David Zwirner Books Spring/Summer 2020
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David Zwirner Books Spring/Summer 2020
2 The Young and Evil: Queer Modernism in New York, 1930–1955
4 Doug Wheeler
6 Joan Mitchell: I carry my landscapes around with me
8 Roy DeCarava: Light Break
Spotlight Series
12 Rose Wylie
14 Luc Tuymans: Amnesia
ekphrasis
18 A Balthus Notebook
19 Two Cities
20 Featured Bestseller
22 Recent Bestsellers
24 Selected Backlist
36 Distribution Details
The Young and Evil Lauded by Jerry Saltz as “one of the most reactionary yet radical
visions of art,” The Young and Evil tells the story of a group of artists
Queer Modernism in New York, and writers active during the first half of the twentieth century, when
homosexuality was as problematic for American culture as figuration
1930–1955 was for modernist painting.
Edited by Jarrett Earnest. Texts by Jarrett Earnest,
These artists—including Paul Cadmus, Fidelma Cadmus Kirstein, Charles
Ann Reynolds, and Kenneth E. Silver. Interview with
Alexander Jensen Yow by Michael Schreiber Henri Ford, Jared French, Margaret Hoening French, George Platt Lynes,
Bernard Perlin, Pavel Tchelitchew, George Tooker, Alexander Jensen
Yow, and their circle—were new social creatures, playfully and boldly
homosexual at a time when it was both criminalized and pathologized.
They pursued a modernism of the body—driven by eroticism and
bounded by intimacy, forming a hothouse world within a world that
doesn’t nicely fit any subsequent narrative of modern American art. In
their work, they looked away from abstraction toward older sources and
models—classical and archaic forms of figuration and Renaissance
techniques. What might be seen as a reactionary aesthetic maneuver
was made in the service of radical content—endeavoring to depict their
own lives. Their little-known history is presented here through never-
before-exhibited photographs, sculptures, drawings, ephemera, and
rarely seen major paintings—offering the first view of its kind into their
interwoven intellectual, artistic, and personal lives.
Edited by Jarrett Earnest, who also curated the 2019 exhibition at David
Zwirner New York, The Young and Evil features new scholarship by art
historians Ann Reynolds and Kenneth E. Silver and an interview with
Alexander Jensen Yow by Michael Schreiber.
Jarrett Earnest is a writer and artist living in New York City. He is the author of What
it Means to Write About Art: Interviews with art critics (2018) and editor of Hot, Cold,
Heavy, Light: 100 Art Writings 1988–2018 by Peter Schjeldahl (2019). He also coedited
the volumes Tell Me Something Good: Artist Interviews from The Brooklyn Rail (2017)
and For Bill, Anything: Images and Text for Bill Berkson (2015). His writing has appeared
in many publications and exhibition catalogues around the world.
Ann Reynolds teaches modern and contemporary art history and women’s and gender
studies at The University of Texas at Austin. She is the author of Robert Smithson:
Learning from New Jersey and Elsewhere (2003) and is currently completing a book
entitled In Our Time, a history of intergenerational relationships among New York artists
circa 1940 to 1970 that were shaped by shared, if heterogeneous, commitments to
surrealism and its legacy, primarily through a love of film.
Kenneth E. Silver is professor of art history at New York University. He received a
National Endowment for the Humanities Fellowship and an American Council of Learned
Societies Grant. He was a Getty Research Institute Visiting Scholar and a Mellon-Getty
Fellow at The Phillips Collection. Silver is a contributing editor of Art in America. He is
the author of numerous books and exhibition catalogues and has curated exhibitions
internationally. In recognition of his contributions to the dissemination of the art and
culture of France, Silver was named a Chevalier de l’Ordre des Arts et des Lettres by
the French government in the spring of 2010.
David Zwirner Books Michael Schreiber is a teacher and writer based in Chicago. His first book, One-Man
Hardcover Show: The Life and Art of Bernard Perlin (2016), was named a 2017 Stonewall Honor
8 ¾ × 11 ¾ in | 22.2 × 29.8 cm Book, 2018 Rainbow Book List Selection by the American Library Association, and
152 pages, 161 color won the A. C. Katt Award for Best Debut Gay Book. It is currently being adapted into a
ISBN 978-1-64423-026-8 feature-length documentary by Emmy Award–winning filmmaker Andrew Fredericks. As
$65 | £50 curator for the estate of Bernard Perlin, Schreiber has organized several exhibitions of
the artist’s work. He is also working on a book about Alexander Jensen Yow and other
US & UK January 2020 members of the intimate circle depicted in The Young and Evil.
2
Doug Wheeler Known for his immersive environments, American artist Doug Wheeler’s
pioneering use of light as a medium to articulate space helped define
what is often referred to as the Light and Space movement in Los
Text by Germano Celant
Angeles in the 1960s and 1970s. The most comprehensive overview
of the artist’s career to date, this publication features extensive
illustrations of his most important works, as well as never-before-
published images, drawings, and other archival material.
Through his careful manipulation of space, light, and sound, Wheeler
invites his audience to participate in a range of sensate experiences. His
innovative installations “invoke an experience of light itself as an almost
tactile presence,” as noted by Randy Kennedy in The New York Times.
This monograph is structured around the most significant and substantial
essay on the artist to date by the distinguished Italian art historian
Germano Celant, who has been acquainted with Wheeler since the early
1970s. Writing on the “intense and direct dialogue about the possible
absoluteness of the pictorial invisible,” Celant offers a detailed account
of and context for Wheeler’s development as one of the most original
and influential artists of his generation.
Based upon extensive primary research, this publication fills a wide
gap in the history of the Light and Space movement and makes a
major contribution to the historical record of phenomenal art more
generally. With its vibrant imagery and ambitious critical approach,
Doug Wheeler is a definitive exploration of the body of work by an artist
whose significance only increases with time.
Doug Wheeler’s (b. 1939) prolific and groundbreaking body of work encompasses
drawing, painting, and installations that are characterized by a singular experimentation
with the perception and experience of light, space, and sound. Raised in the high desert
of Arizona, Wheeler began his career as a painter in the early 1960s while studying
at the Chouinard Art Institute (now the California Institute of the Arts) in Los Angeles.
Germano Celant, renowned art historian and theoretician, is internationally
acknowledged for his theories on Arte Povera. Additionally, he is the author of more than
David Zwirner Books one hundred publications and has curated numerous exhibitions for prominent museums
Hardcover and institutions worldwide. Currently, he is the artistic and scientific superintendent
9 ½ × 12 in | 24.1 × 30.5 cm of Fondazione Prada, Milan and Venice, and the curator of both Fondazione Aldo
352 pages, 158 color Rossi, Milan, and Fondazione Emilio e Annabianca Vedova, Venice. Recently, he was
ISBN 978-1-941701-24-9 the curator of Arts & Foods: Rituals since 1851 at the Triennale di Milano during Expo
$75 | £60 2015 in Milan; the project director of The Floating Piers, Christo and Jeanne-Claude’s
work at Lake Iseo, Italy, in 2016; and the curator of Post Zang Tumb Tuuum. Art Life
US & UK January 2020 Politics: Italia 1918–1943 at Fondazione Prada, Milan, in 2018.
4
Joan Mitchell I carry my landscapes around with me focuses on American abstract
artist Joan Mitchell’s large-scale multipanel works from the 1960s
I carry my landscapes around with me through the 1990s.
Texts by Suzanne Hudson and Robert Slifkin Mitchell’s exploration of the possibilities afforded by combining two to
five large canvases allowed her to simultaneously create continuity and
rupture, while opening up a panoramic expanse referencing landscapes
or the memory of landscapes.
