Invisible Drives #8 - Mittwoch, 05. Mai 2021 19.30 Uhr, MUMUTH, György-Ligeti-Saal - Kunstuniversität Graz
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Invisible Drives #8
Mittwoch, 05. Mai 2021
19.30 Uhr, MUMUTH, György-Ligeti-SaalPROGRAMM
Call of the void
choreographer / composer Luan de Lima da Silva / Victor Morato
Ribera
dancer Luan de Lima da Silva
omnia in uno sunt et in omnibus unum
choreographer / composer Alberto Cissello & Martina De
Dominicis / Dominik Puk
dancers Alberto Cissello & Martina De Dominicis
Perfect Sense
choreographer / composer Ivan Strelkin & Kasija Vrbanac /
Alyssa Aska
dancers Ivan Strelkin & Kasija Vrbanac
Inter-Corps
choreographer / composer Angela Wörgartner / Louis Bona
dancer Angela Wörgartner
Esoptron
choreographer / composer Daniela Hanelova & Ariathney Coyne /
Joan Gomez Alemany
dancers Daniela Hanelova & Ariathney Coyne
musicians Filip Novakovic – Akk
Yuki Murakami – Pf
Tijana Silinger – Va
Anna Grenzner Matheu – Vc
video Philip Steiner, Daniel Bierdümpfl
masks Aleks KaplunInner B (from the „Lebensformen“ cycle)
choreographer / composer Felix Chang / Alisa Kobzar
dancers / motion capture actors Felix Chang & Lisa McGuire
musicians Alisa Kobzar (electronics)
Illia Bondarenko (el.v-n samples)
video Alisa Kobzar
Folk Cycle No. 1
choreographer / composer Jacqueline Lopez / Brian Questa
dancer Jacqueline Lopez
Prius Somnium
choreographer / composer Shao-Yang Hsieh / Jose Luis Martinez M.
dancer & video Shao-Yang Hsieh
~~~~~~~
Andraz Frece, Filip Novakovic – Akkordeon
Alexandra Skrilec, Jakobus Weichinger – Flöte
Felix Martl – Klarinette
Christian Molina – Bassklarinette
Anastasiia Gerasina – Viola
Gyu Hui Heo, Eduardo Antiao – Violoncello
Ana Ostojic – Klavier
(PPCM-Studierende des Klangforum Wien)
Einstudierung: Annette Bik, Andreas Lindenbaum
Dirigent*innen: Algirdas Biveinis, Shu Jun Zhao
Gesamtleitung:
Rose Breuss & Clemens Gadenstätter
Video & Bildregie & Beschallung Saal: Thomas Bergner
Kameras: Ulrich Gladisch, Laurenz Gräber
Tonmischung & Livestream: Alexander Zwierzina
Licht: Ralf Beyer & Philipp FarasinIvan Strelkin was born in Russia in 1988, completed his BA degree at the St. Petersburg State Academy of Theatre Art in 2010. He worked as director in various theaters in Russia. In 2013 he went to Tallinn (Estonia) to stay at the Russian theater of Estonia for a full-time position as a director. 2016-2019 he studied at the Folkwang University (Essen, Germany), MA Choreography, and worked as choreographer and dancer. In 2019 Ivan Strelkin came to Linz and entered the MA program “Movement research” of the Anton Bruckner University, aiming to join in the future the artistic scientific PhD program. Ariathney Coyne began her dance education at the age of 5, with a focus on classical ballet. Once she finished her formal school education she went on to receive a Master’s degree in neuroscience from the University College London. Since then she has been teaching dance, working on film projects and has started her Master’s degree in Movement Research at the Anton Bruckner University in Linz, Austria. Alberto Cissello is a freelance dancer and performer currently based in Vienna. Since 2009 he has been working in Italy, Austria, Germany and Sweden for different dance companies such as Compagnia EgriBiancoDanza, Oper Graz Tanzkompanie, ConTrust Collective, CieLaroque/helene weinzierl, D.ID Liz King, Eva-Maria Schaller and Norrdans. In the meantime he has also been creating and performing his own works which have been invited by Solocoreografico (Turin, IT), Miniatures Festival (Perugia,IT), Oper Graz (AT), Essenziale Festival (Essen, DE), Tanz_house Festival (Salzburg,AT). His last piece “Yet to be born”, created together with Martina De Dominicis, premiered in December 2019 in Theater im Ballsaal, Bonn – with the support of the COCOON Dance Company. Angela Wörgartner (27) was born in the mountains of Tyrol in Austria and started dancing in the womb of her mother (also dancer) and physically by herself at the age of 3. After trying out various dance