New Bond Street, London | 27 January 2021 - Bonhams
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New Bond Street, London | 27 January 2021
Lot 22 (detail)
Lot 33 (detail)
Lot 14 (detail)
New Bond Street, London I Wednesday 27 January 2021 at 4pm
VIEWING ENQUIRIES CUSTOMER SERVICES REGISTRATION
Please note that there are Cassi Young Monday to Friday 8.30am to 6pm IMPORTANT NOTICE
no viewings for this sale. +44 (0) 20 7468 5815 +44 (0) 20 7447 7447 Please note that all customers,
cassi.young@bonhams.com irrespective of any previous activity
SALE NUMBER As a courtesy to intending with Bonhams, are required to
26984 Oliver Morris-Jones bidders, Bonhams will provide a complete the Bidder Registration
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CATALOGUE oliver.morris-jones@bonhams.com condition of lots in this sale if a form can be found at the back of
request is received up to 24 hours every catalogue and on our website
£30.00
before the auction starts. This at www.bonhams.com and should
BIDS THANKS TO written Indication is issued subject be returned by email or post to the
Natalia Brusa to Clause 3 of the Notice to Bidders. specialist department or to the bids
+44 (0) 20 7447 7447 department at bids@bonhams.com
bids@bonhams.com Tim Readhead
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International Post-War & Contemporary Art
Specialists
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Sale Information
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+44 (0) 20 7468 5873
contemporaryart@bonhams.comLot 12 (detail)
PROPERTY FROM THE SAATCHI COLLECTION
1
SUZANNE MCCLELLAND (B. 1959) Provenance
Domestic Terrorist; Dibee Team Gallery, Inc., New York
2014 Acquired directly from the above by the present owner in 2014
signed, titled, dated 2014 and variously inscribed on the reverse Exhibited
oil paint, acrylic, dry pigment and gesso on linen London, Saatchi Gallery, Champagne Life, 2016, p. 95, illustrated
in colour
213.3 by 183.1 cm.
84 by 72 1/16 in.
£3,000 - 5,000
$4,000 - 6,700
€3,300 - 5,500
To be sold without reserve
For details of the charges payable in addition to the final Hammer Price of each Lot
6 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.PROPERTY FROM THE SAATCHI COLLECTION 2 JULIA GOLDMAN (B. 1982) Provenance (i) Girl 10, 2009 Museum 52, New York (ii) Girl 15, 2009 Acquired directly from the above by the present owner in 2009 (iii) Girl 22, 2009 Each: signed, titled and dated 2009 on the overlap Each: oil on canvas (i) 35.3 by 30.3 cm. 13 7/8 by 11 15/16 in. (ii) 35.3 by 30.3 cm. 13 7/8 by 11 15/16 in. (iii) 45.7 by 38 cm. 18 by 14 15/16 in. £1,500 - 2,000 $2,000 - 2,700 €1,700 - 2,200 To be sold without reserve For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE SAATCHI EDIT | 7
PROPERTY FROM THE SAATCHI COLLECTION
3AR
KATE GROOBEY (B. 1979) Provenance
The Cutting Mat Acquired directly from the artist by the present owner in 2010
2010
Exhibited
signed and dated 2010 on the stretcher London, Saatchi Gallery, Newspeak: British Art Now, 2010
oil on canvas
150.1 by 130.2 cm.
59 1/8 by 51 1/4 in.
£1,000 - 1,500
$1,300 - 2,000
€1,100 - 1,700
To be sold without reserve
For details of the charges payable in addition to the final Hammer Price of each Lot
8 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.PROPERTY FROM THE SAATCHI COLLECTION 4AR LIZ NEAL (B. 1973) Provenance My Love Store Gallery, London 2004 Acquired directly from the above by the present owner in 2004 oil on canvas 151.4 by 121.1 cm. 59 5/8 by 47 11/16 in. This work was executed in 2004. £1,500 - 2,000 $2,000 - 2,700 €1,700 - 2,200 To be sold without reserve For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE SAATCHI EDIT | 9
PROPERTY FROM THE SAATCHI COLLECTION
5AR
JENNY HAMBLETT
Breath’s A Ware That Will Not Keep
2006
signed, titled and dated 2006 on the reverse
oil on canvas
185 by 150 cm.
72 13/16 by 59 1/16 in.
£2,000 - 3,000
$2,700 - 4,000
€2,200 - 3,300
To be sold without reserve
Provenance
Acquired directly from the artist by the present owner in 2006
For details of the charges payable in addition to the final Hammer Price of each Lot
10 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.PROPERTY FROM THE SAATCHI COLLECTION
6AR
SELMA PARLOUR (B. 1976) Provenance
Room Bloomberg New Contemporaries, London
2010 Acquired directly from the above by the present owner in 2011
signed, titled and dated 2010 on the overlap Exhibited
oil on canvas London, Institute of Contemporary Art (ICA), Bloomberg New
Contemporaries 2011, 2011-2012
150 by 162.2 cm.
59 1/16 by 63 7/8 in.
£1,500 - 2,500
$2,000 - 3,400
€1,700 - 2,800
To be sold without reserve
For details of the charges payable in addition to the final Hammer Price of each Lot
please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE SAATCHI EDIT | 11PROPERTY FROM THE SAATCHI COLLECTION
7
RY FYAN (B. 1978) Provenance
Still One Place Left To Go The Proposition, New York
2006 Acquired directly from the above by the present owner in 2007
signed, titled, and dated 2006 on the reverse Exhibited
acrylic on board New York, The Proposition, American Concentration Camp, 2006
58.5 by 66 cm.
23 1/16 by 26 in.
£2,000 - 3,000
$2,700 - 4,000
€2,200 - 3,300
To be sold without reserve
For details of the charges payable in addition to the final Hammer Price of each Lot
12 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.PROPERTY FROM THE SAATCHI COLLECTION
8AR
Provenance
BEN WASHINGTON (B. 1981)
Acquired directly from the artist by the present owner in 2011
The Airport Meditation Room
2011
acrylic, wood, inkjet print and metal on panel
200 by 105.8 cm.
78 3/4 by 41 5/8 in.
This work was executed in 2011.
£1,500 - 2,000
$2,000 - 2,700
€1,700 - 2,200
To be sold without reserve
For details of the charges payable in addition to the final Hammer Price of each Lot
please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE SAATCHI EDIT | 13PROPERTY FROM THE SAATCHI COLLECTION
9
JASON BRINKERHOFF (B. 1974)
Provenance
(i) Guardians I, 2011
Zieher Smith Gallery, New York
(ii) Familiar Faces, 2011
Acquired directly from the above by the present owner in 2011
(iii) Summer Knows Best, 2011
Exhibited
(i) graphite, coloured pencil, pen, crayon, ink and collage on paper
London, Saatchi Gallery, Paper, 2013, p. 25; p.26; p. 28, illustrated
in colour
25.6 by 33.3 cm.
10 1/16 by 13 1/8 in.
(ii) graphite, coloured pencil, pen, crayon, ink and collage on paper
20 by 13.5 cm.
7 7/8 by 5 5/16 in.
(iii) signed, titled and dated 2011 on the reverse
graphite, coloured pencil and crayon on paper
23 by 17.5 cm.
9 1/16 by 6 7/8 in.
