Bärenreiter The Musicians' Choice - The Programme New Publications I/2018: January-June 2018 - Bärenreiter Verlag
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Bärenreiter
The Musicians’ Choice
The Programme
New Publications
I/2018: January–June 2018
New Issue Title
1 New Publications I/2018 · The Programme
Contents
Piano Choir
Beethoven: All piano sonatas for the Beethoven Choral Scores
Year 2020.......................................................................3–6 Mendelssohn Bartholdy: St. Paul op. 36.
Three Sonatas in E-flat major, F minor, BA 9071-91 ................................................................. 38
D major (WoO 47) “Kurfürsten Sonatas“. Fauré: Messe de Requiem op. 48. BA 9461-91....... 38
BA 11801...............................................................................4 Rossini: Petite Messe solennelle. BA 10501-91...... 38
Sonata in E minor op. 90. BA 11809................................ 5 Scores
Mozart: The Music Books of Mozart and His Sister. Haydn: Missa in Angustiis “Nelson Mass”
BA 9177................................................................................ 7 Hob. XXII:11. BA 4660-02........................................39
Schubert: Sonata in G major op. 78 – D 894. Mozart: Requiem K. 626. BA 4538-02..................... 40
BA 9615.......................................................................... 8–9 Handel: The Messiah HWV 56. BA 4012-02.......... 40
Dvořák: Concerto in G minor for Piano and Orchestra
Vocal Score
op. 33. BA 10420..............................................................10
Bach: St. Matthew Passion BWV 244.
Smetana: Macbeth. BA 11537............................................... 11
BA 5038-90.................................................................41
Ragtime by Scott Joplin. Ready to Play. BA 10644.... 12–13
BartÓk: Easy Piano Pieces and Dances. BA 6587.... 14–15
Facsimile
Orchestra Bach: Christmas Oratorio BWV 248.
ISBN 978-3-7618-2448-1......................................... 42–43
Dvořák: Concerto in G minor for Piano and Orchestra
op. 33. BA 10420..............................................................10
Dvořák: Symphony No. 8 in G major. BA 10418............ 16 Organ
Suk: Symphony “Asrael” op. 27. BA 9532......................... 17 Bach: Organ Works, Volume 1: Little Organ Book.
Smetana: From Bohemia's Woods and Fields. BA 5261.......................................................................44–45
BA 11533.............................................................................. 18 Bach: Organ Works, Volume 9: Organ Chorales
Haydn: Symphony in G major Hob. I:81. BA 10983..... 19 from the Neumeister Collection. BA 5269............46
Debussy: Images for Orchestra. BA 7888...................... 22 Franck: Complete Works for Organ
Mendelssohn Bartholdy: Concerto in E minor and for Harmonium, Volume 1: BA 9291................ 47
for Violin and Orchestra op. 64. BA 9099..........24–25 Glazunov: Complete Organ Works. BA 11222...............48
Stoiber: Fascination Organ Improvisation.
Claude Debussy Year 2018...................... 20–21 BA 11241.............................................................................49
Jazz Inspirations for Organ 4. BA 11210..........................50
Strings / Chamber Music Szathmáry: Sense of Rhythm for Organ and
Percussion. organova, Volume 11. BA 11247 ............51
Debussy: Works for Violin and Piano. BA 9444...........23
Webern: Variations für Klavier op. 27.
Mendelssohn Bartholdy: Concerto in E minor
organova, Volume 12. BA 11248.................................. 52
for Violin and Orchestra op. 64. BA 9099..........24–25
Szathmáry: Mors et Vita for Great Organ.
ŠevČík: Forty Variations for the Violin op. 3
organova, Volume 13. BA 11249 ................................. 53
BA 11521.......................................................................26–27
Bach: Six Suites for Violoncello solo Contemporary Music......................................... 54
BWV 1007–1012. BA 5257, BA 5258..................... 28–29
Christmas for Beginner String Ensembles. BA 10689.... 30 Vocal Scores / Opera
Speckert: 27 Miniatures for String Trio. BA 10647....... 31
Handel: Parnasso in festa per gli sponsali di Teti
Janáček: Youth (Mládí). Arrangement
e Peleo HWV 73. BA 10718-90.................................... 55
for String Quartet. BA 11543, TP 521..........................32
Rameau: Daphnis et Églé, RCT 34. BA 8862-90........... 56
Brahms: Piano Quintet in F minor op. 34. BA 10915.... 33
Solo Voice
Complete Editions.......................................... 34–36
Michna: The Czech Lute. H 8040 ................................... 57
Rameau: Airs d'opéra. Dessus vol. 3: BA 9193,
Flute Dessus vol. 4: BA 9194..........................................58–59
Saint-Saëns: The Carnival of the Animals
New Issue
for two Flutes. BA 10926. Title
............................................ 37 Your Contacts......................................................... 60
New Publications I/2018 · The Programme 2
Piano
All the Beethoven
piano sonatas in
Bärenreiter Urtext
editions
The year 2020 marks the 250th anniversary of the birth of Ludwig
van Beethoven. By then all of his piano sonatas will be available
in high-quality cutting edge Bärenreiter Urtext editions, edited
by Jonathan Del Mar.
Del Mar, a worldwide authority and acclaimed Beethoven
specialist, has meticulously examined every available source and
evaluated many impressions of prints issued during Beethoven’s
lifetime. The works appear with a musical text at the forefront
of musical scholarship, accompanied by a Critical Commentary
covering all alternative readings and editorial decisions.
It need hardly be added that each edition contains an elegant and
spacious engraving and practical page turns, the emphasis always
being to reflect the character of the music in the best possible
way. Detailed Introductions on the genesis and significance of
each work are supplemented by valuable suggestions regarding
period performance practice.
Jonathan Del Mar (*1951) is a conductor and musicologist. His
edition of Beethoven’s nine symphonies, likewise published by
Bärenreiter (1996-2000), caused a sensation and has been used
by leading conductors ever since. Further Bärenreiter Urtext
editions of Beethoven’s works have been edited by Del Mar
including the Piano Concertos and Triple Concerto, the Cello
Sonatas and several string quartets. He has also produced fine
Urtext editions of Dvořák’s Cello Concerto and Symphony No. 7
as well as the Elgar Cello Concerto.
> Beethoven 2020 New Issue Title
3 New Publications I/2018 · The Programme
Piano
“An excellent composition
by a young genius”
Ludwig van Beethoven:
Three Sonatas
in E-flat major,
F minor, D major
for Pianoforte (WoO 47)
“Kurfürsten Sonatas”
BÄRENREITER URTEXT These pieces, known as the Kurfürsten Sonatas, were composed in
1783 while Beethoven was still studying with Christian Gottlob Neefe
Edited by Jonathan Del Mar in Bonn. Announced as an “excellent composition by a young genius”,
these three impressive and technically challenging sonatas are still
With an Introduction by Misha Donat fully beholden to the style of C. P. E. Bach and the Mannheim School.
and notes on performance practice For students, they offer an ideal introduction to the early classical
by Jonathan Del Mar and sonata repertoire and train brilliance in piano technique.
