WINNER & FINALIST PROFILES - NZ WOOD RESENE TIMBER DESIGN AWARDS 2020
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AWARDS 2020 NZ WOOD RESENE TIMBER DESIGN AWARDS 2020 WINNER & FINALIST PROFILES
CATEGORY SPONSORS
AWARDS 2020
MAIN SPONSORS
CONTENTS
3 WELCOME
5 THE JUDGING PANEL
CATEGORY WINNERS & HIGHLY COMMENDED
6 RESIDENTIAL DESIGN AWARD
Residential Design Award wording: For the use of timber and wood-based produces as a signature feature
resulting in excellent design of residential buildings, either stand-alone or multi-unit/multi-storey.
9 COMMERCIAL DESIGN AWARD
For the use of timber and wood-based products as a signature feature resulting in excellent design of commercial,
industrial, hospitality, retail or office buildings.
13 PUBLIC DESIGN AWARD (NEW)
For the use of timber and wood-based products as a signature feature resulting in excellent design of public
buildings such as community, religious, education, healthcare and transport.
16 INTERIOR DESIGN AWARD
For the use of timber and wood-based products as a signature feature resulting in distinctive interior designs delivering
ambiance, flair and practicality.
19 EXTERIOR STRUCTURE DESIGN AWARD
For the use of timber and wood-based products as a signature feature resulting in designs of exterior structures and
features such as bridges, pavilions, walkways, landscaping, exterior furniture and exterior art.
22 STUDENT DESIGN AWARD
The best three designs selected from each University will be chosen from submitted work presented in their courses.
25 NZ SPECIALTY TIMBER AWARD
For the use of NZ grown alternative species (excludes Douglas Fir and Radiata Pine).
28 SUSTAINABLE DEVELOPMENT AWARD
For the use of timber and wood-based products in projects that are achieving low-environmental impact and
enhancing New Zealand’s unique society and environment.
31 ENGINEERING INNOVATION AWARD
For timber engineering solutions, processes and integrated team collaborative approaches that deliver innovative
buildings.
34 WOOD AND FIBRE PRODUCTS AND TECHNOLOGY INNOVATION AWARD
For the development of novel wood, wood fibre and derived products or for novel technology and process development,
or original application of existing technology and processes.
37 ENGINEERED WOOD PRODUCTS INNOVATION AWARD
For pushing the future boundaries of EWP and showing innovation such as Design for Manufacture and Assembly (DfMA),
technical performance, novel use, aesthetics etc..
40 RESENE OVERALL SUPREME AWARD
This award is the Judges’ choice selected from all categories entered.
42 INDEX
2 0 2 0 NZ Wood Res ene Ti m ber Des i gn Aw a r d s 1
NZ Wood Design Guides
The NZ Wood suite of Design Guides is the go to industry resource for current and peer
reviewed information in Timber Design and Construction.
The guides are relevant to New Zealand Building Code requirements, industry-approved practices and a peer
reviewed resource, in what is the preferred resource of technical information for the Timber Design industry
NZ Wood Design Guides NZ Wood Design Guides
DESIGN DESIGNING FOR
FOR FIRE SAFETY PREFABRICATION
Chapter 13.6 | March 2019 Chapter 5.1 | June 2019
NZ Wood Design Guides NZ Wood Design Guides NZ Wood Design Guides
Acoustics
CONSENTING Chapter 14.0 | March 2019
TREES, TIMBER, SPECIES & PROPERTIES TIMBER BUILDINGS
Chapter 1.2 | February 2020 Chapter 6.1 | February 2020
NZ Wo o d De s i g n Gu i d e | 14 : A cous tics 1
NZ Wood Design Guides
TIMBER,
CARBON AND THE COSTING
ENVIRONMENT TIMBER BUILDINGS
Chapter 4.1 | February 2020
Chapter 2.1 | March 2020
http://nzwooddesignguides.wpma.org.nz
WELCOME
FINALISTS
Welcome message from the Chair of WPMA
Brian Stanley
Welcome to the 2020 NZ Wood Resene Timber Design and wood processing sectors are already New Zealand’s
Awards. This prestigious design competition is celebrating best example of the zero-carbon economy working at world
its 45th year and the NZ wood industry, through the Wood scale. Couple this with a construction industry relying
Processors and Manufacturers Association, is proud to be much more on New Zealand-sourced wood products and
supporting and managing this national competition. The it is possible to see how we all move much closer to the
NZ architectural, engineering and research communities government’s zero-carbon targets of 2050.
continue to excel in wood-based innovation and in 2020, we
have, yet again, recorded a very high number of entries. If To ensure this happens it is important that the manufacturing
you want to view the entries and participants in the awards, part of the wood industry is not undermined by unfair overseas
then please go to: www.nzwood.co.nz competition, that the construction sector is incentivised to
work with wood and the design community is supplied with
The awards this year were judged by New Zealand Institute the knowledge and tools to use New Zealand wood to best
of Architects’ president Tim Melville, New Zealand Timber effect. I am proud to say, that as WPMA, we have been
Design Society president David Carradine, sustainable actively working on all three of these fronts in partnership
architect at Scion Andrea Stocchero, and NZ Wood Design with a wide range of players right across the primary,
Guides’ manager Andy van Houtte. manufacturing and construction industries. It is this close
partnership and the results being delivered that culminates
Entry categories have expanded this year to better reflect the in the Awards ceremony tonight. Of course, the partnership
many ways that wood is used in construction today. There also includes all the funders who have supported NZ Wood
are now a total of 11 Award categories including the new Resene Timber Design Awards 2020 tonight. Thank you.
“Public Design” category, which has been expanded from
the “Commercial Design” one to focus on community-use
buildings. There is also a new “Sustainable Development”
category that recognises wood’s value in producing low-
environmental impact designs. The “Exterior Structure
Design Award” and the “Wood and Fibre Products and
Technology Award” have been further refined and criteria
clarified.
The projects displayed in this booklet highlight how the
capability and skills of those individuals and companies who
work in wood are taking the use of this renewable construction
material to new levels in New Zealand. The degree of
innovation in wood-based design continues to advance
at an accelerating pace not only meeting the demands of
individual customers but also the urgent needs of a warming
planet looking to reduce the massive environmental impact
of conventional construction materials and methods. Brian Stanley
Chair of Wood Processors & Manufacturers’ Association
The NZ Wood Resene Timber Design Competition and
Awards serves to highlight the latest advances in New
Zealand’s design and construction capability. It is also here
to celebrate the fact that we are using the country’s renewable
natural resource base – forests, and its manufacturing
ingenuity – wood processing firms, to deliver construction
material with the lowest carbon profile. The forest-growing
2 0 2 0 NZ Wood Res ene Ti m ber Des i gn Aw a r d s 3
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THE JUDGING PANEL
DAVID CARRADINE
Ph.D Structural Engineer, President Timber Design Society
David has worked as an experimental researcher in the field of timber structures for over 15 years, testing everything
from single nail connections up to full-scale building tests for the New Zealand Ministry of Education, and many
things in between.
