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OKTOBER
2018
APE#112 — Ruth van Beeck, How To Do The Flowers APE#114 — Lena C. Emery, Yuka & The Forest
APE#106 — Philippe Braquenier, Palimpsest Antoinette Nausikaa, Breathing Mountains
APE#116 — Stien Bekaert, Nothing on the left
APE#102 — Sebastien Reuzé, Colorblind Sands
NEW Ruth van Beek
How To Do The Flowers
The repetition of images, visual sequences,
accidental similarities and free associations
form the alphabet of a mysterious language.
Starting from her archive, Ruth van Beek
makes collages and books. The images
from this archive are constantly conversing
with one another.
A large part of the image archive finds
its origin in old manuals. Books that are
made as a tool, as an advisor for everyday
occupations. The images mainly show
hands that demonstrate how something is 789490 800871 9
supposed to be done. Hands that dig in the
earth, that make dolls, that arrange flowers,
that cook. All sorts of daily actions pass by.
By focusing on the action and detaching 15,5 × 21 cm, 508 p, ills colour / b&w,
ISBN 9789490800871
from the original context, van Beek encour paperback
ISBN 9789490800871
ages imagination, thereby provoking un design & editing: Ruth van Beek &
comfortable and uneasy feelings: passive Jurgen Maelfeyt (6'56")
human hands become animated, objects co-published with Dashwood Books
(NY)
become characters and abstract shapes
come to life. Hundreds of images and € 40
tests from van Beeks image archive come edition of 1500
together. They show a method and create, September 2018
in turn, a manual for creating new work.
Ruth van Beek, How To Do The Flowers APE#112
NEW Paul Kooiker
Eggs and Rarities
EGGS
Paul Kooiker’s “encyclopaedia of life” in
164 images. This ambitious but utopian AND
project reads like a sampler of photographic
genres: landscape, nude, still life, etc. To
achieve this, Kooiker often uses clichés
RARITIES
more reminiscent of the propaganda of
tourist brochures or of religious and political
rhetoric in the media.
Kooiker increasingly allows the
personal to creep into the work. Intimate
private photographs break through the
PAUL KOOIKER
seemingly objective approach so that public
789490 800918 9
and private space spill over into each other.
The result is one large work in which the
complexity of things converge: the artist
24 × 31 cm, 172 p, ills colour / b&w,
himself, the medium of photography, life ISBN 9789490800918
paperback
and death. (Joachim Naudts) ISBN 9789490800918
editing: Paul Kooiker & Jurgen Maelfeyt
design: 6'56"
€ 48
edition of 2000
September 2018
Paul Kooiker, Eggs and Rarities APE#111
NEW Sébastien Reuzé
Colorblind Sands
“Colorblind Sands” is a project for a journey,
a reflection upon photography and the great
American road trip. It explores the semantics
of color, the experience of time and place,
and the possibilities for analog printing in
the darkroom. “Colorblind Sands” is a ficti
tious road trip that Reuzé has yet to make.
An imaginary journey through the history of
American photography.
It is crucial to mention that Reuzé is
colorblind. Color, or the lack of it, is an 789490 800826 9
on-going source of inspiration. Each work
is printed in a hue that lends it a specific
tension. Color is used as a semantic tool.
“Colorblind Sands” is an attempt to 24 × 29,3 cm, 192 p, ills colour,
ISBN 9789490800826
paperback, English
cultivate a mental landscape. An environ ISBN 9789490800826
ment that defies description and sends editing: Sebastien Reuzé &
you on a schizophrenic, psychological trip. Jef Cuypers
design: Jef Cuypers
The focus is on the dissolution of the self,
upon a mental unravelling. Fact and fiction € 30
coalesce in Reuzé’s work. His guidebook? edition of 500
Vermilion Sands by J.G. Ballard, the so- September 2018
called ‘sociologist of the future’. Ballard’s
dystopian visions were rooted in his per
ceptions of the modern world.
Time occasionally makes its presence
felt in this series of photographs. The works
lead us into an ambiguous temporality. Are
these images related to the past, present or
future? Rather than pursuing a documentary
approach, Reuzé prefers to concentrate
upon different levels of meaning. The ex
perience of time in this publication is akin
to walking along a tightrope.
Sébastien Reuzé, Colorblind Sands APE#102
NEW Lena C. Emery
Yuka & The Forest
“Yuka & The Forest” marks Lena C. Emery’s
second monograph and continuation to “Rie”
wherein she talked about the vulnerabilty
of revealing our skin and our bodies being
bound to the natural world. Within her new
book, Emery introduces us to the chinju no
mori, the sacred forest. We are reminded
that cultures like that of Japan, which are
deeply embedded in nature, have been able
to perserve much of their natural habitat by
having fostered an interconnected value
789490 800949 9
system. Within “Yuka & The Forest” we
embark on a journey of reflection that leads
us through a remote village in rural Japan,
high into the midst of a vast lanscape. We 24 × 29,5 cm, 64 p, ills duotone,
ISBN 9789490800949
paperback, linen hardcover, mounted
are prompted to reflect on nature’s profound photograph, recycled paper, contains
serenity and as the last pages fall also of its a short story by the artist
ISBN 9789490800949
demise at the hand of our own. design: Lena C. Emery & 6'56"
10% of all proceeds go to WWF (The World € 60
Wide Fund for Nature) working in the field edition of 500 (with print)
of wilderness preservation and the reduction September 2018
of human impact on the environment.
Lena C. Emery, Yuka & The Forest APE#114
NEW Stien Bekaert
Nothing on the left
“Nothing on the left” collects a variety
of Stien Bekaert’s visual motives and
practice in found imagery. Bekaert zooms
in into fragments of found footage and
photographs. Bekaert changes them and
brings them together in a new context.
By editing the images digitally she gets
rid of layering in a classical way, however
the visual concept of decomposing images
takes back its place by the aspect of
layering in spreads. The following combi 789490 800932 9
nations formed by every spread page in
the book result in new imagery. By this,
the origin of the original image gets com
pletely lost, new interpretations and inter 21 x 29,7 cm, ills colour, folded,
actions come to life. The layering and
ISBN 9789490800932
no binding
assembling of different backgrounds ISBN 9789490800932
design: Stien Bekaert & 6'56"
intrigues and brings forward a captivating
result. “Nothing on the left” constructs € 25
motives of further mixed media work in her Edition of 300
artist practice. September 2018
The images are brought together in
a combination of several techniques, in
function of the content: crops, photoshop
edits, enlargements, printed by a transfer
technique, printed by the risograph and
printed offset.
Materiality is considered to be equally
important, the formal context is not un
ambiguous and ensures playfulness.
Stien Bekaert, Nothing on the left APE#116
NEW Jan Hoek
Mental Superpowers
Lady GaGa, Diane Arbus, Vincent van Gogh,
Kurt Cobain —the list of geniuses with
mental health issues is long and well known.
