Exposure for complete calendar listings see www.ceramicsmonthly.org - Corrie Bain
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exposure for complete calendar listings
see www.ceramicsmonthly.org
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1 Pippa Barrow’s Scotty, 11 in. (28 cm) in length, black
stoneware, partially glazed, fired to 2264°F (1240°C), 2019.
2 Joanna Osborne’s Standing Hound, 9 in. (23 cm) in height,
earthenware, fired to 2156°F (1180°C), 2019. “Canine,” at Craft
Centre and Design Gallery Leeds (www.craftcentreleeds.co.uk)
in Leeds, UK, through September 28. 3 Mike Helke’s teapot,
stoneware, 2019. 4 Suze Lindsay’s footed bouquet vase, 13 in.
(33 cm) in height, stoneware, slip, glazes, salt fired. “Featured
Artists Mike Helke and Suze Lindsay,” at Red Lodge Clay
Center (www.redlodgeclaycenter.com) in Red Lodge, Montana,
4 September 6–29.
12 september 2019 www.ceramicsmonthly.org
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5 gwendolyn yoppolo’s cup and saucer, 9 in. (23 cm) in width, cone 6 matte
crystalline glazed porcelain, 2018. “Full of Appetite: Lisa Orr and gwendolyn
yoppolo,” at Saratoga Clay Arts Center (www.saratogaclayarts.org) in
Schuylerville, New York, through September 21. 6 Matthew Hyleck’s three
plates stacked, 10 in. (25 cm) in diameter, wheel-thrown stoneware, shino
glaze, gas fired to cone 10 in reduction. Photo: Silvia Palmer. “Matthew
Hyleck,” at In Tandem Gallery (www.intandemgallery.com) in Bakersville, North
Carolina, through September 15. 7 Theodor Paetsch’s plate, 11½ in. (29 cm)
in diameter, molded earthenware, airbrushed decoration, 1930. Courtesy of
the Collection of Natalie Mouriquand. Photo: Nathalie Mouriquand. “At the
Modern Dining Table: Ceramics of the Weimar Republic,” at Ariana Museum
(http://institutions.ville-geneve.ch/fr/ariana) in Geneva, Switzerland, through
September 8. 8 Simon Levin’s pitcher, 9½ in. (24 cm) in height, wood-fired
stoneware, 2019. Photo: Ann Marie Cooper. “Pitcher Perfect,” at Good Earth
Pottery (www.goodearthpots.com) in Bellingham, Washington, September 1–30.
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www.ceramicsmonthly.org september 2019 13
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1 Joanna Powell’s Fruit Cup. 2 Kurt Brian Webb’s Bats and People Pollinating Endangered Saguaro
Cacti. 3 Betsy Williams’ vase. 4 Liz Pechacek’s Abstract Shape Tumblers. 5 Brad Schwieger’s
basket. 6 Jan McKeachie Johnston’s Pussy Vase. 1–6 Photos: Peter Lee. “American Pottery
Festival,” at Northern Clay Center (www.northernclaycenter.org/apf ) in Minneapolis, Minnesota,
5 September 6–8.
14 september 2019 www.ceramicsmonthly.org
“I love that my Brent wheel is quiet and
has the ability to center large amounts
of clay without stalling. I feel a sort of
magic when throwing, especially
on my Brent wheel.”
-Sarah Glass
@SarahGlass_Ceramics
Photo by: Gabrielle Wilde
@gabriiellewiilde
www.ceramicsmonthly.org september 2019 15
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1 Ursula Morley-Price’s vessel with lamellae, 4 in. (10 cm) in diameter, handbuilt stoneware, matte glaze, 1980. Donated by the A. and G. Schütte
Collections. 2 Beate Kuhn’s Stringing, 113/4 in. (30 cm) in width, wheel-thrown stoneware, assembled, glazed, 1973. Courtesy of the Dr. G Hofmann
Foundation. 3 Otto Meier’s vase, 53/4 in. (15 cm) in height, wheel-thrown and altered porcelain, glazes, 1985. Donated by the A. and H. Nelius Collection.
4 Bo Kristiansen’s lidded jar, compressed, spherical ceramic, 1980. Donated by the G. and K. Bruch Collection. 5 Klaus Schultze’s O.T., 13½ in. (35 cm) in
width, handbuilt earthenware, engobes, glazes, 1999. 6 Werner Bünck’s vessel, 15½ in. (40 cm) in height, wheel-thrown and altered grogged stoneware,
2010. “Vessel/Sculpture 3: German and International Ceramics Since 1946,” at Grassi Museum (www.grassimuseum.de) in Leipzig, Germany, through
October 13. 7 Paul Scott’s Scott’s Cumbrian Blue(s) Leibstadt, Langenthal porcelain, blue underglaze, decals, gold luster, 2012. Photo: Mauro Magliani and
Barbara Piovan. 8 Nuria Torres Dominguez’ Louise con Mascara Agrietada, press-molded porcelain, slip-cast colored porcelain, enamel, elastic, wooden
base, 2017. Photo: Nicolas Lieber. Ariana Museum Collection, Geneva Purchase. Courtesy and copyright of the Ariana Museum. “Cabinet of Exquisite
Bodies,” at Ariana Museum (http://institutions.ville-geneve.ch/fr/ariana) in Geneva, Switzerland, through September 8.