Mitchell established a singular approach to abstraction over the course
of her career. Her inventive reinterpretation of the traditional figure-
ground relationship and synesthetic use of color set her apart from
her peers, resulting in intuitively constructed and emotionally charged
compositions that alternately evoke individuals, observations, places,
and points in time. Art critic John Yau lauded her paintings as “one of
the towering achievements of the postwar period.”
Published on the occasion of the eponymous exhibition at David Zwirner
New York in 2019, this book offers a unique opportunity to explore the
range of scale and formal experimentation of this innovative area of
Mitchell’s extensive body of work. It not only features reproductions of
each painting in this selection as a whole, but also numerous details that
allow an intimate understanding of the surface texture and brushwork.
In the complementing essays, Suzanne Hudson examines boundaries,
borders, and edges in Mitchell’s multipanel paintings, beginning with
her first work of this kind, The Bridge (1956), considering them as both
physical and conceptual objects; Robert Slifkin discusses the dynamics
of repetition and energy in the artist’s paintings, in relation to works by
Monet and Willem de Kooning, among others.
Born in Chicago and educated at the Art Institute of Chicago, from which she received
a BFA (1947) and an MFA (1950), Joan Mitchell (1925–1992) moved in 1949 to New
York, where she was an active participant in the downtown arts scene. She began
splitting her time between Paris and New York in 1955, before moving permanently
to France in 1959. In 1968, Mitchell settled in Vétheuil, a small village northwest of
Paris, while continuing to exhibit her work throughout the United States and Europe.
It was in Vétheuil that she began regularly hosting artists at various stages of their
careers, providing space and support to develop their art. When she passed away
in 1992, Mitchell specified in her will that a portion of her estate should be used to
establish a foundation to directly support visual artists.
A Los Angeles–based art historian and critic, Suzanne Hudson is an associate professor
of art history and fine arts at the University of Southern California. A longtime contributor
to Artforum, she is the author of books including Robert Ryman: Used Paint (2009)
and Agnes Martin: Night Sea (2017). Mary Weatherford is forthcoming in 2019
from Lund Humphries and Contemporary Painting in 2020 by Thames & Hudson.
Supported by a New Directions Fellowship from the Andrew W. Mellon Foundation,
she is pursuing research into the practical applications of art making for Better for
the Making: Art, Therapy, Process, a study of the therapeutic origins of process within
David Zwirner Books American modernism.
Hardcover
10 × 14 in | 25.4 × 35.6 cm Robert Slifkin is an associate professor of fine arts at the Institute of Fine Arts, New York
112 pages, 75 color University. He is the author of The New Monuments and the End of Man: U.S. Sculpture
ISBN 978-1-64423-028-2 between War and Peace, 1945–1975 (2019) and Out of Time: Philip Guston and the
$55 | £40 Refiguration of Postwar American Art (2013), which was awarded the Phillips Book Prize.
His essays and reviews have appeared in such magazines and journals as Artforum,
US March 2020 | UK February 2020 Art in America, Art Bulletin, Art Journal, October, Oxford Art Journal, and Racquet.
6
Roy DeCarava Light Break presents the first survey since 1996 of work by photographer
Roy DeCarava, an essential figure of American art and culture, whose
Light Break “poetry of vision” re-forms urban life, labor, love, and jazz into the
discovery of “an intimate, emotional arc of transformation.”
Preface by Zoé Whitley. Introduction and text by
Sherry Turner DeCarava Though DeCarava often refrained from public discussion of his work, this
catalogue provides important background into determining factors of his
aesthetic sensibility—his traditional training in painting and printmaking
as well as his philosophical undertakings. It brings the viewer to a
consideration of contradictory precepts in DeCarava’s work that seeks
resolution through tonal and structural elements within the image.
Light Break presents a wide-ranging selection of DeCarava’s
photographs accompanied by a preface by Zoé Whitley, an American
curator based in London, and features an introduction and essay by
curator and art historian Sherry Turner DeCarava. Titled “Celebration,”
Turner DeCarava’s essay considers the artist’s singular poetic vision,
his timeless portrayals of individuals and places, and his mastery of
composition and photographic printmaking.
Published on the occasion of the eponymous exhibition at David Zwirner
New York in 2019, this exquisite volume showcases a dynamic range
of images that underscores DeCarava’s subtle mastery of tonal and
spatial elements across a wide, fascinating array of subject matter:
from the figural implications of smoke and debris to the “shimmering
mirror beneath a mother as she walks with her children in the morning
light.” These photographs express a strength of imagery—an intent
to synchronize and honor the pulse of art as an emergent signal for
creative and revelatory freedom.
Over the course of six decades, American artist Roy DeCarava (1919–2009) produced
a singular collection of black-and-white photographs of modern life that combines
formal acuity with a deeply human treatment of his subject matter. Grounded by a
unified theory of the visual plane, his work displays a subtle mastery of tonal and spatial
elements and devotion to photography as a means of artistic expression. DeCarava
contemplated the relationship of his images to the viewer, while also taking on the
challenge of revealing less-than-visible terrains. His pioneering work privileged the
aesthetic qualities of the medium as a counterpoint to seeing photography as mere
chronicle or document and helped silver gelatin photography to gain acceptance as
an art form in its own right.
Sherry Turner DeCarava is an art historian, curator, and independent scholar in the fields
of traditional arts and contemporary American photography. Serving as the executive
director, the principal focus of her professional career has been the development of
The DeCarava Archives, which supports exhibition and scholarly research projects
related to the work of her late husband Roy DeCarava. She is the author of two definitive
texts on his photography, published in Roy DeCarava: Photographs (1981) and Roy
DeCarava: A Retrospective (1996). In 2014, she initiated First Print Press, beginning
a process to republish classic Roy DeCarava books, while bringing new photographic
projects into print.
Zoé Whitley is senior curator at the Hayward Gallery in London, prior to which she was
curator, International Art, at Tate Modern. In 2019, she curated the British Pavilion at
First Print Press/David Zwirner Books the Venice Biennale and cocurated the 2017–2019 acclaimed traveling exhibition
Hardcover Soul of a Nation: Art in the Age of Black Power. Author of The Graphic World of Paul
9 ¾ × 11 ½ in | 24.8 × 29.2 cm Peter Piech (2014) and children’s book Meet the Artist: Frank Bowling (2019), she has
228 pages, 100 tritone also authored exhibition catalogues, essays, and interviews on Grace Wales Bonner,
ISBN 978-1-64423-025-1 Lubaina Himid, Alexander McQueen, Jack Whitten, and Lynette Yiadom-Boakye, among
$60 | £45 others. Whitley was named one of Apollo magazine’s 40 Under 40 Thinkers in Europe
in 2018, and one of ArtLyst’s 2017 100 Alternative Powerhouses in the not-for-profit
US & UK November 2019 contemporary art world.
8
Spotlight Series Each title in the Spotlight Series from David Zwirner Books features
new work by a leading contemporary artist. These collectible books
offer the perfect primer on a wide variety of artists from Marcel Dzama
to Wolfgang Tillmans. These books not only feature never-before-seen
works by the gallery’s artists, but also provide invaluable historical
context for development of their careers. Each book begins with an
in-depth color plate section, complete with details, of new works
produced for the accompanying exhibition. The specially commissioned
texts and interviews that follow are illustrated with highlights from
the artist’s past work. Available in both English-only and bilingual
English/traditional Chinese editions, this series makes the work of
these important artists accessible to a wider audience.
10
Rose Wylie Celebrated British painter Rose Wylie—whose works are at once
tactile, cerebral, and humorous—often draws her influence from a
wide range of popular culture. Here her newest body of work references
Text by Michael Glover
memories from her own life and mimics the way memories evolve and
change over time.