He came to New Zealand in 2008 to work as a Timber Research Engineer with the Structural Timber Innovation
Company (STIC) in Christchurch where he worked with the University of Canterbury team in an effort to develop
post-tensioned timber buildings for multi-story applications.
David has worked at BRANZ for the last 5 and a half years as a structural engineer doing research and conducting
testing on a wide range of building products and systems used in conjunction with timber.
TIM MELVILLE
BArch FNZIA Registered Architect
President New Zealand Institute of Architects
Tim began his career at a small Auckland practice before venturing overseas and gaining further experience with
ORMS Architects in London. On his return to New Zealand Tim was a Senior Architect with Jasmax until 1999
when he founded RTA Studio with Richard Naish. He has been a Principal at Warren and Mahoney since 2012.
A specialist in design development, Tim has an in-depth knowledge of documentation methodologies and technical
systems, coupled with extensive site and contract management experience. He is a strong communicator and an
accomplished team leader who believes that effective collaboration is at the crux of better design outcomes.
Tim’s sector experience includes education, commercial, community, mixed use and multi-unit residential.
ANDREA STOCCHERO
Sustainable Architect, Scion, New Zealand
Master of Science degree in Architecture from the Università IUAV di Venezia (Italy)
Andrea is part of Scion’s (New Zealand Forestry Research Institute) Built Environment team where he is researching
wood design & construction technologies, environmental benefits of using timber in future urban developments
along with the social and cultural implications of using wood in the design and construction sector.
Andrea is also a Member of the Board of the Passive House Institute New Zealand (PHINZ) an Incorporated
Charitable Trust that aims to improve public health and well-being and relieve fuel poverty through the promotion
of healthy and highly energy efficient homes and public buildings.
Andrea is an Italian Registered Architect specialised in building sustainability, energy efficiency and bio-based
materials. In Italy he worked as a designer, construction project manager and sustainability consultant on
several building projects that maximised the use of wood and other bio-based materials to achieve the highest
sustainability targets.
ANDY VAN HOUTTE
Manager of the NZ Wood Design Guides, Masters in Structural Engineering (MEng), MBA, Member of IPENZ
and SES and TDS.
Andy’s experience stems from 14 years in the Timber Manufacturing Sector in New Zealand and Australia, where he
has been involved in production, product development, sales, marketing, educational, technical and management
roles. He has a Masters Degree Engineering from the University of Canterbury and is currently completing a Masters
in Business Administration from Massey University. Andy is a Chartered member of the Institute of Professional
Engineers New Zealand and a member of the Structural Engineering Society and the Timber Design Society.
This book of winners and finalists has been compiled via edited versions of information supplied by entrants. Every effort has been made to ensure accuracy despite the
space limitations. The full version of design statements is available on the NZ Wood website. Please contact timberdesignawards@nzwood.co.nz if you have any queries or
concerns about information contained in this booklet.
2 0 2 0 NZ Wood Res ene Ti m ber Des i gn Aw a r d s 5
RESIDENTIAL DESIGN AWARD ★ WINNER | TUARANGI-OUTASPACE Tuarangi-Outaspace This was an excellent example of residential architecture where timber was Tamaki Makaurau Office used in ways that exploited the possibilities of what can be done with it. Architecture t/a TOA Architects Excellent integration of design and the ability to fabricate using timber products. www.toa.net.nz (Go to Page 8 for Judge’s comments) 6 N Z Wo o d R e se n e Tim b e r D e s ig n Aw a r d s 2 02 0
RESIDENTIAL DESIGN AWARD
HIGHLY COMMENDED | ARVIDA LIVING WELL PARK LANE
Arvida Living Well Park Lane The design of the Arvida village endeavours to instil a sense of community among
Jasmax residents through the careful planning of shared spaces and connections to the
www.jasmax.com outdoors.
(Go to Page 8 for Judge’s comments)
Residential Design Award Sponsored by:
www.futurebuild.co.nz
2 0 2 0 NZ Wood Res ene Ti m ber Des i gn Aw a r d s 7
RESIDENTIAL DESIGN AWARD
JUDGES’ COMMENTS FINALISTS
WINNER: Tuarangi-Outaspace
Tamaki Makaurau Office Architecture t/a
TOA Architects
David Carradine: This was an excellent example
of residential architecture where timber was used
in ways that exploited the possibilities of what can Blueskin Bay
be done with it. CLT provided a means for creating Retreat
interesting angles and a variety of spaces resulting Mason
in a series of well executed places throughout the and Wales
house. The interior and exterior provide intriguing Architects
perspectives that could only be achieved using
the carefully chosen palette of timber materials.
Excellent integration of design and the ability to
fabricate using timber products.
Tim Melville: The fractured forms of Tuarangi
combine to make a striking home nestled firmly
in its neighbourhood context. CLT has been used
extensively and to great effect for the formation of
a box beam that allows the bedroom wing to bridge
over and cantilever off the concrete structure
below, while raking CLT walls allow the first floor to
twist and create the striking forms viewed from the
street. The iron vitriol coating to the Abodo Tundra Hidden Hills
Douglas Fir enhances the natural qualities of the House
timber cladding, while exposed CLT combines with Warren and
thermally treated Abodo elements to define the Mahoney
thoughtful, warm interior spaces.
HIGHLY COMMENDED: Arvida Living
Well Park Lane
Jasmax
David Carradine: Based on a multi-faceted
approach to “well-being” the designers of Arvida
created a retirement living complex that integrates
timber into a building that resounds with a sense
of belonging and community. People and
environmental impacts are key to the design and
timber elements and innovative building systems The Grounds
provide opportunities for interaction while seeking Peddle Thorp
to reduce the carbon footprint as much as possible.