Misha Donat
• Scholarly-critical Urtext edition at the cutting edge of scholarship
BA 11801 · approx. € 13.95
• Spacious engraving with practical page turns
• Perfect for teaching
To appear in May 2018
• Informative Introduction (Eng/Ger)
• Valuable notes on period performance practice (Eng/Ger)
> To the shop
New Issue Title > Beethoven 2020
New Publications I/2018 · The Programme 4
Piano
A lyrical masterpiece
by Beethoven
Ludwig van Beethoven:
Sonata in E minor
for Pianoforte op. 90
BÄRENREITER URTEXT
Edited by Jonathan Del Mar
With an Introduction by Misha Donat
It was not until 1814, five years after the Sonata op. 81 “Les Adieux”,
and notes on performance practice
that Beethoven, then at the height of his popularity during the
by Jonathan Del Mar and
Congress of Vienna, returned to the piano sonata. The highly lyrical
Misha Donat
Sonata in E minor, the last piano sonata from his middle period,
BA 11809 · approx. € 7.95
consists of two movements with solely German tempo marks and is
dedicated to his piano-playing friend and patron, Moritz Count von
To appear in June 2018
Lichnowsky. In terms of technical difficulty regarding Beethoven’s
later piano sonatas, this sonata is one of the more accessible for
advanced students.
• Well-suited for advanced student lessons
> To the shop
• Scholarly-critical Urtext edition at the forefront of musical
scholarship
• All known sources taken into account
• Elegant musical engraving with optimal page turns
• Valuable notes on period performance practice (Eng/Ger)
New Issue Title
5 New Publications I/2018 · The Programme
Piano
Beethoven piano sonatas
in Bärenreiter Urtext editions
Already published:
Three Sonatas in F minor, A major, C major op. 2
BA 10859 · € 25.95
Grande Sonate in E-flat major op. 7
BA 11802 · € 7.95
Three Sonatas in C minor, F major, D major op. 10
BA 10857 · € 17.95
Grande Sonate pathétique in C minor op. 13
BA 10851 · € 5.95
Two Sonatas in E major, G major op. 14
BA 10855 · € 9.95
Grande Sonate in A-flat major op. 26 “Funeral March”
BA 11804 · € 9.95
Sonata quasi una Fantasia in E-flat major op. 27 no. 1 /
Sonata quasi una Fantasia in C-sharp minor op. 27 no. 2
“Moonlight Sonata”
BA 10853 · € 11.50
Sonata in D major op. 28 “Pastorale”
BA 11814 · € 7.95
Three Sonatas in G major, D minor “Tempest”, E-flat major op. 31
BA 11805 · € 21.95
Two Sonatas in G minor, G major op. 49 “Sonates faciles”
BA 10858 · € 7.95
Grande Sonate in C major op. 53 “Waldstein”
BA 10856 · € 9.95
Sonata in F minor op. 57 “Appassionata”
BA 10852 · € 7.95
Sonata in F-sharp major op. 78
BA 11807 · € 10.95
Sonata in G major op. 79 “Sonate facile”
BA 11815 · € 6.95
Lebewohl, Abwesenheit und Wiedersehn.
Sonata in E-flat major op. 81a “Les Adieux”
BA 11808 · € 7.95
Sonate in A major op. 101
New Issue Title
BA 11811 · € 7.50 NEW NEW
2018 2018
New Publications I/2018 · The Programme 6
Piano
The only complete
edition
Wolfgang Amadeus
Mozart:
The Music Books of
Mozart and His Sister
for Piano
BÄRENREITER URTEXT
Until now the edition The Music Books of Mozart and His Sister has
Edited by Wolfgang Plath
only been available as part of the boxed set of Mozart’s œuvre for
BA 9177 · approx. € 25.95
piano (BA 5749) which has gone out of print. Now, for the first time,
it can be purchased separately. Based on the New Mozart Edition,
To appear in May 2018
this is the only publication to contain all the pieces, sketches and
fragments found in the notebooks. The Foreword by the great Mozart
scholar Wolfgang Plath provides valuable information on the pieces
themselves and on the question of their authorship; besides Mozart’s
earliest juvenilia, some of which formed the basis of later
compositions, the notebooks also contain works by Leopold Mozart
and other composers. Facsimile illustrations from the autographs
convey a lively picture of this collection of easy to moderately > To the shop
difficult keyboard pieces ideally suited for teaching purposes.
• Scholarly-critical Urtext edition based on the New Mozart Edition
ISMN 979-0-006-52992-6
• Only complete edition of the Mozart siblings’ notebooks
• Ideal for teaching purposes: easy to moderately difficult 9 790006 529926
• Numerous facsimile illustrations
New Issue Title
7 New Publications I/2018 · The Programme
Piano
New engraving of Schubert’s
Fantasy Sonata in G major
Franz Schubert:
Sonata in G major
for Piano op. 78 – D 894
BÄRENREITER URTEXT
Edited by Walburga Litschauer
With notes on performance practice
Schubert’s tuneful and buoyant Sonata in G major was published in
by Mario Aschauer
April 1827 as a “Fantasy or Sonata”, to quote the heading of its first
movement. The first reviewer noted that “the beloved and talented
BA 9615 · approx. € 14.95
Lieder composer has presented the music world with a fantasy in
(replaces BA 5630)
which he lets his inventiveness loose. He presents the pianist with
a harmonic indulgence without however amassing too many
To appear in January 2018
difficulties to complicate the execution”.
Our scholarly-critical Urtext edition, based on the definitive New
Schubert Edition, presents the sonata in a spacious new engraving
with practical page turns. The work is introduced by an updated
> To the shop Foreword (Ger/Eng) and detailed notes on key questions of
performance practice, e.g. pedalling and Schubert’s characteristic
way of writing accents. Rounding off the edition is a Critical
ISMN 979-0-006-56214-5
Commentary (Eng) containing alternative readings of relevance to
the performer. Schubert’s rejected initial version of the second
movement can be accessed via the Bärenreiter website.