£1,500 - 2,000
$2,000 - 2,700
€1,700 - 2,200
To be sold without reserve
For details of the charges payable in addition to the final Hammer Price of each Lot
14 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.PROPERTY FROM THE SAATCHI COLLECTION
10AR
STEVEN LOWERY (B. 1980) Provenance
Can Tongues Jump Through Hoops New Contemporaries (1988) Ltd., Manchester
2003 Acquired directly from the above by the present owner in 2005
signed, titled and dated 22/9/03 - 29/9/03 on the reverse Exhibited
ink, collage and mixed media on paper London, Saatchi Gallery, Paper, 2013, p. 119, illustrated in colour
29.3 by 20.7 cm. Literature
11 9/16 by 8 1/8 in. C. Mullins, Saatchi Gallery: Loan of Art, London 2006, p. 214,
illustrated in colour
£1,000 - 1,500
$1,300 - 2,000
€1,100 - 1,700
To be sold without reserve
For details of the charges payable in addition to the final Hammer Price of each Lot
please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE SAATCHI EDIT | 15PROPERTY FROM THE SAATCHI COLLECTION
11AR
STEVEN LOWERY (B. 1980) Provenance
“Gnashin” was in fashion New Contemporaries (1988) Ltd., Manchester
2003 Acquired directly from the above by the present owner in 2005
signed, titled and dated 07/3/03 on the reverse Exhibited
pen on paper London, Saatchi Gallery, Paper, 2013, p. 119, illustrated in colour
29.3 by 21 cm. Literature
11 9/16 by 8 1/4 in. C. Mullins, Saatchi Gallery: Loan of Art, London 2006, p. 214,
illustrated in colour
£1,000 - 1,500
$1,300 - 2,000
€1,100 - 1,700
To be sold without reserve
For details of the charges payable in addition to the final Hammer Price of each Lot
16 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.PROPERTY FROM THE SAATCHI COLLECTION
12
HILARY HARNISCHFEGER (B. 1972)
Provenance
Patternist II
Elizabeth Dee Gallery, New York
2007
Acquired directly from the above by the present owner in 2008
ink, glue, layered paper collage and plaster
76 by 55.5 by 7.5 cm.
29 15/16 by 21 7/8 by 2 15/16 in.
This work was executed in 2007.
£1,500 - 2,000
$2,000 - 2,700
€1,700 - 2,200
To be sold without reserve
For details of the charges payable in addition to the final Hammer Price of each Lot
please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE SAATCHI EDIT | 17PROPERTY FROM THE SAATCHI COLLECTION
13AR
ALICE KÖNITZ (B. 1970) Provenance
Circle Lamp Bellwether Gallery, New York
2007 Acquired directly from the above by the present owner in 2007
paper laid on luan and wire
Diameter: 73 cm.
28 3/4 in.
This work was executed in 2007.
£1,000 - 1,500
$1,300 - 2,000
€1,100 - 1,700
To be sold without reserve
For details of the charges payable in addition to the final Hammer Price of each Lot
18 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.PROPERTY FROM THE SAATCHI COLLECTION
14AR
KLAUS MOSETTIG (B. 1975) Provenance
Pradovit N24 Modern Art, London
2009 Acquired directly from the above by the present owner in 2011
signed, titled and dated October 2009 on the backing board Exhibited
pencil on paper London, Modern Art, Klaus Mosettig, 2011
London, Saatchi Gallery, Paper, 2013, p. 28, illustrated in colour
153 by 154 cm.
60 1/4 by 60 5/8 in.
£2,500 - 3,500
$3,400 - 4,700
€2,800 - 3,900
To be sold without reserve
For details of the charges payable in addition to the final Hammer Price of each Lot
please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE SAATCHI EDIT | 19PROPERTY FROM THE SAATCHI COLLECTION
15
RICHARD HÖGLUND (B. 1982) Provenance
Sea Picture XXIV Acquired directly from the artist by the present owner in 2015
2015
titled on the overlap
silver, lead, poppy oil, marble dust, diatomaceous earth, bone pulver,
and acrylic emulsions on linen
226.2 by 182.8 cm.
71 15/16 by 89 1/16 in.
This work was executed in 2015.
£2,500 - 3,500
$3,400 - 4,700
€2,800 - 3,900
To be sold without reserve
For details of the charges payable in addition to the final Hammer Price of each Lot
20 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.PROPERTY FROM THE SAATCHI COLLECTION 16AR ROBERT FRY (B. 1980) Provenance Purple Study 2 Acquired directly from the artist by the present owner in 2009 2009 acrylic, oil and pen on canvas 198.3 by 163 cm. 78 1/16 64 3/16 in. This work was executed in 2009. £2,000 - 3,000 $2,700 - 4,000 €2,200 - 3,300 To be sold without reserve For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE SAATCHI EDIT | 21
PROPERTY FROM THE SAATCHI COLLECTION
17
TERENCE KOH (B. 1977)
Provenance
Untitled (C45)
Bortalami Dayan, New York
2006
Acquired directly from the above by the present owner in 2006
acrylic, colt 45 beer and artist’s urine on wood, in two parts
458 by 203 cm.
180 5/16 by 79 1/2 in.
This work was executed in 2006.
£4,000 - 6,000
$5,400 - 8,100
€4,400 - 6,600
To be sold without reserve
For details of the charges payable in addition to the final Hammer Price of each Lot
22 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.PROPERTY FROM THE SAATCHI COLLECTION
18AR
ANDREAS GEFELLER (B. 1970) Provenance
Untitled (Academy of Arts, R 209) Thomas Rehbein Galerie, Dortmund
2009 Acquired directly from the above by the present owner in 2011
signed, titled, dated 2009 and numbered 1/4 on the reverse Exhibited
C-type print mounted on dibond, face-mounted to plexiglass New York, Hasted Hunt Gallery, Andreas Gefeller Recent Works, 2009
(another example exhibited)
180 by 144 cm Saarbrücken, Stadtgalerie Saarbrücken; Munich, Münchner
70 7/8 by 56 11/16 in. Stadtmuseum Sammlung Fotografie; Linz, Landesgalerie Linz and
Erfurt, Kunsthalle Erfurt, Andreas Gefeller: Photographs, 2009-2011,
This work was executed in 2009 and is number 1 from an edition of 4. no. 112 (another example exhibited)
London, Saatchi Gallery, Out Of Focus: Photography, 2012, n.p.,
£2,000 - 3,000 no. AG.2, illustrated in colour
$2,700 - 4,000
€2,200 - 3,300
To be sold without reserve
For details of the charges payable in addition to the final Hammer Price of each Lot
please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE SAATCHI EDIT | 23PROPERTY FROM THE SAATCHI COLLECTION
19AR
CERITH WYN EVANS (B. 1958)
Untitled Portrait Photograph by Sulwyn Evans
1996
black and white photograph
31 by 24.1 cm.
12 3/16 by 9 1/2 in.
This work was executed in 1996 and is number 1 from an edition of 10.
£1,000 - 1,500
$1,300 - 2,000
€1,100 - 1,700
To be sold without reserve
Provenance
White Cube, London
Acquired directly from the above by the present owner in 1996
For details of the charges payable in addition to the final Hammer Price of each Lot
24 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.PROPERTY FROM THE SAATCHI COLLECTION
20
MARIAH ROBERTSON (B. 1975) Provenance
(i) Untitled Nude (Odonata), 2007 Guild & Greyshkul, New York
(ii) Untitled Nude 2, 2007 Acquired directly from the above by the present owner in 2007
(iii) Untitled Nude 3, 2007
Exhibited
Each: silver gelatin print New York, Guild & Greyshkul, Nudes, Still Lives and Landscapes, 2007
London, Saatchi Gallery, Out of Focus: Photography, 2012
(i) 9.6 by 12.4 cm.
3 3/4 by 4 7/8 in.
(ii) 18.4 by 23.6 cm.
7 1/4 by 9 5/16 in.
(iii) 25.3 by 20.1 cm.
9 15/16 by 7 15/16 in.
These works were executed in 2007 and are unique prints from
an edition of 4, plus 2 artist proofs.
