TAONGA MOANA A love letter to the oceans - VOICES NEW ZEALAND - Chamber Music New Zealand

VOICES NEW ZEALAND

TAONGA
MOANA
 A love letter to the oceans

with Matthew Barley & Stephen De Pledge

Governments have just a few months
left to agree to a Global Ocean Treaty.
If they get it right, it will open
the door to vast network of ocean
sanctuaries, which could protect over
a third of the world’s seas

Text the word OCEAN to
5806 to demand a                  G
Global Oceans Treaty

Voices New Zealand   1

                    Tēnā koutou
We are delighted to be presenting Voices New Zealand Chamber Choir (Voices
NZ) in a spectacular multi-media programme, Taonga Moana which tells the
story of the threat posed to our beautiful oceans, now and into the future.
Taonga Moana features compositions from around the world, including a newly
commissioned work by distinguished New Zealand composer Warren Maxwell,
accompanied by a landscape of evocative projected moving images created by
multimedia artists Tim and Mic Gruchy.
With an international reputation for vocal excellence. Voices NZ, directed by Dr
Karen Grylls, have created this inspiring programme which celebrates our oceans
as taonga.
Underlying Taonga Moana is an important and timely message for each and
everyone of us about preserving our world for future generations to come.
We are very grateful for the support we have received towards this tour by
the Lion Foundation, Invercargill Licensing Trust, Community Trust South,
TSB Community Trust, Otago Community Trust, Trust Waikato and the Rata
Foundation.

Catherine Gibson
Chief Executive
Chamber Music New Zealand

2    Chamber Music New Zealand

    Taonga Moana
    A Love Letter To The Oceans

    Prologue
    The Call Of The Kuaka

    David Hamilton (New Zealand)
    Karakia Of The Stars

    James Gordon Arr. Diane Loomer (Canada)
    Frobisher Bay

    Jaakko Mäntyjärvi (Finland)
    The Seafarer*

    Jeff Enns (Canada)
    The Sorrow Song Of Whales (newly arranged for SATB)

    Improvisation
    (on ‘Lacrimosa’ from Mozart’s ‘Requiem’ and ‘Dies Irae’ plainchant)

    Warren Maxwell (New Zealand)
    Hind Mahaasaagar*

    Ken Steven (Indonesia)
    Henkatan Jiwa

    Eriks Esenvalds (Latvia)
    A Drop In The Ocean

    Mason Bates (United States)
    Observer In The Magellanic Cloud

    Warren Maxwell (New Zealand)
    Te Tai Uka A Pia*

    * World Premiere
    DURATION: 80 minutes with no interval

Voices New Zealand   3

Voices New Zealand
Chamber Choir

Conductor                                                   Altos
Karen Grylls                                                Helen Acheson
                                                            Morag Atchsion
Director/Storyboard                                         Hazel Fenemor
Sara Brodie                                                 Andrea Cochrane

Script Development                                          Tenors
Briar Grace-Smith                                           Matthew Bennett
                                                            Phillip Collins
Audio Visuals                                               Jared Corbett
Tim and Mic Gruchy                                          Albert Mataafa

Language and Vocal Coach                                    Basses
Catrin Johnsson, Choirs NZ                                  James Butler
                                                            Gregory Camp
Sopranos                                                    Nick Forbes
Rachel Alexander Sotherland                                 William King
Pepe Becker
Ella Ewen
Shona McIntyre-Bull

Choirs Aotearoa New Zealand Trust
Arne Herrmann, Chief Executive
Karen Grylls, Artistic Director
Emma Billings, Operations Manager
Ben Fagan, Marketing Manager
Anna Bowron, Manager NZSSC
choirs.nz

The artists reserve the right to make changes to the programme.

       Please kindly remember to switch off all cellphones, pagers and watches. Taking photographs,
       or sound or video recordings during the concert is prohibited unless with the prior approval of
       Chamber Music New Zealand. Thank you.