9 790006 562145
New Issue Title
New Publications I/2018 · The Programme 8
Piano
Further piano works by Schubert, newly engraved, with notes
on performance practice and revised Forewords:
Franz Schubert
Moments Musicaux op. 94 – D 780
BA 9647 · € 8.75
Impromptus op. 90 – D 899, op. post. 142 – D 935
BA 9648 · € 10.95
Late Piano Pieces
BA 9634 · € 10.25
Fantasies
BA 10862 · € 18.50
Fantasy in C major “Wanderer Fantasy” op. 15 D 760
BA 10870 · € 8.95
Sonata in C minor D 858
BA 10869 · € 12.95
Sonata in A major D 959
BA 10861 · € 11.95
Sonata in B-flat major D 960
BA 10860 · € 11.50
Works for Piano Duet III
BA 9645 · € 30.95
• Scholarly-critical Urtext editions based on the
New Schubert Edition
• Spacious new engravings with practical page turns
• Detailed notes on historical performance practice (Ger/Eng)
• Updated Forewords (Ger/Eng) and Critical Commentaries (Eng)
• Schubert’s rejected versions of individual movements
accessible on the Bärenreiter website
New Issue Title
9 New Publications I/2018 · The Programme
Piano
Dvořák’s Piano Concerto
in its authentic form
Antonín Dvořák:
Concerto in G minor for
Piano and Orchestra op. 33
BÄRENREITER URTEXT
Edited by Robbert van Steijn Composed in 1876, Dvořák’s only piano concerto has been
Score overshadowed by his other two concertos, for violin and violoncello,
BA 10420 · approx. € 59.00 respectively. Performers and editors have often attempted to
(replaces H 1790) upgrade this pianistically unassuming work by adding stylisations of
their own. Our Urtext edition revaluates the sources, frees the work
Piano reduction by Karel Šolc from subsequent interventions and presents it to full advantage in its
BA 10420-90 · approx. € 24.95 authentic form.
(replaces H 1780)
Performance material The principal source of our new edition is the first complete print
available on hire issued by the publisher Hainauer in 1883, which has been meticulously
collated with the autograph. The anonymous original piano reduction
To appear in April 2018
is so full of mistakes that editor Robbert van Steijn decided instead to
> To the shop > To the shop present the version by Karel Šolc.
ISMN 979-0-2601-0839-4 ISMN 979-0-2601-0838-7
• New Urtext edition of Dvořák’s only piano concerto
• Foreword by Dvořák scholar David R. Beveridge (Eng/Cz/Ger)
9 790260 108394 9 790260 108387 • Commentary on performance practice by Czech pianist
BA 10420-90 BA 10420 Ivo Kahánek (Eng/Cz/Ger)
New Issue Title New Issue Title • Piano reduction by Karel Šolc adapted to fit this new edition
New Publications I/2018 · The Programme 10Piano
Virtuoso concert piece
Bedřich Smetana:
Macbeth
Sketch for the scene of
Macbeth and the Witches
after Shakespeare
for Piano
Smetana’s piano sketch Macbeth, also known as Macbeth and the
Witches, after William Shakespeare’s tragedy, originated in 1859 while BÄRENREITER URTEXT
the composer was living in Sweden. Some scholars believe that it was
meant to be scored for full orchestra. Edited by Jarmila Gabrielová
BA 11537 · approx. € 11.95
The work’s dark and gloomy mood is connected with the death of
(replaces H 7322)
Smetana’s wife Katharina on 19 April 1859. Macbeth only appeared in
print posthumously in 1912. It soon entered the piano repertoire, and in
To appear in June 2018
the course of the 20th century it was scored for orchestra by Otakar
Jeremiáš and for piano and orchestra by Jarmil Burghauser. Our
Urtext edition proceeds from the only surviving source, Smetana’s
pencil sketch. The editor has added as little as possible to the musical > To the shop
text in order to faithfully recreate the challenge of performing a
sketch. Missing rests and rhythmic ‘anomalies’ have been left as in
the autograph. ISMN 979-0-2601-0837-0
• Virtuoso concert piece in the “Liszt style”
• New Urtext edition 9 790260 108370
• Foreword (Cz/Eng/Ger) and Critical Commentary (Eng)
by the editor New Issue Title
11 New Publications I/2018 · The ProgrammeFor the 150th birthday
of Scott Joplin in 2018
Ragtime
by Scott Joplin
Edited by Jean Kleeb
with fingering by the editor
BA 10644 · € 14.95
Already published, not announced in
previous New Publications Bulletins
“It’s never right to play Ragtime fast.” (Scott Joplin)
Most listeners associate “ragtime” with the music of Scott Joplin, one
of the earliest African-American composers to straddle the divide
between classical and popular music. It was Joplin who brought this
musical style to the pinnacle of perfection.
The term “ragtime” stems from “ragged time” and describes the con-
trast between the sprightly syncopated melodies in the right hand
and the accentuated “oom-pah” bass in the left.
This collection offers a deeper insight into Joplin’s art; a combination
of folk music, African rhythms and classical piano music. Jean Kleeb
> To the shop has simplified the works and added fingering.
From the contents:
Maple Leaf Rag / The Entertainer / The Strenuous Life / Eugenia /
ISMN 979-0-006-56432-3
Original Rags / Bethena / Solace, a Mexican Serenade
• Edition in celebration of Joplin’s 150 th anniversary in 2018
9 790006 564323 • 7 typical and well-known pieces in their entirety
• Difficult passages are simplified
New
NewIssue
IssueTitle
Title • With fingering
New Publications I/2018 · The Programme 12Zeitgenössische Musik
Already published: Flute Classics
for Flute and Guitar
Beautiful Adagios BA 10610 · € 13.95
9 Pieces for two Violins
Introduction to the
BA 10615 · € 13.50
Great Composers
for Violin and Piano
Classic Hits
BA 10633 · € 11.95
for Violin and Viola
BA 10626 · € 14.50
Kids in Concert
10 piano pieces for children
Violin Classics BA 10602 · € 8.95
for two Violins
BA 10607 · € 13.95 Flauto con spirito
Modern Grooves
Christmas Hits for recorder quartet
for two Violoncellos BA 10603 · € 13.95
BA 10612 · € 10.25
Romantic Hits
Christmas Hits for two Flutes
for two Flutes BA 10643 · € 12.95
BA 10634 · € 11.50
The Roots of Jazz
for Violin and Violoncello
Classic Hits
BA 10606 · € 13.95
for 2 Cellos
BA 10611 · € 13.95
Tango Classics
for Violin and Piano
Classic Hits BA 10614 · € 13.50
for 2 Flutes
BA 10613 · € 13.95 Tango Classics
for Cello and Piano
Classic Hits BA 10632 · € 14.95
for two Clarinets
BA 10636 · € 12.95 Folk for two Violins
BA 10624 · € 14.50
Schabbes, Schabbes
Tango & Co
Klezmer for 3 Clarinets
for Accordion
BA 10635 · € 11.50
BA 10617 · € 14.50
Baila Negra The English Dancing Master
13 new Latin-American for Recorder (Flute) and Piano
piano pieces BA 10609 · € 14.95
BA 10604 · € 13.95
The Music of an Irish Harper NEW
Jazzy Piano for Recorder (Flute) and Piano 2018
BA 10627 · € 13.50 BA 10608 · € 14.95 New Issue Title
13 New Publications I/2018 · The ProgrammePiano
With pieces never
edited before
Béla BartÓk:
Easy Piano Pieces
and Dances
Edited by Michael Töpel
with fingering by the editor
BA 6587 · approx. € 11.50
To appear in May 2018
Bartók’s voluminous output for the piano contains a great many
exquisite masterpieces at every level of difficulty. This collection
gathers together easy to moderately difficult pieces, including a wide
variety of dance forms and folk-music miniatures. Players can coax
magical sounds from the instrument using a varied refinement of touch
such as silently depressed keys or can even play in two keys at once
(bitonality). In addition, all of this provides a stimulus for improvisation.