styles she developed her deep interest for contemporary dance (especially floor work, groundedness, physiological moving). After her bachelor’s degree and an internship at Norrdans for the season 2018/19, she is currently doing her master’s at the Anton Bruckner University (ABPU) in Linz. Furthermore she also got a scholarship for the One Small Step Festival in Corfu and worked on an outdoor performance with Helder Seabra (Ultima Vez). Martina De Dominicis is a freelance dancer and maker living in Vienna. She has been working as a dancer for several institutional dance companies in Italy, Austria and Germany such as Balletto di Milano, Oper Graz or Stadtheater Pforzheim. Since 2016 she is regularly collaborating with the Bonn based choreographer Rafaele Giovanola for COCOON dance, performing her works internationally and
occasionally assisting for the Junior Company Labs. These labs have been a great source of inspiration for the project “Giovani Talenti” that she co directs since 2019 in the region of Abruzzo (IT). In Vienna, she collaborated with Veza Maria Fernandez for the Tanzquartier Wien production “Amadora llama” and is one of the founder of the TEACHBACK project. Since 2018 she has been collaborating with Alberto Cissello and founded a movement research project called DEBOCS, that in December 2019 presented its firsts full length piece “Yet to be born” in the Theater im Ballsaal, Bonn. Daniela Hanelová (CZ) studied at State Dance Conservatory of Prague and danced with Bohemia Balet Company. In 2015, she joined ballet company of Moravian Theatre Olomouc and started to study in the atelier of Dance and Physical Theatre at Janáček Academy of Performing Arts in Brno. Now, MA student of Movement Research at ABPU. Kasija Vrbanac was born in Karlovac on February 16, 1993. She started dancing in early childhood at Studio 23 in Karlovac, where she participated in numerous dance competitions as well as full evening performances. After completing formal education in 2011, she enrolls at the Dance Academy Ljubljana and in June 2014 completes a university undergraduate study as Bachelor Dancer and Choreographer in contemporary and jazz dance. The final graduate thesis the Academy entitled “Ideology of the Dance Body” resulted in her first professional dance performance “HERmIna” in 2014. During and after graduation she is further educated at numerous workshops in Croatia and abroad, and also continues to create her own pieces: physical theater performance “The Dark Side of The Moon”, dance movie “Labirint”, physical theater performance “LIMUN čokolada LUK”. From 2016 till 2018 she is a member of the Zagreb Dance Company, in the season 2018/2019 she joins Tanz Linz dance company and in 2019 she entered the MA program “Movement research” of the Anton Bruckner University. Jacqueline Lopez originates from Vancouver, Canada where she began her career in dance with Vancouver based companies: Kinesis Dance Somatheatro, Move: The Company, Plastic Orchid Factory and as a guest artist with Ballet British Columbia and Les Grands Ballets Canadiens. During this time, she instructed ballet, contemporary and modern dance at various dance institutes as well as provided company training for Move: The company. In spring 2012 she joined Les Grands Ballets Canadiens, as a full-time artist and was promoted to demi soloist in 2014. Since 2017 she has been living in Austria and works for the Landestheater Linz and the Oper Graz. In 2018 she created “All Together Alone” for the Oper Graz which was later re-made into a site-specific dance film entitled “Together All Alone”. Her recent trio work, “In Our Nature”, was presented at Craft Choreography in Vienna in winter 2020 and she has recently created a new multi-