4    Chamber Music New Zealand

    Synopsis

    From their northern breeding grounds                      The World Serpent speaks of the
    the kuaka (godwits) who can fly                           rising toxicity which has caused him
    between the past and future, cry out                      to adapt, and like the Indian Ocean’s
    for the great navigator of old, Ui-Te-                    sea snakes he has lost his brilliant
    Rangiora to rise up. From the ancient                     yellow stripes. He warns of a tipping
    seabed he appears on a waka made                          point that cannot be contained.
    of dead men’s bones. The kuaka call
    for him to journey southwards with                        Shells of the sea’s creatures are
    them to speak to future generations.                      weakening in acid waters and
                                                              breaking up. Ui-Te-Rangiora’s waka of
    As the Artic sea ice melts it releases                    bones begins to disintegrate. Is this
    the voices of seafarers past (trapped                     the day of wrath, where man will be
    in the ice) who pursued the mighty                        judged, and dissolve?
    whale. Yet, Ui-Te-Rangiora discovers
    the whale-paths are silent. Each time                     The sinking bones awaken Kurma
    he casts his net across the expanse                       the sea turtle, who appears in the
    of the Atlantic it comes back empty.                      time of crisis to restore equilibrium.
                                                              He catches Ui-Te-Rangiora on his
    The people of the coming days will                        back, migrating like the crayfish to
    know about the casting out of nets.                       cooler water.
    But, how will they eat? At the earth’s
    equator the navigator casts again                         At the Pacific Gyre they encounter
    with the last of the strength he has.                     another serpent, this one created by
    The ocean churns the colour of                            man, an attempt to clear the waters of
    milk. From the foam appears a giant                       what has been discarded.
    serpent, the mythic World Serpent                         Reaching Aotearoa Ui-Te-Rangiora’s
    who encircles the oceans and                              escort can travel no further. He is
    contains the poisons of the waters                        transferred onto the back of the
    by biting its tail. It offers of it’s flesh               mighty Tohorā; to ride the whale
    to enable Ui-Te-Rangiora to hear the                      south to the rāhui, the sanctuary in the
    whale’s song; the memory of the                           Antarctic Ocean. There, proclaim it for
    melody of the earth and abundance                         generations to come; let all who hear
    of oceans connecting all beings.                          of it rise up.

    Synposis by Sara Brodie

    Voices New Zealand is managed by Choirs Aotearoa New Zealand Trust, a charitable trust that also looks after the
    New Zealand Youth Choir and the New Zealand Secondary Students Choir in order to create, nurture and promote
    vocal excellence in choral singing.

Voices New Zealand        5

Taonga Moana
Programme Notes
                                                          The Seafarers and Whales
The initial idea of Taonga Moana                          The kuaka takes us first from an inlet
was an inspiration drawn from                             on Baffin Island in the North Atlantic.
conversations with many people                            Frozen in Frobisher Bay is the tale of
about how our oceans must become                          the captain of a whaling ship who
sanctuaries and the need for us all to                    decides to push the late summer
care of them. “Aranga, Aranga” comes                      season to catch “one more whale”,
the cry; perhaps, if we followed the                      but finds himself and his crew frozen
kuaka (godwit) on its Spring journey                      in for the Winter. The sailors may
south from its breeding nests in the                      never see their families again. In
great Siberian and Alaskan tundra to                      Mäntyjärvi’s work, commissioned for
the rich feeding grounds provided                         this programme, the tenth century
by Aotearoa’s tidal flats and coastal                     text speaks about the spirit of The
marshes, we could embrace the                             Seafarer who journeys over the
oceans and thank them for allowing                        whale’s path across the waves of the
the earth to exist. Taonga Moana is                       northern seas; in his song, expressed
just that; a love song to the oceans.                     in folk and contemporary style, he
                                                          warns“ I do not believe the world’s
The journey, sung, staged and with                        riches will last for ever.” And as
audio and visual design, is a series                      we “listen closer to the water” we
of musical and visual snapshots from                      hear The Sorrow Song of Whales. In
the Arctic Ocean in the north to the                      his piece, arranged for Voices NZ,
Southern Oceans and Antarctica.                           Canadian composer, Jeff Enns asks us
In response to the kuaka, Hamilton’s                      to seek forgiveness from the whales
Karakia of the Stars, to the Sacred                       in the waters of the Atlantic, to listen
One, to the magellanic cloud, cries out                   and learn from them, to stop the
for the new year’s growth to flourish,                    blasting and slow the ships, for “we
the Matariki, for the waters to provide.                  are all connected…. Right whales and
                                                          dolphins, we sing for you”.