But how do the two relate to one another?
Or, to rephrase the question, can a mental
illness also be seen as a superpower?
To answer this question Jan Hoek spent
three months living in a psychiatric hospital
in Brooklyn, collaborating with the hospital’s
clients and other unique individuals he met
in New York. This comic book, “Mental
Superpowers”, is the result.
789490 800956 9
18,5 × 26 cm, 88 p, ills colour / b&w,
ISBN 9789490800956
paperback, English
ISBN 9789490800956
design: Nora Halpern
€ 25
edition of 1000
September 2018
Jan Hoek, Mental Superpowers APE#115
NEW The Cabinet of Traces
Air Antwerp
“The Cabinet of Traces” is a collection of
73 traces that were left behind by various
artists in residency at Air Antwerp from
2012 onwards. The traces presented in
this publication form a diverse collection
of objects, drawings, little art works, letters,
and clothes. Likewise a catalogue of an 789490 800888 9
ethnographic collection, this publication
provides all standard technical details with
each trace: material, dimensions, title and
the artist who created it. 11 × 18 cm, 224 p, ills colour,
Each trace bears its own story.
ISBN 9789490800888
paperback, dust jacket
“The Cabinet of Traces” remembers these ISBN 9789490800888
design: 6'56"
stories, while feeding new ones. Memories
are constructions and the traces in the publi € 18
cation form the basis from which these edition of 500
memories can be created. “The Cabinet of September 2018
Traces” is a tool that feeds the imagination.
It will be passed on to future artists in residen
cy in order to evoke a reaction. New artists
will extend the collection.
The Cabinet of Traces, Air Antwerp APE#115NEW FLIP — About Image Construction
“FLIP — About Image Construction” is the
catalogue published on the occasion of
the exhibition of the same name, held at
KASK, Ghent in March 2018 and curated by
Kasper Andreasen. The exhibition focused
on displaying a temporary archive of artists’
books parallel to more than a dozen filmic
works. Alongside the film and video works in
the exhibition, artists’ books from the KASK
collection (Kunstenbibliotheek) were shown
as well as selections by 4 book collectors
and publishers. The term ‘FLIP’ associatively
refers to the performative gesture of leafing
through a book but also to notions of image
sequences, reversal (printing), the flipbook,
as well as the use of text and images in both
books and video works.
In short, the exhibition was a way of
showing these media together, emphasizing
the use of narrative strategies and image
construction as extensions of each other.
Initially produced as a guide to the exhi
bition, this transformed catalogue contains
a complete bibliography with stills of the
displayed books and films together with
documentation of the exhibition. FLIP was
the sequel to the exhibition Copy Construct
held at CC Mechelen in 2017.
789490 800857 9
10,5 × 27 cm, 74 p, ills colour / b&w,
ISBN 9789490800857
English, saddle stitch
ISBN 9789490800857
design: 6'56"
€ 10
edition of 300
July 2018
FLIP — About Image Construction APE#109NEW Els Martens
Stek
How do we look at a photograph of a place
when there are no anchor points? How do
we approach the surface of a landscape,
rendered flat in an image, when there is no
significant horizon, or when there are no
trees for scale? Onto what do we cling our
gaze? (Rocks, solid as they may be, are
deceptive in size and therefore unreliable.)
Where do our eyes land, coming down
from somewhere above? (Stefan Vanthuyne)
789490 800789 9
21 × 28 cm, 42 p, ills colour, flatbind,
ISBN 9789490800789
English / French / Dutch
ISBN 9789490800789
text: Stefan Vanthuyne
design: 6'56"
€ 25
edition of 300
July 2018
Els Martens, Stek APE#099NEW Camille Picquot
Domestic Flight
In “Domestic Flight”, the viewer is not
confronted with traces of what has been.
Rather, each scene allows us a glimpse
into the action of the story Camille Picquot
is unfolding. Released of its burden of proof,
photography can now fully be applied to its
new purpose: to visually narrate and suggest
a fictional story. In her artistic work, Picquot
is equally at ease with photography as she
is with film. Applying and mixing common
practices of these media, she never places
one above the other, but rather reinforces 789490 800697 9
them both. In “Domestic Flight”, Picquot
does not shy away from adding a playful
cameo of herself in the series, possibly
hinting at Alfred Hitchcock’s famous ap 21,5 × 29,5 cm, 60 p, ills colour,
hardcover
pearances. (Rein Deslé)
ISBN 9789490800697
ISBN 9789490800697
design: 6'56"
€ 25
edition of 500
July 2018
Camille Piquot, Domestic Flight APE#108NEW Jim Campers
Forward Escape into the Past
Jim Campers’ “Forward Escape Into the Past”
represents the synthesis of his two latest
projects. They are situated on the intersection
between nostalgia and a visionary utopia.
The two photographic series are thematically
linked by the title of the exhibition, which
suggests an alternative future for humanity.
“Forward Escape Into the Past” can be
seen as a future far removed from techno
logical progress, in which human beings
seek a connection with their past and with
789490 800833 9
nature. Jim Campers publishes his first artist
book for the occasion of his solo exhibition in
M – Museum Leuven (BE) and in De Brakke
24 × 29 cm, 172 p, ills colour / b&w,
Grond Amsterdam (NL). Texts by John Zerzan ISBN 9789490800833
paperback, English
and Steven Humblet. ISBN 9789490800833
design: Jim Campers & 6'56"
€ 35
edition of 500
July 2018
Jim Campers, Forward Escape into the Past APE#107NEW Philippe Braquenier
Palimpsest
PALIMPSEST
Philippe Braquenier
“Palimpsest” explores the makeup of the
In 01845, when the English essayist Palimpsest is an ongoing project that visible aging. The book is as much about
Thomas De Quincey drafted the symbolic began in 02012 and, like any ‘living’ archiving as it is a freestanding archive
groundwork for the word ‘palimpsest’, archive, is constantly growing. Approach in itself —arranged in respect of the
he effectively gave birth to the rich ing the book as a workinprogress, Universal Decimal Classification (UDC),
genealogy of a metaphor that has since Braquenier debunks the misconception a system that endorses the methodical
been used across both scientific and that archives, and the idea of history organisation of all human sciences into
conceptual and physical landscape of
cultural fields to describe the accumu itself, are something imprisoned in the a coherent structure in which different
lation of textual or physical elements past, something inactive and immobile. fields of knowledge can be interlinked.
in a particular place over time. Tradi The work illustrates the way in which In this regard, UDC lends itself to
tionally, palimpsest refers to a medieval material history is constantly being intertextuality,
parchment from which the original text altered and appended. Palimpsest also and thus to the very topic of this publication
has been effaced through a chemical questions the methods used by mankind —to its ‘palimpsestuousness’, so to speak.