Wylie’s source material is culled from the vast visual world around her,
ranging from sixteenth-century British estates to Serena Williams
and the French Open. While initially these may seem random or
aesthetically simplistic, through the nuanced use of humor, language,
and compositional structure, Wylie creates wittily observed and
subtly sophisticated meditations on the nature of memory, and visual
representation itself, in line with the paintings she has become known
for over the course of her career.
A new essay by art critic Michael Glover explores the remarkable painter
whose work has “spark, assurance, brash humor, an extraordinary,
freewheeling eclecticism that seems to be just as ready to suck in
references to the art of Ptolemaic Egypt and Roman portraiture as to
pay homage to the films of Quentin Tarantino and the late paintings
of Philip Guston.” Part of David Zwirner Books’s Spotlight Series, this
book features Wylie’s newest paintings and drawings and is published
on the occasion of the artist’s 2020 solo exhibition of these works at
David Zwirner Hong Kong.
English only
David Zwirner Books
Hardcover
6 ¾ × 9 ½ in | 17.1 × 24.1 cm
76 pages, 30 color
ISBN 978-1-64423-029-9
$35 | £25
US & UK March 2020 Rose Wylie (b. 1934) creates paintings and drawings that employ a variety of artistic
styles. While her works utilize an idiosyncratic visual lexicon, the directness of
cartoonish figures, and a flattened perspective, they simultaneously betray a deep
awareness of art history and painterly conventions. The layers of newspaper that line
her studio floor are a frequent source of material for the artist, as she encounters
images by chance while working. Drawing from such wide-ranging cultural areas as
film, fashion photography, literature, mythology, news images, sports, and individuals
she meets in her day-to-day life, Wylie paints colorful and exuberant compositions
that are uniquely recognizable.
English/traditional Chinese
David Zwirner Books Michael Glover is a London-based poet and art critic, and poetry editor of The Tablet. He
Hardcover has written regularly for The Economist, Financial Times, Independent, New Statesman,
6 ¾ × 9 ½ in | 17.1 × 24.1 cm and The Times. He has also been a London correspondent for ARTnews. His latest
84 pages, 30 color books include Great Works: Encounters with Art (2016), Hypothetical May Morning
ISBN 978-1-64423-030-5 (2018), Late Days (2018), The Book of Extremities (2019), Neo Rauch (2019), and
$35 | £25 Thrust: A Spasmodic Pictorial History of the Codpiece (2019).
12
Luc Tuymans Widely credited with having contributed to the revival of painting
in the 1990s, Belgian painter Luc Tuymans continues to expand
Amnesia our understanding of the medium. Sourcing imagery from books,
magazines, films, the internet, and increasingly his own iPhone
Text by Su Wei photos, Tuymans’s unique selection of subject matter reveals his
fascination with moral complexities.
Exploring diverse and sensitive topics, many of which include historic
references from World War II to more contemporary events such as
9/11, Tuymans presents imagery that at first seems innocuous or
approachable but upon deeper inspection can be entirely unsettling.
Achieved through his masterful handling of paint, his works are often
suggestive of memories or familiar people, places, and things.
The latest in the Spotlight Series, which focuses on new bodies of work
by contemporary artists, Tuymans continues to take on increasingly
complex subject matters in his primarily muted palette. Published on
the occasion of the artist’s 2020 solo exhibition at David Zwirner Hong
Kong, this book features an essay by art critic Su Wei, who approaches
Tuymans’s newest paintings and how they expand his oeuvre.
English only
David Zwirner Books
Hardcover
6 ¾ × 9 ½ in | 17.1 × 24.1 cm
76 pages, 30 color Luc Tuymans (b. 1958) is known for a distinctive style of painting that demonstrates
ISBN 978-1-64423-033-6 images’ power to simultaneously communicate and withhold. Emerging in the 1980s,
$35 | £25 Tuymans pioneered a decidedly non-narrative approach to figurative painting, instead
exploring how information can be layered and embedded within certain scenes and
US & UK May 2020 signifiers. Based on preexisting imagery culled from a variety of sources, his works
are rendered in a muted palette that is suggestive of a blurry recollection or a fading
memory. Their quiet and restrained appearance, however, belies an underlying moral
complexity. They engage equally with questions of history and its representation as they
do with quotidian subject matter. Tuymans’s canvases, which are typically executed
on a large scale, both undermine and reinvent traditional notions of monumentality
through their insistence on the ambiguity of meaning.
Su Wei is a curator and art critic based in Beijing. He is the senior curator of Inside-Out
English/traditional Chinese Art Museum (IOAM), Beijing. His curatorial projects include the 7th Shenzhen Sculpture
David Zwirner Books Biennale, China (2012); No References: A Revisit of Hong Kong Video and Media Art
Hardcover from 1985, Videotage, Hong Kong (2016); Permanent Abstraction: Epiphanies of a
6 ¾ × 9 ½ in | 17.1 × 24.1 cm Modern Form in Escaped Totalities, Red Brick Art Museum, Beijing (2016); Crescent:
84 pages, 30 color Retrospectives of Zhao Wenliang and Yang Yushu, IOAM, Beijing (2018); and The
ISBN 978-1-64423-034-3 Lonely Spirit, IOAM, Beijing (2018). His recent work focuses on thick descriptions of
$35 | £25 China’s contemporary art history, excavating its legitimate origins and rupturing nature.
14
ekphrasis “Ekphrasis” is traditionally defined as the literary representation of a
work of visual art. One of the oldest forms of writing, it originated in
The ekphrasis series is dedicated to publishing rare, out-of-print,
and newly commissioned texts as accessible paperback volumes. It
ancient Greece, where it referred to the practice and skill of presenting is part of David Zwirner Books’s ongoing effort to publish new and
artworks through vivid, highly detailed accounts. Today, ekphrasis is surprising pieces of writing on visual culture.
more openly interpreted as one art form, whether it be writing, visual
art, music, or film, that is used to define and describe another art
form, in order to bring to an audience the experiential and visceral
impact of the subject.
Degas and The Psychology
His Model of an Art Writer
Alice Michel Vernon Lee
Chardin Pissing Figures
Summoning Pearl Harbor / Alexander Nemerov
and Rembrandt 1280 –2014
Marcel Proust Jean-Claude
Lebensztejn
16
A Balthus Notebook In his 1989 book on Balthus—the storied and controversial artist who
worked in Paris throughout the twentieth century—Guy Davenport
Two Cities From acclaimed poet and New Yorker writer Cynthia Zarin comes a
deeply personal meditation on two cities, Venice and Rome—each a
gives one of the most nuanced, literary, and compelling readings of work of art, both a monument to the past—and on how love and loss
By Guy Davenport. Contribution by Judith Thurman By Cynthia Zarin
the work of this master. Reading it today highlights the change in shape places and spaces.
perspectives on sexuality and nudity in art in the past thirty years.
Here we encounter a writer deeply engaged with narrative in situ—a
Written over several years in his notebooks, Davenport’s distinct traveler moving through beloved streets, sometimes accompanied,
reflections on Balthus’s paintings try to explain why his work is so sometimes solo. With her, we see, anew, the Venice Biennale, the
radical, and why it has so often come under scrutiny for its depiction Lagoon, and San Michele, the island of the dead; the Piazza di Spagna,
of girls and women. Davenport throws the lens back on the viewer and the Tiber, the view from the Gianicolo; the pigeons at San Marco and
asks: is it us or Balthus who reads sexuality into these paintings? For the parrots in the Doria Pamphili. As a poet first and foremost, Zarin’s
Davenport, the answer is clear: Balthus may indeed show us periods attention to the smallest details, the loveliest gesture, brings Venice
in adolescent development that are uncomfortable to view, but the and Rome vividly to life for the reader.
eroticization exists primarily on the part of the viewer.
