OCT 7-17 - New Hazlett Theater
←
→
Page content transcription
If your browser does not render page correctly, please read the page content below
OCT 7–17
2021
NEW HAZLETT THEATER
RESIDENCY PROGRAM
ABOUT
KALOPSIA THE MUSICAL
K
alopsia the Musical tells the story of Byrd, a young Black man
who is unknowingly sent on a journey to get his mind right!
With his job in jeopardy, his relationship falling apart, and
trauma from his past knocking on his door, Byrd does what he knows
best. He escapes to the fantasy world in his mind where he’s the boss
and star of his own show. As reality closes in, Byrd realizes Kalopsia
may lead him down a path of no return. Full of wild characters, whimsi-
cal musical numbers and a finger on the pulse of mental health in the
Black community, Kalopsia is the musical comedy that will get your
mind dancing to the beat of your heart.
This musical is a love letter to my generation who
is enamored with thinking about yesterday while
fearing the thought of tomorrow. We dissect our
childhoods and turn them into hilarious memes
and skits trying to understand how we all grew up
with the same experiences. Our commonalities
are sometimes our scars but if there’s one thing
we’ve learned from the generations before us it is
how to laugh. So, I offer this dose of medicine for
us to laugh and love our way to healing.”
— MONTEZE FREELAND
NHT 21/22
KALOPSIA THE MUSICAL
OCTOBER 7 – 17 | NEW HAZLETT THEATER
ARTISTIC TEAM
MONTEZE FREELAND.................................................... PLAYWRIGHT/ LYRICIST
MICHAEL MEKETA..............................................................COMPOSER/ LYRICIST
TOMÉ COUSIN........................................................................................DIRECTOR
JAMES W MANNING................................................................CHOREOGRAPHER
TRU VERRET-FLEMING.................................................... ASSOCIATE DIRECTOR
CAST
MALCOLM MCGRAW...................................................BERNARD “BYRD” FULLER
RICHARD MCBRIDE........................................................................ LARRY FULLER
CHARLESE DAWSON........................................................... HATTIE MAE WILKES
DOMINIQUE BRIGGS...................................................... KAREN DARLENE KING
VICTOR APONTE......................................................................... THE BLUE BIRDS
TERRANCE AUSTIN..................................................................... THE BLUE BIRDS
CHERYL EL WALKER.....................................................GLENDA “GOODIE” KING
RYAN JORDAN............................................................................ VANESSA DUKES
TREBLE NLS..................................................................................... GERALD LONG
HUBERT B. MCCARTHY III........................................................... HAKEEM SIMMS
SAM LOTHARD.................................................................................. TROY FULLER
BAND
BEN BROSCHE......................................................MUSIC DIRECTOR/KEYBOARD
JOSH FRIED.....................................ASSOCIATE MUSIC DIRECTOR/KEYBOARD
STEPHEN SCRIANE......................................................................................GUITAR
ROSS ANTONICH.........................................................................................DRUMS
JARRETT MURRAY.......................................................ASST. TO THE COMPOSER
& MUSIC DIRECTOR / BASS
PRODUCTION
MALIC MAAT...................................................................................... DRAMATURG
NINA STUMPF.................................................................................. SET DESIGNER
LINDSAY GORGANSON...................................................... COSTUME DESIGNER
CAT WILSON........................................................................ LIGHTING DESIGNER
ANGELA BAUGHMAN.............................................................. SOUND DESIGNER
ALEXIS RETCOFSKY.................................................................. PROPS DESIGNER
MARGARET RIAL........................................................................ STAGE MANAGER
GABRIELLE COLWELL .................................................ASST. STAGE MANAGER &
COVID COMPLIANCE OFFICER