This collection is a welcome addition to the repertoire used in music
schools and private lessons and will, of course, appeal to all lovers of
Bartók’s music. Besides familiar works, it also contains several that
> To the shop have never before been edited. Two pieces handed down as
fragments have been judiciously completed by the editor. Care has
been taken to provide a spacious engraving and practical page turns.
ISMN 979-0-006-55801-8
• Easy to moderately difficult pieces with fingering
9 790006 558018
• Ideal for teaching purposes
• Several pieces edited for the first time
New Issue Title • Spacious engraving with practical page turns
New Publications I/2018 · The Programme 14Piano
“The series of Easy Pieces and Dances by the Classical masters, carefully edited by Michael
Töpel, is an ideal starting point for students and teachers, and a refreshing addition to the
usual anthologies.” “A boon to piano teachers …” (Piano Journal)
Already published:
Johann Sebastian Bach
BA 6572 € 11.50
Ludwig van Beethoven
BA 6560 € 11.50
Johannes Brahms
BA 6566 € 11.50
Frédéric Chopin
BA 6565 € 11.50
Claude Debussy
BA 6573 € 11.50
Edvard Grieg
BA 6575 € 11.50
George Frideric Handel
BA 6578 € 11.50
Joseph Haydn
BA 4631 € 11.50
Franz Liszt
BA 6577 € 11.50
Bohuslav Martinů
BA 9586 € 11.50
Felix Mendelssohn Bartholdy
BA 6568 € 11.50
Wolfgang Amadeus Mozart
BA 5327 € 11.50
Maurice Ravel
BA 6580 € 11.50
Erik Satie
BA 6574 € 11.50
Franz Schubert
BA 5639 € 11.50
Robert Schumann NEW
BA 6567 € 11.50 2018
Peter Tschaikowsky
BA 6576 € 11.50 New Issue Title
15 New Publications I/2018 · The ProgrammeOrchestra
A critical edition – finally
Antonín Dvořák:
Symphony No. 8
in G major
BÄRENREITER URTEXT
Edited by Jonathan Del Mar
Score
BA 10418 · approx. € 69.00
The performance material available up till now for Dvořák’s sun-filled
Critical Commentary cheerful Symphony no. 8 has been notorious for its myriad mistakes.
BA 10418-40 · approx. € 36.95 The challenge of correcting it has now been taken over by the editor
Jonathan Del Mar. He has taken into account the engraver’s copy,
Wind set which was actually discovered in a trash bin at Novello’s in 1964.
BA 10418-65 · approx. € 98.00 Its title page bears the words “Copied from my original manuscript”
in Dvořák’s hand. This source proves that many of the readings
Violin I BA 10418-74 approx. € 6.95
contained in the first edition and faithfully adopted in all subsequent
Violin II BA 10418-75 approx. € 6.95
editions, were simply slips of the copyist’s pen.
Viola BA 10418-79 approx. € 6.95
Violoncello BA 10418-82 approx. € 6.95
This new edition with score and orchestral parts in an enlarged
Double bass BA 10418-85 approx. € 6.95
format is accompanied by a detailed Critical Commentary on the
To appear in April 2018 sources and alternative readings. It also contains important facsimile
pages to clarify problematical readings.
> To the shop ISMN 979-0-006-56464-4
• Score and orchestral parts in an enlarged format
• Informative Foreword (Eng/Cz/Ger) and Critical Commentary (Eng)
9 790006 564644 on sources and alternative readings
New Issue Title • With facsimile pages
BA 10418
New Publications I/2018 · The Programme 16Orchestra
Funeral symphony for
Dvořák and his daughter
Josef Suk:
Symphony “Asrael”
op. 27
BÄRENREITER URTEXT
Edited by Jonáš Hájek
Score
BA 9532 · approx. € 85.00
Roughly eight months after the death of Antonín Dvořák (1 May 1904),
(replaces H 3978)
his son-in-law Josef Suk began to compose a funeral symphony. While
he was working on it fate struck a second time with the death of his To appear in April 2018
beloved wife, Otilie. He dedicated the five-movement symphony to
Dvořák and his daughter Otilie and named it after the Old Testament Performance material
Angel of Death “Asrael”. available on hire
The principal source for our edition is the first edition of the score “The fearsome Angel of Death struck
(1907), supplemented by the corrections Suk entered at the with his scythe a second time [...].
suggestion of conductor Václav Talich (1921). The most significant Such a misfortune either destroys a
change was the expansion of the orchestra to include ad libitum parts man or brings to the surface all the
for the fifth and sixth horns. powers dormant in him. Music saved
me” (Josef Suk)
• First scholarly-critical edition
• Includes Suk’s later corrections, including ad libitum parts for the > To the shop
fifth and sixth horns
ISMN 979-0-2601-0482-2
• Detailed Foreword (Cz/Eng/Ger) and Critical Commentary (Eng)
by the editor
9New Issue
790260 Title
104822
17 New Publications I/2018 · The ProgrammeOrchestra
A classical masterpiece
of Czech music
Bedřich Smetana:
From Bohemia’s
Woods and Fields
Symphonic Poem
for Orchestra
BÄRENREITER URTEXT
The first four symphonic poems from Smetana’s six-part cycle
Edited by Hugh Macdonald Má vlast (My Country) were written in 1874–75 and arranged for piano
duet shortly after the completion of the fourth part, From Bohemia’s
Score
Woods and Fields. All six parts were issued for the first time by the
BA 11533 · approx. € 36.95
publisher Urbánek, beginning with the piano duet arrangements
Performance material available (1879–80).
on hire
The score of From Bohemia’s Woods and Fields was published by
To appear in May 2018 Urbánek in 1881. Owing to its many misprints, Hugh Macdonald has
based his new edition on the autograph score while consulting the
first edition as well as the autograph and print of the composer’s
> To the shop own version for piano duet.