£1,000 - 1,500
$1,300 - 2,000
€1,100 - 1,700
To be sold without reserve
For details of the charges payable in addition to the final Hammer Price of each Lot
please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE SAATCHI EDIT | 25PROPERTY FROM THE SAATCHI COLLECTION
21AR
HANNAH STARKEY (B. 1971) Provenance
Untitled - May 1997 Interim Art London Ltd., London
1997 Acquired directly from the above by the present owner in 1998
C-type colour print on aluminium on board Exhibited
London, Saatchi Gallery, Out Of Focus: Photography, 2012
122 by 160 cm.
48 1/16 by 63 in. Literature
Dick Price, The New Neurotic Realism, London 1998, n.p., illustrated
This work was executed in 1997 and is from an edition of 3, in colour
plus 1 artist proof. C. Mullins, Saatchi Gallery: Loan of Art, London 2006, p. 335,
illustrated in colour
£1,000 - 1,500
$1,300 - 2,000
€1,100 - 1,700
To be sold without reserve
For details of the charges payable in addition to the final Hammer Price of each Lot
26 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.PROPERTY FROM THE SAATCHI COLLECTION
22
JESSICA CRAIG-MARTIN (B. 1963) Provenance
(i) Red Ball Plaza Hotel, New York, 2000, 2000 Interim Art London Ltd., London
(ii) Victory Ventures Christmas Party, New York, December, 1996, 1996 Acquired directly from the above by the present owner in 2000
(iii) Tricycle Magazine Benefit Gala, New York, 1998, 1998
Exhibited
Each: Cibrachrome print mounted on aluminium London, Saatchi Gallery, Black Mirror: Art as Social Satire, 2018-2019,
p. 30-31, illustrated in colour
(i) 60.9 by 83.8 cm.
24 by 33 in. Literature
C. Mullins, Saatchi Gallery: Loan of Art, London 2006, p. 54, illustrated
This work was executed in 2000 and is number 1 from an edition of 5, in colour
plus 1 artist’s proof.
(ii) 60.9 by 83.8 cm.
24 by 33 in.
This work was executed in 1996 and is number 2 from an edition of 5,
plus 1 artist’s proof.
(iii) 60.9 by 70.8 cm.
24 by 27 7/8 cm.
This work was executed in 1998 and is number 1 from an edition of 5,
plus 1 artist’s proof.
£1,200 - 1,800
$1,600 - 2,400
€1,300 - 2,000
To be sold without reserve
For details of the charges payable in addition to the final Hammer Price of each Lot
please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE SAATCHI EDIT | 27PROPERTY FROM THE SAATCHI COLLECTION
23AR
THOMAS MAILAENDER (B. 1979) Provenance
Illustrated People #4 Roman Road, London
2014 Acquired directly from the above by the present owner in 2016
lambda print on paper mounted on aluminium in artist frame Exhibited
London, Photo London, Thomas Mailaender: Cyanotypes, 2015
115 by 77 cm. London, Saatchi Gallery, Iconoclasts: Art Out of the Mainstream,
45 1/4 by 30 5/16 in. 2017-2018, p.28, illustrated in colour
This work was executed in 2014 and is number 2 from an edition of 4,
plus 2 artist proofs.
£1,000 - 2,000
$1,300 - 2,700
€1,100 - 2,200
To be sold without reserve
For details of the charges payable in addition to the final Hammer Price of each Lot
28 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.PROPERTY FROM THE SAATCHI COLLECTION
24AR
GEORGE LITTLE (B. 1988) Provenance
The Waiter Ana Cristea Gallery, New York
2011 Acquired directly from the above by the present owner in 2013
oil on canvas Exhibited
New York, Ana Cristea Gallery, Overdo, 2013
149.5 by 120.6 cm. London, Saatchi Gallery, New Order II: British Art Today, 2014
58 7/8 by 47 1/2 in.
This work was executed in 2011.
£1,000 - 1,500
$1,300 - 2,000
€1,100 - 1,700
To be sold without reserve
For details of the charges payable in addition to the final Hammer Price of each Lot
please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE SAATCHI EDIT | 29PROPERTY FROM THE SAATCHI COLLECTION
25AR
GEORGE LITTLE (B. 1988) Provenance
Unsettled Life, Henri’s Ana Cristea Gallery, New York
2012 Acquired directly from the above by the present owner in 2013
oil and pencil on canvas Exhibited
New York, Ana Cristea Gallery, Overdo, 2013
169.6 by 159.8 cm. London, Saatchi Gallery, New Order II: British Art Today, 2014
66 3/4 by 62 15/16 in.
This work was executed in 2012.
£1,000 - 1,500
$1,300 - 2,000
€1,100 - 1,700
To be sold without reserve
For details of the charges payable in addition to the final Hammer Price of each Lot
30 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.PROPERTY FROM THE SAATCHI COLLECTION 26AR MERLIN JAMES (B. 1960) Provenance Easel Painting Francis Graham Dixon, London (C4133) 1993 Acquired directly from the above by the present owner in 1997 dated ‘93 and inscribed Studio; signed, titled and dated 93 Literature on the reverse C. Mullins, Saatchi Gallery: Loan of Art, London 2006, p. 162-163, acrylic and mixed media on canvas illustrated in colour 56.6 by 64 cm. 22 5/16 by 25 3/16 in. £3,000 - 5,000 $4,000 - 6,700 €3,300 - 5,500 To be sold without reserve For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE SAATCHI EDIT | 31
PROPERTY FROM THE SAATCHI COLLECTION
27AR
MERLIN JAMES (B. 1960) Provenance
House Francis Graham Dixon, London (C4124)
1995 Acquired directly from the above by the present owner in 1997
titled and dated ‘95 Literature
acrylic on canvas C. Mullins, Saatchi Gallery: Loan of Art, London 2006, p. 162-163,
illustrated in colour
91.5 by 91.5 cm.
36 by 36 in.
28
No lot
£3,500 - 5,500
$4,700 - 7,400
€3,900 - 6,100
To be sold without reserve
For details of the charges payable in addition to the final Hammer Price of each Lot
32 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.PROPERTY FROM THE SAATCHI COLLECTION
29AR
DAN HAYS (B. 1966) Provenance
Mutual Understanding 30 Underwood St Gallery, London
1998 Acquired directly from the above by the present owner in 1998
signed, titled, dated 1998 and variously inscribed on the reverse of Literature
each canvas Dick Price, The New Neurotic Realism, London 1998, n.p., illustrated
oil on canvas, in two parts in colour
C. Mullins, Saatchi Gallery: Loan of Art, London 2006, p. 371,
(i) 201 by 289 cm. illustrated in colour
79 1/8 by 113 3/4 in.
(ii)2
00.6 by 288.8 cm.
79 by 113 11/16 in.
£3,500 - 5,500
$4,700 - 7,400
€3,900 - 6,100
To be sold without reserve
For details of the charges payable in addition to the final Hammer Price of each Lot
please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE SAATCHI EDIT | 33PROPERTY FROM THE SAATCHI COLLECTION
30
MARC HANDELMAN (B. 1975) Provenance
Nurnberg, 1937 Irena Hochman Fine Art Ltd., New York
2006 Acquired directly from the above by the present owner in 2007
signed, titled and dated 2006 on the stretcher Exhibited
oil on canvas London, Saatchi Gallery; London, Royal Academy; St Petersburg,
State Hermitage Museum, USA Today, 2006-2008, p. 171, illustrated
335 by 335 cm. in colour
131 7/8 by 131 7/8 in.