ARTIST STATEMENTS I’ve always held a desire to tell the stories of people that the world seems to ignore. Those people tend to look like me and maybe you. Their stories are rich, complex, tragic, funny as hell and deserve to be seen in this traditional American form. So, five years ago when a few friends asked me why I hadn’t submitted for the New Hazlett’s CSA Performance Series I didn’t really have an answer but I did have an idea for a show. And, like a chime in a musical, just days later I found the word “Kalopsia” on Instagram along with its definition; the delusion of things being more beautiful than they are. And I found it when life was slowly depleting me of my optimism. At the time of our first workshop, discussing the mental wellness of the Black community was nearly unheard of in mainstream entertainment. And in real life, there was even more of a generational battle as many of my millennial friends began dabbling in taking their healing into their own hands through therapy, healing stones, astrology, numerologists, tarot card readings, and many more. Today, that conversation is much more mainstream due in part with the work of Iyanla Vanzant’s reality show Iyanla: Fix My Life, the Pulitzer Prize winning musical A Strange Loop, Taraji P. Henson’s Foundation built to eradicate the stigma, Jenifer Lewis’ detailing of her Bipolar disorder in hew memoir, and rappers like Kendrick Lamar speaking out about their depression and anxiety. Even radio host Charlamagne The God has built an empire on his lessons from therapy. And not to mention Kanye. Now we can heal in public view, inspiring the next generation to give it a try. Many will think Kalopsia is a play by play of my life’s story. Well, some of it is true and some is fantasy. As an artist, and specifically a playwright, it is my prerogative to tell my business but it is not my place to tell the business of others. So the family dynamic you see is the essence of my exuberant relatives but this is not their story. Kalopsia, I believe, tells the journey of many through the lens of my personal landmarks and lessons as guides. I am eternally grateful to this brave cast, creative team, and the New Hazlett Theater for taking on this production while still in the storm of a pandemic. Singing and dancing in masks at the tail end of the summer is no easy task! I am forever grateful. And thank you for taking a moment to return to live theater, giving us a chance to play and learn as we grow as artists in this new way of living. – MONTEZE FREELAND, PLAYWRIGHT My involvement with Kalopsia began back in the fall of 2016. I had just graduated from college and had returned to Pennsylvania after a summer stock gig that resulted in being paid with a check that would later bounce. A good friend of mine was serving as sound designer for the CSA series and his project was a musical in need of a composer. I accepted and was quickly introduced to Monteze. We worked that whole year and ended up putting the first version of Kalopsia onstage ourselves. Shout out to Dominique, Cheryl, Victor, and Sam for continuing with this piece. It was such a wonderful and memorable first experience writing that I ended up applying for the Graduate Musical Theatre Writing Program at NYU. Getting in meant that I would have to leave Pennsylvania, but it was worth it. I learned so much and I hope that growth is evident to the folks who saw that first staging. NHT 21/22
It was very interesting coming back to Kalopsia after grad school and writing several other
things. A lot of it was surprisingly good and effective. Some of it made me think “why on earth
did I think this music worked?” My approach since the beginning has been to make this show
sound less like any contemporary musical and bring in a collection of styles and sounds that
are personal to Monteze and me. I feel we have succeeded. You’ll be able to hear strains of the
Motown and funk that my mother introduced me to as a child. I also was able to bring a
facsimile of gospel music that is a little closer than what we get in musicals. I have to thank Dr.
Randy Tillmutt for giving me the chance to study gospel under him. My hope is that you leave
with a hummable tune as well as a want to explore some music that you may not have been
exposed to before. I know as a theatergoer that I am grateful for every opportunity to “drink
from the fountain” so I ask that you take a moment to really dwell on how precious a gift it is
for us to come here and see a show.
I’m forever grateful for Monteze and our collaboration. I’m also grateful for the care that
Kristen has furnished for us. I’m thankful for such a wonderful creative team and cast, who has
shaped this piece and made it work under extraordinary circumstances. I owe my music team
everything for rolling with every punch. I must shout out Jarrett Murray who joins us from
Connecticut. I’m thankful for my parents for their endless support and love. I’m thankful for
Sarah who is far more understanding and kind than she needs to be. I love you all.