Tim Melville: The design of the Arvida village
endeavours to instil a sense of community among
residents through the careful planning of shared
spaces and connections to the outdoors. This
is further enhanced through the application
of biophilic design principles which promote
exposure to natural materials such as the Acoya
modified timber products and exposed CLT panels
that feature in the building interior. A high level of
environmental sustainability has been achieved
through sequestering a significant amount of CO2
within the mass timber structure, and a highly
insulated and airtight building enclosure. Pauanui
Beach
Peddle Thorp
8 N Z Wo o d R e se n e Tim b e r D e s ig n Aw a r d s 2 02 0COMMERCIAL DESIGN AWARD
★ WINNER | BOTANY TOYOTA
Botany Toyota The design links in with the philosophy of the automobile
Woodhams Meikle Zhan Architects & manufacturer occupying the building in which timber is a natural
Blueprint Consulting Engineers choice of construction material.
www.wmza.co.nz (Go to Page 12 for Judge’s comments)
www.bce.nz
2 0 2 0 NZ Wood Res ene Ti m ber Des i gn Aw a r d s 9COMMERCIAL DESIGN AWARD HIGHLY COMMENDED | AUCKLAND ZOO ADMINISTRATION BUILDING Auckland Zoo Administration This modest administration building sits snuggly in the landscaped environs of the Building Auckland Zoo. The open plan workplace features carefully exposed timber structure, Ignite Architects with the alternating roof forms creating variety in the volume of the space. www.ignitearchitects.com (Go to Page 12 for Judge’s comments) 10 N Z Wo o d R e se ne Timb e r D e s ig n Aw a r d s 20 20
COMMERCIAL DESIGN AWARD
HIGHLY COMMENDED | HAUS ESPRESSO
Haus Espresso The use of materials for structure, cladding and necessary business functions were
Dalman Architects well thought-out and the result was a very inviting atmosphere and interpretation of
www.dalman.co.nz a place to grab and enjoy a coffee.
(Go to Page 12 for Judge’s comments)
Commercial Design Award Sponsored by:
www.timberlab.co.nz
2 0 2 0 NZ Wood Res ene Ti m ber Des i gn Aw a r d s 11COMMERCIAL DESIGN AWARD
JUDGES’ COMMENTS FINALISTS
WINNER: Botany Toyota
Woodhams Meikle Zhan Architects & Blueprint
Consulting Engineers
David Carradine: The designers chose a portal frame structure
that was simple and elegant and yet able to provide the
significant free spans required for a commercial building having
a need for open spaces. The design links in with the philosophy
of the automobile manufacturer occupying the building in
which timber is a natural choice of construction material. The
innovative use of timber was well showcased for this very public
building.
Tim Melville: The striking structural portals of the vehicle
showroom and service buildings help define the interior spaces Arrivals Complex, Plantation Island Resort
and demonstrate the flexibility of engineered timber. The playful Architects Pacific
porte cochère canopy floating between the buildings features
lightweight timber trusses that form an inverted hipped roof.
Timber products have been introduced to the client’s standard
material suite for their natural qualities and to enhance the
workplace and visitor experience.
JOINT HIGHLY COMMENDED: Auckland Zoo
Administration Building
Ignite Architects
David Carradine: The structure was well placed within the
landscape of the zoo and material selection and structural
detailing was such that the way the timber was used was easily
apparent. The floating CLT floor was a powerful reminder
of what timber is capable of and how its lightness can be
capitalised on.
Tim Melville: This modest administration building sits snuggly
in the landscaped environs of the Auckland Zoo. The bold
exterior cedar fins help to define the building form while Secret Spot
providing passive solar control and protection for birds in flight. ABCD Architect
The open plan workplace features carefully exposed timber
structure, with the alternating roof forms creating variety in the
volume of the space.
JOINT HIGHLY COMMENDED: Haus Espresso
Dalman Architects
David Carradine: This project presented a very well executed
collection of timber components to create a simple yet refined
interior and exterior venue within a very tight space. The use
of materials for structure, cladding and necessary business
functions were well thought out and the result was a very
inviting atmosphere and interpretation of a place to grab and
enjoy a coffee.
Tim Melville: Sited in an asphalt sea of carparking this simple
but smart coffee kiosk brings caffeine directly to the motorist.
The exposed LVL portal structure enables a flexible, open layout
which seems remarkably spacious given its modest dimensions.
The plywood cladding and linings along with the bench height
windows help connect the inside and outside seating areas.
Waterfront House
Athfield Architects
12 N Z Wo o d R e se ne Timb e r D e s ig n Aw a r d s 20 20PUBLIC DESIGN AWARD
★ WINNER | ST. PATRICKS CHURCH
St. Patricks Church The sensitive contemporary design of the new St Patricks Church references
WSP Opus traditional church architecture and helps preserve the memory of the building
www.wsp-opus.co.nz that it has replaced.
(Go to Page 15 for Judge’s comments)
2 0 2 0 NZ Wood Res ene Ti m ber Des i gn Aw a r d s 13PUBLIC DESIGN AWARD
HIGHLY COMMENDED | STAR MOUNTAIN PLAZA
Star Mountain Plaza The scale, complexity and manufacturing ingenuity all came together for a very
Kirk Roberts Consulting impressive structure that flowed and reflected a powerful icon of the surrounding
www.kirkroberts.co.nz environment and culture
(Go to Page 15 for Judge’s comments)
Public Design Award Sponsored by:
www.xlam.co.nz
14 N Z Wo o d R e se ne Timb e r D e s ig n Aw a r d s 20 20PUBLIC DESIGN AWARD
JUDGES’ COMMENTS FINALISTS
WINNER: St. Patricks Church
WSP Opus
David Carradine: Timber was used to create a
magnificent space reminiscent of churches from
centuries past but with an added contemporary
aspect that reminds occupants that this is a modern
material able to express a variety of emotive effects.
The folded timber roof was gracefully perched on
a light timber 3-D roof and column support system
which resulted in an upward and uplifting feel to
the sacred space. The exterior was also detailed
in timber such that it would age and weather in a
subtle response to the elements.
Te Ara a Tawhaki
Tim Melville: The sensitive contemporary design Tennent Brown
of the new St Patricks Church references traditional
church architecture and helps preserve the memory
of the building that it has replaced. The warm tones
of the timber cladding contrasts with the precast
concrete base walls which anchor the building,
while the vertical slot windows flood the interior
spaces with natural light. The church interior
features vaulted timber ceilings supported on an
exposed laminated timber structure, and houses the
repurposed timber altar and pews.
HIGHLY COMMENDED: Star Mountain
Plaza
Kirk Roberts Consulting
David Carradine: The scale, complexity and
manufacturing ingenuity all came together for a
very impressive structure that flowed and reflected
a powerful icon of the surrounding environment
and culture. A high degree of expertise was required Waihinga Martinborough Com. Centre
to create a set of curved structural elements that Holmes Consulting
would be delivered and assembled within tight
tolerances and in a remote location. The project is
uniquely timber in that it speaks to the surroundings
but also made the fabrication and assembly feasible
overseas.
Tim Melville: The design of the Star Mountain
Plaza Convention Centre roof structure features
a complex 29 metre clear span glulam arch portal
frame. The curvaceous form swoops and dives
to create dramatic spaces beneath, and in doing
so demonstrates the flexibility of engineered
timber. The design of the complex structure
and its components was developed through full
BIM modelling and coordination which allowed
for smooth, accurate manufacture and efficient
assembly on the remote site.