£3,000 - 5,000
$4,000 - 6,700
€3,300 - 5,500
To be sold without reserve
For details of the charges payable in addition to the final Hammer Price of each Lot
34 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.PROPERTY FROM THE SAATCHI COLLECTION
31AR
PETER LINDE BUSK (B. 1973) Provenance
She Fills The Bags N’eath Her Eyes With The Moonbeams Acquired directly from the artist by the present owner in 2009
And Cries ‘Cause The World’s Passed Her By
2009 Exhibited
St Petersburg, State Hermitage Museum; London, Saatchi Gallery;
signed, titled and dated ‘09 on the reverse Adelaide, Art Gallery of South Australia, Newspeak: British Art Now,
acrylic, crayon and colour pencil on canvas 2009-2011, p. 170, illustrated in colour
London, Saatchi Gallery, Kaleidoscope, 2019
125 by 78 cm.
49 3/16 by 30 11/16 in.
£2,000 - 3,000
$2,700 - 4,000
€2,200 - 3,300
To be sold without reserve
For details of the charges payable in addition to the final Hammer Price of each Lot
please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE SAATCHI EDIT | 35PROPERTY FROM THE SAATCHI COLLECTION
32
MICHAEL CLINE (B. 1973) Provenance
Woman in Doorway, O.K. Daniel Reich Gallery, New York
2007 Acquired directly from the above by the present owner in 2007
signed and dated 07; signed, titled and dated 2007 on the reverse Exhibited
oil on linen New York, Daniel Reich Gallery, Folks, 2007
London, Saatchi Gallery, Body Language, 2013-2014, p. 24-25,
178 by 112 cm. illustrated in colour
70 1/16 by 44 1/8 in. London, Saatchi Gallery, Black Mirror: Art As Social Satire, 2018-2019,
p. 27, illustrated in colour
£1,000 - 1,500
$1,300 - 2,000
€1,100 - 1,700
To be sold without reserve
For details of the charges payable in addition to the final Hammer Price of each Lot
36 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.PROPERTY FROM THE SAATCHI COLLECTION
33
CLAYTON BROTHERS (ROB CLAYTON, B. 1963
Provenance
& CHRISTIAN CLAYTON, B. 1967)
Ash Fine Art, New York
Wishy Washy - Turbulent Tumble Tumble
Acquired directly from the above by the present owner in 2006
2006
Exhibited
signed, titled and dated 2006 on the reverse
London, Saatchi Gallery, Black Mirror: Art As Social Satire, 2018,
mixed media on canvas
p. 22-23, illustrated in colour
213.5 by 305 cm.
84 1/16 by 120 1/16 in.
£2,500 - 3,500
$3,400 - 4,700
€2,800 - 3,900
To be sold without reserve
For details of the charges payable in addition to the final Hammer Price of each Lot
please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE SAATCHI EDIT | 37PROPERTY FROM THE SAATCHI COLLECTION
34AR
BARRY REIGATE (B. 1971) Provenance
Snatching Defeat from the Jaws of Victory Paradise Row, London
2008 Acquired directly from the above by the present owner in 2008
gloss paint, jesmonite, ply and neon stick strip light Exhibited
St Petersburg, State Hermitage Museum; London, Saatchi Gallery;
194 by 76.4 by 145 cm. Adelaide, Art Gallery of South Australia, Newspeak: British Art Now,
76 3/8 by 30 1/16 by 57 1/16 in. 2009-2011, p. 255-256, illustrated in colour
This work was executed in 2008. Literature
Patricia Ellis, Saatchi Gallery in Adelaide: British Art Now, Adelaide
£3,000 - 4,000 2011, p. 200-201, illustrated in colour
$4,000 - 5,400
€3,300 - 4,400
To be sold without reserve
For details of the charges payable in addition to the final Hammer Price of each Lot
38 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.PROPERTY FROM THE SAATCHI COLLECTION 35 NATHAN MABRY (B. 1978) Provenance (i) In Your Face: 13, 2006 Cherry and Martin, Los Angeles (ii) In Your Face: 14, 2006 Acquired directly from the above by the present owner in 2006 (iii) In Your Face: 15, 2006 Each: signed and numbered 2/3 on the reverse Each: C-print mounted on board Each: 76.1 by 76 cm. 29 15/16 by 29 15/16 in. These works were executed in 2006 and are number 2 from an edition of 3, plus 1 artist proof. £1,000 - 1,500 $1,300 - 2,000 €1,100 - 1,700 To be sold without reserve For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE SAATCHI EDIT | 39
PROPERTY FROM THE SAATCHI COLLECTION
36AR
BOO RITSON (B. 1969) Provenance
Slotplayer David Risley Gallery, Copenhagen
2006 Acquired directly from the above by the present owner in 2006
giclee print
Image: 95 by 76 cm.
37 3/8 by 29 15/16 in.
With frame: 124.4 by 104.1 cm.
49 by 41 in.
This work was executed in 2006 and is number 1 from an edition of 3.
£1,000 - 2,000
$1,300 - 2,700
€1,100 - 2,200
To be sold without reserve
For details of the charges payable in addition to the final Hammer Price of each Lot
40 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.PROPERTY FROM THE SAATCHI COLLECTION 37AR HAYLEY NEWMAN (B. 1969) Provenance (i) Meditation on Gender Difference, 1998 Institute of Contemporary Art (ICA), London (ii) Crying Glasses (An Aid to Melancholia), 1998 Acquired directly from the above by the present owner in 2000 Each: signed, titled, dated 1998, numbered 1/3 and variously inscribed on the reverse Each: C-type print laid on foamcore (i) 40.5 by 26.8 cm. 15 15/16 by 10 9/16 in. (ii) 40 by 50 cm. 15 3/4 by 19 11/16 in. £800 - 1,200 $1,100 - 1,600 €890 - 1,300 To be sold without reserve For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE SAATCHI EDIT | 41
PROPERTY FROM THE SAATCHI COLLECTION
38AR
BEDWYR WILLIAMS (B. 1974) Provenance
Prudence Ceri Hand Gallery Ltd., London
2012 Acquired directly from the above by the present owner in 2012
wood, plexiglass, polyester and electric lights Exhibited
London, Saatchi Gallery, Known Unknowns, 2018, p. 93, illustrated
208 by 51.8 by 52 cm. in colour
81 7/8 by 20 3/8 by 20 1/2 in.
This work was executed in 2012.
£2,000 - 3,000
$2,700 - 4,000
€2,200 - 3,300
To be sold without reserve
For details of the charges payable in addition to the final Hammer Price of each Lot
42 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.PROPERTY FROM THE SAATCHI COLLECTION
39AR
AGLAÉ BASSENS (B. 1986) Provenance
Ink Wigs Acquired directly from the artist by the present owner in 2012
2012
Exhibited
signed and dated 2012 on the mount London, Saatchi Gallery, Paper, 2013
ink and white pencil on paper
Image: 48.2 by 80 cm.
19 by 31 1/2 in.
Sheet: 70 by 100 cm.
27 9/16 by 39 3/8 in.
£1,000 - 1,500
$1,300 - 2,000
€1,100 - 1,700
To be sold without reserve
For details of the charges payable in addition to the final Hammer Price of each Lot
please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE SAATCHI EDIT | 43PROPERTY FROM THE SAATCHI COLLECTION
40AR
SIGRID HOLMWOOD (B. 1978) Provenance
Making Lye Annely Juda Fine Art, London
2007 Acquired directly from the above by the present owner in 2008
signed, titled and dated 2007 on the reverse Exhibited
egg tempera and oil on board St Petersburg, State Hermitage Museum; London, Saatchi Gallery;
Adelaide, Art Gallery of South Australia, Newspeak: British Art Now,
130 by 110 cm. 2009-2011, p. 153, illustrated in colour
51 3/16 by 43 5/16 in. London, Saatchi Gallery, Champagne Life, 2016, p. 71, illustrated
in colour
£1,500 - 2,000
$2,000 - 2,700
€1,700 - 2,200
To be sold without reserve
For details of the charges payable in addition to the final Hammer Price of each Lot
44 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.PROPERTY FROM THE SAATCHI COLLECTION
41
CHRISTIAN HOLSTAD (B. 1972)
House Training 12 (Flowers) Provenance
2006 Irena Hochman Fine Art Ltd., New York
Acquired directly from the above by the present owner in 2006
labelled on the underside
wool, leather, polyester, rubber, mohair, chicken wire, wood and silk
47 by 104 by 42 cm.