• Classical masterpiece of Czech music in a new Urtext edition
ISMN 979-0-2601-0805-9
• Follows upon Hugh Macdonald’s Urtext editions of Vltava
(The Moldau) and Šárka
9 790260 108059 • Detailed Foreword by Smetana authority Olga Mojžíšová
(Cz/Eng/Ger) and Critical Commentary (Eng) by the editor
New Issue Title
New Publications I/2018 · The Programme 18Orchestra
Performance material
for Haydn symphony
Joseph Haydn:
Symphony in G major
Hob. I:81
URTEXT
Edited by Sonja Gerlach and
Sterling E. Murray
Score
Haydn’s Symphony in G major Hob. I:81 comes from a series of three
BA 10983 · approx. € 34.95
symphonies completed in late 1784 (nos. 81, 80 and 79, presumably in
that order). No autograph score survives for Hob. I:81, thus our Urtext
Wind set
edition is based on copyists’ manuscripts and first editions. As with
BA 10983-65 · approx. € 46.95
so many of his symphonies, Haydn wrote this one to provide new
music for his employer, Prince Nicolaus Esterházy.
Violin I BA 10983-74 approx. € 9.50
Violin II BA 10983-75 approx. € 9.50
Continuing the collaboration between Bärenreiter and the G. Henle
Viola BA 10983-79 approx. € 9.50
publishing company regarding Haydn’s large-scale choral works,
Violoncello BA 10983-82 approx. € 9.50
operas and symphonies, this edition is based on the G. Henle Complete
Double bass BA 10983-85 approx. € 9.50
Edition of the Works of Joseph Haydn. Bärenreiter has now published
the complete performance material for several Sturm und Drang
To appear in March 2018
symphonies and all the London and Paris symphonies (Nos. 81 to 104).
• Based on the G. Henle Complete Edition of the
ISMN 979-0-006-56557-3
> To the shop
Works of Joseph Haydn
• Orchestral parts in a large format (25.5 x 32.5 cm) 9 790006 565573
New Issue Title BA 10983
19 New Publications I/2018 · The ProgrammeDebussy Year 2018
from: Préludes · BA 10818
New Issue Title from: String Quartet · TP 414
New Publications I/2018 · The Programme 20Debussy Year 2018
Claude Debussy
Editions by Bärenreiter
Piano Première Rhapsodie NEW
for Clarinet in Bb and Piano
Children's Corner BA 7897-90 € 13.95
BA 8767 € 8.50
Deux Arabesques Study Scores
BA 8768 € 7.25
La Mer
Images 1re série TP 780 € 16.50
BA 10821 Vol. 1 € 11.95
String Quartet
Images 2 série
e
TP 414 € 15.50
BA 10822 Vol. 2 € 11.95
Prélude à l’après-midi d’un faune
Préludes 1 livre
er TP 841 € 8.50
BA 10818 Vol. 1 € 17.95
Pour le piano Orchestral Works
BA 8770 € 8.75
La Mer
Suite bergamasque BA 7880 € 87.00
BA 8769 € 8.75
Prélude à l’après-midi d’un faune
Easy Piano Pieces and Dances BA 8841 € 25.95
BA 6573 € 11.50
Première Rhapsodie for Orchestra
with Solo Clarinet in Bb
Strings BA 7897 € 22.95
Sonata for Violoncello and Piano
BA 9412 € 12.95 Notes
String Quartet The Musicians' Choice
BA 9414 € 29.95 Format: A6, 32 pages, binding stapled
BA 8100-27 € 0.75
(Minimum order quantity: 10 copies)
Winds
Already published.
Syrinx for Flute solo
BA 8733 € 5.95
Poster
Deux Arabesques for four Flutes
BA 6896 € 14.50 Poster Claude Debussy
Format: A1 long (42 cm x 118.8 cm)
Children's Corner for Flute, Oboe,
SPA 50-78 free of charge
Clarinet, Horn and Bassoon
Cover scan of Debussy’s “La Mer”, first edition: © British Library Board shelfmark h.1235.(3.) •
BA 6876 € 28.50 Already published. New Issue
Excerpts Title
from “La Mer” & “L’apres midi d’un faune”: © Bibliothèque nationale de France
Sample page from Bärenreiter edition: Préludes 1 (BA 10818), ”La fille aux cheveux de lin” •
Photo of Debussy: ca. 1908 by Félix Nadar
21 New Publications I/2018 · The ProgrammeOrchestra
The first Urtext edition
of this masterpiece
Claude Debussy:
Images for Orchestra
BÄRENREITER URTEXT
Edited by Hans Schellevis
Score
BA 7888 · approx. € 85.00
Images is an impressionist orchestral work composed between 1905
Wind set and 1912 consisting of three movements entitled I Gigues, II Ibéria
BA 7888-65 · approx. € 399.00 and III Rondes de printemps.
Violin I BA 7888-74 approx. € 14.95 Bärenreiter’s scholarly-critical edition is the very first Urtext edition
Violin II BA 7888-75 approx. € 14.95 of this masterpiece. The previously available scores and parts are
Viola BA 7888-79 approx. € 14.95 rife with mistakes and inconsistencies that have spawned endless
Violoncello BA 7888-82 approx. € 14.95 debates among conductors and orchestral musicians about the
Double bass BA 7888-85 approx. € 14.95 ‘correct’ readings. The editor, Hans Schellevis, has consulted every
available source, including previously unknown proof sheets with
To appear in June 2018 corrections from the composer that never found their way into the
first edition.
The edition also has an Introduction with information on the work’s
> To the shop history and genesis and a Critical Commentary describing the sources,
their interrelations and the readings.
• Very first Urtext edition of this masterpiece
• Detailed Introduction (Eng/Fr/Ger) and Critical Commentary (Eng)
BA 7888 New Issue Title
New Publications I/2018 · The Programme 22Strings
Claude Debussy:
Works for Violin
and Piano
Claude Debussy had difficulties finishing his last major work, the
Sonata for Violin and Piano. This can be seen in the many drafts BÄRENREITER URTEXT
which have been handed down and the fact that the cycle for which
it was conceived was left unfinished. The melancholy work originated Edited by Douglas Woodfull-Harris
under the impact of the First World War. BA 9444 · approx. € 18.95
The first edition, published during the final year of Debussy’s life, To appear in March 2018
contains many rhythmic errors. The non-autograph metronome
marks and the discrepancies between the separate violin part and Contents:
the violin part in small print in the piano score are two problems that Sonata / Minstrels
have affected the work’s later reception. Both are examined here in a
fresh light. Appendix:
Claude Debussy/Arthur Hartmann
In addition to the Sonata, this edition contains arrangements of Minstrels
La fille aux cheveux de lin, Il pleure dans mon cœur and Minstrels La fille aux cheveux de lin
by the American violinist Arthur Hartmann. It was Hartmann who Il pleure dans mon cœur
inspired Debussy to make his own arrangement of the well-known
piano piece Minstrels, also included in our edition.