Western cultural knowledge and heritage:
process. The parchment is then reused to preserve historical records —and The propensity to organise reveals our
—often due to scarcity of materials. knowledge overall. The deterioration of abstruse relationship with power and
When the chemical agents that have material history is arguably inexorable, our habitual need to control everything
been applied to erase the original text but the process can be slowed down around us —even our past. Disorder is
react with oxygen over time, traces of if scrupulous measures are taken to considered adverse and unfavourable
the original script will subsequently document and conserve our archives, because it appears intractable. Yet, how
how does contemporaneity assert itself
reappear from beneath the new writing. libraries and the lived environment. ever strong the desire to clarify, order or
De Quincey’s essay, ‘The Palimpsest’, The preservation and archiving of classify information, it is hardly possible
draws a parallel between the word and our history comprises the seemingly to extrapolate from this that order equals
human memory. De Quincey viewed incompatible concepts of order and the absence of disorder. Palimpsest
the act of remembering as a palimpsestic disorder, both of which will be effectively remains attentive to this concern; the
process, in which layers of ideas, images explored on the following pages. For photographs have been printed on re
from the penumbra of history? The primary
and feelings overlay each other and fuse centuries, mankind has endeavored to movable sheets that may be organised
into one another. Instead of accepting our understand the relationship between according to any principle or system.
past as a linear progression across time, the two. Science, and especially thermo This allows the readers to restructure
he suggested that the very nature of the dynamics, has gone to great lengths the content and engage with the material
past is also palimpsestuous —an intricate in its efforts to demonstrate the central in whatever manner is most logical and
network of overlapping and often unrelated principles of entropy, interpreted as appropriate to them. The publication
task of the book is not so much to explain
events from which various definitions of the degree of disorder or randomness does not claim to repudiate our relation
history have been extracted. Namely, within a system. The subjective notion of ship with power per se, but it provides
De Quincey emphasised that history is disorder has equally spawned a myriad an opportunity to creatively participate in
always intertextual and, as opposed to its of philosophical narratives that have the making of the project.
downsized representation, not reducible contributed to our understanding of both The book documents and pays tribute
to a chronological timeline. Like the future, natural and urban environments. to the coexistence of order and chaos
the past as it is to consider historical devel
the past is impregnated by ideologies While disorder seems to have no and the proximity of preservation and
and haunted by the unnerving question organising principle, order is always destruction. It also considers the effects
of its own relevance. inherently connected to power. In archi of natural disasters such as floods and
Philippe Braquenier’s Palimpsest ving and other preservation practices this erosion. As the forces of nature coalesce
explores the makeup of the conceptual manifests most critically through systems with human aggression, theft and errors
and physical landscape of Western of classification, which by default are of judgment, our failure to consider
opment and its visual expressions. Using
cultural knowledge and heritage: how hierarchical. Different cataloguing systems history will inevitably take a toll on our
does contemporaneity assert itself from have been used in archiving for centuries cultural heritage. Investigating sustainable
the penumbra of history? The primary to organise and structure knowledge. means of preservation then becomes
task of the book is not so much to explain Regardless of how respectful the attempts an imperative task within a political
the past as it is to consider historical to make bodies of knowledge more access climate that is increasingly volatile and
development and its visual expressions. ible have been, systemising history neces unpredictable.
photography and text as its means of inves
Using photography and text as its means sitates ascribing it a certain value and However, there are other important
of investigation, Palimpsest emerges the assumption that it can, in the first reasons to consider the ways in which
from the intersections of science and place, be compartmentalised. we document and archive knowledge.
culture, natural and manmade, analogue Braquenier acknowledges the challenges Technological acceleration has led
and digital, visible and hidden. On its inherent in the longterm archiving and the accumulation of data to increase
pages, the past and the present converge classification of knowledge, in terms of exponentially. The infrastructure of
tigation, the publication emerges from the
through these seeming polarities and both its form and content. The publication human memory is slowly collapsing
propose a persuasive argument to is printed on acidfree alkaline paper while more and more information is
refigure temporality. and cardboard to protect the pages from saved and externalised on hard drives
intersections of science and culture, natural 789490 800819 9
and man-made, analogue and digital, visible
and hidden. On its pages, history and the
present converge through these seeming
polarities and propose a persuasive argu 23 × 29 cm, 118 p, ills colour,
ISBN 9789490800819
ment to refigure temporality. single sheets, metal paper fasteners
ISBN 9789490800819
Palimpsest is an ongoing project that design: 6'56"
began in 2012 and like any ‘living’ archive,
it keeps growing constantly. Approaching € 35
the book as a work-in-progress, Braquenier edition of 500
debunks the publication, and the idea of May 2018
history itself, as something imprisoned in
the past, as inactive and immobile. The work
illustrates how material history is constantly
being altered and added on. It questions
the methods mankind uses to preserve
historical records — and knowledge overall.
Philippe Braquenier, Palimpsest APE#106NEW Thinking conditions through practice
“Thinking conditions through practice” is
the first book of the series “Choreography
as Conditioning”. An essay writing process,
generated through a series of work gather
ings, organized under the rubric CASC at
KASK and running over a period of three
years, they explore the notions of choreo
graphy and conditioning in both art-making
and society-making.
“Thinking Conditioning through Practice”,
the first book in this series, addresses the
question of how these practices destabilize
and (re)constitute theconcept of conditioning
through six writing processes performed by
Alex Arteaga, Julia Barrios de la Mora, Julien
Bruneau, Laetitia Gendre & Miram Rohde, 789490 800840 9
Heike Langsdorf and Kristof Van Baarle.
11,2 × 17,7 cm, 96 p, paperback,
ISBN 9789490800840
English
ISBN 9789490800840
design: 6'56"
€ 15
edition of 500
July 2018
Heike Langsdorf, Alex Arteaga (eds.), Thinking conditions through practice APE#105NEW S&D#24/APE#117
OCCUPATION AND HOSPITALITY
019 was never going to remain the only
place we worked in. From the start, it’s
been a laboratory that swings us into un
known directions, constantly sharpening
our sense of improvisation and reinvention
on the spot. For three years, from 2013
onwards, we made that old welding factory
at Dok Noord in Ghent the focal point of our
activities. People even started to identify
the entirety of our collective, Smoke & Dust,
with what was basically only the name of its
nineteenth project. We became 019. The
whole project turned us upside down. But 789490 800925 9
in doing so, we became aware as well. We
understood that the act of occupying and
taking possession of the site was not the
goal of our work at all. From the inside out, 21 × 29 cm, 304 p, ills colour / b&w,
ISBN 9789490800925
paperback, English
starting with a wooden construction in its ISBN 9789490800925
interior and up to the billboard at an outside design: We Became Aware
wall and a series of flagpoles on the roof,
€ 20
we gradually developed the place into
an assembly of undergrounds for public edition of 500
September 2018
and artistic encounter, an emerging space
for collaboration that was grounded on
the premise that all media at our disposal
were common grounds to be rediscovered.