18 1/2 by 40 15/16 by 16 9/16 in.
This work was executed in 2006.
£800 - 1,200
$1,100 - 1,600
€890 - 1,300
To be sold without reserve
For details of the charges payable in addition to the final Hammer Price of each Lot
please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. THE SAATCHI EDIT | 45Index
B L
BASSENS, AGLAÉ 39 LITTLE, GEORGE 24, 25
BRINKERHOFF, JASON 9 LOWERY, STEVEN 10, 11
BUSK, PETER LINDE 31
M
C MABRY, NATHAN 35
CLAYTON BROTHERS 33 MAILAENDER, THOMAS 23
CLINE, MICHAEL 32 MCCLELLAND, SUZANNE 1
CRAIG-MARTIN, JESSICA 22 MOSETTIG, KLAUS 14
F N
FRY, ROBERT 16 NEAL, LIZ 4
FYAN, RY 7 NEWMAN, HAYLEY 37
G P
GEFELLER, ANDREAS 18 PARLOUR, SELMA 6
GOLDMAN, JULIA 2
GROOBEY, KATE 3 R
REIGATE, BARRY 34
H RITSON, BOO 36
HAMBLETT, JENNY 5 ROBERTSON, MARIAH 20
HANDELMAN, MARC 30
HARNISCHFEGER, HILARY 12 S
HAYS, DAN 29 STARKEY, HANNAH 21
HÖGLUND, RICHARD 15
HOLMWOOD, SIGRID 40 W
HOLSTAD, CHRISTIAN 41 WASHINGTON, BEN 8
WILLIAMS, BEDWYR 38
J WYN EVANS, CERITH 19
JAMES, MERLIN 26, 27
K
KOH, TERENCE 17
KÖNITZ, ALICE 13Call to Consign
Contemporary Art
New Bond Street, London | 27 April 2021
ENQUIRIES AMOAKO BOAFO (B. 1984)
+44 (0) 20 7468 5815 Portrait of a young lady, 2018
cassi.young@bonhams.com oil on canvas
bonhams.com/contemporary 30.5 x 30.2 cm. (12 x 11 7/8 in.)
Sold for £68,810 *
Prices shown include buyer’s premium. Details can be found at bonhams.comNOTICE TO BIDDERS
This notice is addressed by Bonhams to any person who may be Prices below and above the Estimates, so Estimates should not be solving any disputes which may arise in relation to bids made at the
interested in a Lot, and to all persons participating in the auction relied on as an indication of the actual selling price or value of a Lot. Sale. At some Sales, for example, jewellery Sales, we may use screens
process including auction attendees, Bidders and potential Bidders Estimates are in the currency of the Sale. on which images of the Lots will be projected. This service is provided
(including any eventual Buyer of the Lot). For ease of reference we refer Condition Reports to assist viewing at the Sale. The image on the screen should be
to such persons as “Bidders” or “you”. Our List of Definitions and In respect of most Lots, you may ask Bonhams for a Condition Report treated as an indication only of the current Lot. It should be noted that
Glossary is incorporated into this Notice to Bidders. It is at Appendix 3 on the Lot’s general physical condition. If you do so, this will be all bids tendered will relate to the actual Lot number announced by
at the back of the Catalogue. Where words and phrases are used in provided by Bonhams on behalf of the Seller free of charge. As this is the Auctioneer. We do not accept any responsibility for any errors
this notice which are in the List of Definitions, they are printed in italics. offered additionally and without charge, Bonhams is not entering into a which may occur in the use of the screen.
IMPORTANT: Additional information applicable to the Sale may be set contract with you in respect of the Condition Report and accordingly 5. BIDDING
out in the Catalogue for the Sale, in an insert in the Catalogue and/or in does not assume responsibility to you in respect of it. The Condition You must complete and deliver to us one of our Bidding Forms, either
a notice displayed at the Sale venue and you should read them as well. Report represents Bonhams’ reasonable opinion as to the Lot’s general our Bidder Registration Form, Absentee Bidding Form or Telephone
Announcements affecting the Sale may also be given out orally before condition in the terms stated in the particular report, and Bonhams Bidding Form in order to bid at our Sales.
and during the Sale without prior written notice. You should be alert to does not represent or guarantee that a Condition Report includes all If you are a new client at Bonhams or have not recently updated your
the possibility of changes and ask in advance of bidding if there have aspects of the internal or external condition of the Lot. Neither does the registration details with us, you must pre-register to bid at least two
been any. Seller owe or agree to owe you as a Bidder or Buyer any obligation or working days before the Sale at which you wish to bid. You will be
1. OUR ROLE duty in respect of this free report about a Lot, which is available for your required to provide government-issued proof of identity and residence,
In its role as Auctioneer of Lots, Bonhams acts solely for and in the own inspection or for inspection by an expert instructed by you. and if you are a company, your certificate of incorporation or equivalent
interests of the Seller. Bonhams’ job is to sell the Lot at the highest The Seller’s responsibility to you documentation with your name and registered address, government
price obtainable at the Sale to a Bidder. Bonhams does not act for The Seller does not make or agree to make any representation of fact issued proof of your current address, documentary proof of your
Buyers or Bidders in this role and does not give advice to Buyers or or contractual promise, Guarantee or warranty and undertakes no beneficial owners and directors, and proof of authority to transact.
Bidders. When it or its staff make statements about a Lot or, if obligation or duty, whether in contract or in tort (other than to the We may also request a financial reference and /or deposit from you
Bonhams provides a Condition Report on a Lot it is doing that on eventual Buyer as set out above), in respect of the accuracy or before allowing you to bid.
behalf of the Seller of the Lot. Bidders and Buyers who are themselves completeness of any statement or representation made by him or on We reserve the rights at our discretion to request further information in
not expert in the Lots are strongly advised to seek and obtain his behalf, which is in any way descriptive of any Lot or as to the order to complete our client identification and to decline to register any
independent advice on the Lots and their value before bidding for anticipated or likely selling price of any Lot. Other than as set out person as a Bidder, and to decline to accept their bids if they have
them. The Seller has authorised Bonhams to sell the Lot as its agent on above, no statement or representation in any way descriptive of a Lot been so registered. We also reserve the rights to postpone completion
its behalf and, save where we expressly make it clear to the contrary, or any Estimate is incorporated into any Contract for Sale between a of the Sale of any Lot at our discretion while we complete our
Bonhams acts only as agent for the Seller. Any statement or Seller and a Buyer. registration and identification enquiries, and to cancel the Sale of any
representation we make in respect of a Lot is made on the Seller’s Bonhams’ responsibility to you Lot if you are in breach of your warranties as Buyer, or if we consider
behalf and, unless Bonhams sells a Lot as principal, not on our behalf You have the opportunity of examining the Lot if you want to and the that such Sale would be unlawful or otherwise cause liabilities for the
and any Contract for Sale is between the Buyer and the Seller and not Contract for Sale for a Lot is with the Seller and not with Bonhams; Seller or Bonhams or be detrimental to Bonhams’ reputation.