part duet entitled “In Between Now and Then”. Jacqueline is currently studying Dance Pedagogy at the Anton Bruckner Universität in Linz while continuing to develop her choreographic language. Shao-Yang Hsieh (Taiwan) choreographer, performer graduated from National Taiwan University of Arts. Currently studying at Anton Bruckner Universität, he was awarded 2nd prize for his solo “j(us”) at the competition “The Best German Dance Solo” in 2019. In the same year he participated at the Tanzhafen Festival as a performer, 2018 he was invited to serve as a cyr wheel performer to malaysia psycusix 2017 and joined cloud gate theater as an intern dancer. Felix Chang majored in Chinese Classical Dance at Hong Kong Academy for Performing Arts (full scholarship). Afterwards he moved to Germany to study Modern dance at Folkwang Universität der Künste. Currently studying movement research at Bruckneruniversität. As part of his studies, he also performed his own choreography and works with different festivals & choreographers as well. Important stations included 2017 Triplet, Choreographer outlet festivals in HK, second place at the National dance competition, 2020 “If you can see me” Pfefferberg Theater, Berlin: competition second place as soloist & choreographer or engagements for Oxymoron Dance Company, Jessica Gaynor Dance, Ada Studio & Uferstudios festival. Lisa McGuire – dancer, performer, gyrokinesis trainer. Got certification ifrom IGTanz Steiermark (Austria, 2015, 2016), GYROKINESIS(R)(2016, 2017, 2018), GYROTONIC (2019). She studied in the summer-school of Martha Graham (New York, USA, 2015), attended private ballet classes along with Afro Modern Cuban dance class, as well as contemporary performance classes of Valentina Moar, Bostjan Ivanjsic, Tomas Danielis and others. Took part in the choreographic project by Liz King (Graz, Austria, 2015), Refugium Graz (IGTanz), interactive dance-performance by Bühnenwerkstatt (Graz, Austria, 2017).
Víctor Morató: Call of the void
The call of the void is the feeling when you stand in a high place and feel an
urge to jump, but don’t actually do it. This piece searches for relationships
between weight in dance and silence in music. Changing and repeating series
of movements and groups of sounds, the piece builds an abstract construction
where there are only three simple materials interacting with each other.
Víctor Morató started writing music for scenic projects in 2012. In 2016 he
starts the music composition Bachelor in Barcelona where he studied first with
Oliver Rappoport and then with Ramon Humet. He also received orchestration
and analysis courses from Benet Casablancas and Benjamin Davies. In 2019 he
received an Erasmus scholarship to go to CNSMD in Lyon and he studied there
with Martin Matalon. He has also participated in the Festival Mixtur as student,
receiving classes from Hèctor Parra and Pierluigi Billone. He is currently studying
music composition at the Kunstuniversität Graz with Beat Furrer.
Dominik Puk: omnia in uno sunt et in omnibus unum
“How can you miss me when I’m not there yet?” I would ask. [...] she answered
“Missing a person means they’re there.”
[...] And that even if I were to say, “I’m lost,” then I’d still be starting out with the
words “I am”—the most important and the strangest set of words in the world.
Olga Tokarczuk, Tender Narrator, Stockholm, December 2019
What do we understand as a dance style?
Starting from this question, the choreographic research developed by analysing
peculiar traits characterize specific ways of dancing to let them eventually trans-
form out of their contexts.
Is it imitation, quotation or inspiration? And what is the degree of awareness of
such acquisition and transformation within a choreographic research?
The performers look therefore at the ambiguous process of framing gestures
and movements into codes, names, and meanings, questioning the univocal
relationship between a shape and its reference.
Dominik Puk composer and lawyer born 1993 in Poznań, Poland. He is currently
studying at the Paderewski Academy of Music in Poznań (class of Lidia Zielinska)
and at the Kunstuniversität Graz (winter semester 2019/20 in the class of Beat
Furrer).
He is writing solo, chamber, choral and symphonic music, electroacoustic music,
intermedial pieces and installations as well as liturgical and educational pieces.