That’s when the work began. That’s when
things began to move, for real. That’s when
we realized—artists, architects, designers—
we had all turned into scenographers, regard
less of our discipline: co-authors of a scene
that was constructed out of margins and
constraints, participants in a game of give
and take that we endlessly play around a
display we like to recycle. In the end, that’s
how 019, our handling of its space through
appropriation and dispossession, became
the site of a moving practice, a collaborative
way of working ready to be moved, repro
duced and reinvented elsewhere.
S&D#24/APE#117, OCCUPATION AND HOSPITALITY APE#117NEW Antoinette Nausikaa
ANTOINETTE NAUSIKAÄ BREATHING MOUNTAINS
Breathing Mountains
, AĞRI DAĞI,
In “Breathing Mountains”, Nausikaä takes
you on a journey into a poetic universe filled
with paradoxes, ambiguities, anomalies and
simple mystery.
By means of observation, Antoinette
,
Nausikaä investigates her surroundings.
How people and things relate to each other
and how a balance grows from that relation
ship. The question she consistently poses
is, “Where do I belong in all of this?”
Searching for reflection, concentration
APE
and stillness in an increasingly frantic society, 789490 800963 9
Nausikaä feels that more and more things
and events escape her and that life goes its
own direction. Thus, the idea was born to
observe mountains. Mountains that symbolize 20,8 × 27 cm, 172 p, ills colour,
ISBN 9789490800963
paperback, English
stability, calmness, consciousness and ISBN 9789490800963
solitude; notions that nowadays seem far design: 6'56"
removed from of our everyday experience. € 28
Nausikaä investigates these silent prota
gonists in relation to our increasingly busy, edition of 500
October 2018
complicated and hectic lives.
Antoinette Nausikaa, Breathing Mountains APE#118NEW Michael Blaser
Raumordnung
Michael Blaser’s artistic concerns centre on
the unspectacular, the trivial, the familiar and
the oftentimes overlooked. Raised in the
agglomeration, he examines the peculiarities
of the urban periphery. The artist confronts
us with a Switzerland of mediocrity that
oscillates between urban identity and pro
vincial character, nature and urban sprawl,
public and private space. Michael Blaser’s
photographs can be considered both land
scape and architectural images. The domes
ticated landscapes with their infrastructures
are unadorned mirror images of our society.
789490 800895 9
21,3 × 31,7 cm, 96 p, ills colour,
ISBN 9789490800895
paperback
ISBN 9789490800895
design: 6'56"
€ 30
edition of 500
September 2018
Raumordnung Michael Blaser APE#104APE#111 — Paul Kooiker, Eggs and Rarities APE#104 — Michael Blaser, Raumordnung
APE#107 — Jim Campers, Forward Escape Into the Past
APE#110 — NOKI, Axel HoedtFORTHCOMING Titus Simoens
11:00 AM
“At 11 am, as always, I arrive at his house
and ring the doorbell. Alfons stands in the
kitchen. He looks at me, pours two bowls
of soup without saying a word. I sit down,
he takes two plates, opens a bottle of red
wine and sets the table.”
“11:00” AM are the weekly appoint
ments between Alfons and Titus Simoens.
Alfons is a 81-year-old man who lives close
to Simoens’ home. Their encounters became
a ritual in which Simoens searched for a poss
ible story. This search resulted in an honest 894908 009707 7
and true representation of the thoughts of a
photographer and the need to make a story.
24 × 32 cm, 36 p, ills b&w, paperback
ISBN 789490800970-7
ISBN 9789490800970
design: Lisa De Brouwere
€ 20
edition of 300
November2018
Titus Simoens,11:00 AM APE#120FORTHCOMING Axel Hoedt
NOKI
Axel Hoedt’s new book NOKI is the result of
a 10 year long photographic collaboration
with JJ Hudson aka Noki —an exploration
of masks as representations of otherness,
refusal, belonging and isolation. Noki
a subversive artist, famously anonymous,
recognisable only for the masks he is
wearing. He disrupts the very nature of
branding with his textile collages and one-
off fashion pieces. In particular that of
mega sportswear labels, and high profile 789490 800864 9
corporations; presenting an assault on the
homogeneity of mass-produced garments.
24 × 30,5 cm, 52 p, ills colour / b&w,
ISBN 9789490800864
paperback
ISBN 9789490800864
design: 6'56"
€ 35
edition of 1000
September 2018
Axel Hoedt, NOKI APE#111Morten Barker
Terra Nullius
FORTHCOMING Kasper Andreasen
Isola Comacina
FORTHCOMING
In his artistic work Morten Barker examines Isola Comacina is a historical island situated
and explores the limits on how the image in Lake Como dating back to the 6th century.
distorts the reality we know. Barker creates In 1919, it was inherited by King Albert I of
images based on war film landscapes, which Belgium and subsequently, a year later, re
are articulated through the fictional and the turned to the Italians. Today, the island hosts
documentary. Through digital manipulation a joint residency program for artists which
and sampling of screenshots the artist creates takes place in one of the three summer
an ambiguity in which geography, depth of houses designed by the modernist architect
Pietro Lingeri.
In 2016, Kasper Andreasen was one
of the artists that stayed on the island for
789490 800901 9 a period of three weeks. During his stay,
he wrote an extensive diary accompanied
with drawings, photographs, and a short
film which focuses on the architectural,
23 × 31 cm, 56 p, ills colour / b&w,
ISBN 9789490800901 touristic, and ephemeral aspects of the
hardcover, English island. This artist’s book, being the first
ISBN 9789490800901
design: 6'56" about the island, bring this material together 11 × 17 cm, 120 p, ills b&w, paperback
as a way of mapping out the intertwinement design: 6'56"
€ 30 of historical traces and the island’s present-
price to be confirmed
edition of 500 day activities.
September 2018
Morten Barker, Terra Nullius APE# Kasper Andreasen, Isola Comacina APE#APE# — Antoinette Nausikaa, Breathing Mountains APE#102 — Sébastien Reuzé, Colorblind Sands
APE#110 — Axel Hoedt, Noki
APE#114 — Lena C. Emery, Yuka & The ForestCURRENT Sybren Vanoverberghe
2099
“2099” shows images of remembrance
linked to Sybren Vanoverberghes
perception on the constant evolution
of history and its repetitive character.
Deconstructed places and manipulated
icons function on an associative basis
to create a new overview of the present.