Oxford Tce Baptist Church
Andrew Barrie Lab/Homes Consulting & Contract Construction
2 0 2 0 NZ Wood Res ene Ti m ber Des i gn Aw a r d s 15INTERIOR DESIGN AWARD ★ WINNER | NATIONAL LIBRARY AUDITORIUM, WELLINGTON National Library Auditorium, Taiwhanga Kauhau has been designed to be an ‘instrument for the voice’ Wellington referencing the original building refurbishment concept of Te Kore – ‘The Warren and Mahoney Journey from Darkness to Enlightenment’. www.warrenandmahoney.com (Go to Page 18 for Judge’s comments) 16 N Z Wo o d R e se ne Timb e r D e s ig n Aw a r d s 20 20
INTERIOR DESIGN AWARD
HIGHLY COMMENDED | LARA LANE
Lara Lane Nothing is more, nothing is less, everything has purpose. Rich caramel tones
Box Build Ltd converse with shades of black softened by a variety of textures.
www.box.co.nz (Go to Page 18 for Judge’s comments)
Interior Design Award Sponsored by:
www.woodspan.co.nz
2 0 2 0 NZ Wood Res ene Ti m ber Des i gn Aw a r d s 17INTERIOR DESIGN AWARD
JUDGES’ COMMENTS FINALISTS
WINNER: National Library Auditorium,
Wellington
Warren and Mahoney
David Carradine: Acoustic performance was achieved
using texture and the unique properties of wood
which created a fascinating space in which to observe
performances and presentations. The resulting space
effectively articulates a movement from dark to light
and has a very tactile presence created through the
carefully placed wooden components. The warmth
of wood makes the auditorium very inviting and
evokes complexity using simple elements.
Andrea Stocchero: Venustas and utilitas, beauty and
function. Taiwhanga Kauhau has been designed to be
an ‘instrument for the voice’ referencing the original
building refurbishment concept of Te Kore – ‘The
Journey from Darkness to Enlightenment’. The result
is an exquisite sound box that vibrantly plays with
light and shadows as it plays with sound and silence.
Sustainably harvested wind-felled Southland beech
wood is defining the iconic identity of this interior
space with its embracing warm colour tones and
acoustic properties. Taiwhanga Kauhau will surely
become a community landmark for the sharing and
dissemination of knowledge, arts and culture.
Harrison Grierson
HIGHLY COMMENDED: Lara Lane Warren & Mahoney
Box Build Ltd
David Carradine: Different coatings and treatment
of timber products are used to reflect the different
uses of rooms throughout this house and provide
examples of the variety of finishes available for wood.
These variations on the timber theme allow light to
bounce and create contrasts by exemplifying the
range of surfaces and textures created.
Andrea Stocchero: Delving into the details of Lara
Lane’s interior design allows for charming surprises:
colours deceive, textures reveal. Junction lines
orientate and blend rather than divide. The result is
a sleek, modern design that goes beyond essentiality.
Nothing is more, nothing is less, everything has
purpose. Rich caramel tones converse with shades of
black softened by a variety of textures. Thoughtfully
selected and treated solid and engineered wood
products are combined to complement the clean
architectural lines. Volume makes wood the discreet
signature material defining the elegant interior design
and atmosphere of this residence.
Oxford Tce Baptist Church
Andrew Barrie Lab/Homes Consulting & Contract Construction
18 N Z Wo o d R e se ne Timb e r D e s ig n Aw a r d s 20 20EXTERIOR STRUCTURE DESIGN AWARD
★ WINNER | SALTWATER CREEK BRIDGE
Saltwater Creek Bridge The designers of this bridge took a relatively simple structure and ensured
JTB Architects through material choice and component synthesis that the result would be a
www.jtbarchitects.co.nz beautiful and long-lasting means for pedestrians and cyclists to cross a creek.
(Go to Page 21 for Judge’s comments)
2 0 2 0 NZ Wood Res ene Ti m ber Des i gn Aw a r d s 19EXTERIOR STRUCTURE DESIGN AWARD
HIGHLY COMMENDED | SUPERNORMAL PLAY STRUCTURE
Supernormal Play Structure This playful and intriguing structure is intended to provide exploration and
Andrew Barrie Lab, Heyuan Lu & education for children by using a series of easily manufactured forms that
Matt Liggins Studio can be easily transported and erected on a site anywhere.
www.andrewbarrielab.com (Go to Page 21 for Judge’s comments)
www.mattliggins.com
Exterior Structure Design Award Sponsored by:
www.nz.fsc.co.org
20 N Z Wo o d R e se ne Timb e r D e s ig n Aw a r d s 20 20EXTERIOR STRUCTURE DESIGN AWARD
JUDGES’ COMMENTS FINALISTS
WINNER: Saltwater Creek Bridge
JTB Architects
David Carradine: The designers of this bridge took
a relatively simple structure and ensured through
material choice and component synthesis that the
result would be a beautiful and long-lasting means
for pedestrians and cyclists to cross a creek. The form
and construction reflect the past cultural use of the
creek and provide a subtle articulation of movement
along a straight pathway. Te Ara a Tawhaki
Tennent Brown
Tim Melville: The Saltwater Creek bridge is a great
example of beauty in simplicity. Its low profile linear
design is based on the traditional German Trog
Brücke (trough bridge) which have the deck spanning
between two structural beams rather than sitting
on top. The sleek form with its angular timber slats
allude to the waka hull, and evokes a real sense of
movement. The bridge was prefabricated offsite and
craned into place on the concrete substructure which
helped minimise the impact on the river ecology.
HIGHLY COMMENDED: Supernormal Play
Structure
Andrew Barrie Lab, Heyuan Lu & Matt
Liggins Studio
David Carradine: This playful and intriguing structure Chimpanzee Habitat
is intended to provide exploration and education for Isthmus
children by using a series of readily manufactured
forms that can be easily transported and erected on
a site anywhere. The education is provided not only
to the users of the structure, but also to those who
have designed and built the prototype using a variety
of durable timbers detailed for easy construction and
safety during playtime.
Tim Melville: This inspired children’s play structure
designed for an urban environment sits within an
Abodo Vulcan battened ‘lock and leave’ enclosure.
Simple interlinked boxes of Gaboon marine plywood
provide children with a variety of ways to move
through the space, and prompt imaginative play.
The cleverly designed, highly systemised structure Farmers Corner Pavilion
simplified construction and minimised the amount of PTL Consultants, Architype, Quaid Construction & Techlam NZ
timber required. Components can be flat packed for
long distance shipping and easily assembled on site
by volunteers.