• Debussy’s complete works for violin and piano > To the shop
• With arrangements by Debussy’s acquaintance Hartmann
• Informative Foreword (Eng/Fr/Ger)
• Critical Commentary (Eng)
New Issue Title
23 New Publications I/2018 · The ProgrammeStrings
Felix Mendelssohn
Bartholdy:
Lost proof sheets
Concerto in E minor sensationally unearthed
for Violin and Orchestra
Mendelssohn’s Violin Concerto op. 64, is a key work of the 19th century,
op. 64 adhering to the classical style of Beethoven while pointing the way
to the romantic ethos of Brahms. It has long been known that
BÄRENREITER URTEXT
Mendelssohn performed the work with three soloists in succession:
Ferdinand David, who worked closely with the composer during its
Edited by R. Larry Todd
composition and played it at the première; the ‘child prodigy’ Joseph
and Clive Brown
Joachim; and Hubert Léonard, a young Belgian virtuoso about whom
Piano reduction of the late version little is known.
BA 9099-90 · approx. € 21.95
(replaces BA 9050-90) As proof sheets for the Violin Concerto in E minor were long
considered lost, it could be described as somewhat of a sensation
Performance Practices when proofs for the solo violin part resurfaced together with a letter
in the Violin Concerto op. 64 from Mendelssohn to Léonard.
and Chamber Music for Strings
of Felix Mendelssohn Bartholdy The letter informs us that the composer invited Léonard to his home
(Text Eng/Ger) in Frankfurt in order to make his acquaintance. It was already known
BA 9060 · approx. € 15.50 that Mendelssohn had given proof sheets to David; now we know
that he also gave some to Léonard.
Set of BA 9099-90 and BA 9060
at a special price
BA 9099-93 · approx. € 32.95
Piano reduction
of the early and late versions
BA 9099-92 · approx. € 42.95
(replaces BA 9050-92)
Score of the early and late versions
BA 9099 · approx. € 60.00
(replaces BA 9050)
To appear in March 2018
The orchestral parts which are on sale
are fully compatible with the new edition
> To the shop > To the shop
and have been left unchanged:
ISMN 979-0-006-56434-7 ISMN 979-0-006-56589-4
Wind set BA 9050-65 € 67.00
Violin 1 BA 9050-74 € 8.50
Violin 2 BA 9050-75 € 8.50
9 790006 564347 9 790006 565894
Viola BA 9050-79 € 8.50
BA 9099-90 BA 9060
Violoncello BA 9050-82 € 8.50
Double bass New Issue€Title
BA 9050-85 8.50 New Issue Title New Issue Title
New Publications I/2018 · The Programme 24Strings
The recently discovered proofs reveal how Léonard played the
concerto with Mendelssohn on that memorable evening in February
1845. Besides containing bowing marks and fingering, they also show
how Léonard executed shifts of position and where he employed
open strings. Furthermore modifications made to dynamic markings
and additional legato bowing are shown.
It is safe to assume that all of this was done with Mendelssohn’s
approval. That the young violinist made a positive impression on the
composer is confirmed in the latter’s correspondence following their
joint performance. Mendelssohn is full of praise for Léonard’s playing
and offers to lend his support in finding employment in Germany.
This revised edition of the Mendelssohn Violin Concerto (only the
orchestral parts remain unchanged) includes a separate booklet on
performance practice.
The editor, Clive Brown, is an acknowledged expert on Romantic
performance practice.
• New source situation owing to recently rediscovered proofs
• Revised Urtext edition
• With a separate booklet on performance practice (Eng/Ger)
> To the shop > To the shop > To the shop
ISMN 979-0-006-56573-3 ISMN 979-0-006-56433-0 ISMN 979-0-006-56574-0
9 790006 565733 9 790006 564330 9 790006 565740
BA 9099-92 BA 9099 BA 9099-93 (BA 9099-90 + BA 9060)
New Issue Title New Issue Title New Issue Title
25 New Publications I/2018 · The ProgrammeStrings
For training
the right hand
Otakar Ševčík:
Forty Variations
for the Violin op. 3
Edited by Pavel Kudelásek
BA 11521 · € 7.50
(replaces H 2627)
Otakar Ševčik’s single-volume Forty Variations for the Violin occupies
Already published, not announced in
a special position in his extensive oeuvre of teaching material. Here
previous New Publications Bulletins
he follows up on his systematic “step by step” work for the right hand,
which he covered in detail in his previous op. 2.
Nonetheless, this volume can be used as a self-contained unit,
enlivening the violinist’s daily regimen and offering a concise and
highly effective method for mastering the right hand, from elementary
exercises to virtuoso technique.
The editor, Pavel Kudelásek, is a teacher at the Prague Conservatory.
> To the shop • New edition of another Ševčík opus for training the right hand
• A follow-up to School of Bowing Technique op. 2
• Foreword by the editor (Cz/Eng/Ger)
ISMN 979-0-2601-0801-1
• Medium to high level of difficulty
9 790260 108011
New Issue Title
New Publications I/2018 · The Programme 26Strings
Already published:
Otakar Ševčík
Edited by Jaroslav Foltýn
School of Violin Technique op. 1
BA 9552 · € 7.50
BA 9553 · € 7.50
BA 9554 · € 7.50
BA 9555 · € 7.50
School of Bowing Technique op. 2
BA 9591 · € 9.95
BA 9592 · € 9.95
BA 9593 · € 9.95
Preparatory Trill Studies and the Development of Double-Stopping op. 7
BA 9556 · € 11.95
Changes of Position and Preparatory Scale Studies op. 8
BA 9557 · € 7.95 New Issue Title
27 New Publications I/2018 · The ProgrammeBärenreiter cello suite editions
Bach’s Cello Suites – an artistic and
editorial challenge
When you think cello, you think of Bach’s immortal cello suites.
The suites take centre stage in the cello literature. They are timeless
and beautiful and accompany cellists from their student years up
through their professional career at the highest level.
Book 1
Musical Appropriately and not surprisingly there are countless editions of the
text suites. But the composer’s autograph has not come down to us. It
is lost and this circumstance has always been a major challenge for
editors. The four surviving handwritten sources and the original first
edition of 1824 differ in many details, the articulation and phrasing
being particularly ambiguous.
At Bärenreiter, having published the New Bach Edition and presently
publishing the New Bach Edition-Revised, we feel particularly
committed to the cello suites. We have approached the editorial
Book 2 problems from several angles and have published editions that meet
Facsimiles the needs of students and professional performers alike.
Bach Cello Suite editions available so far:
Six Suites for Violoncello solo BWV 1007-1012
New Bach Edition – Revised (NBArev), Volume 4
NBA
Book 1: The musical text in modern engraving
Book 2: This includes facsimiles of the handwritten sources and
With
performance the original print in synoptic form, including Bach’s own lute
markings arrangement of Suite V. Thus any particular passage can be
compared in all the sources at a glance.