16 september 2019 www.ceramicsmonthly.org
The Bailey AutoFire does all the work!
The ceramics team at San Jose State
We really appreciate the consistent beautiful glazes from our Bailey 30C AutoFire Shuttle Kiln. Were
able to program it for a variety of firing profiles. The results are always spot on. Whether were firing
copper reds or shinos, bisque or mid-range; the temperature uniformity is completely even from top
to bottom. Better yet, with Baileys reliable computer controlled AutoFire system, we dont need to be
there to maintain the firing so it fires throughout the night and were able to unload and reload on our
own schedule. Talk about efficiency, a Cone 10 firing only costs about $8. Bailey builds a great kiln!
Adam Shiverdecker
Assistant Professor and Area Coordinator of Spatial Art
Department of Art + Art History
San Jose State University
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www.baileypottery.com TOLL FREE (800) 431-6067
www.ceramicsmonthly.org september 2019 17
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1 Bowl, Anatolian, Haçilar, Chalcolithic period, ceramic, 6th millennium BCE. 2 Moon goddess and rabbit, Maya, Jaina Island or vicinity, Campeche,
Mexico, ceramic, red and Maya blue pigment, 600–800 CE. “Legacy: Selections from the Gillett G. Griffin Collection,” at Princeton University Art Museum
(https://artmuseum.princeton.edu) in Princeton, New Jersey, through October 6. 3 Phyllis Kudder Sullivan’s Vortex with Gold Line No. 17, 17 in. (43 cm)
in width, interlaced stoneware coils, fired to cone 8 in an electric kiln, secondary pit firing with sawdust, gold leaf, 2018. Photo: Joseph D. Sullivan.
4 Velimir Vukićević’s Rainy Day, 15¾ in. (40 cm) in width, porcelain, engobe, enamels, decals. 5 Corrie Bain’s Blue Cycas Llamelae, 6 in. (15 cm) in height,
blue porcelain. “39 Concurs Internacional de Ceràmica de l’Alcora (CICA) 2019,” at Museum of Ceramics (Alcora) (www.museulalcora.es) in L’Alcora,
Castelló, Spain, through September 15. 6 Becca Dilldine’s trinket box, 5¾ in. (15 cm) in height, wheel-thrown and altered terra cotta, slip, underglaze, fired
to cone 3 in an electric kiln, 2019. “Adorned,” at Clay Center of New Orleans (www.nolaclay.org) in New Orleans, Louisiana, September 6–28.
18 september 2019 www.ceramicsmonthly.org
www.ceramicsmonthly.org september 2019 19
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1 Ariel Bowman’s This Thing All Things Devours, 16 in. (41 cm) in length, ceramic, mixed media, 2019. 2 Claudia Olds Goldie’s Skin Deep, 14 in. (36 cm)
in height, ceramic, 2016. “The Emotional Animal,” at Clay Art Center (www.clayartcenter.org) in Port Chester, New York, through September 14.
3 Auguste Elder’s Canopic Urn: To/Fro, 20 in. (51 cm) in height, wood-fired stoneware, fired to cone 12 in reduction, 2018. “Inurn We Trust: Mortal
Vessels of the 21st Century,” at 3S Artspace (www.3sarts.org) in Portsmouth, New Hampshire, through September 22. 4 Lauren Clay’s Grass is Greener
Cylinder, 6 in. (15 cm) in height, porcelain, Mason stains, 2018. 5 Sean Scott’s Persistence Tea Set, 14 in. (36 cm) in length, handbuilt stoneware, glaze,
fired to cone 5, 2019. 6 Vince Palacios’ Diatom Bowl Series, 17 in. (43 cm) in width, clay, slip, various glazes, multiple firings, 2019. 7 Justin Donofrio’s
Tidal Gradient Jar, 9 in. (23 cm) in height, colored porcelain, glaze, fired in oxidation to cone 8, 2019. “Juried National V,” at Red Lodge Clay Center
(www.redlodgeclaycenter.com) in Red Lodge, Montana, September 6–29. 8 Miquel Barceló’s Jo submarinista, 17¾ in. (45 cm) in height, earthenware, 2011.
Photo: Agustí Torres. “Miquel Barceló,” at The International Museum of Ceramics in Faenza (www.micfaenza.org) in Faenza, Italy, through October 6.
20 september 2019 www.ceramicsmonthly.org
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