Secret Spot
ABCD Architect
2 0 2 0 NZ Wood Res ene Ti m ber Des i gn Aw a r d s 21STUDENT DESIGN AWARD ★ WINNER | TE WHARE WĀNANGA O NGA MAHI AUAHA Te Whare Wānanga o Nga Mahi Bringing together an impressive array of functions within a single building that Auaha, effectively tied together the site, Maori culture and a flow of people through Adam Clark, Victoria University the building. of Wellington (Go to Page 22 for Judge’s comments) 22 N Z Wo o d R e se ne Timb e r D e s ig n Aw a r d s 20 20
STUDENT DESIGN AWARD
HIGHLY COMMENDED | THE VAKAS OF THE GREAT FLEET
The Vakas of the Great Fleet, Dorien Viliamu, A cultural history story runs within these concepts and canoe
University of Auckland inspired forms.
(Go to Page 22 for Judge’s comments)
Student Design Award Sponsored by:
www.jnl.co.nz
2 0 2 0 NZ Wood Res ene Ti m ber Des i gn Aw a r d s 23STUDENT DESIGN AWARD
JUDGES’ COMMENTS
WINNER: Te Whare Wānanga o Nga Mahi
Auaha
Adam Clark, Victoria University of
Wellington
Tim Melville: The design of Te Whare Wānanga
o Nga Mahi Auaha is derived from the narrative
of Wellington’s taniwha, Whātaitai, whose spirit
transformed into the bird Te Keo. The sweeping
structural timber elements unite the various parts of
the taniwha which themselves contain the schools
of dance, architecture, music and theatre. Strong
conceptual thinking has been developed into
an adventurous, well considered building which
explores the connection between land, sea and sky.
David Carradine: This project brought together
an impressive array of functions within a single
building that effectively tied together the site, Maori
culture and a flow of people through the building.
Curves and intriguing forms were created using
timber to develop interesting interior and exterior
experiences for visitors and users of the building.
The ambiguity between inside and outside was
enhanced by cladding and material choices.
JUDGES’ COMMENT
HIGHLY COMMENDED: The Vakas of the
Great Fleet
Dorien Viliamu, University of Auckland
Andy van Houtte: A cultural history story runs
within these concepts and canoe inspired forms.
Well-presented graphics, exploded views and details
shows thought into construction. The synergies with
culture, local people and the Pacific lifestyle are
clear to see.
Andrea Stocchero: The project integrates different
buildings and landscape features designed around
the strong leitmotiv of modern reinterpretation of
the local Polynesian culture and its relationship
with the natural environment. The design blends
together elements of the traditional vaka (canoe)
and fare (house). As a result, forms, spaces and
volumes are open to nature and lightness, sensitively
connecting and blending with the natural context.
Following the tradition of Rarotongan vaka and fare
construction, wood is used as building material and
the design is honestly exposing the carpentry details
elevating to beauty the union between architecture,
craftmanship and natural materials.
24 N Z Wo o d R e se ne Timb e r D e s ig n Aw a r d s 20 20NZ SPECIALTY TIMBER AWARD
★ WINNER | CHRISTCHURCH SYMPHONY ORCHESTRA
Christchurch Symphony What makes the Ron Ball Studio unique is the rich warmth of the Southland
Orchestra Beech coupled with the acoustic wall detailing, making the studio a visual
Warren and Mahoney match to its intended purpose.
www.warrenandmahoney.com (Go to Page 27 for Judge’s comments)
2 0 2 0 NZ Wood Res ene Ti m ber Des i gn Aw a r d s 25NZ SPECIALTY TIMBER AWARD
HIGHLY COMMENDED | CHRISTCHURCH TOWN HALL
Christchurch Town Hall It is the story behind the rimu floor where Mark McKenzie has provided the
Timbers of NZ link to the history of the James Hay Theatre.
www.timbersnz.co.nz (Go to Page 27 for Judge’s comments)
NZ Specialty Timber Award Sponsored by:
www.nzffa.org.nz
26 N Z Wo o d R e se ne Timb e r D e s ig n Aw a r d s 20 20NZ SPECIALTY TIMBER AWARD
JUDGE’S COMMENTS FINALISTS
WINNER: Christchurch Symphony
Orchestra
Warren and Mahoney
Andy van Houtte: What makes the Ron Ball Studio
unique is the rich warmth of the Southland Beech
coupled with the acoustic wall detailing, making the
studio a visual match to its intended purpose. Warren
and Mahoney has created a space that’s enticing and
comfortable, which people will be reluctant to leave.
Andrea Stocchero: The rich and warm colour of
New Zealand Southland beech envelopes this shrine
to music in an intimate embrace that vibrates with
the symphonic harmony of strings, woodwinds, brass
and percussions. Southland beech was selected as
material of choice “for its rich honey colouration
and warm dry acoustic”. The use of both solid timber
and veneer panels is an exemplar that showcases
the available products from a sustainably-sourced,
New Zealand grown alternative species. The result
is a design that merges acoustic engineering and
architecture for the pleasure of senses.
HIGHLY COMMENDED: Christchurch
Town Hall
Timbers of NZ
Andy van Houtte: It is the story behind the rimu floor
where Mark McKenzie has provided the link to the
history of the James Hay Theatre. Both the recovered
Westland Rimu and Town Hall are icons of New
Zealand’s built heritage, both have suffered natural
disasters and both will live on to create further history
for New Zealand.
Andrea Stocchero: The rimu (Dacrydium
cupressinum) timber flooring is a like for like
replacement of the original James Hay Theatre
flooring damaged by the 2011 Christchurch
earthquake. This meaningful restoration approach
is like a healing reconciliation with the past and a
message of hope for the future. Beautiful, native and
sustainably harvested rimu sourced in Westland from
dead and dying trees in Department of Conservation
and private indigenous forests has been used to
preserve and transition a beloved community heritage
into the future. The new James Hay Theatre floor is a
pleasure for the eyes and the soul.
Cloud of Witnesses
Andrew Barrie Lab
202
108 NZ Wood Res ene Ti m ber Des i gn Aw a r d s 27SUSTAINABLE DEVELOPMENT AWARD ★ WINNER | BOAT SHED, LYTTELTON Boat Shed, Lyttelton Shows how timber and holistic sustainable design practices can deliver low Christchurch City Council environmental impact buildings for a sustainable future. www.ccc.govt.nz/ecodesign (Go to Page 30 for Judge’s comments) 28 N Z Wo o d R e se ne Timb e r D e s ig n Aw a r d s 20 20
SUSTAINABLE DEVELOPMENT AWARD
HIGHLY COMMENDED | ARVIDA LIVING WELL PARK LANE
Arvida Living Well Park Lane Arvida achieves sustainability, in part, by its large bulk of CLT, storing 1,131
Jasmax tonnes of CO2 in its structure alone.
www.jazmax.com (Go to Page 30 for Judge’s comments)
Sustainable Development Award Sponsored by:
www.scionresearch.com
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JUDGES’ COMMENTS FINALISTS
WINNER: Boat Shed, Lyttelton
Christchurch City Council
Andy van Houtte: Julie Villard has proven that
sustainability is achievable with this NZ Green Building
Council 9 star, Homestar, boat shed inspired home.