Voices New Zealand thanks the following supporters: Creative New Zealand, NZCT, The Southern Trust, Otago
Community Trust, ILT Foundation, Community Trust South, Mainland Foundation, Eastern & Central Community Trust,
Trust Waikato, Lion Foundation and Rata Foundation.

6    Chamber Music New Zealand

    Lament and guilt:                        The Whales Navigate
    A lament from the “Lacrymosa” our        The kuaka is exhausted , as it
    own guilt “homo reus”, and the           has travelled the eight thousand
    horrific tales from Warren Maxwell’s     kilometers from Alaska and reaches
    Hind Mahasagaar, from the Indian         Aotearoa, ”Home at last” The
    Ocean take the journey onward; the       Observer in the Magellanic Cloud
    waters glows with the sinking bones      looks down from the heavens upon
    of men upon the ocean floor. From        the Matariki, and the new growth.
    the edges of the Indian and Pacific      And Warren Maxwell’s final thoughts
    Oceans there is a human response,        are of the tides of icy shards, Te Tai
    the Malay dance, inspired by an          Uka a Pia, of the frozen southern sea;
    Indonesian Malay scale, explores         of “the intrepid seafaring protagonist
    the sounds of the human voice and        Ui-Te-Rangiora (650 AD) who sailed
    the beat of our souls, Hentakan          from the Arctic Ocean, though
    Jiwa. But what is our response? “We      the lifeless Atlantic Ocean across
    ourselves feel that what we are          to the acidic Indian Ocean, to the
    doing is just a drop in the ocean. But   plastic-filled Pacific and to the last
    the ocean would be less because of       sanctuary on the planet, the great
    that missing drop.” Mother Teresa’s      Southern Ocean. The kuaka can go
    words expressed so eloquently in         no further south, so she hands over
    Ešenvalds’ A Drop in the Ocean,          the role of navigator to the baleen
    remind us of our inadequacies and        whale (Tohorā) who traverses the
    yet at the same time the necessity       southern continent. Ui-Te-Rangiora
    for us to act.                           follows Tohorā south looking for the
                                             deity Hine Moana who dwells in the
                                             Southern Ocean. It is she who will
                                             give Ui-Te-Rangiora the final stanza
                                             of the ancient karakia needed that
                                             will prevent Vishnu from unleashing
                                             destruction on the world.”

    Programme notes by Karen Grills

Voices New Zealand   7

“… The oceans
are under
threat now as
never before in
human history.
We can now
destroy or we
can cherish. The
choice is ours.”
– Sir David Attenborough

8    Chamber Music New Zealand

    Voices New Zealand

    Voices New Zealand Chamber Choir,          The Unusual Silence by Victoria Kelly
    with Music Director Dr Karen Grylls,       at the WW100 commemorations in Le
    made its début at the 1998 New             Quesnoy, France in November 2018.
    Zealand International Arts Festival
    and later that year won awards             Critically acclaimed recordings
    at the Tolosa International Choral         include Spirit of the Land (winner of a
    Competition in Spain.                      ‘TUI’, a New Zealand Music Award for
                                               Best Classical Album), and Voice of
    As a nationally selected choir of          the Soul.
    the highest calibre, VOICES is a
    chamber choir that is flexible in size,    With its distinct New Zealand sound,
    and capable of performing a wide           performing music from Aotearoa/
    repertoire. Many of the singers are        New Zealand and infusing the
    alumni of the New Zealand Youth            qualities of its Pacific origins into the
    Choir.                                     classic choral repertoire, VOICES has
                                               established itself as the country’s
    Recent highlights include the              premier national and professional
    2018 European Tour to London,              choir. VOICES regularly performs at
    Hamburg, Berlin, Aix-en-Provence           Arts Festivals around the country,
    and Barcelona, appearances in Jack         collaborates with orchestras,
    Body’s Passio, Tippet’s A Child of our     Chamber Music New Zealand, Taonga
    Time and Britten’s Requiem for the         Puoro musicians and other artists
    Fallen (all Auckland Arts Festival), and   across creative genres.
    Ross Harris’ Requiem for the Fallen
    (also NZ Festival and Dunedin Arts         VOICES tours internationally and is the
    Festival). A sell-out gala concert with    choir-of-choice for arts festivals and
    Dame Kiri Te Kanawa was one of the         special projects.
    classical highlights in the 2016 New
    Zealand Festival. Voices performed
    an especially commissioned work