As a photographer Vanoverberghe
is experimenting with what is staged and
what is not. He researches how he as
a photographer can interfere in the land
789490 800758 9
scape by working on an underlying lyricism
in the images. The work can both be seen
as a prophecy for the future as well as
24 × 29,5 cm, 92 p, ills colour / b&w,
a desire to the past. Some photographs ISBN 9789490800758
paperback with screenprinted
are taken by chance and close to home, dustjacket
other were chosen to photograph on fixed ISBN 9789490800758
design and editing: Sybren
historical locations and in metropoles. Vanoverberghe & Jurgen Maelfeyt
(6'56")
€ 30
awards:
– Nominated Best Photobook 2017
at Photo Espana
– Selected for the Athens Photobook
Festival
*€ 500 (special edition: 40 × 50 cm,
inkjet print on barite, 2 editions of 5,
framed in wengé wood, signed and
numbered)
edition of 500
March 2018
*
Sybren Vanoverberghe, 2099 APE#097CURRENT Andrew Zago
Accident
In fields, such as architecture, that produce
carefully authored compositions, the chance
arrangements of material grain, patinas,
or other traces of matter’s resistance to
orderly control are sometimes allowed
an expression in the final work. In these
instances they are viewed as desirable
features. Beyond this limited embellishment
nature provides to otherwise determined
technological assemblies, there are larger
scale also embraced instances of matter’s
random nature acting against, and in part
undoing, such assemblies. The effects of
789490 800796 9
weathering and deformation of structures
over time are often seen as endearing
informal enhancements to the rigidity of
14 × 19,5 cm, 528 p, ills colour,
precise compositions. An extreme but well ISBN 9789490800796
paperback, English
understood example is the classical ruin. ISBN 9789490800796
In it, a technological assembly (building) editing: Andrew Zago
design: 6'56"
is undermined to a degree that the total
final effect is coproduced by the original € 28
composition and its material disassembly. edition of 500
In all of these instances there is happen- April 2018
stance; the appearance of a complex,
stochastic logic of matter—both its crystalline
or organic growth and its complex degra
dation in its environment—that is outside
of and contrary to our instrumental control.
We may dress a rock in geometric form
and name it ‘column,’ but eventually it will
return to its feral state and may even cause
a structure to collapse. This interplay of
happenstance and control extends well
beyond these familiar occasions and their
attendant sensibilities. They are all accidents,
and as such they represent only a small,
historically aestheticized, subset of an
interplay that (potentially) exists in every
technological assembly.
Andrew Zago, Accident APE#100CURRENT Jurgen Maelfeyt
LIPS
LIPS is a selection of cropped images
scanned from vintage erotic magazines
of women’s lips.
789490 800802 9
15 × 21 cm, 80 p, ills colour / b&w,
ISBN 9789490800802
paperback
ISBN 9789490800802
design: Jurgen Maelfeyt
€ 20
edition of 500
May 2018
awards:
Shortlisted for Author Book Award
Les Rencontres d'Arles
Jurgen Maelfeyt, LIPS APE#103CURRENT Pieterjan Ginckels
SOLAR SAFARI
“SOLAR SAFARI” hunts down Belgium’s
finest photovoltaic compositions. When
you flip through this lookbook of domestic
scalps, the echoes of fomo, fitspo and
avocado toast greet you in endless variations.
In line with PJG’s previous works and
performances, “SOLAR SAFARI” is all about
cultural archaeology and technological
critique. Target of the project is the privately
owned and installed photovoltaic panel.
PJG takes a field trip across Belgium,
documenting the haphazard solar panel
configurations on private rooftops, pro 789490 800772 9
viding us with a quasi-exhaustive number
of compositions trouvées.
His photographic evidence, paired
with Instagram-mined wordiness, transforms 12 × 16,9 cm, 436 p, ills colour / b&w,
ISBN 9789490800772
paperback, English
and criticizes the footage on the different ISBN 9789490800772
levels at play. Complementing this chunk design: 6'56"
of geometric superficialism is an overview € 19
of Speed Trips, the performative sightseeing
Ginckels developed over the past decade. *€ 50 (special edition: S / M / L,
silkscreen print on painter’s sweater)
Both method actor and easy rider, the SPEED
TRIPPER surrenders to its context and, edition of 300
equipped with necessary props, finds March 2018
herself at the center of mediation. *
Pieterjan Ginckels, SOLAR SAFARI APE#101CURRENT Alfredo Häberli
MVSC02
In 2015 The Maarten Van Severen
Foundation and the Department of Design
of KASK / School of Arts Ghent decided to
establish a chair with the aim of conveying
the relevance and significance of Maarten
Van Severen’s work for today’s designers.
Every year a leading designer, whose work
has an affinity with the work of Maarten Van
Severen, will give a lecture and a master
class. He or she will reflect on the common
ground between their work and that of
Maarten van Severen and on the qualities
of his work in light of the current design
culture. The first edition was in the hands
of Erwan Bouroullec. 789490 800765 9
In December 2016, Swiss designer
Alfredo Häberli gave two lectures and
during the same week he hosted a three-
day masterclass with 10 students from 11,2 × 17,7 cm, 100 p, ills colour /
ISBN 9789490800765
b&w, paperback, English
5 different art schools. After the masterclass, ISBN 9789490800765
the participating students kept uploading design: 6'56"
images of their process on the MVSC blog. € 19
The result is a fascinating collection of things,
which we proudly present as the second edition of 500
February 2018
MVSC Cahier at Design museum Gent.
It contains a transcription of Alfredo Häberli’s
lecture and a visual overview of the master
class that documents the students’ progress.
Collaborating schools: KASK / School
of Arts Ghent, ENSAV – La Cambre,
Design Academy Eindhoven, Aalto
University, Universität der Künste Berlin.
Students participating in the book and
exhibition: Ruth De Jaeger, Janne Claes,
Anse Heestermans, Mathilde Pequeur,
Corneel De Corte, Ariane Relander,
Jonathan Chan, Mette Kahlos, Stefan
Traeger, Maximilian Löw.
Alfredo Häberli, MVSC02 APE#098CURRENT Annelies De Mey
Black Mountain Conversations
The Black Mountain is the archetype of
a mountain that seems unmountable and
indestructible because of its steep mountain
side. The past and future can have no
influence on its power and immortality.
Annelies de Mey has respect for the
absoluteness of the mountain. She believes
in the moment of encounter and waits for
the moon, the sun and the snow.
“Black Mountain Conversations” offers
the possibility to look at and experience
the book in three different ways. If we flip 789490 800734 9
the book backwards, we only see the soft,
blue sky. If we flip the book from front to
back we only see the Black Mountain. But
if we just leaf through the book, the images 18,4 × 26 cm, 84 p, ills colour,
of the mountain and the sky alternate each
ISBN 9789490800734
paperback
other. We experience the interaction between ISBN 9789490800734
editing: Annelies de Mey
the enclosed landscape and the open sight design: Annelies de Mey & Jurgen
of the sky. It makes the mountain appear and Maelfeyt (6'56")
disappear and makes it possible to meet it
€ 25
over and over again.
edition of 500
January 2018
awards:
Nominated Best Photobook 2017
at Photo Espana
Annelies de Mey, Black Mountain Conversations APE#096Hannelore Van Dijck
The lasting one, that didn’t last,
CURRENT Veronika Spierenburg
Oya-ishi – Oya-stone
CURRENT
that still lasts
For three months, Veronika Spierenburg
“The lasting one, that didn’t last, that still moved from Japan’s south to it’s north.
lasts” is an overview of Hannelore Van From this, Spierenburg created an artist’s
Dijcks most recent work. Van Dijck works book which shows the richness of textures,
with charcoal on paper and in situ. artifacts, traditional as well as modern
“When Van Dijck brings a new ‘skin’ to architecture in an idiosyncratic mood.
a space, by completely covering the walls The photographs shed light on how Japanese
with a drawing, or sometimes the floor culture manifests itself in its craftsmanship.
or ceiling, she confounds expectations Veronika Spierenburg: “The medium
by doing the very opposite of what might of photography in Japan was for me the
be expected in a regular-sized drawing. function of a sketchbook, a drawing eye.
