
2015 Tribal City Interactive Ltd Runes of Aran
2017 Pewter Games Studio Ltd. Athanasia
2017 Tribal City Entertainment Tír Annan
2018 Gambrinous Limited Cardpocalypse
2018 Isometric Dreams Sunken Spectre Year Company Project Title
2018 Simteractive Limited Designer Life 2014 Wiggley Woo The Day Henry Met
2019 Timeslip Softworks And Prometheus Wept 2015 Planet Korda Butterfly City
2019 Psychic Games The Necromancer 2016 Jam Media Ltd Becca’s Bunch
2020 Isometric Dreams (Spooky Doorway) Song of the Seasons 2016 Crossing the Line Ltd. Cuba’s Wild Revolution
2020 Gambrinous The Humanity Complex 2018 Kavaleer Productions Ltd. Circle Square
Total: ¤1,224,356 2018 Crossing the Line Ltd. Big Bend – America’s Wildest Frontier
2019 Gambit Pictures Ltd Piano Dreams
‘The Creative Europe MEDIA 2019 Crossing the Line Transylvania’s Wild Side
Fund has allowed our studio 2020 Wiggleywoo Farmer Mo
to expand both its vision and Total: ¤1,467,118
potential. The financial support
it has provided has given us the ‘MEDIA funding has allowed
freedom to explore new and
us to develop ideas and
bolder ideas matching
produce films to the highest
our aspirations and has given
international standards. It
us the chance to work with the
has really helped elevate the
people we need to bring our
quality of our work which has
concepts to reality.’
in turn spurred us on to even
Paul Conway, CEO & Artist, Isometric bigger and better projects.’
Dreams /Spooky Doorway Song of the Seasons, Isometric Dreams /Spooky Doorway
John Murray,
Wild Ireland: The Edge of the World, Crossing The Line Films Crossing the Line Films
16 17
TRAINING EUROPEAN TRAINING COURSES
Since 2014, over 55 Irish professionals Training Programmes are invaluable
have participated in Creative Europe in upskilling European audiovisual
EUROPEAN TRAINING > Screen Skills Ireland has received MEDIA Training courses assisted by professionals. Networking with European
PROVIDERS ¤1,423,985 from Creative Europe for Screen Skills Ireland’s Bursary scheme peers in a supportive environment is
MEDIA’s Training funding Scheme the Screen Leaders and VFX: Script to that contributes towards the costs of also a major benefit in taking part in
supports activities aimed at increasing Screen training programmes. attending. These include programmes these training programmes. Producer
the skills and networking capabilities of from Training providers such as EAVE, training programmes such as EAVE
professionals in the audiovisual sector. ACE Producers, Erich Pommer Institut, allow participants to meet potential co-
Grants are offered to European training ‘Among the incredible LIM Less is More, Eurodoc and Torino Film producers and form long-lasting creative
providers to enable them to deliver achievements of the Lab among others. and business partnerships.
high-level training activities to upskill participating companies are
professionals at various stages of their
over 20 total Oscar nominations,
careers.
more than 15 Golden Globes
nominations, 10 Emmy
Creative Europe MEDIA supports more
than 50 high-level pan-European Training nominations and countless
initiatives each year. Improving the skills international festival prizes,
of talented European professionals is a awards and recognitions. This
core objective of the MEDIA programme. has been made possible thanks
Training courses differ in costs, format, to funding from Creative Europe
length and target group and take place MEDIA, which has been integral
online and at various sites all over Europe to the continued success of the
and beyond. Screen Leaders programme.’
Teresa McGrane, Deputy Chief
Executive, Screen Ireland
Screen Leaders, Group Photo
‘I think any of the Creative
Europe MEDIA training courses
are a great start for young
people because you learn a
lot and you start to create a
network of people who can help
you down the road when you’re
trying to get your films made.’
Screen Leaders Andrew Lowe, Element Pictures
18 19DISTRIBUTION
MEDIA supports the distribution and a total of ¤145,161 under the Automatic
broadcasting of fiction, documentary, Distribution Scheme. The aim of the
animation, and interactive programmes automatic support scheme is to support
as well as European films on-line, in movie the wider transnational distribution of
theatres, and on television. Financial recent European films by providing funds
support is available to European Cinema to Distributors, based upon their market
distributors for the distribution of non- performance, for further investment in
national European films under two support new non-national European films.
mechanisms:
The scheme also aims to encourage
1. Selective Scheme. Irish distribution the development of links between the
companies have received funding to production and distribution sectors thus
distribute non-national European Films. improving the competitive position of
Access Cinema, Wildcard Distribution non-national European films and the
and Element Distribution have received competitiveness of European companies.
¤74,600 since 2014
European Distributors received support
2. Automatic Scheme. Curzon Film to distribute Irish Films across Europe
World, Soda Pictures, Entertainment Film including: Float like a Butterfly; Katie;
Distributors, Metrodome Distribution, Without a Name; The Killing of a Sacred
Wiserealm, Element Distribution and Deer, Herself, The Breadwinner and Halal
Magnetes Pictures Ireland have received Daddy.