Voices New Zealand   9

Sara Brodie (director/storyboard)
Sara is a director and choreographer         (High Mountain Flowing Water) which
from New Zealand. She has a MA               has toured China, New Zealand and
in theatre from Victoria University,         Australia, Fault Lines, a dance-theatre
Wellington and is a New Zealand Arts         production for the Leshan Song and
Laureate.                                    Dance Company of Sichuan, China
                                             for the Melbourne and Christchurch
She has directed the opera premieres         Arts Festivals’ (which toured to
of: The Bone Feeder (Auckland                Canada, China, New and Australia),
Arts Festival/New Zealand Opera),            Tracing Hamlet – a community based
Hohēpa (New Zealand Opera/NZ                 immersive deconstruction of Hamlet
International Arts Festival) Iris Dreaming   (Wanaka Festival of Colour, Erupt
(Grimebourne Festival), L’Oca del Cairo      Festival Taupo, NZ) and Skydancer
(Days Bay Opera, NZ) and Kia Ora             featuring the New Zealand Symphony
Khalid (Capital E National Theatre for       Orchestra to introduce young people
Children, NZ). Productions include:          to the symphony. She was the Artistic
Aindamar (New Zealand International          Director of Stage Left Company
Arts Festival), Nixon In China (Auckland     from 2008 - 2012, which focused
Arts Festival), Don Giovanni, Die            on interdisciplinary works including
Zauberflöte (New Zealand Opera)              The Kreutzer and North/South. For
and most recently the spring Opera           Auckland Theatre Company, NZ, she
Highlights tour for Scottish Opera.          directed the premiere of Under The
She has developed and directed               Mountain and The Curious Incident of
new work such as: Gao Shan Lui Shui          the Dog in the Night-time.

Karen Grylls (conductor)
Karen Grylls is Associate Professor          worldwide, including the
in Conducting and Head of Choral             Marktoberdorf International Chamber
Studies at the University of Auckland        Choir Competition, Bavaria, and The
and is Artistic Director of the Choirs       World Choir Games in Xiamen, China.
Aotearoa New Zealand Trust, the              She is sought internationally as a
managing body for the NZ Youth Choir         choral clinician and regularly conducts
and Voices New Zealand Chamber               masterclasses and workshops in the
Choir. Karen was Conductor and               UK, North America and Canada.
Artistic Director of the New Zealand
Youth Choir from 1989 to 2011, and           In 1996 Auckland University honoured
Artistic Director of Toronto’s Exultate      her with a Distinguished Teaching
Chamber Choir from 2011 to 2013.             Award in Music and in 1999 she
                                             became an Officer of the New
Karen is much in demand as an                Zealand Order of Merit (ONZM) for
adjudicator for competitions                 her services to choral music.

12    Chamber Music New Zealand

     Tim Gruchy (Visual Musician, Multi-Media Artist)
     Tim Gruchy’s extensive career spans                Sydney Festival (2004). Theatre and
     the exploration and composition                    opera credits include AIDA Sydney
     of immersive and interactive                       Opera House and touring Australia
     multimedia through installation,                   (2009-2013), Ainadamar, Adelaide
     music and performance, whilst                      Festival (2008), The Leningrad
     redefining its role and challenging                Symphony (2006).
     the delineations between
     cultural sectors. He has exhibited                 He is currently Art Director and
     multimedia works, photography,                     Distinguished Professor of the Digital Art
     video, music and performance                       Department, Shanghai Academy of Fine
     since the early 1980s as well as his               Arts and an Adjunct Research Professor
     larger expressions in the public art               at the University of South Australia.
     arenas. His works are held in private,             His research has extended into
     corporate and museum collections.                  areas of interactivity, the human
     His installations and performances                 computer interface and performative
     feature in many international and                  interactives.
     Australasian institutions, festivals and           He has also been extensively
     public spaces including WOMAD                      involved in museum design and
     (2018/7), Wenzhou Bienalle (2016),                 various projects at the intersection of
     Dak’ Art Dakar (2016), Auckland Arts               architecture and multimedia.
     Festival (2015 & 2009), New Zealand
     Arts Festival (2014), SCOUT Auckland
     (2012), Biennale of Sydney (2012)
     (collaboration), Beijing 798 (2011),
     Shanghai Expo (2010), 2nd Asian Art
     Biennial Taiwan (2009), Melbourne
     International Arts Festival (2009),
     Adelaide Festival (1986-2008), and