His pieces were repeatedly performed in Poland and abroad (including China,
Italy, Austria) and during festivals like the Warsaw Autumn ContemporaryMusic Festival, Poznan Spring Contemporary Music Festival or the Musica
Moderna in Lodz. He also achieved commissions by lot of institutions, eg. by
Poznan Philharmonic, or as part of the program of the Institute of Music and
Dance “Composers Commissions”, co-financed by the Ministry of Culture and
National Heritage.
He co-founded with Michał Janocha in 2018 the Poznan Trans-for-Matha
Ensemble, a chamber orchestra dedicated to performing intermedial
contemporary music.
See more: https://soundcloud.com/dominik-puk
Alyssa Aska: Perfect Sense
Alyssa Aska is fascinated with the architecture of music, both spatially and
temporally. She composes works which explore extremes in time and space,
using rigid proportions to generate forms in acoustic works and exploring the
unpredictable duration and lack of control in gamified works. She studied
composition in the United States with Robert Kyr, David Crumb, and Jeffrey
Stolet, in Canada with Robert Pritchard, Keith Hamel and David Eagle, and she
currently studies in Graz, Austria with Marko Ciciliani and Klaus Lang at the
Kunstuniversität Graz.
Alyssa’s works and research have been presented and performed worldwide at
conferences and festivals such as International Computer Music Conference, New
Interfaces for Musical Expression, impuls Academy or Mikrofest Helsinki, and
many others. She is also a founding member of the Graz-based Facere collective,
which is dedicated to producing several unique concert events each year.
Louis Bona: Inter-Corps
Die Geräuschkulisse ist hoch. Bahn hier. Menschenmassen da. Züge fahren durch.
Andere bleiben stehen. Alles voller Baustellen. Durchsage für den nächsten Zug.
Verspätung für den Anderen. Sengende Hitze. Die Luft steht. Keine Zirkulation.
Ich spreche. Worte verlassen meinen Mund. Pressen sich durch meine Lippen.
Hinterlassen Schweißperlen auf meiner Stirn. Lösen eine Bedrückung in meiner
Brust aus. Lassen sich meine Lungen nicht mehr vollständig weiten. Verhindern
tiefe Atemzüge. Kurzatmigkeit dominiert. Spannen meine Schultern an. Erhöhen
meinen Muskeltonus. Ich stehe am Gleis. Warte. Mein Partner. Versucht meine
Worte zu verstehen. Fragender Blick. Hat er mich verstanden? Das Gespräch ist
unmöglich. Wir steigen ein. Kein Platz. Wir stehen. Meine Beine fühlen sich weich
an. Habe den Halt unter meinen Füßen verloren. Mein Partner meint: Willst
du also nicht? Verwunderung meinerseits. Diese Worte haben meinen Mund
nicht verlassen. So habe ich das nicht formuliert. Körperlich gefühlt, aber nicht
verbalisiert. Habe versucht herumzureden. Umgehen. Doch die Kernaussagehat meinen Körper einfach verlassen. Ohne Kontrolle. Ohne Scham. Ohne Höflichkeit. Ohne Unannehmlichkeit. Ohne böse Absicht. Authentisch. Ehrlich. Bei dem Stück geht es um die Diskrepanz zwischen dem Verbalisierten und der Körpersprache. Beim Beobachten von Menschen ist zu erkennen, dass das gesagte Wort und die Körpersignale nicht übereinstimmen und beide parallele Seinswelten aufweisen. Ob man willkürlich lügt, um sich einen Vorteil zu verschaffen oder unbewusst sich kleiner Notlügen hingibt. Ist Ihnen schon aufgefallen, wie häufig Sie lügen? Jeder Mensch flunkert tagtäglich aus verschiedenen Gründen wie Höflichkeit, Bequemlichkeit oder Manipulation. Eine kleine Notlüge hier und eine größere da und schon häufen sich die Schwindeleien, um unangenehmen Situationen aus dem Weg zu gehen oder seine Mitmenschen von sich zu überzeugen. Jedoch gibt es ein Medium, welches nur teilweise Lügen verbergen kann und man durch ein geschultes Auge und kinästhetischer Empathie diese entlarven kann: der Körper. Louis Bona (1990), French young composer, lives in Paris. He begins his musical education studying viola with Carole Dauphine at the Paris conservatory. After obtaining his diploma in musical studies, he begins his master studies at