– MICHEAL MEKETA III, COMPOSER
KALOPSIA THE MUSICAL HAS BEEN CREATED
WITH THE GENEROUS SUPPORT OF
Staunton Farm Foundation
The Fine Foundation
The Sheila Reicher Fine Foundation
Advancing Black Arts in Pittsburgh, a grantmaking program of
The Pittsburgh Foundation
The Heinz Endowments
SPECIAL THANKS
Dr. Veronica Morgan- Lee, Joanna Obuzor, Hope Anthony,
Randyn Fullard, Mark Clayton Southers, Steel Smiling,
Julius Boatwright, Cornelius Holmes, Bekezela Mguni,
Nik Nemec, and Lovell McFadden
ARTIST BIOS
MONTEZE FREELAND (Playwright/Lyricist)
is a multi-hyphenate artist from Baltimore, Maryland. He was
named Pittsburgh Performer of the year in 2017 and has been
seen on the stages of The New Hazlett Theater, Pittsburgh
Playwrights Theatre Co., Pittsburgh CLO, Pittsburgh Public
Theater, Quantum Theatre, and City Theatre Company. He is
also a director, teaching artist, and co-founder of the Pittsburgh
Arts Administrators of Color. His past writing credits include Claws Out: A Holiday
Drag Musical, A Post- Apocalyptic Romantic Comedy, Fishy Woo Woo, The Clearing,
and House of Stones. Mr. Freeland is the current Co-Artistic Director of City Theatre
Company.
MICHAEL MEKETA III (Composer/ Lyricist)
is a composer/orchestrator/music director from Johnstown PA.
Over the pandemic, he orchestrated and contributed the song
“Christmas In Our Hearts” to What Makes The Season at Cal
U of PA in addition to several zoom concerts and workshops.
He also contributed dance arrangements, vocal arrangements,
music supervision, and orchestrations to It Had To Be You at
Winnipesaukee Playhouse. Other projects in development include Ramona The
Musical and The Axeman’s Jazz (A New Orleans jazz musical with Briana Harris).
TOMÉ COUSIN (Director) is an internationally
recognized director, choreographer, educator, and performer. He
is a creator of musical theater works, ballets, films, new opera, song
cycles, art installations as well as a published author and theatrical
intimacy educator. Celebrating his 53rd year as a cross-disciplinary
artist, he has received numerous commissions and awards including
the 2021 prestigious Ellen Stewart Career Achievement Award, The
Heinz Foundation Advancing Black Arts Fellowship, and Carnegie Mellon University’s
Fund for Creative Research. Tomé holds a BA Dance History and Choreography from
Point Park University and an MFA in New Media Art and Performance from Long
Island University. He is also a member of the Lincoln Center Theater’s Directors Lab
and currently an Associate Professor at Carnegie Mellon University in the School of
Drama.
JAMES W MANNING (Choreographer) is a native
of Rochester, NY and graduate of Point Park University. James
was a founding member of the August Wilson Dance Ensemble
(Top 25 to watch, Dance Magazine) and also performed with
Owen/Cox Dance Group, Houston Met Dance Company and
Ballet INC. James has also been seen on the stages of Paper Mill
Playhouse, Pittsburgh CLO, Lincoln Park Performing Arts Center,
Broadway Dance Lab and is a proud member of Actors Equity. Choreography credits
include: Slippery Rock University, Pittsburgh Ballet Theatre, Lincoln Park Performing
Arts Center, Netflix, Lifetime television and most recently TeaTime Pictures. As an
educator, James is currently the Dance Department Chair at Pittsburgh CAPA 6-12
Magnet within the Pittsburgh Public Schools. James is thrilled to be a part of the
Kalopsia creative team!
CAST BIOS
MALCOLM MCGRAW (Bernard “Byrd” Fuller)
is grateful to be a part of telling a story that simply needs to be
heard. Malcolm is a Pittsburgh native and is extremely excited to be
working at the New Hazlett with such amazing and talented people,
to whom he gives many thanks. Past credits include Stilt Walking at
Kings Dominion and Seton Hill University’s Chicago (Amos/Dance
Captain), Company (Paul), and Clybourne Park (Albert/Kevin).