The sixteenth book in the expanding, renowned ekphrasis series, Two
Arguing that Balthus’s figures are erotic only if we make them so, and Cities creates space for these two historic cities to become characters
that their innocence is more present than anything pornographic in themselves, their relationship to the writer as real as any love affair.
them, Davenport posits that the paintings hold up a mirror to our own
perversities and force us, difficultly, to confront them. He writes, “The
nearer an artist works to the erotic politics of his own culture, the more
he gets its concerned attention. Gauguin’s naked Polynesian girls,
brown and remote, escape the scandal of Balthus’s, although a Martian
observer would not see the distinction.” Davenport’s critique helps us
understand Balthus in our times—something we need more than ever
as we crucially confront sexual politics in visual art.
David Zwirner Books David Zwirner Books
Softcover Guy Davenport (1927–2005) was born in Anderson, South Carolina, and educated at Softcover
4 ¼ × 7 in | 10.8 × 17.8 cm Duke, Harvard, and Merton College, Oxford. He won the Morton Dauwen Zabel Award 4 ¼ × 7 in | 10.8 × 17.8 cm
112 pages from the American Academy of Arts and Letters, was a finalist for the National Book 112 pages Cynthia Zarin is the author of five books of poetry, most recently, Orbit (2017), as well
ISBN 978-1-64423-032-9 Critics Circle Award, and a MacArthur Fellow. The author of over thirty books of fiction, ISBN 978-1-64423-031-2 as five books for children and a collection of essays, An Enlarged Heart: A Personal
$12.95 | £8.95 essay, poetry, and translations, he was also a visual artist who frequently illustrated $12.95 | £8.95 History (2013). Her honors and awards include a Guggenheim Fellowship for Literature,
his own work. A selection of work from the American original polymath can be found the Ingram Merrill Award, and the Los Angeles Times Book Prize for Poetry. A longtime
US & UK May 2020 in The Guy Davenport Reader (2013). US & UK May 2020 contributor to The New Yorker, Zarin teaches at Yale University.
18Featured Bestseller
Anni Albers A superb facsimile of the only known notebook of legendary artist
Anni Albers, this publication offers insight into the methodology of
Notebook 1970–1980 a modern master.
Afterword by Brenda Danilowitz Beginning in 1970, Albers filled her graph-paper notebook regularly until
1980. This rare and previously unpublished document of her working
process contains intricate drawings for her large body of graphic work, as
well as studies for her late knot drawings. The notebook follows Albers’s
deliberations and progression as a draftsman in their original form. It
reveals the way she went about making complex patterns, exploring
them piece by piece, line by line in a visually dramatic and mysteriously
beautiful series of geometric arrangements.
An afterword by Brenda Danilowitz, Chief Curator of The Josef and Anni
Albers Foundation, contextualizes the notebook and explores the role
studies played in the development of her work.
Upcoming Exhibition Schedule
Anni Albers
David Zwirner, New York
September 10 – October 19, 2019
Josef and Anni Albers: Constructions Parallèles
Musée d’Art Moderne de la Ville de Paris
October 9, 2020 – February 21, 2021
Anni Albers (1899–1994) was a textile artist, designer, printmaker, and educator
known for her pioneering graphic wall hangings, weavings, and designs. She was born
in Berlin, and studied painting under German Impressionist Martin Brandenburg from
1916 to 1919. After attending the Kunstgewerbeschule in Hamburg for two months
in 1920, she enrolled at the Bauhaus in 1922 and joined the faculty in 1929. At Black
Mountain College, from 1933 to 1949, she elaborated on the technical innovations she
devised at the Bauhaus, developing a specialized curriculum that integrated weaving
and industrial design. In 1949, she became the first designer to have a one-person
show at The Museum of Modern Art, New York; the exhibition, Anni Albers: Textiles,
subsequently traveled to twenty-six venues throughout the United States and Canada.
Her seminal book On Weaving, published in 1965, helped to establish design studies
as an area of academic and aesthetic inquiry and solidified her status as the single
most influential textile artist of the twentieth century.
David Zwirner Books
Hardcover Brenda Danilowitz is an art historian and chief curator at The Josef and Anni Albers
2017 Foundation. She is the author and editor of numerous books and essays on the work
7 ¾ × 10 in | 19.7 × 25.4 cm of Josef and Anni Albers and has organized exhibitions of their work in the US, Europe,
152 pages, 148 color Mexico, and Latin America. She has also published essays and articles on twentieth-
ISBN 978-1-941701-74-4 century Southern African art and artists including photographer Constance Stuart
$30 | £25 Larrabee and printmakers John Muafangejo and Azaria Mbatha.
20Recent Bestsellers
Roy DeCarava William Shakespeare × Chris Ofili
the sound i saw Othello
Text by Radiclani Clytus. Contribution by Sherry Turner DeCarava By William Shakespeare. Illustrated by Chris Ofili. Introduction by Fred Moten
Roy DeCarava: the sound i saw is the pictorial equivalent of jazz. Here Othello remains one of Shakespeare’s most contemporary and moving
the visionary photographer turns his gaze on legendary jazz icons plays, with its emphasis on race, revenge, murder, and lost love. Chris
Ornette Coleman, John Coltrane, Duke Ellington, and Billie Holiday, Ofili’s new edition highlights the tragedy of Othello’s plight in ways
among many others. no other volume of this play has.
A master of poetic contemplation and of sensual tonalities in black and In the twelve etchings Ofili has produced to illustrate this play, Othello
white, DeCarava is, above all, a photographer of people. A member of the is depicted with tears in his eyes, which flow below various scenes
post–World War II generation that sought a new modernist vocabulary, visualized in his forehead. Ofili asks us to see in Othello the great
he was first recognized for his innovative images of life in Harlem (the injustices that still plague the world today. These images add feeling to
subject of The Sweet Flypaper of Life, his 1955 collaboration with poet Shakespeare’s words, and together they form their own hybrid object—
Langston Hughes) and extraordinary portraits of jazz musicians. It is something between a book and a visual retelling of the tragedy. With a
these two themes—New York and jazz—interwoven and inseparable, foreword by the renowned critic Fred Moten, this edition is the first of
that are the ostensible subject of the sound i saw. However, the its kind and puts Othello’s blackness and interiority front and center,
seemingly casual yet deeply felt compositions and the rich, gradient forcing us to confront the complex world that ultimately dooms him.
tones of DeCarava’s photographs stir emotions that resonate far beyond
one neighborhood and one era. Ofili’s Othello marks the first play in Seeing Shakespeare, a new series
First Print Press/David Zwirner Books David Zwirner Books from David Zwirner Books, which brings the world’s leading contemporary
2019 2019
Conceived, designed, written, and made as an artist maquette by artists together with Shakespeare.
Hardcover Hardcover
10 ¼ × 13 ¼ in | 26 × 33.7 cm DeCarava in the early 1960s, the sound i saw went unpublished for 6 × 9 in | 15.2 × 22.9 cm
228 pages, 201 tritone, 9 color almost half a century until it was printed by Phaidon in 2001. This new 174 pages, 12 color
ISBN 978-1-64423-010-7 edition is published on the occasion of the eponymous exhibition at ISBN 978-1-64423-022-0
$75 | £55 $30 | £22
David Zwirner New York in 2019.