the Hochschule für Musik Hanns Heisler in Berlin where he discovers a new approach to instrumental and sound technique through his professor Walter Küssner and the study of contemporary music by being an active member of the contemporary ensemble Echo, under the direction of Manuel Nauwri. These new accomplishments push him to return to his compositional work. Then he studied at the Boulogne Billancourt conservatory and from 2017 at the National superior Conservatory in the class of composor Frédérique Durieux. Currently he is studying at the Kunstuniversität Graz with Clemens Gadenstätter. Joan Gómez Alemany: Esoptron is a piece with electronics (based on the sound of the acoustic guitar) and 4 improvisers, who read a very open score to interact and dialogue with the electronics. Therefore it is a semi-improvised piece with tape that also fixes the materials that the musics should use also as score. The edges between writing and non-writing music are then worked on. The piece is based on few sound materials that are molded and sculpted in an aesthetic that is born from the composer who wants to honor, Scelsi, but using a music language of our actuality. Joan Gómez Alemany studied composition with Clemens Gadenstätter at the Kunstuniversität Graz (KUG) and previously with Oliver Rappoport at the Liceu Conservatory. He also holds a degree in piano and fine arts, specializing in cinema and painting. He received private lessons from Mark Andre, Pierluigi Billone, Brian Ferneyhough, Rebecca Saunders, Mauricio Sotelo, etc.
His pieces were premiered at festivals such as the impuls Festival, Darmstädter Ferienkurse, Manifeste-IRCAM or Barcelona Modern Festival and interpreted by world renowned orchestras. His work was released by the record label Liquen Records and was broadcast by ÖRF, SWR and À Punt Ràdio València. Alisa Kobzar: Inner B (from the „Lebensformen“ cycle) The Covid-era changes us. We are staying alone with ourselves and can’t avoid going deeper into the inner world of ourselves. The border between reality and virtuality is not so prominent anymore. What is the reality now? How many dimensions does our consciousness have? Virtuality changes us. We are discovering real ourselves in the virtual worlds of our minds. Alisa Kobzar is a composer, multimedia artist and teacher, graduated from Kyiv National Music Academy (Ukraine) in 2014 (MA, department of composition, instrumentation and musical informational technologies, A. Roschenko and A. Zagaikevych). Since 2018 she lives in Graz (Austria) and studies Computer Music at the Kunstuniversität Graz (with Gerhard Eckel). She also works as a student employee for the IEM project “Interagency”. She took part in different international composers’ masterclasses on instrumental and electronic music, festivals, workshops. Her music is performed in Ukraine, Poland, Germany, Austria, Sweden, Russia, Ireland, Portugal, Italy. The main vector of her creative work is interdisciplinarity towards connecting the different art-forms into undisassemblable multimedia, where none of the arts is illustrative. She ist Co-founder of the duo rotkäppchen (Alisa Kobzar – music/videoart, Lisa McGuire – choreography/dance). Brian Questa: Folk Cycle No. 1 In “Folk Cycle No. 1”, Jacqueline Lopez explores the folk melodies of Questa’s composition. Drawing from European folk dance movements fused with contemporary dance, she highlights the cyclical nature of the music and allows the energy of the music to stir the movements into a playful frenzy. Brian Questa (b. 1988) is an artist and musician who works in sound, video, text, performance, and installation, currently living and working in Berlin, Germany. He received a M.Mus. in Music Composition from the State University of Music and Performing Arts in Stuttgart, Germany (HMdK), a master of arts (MA) in Computer Music from the Kunstuniversität Graz, Austria and a B.Mus. in Double Bass from the Manhattan School of Music in New York City.