RICHARD MCBRIDE (Larry Fuller) is beyond thrilled
to be returning to the New Hazlett stage! Richard is a New York
based actor and singer who calls Pittsburgh his artistic home.
Richard was last seen in Samuel Boateng’s Sunsum is Spirit as a part
of New Hazlett’s CSA Season 8. Richard is incredibly thankful to
Tomé, Monteze, James, and Tru for trusting him to be a part of the
Kalopsia world and to help everyone “get their mind right”!
CHARLESE DAWSON (Hattie Mae Wilkes) is extremely
excited to be a part of Kalopsia. Her most recent credits include
Aunt Em in The Wiz and an ensemble member in Alumni Theater
Company’s New Works Showcase. She studied musical theater at
AMDA New York and went on to become the stage manager &
arts management fellow at ATC for two years. She would like to
thank her family, her ancestors, and God for blessing her with this
opportunity and the many to come.
DOMINIQUE BRIGGS (Karen Darlene King)is elated
to reprise her role in Kalopsia. Her notable theater performances
include Savior Samuel, The White Card, The Ballad of Emmett Till,
August Wilson’s King Hedley II, and Ray Werner’s Christmas Star.
Her film credits include Southpaw and Set Free. Dominique also
performs as a voice over artist, writes children’s stories, and works
as a Senior Project Manager at the University of Pittsburgh. She
thanks her friends and family for the constant love and support.
VICTOR APONTE (The Blue Birds) is elated to be
revisiting Kalopsia with such a powerhouse cast and an amazing
production team. Since receiving a BFA in Theatre from Clarion
University of Pennsylvania, he’s worked locally with Prime Stage
Theatre, Pittsburgh CLO, Pittsburgh Musical Theater and
Throughline Theatre Company. In addition to theatre, Víctor is also
an up and coming drag artist, Chi Chi de Vivre. IG: @chichidevivre
TERRANCE AUSTIN (The Blue Birds) is an actor
and recording artist as well as an eight year Army Veteran. His
theater credits include a range from Footloose to Dreamgirls.
Terrance has worked with Pittsburgh Musical Theater, Dreams
of Hope, and has made numerous appearances on Pittsburgh
Today Live and WESA 90.5. He also produces concerts with his
production company Terrance Austin Presents (TAP) as a way to
give back.CAST / ARTISTIC TEAM BIOS
CHERYL EL WALKER (Glenda “Goodie” King) is a
veteran stage actor as well as the resident costume/makeup artist
for the Pittsburgh Playwrights Theatre Company. Her Onyx awards
from the African American Council for the Arts (AACTA) include
Best Leading Actress 2008 (New Horizon Theatre) among many
others. Cheryl is an alumna of Point Park University and proud to
have worked on all ten August Wilson plays.
RYAN JORDAN (Vanessa Dukes) a senior at Seton Hill
University pursuing a BFA in Musical Theatre and a Minor in Dance,
Ryan is excited to return to live theatre. She has appeared on stage
in some of her favorite roles as Polonius (Hamlet), Matron Mama
Morton (Chicago), and Elle Woods (Legally Blonde). Ryan has been
performing in the Pittsburgh and Cincinnati areas for 7 years and
hopes to continue finding many opportunities like this in the future.
TREBLE NLS (Gerald Long) currently works as the head
teaching artist for 1Hood Media; a collective of artists and activists
who utilize their medium to raise awareness and build liberated
communities. He also has his own clothing line titled REJECT. He is an
Emmy Award winning writer for his piece titled “Don’t Clip Our Tails”
written in protest of the murder of George Floyd. He truly embodies
the mantra, “Never Lose Sight that you can do Next Level Sh*t.”
HUBERT B. MCCARTHY III (Hakeem Simms) found
his musical theatre roots in choir - a discovery and passion led him
to being seen on HBO, Netflix, Amazon, and more to come! Some
recent projects include The Dope Nerdz Podcast in addition to other
voice over work. Hubert would like to thank the continued support of
his partner Abigail, the Kusserow family, The Dope Nerdz, and a new
anonymous friend with the tip that made this all possible!