The main structure is untreated CLT and a New
Zealand first using modern wood fibre insulation.
Clever design has meant that this building meets
New Zealand’s Building code for durability, along
with natural vapour permeability and high thermal
performance. Hawera Flat Passiv Haus
Timberworks NZ
Andrea Stocchero: The Boat Shed home in Lyttelton
shows how timber and holistic sustainable design
practices can deliver low environmental impact
buildings for a sustainable future. Importantly, this
project is pioneering the use of wood fibre insulation
(WFI) in New Zealand. Such performing and versatile
natural insulation product has been applied to
the exterior of the CLT structure for an optimised
hygrothermal (heat and moisture flows) performance.
The untreated CLT panels left exposed in the interior
define the character of the house, and they are a
visual statement of the project’s success in delivering
a sustainable and healthy building for the pleasure of
both humans and the natural environment.
HIGHLY COMMENDED: Arvida Living Well
Park Lane
Jasmax
Andy van Houtte: Arvida achieves sustainability,
Modhouse
in part, by its large bulk of CLT, storing 1,131 tonnes
Modhouse
of CO2 in its structure alone. The Jasmax design of
the retirement project, focussed on biophilic design,
wellness focused architecture, high energy efficiency
and sustainable construction methodologies creating
a comprehensively considered sustainability approach
to the build.
Andrea Stocchero: Sustainable development entails,
among other requirements, actions towards climate
change mitigation and people’s wellbeing. Arvida
Living Well Park Lane embraced both challenges
by using and exposing timber on a large-scale. The
climate benefit of storing carbon in wood is paired
with wood products’ low embodied-energy (and
carbon emission), which also provide a carbon
substitution effect compared to alternative materials.
The higher building envelope’s insulation and air-
tightness is coupled with mechanical ventilation with
heat recovery simultaneously reducing operational
carbon emissions and improving people’s comfort
and wellbeing. Wellbeing is also enhanced by biophilic
and wellness-focused design strategies, including the
exposure of wood that provides a deeper sense of
connection with nature.
Kowhai House
Rafe Maclean Architect
30 N Z Wo o d R e se ne Timb e r D e s ig n Aw a r d s 20 20ENGINEERING INNOVATION AWARD
★ WINNER | LINDIS LODGE
Lindis Lodge A high-level of collaboration, knowledge blending, and ingenuity together
Architecture Workshop Ltd have achieved efficient and effective structural solutions perfectly
www.architectureworkshop.co.nz integrated with the breath-taking architecture and landscape.
(Go to Page 33 for Judge’s comments)
2 0 2 0 NZ Wood Res ene Ti m ber Des i gn Aw a r d s 31ENGINEERING INNOVATION AWARD
HIGHLY COMMENDED | WAIHINGA MARTINBOROUGH
COMMUNITY CENTRE
Waihinga Martinborough The glulam roof trusses design resembles the branching of trees and the
Community Centre exposed plywood diaphragm as a canopy nod to biophilic design offering visitors
Holmes Consulting opportunity for contemplation.
www.holmesconsulting.co.nz (Go to Page 33 for Judge’s comments)
Engineering Innovation Award Sponsored by:
www.timberdesign.org.nz
32 N Z Wo o d R e se ne Timb e r D e s ig n Aw a r d s 20 20
18ENGINEERING INNOVATION AWARD
JUDGES’ COMMENTS FINALISTS
WINNER: Lindis Lodge
Architecture Workshop Ltd
Andy van Houtte: Alister Cattanach has, once again,
taken a hands-on approach to resolving a unique
architectural design. Using screw laminated spotted
gum to form a hybrid gridshell in unison with the steel
beams to form the topographic curves of the roof
structure. Extra points for getting amongst it.
Andrea Stocchero: Innovation happens when
challenges are embraced with creative wilfulness.
Delivering the complex parametric design of Lindis
Lodge roof structure required the invention of the
screw laminated hardwood lamella and the structural
design and solution of an ‘hybrid gridshell’ where all
components work together as parts of a single entity.
A high-level of collaboration, knowledge blending,
and ingenuity together have achieved efficient and
effective structural solutions perfectly integrated with
the breath-taking architecture and landscape.
HIGHLY COMMENDED: Waihinga
Martinborough Community Centre
Holmes Consulting
Andy van Houtte: The Holmes engineered glulam
truss roof is impressive in both size and geometrical
design. The roof structure is further expressed by the
supporting steel columns and connection detailing.
The wood theme continues with the LVL purlins
supporting a plywood diaphragm and the timber
batten cladding creates a distinctive and unifying
façade.
Andrea Stocchero: Martinborough Community
Centre is an exemplar for combining heritage and
contemporary architecture blending together in a
harmonious way. The indoor environment is brought
to life by the roof’s striking timber structure. The
impressive long spans and structural geometries
create an amusing and welcoming space for the
local community and visitors. The glulam roof
trusses design resembles the branching of trees and
the exposed plywood diaphragm as a canopy nod
to biophilic design offering visitors opportunity for
contemplation.
All Souls Church and Hall
Holmes Consulting
2 0 2 0 NZ Wood Res ene Ti m ber Des i gn Aw a r d s 33WOOD AND FIBRE PRODUCTS AND TECHNOLOGY INNOVATION AWARD
★ WINNER | SMITH HOUSE
Smith House This innovative long span cassette system was developed as a lightweight
POTIUS Building Systems Ltd alternative to the concrete roof structure originally proposed for the
www.potius.co.nz Smith house.
(Go to Page 36 for Judge’s comments)
34 N Z Wo o d R e se ne Timb e r D e s ig n Aw a r d s 20 20WOOD AND FIBRE PRODUCTS AND TECHNOLOGY INNOVATION AWARD
HIGHLY COMMENDED | ULTRA STRONG TRANSPARENT
FLEXIBLE WOOD
Ultra Strong Transparent Flexible Wood Innovations like this will no doubt help society transition from a carbon
Scion based economy to a more sustainable, environmentally friendly future.
www.scionresearch.com (Go to Page 36 for Judge’s comments)
Wood and Fibre Products and Technology Innovation Award Sponsored by:
www.pefc.org
2 0 2 0 NZ Wood Res ene Ti m ber Des i gn Aw a r d s 35WOOD AND FIBRE PRODUCTS AND TECHNOLOGY INNOVATION AWARD
JUDGES’ COMMENTS FINALISTS
WINNER: Smith House
POTIUS Building Systems Ltd
David Carradine: A simple and effective prefabricated
building system was used as an innovative solution for
a complex roof design that was originally to be done
in concrete. By making the most of the properties of
the timber-based components, designers were able
to develop a system that met the needs of the building
and created a more efficient system which enclosed
the building in a matter of days. The well-explained
processes used highlighted the relationships between
design, manufacture and installation that are all
critical for timber buildings of the future. Boat Shed, Lyttelton
Christchurch City Council
Tim Melville: This innovative long span cassette
system was developed as a lightweight alternative to
the concrete roof structure originally proposed for the
Smith house. Featuring Strandboard skins and webs
with LVL flanges, the composite panels were shaped
to provide the hips, valleys and crossfalls necessary to
form the roof profile. The prefabricated panels were
craned into place and a membrane warm roof system
applied directly to the top surface of the cassettes.