José Luis Martinez M.: Prius Somnium
Piramidal, funesta de la tierra Nacida sombra, al Cielo encaminaba De vanos
obeliscos punta altiva, escalar pretendiendo las Estrellas;
Sor Juana Inés de la Cruz
Die Ruhe und Stille der Nacht öffnen die Wahrnehmung zum Überlegen,
was am Tag unsere Sinne berührt hat. Wie weit können wir Abstand von den
Wechselfällen der Realität, der „weltlichen Welt“ nehmen? Das Auge kann
seinen eigenen Blick nicht sehen. Es braucht Abstand von sich selbst, ein Mittel
(ein Spiegel). Man soll aber noch eine Verbindung mit der Welt spüren, und
es sollen noch die Sterne, die in der Nacht die Schiffe leiten, sichtbar sein.
Noch in der tiefsten Stille (wenn sie noch als Stille wahrnehmbar ist) soll man
einen Verankerungsunkt finden. Auf diese Weise ist die Reise in die Innenwelt
der Barockdichterin Sor Juana der Anfangspunkt unserer Interpretation der
unterschiedlichen Elemente, die in ihrem Weltbild geschehen, und auch
heutzutage noch Fragen offenlassen.
José Luis Martinez M. wurde 1991 in Mexiko-Stadt geboren. Seine musikalische
Ausbildung begann er an der Musikhochschule des Nationalen Instituts der
„Schönen Künste und Literatur“, wo er Komposition bei Roberto Medina
und Georgina Derbez sowie elektroakustische Musik bei Carole Chargeron
studierte. Danach setzte er sein Kompositionsstudium in Graz fort, wo er sein
Bachelorstudium an der Kunstuniversität Graz bei Gerd Kühr absolvierte und
sich zurzeit im Masterstudium befindet.
Er war an unterschiedlichen interdisziplinären Projekten in Mexiko, Norwegen
und Österreich beteiligt, darunter El Plano Oblicuo, Hombres Necios, Invisible
Drives, Opern der Zukunft und Festspillene I Bergen. Er studierte auch Philosophie
in Mexiko. Seine Überlegungen und sein ästhetisches Interesse widmen sich
hauptsächlich den Auswirkungen der phänomenologischen Betrachtung und
Wahrnehmung des Klanges bzw. der Stille in der Musik. Außerdem beschäftigt
er sich mit dem Einfluss moderner künstlicher Intelligenz-Modelle auf den
kreativen und kompositorischen Prozess.
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im Anschluss
After-Concert-Lounge via Zoom
Ulla Pilz im Gespräch
mit den Mitwirkenden und dem PublikumAbonnements
im Sommersemester 2021
Zusammenspiel_plus Instinkt & Gefühl
Kammermusik mit dem gewissen Extra An diesem Abend kommen zwei zentrale
MI 10.03.2021, 19.30 UHR Werke Béla Bartóks zur Aufführung.