Linen-bound editions (Books 1 + 2)
BA 5942-01 · € 398.00
The standard Wenzinger edition – with historically informed
performance markings
Alle
All
Lesarten
readingsauf
at BA 320 · € 15.95
einen
a glance
Blick
The scholarly-critical edition (musical text in modern engraving,
text booklet, 5 facsimiles)
BA 5216 · € 46.50 (with text volume in English)
New Issue Title
New Publications I/2018 · The Programme 28The new Urtext addition
Soft-cover
Linen-
bound
This new edition, based on volume 4 of the New Bach Edition – Revised
(NBArev), now completes Bärenreiter’s collection of the cello suite editions.
Andrew Talle has fundamentally reassessed the relations between
the surviving sources and has drawn conclusions regarding their
evaluation and consequently the genesis of the suites. His Johann Sebastian Bach:
evaluations are augmented with thorough discussions of the
instrument for which the suites were conceived and the
Six Suites for Violoncello
interpretative practices in Bach's day. solo BWV 1007-1012
The musical text of the edition is based on these findings.
BÄRENREITER URTEXT
It approaches the composer's original intentions as far as the sources
will permit. Details regarding articulation were deemed as being Edited by Andrew Talle
viable and were added to the musical text if they appeared in the BA 5257 Soft-cover approx. € 24.95
majority of the sources. “This edition does not present a perfect BA 5258 Linen-bound approx. € 68.00
reconstruction of the lost autograph; no editor could claim to do so. To appear in February 2018
Instead, I have attempted to provide musicians and scholars with a
reliable version of the surviving musical text of the six cello suites > To the shop > To the shop
and to shed light on the options which the Bach sources offer.”
ISMN 979-0-006-56577-1 ISMN 979-0-006-56578-8
• Urtext edition with articulation by the editor on the basis of
intensive source comparison
• Musical text identical to the text in New Bach Edition – Revised
Volume 4, Book 1 9 790006 565771 9 790006 565788
• Detailed introduction (Ger/Eng) BA 5257 BA 5258
• Promotional Flyer “Bach Cello Suites”, SPA 174 (Eng)
free of charge, to appear in February 2018 New Issue Title
29 New Publications I/2018 · The ProgrammeStrings
Easy repertoire
for Christmas
Christmas for Beginner
String Ensembles
(Pieces mostly
for two violins,
viola and violoncello)
Edited by Egon Sassmannshaus
and Christoph Jähne
BA 10689 · approx. € 7.50 Christmas is a time for making music especially in ensembles.
This edition with its very easy arrangements for two violins, viola and
To appear in June 2018 cello is ideal for beginner string players to get into the Christmas
spirit. The 27 pieces are based either on works of Baroque composers
such as Lully or Handel, or on traditional, mostly German, Christmas
carols. One of the pieces requires an additional violin, another a viola.
With their uncomplicated structure and accompanying parts which
tie in closely with the melody, these pieces encourage ensemble
playing from an early age.
• Ideal for the youngest string ensembles
> To the shop
• Very easy level of difficulty
ISMN 979-0-006-56606-8
9 790006 566068
New Issue Title
New Publications I/2018 · The Programme 30Zeitgenössische Musik
Fun for string trios
George Speckert:
27 Miniatures
for String Trio
(2 Violins and Cello or
Violin, Viola and Cello)
Ready to Play
Score with 4 parts
Here is fresh material for young string ensembles presented by BA 10647 · approx. € 14.95
George Speckert who is a master arranger for amateur orchestras.
Each of these 27 relatively short character pieces evokes a unique To appear in January 2018
mood in its very title: Brisk, Sad, Sunset and many more. When heard
in succession, the scenes sometimes unfold in the listeners’ minds like
in a movie.
The collection is perfect for creating short suites with an ad libitum
number of movements, and thus is ideal for school recitals, family
celebrations or street busking. These miniatures can also be used to
musically accompany literary readings or as soundtracks for video
sequences. The second violin part may also be played by a viola.
> To the shop
From the contents:
1. Brisk / 2. Sad / 3. Chase / 4. Pastoral / 5. A Slow Walk / 6. Turbulent /
7. In Stride / 8. Peaceful / 9. On the Run / 10. Sunset / and many more. ISMN 979-0-006-56490-3
• 27 short pieces to be combined ad libitum
9 790006 564903
• Ideal for recitals
• Separate viola part included as a substitute for the second violin New Issue Title
31 New Publications I/2018 · The ProgrammeChamber Music
Janáček’s wind sextet
arranged for string quartet
Leoš Janáček:
Youth (Mládí)
Arrangement
for String Quartet
Arranged by Kryštof Mařatka
Parts in slipcover
BA 11543 · approx. € 19.95 This piece reflects Janáček’s memories of childhood and youth in his
native Hukvaldy and the Augustinian Abbey in Brno. Kryštof Mařatka,
Study score a Czech composer resident in France and a great admirer of Janáček,
TP 521 · approx. € 19.95 has arranged the original version to produce a welcome addition to
the string quartet repertoire.
To appear in January 2018
Youth for wind sextet, is a masterpiece from Janáček’s late period
(1924). Mařatka has successfully managed to transform the concise
winds’ sound that give this work its unique flavour into the timbre of
the strings, thereby creating a “third string quartet” of the composer.
> To the shop > To the shop • Janáček’s wind sextet arranged for string quartet
• Welcome addition to the string quartet repertoire
ISMN 979-0-2601-0851-6 ISMN 979-0-2601-0850-9
• Foreword by the arranger (Cz/Eng/Ger)
9 790260 108516 9 790260 108509
TP 521 BA 11543
New Issue Title New Issue Title
New Publications I/2018 · The Programme 32Chamber Music
New Urtext edition
Johannes Brahms:
Piano Quintet in F minor
op. 34
BÄRENREITER URTEXT
Edited by Daniel Boomhower
BA 10915 · approx. € 42.95
Bärenreiter’s scholarly-critical edition of Brahms’ popular Quintet
To appear in May 2018
in F minor for piano and strings contains everything a cutting edge
Urtext edition is meant to offer. It presents a solid and well-
researched musical text based on Brahms’ autograph as well as the
first edition, and draws on the autograph of the two-piano version
(composed six years later) for purposes of comparison. The edition
also contains a discussion of the work’s historical context and
performance practice as well as a comprehensive Critical Commentary
with an evaluation of the sources and alternative readings.