SAM LOTHARD (Troy Fuller) is blessed to be part of the
show AGAIN and working with New Hazlett AGAIN! Most recently
you may have seen Sam in Quantum Theatre’s An Odyssey or John
Steinbeck’s Of Mice and Men. Additional credits include August
Wilson’s Ma Rainey’s Black Bottom and King Hedley II, Dr Maya
Angelou’s I Know Why the Caged Bird Sings and a host of other
shows. Enjoy the show God bless.
BEN BROSCHE (Music Director/Keyboard) is a
free-lancing pianist, accompanist, and music director based in
Pittsburgh, PA. Ben has worked with Pittsburgh Public Theater,
CLO, Pittsburgh University Theater Dept., Stage 62, and Comtra.
He has also worked with a variety of musicians including The
Boilermaker Jazz Band, Mike Tomaro, Tom Wendt, Jeff Bush, and
Tony Depaolis. Ben has a BM from James Madison University and a
MM at Duquesne University.
NHT 21/22ARTISTIC TEAM BIOS
TRU VERRET-FLEMING (Associate Director) is
a professional actor/singer with over a decade of professional
theatre experience as well as a proud member of Actor’s Equity
Association. Tru is honored and humbled to make his Associate
Directing debut directing this show with his dream team. Working
with Tomé’ and Monteze on this production and bringing
characters to life has been an ultimate joy. IG:Iamblade_deveroux
JARRETT MURRAY (Asst. to the Composer & Music
Director/ Bass ) is a Brooklyn-born composer and musician based
in DC. He has written and collaborated on four original musicals
and worked on several shows as a music director or bassist. He
has studied with Fred Carl, Kirsten Childs, Julianne Wick Davis,
Michael John LaChiusa, Paul Denola, and many others. Jarret has a
BA from American University and an MFA from NYU Tisch.
MALIC MAAT (Dramaturg) is a Pittsburgh-based artist,
dramaturg, and educator. Select acting credits include; A Few Good
Men with Pittsburgh Public Theater, two seasons of City Theatre’s
annual Young Playwrights Festival, and the world premier of Electra:
An American Gothic performed at the Edinburgh Festival Fringe.
Malic is a proud member of Actor’s Equity Association and is
represented by Docherty Talent Agency. Malic also serves as the
Patron Experience Manager at Pittsburgh Public Theater.
NINA STUMPF (Set Designer) is thrilled to be a part of this
project! Nina graduated from Point Park University in April 2021
and is thankful to be designing for theatre again! Their most recent
design works include Passing Strange at the Pittsburgh Playhouse,
Water by the Spoonful at the Pittsburgh Playhouse, and The Wolves
at the Pittsburgh Playhouse. They would like to give extra thanks to
their partner, Logan, for supporting them unconditionally.
LINDSAY GORGANSON (Costume Designer) is a
multi-discipline artist focused on media, consumption, and art for
social change. She works as a costume, installation, and production
designer for contemporary and immersive theatre, film, music, and
experiential futures. She is dedicated to thoughtfully minimizing the
environmental impact of these mediums and believes we don’t have
to choose between dynamic art and a strong, healthy environment.