LIVE-STREAMING AUS DEM MUMUTH MI 12.05.2021, 19.30 UHR
Sebastian Fagerlund: Breathe (2005-2006) LIVE-STREAMING AUS DEM MUMUTH
Arnold Schönberg: Pierrot Lunaire op. 21 Béla Bartók: Violinkonzert Nr. 2 &
Studierende der Kunstuniversität Graz Der wunderbare Mandarin (Suite)
Violine: Feliks HARUTYUNYAN | Orchester der KUG
Chor_plus Dirigent: Roland KLUTTIG
Der Studiochor entführt in tschechisch-
österreichische Gefilde Le nozze di Figaro
MI 17.03.2021, 19.30 UHR
LIVE-STREAMING AUS DEM MUMUTH
Konzertante Aufführung der Opera buffa
Leoš Janáček: Kinderreime von Wolfgang Amadeus Mozart
Petr Eben: Prager Te Deum SA 05., MO 07., MI 09., FR 11. & MO 14.06.2021,
Herwig Reiter: Die Welt ist so schön 19.00 UHR, LIVE-STREAMING AUS DEM MUMUTH
Leitung: Studierende Chorleitung von Sänger*innen: Studierende der KUG
Johannes PRINZ und Rahela DURIĆ Opernorchester der KUG
Musikalische Leitung: Frank CRAMER &
Zwei Kontinente Paul MAIER (Dirigierstudierender)
Charles Ives trifft Erich Wolfgang Korngold
DO 25.03.2021, 19.30 UHR
LIVE-STREAMING AUS DEM MUMUTH
Entwurf für ein
Charles Ives: Ouvertüre „Robert Browning“
Erich Wolfgang Korngold: Konzert für Violine und
Totaltheater
Orchester op. 35 D-Dur
Werkstattaufführung eines Totaltheater-
Charles Ives: Symphonie Nr. 2 Stücks von Anne Lepper
Violine: Anastasiia NIFANTIEVA | Orchester der KUG MO 14.-SA 19.06.2021, JEWEILS 19.30 UHR
Dirigent: Patrick HAHN THEATER IM PALAIS
Schauspiel-Studierende des 3. Jahrgangs | Regie:
Malleus Maleficarum – Henri HÜSTER | Bühne & Kostüme: Veronika MÜLLER-
HAUSZER (Studierende Bühnengestaltung) | Musik:
ein Tutorial Theatermusikstudierende von Sandy LOPIČIĆ |
Dramaturgie: Gabriele C. PFEIFFER
Schauspiel- und Orgelstudierende lassen
die beklemmende Atmosphäre des
„Hexenhammers“ lebendig werden.
MI 14.04.2021, 19.30 UHR
Ludwig live!
LIVE-STREAMING AUS DEM MUMUTH Ludwig van Beethoven – Wir besuchen
Gesamtleitung: Gunther ROST & Werner STRENGER das Geburtstagskind des Jahres 2020 zu
Hause
KUG Jazz Night FR 25.06.2021, 17.00 UHR
LIVE-STREAMING AUS DEM MUMUTH
Das MUMUTH wird wieder zum Konzept: Bettina JOHNE | Leitung: Ulla PILZ
pulsierenden Jazzclub.
DO 29.04.2021, 19.30 UHR
LIVE-STREAMING AUS DEM MUMUTH
Studierende und Lehrende des Instituts Jazz JazzCompGraz 2020
Finale des 4. internationalen Kompositi-
Fanny & Felix onswettbewerbs mit Uraufführung der
Preisträger*innenwerke.
Eine Geschwistergeschichte mit den FR 18.06.2021, 19.00 UHR
Wunderkindern Fanny und Felix LIVE-STREAMING AUS DEM MUMUTH
Mendelssohn – und großartiger Musik! KUG Jazz Orchester
FR 30.04.2021, 17.00 UHR Dirigent: Reinhard SUMMERER
LIVE-STREAMING AUS DEM MUMUTH
Konzept: Sara KOREN | Leitung: Ulla PILZ
Invisible Drives PPCM
Einmal im Jahr erarbeiten Klangforum-
Eine Begegnung von Komponist*innen, Musiker*innen und ihre Studierenden ein
Musiker*innen der Kunstuniversität Graz großes gemeinsames Konzertprojekt
mit den Tänzer*innen der Anton Bruckner MO 28.06.2021, 19.30 UHR
Privatuniversität Linz. LIVE-STREAMING AUS DEM MUMUTH
MI 05.05.2021, 19.30 UHR Anton von Webern: 6 Stücke op. 6
LIVE-STREAMING AUS DEM MUMUTH Friedrich Cerha: Quellen ÄNDERUNGEN VORBEHALTEN!
Aktuelle Informationen zu möglichen
Gesamtleitung: Rose BREUSS & Johannes Staud: Auf die Stimme der weißen Kreide Öffnungsschritten finden Sie auf
Clemens GADENSTÄTTER Dirigent: Patrick HAHN unserer Website www.kug.ac.atYou can also read