Voices New Zealand   13

Mic Gruchy (video designer)
Mic works across stage, screen            I am very honoured and
and video art. He is a pioneer of
video design for theatre, designing       proud to be conducting
shows for all the major companies         Taonga Moana with Voices
and festivals around Australia for
over 30 years. He has edited TV,          NZ. With new touring
documentary, feature films and his        initiatives for the choir and
video artworks are included in private
collections and museums around the        intentionally innovative
world such as MOMA in New York.           programming, we invite and
Commissioned works include for            challenge more audiences
the video installations for the Sydney
Opera House, Sydney Olympic Park          to be part of our journey, in
and the Biennale of Sydney. His shows     New Zealand and globally.
have won Helpmann Awards and he
was awarded an Australia Council          As artists, we are lending
Established Artist’s Fellowship for       our voices to relevant and
Interdisciplinary Practice in 2012. Mic
teaches Digital Media Design and          contemporary issues that
Vision Technologies Production at the     demand our attention and
National Institute of Dramatic Art in     action at every level.
Sydney and has lectured in media at
University of NSW and University of                         -Karen Grylls
Wollongong.

Thank You
To all of our generous donors who support CMNZ throughout the year

Founders' Circle Members                    Roger and Jenny Mountfort
Anonymous                                   Barbara Peddie
Graeme Edwards                              Roger Reynolds
Arnold and Reka Solomons                    Martin and Catherine Spencer
The Estate of Jenni Caldwell                Basil & Jenny Stanton
The Estate of Aileen Claridge               Alison Thomson
The Estate of Walter Freitag                Ann Trotter
The Estate of Chisne Gunn                   Judith Trotter
The Estate of Warwick Gordon Harris         Anna Wilson
The Estate of Joan Kerr                     Bruce Wilson and Jill White
The Estate of Monica Taylor                 Ann Wylie
                                            David Zwartz
Ensemble ($10,000+)
Anonymous                                   Trio ($500+)
Robin & Sue Harvey                          Anonymous (6)
Kaye & Maurice Clark                        Diane Baguley
Gill and Peter Davenport                    Philippa Bates
Peter and Carolyn Diessl                    Harry and Anne Bonning
Professor Jack Richards                     Sarah Buist
                                            JD Cullington
Octet ($5,000+)                             Jonathan Cweorth
M Hirschfeld Children's Trust               Hanno Fairburn
Hylton LeGrice and Angela Lindsay           Tom and Kay Farrar
The Lyons Family - in memory of Ian Lyons   John Farrell
Murray Shaw                                 Anne French Consulting Ltd
Kerrin and Noel Vautier                     Belinda Galbraith
Lloyd Williams and Cally McWha              C & P Gibson
                                            Laurie Greig
Quintet ($2,500+)                           Gary and Helena Hawke
Joy Clark                                   Douglas and Barbara Holborow
John and Trish Gribben                      E Prof Les Holborow
Ann Harden                                  Michael Houstoun and Mike Nicolaidi
Jane Kominik                                Caroline List
Collin Post                                 Fiona Macmillan and Briony Macmillan
Arnold and Reka Solomons                    Margaret Malaghan
Peter and Kathryn Walls                     Raymond and Helen Matias
                                            AE McAloon
Quartet ($1,000+)                           Fiona McAlpine
Anonymous (2)                               Andrew and Mary McEwen
Donald and Susan Best                       Heather Miller
Roger and Joanna Booth                      Margaret Nielsen
Philip and Rosalind Burdon                  Prue Olde
MD and MA Carr                              Robert and Helen Philpott
Rick and Lorraine Christie                  Miles Rogers
Roger Christmas                             Sylvia Rosevear
The Cranfylde Charitable Trust              Peter and Juliet Rowe
Graeme and Di Edwards                       John and Kathryn Sinclair
Peter and Rae Fehl                          Ross Steele
Finchley Trust                              Mary Smit
Dame Jennifer Gibbs                         Priscilla Tobin
Patricia Gillion                            David Tripp
David and Heather Hutton                    Patricia Unger
Linda MacFarlane                            Richard and Elaine Westlake
Elizabeth McLeay                            Tim Wilkinson