CAT WILSON (Lighting Designer) is excited to be working
on this wonderful production. She is the Assistant Professor of
Lighting Design at Point Park University, as well as a freelance
lighting and projection designer. Credits include work with
Goodman Theatre, Drury Lane Theatre of Chicago, Portland Stage,
City Theatre, Chicago Shakespeare Theater, The Joffrey Ballet
Academy, and many others. She holds an MFA from Carnegie
Mellon University.ARTISTIC TEAM BIOS CONT. ANGELA BAUGHMAN (Sound Designer) is a sound artist and storyteller. Her work crosses genres and industries, and includes sound design for We Are Nature, a VR experience by the Carnegie Museum of Natural History; two studio designs for Montez Press - one at Mathew Gallery NYC and one in a sweet 70s RV; live sound engineering for jazz legends at Manchester Craftsmen’s Guild; and most recently, sound design for the award winning feature film The Clearing. Angela is a graduate of Berklee College of Music. ALEXIS RETCOFSKY (Props Designer) is a graduate of Point Park University with a B.F.A. in Theater Arts - Technical Theater and Design. During her time at Point Park, she worked on many shows at the Pittsburgh Playhouse, performed by both The Conservatory Theater Company and The REP. Since graduating, she has worked with companies including Front Porch Theatricals, City Theatre, Pittsburgh Musical Theater, and Carnegie Performing Arts Center. She is also part of the Front of House staff at the New Hazlett Theater. MARGARET RIAL (Stage Manager) is grateful to be back in PA and working on live theatre again! Margaret was previously the Production Stage Manager for the Kentucky Shakespeare Festival, as well as a Resident Production Assistant at Actors Theatre of Louisville and is a proud alumna of the 2017-18 Professional Training Company. Her past credits include Angels in America, The Magic Play, and You Across From Me at ATL. She has also worked with C Venues as a Stage Manager at the 2016 Festival Fringe in Edinburgh, Scotland. GABRIELLE COLWELL (Assistant Stage Manager & COVID Compliance Officer) is very excited to be a part of this incredible production. Her past credits include Company Manager for RWS Entertainment Group, Stage Manager for Ordinary Days, and Stage Manager for TEXAS! The Outdoor Musical. She would like to thank Tomé, Tru, Monteze and the New Hazlett for this amazing opportunity! JOSH FRIED (Associate Music Director/Keyboard) is thrilled to be working with the New Hazlett Theater! His recent credits include the Pittsburgh CLO’s 75th Anniversary Musical Celebration (Music Assistant), Hair at the Carnegie Mellon University School of Drama (Associate Music Director), and the Long Island Theater Workshop’s Summer Season (Music Director). He is pursuing a B.F.A. in Music Composition at Carnegie Mellon where he continues to work on numerous musical theatre productions with the School of Drama and Scotch’n’Soda Theatre. STEPHEN SCRIANE (Guitar) is a guitarist, performer, and educator from McKeesport, Pennsylvania. He attended California University of Pennsylvania where he received a bachelors degree in Commercial Music Technology. Shortly after college, teaching became a large part of his musical life. He runs an audio production and guitar lesson studio in East McKeesport and also works as an educator at the 25 Carrick Project. Stephen