with us. If Bonhams sells a Lot as principal this will either be stated in Bonhams acts as the Seller’s agent only (unless Bonhams sells the Lot Bidding in person
the Catalogue or an announcement to that effect will be made by the as principal). So long as you have pre-registered to bid or have updated your
Auctioneer, or it will be stated in a notice at the Sale or an insert in the Bonhams undertakes no obligation to you to examine, investigate or existing registration recently, you should come to our Bidder registration
Catalogue. carry out any tests, either in sufficient depth or at all, on each Lot to desk at the Sale venue and fill out a Registration and Bidding Form on
Bonhams does not owe or undertake or agree to any duty or establish the accuracy or otherwise of any Descriptions or opinions (or, if possible, before) the day of the Sale. The bidding number system
responsibility to you in contract or tort (whether direct, collateral, given by Bonhams, or by any person on Bonhams’ behalf, whether in is sometimes referred to as “paddle bidding”. You will be issued with a
express, implied or otherwise). If you successfully bid for a Lot and buy the Catalogue or elsewhere. large card (a “paddle”) with a printed number on it. This will be
it, at that stage Bonhams does enter into an agreement with you as the You should not suppose that such examinations, investigations or tests attributed to you for the purposes of the Sale. Should you be a
Buyer. The terms of that contract are set out in our Buyer’s Agreement, have occurred. successful Bidder you will need to ensure that your number can be
which you will find at Appendix 2 at the back of the Catalogue, and this Bonhams does not make or agree to make any representation of fact, clearly seen by the Auctioneer and that it is your number which is
will govern Bonhams’ relationship with the Buyer. and undertakes no obligation or duty (whether in contract or tort) in identified as the Buyer’s. You should not let anyone else use your
2. LOTS respect of the accuracy or completeness of any statement or paddle as all Lots will be invoiced to the name and address given on
Subject to the Contractual Description printed in bold letters in the representation made by Bonhams or on Bonhams’ behalf which is in your Bidder Registration Form. Once an invoice is issued it will not be
Entry about the Lot in the Catalogue (see paragraph 3 below), Lots are any way descriptive of any Lot or as to the anticipated or likely selling changed. If there is any doubt as to the Hammer Price of, or whether
sold to the Buyer on an “as is” basis, with all faults and imperfections. price of any Lot. No statement or representation by Bonhams or on its you are the successful Bidder of, a particular Lot, you must draw this to
Illustrations and photographs contained in the Catalogue (other than behalf in any way descriptive of any Lot or any Estimate is incorporated the attention of the Auctioneer before the next Lot is offered for Sale. At
photographs forming part of the Contractual Description) or elsewhere into our Buyer’s Agreement. the end of the Sale, or when you have finished bidding please return
of any Lots are for identification purposes only. A photograph or Alterations your paddle to the Bidder registration desk.
illustration may not reflect an accurate reproduction of the colour(s) or Descriptions and Estimates may be amended at Bonhams’ discretion Bidding by telephone
true condition of the Lot. Lots are available for inspection prior to the from time to time by notice given orally or in If you wish to bid at the Sale by telephone, and have pre-registered to
Sale and it is for you to satisfy yourself as to each and every aspect of writing before or during a Sale. bid or have updated your existing registration details recently, please
a Lot, including its authorship, attribution, condition, provenance, THE LOT IS AVAILABLE FOR INSPECTION AND YOU MUST FORM complete a Registration and Bidding Form, which is available from our
history, background, authenticity, style, period, age, suitability, quality, YOUR OWN OPINION IN RELATION TO IT. YOU ARE STRONGLY offices or in the Catalogue. Please then return it to the office
roadworthiness (if relevant), origin, value and estimated selling price ADVISED TO EXAMINE ANY LOT OR HAVE IT EXAMINED ON YOUR responsible for the Sale at least 24 hours in advance of the Sale. It is
(including the Hammer Price). It is your responsibility to examine any BEHALF BEFORE THE SALE. your responsibility to check with our Bids Office that your bid has been
Lot in which you are interested. It should be remembered that the 4. CONDUCT OF THE SALE received. Telephone calls will be recorded. The telephone bidding
actual condition of a Lot may not be as good as that indicated by its Our Sales are public auctions which persons may attend and you facility is a discretionary service offered at no additional charge and
outward appearance. In particular, parts may have been replaced or should take the opportunity to do so. We reserve the right at our sole may not be available in relation to all Lots. We will not be responsible
renewed and Lots may not be authentic or of satisfactory quality; the discretion to refuse admission to our premises or to any Sale and to for bidding on your behalf if you are unavailable at the time of the Sale
inside of a Lot may not be visible and may not be original or may be remove any person from our premises and Sales, without stating a or if the telephone connection is interrupted during bidding. Please
damaged, as for example where it is covered by upholstery or material. reason. We have complete discretion as to whether the Sale proceeds, contact us for further details.
Given the age of many Lots they may have been damaged and/or whether any Lot is included in the Sale, the manner in which the Sale is Bidding by post or fax
repaired and you should not assume that a Lot is in good condition. conducted and we may offer Lots for Sale in any order we choose Absentee Bidding Forms can be found in the back of this Catalogue
Electronic or mechanical items or parts are sold for their artistic, historic notwithstanding the numbers given to Lots in the Catalogue. You and should be completed and sent to the office responsible for the
or cultural interest and may not operate or may not comply with current should therefore check the date and starting time of the Sale, whether Sale, once you have pre-registered to bid or have updated your
statutory requirements. You should not assume that electrical items there have been any withdrawals or late entries. Remember that existing registration details recently. It is in your interests to return your
designed to operate on mains electricity will be suitable for connection withdrawals and late entries may affect the time at which a Lot you are form as soon as possible, as if two or more Bidders submit identical
to the mains electricity supply and you should obtain a report from a interested is put up for Sale. We have complete discretion in which to bids for a Lot, the first bid received takes preference. In any event, all
qualified electrician on their status before doing so. Such items which refuse any bid, to nominate any bidding increment we consider bids should be received at least 24 hours before the start of the Sale.
are unsuitable for connection are sold as items of interest for display appropriate, to divide any Lot, to combine two or more Lots, to Please check your Absentee Bidding Form carefully before returning it
purposes only. If you yourself do not have expertise regarding a Lot, withdraw any Lot from a Sale and, before the Sale has been closed, to to us, fully completed and signed by you. It is your responsibility to
you should consult someone who does to advise you. We can assist in put up any Lot for auction again. Auction speeds can exceed 100 Lots check with our Bids Office that your bid has been received. This
arranging facilities for you to carry out or have carried out more detailed to the hour and bidding increments are generally about 10%; however, additional service is complimentary and is confidential. Such bids are
inspections and tests. Please ask our staff for details. these do vary from Sale to Sale and from Auctioneer to Auctioneer. made at your own risk and we cannot accept liability for our failure to
Any person who damages a Lot will be held liable for the Please check with the department organising the Sale for advice on receive and/or place any such bids. All bids made on your behalf will be
loss caused. this. Where a Reserve has been applied to a Lot, the Auctioneer may, made at the lowest level possible subject to Reserves and other bids
3. DESCRIPTIONS OF LOTS AND ESTIMATES in his absolute discretion, place bids (up to an amount not equalling or made for the Lot. Where appropriate your bids will be rounded down to
Contractual Description of a Lot exceeding such Reserve) on behalf of the Seller. We are not the nearest amount consistent with the Auctioneer’s bidding
The Catalogue contains an Entry about each Lot. Each Lot is sold by responsible to you in respect of the presence or absence of any increments. New Bidders must also provide proof of identity and
its respective Seller to the Buyer of the Lot as corresponding only with Reserve in respect of any Lot. If there is a Reserve it will be no higher address when submitting bids. Failure to do this will result in your bid
that part of the Entry which is printed in bold letters and (except for the than the lower figure for any Estimate in the Catalogue, assuming that not being placed.