Donald Judd Interviews Thrust
Edited by Flavin Judd and Caitlin Murray A Spasmodic Pictorial History of the Codpiece
By Michael Glover
Donald Judd Interviews presents sixty interviews with the artist over A laugh-out-loud visual history of the strangest piece of men’s clothing
the course of four decades and is the first compilation of its kind. It ever created: the codpiece.
is the companion volume to the critically acclaimed and bestselling
Donald Judd Writings. The codpiece was fashioned in the Middle Ages to close a revealing gap
between two separate pieces of men’s tights. By the sixteenth century,
This collection of interviews engages a diverse range of topics, from it had become an upscale must-have accessory. This light-hearted,
philosophy and politics to Judd’s insightful critiques of his own work illustrated examination of its history pulls in writers from Rabelais to
and the work of others such as Mark di Suvero, Edward Hopper, Yayoi Shakespeare and figures from Henry VIII to Alice Cooper. Glover’s witty
Kusama, Barnett Newman, and Jackson Pollock. The opening discussion and entertaining prose reveals how male vanity turned a piece of cloth
of the volume between Judd, Dan Flavin, and Frank Stella provides the into a bulging and absurd representation of masculinity itself. The
foundation for many of the succeeding conversations, focusing on the codpiece, painted again and again by masters such as Titian, Holbein,
nature and material conditions of the new art developing in the 1960s. Giorgione, and Bruegel, became a symbol of royalty, debauchery, virility,
The publication also gathers a substantial body of unpublished material and religious seriousness—all in one.
across a range of mediums, such as radio and film, including extensive
interviews with art historians Lucy R. Lippard and Barbara Rose. Centuries of male self-importance and delusion are on display in this
highly enjoyably new title. Glover’s book moves from paintings to
Donald Judd Interviews is copublished by Judd Foundation and David contemporary culture and back again as it charts the growing popularity
Zwirner Books. The interviews expand upon the artist’s thinking present of the codpiece and its eventual decline. The first history of its kind, this
Judd Foundation/David Zwirner Books in Donald Judd Writings (Judd Foundation/David Zwirner Books, 2016). David Zwirner Books book is published as part of David Zwirner Books’s ekphrasis series and
2019 2019 is a must-read for art historians, anthropologists, fashion aficionados,
Softcover Softcover
and readers looking for a good, long laugh.
4 ¼ × 7 ¼ in | 10.8 × 18.4 cm 4 ¼ × 7 in | 10.8 × 17.8 cm
1,024 pages, 88 color 94 pages, 25 color
ISBN 978-1-64423-016-9 ISBN 978-1-64423-024-4
$39.95 | £28 $12.95 | £8.95
22Selected Backlist
ekphrasis
The Psychology
of an Art Writer
Vernon Lee
28 Paradises Chardin and Rembrandt The Critic as Artist The Psychology of an Art Writer Ramblings of a Wannabe Painter Summoning Pearl Harbor
Poems by Patrick Modiano. Illustrated by By Marcel Proust. Afterword by Alain By Oscar Wilde. Introduction by Michael By Vernon Lee. Foreword by Dylan Kenny. By Paul Gauguin. Translated with By Alexander Nemerov
Dominique Zehrfuss. Translated with an Madeleine-Perdrillat. Translated by Jennie Bracewell Translated by Jeff Nagy an introduction by Donatien Grau
introduction by Damion Searls Feldman David Zwirner Books
David Zwirner Books David Zwirner Books David Zwirner Books 2017
David Zwirner Books David Zwirner Books 2019 2018 2016 Softcover
2019 2016 Softcover Softcover Softcover 4 ¼ × 7 in | 10.8 × 17.8 cm
Softcover Softcover 4 ¼ × 7 in | 10.8 × 17.8 cm 4 ¼ × 7 in | 10.8 × 17.8 cm 4 ¼ × 7 in | 10.8 × 17.8 cm 96 pages, 12 color
4 ¼ × 7 in | 10.8 × 17.8 cm 4 ¼ × 7 in | 10.8 × 17.8 cm 144 pages 136 pages, 1 b&w 56 pages ISBN 978-1-941701-65-2
88 pages, 28 color 64 pages, 8 color ISBN 978-1-64423-003-9 ISBN 978-1-941701-78-2 ISBN 978-1-941701-39-3 $12.95 | £8.95
ISBN 978-1-64423-002-2 ISBN 978-1-941701-50-8 $12.95 | £8.95 $12.95 | £8.95 $12.95 | £8.95
$12.95 | £8.95 $12.95 | £8.95
Summoning Pearl Harbor / Alexander Nemerov
Degas and His Model Duchamp’s Last Day Giotto and His Works in Padua Thrust: A Spasmodic Pictorial History of the Visions and Ecstasies: Selected Essays
Codpiece
By Alice Michel. Translated by Jeff Nagy By Donald Shambroom By John Ruskin. Introduction by Robert By H.D. Introduction by Michael Green
Hewison By Michael Glover
David Zwirner Books David Zwirner Books David Zwirner Books
2017 2018 David Zwirner Books David Zwirner Books 2019
Softcover Softcover 2018 2019 Softcover
4 ¼ × 7 in | 10.8 × 17.8 cm 4 ¼ × 7 in | 10.8 × 17.8 cm Softcover Softcover 4 ¼ × 7 in | 10.8 × 17.8 cm
88 pages 64 pages, 7 b&w 4 ¼ × 7 in | 10.8 × 17.8 cm 4 ¼ × 7 in | 10.8 × 17.8 cm 82 pages, 1 color
ISBN 978-1-941701-55-3 ISBN 978-1-941701-87-4 184 pages, 39 color, 5 b&w 94 pages, 25 color ISBN 978-1-64423-023-7
$12.95 | £8.95 $12.95 | £8.95 ISBN 978-1-941701-79-9 ISBN 978-1-64423-024-4 $12.95 | £8.95
$12.95 | £8.95 $12.95 | £8.95
Letters to a Young Painter On Contemporary Art Pissing Figures 1280–2014
By Rainer Maria Rilke. Introduction by By César Aira. Foreword by Will Chancellor. By Jean-Claude Lebensztejn. Translated
Rachel Corbett. Translated by Damion Afterword by Alexandra Kleeman. by Jeff Nagy
Searls Translated by Katherine Silver
David Zwirner Books
David Zwirner Books David Zwirner Books 2017
2017 2018 Softcover
Softcover Softcover 4 ¼ × 7 in | 10.8 × 17.8 cm
4 ¼ × 7 in | 10.8 × 17.8 cm 4 ¼ × 7 in | 10.8 × 17.8 cm 168 pages, 130 color, 25 b&w
64 pages 64 pages ISBN 978-1-941701-54-6
ISBN 978-1-941701-64-5 ISBN 978-1-941701-86-7 $14.95 | £11.95
$12.95 | £8.95 $12.95 | £8.95
24Collected Writings and Interviews Exhibition Catalogues and Monographs
ArtCenter Talks: Graduate Seminar, Donald Judd Interviews Donald Judd Writings 112 Greene Street: The Early Years (1970–1974) Ad Reinhardt: How to Look, Al Taylor: Early Paintings
The First Decade 1986–1995 Art Comics
Edited by Flavin Judd and Caitlin Murray Edited by Flavin Judd and Caitlin Murray Interviews compiled by Jessamyn Fiore. Text by John Yau. Conversation with
Edited with an introduction by Stan Douglas Introduction and selected texts by Text by Robert Storr Stanley Whitney and Billy Sullivan by Mimi
Judd Foundation/David Zwirner Books Judd Foundation/David Zwirner Books Louise Sørensen Thompson
David Zwirner Books/ArtCenter Graduate Press 2019 2016 David Zwirner/Hatje Cantz
2016 Softcover Softcover David Zwirner/Radius Books 2013 David Zwirner Books
Softcover 4 ¼ × 7 ¼ in | 10.8 × 18.4 cm 4 ¼ × 7 ¼ in | 10.8 × 18.4 cm 2012 Hardcover 2017
6 × 9 ½ in | 15.2 × 24.1 cm 1,024 pages, 88 color 1,056 pages, 137 color, 47 b&w Hardcover 11 ¼ × 14 ¼ in | 28.6 × 36.2 cm Hardcover
368 pages, 262 color, 16 b&w ISBN 978-1-64423-016-9 ISBN 978-1-941701-35-5 8 ½ × 12 in | 21.6 × 30.5 cm 92 pages, 43 color 9 × 11 ½ in | 22.9 × 29.2 cm
ISBN 978-1-941701-52-2 $39.95 | £28 $39.95 | £28 198 pages, 44 color, 53 b&w ISBN 978-3-7757-3768-5 96 pages, 38 color, 6 b&w
$39.95 | £28 ISBN 978-1-934435-41-0 $35 | £24 ISBN 978-1-941701-58-4
$50 | £30 $45 | £35
promesse du bonheur
fried
Poems by Michael Fried Poems by Michael Fried
Photographs by James Welling
welling
Promesse du Bonheur About Michael Fried’s previous book of poems, The Next Bend in the Road, J. M.