stays busy traveling with various bands playing guitar, bass, and singing for several reggae, R&B, and punk bands. ROSS ANTONICH (Drums) maintains a busy drumming schedule performing, recording, and programming drums. His technique and musical knowledge constantly present many great musical opportunities. Ross has drummed on stage with jazz artists such as Richie Cole, Tony Grey, and Dwayne Dolphin, as well as recording sessions with members of Snarky Puppy, the Jazz at Lincoln Center Orchestra, and NBC’s “The Voice”. Additionally, Ross tours nationally playing drums in the band of comedy icon Todd Glass NHT 21/22
NEW HAZLETT STAFF EXECUTIVE DIRECTOR..................................................RENÉ CONRAD DIRECTOR OF OPERATIONS..................................... SCOTT CONKLIN DIRECTOR OF PROGRAMMING.............................KRISTIN HELFRICH BUSINESS AND FINANCIAL MANAGER................... KIMBERLEE LOVE PRODUCTION MANAGER..............................................DYLAN BAKER PROGRAM AND EVENTS MANAGER..........................JENNA WILKINS DIGITAL MARKETING/BOX OFFICE................................PHOEBE ORR PRODUCTION TECHNICAL DIRECTOR...........................CARLY LONG MASTER ELECTRICIAN.....................................MADELEINE STEINECK SOUND ENGINEER................................................AUSTIN PASCARELLI A2....................................................................................CARSON SESTILI CARPENTER.......................................................................BRAD KELLER VIDEO CALLER.............................................ABIGAIL STONE-HUCHKO CAMERA OPERATOR................................................SHERYLAND NEAL FRONT OF HOUSE STAFF........ROBIN HASENPFLUG, TRAYCEE IMAI, BOB JUNGKUNZ, TOM POOLE, ALEXIS RETCOFSKY, NATHAN WAGNER BOARD OF DIRECTORS BRIAN P. MALONEY, PE, ESQ., PRESIDENT BRITTANY BEASLEY REBECCA CULYBA SHANE GASTECKI, CPA SUSAN GILLIS KRUMAN LAURA GREENAWALT BRIEN MARSH DOUGLAS J. MORALLY, CPA RICHARD E. RAUH SANJA SAVIC EVAN H. STEIN ROB ZELLERS
eater.org
whazlettth
ne
r shoe
the otheresented by
P
GWORKS
CORNIN 4
r20 –2
Octobe
ile
Meanwh 9
on
CSA Seas
d by
Presente tt Theater
H a z le
New 29
r 28–
Octobe
KARLOonFsteFr
M
and the
The Man g Theatr
e
e
Prime Sta – 4
1
ber 5
Novem
ht
In The Lenigted by
Pres allet
Co nte m porary B
Textu re –21
ber 19
Novem
NHT 21/22NEW HAZLETT THEATER FUNDERS
AVERY C. ADAMS FUND OF JEWISH COMMUNITY
THE PITTSBURGH FOUNDATION OF GREATER
FOUNDATION PITTSBURGH
ALLEGHENY REGIONAL ASSET LAUREL FOUNDATION
DISTRICT A. SANFORD LEVY AND HASELE
ALLEGHENY HEALTH DEUTSCH LEVY FUND OF THE
NETWORK PITTSBURGH FOUNDATION
ANONYMOUS MCKINNEY CHARITABLE
THE BENTER FOUNDATION FOUNDATION THROUGH
THE PNC CHARITABLE TRUST
BLOOMBERG GRANT REVIEW COMMITTEE
PHILANTHROPIES
RICHARD KING MELLON
THE BUHL FOUNDATION FOUNDATION
JACK BUNCHER FOUNDATION NATIONAL ENDOWMENT
CITY OF PITTSBURGH FOR THE ARTS
ANNE L. AND GEORGE H. OPPORTUNITY FUND
CLAPP CHARITABLE AND PENNSYLVANIA COUNCIL
EDUCATIONAL TRUST ON THE ARTS, A STATE AGENCY
EDEN HALL FOUNDATION W.I. PATTERSON CHARITABLE
THE FINE FOUNDATION FUND
THE SHELIA REICHER PENNSYLVANIA HISTORICAL
FINE FOUNDATION AND MUSEUM COMMISSION
FISHER FUND OF THE THE PITTSBURGH
PITTSBURGH FOUNDATION FOUNDATION
THE FORBES FUND QUEEQUEG FOUNDATION
FORT PITT CAPITAL GROUP REDEVELOPMENT AUTHORITY