Board

                                                                      REGIONAL CONCERTS
Kerrin Vautier CMG (Chair), Hon Chris Finlayson, Hamish Elliott,
Andreas Heuser, Matthew Savage, Vanessa Doig

Staff                                                                      THE JACQUIN TRIO
Chief Executive, Catherine Gibson
Artistic Manager, Jack Hobbs
                                                                          WANAKA 4 October
Artistic Administrator, Elliot Vaughan
Outreach Coordinator, Beckie Lockhart
Operations Coordinator, Rachel Hardie                                    CROMWELL 5 October
Marketing Manager, Will Gaisford
Senior Designer, Darcy Woods                                                GORE 7 October
Marketing Executive, Aja Lethaby
Ticketing & Database Executive, Laurel Bruce                              RANGIORA 9 October
Content Producer & Comms Executive, Anna van der Leij
Business & Funding Administrator, Rafaela Gaspar
                                                                         WHANGAREI 13 October
Financial Coordinator, Yvonne Morrison

                                                                        WHANGANUI 17 October
Branches
Auckland: Chair, Roger Reynolds; Concert Manager, Bleau Bustenera        UPPER HUTT 21 October
Hamilton: Chair, Murray Hunt; Concert Manager, Sharon Stephens
New Plymouth: Concert Manager, Cathy Martin
Hawke’s Bay: Chair, June Clifford; Concert Manager, Jamie Macphail
Manawatu: Chair, Graham Parsons; Concert Manager, Virginia Warbrick
Wellington: Concert Manager, Rachel Hardie
Nelson: Concert Manager, Clare Monti
Christchurch: Concert Manager, Jody Keehan
Dunedin: Chair, Terence Dennis; Concert Manager, Richard Dingwall
Southland: Chair, Rosie Beattie; Concert Manager, Rosie Beattie

Regional Presenters
Marlborough Music Society Inc (Blenheim), Christopher's Classics
(Christchurch), Cromwell & Districts Community Arts Council,
Geraldine Academy of Performance & Arts, Musica Viva Gisborne,
Music Society Eastern Southland (Gore) Arts Far North (Kaitaia),
Aroha Music Society (Kerikeri), Chamber Music Hutt Valley,
Motueka Music Group, Oamaru Opera House,
South Waikato Music Society (Putaruru),
Waimakariri Community Arts Council (Rangiora),
Rotorua Music Federation, Taihape Music Group,
Tauranga Musica Inc, Te Awamutu Music Federation,
Upper Hutt Music Society, Waikanae Music Society,
Wanaka Concert Society Inc, Chamber Music Wanganui,
                                                                           Join the conversation
Warkworth Music Society, Wellington Chamber Music Trust,
Whakatane Music Society, Whangarei Music Society.

Thank you
                                             Core Funder                                         Supporting Funder
A special thank you to
all of our sponsors and
funding partners.

National Touring Partners

National Business Partners

Regional Partners                                          Education and Community Partners

Key Funding Partners CMNZ recognizes the following funders who generously support our work.

                                                                      Judith Clark
                                                                     Memorial Fund

Funding Partners
Community Trust of Southland                 Otago Community Trust                        Trust Waikato
Eastern & Central Community Trust            Rātā Foundation                              TSB Community Trust
Four Winds Foundation                        Southern Trust                               Turnovsky Endowment Trust
Invercargill Licensing Trust                 The Adam Foundation                          Wellington Community Trust
Mt Wellington Foundation                     Trust House                                  Winton & Margaret Bear Charitable Trust
New Plymouth District Council

JUILLIARD415
2020 brings the best and brightest from
New York City: Robert Mealy and Juilliard415.
Next generation baroque, this 23-piece orchestra
of lavish opulence launches CMNZ’s 2020 Season
with a bang.

HAMILTON                   NELSON
Thursday 27 February       Monday 9 March
NEW PLYMOUTH               CHRISTCHURCH
Monday 2 March             Tuesday 10 March
PALMERSTON NORTH           DUNEDIN
Tuesday 3 March            Thursday 12 March
NAPIER                     INVERCARGILL
Thursday 5 March           Friday 13 March

For more, visit chambermusic.co.nz/2020

Level 4, 75 Ghuznee Street
PO Box 6238, Wellington
0800 CONCERT (266 2378)
info@chambermusic.co.nz
www.chambermusic.co.nz