HIGHLY COMMENDED: Ultra Strong
Transparent Flexible Wood
Scion
Andy van Houtte: Qiliang Fu, has created an innovative
new, thin, flexible, transparent wood film with a
multitude of applications, by significantly enhancing
the wood strength properties to approximately 50
times stronger and 80% more transparent than the
original wood. Innovations like this will no doubt help Parallel Laminated Timber
society transition from a carbon based economy to a Woodspan Ltd
more sustainable, environmentally friendly future.
Tim Melville: Developed from Balsa wood veneer,
this remarkable new organic material has the
potential to be used in a variety of applications
including microfluidics (manipulating and controlling
fluids), photonics (light generation), optical sensors,
smart packaging, lighting, energy storage and
wearable devices. It could conceivably replace
petroleum-based plastics in these applications
thereby reducing carbon emissions and dependence
on non-degradable polymers. The next step in
the development of this exciting technology is the
exploration of NZ grown wood species such as pine
and eucalyptus.
Optimised Engineered Lumber
Wood Engineering Technology
36 N Z Wo o d R e se ne Timb e r D e s ig n Aw a r d s 20 20ENGINEERED WOOD PRODUCTS INNOVATION AWARD
★ WINNER | CONCISION HOUSE
Concision House Showcases the quality, performance and efficiency achievable by using
Concision engineered wood products in combination with advanced Design for
www.concision.co.nz Manufacture and Assembly (DfMA), digital manufacturing approaches and off-site
prefabrication. (Go to Page 39 for Judge’s comments)
2 0 2 0 NZ Wood Res ene Ti m ber Des i gn Aw a r d s 37ENGINEERED WOOD PRODUCTS INNOVATIONS AWARD
HIGHLY COMMENDED | FARMERS CORNER PAVILION
Farmers Corner Pavilion The “best bathroom” in the South Island, is covered by a glulam grid roof clad in a
PTL Consultants, Architype, Quaid frameless glazing system supported on concrete pillars.
Construction & Techlam NZ (Go to Page 39 for Judge’s comments)
www.ptlnz.com
Engineered Wood Products Innovation Award Sponsored by:
www.nelsonpine.co.nz
38 N Z Wo o d R e se ne Timb e r D e s ig n Aw a r d s 20 20ENGINEERED WOOD PRODUCTS INNOVATIONS AWARD
JUDGES’ COMMENTS FINALISTS
WINNER: Concision House
Concision
Andy van Houtte: Wouter Beerschoten applied an
approach to Design for Manufacture and Assembly,
which exhibited a comprehensive understanding of
where engineered wood products can be used to
maximise their efficiency and potential. The reward
has come in the form of a two day site build, a high
level of thermal insulation and airtightness, managed Botany Toyota
by climate control, and a sleek, cost effective Woodhams Meikle Zhan Architects & Blueprint Consulting Engineers
structure.
Andrea Stocchero: Concision House is showcasing
the quality, performance and efficiency achievable
by using engineered wood products in combination
with advanced Design for Manufacture and Assembly
(DfMA), digital manufacturing approaches and off-
site prefabrication. Cost-effectiveness is achieved
while delivering a house with a higher level of
thermal insulation, air tightness and using mechanical
ventilation with heat recovery for improved indoor
comfort and health. Innovations brought together
by concision enabled a remarkable speed of
manufacturing and on-site assembly combined with
high quality control.
HIGHLY COMMENDED: Farmers Corner
Pavilion
PTL Consultants, Architype, Quaid
Construction & Techlam NZ Metal Jacket House
Jigsaw Architects Ltd
Andy van Houtte: The “best bathroom” in the South
Island, is covered by a glulam grid roof clad in a
frameless glazing system supported on concrete
pillars. The PTL Design team devised a Design for
Manufacture and Assembly process which included;
innovative hidden connections, effective construction
sequencing and a very high dimensional tolerance
resulting in a roof structure that appears to just hang
in the air.
Andrea Stocchero: Design for Manufacture
and Assembly (DfMA) supported by the strong
collaboration and communication across the design
manufacturing and assembling phases allow the
high level of accuracy for the prefabricated glulam
elements of the of the roof grid system to be achieved.
Very tight tolerances of 0.1% and the elegant CNC
manufactured slot-in hidden connection provided
an excellent aesthetic for the final roof. Relevant is
also the design for durability strategy which couples
chemically treated timber with thoughtful design
detailing for weathering protection. The result is
an innovative, wise and holistically beautiful design
which blends aesthetic with function.
All Souls Church and Hall
Holmes Consulting
2 0 2 0 NZ Wood Res ene Ti m ber Des i gn Aw a r d s 39RESENE OVERALL SUPREME AWARD
★ WINNER | TUARANGI-OUTASPACE
Tuarangi-Outaspace | Tamaki Makaurau Office Architecture t/a TOA Architects | www.toa.net.nz
JUDGES’ COMMENTS
Tuarangi - Outaspace
Andrea Stocchero: The design of 48 Turangi Road
responded to challenging site conditions with dramatic
architectural forms and volumes that blend together
with the context. The striking architecture is materialised
indoor by the cross laminated timber panels which,
left exposed, define the warm character of the interior
volumes and spaces. On the exterior the patterns and rich
tones of the wood cladding negotiate with the exterior
angles, forms and geometries. Wood grains, textures and
tones providing warmth, depths and drama for ongoing
amusement. The dramatic liaison between wood and
architecture is the striking leitmotif of the project which
stimulates the contemplative admiration for the blending
together of architecture with engineering and design with
elements of nature.
David Carradine: A very impressive integration of timber
material and manufacturing precision with a resulting
building that feels uniquely wooden and decidedly
modern. Forms, colours and textures come together in a
celebration of spaces that must be a joy to occupy. This
project shows the potential for what can be done with
modern timber materials for designers who are not afraid
to try something new.