OF ALLEGHENY COUNTY
HENRY C. FRICK EDUCATIONAL
FUND OF THE BUHL S&T BANK
FOUNDATION SNEE-REINHARDT
GIANT EAGLE FOUNDATION CHARITABLE FOUNDATION
THE GRABLE FOUNDATION STAUNTON FARM
FOUNDATION
GREEN LIGHT WIRELESS
URBAN REDEVELOPMENT
THE HEINZ ENDOWMENTS AUTHORITY
HILLMAN FOUNDATION
JOHN E. AND SUE M. JACKSON
CHARITABLE TRUST14 AV E
B R IG
MBUS
CO LU
H TO N
RD
n ST
MANH
n k li
N . Fra
C h a te
65
B E AV
AT TA
AV E
15
MEE T
9
au St
A N IA
N
E R AV
S Y LV
PREB
PENN
St
ROPO
3
E
L E AV
L ITA N
E
ST
E
ORT H AV
W. N
2
22 1 WEST
ERN
AV E
11
16
VE
ALLE
ERN A
WEST
GHEN
Y AV E
E AV E
R ID G
REE 65
DSD
ALE
ST
AL E ST
RE ED SD
O
H
I
GE
O
RID
DR
THE NEW HAZLETT
NO RTH SHO RE HEINZ
DB
FIELD
EN
ST
R
WE
CARNEGIE SCIENCE
I CENTER
V
E
R
1 Bier’s Pub 89 Scratch Food & Beverage
OPEN THIS EVENING
RESTAURANTS
900 Western Avenue 1720 Lowrie Street
2 Modern Café 9 Leo. a public house
862 Western Avenue 1207 Allegheny Avenue
3 Lola Bistro 10 Threadbare Cider House
1100 Galveston Avenue 1291 Spring Garden Avenue
4 Lillen’s Restaurant 11 Refucilo Winery
535 East Ohio Street 907 Western Avenue
5 Siempre Algo 12 40 North Bar and Restaurant
414 East Ohio Street 40 W. North Avenue
6 Hook Fish & Chicken 13 Fig & Ash
1221 Federal Street 514 E Ohio Street
7 Penn Brewery
800 Vinial Street10
FEDE
26
ST
RAL S
S O N IA
JA C K
MaTtress Factory
T
15
20
Allegheny 20
SO N IA
SA M P
6
ARCH
SHER
AV E 23 H AV
E
7
RT
PA LO
LO R E. NO
ST
N TAY
MAN
RESA
MON
17
A LTO
CA ST
BUEN
AV E
12 8
JA M E
TERE
ST
C E DA
A V IS
24
Y ST
S ST
R AV E
E
H AV
TA S T
W. NORT
Allegheny Commons
ST
LAND
FORE
13 19
NEW 5 ST
HAZLETT IO
NATIONAL E. OH
4
ARCH
B R IG H
Childrens Museum
27 18
ST
TO N R
West PArk
E . CO
M
D
W.
21
MON
O HI
O
ST
S
E AV E
R ID G
20
ST
NAL
N CA
MERC
S 9
M MON 27
S . CO
HAN
T ST
LE ST R
IN D A
MAR T
27 9 ANDY WARHOL ANDE
25 MUSEUM
SA N D U
RSON
REEDSDAL E ST Y
FEDE
ST N
B IN SON E
AL RO R
SK Y ST
ST
ENER A ST
RAL S
H
G BELL
IS A G E
ART R
MAZ
E
V
T
L
EROS
L
I
OONE
A
PNC PARK
R
KI W
Y
NORTHSIDE GUIDE
AV E
AY
R E DR
H SHO
NORT
California Coffee Bar Federal LV D Galley
9TH
OPEN DURING THE DAY
RESTAURANTS
OPEN ALL
RESTAURANTS
14 21 ESN
EB
10TH
QU
3619 California Avenue
ST
200 Children’s Way
SS DU
TB Y PA T
TH S FOR VE
7TH
NA
ST
10 PEN
Chateau Café & Cakery
ST
15 22 Giorgio’s Place
1501 Preble Avenue 908 Western Avenue
TI TO
6TH
S TA N
WAY
ST
Lindo’s Café
W IX
16 23 El Burro
DAY
ST
947 Western Avenue 1108 Federal Street
17 Commonplace Coffee 24 Max’s Allegheny Tavern
1501 Buena Vista Street 537 Suismon Street
18 Bistro to Go 25 SoHo
415 East Ohio Street 203 Federal Street
19 Priory Fine Pastries 26 Hog’s Head Bar and Grill
528 East Ohio Street 3433 Spring Garden Avenue
20 The Garden Café 27 The Coop Chicken & Waffles
1022 Chestnut Street 401 E Ohio StreetSUBSCRIBE TO CSA 9 2021/2022 AND SAVE! The New Hazlett CSA, the first and only performance series of its kind, introduces you to the freshest, most original artists in the Pittsburgh area. On the surface, our CSA seems like a regular subscription series, but underneath it’s so much more. Your share in the CSA doesn’t just pay for a seat at a show. You’re providing the resources these artists need to create professional caliber work. Beyond that, you’re helping to support Pittsburgh’s next crop of groundbreaking artists. Subscribe to CSA Season 9 and save $5 per ticket! newhazletttheater.org/csa/
You can also read