Coetzee wrote: “Michael Fried is a poet of the utmost integrity. His new poems
are above all a tribute and offering to the god-force of poetry itself.” About an
earlier collection, Allen Grossman wrote: “In America today there is no lyric
Promesse du Bonheur
work more compelling and well made than To the Center of the Earth.” The pres-
ent book, Promesse du Bonheur, breaks new ground by combining eighty-two
poems, a mix of lyrics and prose poems, with thirty-four photographs, most of
them made, all of them chosen by the photographer James Welling. More often
than not, the photographs stand in oblique relation to the poems, as comple-
mentary pieces of a mesmerizing whole.
Written under the aegis of Emerson in “Self-Reliance”—“Accept the place
the divine providence has found for you, the society of contemporaries, the
connection of events”—the poems engage diverse subjects: from the high
modernist art world of the 1960s to a major poet’s tragic loss of memory, from
exemplary works such as Edgar Degas’s The Fallen Jockey, Heinrich von Kleist’s
Prince of Homburg, and Adolf Menzel’s drawings, from the lives of figures such
Photographs by James Welling as Edouard Manet, Anna Akhmatova, Jacques Derrida, Stanley Cavell, Iris
Murdoch, Ian Hamilton, and John Harbison to erotic love, late fatherhood, the
death of parents and friends, and the onset of age. Beginning with the memory
of an uncle serving in the Pacific theater during World War II and ending with
the searing “In the Time of the Migrants,” Promesse du Bonheur seeks to hold the
reader/viewer in its grip from first page to last.
David Zwirner Books
ISBN 978-1-941701-43-0
9 781941 701430
05/10/16 13:15
Promesse du Bonheur Social Forms: A Short History of Political Art Tell Me Something Good: Artist Interviews Al Taylor: Pet Stains, Puddles, and Full Alice Neel: Freedom Alice Neel, Uptown
from The Brooklyn Rail Gospel Neckless
Poems by Michael Fried. By Christian Viveros-Fauné Text by Helen Molesworth. Foreword by By Hilton Als. Foreword by Jeremy Lewison
Photographs by James Welling Edited by Jarrett Earnest and Lucas Zwirner. Text by Mimi Thompson Ginny Neel. Contribution by Marlene Dumas
David Zwirner Books Introduction and portraits by Phong Bui David Zwirner Books/Victoria Miro
David Zwirner Books/nonsite.org 2018 David Zwirner Books David Zwirner Books 2017
2016 Softcover David Zwirner Books 2015 2019 Hardcover
Softcover 8 × 10 ½ in | 20.3 × 26.7 cm 2017 Hardcover Hardcover 8 ½ × 10 ½ in | 21.6 × 26.7 cm
7 × 8 ¾ in | 17.8 × 22.2 cm 128 pages, 50 color Softcover 9 × 11 ½ in | 22.9 × 29.2 cm 8 ½ × 10 ½ in | 21.6 x 26.7 cm 144 pages, 57 color
152 pages, 36 b&w ISBN 978-1-941701-90-4 6 ½ × 9 ½ in | 16.5 × 24.1 cm 104 pages, 50 color 112 pages, 52 color ISBN 978-1-941701-60-7
ISBN 978-1-941701-43-0 $29.95 | £25 535 pages, 61 color ISBN 978-1-941701-12-6 ISBN 978-1-941701-98-0 $55 | £40
$25 | £18 ISBN 978-1-941701-37-9 $50 | £32 $45 | £35
$29.95 | £24.95
Bridget Riley
Bridget Riley
Works 1981–2015
Works 1981–2015
What it Means to Write About Art: William Shakespeare × Chris Ofili: Othello Bridget Riley: Recent Paintings 2014–2017 Bridget Riley: The Stripe Paintings 1961–2014 Bridget Riley: Works 1981–2015
Interviews with art critics
By William Shakespeare. Illustrated by Text by Richard Shiff Texts by Robert Kudielka, Paul Moorhouse, Texts by Robert Kudielka and Richard Shiff
By Jarrett Earnest Chris Ofili. Introduction by Fred Moten and Richard Shiff. Interview with the artist
David Zwirner Books by Robert Kudielka David Zwirner Books
David Zwirner Books David Zwirner Books 2018 2016
2018 2019 Hardcover David Zwirner Books Hardcover
Softcover Hardcover 9 ½ × 12 in | 24.1 × 30.5 cm 2014 9 × 12 in | 22.9 × 30.5 cm
6 × 9 in | 15.2 × 22.9 cm 6 × 9 in | 15.2 × 22.9 cm 96 pages, 47 color Hardcover 96 pages, 56 color, 2 b&w
560 pages 174 pages, 12 color ISBN 978-1-941701-91-1 10 × 12 in | 25.4 × 30.5 cm ISBN 978-1-941701-23-2
ISBN 978-1-941701-89-8 ISBN 978-1-64423-022-0 $50 | £35 180 pages, 92 color, 7 b&w, 2 gatefolds $50 | £32
$32.50 | £24.95 $30 | £22 ISBN 978-0-9899809-7-5
$55 | £35
26Carol Bove: Ten Hours Concrete Cuba: Cuban Geometric Dan Flavin: Series and Progressions Franz West: The 1990s Fred Sandback: Decades Fred Sandback: Vertical Constructions
Abstraction from the 1950s
Interview with the artist by Johanna Burton Texts by Tiffany Bell, Anne Rorimer, Richard Texts by Eva Badura-Triska, Veit Loers, Text by James Lawrence Texts by Yve-Alain Bois, David Gray, and
Text by Abigail McEwen. Interview with Shiff, and Alexandra Whitney. Interview and Bernhard Riff Lisa Le Feuvre
David Zwirner Books Pedro de Oraá by Lucas Zwirner. Illustrated with Dan Graham David Zwirner/Radius Books
2019 chronology by Susanna Temkin David Zwirner Books 2013 David Zwirner Books
Hardcover David Zwirner/Steidl 2016 Hardcover 2017
6 ¾ × 9 ½ in | 17.1 × 24.1 cm David Zwirner Books 2010 Hardcover 10 × 12 in | 25.4 × 30.5 cm Hardcover