789490 800741 9
As certain properties of the walls come to Whatever I discovered, observed or ignored, 789490 800727 9
the fore, others are automatically hidden. influenced my next observation. The longer
She ‘distorts’ space. Time and time again, I was on the road, the more the qualities
she will execute a tour de force that allows 23 × 30 cm, 160 p, ills colour / b&w,
ISBN 9789490800741 and materials of this country burned into
paperback, Dutch / English
us to see what she sees, to view what she ISBN 9789490800741 my photography. The focus of my interest 28,5 × 21,5 cm, 185 p, ills colour,
ISBN 9789490800727
paperback, Japanese / English
deems important. When, charcoal in hand, text: Michael Newman, Laura Stamps, was predominantly architecture. The basic ISBN 9789490800727
Christophe Van Gerrewey
she finds her rhythm, she can draw for days, design: Katrien Daemers (Gestalte) requirement of Japanese architecture is on poem: Shuntar Tanikawa
and long into the night. It is a form of crafts one hand in balance with nature and on design: Jurgen Maelfeyt (6'56")
manship and, with it, she brings the space € 35 the other hand for protection against natural € 35
to life. She is present even when absent. € 750 (special edition: book + dust disasters. Houses are protected against
awards:
Her hand is everywhere. By allowing us to jacket of the original drawing, charcoal, the weather with bamboo, stone walls and Selected for the Athens Photobook
edition of 20, signed and numbered)
share her unique perception of space, she thick thatched roofs. What seems aesthet Festival
confronts us with what we think we see.” edition of 1000 ically pleasing to the Western eye has
December 2017 € 950 (special edition: 40 × 50 cm,
(Laura Stamps) a functional significance for the Japanese. digital print on archival matte paper,
The buildings of famous architects such as framed, 9 editions of 3, signed and
Kenzo Tange, Togo Murano, Tadao Ando, numbered)
Kazuo Shinohara and Kisho Kurokawa are edition of 800
presented in Spierenburg’s book along with November 2017
folk architecture.”
Hannelore Van Dijck, The lasting one,
that didn’t last, that still lasts APE#095 Veronika Spierenburg, Oya-ishi - Oya-stone APE#094Bart Janssen, Koen Peeters, Dirk Zoete
Geen Dag Zonder Lijn /
CURRENT After the Midst
Jelle Martens & Raimundas Malašauskas
CURRENT
Not a Day Without a Line
“After the Midst” is a multi-layered visual and
This publication is a collaboration between textual interpretation of HOOGTIJ / laagtij,
the authors Bart Janssen, Koen Peeters Gouvernement’s performance-festival on
and visual artist Dirk Zoete. This art project rituals of celebration. Authors Jelle Martens
is based upon “Langs de wegen”, the first and Raimundas Malašauskas started from
novel of Stijn Streuvels. This publication the idea of “simultaneity” to observe, regis
is made in response to the residency of trate & fictionalise all possible events that
Janssen en Peeters at the writers residency happened during those 10 days in July 2017.
“het Lijsternest” at Ingooigem, and of the “After the Midst” is anything but a factual
residency of Zoete at Be-Part, platform for report of an arts festival. Martens and and
contemporary art in Waregem. Malašauskas created their own stories, in 789490 800703 9
which they allowed small details, fleeting
In collaboration with Be-Part en Lijsternest. 789490 800710 9
moments and interactions with people,
objects and performances. All possible
ingredients were treated as of equal value. 17 × 24 cm, 160 p, ills colour,
ISBN 9789490800703
Just as the festival gradually trans paperback, English
ISBN 9789490800703
17 × 24 cm, 110 p, ills b&w,
ISBN 9789490800710 formed into a Gesamtkunstwerk of blending design: Jelle Martens
paperback, Dutch / English
ISBN 9789490800710 festive evidence, so the publication unbinds
design: 6'56" itself from disciplinary or chronological € 20
boundaries. Layer after layer, it seeks new edition of 400
€ 20
interpretations, new possibilities and new November 2017
edition of 1000 connections.
October 2017
HOOGTIJ / laagtij Participating Artists:
Joris Van de Moortel, Rutger De Vries,
Charlotte Adigéry, Nicole Twister, ニコレト
ィスタ, Bert Jacobs, Micha Volders, Jaak
DeDigitale, Pieter Ampe, Sibran Sampers,
Nienke Baeckelandt, Boris Van den Eynden,
Borokov Borokov, De Zwarte Zuster Fanfare,
Gamelan Voices, Matthieu Ha, van Twolips,
Sachli Gholamalizad, Sebastiaan Van den
Branden, Lotte Vanhamel, Kim Snauwaert,
Anyuta Wiazemsky.
HOOGTIJ / laagtij & “After the Midst” became
possible with the support of Stad Gent,
Vlaamse Gemeenschap, Kunstencentrum
Vooruit, Provincie Oost-Vlaanderen, SMartBe.
Bart Janssen, Koen Peeters, Dirk Zoete, Jelle Martens & Raimundas Malašauskas,
Geen Dag Zonder Lijn / Not a Day… APE#093 After the Midst APE#092Manor Grunewald
External Hard Disk
CURRENT Titus Simoens
For Brigitte
CURRENT
Manor Grunewald focuses on the process Working closely together with her sister
of transforming images, whereby the Lieve, who wanted to surprise Brigitte
printing process itself, as well as the results for her seventieth birthday, photographer
achieved with various printing techniques, Titus Simoens created a book out of old
plays a special role within his compositions, photographs and clippings of her college
in which order and chaos, the creating, years. Leaving the design partly up to
breaking, interrupting and dissolving of chance, Simoens builds an accidental and
structures, are all key elements. surprising narrative. Photo album meets
artist’s book in a story at once original and
coincidental.