Float Like a Butterfly, Samson Films (Sales Agents Support)
‘In recent years, access>CINEMA
has successfully applied to
MEDIA for Cinema Distribution
support under their Selective
Scheme. This has allowed us to
act as the Irish distributor for a
number of European titles.’
Maeve Cooke, Director,
access>CINEMA
Halal Daddy (Distribution Support) The Breadwinner, Cartoon Saloon
20 21PROMOTION OF ONLINE FILM FESTIVALS
WORKS
This scheme supported the promotion
of European Audiovisual works online by
supporting European VOD services and
online tools.
‘We are really thankful to
Creative Europe for believing The scheme focussed on Innovative
in our vision. We are excited to strategies for distribution and promotion
build the Movie Voyage platform of European audiovisual works, including
which will help fans find great audience development initiatives focusing
European films. Europe is on innovative and participatory strategies
competing for audiences with reaching out to wider audiences with
the heavily funded Hollywood European films.
industry. Our role is to help the
> We Love Cinema / Usheru received
European film industry make
¤194,520 for their Eurofilm Platform
data-led distribution choices.’
in 2019; and ¤339,886 in 2020 for
Oliver Fegan, Co-founder, usheru Eurofilm 2.0 (Movie Voyage).
Cork International Film Festival 2019, Opening Gala
Each year MEDIA supported over 100
European Film Festivals notable for their
particularly rich and varied programme ‘Thanks to Creative Europe
of European films, their efforts to engage MEDIA’s support, Cork
with the general public, and their activities International Film Festival
involving professionals in large numbers.
has been able to grow and
develop, showcasing the largest
Audience development initiatives were
programme of European
encouraged to stimulate interest in and
increase access to European audiovisual features and short films in
works particularly for young audiences. Ireland, and facilitating pan-
European conversations amongst
> 2018 – 2020, Cork Film Festival filmmakers and Irish audiences.’
received ¤165,000 from Creative
The Usheru Team Europe. Fiona Clark, Festival Director and CEO
22 23MARKETS
MEDIA Umbrella Stand
Attending European markets is vital for ‘Over the years we have
Irish independent producers to source regularly attended Berlinale
Galway Film Fair at Galway Film Fleadh European financing and distribution and and Marché du Film Cannes
to build partnerships and networks.
among others as it’s incredibly
The Access to Markets scheme supports ‘The funding and investment
important to connect with your
organisations that propose events and provided by the Creative Creative Europe MEDIA provides an
activities designed to promote European umbrella stand for European professionals peers in the industry. Being
Europe MEDIA programme has
Audiovisual works and facilitate access to enabled the Galway Film Fair to at major audiovisual markets such as MIP in the EU and able to avail
markets for Professionals. grow and achieve multifarious TV, MIPCOM, Series Mania, Annecy MIFA, of MEDIA-led networks and
Cannes Film Festival and the Berlinale. markets is not something to
successes through the provision
> Galway Film Fair at Galway Film Visit Media-Stands.eu for information on take for granted - we have
of an invaluable Marketplace,
Fleadh has received funding totalling how to access preferential rates through made invaluable partnerships
seminars and industry events,
¤371,750 in Creative Europe since MEDIA stands for upcoming markets.
running alongside a vibrant film and friendships over the years
2014. In 2017, Irish company Park
festival, allowing for a critical through these events.’
Films were awarded ¤40,000 for Creative Europe also directly supported
Rangle, a digital platform with a mass of industry professionals special interest and thematic markets
mobile app that connects productions supporting, promoting such as CARTOON Forum, IDFA Sarah Gunne, Treasure Entertainment
with crews. and showcasing European Documentary Forum and the Berlinale
Audiovisual works.’ Co-Production Market. Creative Europe
also supported database and online tools
Miriam Allen, such as Cineuropa and Cinando.
CEO Galway Film Fleadh
24 25AUDIENCE DEVELOPMENT CO-PRODUCTION FUNDS
One of the priorities of the Creative Europe
Programme was to promote audience
development and increase access to Creative Europe supported organisations were Torino Film Lab World Production
European audiovisual works. Support was that helped European and international & Distribution Fund, World Cinema Fund
available for projects to promote Film co-production partners to meet or provide Europe, IDFA Bertha Fund Europe, HBF+
Literacy, Film Education and Audience them with access to international co- Europe, ACM Distribution.
Development events. production funds. Supported beneficiaries
In 2014, Fís na Mílaoise Teo received
¤59,960 for ‘North by Northwest – Films
on the Fringe.’ With partners in Finland,
Iceland, Scotland and Norway this Irish-
led project was designed to bring the best
of European cinema to remote regions in
these territories.