114 pages, 60 color 2016 Hardcover 9 × 11 ½ in | 22.9 × 29.2 cm 128 pages, 80 color 10 ½ × 12 ½ in | 26.7 x 31.8 cm
ISBN 978-1-64423-020-6 Hardcover 9 ¼ × 12 in | 23.5 × 30.5 cm 140 pages, 134 color, 2 b&w ISBN 978-1-934435-58-8 132 pages, 92 color, 4 b&w
$35 | £25 9 ¾ × 11 in | 24.8 × 27.9 cm 156 pages, 94 color, 20 b&w, 3 gatefolds ISBN 978-1-941701-10-2 $60 | £35 ISBN 978-1-941701-57-7
192 pages, 122 color, 55 b&w ISBN 978-3-86930-146-4 $65 | £42 $55 | £40
ISBN 978-1-941701-33-1 $68 | £40
$55 | £40
David Zwirner: 25 Years De Wain Valentine: Works from Donald Judd Giorgio Morandi: Late Paintings Gordon Matta-Clark: The Beginning of Trees and Jan Schoonhoven
the 1960s and 1970s the End, Drawings and Notebooks
Texts by Richard Shiff and Robert Storr. Text by Richard Shiff. Interview with the Text by Laura Mattioli. Contributions by John Text by Antoon Melissen
Foreword by David Zwirner Text by Robin Clark artist by Jochen Poetter Baldessari, Lawrence Carroll, Vija Celmins, Text by Briony Fer. Interview with Sarah Sze
Mark Greenwold, Liu Ye, Wayne Thiebaud, by Jessamyn Fiore David Zwirner Books
David Zwirner Books David Zwirner Books David Zwirner/Steidl Alexi Worth, and Zeng Fanzhi 2015
2018 2016 2011 David Zwirner Books Hardcover
Hardcover Hardcover Hardcover David Zwirner Books 2016 8 × 10 in | 20.3 × 25.4 cm
9 ½ × 12 ¼ in | 24.1 × 31.1 cm 9 ¾ × 11 ½ in | 24.8 × 29.2 cm 10 × 11 ¼ in | 25.4 × 28.6 cm 2017 Hardcover 126 pages, 130 color
256 pages, 428 color 96 pages, 45 color, 6 b&w 144 pages, 61 color Hardcover 12 × 9 in | 30.5 × 22.9 cm ISBN 978-1-941701-04-1
ISBN 978-1-941701-77-5 ISBN 978-1-941701-20-1 ISBN 978-3-86930-390-1 9 × 10 ½ in | 22.9 × 26.7 cm 184 pages, 153 color, 1 b&w $50 | £32
$70 | £50 $45 | £30 $65 | £45 96 pages, 33 color, 2 b&w ISBN 978-1-941701-25-6
ISBN 978-1-941701-56-0 $55 | £35
$45 | £35
Felix Gonzalez-Torres
Donald Judd: Cor-ten Endless Enigma: Eight Centuries of Felix Gonzalez-Torres Jason Rhoades: PeaRoeFoam Jeff Koons: Gazing Ball John McCracken: Works from 1963–2011
Fantastic Art
Texts by Claudia Jolles, Flavin Judd, and Text by David Breslin Contributions by Julien Bismuth, Dylan Text by Francesco Bonami Text by Robin Clark. Interview with the artist
Ellie Meyer Texts by Dawn Ades, Olivier Berggruen, and Kenny, Linda Norden, David Zwirner, and by Anne Reeve
J. Patrice Marandel David Zwirner Books Lucas Zwirner David Zwirner
David Zwirner Books 2018 2014 David Zwirner Books/Radius Books
2016 David Zwirner Books Hardcover David Zwirner Books Hardcover 2014
Hardcover 2019 8 ½ × 11 ¾ in | 21.6 × 29.8 cm 2015 9 ¾ × 12 ½ in | 24.8 × 31.8 cm Hardcover
8 × 10 ½ in | 20.3 × 26.7 cm Hardcover 112 pages, 92 color Hardcover 80 pages, 31 color 11 ½ × 13 in | 29.2 × 33 cm
72 pages, 33 color, 1 b&w 9 × 11 in | 22.9 × 27.9 cm ISBN 978-1-941701-76-8 8 ½ × 12 ¼ in | 21.6 × 31.1 cm ISBN 978-0-9899809-1-3 194 pages, 110 color, 11 b&w
ISBN 978-1-941701-19-5 240 pages, 155 color $45 | £35 112 pages, 55 color, 3 b&w $50 | £32 ISBN 978-1-934435-75-5
$45 | £30 ISBN 978-1-941701-88-1 ISBN 978-1-941701-07-2 $75 | £45
$75 | £60 $55 | £32
28Jordan Wolfson: Ecce Homo/le Poseur Josef Albers: Midnight and Noon Kerry James Marshall: History of Painting Marcel Dzama: Crossing the Line Marcel Dzama: Puppets, Pawns, Marlene Dumas: Against the Wall
and Prophets
Texts by Esther Leslie, Linda Norden, Introduction by Nicholas Fox Weber. Texts Texts by Teju Cole and Hal Foster Interview with the artist by Laila Pedro Text by Marlene Dumas
and Philippe Van Cauteren. Interview by Josef Albers, Elaine de Kooning, and Text by Deborah Solomon
with the artist by Aram Moshayedi Colm Tóibín David Zwirner Books David Zwirner Books David Zwirner Books
2019 2019 David Zwirner/Hatje Cantz 2010. Reprint edition 2014
REDCAT/S.M.A.K./Walther König, in David Zwirner Books Hardcover Hardcover 2013 Hardcover
association with David Zwirner Books 2017 8 ½ × 10 ½ in | 21.6 × 26.7 cm 6 ¾ × 9 ½ in | 17.1 × 24.1 cm Hardcover 9 ½ × 12 ½ in | 24.1 × 31.8 cm
2013. Reprint edition 2015 Hardcover 96 pages, 35 color 94 pages, 47 color 9 ¼ × 11 in | 23.5 × 27.9 cm 72 pages, 30 color
Hardcover 8 × 10 ½ in | 20.3 × 26.7 cm ISBN 978-1-64423-015-2 ISBN 978-1-64423-005-3 184 pages, 154 color ISBN 978-1-941701-00-3
9 × 13 in | 22.9 × 33 cm 144 pages, 75 color, 2 b&w $60 | £45 $35 | £25 ISBN 978-3-7757-3732-6 $45 | £27
136 pages, 90 color ISBN 978-1-941701-62-1 $50 | £28
ISBN 978-3-86335-414-5 $55 | £40
$55 | £37
Lisa Yuskavage: Babie Brood, Luc Tuymans Catalogue Raisonné of Paintings: Luc Tuymans Catalogue Raisonné of Paintings: Michaël Borremans: Fire from the Sun Neo Rauch: PROPAGANDA No Problem: Cologne /New York
Small Paintings, 1985–2018 Volume 1, 1972–1994 Volume 2, 1995–2006 1984–1989
Text by Michael Bracewell Text by Daniel Kehlmann
Text by Jarrett Earnest. Foreword by Hanna Edited with text by Eva Meyer-Hermann Edited with text by Eva Meyer-Hermann Foreword by David Zwirner. Texts by
Schouwink David Zwirner Books David Zwirner Books Diedrich Diederichsen and Bob Nickas.