colour, which may be inaccurately reproduced) with any photograph of the currency of the Reserve has not fluctuated adversely against the Bidding via the internet
the Lot in the Catalogue. The remainder of the Entry, which is not currency of the Estimate. The Buyer will be the Bidder who makes the Please visit our Website at http://www.bonhams.com for
printed in bold letters, represents Bonhams’ opinion (given on behalf of highest bid acceptable to the Auctioneer for any Lot (subject to any details of how to bid via the internet.
the Seller) about the Lot only and is not part of the Contractual applicable Reserve) to whom the Lot is knocked down by the Bonhams will not be liable for service delays, interruptions or other
Description in accordance with which the Lot is sold by the Seller. Auctioneer at the fall of the Auctioneer’s hammer. Any dispute as to the failures to make a bid caused by losses of internet connection, fault or
Estimates highest acceptable bid will be settled by the Auctioneer in his absolute failure with the website or bidding process, or malfunction of any
In most cases, an Estimate is printed beside the Entry. Estimates are discretion. All bids tendered will relate to the actual Lot number software or system, computer or mobile device.
only an expression of Bonhams’ opinion made on behalf of the Seller of announced by the Auctioneer. An electronic currency converter may be Bidding through an agent
the range where Bonhams thinks the Hammer Price for the Lot is likely used at the Sale. This equipment is provided as a general guide as to Bids will be treated as placed exclusively by and on behalf of the
to fall; it is not an Estimate of value. It does not take into account any the equivalent amount in certain currencies of a given bid. We do not person named on the Bidding Form unless otherwise agreed by us in
VAT or Buyer’s Premium payable or any other fees payable by the accept any responsibility for any errors which may occur in the use of writing in advance of the Sale. If you wish to bid on behalf of another
Buyer, which are detailed in paragraph 7 of the Notice to Bidders, the currency converter. We may use video cameras to record the Sale person (your principal) you must complete the pre-registration
below. Prices depend upon bidding and lots can sell for Hammer and may record telephone calls for reasons of security and to assist in requirements set out above both on your own behalf and with full
NTB/MAIN/V1/11.2020details of your principal, and we will require written confirmation from 8. VAT Sale of any Lot if you are in breach of your warranties as Buyer, if we
the principal confirming your authority to bid. The prevailing rate of VAT at the time of going to press is 20%, but this consider that such Sale would be unlawful or otherwise cause liabilities
You are specifically referred to your due diligence requirements is subject to government change and the rate payable will be the rate for the Seller or Bonhams, or would be detrimental to Bonhams’
concerning your principal and their source of funds, and the in force on the date of the Sale. reputation.
warranties you give in the event you are the Buyer, which are The following symbols, shown beside the Lot number, are used to 10. COLLECTION AND STORAGE
contained in paragraph 3 of the Buyer’s Agreement, set out at denote that VAT is due on the Hammer Price and Buyer’s Premium: The Buyer of a Lot will not be allowed to collect it until payment in full
Appendix 2 at the back of the Catalogue. † VAT at the prevailing rate on Hammer Price and and in cleared funds has been made (unless we have made a special
Nevertheless, as the Bidding Form explains, any person placing a bid Buyer’s Premium arrangement with the Buyer). For collection and removal of purchased
as agent on behalf of another (whether or not he has disclosed that Ω VAT on imported items at the prevailing rate on Hammer Price Lots, please refer to Sale Information at the front of the Catalogue. Our
fact) will be jointly and severally liable with the principal to the Seller and and Buyer’s Premium offices are open 9.00am – 5pm Monday to Friday. Details relating to
to Bonhams under any contract resulting from the acceptance of a bid. VAT on imported items at a preferential rate of 5% on Hammer the collection of a Lot, the storage of a Lot and our Storage Contractor
*
Equally, please let us know if you intend to nominate another person to Price and the prevailing rate on Buyer’s Premium after the Sale are set out in the Catalogue.
bid on your behalf at the Sale unless this is to be carried out by us G Gold bullion exempt from VAT on the Hammer Price and subject 11. SHIPPING
pursuant to a Telephone or Absentee Bidding Form that you have to VAT at the prevailing rate on the Buyer’s Premium For information and estimates on domestic and international shipping
completed. If we do not approve the agency arrangements in writing • Zero rated for VAT, no VAT will be added to the Hammer Price or as well as export licenses please contact
before the Sale, we are entitled to assume that the person bidding at the Buyer’s Premium Alban Shipping on +44 (0) 1582 493 099
the Sale is bidding on his own behalf. Accordingly, the person bidding a Buyers from within the EU: VAT is payable at the prevailing rate enquiries@albanshipping.co.uk
at the Sale will be the Buyer and will be liable to pay the Hammer Price on just the Buyer’s Premium (NOT the Hammer Price). Buyers 12. EXPORT/TRADE RESTRICTIONS
and Buyer’s Premium and associated charges. If we approve the from outside the EU: VAT is payable at the prevailing rate on It is your sole responsibility to comply with all export and import
identity of your client in advance, we will be in a position to address the both Hammer Price and Buyer’s Premium. If a Buyer, having regulations relating to your purchases and also to obtain any relevant
invoice to your principal rather than you. We will require proof of the registered under a non-EU address, decides that the item is not export and/or import licence(s). Export licences are issued by Arts
agent’s client’s identity and residence in advance of any bids made by to be exported from the EU, then he should advise Bonhams Council England and application forms can be obtained from its
the agent on his behalf. Please refer to our Conditions of Business and immediately. Export Licensing Unit. The detailed provisions of the export licensing
contact our Customer Services Department for further details. In all other instances no VAT will be charged on the Hammer Price, arrangements can be found on the ACE website http://www.
Bonhams undertakes Customer Due Diligence (CDD) into its Sellers and but VAT at the prevailing rate will be added to Buyer’s Premium which artscouncil.org.uk/what-we-do/supporting-museums/cultural-property/
Buyers as required by the Money Laundering, Terrorist Financing and will be invoiced on a VAT inclusive basis. export-controls/export-licensing/ or by phoning ACE on +44 (0)20
Transfer of Funds (Information on the Payer) Regulations 2017 (“the 9. PAYMENT 7973 5188. The need for import licences varies from country to country
Regulations”). Bonhams’ interpretation of the Regulations and Treasury It is of critical importance that you ensure that you have readily available and you should acquaint yourself with all relevant local requirements
Approved industry Guidance is that CDD under the Regulations is not funds to pay the Purchase Price and the Buyer’s Premium (plus VAT and provisions. The refusal of any import or export licence(s) or
required by Buyers into Sellers at Bonhams auctions or vice versa. and any other charges and Expenses to us)in full before making a bid any delay in obtaining such licence(s) shall not permit the rescission
6. CONTRACTS BETWEEN THE BUYER AND SELLER AND THE for the Lot. If you are a successful Bidder, payment will be due to us by of any Sale nor allow any delay in making full payment for the Lot.