The Irish Film Institute were a minority
partner in the European Framework ‘The IFI was delighted to
for Film Education Project with British participate in the Framework
Film Institute Royal Charter which were for Film Education Project,
awarded support under the Film Literacy initiated by BFI in 2015. This
strand. was a real chance to learn
from longer established film
education programmes, but
also to engage with the deeper
questions concerning film and
film culture, and its place within
our respective societies and
education sectors. It is through
these shared projects that we
can progress our own ideas
within the much broader context
of wider Europe.’
Alicia McGivern, Head of Education,
Irish Film Institute
26 27EXHIBITION EUROPA CINEMAS IRELAND
EUROPA CINEMAS ‘In 2004, access>CINEMA
Supported by the MEDIA Programme, became the first mini-network
Europa Cinemas is a film theatre network of part-time venues showing
whose objective is to provide operational cultural cinema to be accepted Regional Cultural Centre,
and financial support to cinemas that Letterkenny
as a member of Europa Cinemas.
screen a significant number of European
The support received from
non-national films.
Europa Cinemas is crucial in Abbey Centre
There are 25 cinemas and film clubs aligned allowing part-time cinema Sligo Film Society
to the Europa Cinemas network including exhibitors to develop and extend
the Irish Film Institute, Lighthouse Cinema, the programming of European
Palás Cinema, Triskel Arts Centre, and 21 cinema in their localities.’
access>CINEMA members.
Maeve Cooke, Director, Westport Film Club Solstice Arts Centre
access>CINEMA
Draíocht Arts Centre
Irish Film Institute
Galway Film Society Light House Cinema
Pálás Pavilion Theatre
Mermaid Arts Centre
Dunamaise Arts Centre
Riverbank Arts Centre
The Source Arts Centre VISUAL, Carlow
Tipperary Excel
St Michael’s Theatre
Garter Lane Arts Centre
Waterfordfilmforall
Sulan Film Society Triskel Christchurch
Cinemax, Bantry Clonakilty Film Club
28 29CROSS SECTORAL STRAND NEW PROGRAMME
The Cross sectoral strand of the Creative In 2018, Maynooth University received CREATIVE EUROPE 2021-2027
Europe programme, in addition to ¤399,294 for its IGNITE Design Thinking The new Creative Europe programme
establishing a Guarantee Facility for the & Making in the Arts & Science. IGNITE will run from 2021–2027. The new
cultural and creative sectors, included unites academic institutions and creative Creative Europe programme recognises
a number of Transnational policy co- industry partners from three countries to that Europe’s rich cultural heritage and
operation activities designed to support create an open-source, online course to be dynamic cultural and creative sectors
the exchange of experiences and know- delivered via the #dariahTeach platform. contribute to European identity and
how relating to new business and Europe’s future. The cultural and creative
management models. From April 2018 to July 2020, the sectors strongly shape daily life of the
IGNITE project developed a 20 ECTS Union’s citizens and fully contribute to
In 2017, the European Commission course entitled ‘Design Thinking & the Union’s economies, generating jobs
launched a ¤1.5 million experimental Making in the Arts and Sciences’, and growth, whilst promoting European
call for proposals to design innovative divided into 5 ECTS units which can be excellence on the world stage.
interdisciplinary modules for Master taken together or independently to be
degrees, combining arts and ICT with taught within Masters programmes at The budget for the period has increased The overarching objectives of the
entrepreneurial skills and business Aarhus (Denmark) and Maastricht (The to approximately ¤2.5 billion for 2021- Programme have been renewed so as to
exposure. Netherlands) Universities. 2027 reflecting the European Union’s safeguard, develop and promote European
recognition of their essential role in the cooperation on cultural and linguistic
Union. diversity and heritage, to preserve
cultural heritage as well as to increase
For many years European support to the competitiveness and the economic
culture and the audiovisual sectors has potential of the cultural and creative
been provided through various funding sectors, in particular the audiovisual
programmes and most recently through industry.
the Creative Europe programme 2014-
2020. The new Creative Europe builds The structure of the Programme will cover
upon this experience and sets out to three strands:
continue its success. Via a reinforced > MEDIA covers the audiovisual sector.
budget, Creative Europe will further > CULTURE covers cultural and creative
strengthen the competitiveness of the sectors.
cultural and creative sectors at the > CROSS SECTORAL strand covers
European and global level. activities across all cultural and
creative sectors and includes for the
first time dedicated support to news
media.
30 31Orla Clancy
Creative Europe Desk Ireland -
MEDIA Office Dublin
14-16 Lord Edward St.
Dublin 2
Tel: +353 1 6791856
orla@creativeeuropeireland.eu
Eibhlín Ní Mhunghaile
Creative Europe Desk Ireland -
MEDIA Office Galway
An Chuasnóg, An Spidéal,
Co. na Gaillimhe
Tel: +353 91 353491
eibhlin@creativeeuropeireland.eu
Údarás na
Gaeltachta
@CEDIrelandMEDIA
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