Titus Simoens: “I liked the idea of
an encounter with a young woman from
789490 800666 9
789490 800659 9
the past, without really meeting her. I wanted
to become involved in her life, by becoming
the narrator of her story. The question was
23 × 30 cm, 240 p, ills colour,
ISBN 9789490800666
paperback, English
how involved I could become, having only 20,5 × 27,5 cm, 176 p, ills colour,
ISBN 9789490800659
ISBN 9789490800666 heard the stories told by her sister. How paperback, English
ISBN 9789490800659
design: 6'56" could I tell this story, but also let Brigitte tell design and editing: Titus Simoens
€ 30 her story? I decided to import the images
€ 33
randomly and see what arose. I let the
€ 850 (special edition: 11 × 110 cm, images decide what they wanted to share.
wall sculpture, 5 editions of 1) edition of 500
Though Brigitte is present in every picture, October 2017
edition of 700 we don’t always see her —we see part of awards:
November 2017
her, we see things or people around her. – Nominated Best Photobook 2017
So the narrative finds its way somewhere in at Photo Espana
– Selected for the Athens Photobook
the middle. It’s where Brigitte and I meet.” Festival
– Nominated Best Photobook 2017
at Fotobook Festival Kassel
– Shortlisted for Author Book Award
Les Rencontres d'Arles
Manor Grunewald, External Hard Disk APE#091 Titus Simoens, For Brigitte APE#090Jan Hoek
My Maasai
CURRENT Michiel & Arnout De Cleene
F#1-13
CURRENT
The Maasai tribe is one of the most photo “F#1-13” is a collection of photographs,
graphed tribes across Africa, but pictures sculptures, wind barbs and texts around
of them that cross the world are almost a gridded flag that blew for thirty-nine days
always from Western photographers who in Citadel Park, Ghent (Belgium). The flag
show a cliché like vision of the traditional was photographed every third day. A wind
jumping Maasai. sensor, attached to the flagpole, measured
“My Maasai” is a photo publication in the wind direction and speed. The results
which photographers from Eastern Africa of the measurements —taken at the same
show their vision on the Maasai. It shows instant as the photographs— were plotted
pictures of a rapper Maasai, a pilot Maasai, out using wind-barbs. Texts were written
a lesbian Maasai, Maasai architecture, based on phenomena, dialogues, manuals, 789490 800673 9
a female Maasai God and much more. 789490 800680 9 revelations and data along the side-lines of
This book fights the stereotype image of the process of capturing the flag.
the jumping Maasai and shows at the same The uppercase, italicized and sans serif
time why African photographers are so much F in the title of this book refers to a north- 25 × 30,7 cm, 64 p, ills b&w,
ISBN 9789490800673
paperback, English
better in photographing the topics in their northeasterly wind of 20 knots coming from ISBN 9789490800673
24 × 33 cm, 116 p, ills colour / b&w,
own region. the direction of the flag and passing exactly design: 6'56"
ISBN 9789490800680
paperback, English
ISBN 9789490800680 between two nearby museums. € 20
design: Jan Hoek & 6'56"
“My Maasai” is an initiative of Jan Hoek,
in collaboration with Kenyan based € 25 This book is made with the kind support of edition of 400
September 2017
photographers; Sarah Waiswa (Uganda), the Cultural Department of the City of Ghent,
edition of 1000
Joel Lukhovi (Kenya), Mohammed Althoum November 2017 School Of Arts / KASK, Ghent and Smoke &
(Sudan) as well as students of the De- Dust / 019.
Capture Limited School of Photography. awards:
Selected for the Athens Photobook
Festival
Jan Hoek, My Maasai APE#089 Michiel & Arnout De Cleene, F#1-13 APE#087APE #108 — Camille Picquot, Domestic Flight APE#107 — Sebastien Reuzé, Colorblind Sands
Morten Barker, Terra Nullius
APE#111 — Paul Kooiker, Eggs and RaritiesBACKLIST BACKLIST
#086 € 25 #077 € 19 #068 € 25 #057 € 25 #048 € 20 #038 € 35
Thomas Nolf MVSC01 Thomas Min Dominique Somers Kris Van Dessel Hana Miletic
Peculiar Artifacts in Erwan Bouroullec The Perfect Document 00A Sampled History Coif Mode
Bosnia & Herzegovina 11,2 × 17,7 cm, 152 p 20,5 × 28 cm, 44 p 15 × 21 cm, 318 p 23 × 24 cm, 48 p 16,5 × 11,5 cm, 12 p
17 × 24 cm, 176 p ISBN 9789490800543 ISBN 9789490800420 ISBN 9789490800383 ISBN 9789490800307
ISBN 9789490800642 #037 € 22
#076 € 25 #067 € 35 #056 € 20 #047 € 20 Aaron McElroy
#084 € 18 Vormgevingserfgoed in How Things Meet, 51N4E, Stephanie Kiwitt Smoke & Dust I lied
Els Vanden Meersch Vlaanderen na 1945 Stefano Graziani, Falma Fshazi Four Oranges, Some Office So Many Dark Gifts 17 × 24 cm, 64 p
Mastering The Curtains 16 × 23 cm, 262 p 21 × 30 cm, 128 p Buildings, Woman’s Legs 21 × 30 cm, 180 p ISBN 9789490800208
17 × 24 cm, 92 p ISBN 9789490800482 ISBN 9789490800468 21 × 30 cm, 32 p ISBN 9789490800291
ISBN 9789490800611 ISBN 9789490800376 #036 € 25
#075 € 25 #066 € 15 #046 out of stock Jan Hoek
#083 € 20 Tuur & Flup Marinus How Things Meet, 51N4E #055 € 25 Hana Miletic New ways of photographing
Hilde Bouchez Belgisch Congo Belge Stefano Graziani, Falma Fshazi Philippe Van Wolputte Tenir Paroles the New Masai
A Wild Thing / Het Wilde Ding 23,3 × 29,3 cm, 16 p 21 × 30 cm, 264 p Temporary Penetrable 10 × 18 cm, 50 p 24 × 33 cm, 72 p