The editor, Daniel Boomhower, deals with the conflicting readings
between the string parts in the autograph engraver’s copy and those > To the shop
found in small print in the first published score as well as in the
separate parts for that edition. Relevant readings from the two-piano
version appear in the appendix of the Critical Commentary. ISMN 979-0-006-55993-0
• New Bärenreiter Urtext edition
• Exhaustive study of conflicting readings 9 790006 559930
• Notes on performance practice (Eng/Ger)
• Informative Foreword (Eng/Ger) and Critical Commentary (Eng) New Issue Title
33 New Publications I/2018 · The ProgrammeCARLO GESUALDO
PRINCIPE DI VENOSA
NEW GESUALDO EDITION
The Edition The Subscription
The music of Carlo Gesualdo (1566–1613), Prince of The edition will comprise twelve volumes.
Venosa, has always sparked particular interest among They can be purchased individually or the whole series
vocal polyphony experts. It is handed down in precious can be subscribed to at reduced prices.
part-book prints produced by two famous 16th-century
printers: Vittorio Baldini, private printer of Ercole II Each volume contains a Preface (Ital/Eng), a facsimile
d’Este, Duke of Ferrara, and Giovanni Giacomo Carlino, a section, a critical edition of the texts set to music
well-known Neapolitan printer, whom Gesualdo asked to as well as a Critical Commentary (Ital/Eng).
move to his village to print his last three part-books.
Format 233 x 330 cm,, linen-bound
Unfortunately, not all the first editions have survived in
their entirety, hence the need to examine the surviving
editions which immediately followed in order to
reconstruct the complete musical texts. These reprints
are also significant because they document the wide
circulation that the music of Gesualdo, in particular his
madrigals, enjoyed from the beginning. Indeed, these
editions come from what was the main Italian centre
of publishing at the time, namely Venice, and were
produced by the best known music printers:
Alessandro Gardano’s heirs and Bartolomeo Magni.
The new critical edition
starts with a review of all the existing 16th- and 17 th-
century prints, and proceeds to evaluate their degree
of authoritativeness. The very first editions are the
preferred sources, since they were all issued under
the direct supervision of Gesualdo.
Molinaro‘s partitura is also taken into account, for its
unquestionable historical significance and as evidence
of Gesualdo‘s reception in modern times.
New Issue Title
Please order the brochure
New Publications I/2018 · The Programme 34 »New Gesualdo Edition« (Ital/Eng/Ger)
SPA 274 (in preparation)Publication Schedule Responsoria et alia ad Officium Hebdomadae Sanctae 2018
spectantia (Gesualdo 1611)
Beginning with the volume Madrigali a cinque voci. Ed. Rodobaldo Tibaldi BA 10389-01
Libro quinto which will be published in 2017,
approximately two volumes will appear per year. Miscellanea di brani apparsi in antologie e manoscritti.
Musica strumentale. Madrigali a sei voci (Napoli 1626)
Madrigali a cinque voci. Libro primo (Ferrara 1594) Ed. Dinko Fabris and John Griffiths BA 10390-01
Ed. Marco Dalla Sciucca BA 10381-01
Bibliografia testuale
Madrigali a cinque voci. Libro secondo (Ferrara 1594) Ed. Francesco Saggio BA 10391-01
Ed. Marco Mangani BA 10382-01
Regesto dei Documenti e Bibliografia generale
Madrigali a cinque voci. Libro terzo (Ferrara 1595) Ed. Agostino Ziino BA 10392-01
Ed. Francesco Saggio BA 10383-01
Madrigali a cinque voci. Libro quarto (Ferrara 1596)
Ed. Daniele Sabaino BA 10384-01 Scholarly Advisory Committee
Claudio Abbado † / Honorary Chairman
2017 Madrigali a cinque voci. Libro quinto (Gesualdo 1611)
Ed. Maria Caraci Vela € 249.00 BA 10385-01 Glenn Watkins / Chairman
Maria Caraci Vela · Dinko Fabris · Iain Fenlon
Madrigali a cinque voci. Libro sesto (Gesualdo 1611)
Anthony Newcomb · Philippe Vendrix · Agostino Ziino
Ed. Antonio Delfino BA 10386-01
Sacrarum cantionum liber primus (a cinque voci) Executive Editors
(Napoli 1603) Maria Caraci Vela · Dinko Fabris · Agostino Ziino
Ed. Paolo Da Col and Rodobaldo Tibaldi BA 10387-01
Advisers for the Edition of the Poetic Texts
Sacrarum cantionum liber primus (a sei e sette voci) Rino Caputo · Elio Durante · Anna Martellotti
(Napoli, 1603) Nicola Panizza
Ed. Marc Busnel and Cristina Cassia BA 10388-01
The “New Gesualdo
Edition” is made possible
by the generous support
of the following
institutions:
Comitato per le
Celebrazioni Gesualdine –
Regione Basilicata
Fondazione Carlo Gesualdo
– Regione Campania
New Issue Title
35 New Publications I/2018 · The ProgrammeComplete Editions
New publications up to November 2017
Niels W. Gade
Works, Series IV:9
Works for Mixed Choir
Edited by Bjarke Moe
BA 7628
Christoph Willibald Gluck
Complete Works
Series III, Volume 1:
Opera Serias handed down
in Fragments
Edited by Tanja Gölz
BA 5815-01
Jean-Philippe Rameau
Opera Omnia, OOR IV.22
Daphnis et Églé, RCT 34
Edited by Érik Kocevar
BA 8862
Georg Philipp Telemann
Musical Works, Volume 58
“Oratorio Cycle”
Edited by Ute Poetzsch
and Steffen Voss
BA 7809-01
New Issue Title Music example from: Telemann, Musical Works, Vol. 58 · BA 7809-01
New Publications I/2018 · The Programme 36Flute
The Carnival of the Animals
arranged for flutes
Camille Saint-Saëns:
The Carnival of the
Animals for two Flutes
Arranged by Jennifer Seubel
and Sally Beck
BA 10926 · approx. € 14.95
Camille Saint-Saëns’ The Carnival of the Animals is one of his most
To appear in January 2018
popular works altogether. Yet during his lifetime he refused to publish
this orchestral piece for fear it would damage his reputation as a
serious-minded musician.
Now Jennifer Seubel and Sally Beck, the flautists of “Duo Noble”,
have arranged this famous work for two flutes.
The transformation of the major instruments, timbres and melodies
of the orchestral version into solely two flute parts posed a special
challenge. The results exploit the full tonal spectrum of the flute.
The arrangement offers several alternatives to expand the range of Photo: “Duo Noble”
sound: for example, a piccolo can be substituted for either flute part
in No. 2 Poules et coqs and for the first flute in No. 7 Aquarium. ISMN 979-0-006-56491-0
> To the shop
• The complete Carnival of the Animals for two flutes
9 790006 564910
• 14 challenging and effective pieces
New Issue Title
37 New Publications I/2018 · The ProgrammeYou can also read