40 N Z Wo o d R e se ne Timb e r D e s ig n Aw a r d s 20 20RESENE OVERALL SUPREME AWARD
HIGHLY COMMENDED | LINDIS LODGE
Lindis Lodge | Architecture Workshop Ltd | www.architectureworkshop.co.nz
JUDGES’ COMMENTS
Lindis Lodge
Andrea Stocchero: Sinuous shapes blending in the
landscape, an architectural vision and an engineering
quest. Innovation happens when challenges are embraced
with creative wilfulness. Lindis Lodge’s roof with its
topographic curves and engineering solutions is a built
exemplar of the “Kiwi ingenuity” which deceives challenges
with innovation. This coupled with exquisite architecture,
interior design and attention to detail elevates Lindis Lodge
to the cusp of design where architecture and engineering
fuse together creating superb beauty and wonder.
David Carradine: The choice of a timber grid shell
structure resulted in a flowing organic form that matches
both the austerity and the subtlety of the undulating
hills of the surrounding landscape. Reflecting a deep
understanding of the ability of timber to bend without
breaking and take on complex curves, the designers
capitalised on the efficiency and lightness of wood.
A great integration of architecture and engineering where
grace and technology intertwine, much like the interior
and exterior spaces created
Resene Overall Supreme Award Sponsored by:
www.resene.co.nz
2 0 2 0 NZ Wood Res ene Ti m ber Des i gn Aw a r d s 41INDEX Page Category 1 - Residential Design Award 6 Winner Tuarangi - Outaspace Tamaki Makaurau Office Architecture t/a TOA Architects 7 Highly Commended Arvida Living Well Park Lane Jasmax 8 Finalist Blueskin Bay Retreat Mason and Wales Architects 8 Finalist Hidden Hills House Warren and Mahoney 8 Finalist The Grounds Peddle Thorp 8 Finalist Pauanui Beach Peddle Thorp Category 2 - Commercial Design Award 9 Winner Botany Toyota Woodhams Meikle Zhan Architects & Blueprint Consulting Engineers 10 Highly Commended Auckland Zoo Admin Building Ignite Architects 11 Highly Commended Haus Expresso Dalman Architects 12 Finalist Arrivals Complex, Plantation Island Resort Architects Pacific 12 Finalist Secret Spot ABCD Architect 12 Finalist Waterfront House Athfield Architects Category 3 - Public Design Award (New) 13 Winner St Patricks Church WSP Opus 14 Highly Commended Star Mountain Plaza Kirk Roberts Consulting 15 Finalist Te Ara a Tawhaki Tennent Brown 15 Finalist Waihinga Martinborough Com. Centre Holmes Consulting 15 Finalist Oxford Tce Baptist Church Andrew Barrie Lab/Homes Consulting & Contract Construction Category 4 - Interior Design Award 16 Winner National Library Auditorium Wellington Warren and Mahoney 17 Lara Lane Wellington International Airport Box Build Ltd 18 Finalist Harrison Grierson Warren & Mahoney 18 Finalist Oxford Tce Baptist Church Andrew Barrie Lab/Homes Consulting & Contract Construction Category 5 - Exterior Structure Design Award 19 Winner Saltwater Creek Bridge JTB Architects 20 Highly Commended Supernormal Play Structure Andrew Barrie Lab, Heyuan Lu & Matt Liggins Studio 21 Finalist Te Ara a Tawhaki Tennent Brown 21 Finalist Chimpanzee Habitat Isthmus 21 Finalist Farmers Corner Pavilion PTL Consultants, Architype, Quaid Construction & Techlam NZ 21 Finalist Secret Spot ABCD Architect Page Category 6 - Student Design Award 22 Winner Adam Clark 23 Highly Commended Dorien Viliamu 42 NZ Wo o d R e se ne Tim b e r D e s ig n Aw a r d s 2 02 0
Category 7 - NZ Specialty Timber Award
25 Winner Christchurch Symphony Orchestra Warren and Mahoney
26 Highly Commended Christchurch Town Tall Timbers of NZ
27 Finalist Cloud of Witnesses Andrew Barrie Lab
Category 8 - Sustainable Development Award (New)
28 Winner Boat Shed, Lyttelton Christchurch City Council
29 Highly Commended Arvida Living Well Park Lane Jasmax
30 Finalist Hawera Flat Passiv Haus Timberworks NZ
30 Finalist Modhouse Modhouse
30 Finalist Kowhai House Rafe Maclean Architects
Category 9 - Engineering Innovation Award
31 Winner Lindis Lodge Workshop Architecture
32 Highly Commended Waihinga Martinborough Com. Centre Holmes Consulting
33 Finalist All Souls Church and Hall Holmes Consulting
Category 10 - Wood and Fibre Products and Technology Innovation Award
34 Winner Smith House Roof POTIUS Building Systems Ltd
35 Highly Commended Ultra strong transparent felxible wood Scion
36 Finalist Boat Shed, Lyttelton Christchurch City Council
36 Finalist Parallel Laminated Timber Woodspan Ltd
36 Finalist Optimised Engeneered Lumber Wood Engineering Technology
Category 11 - Engineered Wood Products Innovation Award
37 Winner Concision House Concision
38 Highly Commended Farmers Corner Pavilion PTL Consultants
39 Finalist Botany Toyota Woodhams Meikle Zhan Architects & Blueprint Consulting
Engineers
39 Finalist Metal Jacket House Jigsaw Architects Ltd
39 Finalist All Souls Church and Hall Holmes Consulting
Category 12 - Resene Overall Supreme Award
40 Winner Tuarangi - Outaspace Tamaki Makaurau Office Architecture t/a TOA
Architects
41 Highly Commended Lindis Lodge Architecture Workshop Ltd
Thank you to the following sponsors
Cocktail Sponsor – Red Stag Timber
www.redstagtimber.co.nz
2 0 2 0 NZ Wood Res ene Ti m ber Des i gn Aw a r d s 43The WIDE Trust is a charitable trust formed in 2017. The focus of the Trust is on supporting development and education in the forestry
and wood industry sectors in New Zealand through the provision of grants and scholarships for New Zealand students and institutions.
The WIDE Trust considers applications from students, academic institutions and industry associations related to initiatives that align
with the objectives of the Trust.
Applications are submitted to the Trust via an on-line application process.
Applications being considered now and on an on-going basis
FUNDING OPPORTUNITIES
TERTIARY STUDIES www.widetrust.org.nz
for students studying towards their first tertiary qualification, related to a career in the wood or forestry sectors, at a University,
Polytechnic or other tertiary education institution.
POST GRADUATE STUDIES
for students continuing studies beyond their first tertiary qualification, or undertaking research, related to the wood or forestry
sectors.
VOCATIONAL STUDIES
for students undertaking trade qualifications or on-the-job learning, such as apprenticeships, in the wood or forestry sectors.
COMPANIES, BUSINESSES, EDUCATIONAL INSTITUTIONS AND OTHER ENTITIES
undertaking research, training and development and best practice initiatives for the advancement of the wood and forestry sectors
in New Zealand.
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