12 × 18 cm, 296 p ISBN 9789490800536 ISBN 9789490800451 Exhibition Spaces ISBN 9789490800192
ISBN 9789490800604 (EN) 20 × 25 cm, 192 p #045 € 15
ISBN 9789490800598 (NL) #074 € 20 #065 € 15 ISBN 9789490800352 Jurgen Maelfeyt #035 € 25
Titus Simoens Hana Miletic Le Jonathan Stine Sampers
#081 € 40 Tu me dis Little Blues Booklet #054 € 32.10 59,4 × 84 cm, poster under the city lies a sea
Paul Kooiker 21,6 × 29,1 cm, 24 p 16,5 × 24 cm, 132 p Robbert & Frank / 22 × 31 cm, 76 p
Tokyo ISBN 9789490800567 ISBN 9789490800444 Frank & Robbert #044 out of stock ISBN 9789490800215
21 × 28 cm, 236 p Guns Dafy Hagai
ISBN 9789490800581 #073 € 20 #064€18.50 22 × 30 cm, 224 p Israeli Girls #034 € 25
Marti Anson Hanne Hagenaars ISBN 9789490800369 22 × 33 cm, 48 p Lara Dhondt
#080 € 20 La Botiga de l’Anson Geen Wolk, hoe kunst ISBN 9789490800277 WANDERING OFF
RECHTS / AVERECHTS, 21 × 29,7 cm, 80 p mijn leven redde #053 € 59 21 × 28 cm, 48 p
PLAIN / PURL ISBN 9789490800529 13 × 20 cm, 232p Mariken Wessels #043 € 12 ISBN 9789490800185
20 × 27,5 cm, 260 p ISBN 9789490800437 TAKING OFF. HENRY Stefan Vanthuyne
ISBN 9789490800628 #072 € 30 MY NEIGHBOR PULSAR #033 € 25
Tom Callemin #063 € 25 24 × 33 cm, 330 p 12,5 × 17 cm, 32 p Stefan Vanthuyne
#082 € 15 The uneasy realisation of mein Bruder Karin, dunkel ISBN 9789490800345 ISBN 9789490800161 The hill that wasn’t
Jurgen Maelfeyt a coincidence 12" coloured vinyl 18 × 26 cm, 28 p
The Room 24 × 31 cm, 60 p #052 € 25 #042€12 ISBN 9789490800178
59,4 × 84 cm, poster ISBN 9789490800512 #062 € 25 Lotte Reimann Spires Hadjidjianos
Charlotte Lybeer JAUNT Network Time #032 out of stock
#080 € 12 #071 € 10 Epidermis II 21 × 30 cm, 48 p 14 × 20 cm, 48 p Max Pinckers
Manor Grunewald Pieterjan Ginckels 21,5 × 30,5 cm, 72 p ISBN 9789490800338 Will They Sing Like Raindrops
Print On Demand BUNSHAFT X PISTE ISBN 9789490800406 or Leave Me Thirsty
17,5 × 26 cm, 48 p 7" single #061€18 #041 € 30
Debby Huysmans #051 € 12 Tom Callemin #031 € 20
#079 € 35 #070 € 15 Elk Island Construction Workers Elisabeth Ida Mulyani 24 × 34 cm, 28 p Erik Kessels / Paul Kooiker
Thorsten Brinkmann Kristof Van Gestel, Niek Pladet 20 × 27 cm, 32 p Inside Embassies ISBN 9789490800246 Incredibly small photobooks
The Great Cape Rinderhorn Idiosyncratic Copy Machine ISBN 9789490800413 21 × 28,3 cm, 72 p 30 × 37 cm, 64 p
21 × 29,7 cm, 104 p 21 × 30 cm, 40 p ISBN 9789490800321 #040 € 30
ISBN 9789490800574 ISBN 9789490800505 #060 € 10 Debby Huysmans #030 € 20
Jurgen Maelfeyt #050 € 25 Late Spring Jurgen Maelfeyt
#078 € 30 #069 € 15 ATTACK Jan Hoek 20 × 27 cm, 96 p Les Pierres
Zaza Bertrand S&D#24 14 × 19 cm, 24 p The Pattaya Sex Bubble ISBN 9789490800239 19 × 27 cm, 80 p
Japanese Whispers SABOTAGE AND COMPLICITY 17 × 24 cm, 10 × 16 p
22,5 × 30 cm, 96 p 21 × 29 cm, 100 p #059 €7 ISBN 9789490800314 #039 € 10 #029 € 25
ISBN 9789490800550 ISBN 9789490800499 Mister Zeff fka La Frénétick Hou Chien Cheng Tinus Vermeersch
introduced by Hana Miletic #049 € 45 BROWN 24 × 34 cm, 80 p
ft. Maïra & Samia Belassa, J-ST Paul Kooiker 11 x 17,5 cm, 140 p ISBN 9789490800147
7" single NUDE ANIMAL CIGAR ISBN 9789490800222
17 × 24 cm, 336 p
ISBN 9789490800284BACKLIST
#028 € 15 #017 € 70 #007 out of stock
Route N16 Vaast Colson Jurgen Maelfeyt
20 × 26 cm, 32 p Ricoh Book The Game
ISBN 9789490800130 21 × 29 cm, 316 p 13,5 × 19 cm, 16 p
#027 out of stock #016 out of stock #006 out of stock
Jurgen Maelfeyt Jurgen Maelfeyt Jurgen Maelfeyt
Breasts The Craft The Swing
13,5 × 19 cm, 32 p 13,5 × 19 cm, 8 p 18 × 26 cm, 28 p
#026 € 15 #015 out of stock #005 out of stock
Hana Miletic Jurgen Maelfeyt Stefan Vanthuyne
The Molem Collective The Swing From here to oblivion
33 × 33 cm, 12" vinyl 18 × 26 cm, 24 p 16,5 × 23,5 cm, 32 p
#025 € 15 #014 out of stock #004 € 20
Stijn Cole Jurgen Maelfeyt Masashi Echigo
2 steps aside Safari Stories
20 × 30 cm, 20 p 117,5 × 24,5 cm, 24 p 21,5 × 28,5 cm, 80 p
ISBN 9789490800116 ISBN 9789490800024
#013 € 30
#024 out of stock Hana Miletic #003 € 15
Erik Kessels, Paul Kooiker Euro Cars Robin and Pieter Vermeersch
Terribly awesome photobooks 24 × 34 cm, 28 p porta fratrum
30 × 37 cm, 64 p ISBN 9789490800246 16,5 × 21 cm
ISBN 9789490800093
#012 out of stock #002 € 15
#023 out of stock Gideon Kiefer The Morning News
Jan Hoek the world above ground is 16,5 × 23,5 cm, 96 p
Me and My Models unstable ISBN 9789490800000
30 × 38 cm, 56 p 19 × 26 cm, 48 p
ISBN 9789490800086 ISBN 9789490800048 #001 €9
Jurgen Maelfeyt
#022 € 35 #011 € 15 All work and no play
Daniël Dewaele Pieterjan Ginckels 84 × 120 cm, poster,
Selected Projects S.P.A.M. BOOK screenprint
20 × 26 cm, 208 p 14 × 20 cm, 88 p
ISBN 9789490800079 ISBN 9789490800031
#021 out of stock #010 out of stock
Jurgen Maelfeyt Jean-Baptiste Bernadet
The Room & Xavier Noiret-Thomé
15 × 21 cm, 600 p Anonymous
#020 out of stock 14 × 19 cm, 16 p
Jurgen Maelfeyt ISBN 9789490800017
Rally
17 × 21 cm, 28 p #009 €6
Lara Dhondt
#019 out of stock Walk on by
Hana Miletic 14 × 19 cm, 28 p
Class of 2008
20 × 28 cm, 28 p #008 out of stock
Lara Dhondt
#018 € 18 compiled daydreaming
Bookshowbookshop 19,5 × 27 cm, 24 p
38 × 26 cm, poster + folderYou can also read