BUYER AND BONHAMS 4.30 pm on the second working day after the Sale so that all sums are Generally, please contact our shipping department before the Sale if
On the Lot being knocked down to the Buyer, a Contract for Sale of cleared by the eighth working day after the Sale. Payments made by you require assistance in relation to export regulations.
the Lot will be entered into between the Seller and the Buyer on the anyone other than the registered Buyer will not be accepted. Bonhams 13. CITES REGULATIONS
terms of the Contract for Sale set out in Appendix 1 at the back of the reserves the right to vary the terms of payment at any time. Please be aware that all Lots marked with the symbol Y are subject to
Catalogue. You will be liable to pay the Purchase Price, which is the Bonhams’ preferred payment method is by bank transfer. CITES regulations when exporting these items outside the EU. These
Hammer Price plus any applicable VAT. At the same time, a separate You may electronically transfer funds to our Account. If you do so, please regulations may be found at
contract is also entered into between us as Auctioneers and the Buyer. quote your paddle number and invoice number as the reference. Our http://www.defra.gov.uk/ahvla-en/imports-exports/cites/ or may be
This is our Buyer’s Agreement, the terms of which are set out in Account details are as follows: requested from:
Appendix 2 at the back of the Catalogue. Please read the terms of the
Animal Health and Veterinary Laboratories Agency (AHVLA) Wildlife
Contract for Sale and our Buyer’s Agreement contained in the Bank: National Westminster Bank Plc
Licensing
Catalogue in case you are the successful Bidder including the Address: PO Box 4RY
Floor 1, Zone 17, Temple Quay House
warranties as to your status and source of funds. We may change the 250 Regent Street
2 The Square, Temple Quay
terms of either or both of these agreements in advance of their being London W1A 4RY
BRISTOL BS1 6EB
entered into, by setting out different terms in the Catalogue and/or by Account Name: Bonhams 1793 Limited
Tel: +44 (0) 117 372 8774
placing an insert in the Catalogue and/or by notices at the Sale venue Account Number: 25563009
The refusal of any CITES licence or permit and any delay in obtaining
and/or by oral announcements before and during the Sale. It is your Sort Code: 56-00-27
such licences or permits shall not give rise to the rescission or
responsibility to ensure you are aware of the up to date terms of the IBAN Number: GB 33 NWBK 560027 25563009
cancellation of any Sale, nor allow any delay in making full payment
Buyer’s Agreement for this Sale.
for the Lot.
7. BUYER’S PREMIUM AND OTHER CHARGES PAYABLE BY If paying by bank transfer, the amount received after the
14. THE SELLERS AND/OR BONHAMS’ LIABILITY
THE BUYER deduction of any bank fees and/or conversion of the currency of
Other than any liability of the Seller to the Buyer of a Lot under the
Under the Buyer’s Agreement, a premium (the Buyer’s Premium) is payment to pounds sterling must not be less than the sterling amount
Contract for Sale, neither we nor the Seller are liable (whether in
payable to us by the Buyer in accordance with the terms of the Buyer’s payable, as set out on the invoice.
negligence or otherwise) for any error or misdescription or omission
Agreement and at rates set out below, calculated by reference to the
in any Description of a Lot or any Estimate in respect of it, whether
Hammer Price and payable in addition to it. Payment may also be made by one of the following methods:
contained in the Catalogue or otherwise, whether given orally or in
writing and whether given before or during the Sale. Neither we nor the
For this Sale the following rates of Buyer’s Premium will be payable by Sterling personal cheque drawn on a UK branch of a bank or
Seller will be liable for any loss of Business, profits, revenue or income,
Buyers on each Lot purchased: building society: all cheques must be cleared before you can collect
or for loss of reputation, or for disruption to Business or wasted time on
your purchases and should be made payable to Bonhams 1793
the part of management or staff, or for indirect losses or consequential
27.5% of the Hammer Price on the first £10,000; plus Limited.
damages of any kind, irrespective in any case of the nature, volume or
25% of the Hammer Price from £10,001 and up to £450,000; plus
source of the loss or damage alleged to be suffered, and irrespective
20% of the Hammer Price from £450,001 and up to £4,500,000; plus Cash: you may pay for Lots purchased by you at this Sale
of whether the said loss or damage is caused by or claimed in respect
14.5% of the Hammer Price above £4,500,000 with notes or coins in the currency in which the Sale is conducted
of any negligence, other tort, breach of contract (if any) or statutory
(but not any other currency) provided that the total amount payable
duty, restitutionary claim or otherwise. In any circumstances where
Storage and handling charges may also be payable by the Buyer by you in respect of all Lots purchased by you at the Sale does not
we and/or the Seller are liable in relation to any Lot or any Description
as detailed on the specific Sale Information page at the front of the exceed £3,000, or the equivalent in the currency in which the Sale is
or Estimate made of any Lot, or the conduct of any Sale in relation
catalogue. conducted, at the time when payment is made. If the amount payable
to any Lot, whether in damages, for an indemnity or contribution,
by you for Lots exceeds that sum, the balance must be paid otherwise
or for a restitutionary remedy or otherwise, our and/or the Seller’s
The Buyer’s Premium and all other charges payable to us by the Buyer than in coins or notes; this limit applies to both payment at our
liability (combined, if both we and the Seller are liable) will be limited
are subject to VAT at the prevailing rate, currently 20%. premises and direct deposit into our bank account.
to payment of a sum which will not exceed by way of maximum the
amount of the Purchase Price of the Lot irrespective in any case of
VAT may also be payable on the Hammer Price of the Lot, where Debit cards issued in the name of the Buyer (including China Union
the nature, volume or source of any loss or damage alleged to be
indicated by a symbol beside the Lot number. See paragraph 8 below Pay (CUP) cards and debit cards issued by Visa and MasterCard
suffered or sum claimed as due, and irrespective of whether the liability
for details. only). There is no limit on payment value if payment is made in person
arises from any negligence, other tort, breach of contract (if any) or
using Chip & Pin verification.
statutory duty or otherwise. Nothing set out above will be construed
On certain Lots, which will be marked “AR” in the Catalogue and
as excluding or restricting (whether directly or indirectly) our liability or
which are sold for a Hammer Price of €1,000 or greater (converted into Payment by telephone may also be accepted up to £5,000, subject to
excluding or restricting any person’s rights or remedies in respect of (i)
the currency of the Sale using the European Central Bank Reference appropriate verification procedures, although this facility is not available
fraud, or (ii) death or personal injury caused by our negligence (or by
rate prevailing on the date of the Sale), the Additional Premium will for first time buyers. If the amount payable by you for Lots exceeds that
the negligence of any person under our control or for whom we are
be payable to us by the Buyer to cover our Expenses relating to the sum, the balance must be paid by other means.
legally responsible), or (iii) acts or omissions for which we are liable
payment of royalties under the Artists Resale Right Regulations 2006.
under the Occupiers Liability Act 1957, or (iv) any other liability to the
The Additional Premium will be a percentage of the amount of the Credit cards issued in the name of the Buyer (including China Union extent the same may not be excluded or restricted as a matter of law
Hammer Price calculated in accordance with the table below, and shall Pay (CUP) cards and credit cards issued by Visa and MasterCard or (v) our undertakings under paragraphs 9 (in relation to specialist
not exceed €12,500 (converted into the currency of the Sale using only). There is a £5,000 limit on payment value if payment is made in Stamp or Book Sales only) and 10 of the Buyer’s Agreement. The same
the European Central Bank Reference rate prevailing on the date of person using Chip & Pin verification. applies in respect of the Seller, as if references to us in this paragraph
the Sale).
were substituted with references to the Seller.
It may be advisable to notify your debit or credit card provider of your 15. BOOKS
Hammer Price Percentage amount intended purchase in advance to reduce delays caused by us having to As stated above, all Lots are sold on an “as is” basis, subject to all
From €0 to €50,000 4% seek authority when you come to pay. faults, imperfections and errors of Description save as set out below.
From €50,000.01 to €200,000 3%
However, you will be entitled to reject a Book in the circumstances set
From €200,000.01 to €350,000 1% Note: only one debit or credit card may be used for payment of an out in paragraph 11 of the Buyers Agreement. Please note that Lots
From €350,000.01 to €500,000 0.5% account balance. If you have any questions with regards to card comprising printed Books, unframed maps and bound manuscripts are
Exceeding €500,000 0.25% payments, please contact our Customer Services Department. not liable to VAT on the Buyer’s Premium.
We reserve the rights to investigate and identify the source of any funds 16. CLOCKS AND WATCHES
received by us, to postpone completion of the sale of any Lot at our All Lots are sold “as is”, and the absence of any reference to the
discretion while we complete our investigations, and to cancel the condition of a clock or watch does not imply that the Lot is in good
NTB/MAIN/V1/11.2020You can also read