David Zwirner Books/Yale University Press David Zwirner Books/Yale University Press 2018 2019 Illustrated chronology by Kara Carmack
David Zwirner Books 2017 2019 Hardcover Hardcover
2019 Hardcover with slipcase Hardcover with slipcase 6 ¾ × 9 ½ in | 17.1 × 24.1 cm 6 ¾ × 9 ½ in | 17.1 × 24.1 cm David Zwirner Books
Hardcover 9 ¼ × 12 in | 23.2 × 30.5 cm 9 ¼ × 12 in | 23.2 × 30.5 cm 80 pages, 41 color 76 pages, 31 color 2015
8 ½ × 10 ½ in | 21.6 × 26.7 cm 448 pages, 245 color 456 pages, 259 color, 10 b&w ISBN 978-1-941701-83-6 ISBN 978-1-64423-011-4 Hardcover
192 pages, 114 color ISBN 978-1-941701-61-4 ISBN 978-1-941701-95-9 $35 | £25 $35 | £25 9 × 11 ¼ in | 22.9 × 28.6 cm
ISBN 978-1-64423-014-5 $200 | £165 $200 | £165 276 pages, 151 color, 88 b&w
$60 | £45 ISBN 978-1-941701-02-7
$60 | £42
Luc Tuymans Catalogue Raisonné of Paintings: Luc Tuymans: Exhibitions at David Zwirner Mamma Andersson and Jockum Oscar Murillo Oscar Murillo: the build-up of content Raymond Pettibon: Here’s Your
Volume 3, 2007–2018 Nordström: Who is sleeping on my pillow and information Irony Back, Political Works 1975–2013
Interviews with Peter Schjeldahl, Robert Introduction by Okwui Enwezor. Texts
Edited with text by Eva Meyer-Hermann Storr et al. by Lynne Tillman. Interview with Texts by Paolo Colombo and Anders Krüger. by Emma Enderby and Anna Schneider. Text by Victor Wang Text by Benjamin H. D. Buchloh
the artist by David Zwirner Interview with Nordström by Marcel Dzama Interview with the artist by María Belén
David Zwirner Books/Yale University Press Sáez de Ibarra David Zwirner Books David Zwirner/Hatje Cantz/Regen Projects
2019 David Zwirner/Ludion David Zwirner Books 2018 2013
Hardcover with slipcase 2012. Reprint edition 2013 2010. Reprint edition 2014 Haus der Kunst Hardcover Hardcover
9 ¼ × 12 in | 23.2 × 30.5 cm Hardcover Hardcover 2017 6 ¾ × 9 ½ in | 17.1 × 24.1 cm 10 ¾ × 12 ½ in | 27.3 × 31.8 cm
430 pages, 179 color 9 ¾ × 11 ½ in | 24.8 × 29.2 cm 9 ½ × 11 ½ in | 24.1 × 29.2 cm Hardcover 78 pages, 40 color 212 pages, 122 color
ISBN 978-1-64423-013-8 224 pages, 220 color 247 pages, 200 color, 62 b&w 9 × 11 ¼ in | 22.9 × 28.6 cm ISBN 978-1-941701-97-3 ISBN 978-3-7757-3733-3
$200 | £165 ISBN 978-94-6130-072-0 ISBN 978-1-935202-26-4 282 pages, 199 color, 6 b&w $35 | £25 $60 | £40
$55 | £30 $75 | £45 ISBN 978-1-941701-66-9
$65 | £50
30Raymond Pettibon: Homo Americanus, Raymond Pettibon: To Wit Richard Serra: Early Work Thomas Ruff: Transforming Photography Toba Khedoori William Eggleston: The Democratic Forest,
Collected Works Selected Works
Text by Lucas Zwirner. Interview with the Text by Hal Foster Interview with the artist by Okwui Enwezor Text by Julien Bismuth
Texts by Ulrich Loock, Raymond Pettibon, artist by Kim Gordon. Photographs by Text by Alexander Nemerov
and Lucas Zwirner Andreas Laszlo Konrath David Zwirner/Steidl David Zwirner Books David Zwirner/Radius Books
2014 2019 2013 David Zwirner Books/Steidl
David Zwirner Books/Deichtorhallen David Zwirner Hardcover Hardcover Hardcover 2016
Hamburg – Sammlung Falckenberg 2014 9 ½ × 12 in | 24.1 × 30.5 cm 6 ¾ × 9 ½ in | 17.1 × 24.1 cm 10 × 12 ¾ in | 25.4 × 32.4 cm Hardcover
2016 Hardcover 340 pages, 19 color, 175 tritone 80 pages, 45 color 96 pages, 26 color, 2 gatefolds 11 ¾ × 12 ¼ in | 29.8 × 31.1 cm
Hardcover 9 ¼ × 12 ½ in | 23.5 × 31.8 cm ISBN 978-0-9899809-0-6 ISBN 978-1-64423-017-6 ISBN 978-1-934435-65-6 120 pages, 73 color
7 × 10 ¼ in | 17.8 × 26 cm 188 pages, 97 color, 13 b&w $85 | £54 $35 | £25 $55 | £33 ISBN 978-1-941701-42-3
692 pages, 575 color ISBN 978-0-9899809-4-4 $55 | £38
ISBN 978-1-941701-26-3 $45 | £30
$65 | £40
Richard Serra: Forged Steel Richard Serra: Vertical and Horizontal Ruth Asawa Wolfgang Tillmans: DZHK Book 2018 Yayoi Kusama: Festival of Life Yayoi Kusama: Give Me Love
Reversals
Texts by Richard Serra and Richard Shiff Texts by Tiffany Bell and Robert Storr. Interview with the artist by Allie Biswas Text by Jenni Sorkin Text by Akira Tatehata. Poem by
Text by Gordon Hughes Illustrated chronology by Emily K. Doman Yayoi Kusama
David Zwirner Books/Steidl Jennings with Jaime Schwartz David Zwirner Books David Zwirner Books
2016 David Zwirner Books/Steidl 2018 2018 David Zwirner Books
Hardcover 2015 David Zwirner Books Hardcover Hardcover 2016
9 ½ × 12 in | 24.1 × 30.5 cm Hardcover 2018 6 ¾ × 9 ½ in | 17.1 × 24.1 cm 9 ¾ × 12 in | 24.8 × 30.5 cm Hardcover
144 pages, 93 tritone 10 × 12 ¼ in | 25.4 × 31.1 cm Hardcover 100 pages, 59 color 152 pages, 65 color 10 × 12 in | 25.4 × 30.5 cm
ISBN 978-1-941701-17-1 88 pages, 115 color 8 ½ × 13 ¼ in | 21.6 × 33.7 cm ISBN 978-1-941701-94-2 Includes special foldout poster 120 pages, 47 color, 1 b&w
$50 | £35 ISBN 978-1-941701-01-0 176 pages, 104 color, 21 b&w $35 | £25 ISBN 978-1-941701-81-2 ISBN 978-1-941701-21-8
$65 | £40 ISBN 978-1-941701-68-3 $70 | £50 $55 | £35
$70 | £55
Sherrie Levine: After Reinhardt Suzan Frecon: painting Tamuna Sirbiladze
Auto-interview by Ad Reinhardt Text by Richard Shiff Texts by Max Henry, Anna Kats, and Julie
Ryan. Conversation with the artist by Benedikt
David Zwirner Books David Zwirner Books Ledebur. Sonnets by Benedikt Ledebur
2019 2017
Softcover Hardcover David Zwirner Books
8 ¼ × 10 ¾ in | 20.9 × 27.3 cm 9 ¾ × 11 ½ in | 24.8 × 29.2 cm 2017
76 pages, 32 color 72 pages, 44 color Hardcover
ISBN 978-1-64423-009-1 ISBN 978-1-941701-67-6 8 × 10 ¾ in | 20.3 × 27.3 cm
$35 | £25 $45 | £35 160 pages, 121 color
ISBN 978-1-941701-80-5
$30 | £25
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