Type July 2020 Type July 2020 - Elisava
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Type Type
July July
2020 2020
Type Limited places
for all workshops.
July Deadline for
registration:
2020 March, 31
Type Design Summer
Workshops in Barcelona
+ info: summerschool@elisava.net type.elisava.net elisava.net
Mark van Wageningen
Novo Typo
Type and Color
Color is the new Bold!
01.
DATES DEADLINE LEVEL
June 29 – July 3 March 31 Students MA / BA Type design,
Typography, Graphic Design,
SCHEDULE KEYWORDS Editorial design.
10.00 a.m. – 2.00 p.m. chromatic, type, design.
DURATION WHO CAN REGISTER KNOWLEDGE OR EXPERIENCE
20h Everyone with an obsessive REQUIRED
interest in type design or Basic drawing skills and basic
PRICE typographic design. experience in Adobe Illustrator
€ 625 (one workshop). / InDesign / Photoshop and
If you register for more than or Glyphs are desirable.
one workshop, the price from
the second onwards is € 530.
Why do type designers traditionally think in black construction and deconstruction within this concept
and white? The world is colorful, the web is colorful, and will not necessarily end with a completed and
Hollywood does not produce any black-and-white finished design product.
movies anymore... Only type designers continue to
think in these restrictive terms. Why? Typographers
today are living in the Golden Age of design. Let us Biography
open up our imagination and add some color in our
Mark van Wageningen is the founder of Novo Typo,
letters. Readability and legibility are highly overrated
a (typo)graphic design studio and font foundry in
approaches in modern typographic communication.
Amsterdam. In January 2015, Mark started the
A workshop of construction and deconstruction of
Typewood project. Typewood is a research project
the basic shapes of letters.
about designing, deconstructing, and transforming
multicolored digital typefaces into wooden type for
Objectives letterpress.
This workshop invites you to reconsider this traditional Ziza, a corresponding project with lead type, followed
black and white approach in typographic design. in 2016. Both projects show the future of multicolored
‘Less-Is-More’ modernism has become a hollow typeface design through the revitalization and
phrase which illustrates a conservative approach to deconstruction of typographic traditions. Mark wrote
typographic design. This workshop will start with a number of books about chromatic type design such
deconstructing the basic shapes of a character and as the Novo Typo Color Book (2017) and Color and
will end with the transformation from a static to a Type (Princeton Architectural Press, 2019). As a self-
dynamic form, everything in Full Color. proclaimed ambassador of multicolored typography,
van Wageningen lectures on polychromatic
type design at a number of international design
Structure and contents conferences and festivals.
This workshop will have a strong focus on design-
research, drawing, sketching and experimenting novotypo.nl
with color and type. As a result, we will focus on instagram.com/novotypo
Mark van Wageningen — Novo Typo Type and Color Color is the new Bold!
Manuel Krebs
Norm
Modular typefaces as a design tool
Between DOG and WOLF
02.
DATES DEADLINE LEVEL
July, 6-10 March 31 All levels
SCHEDULE
10.00 a.m. – 2.00 p.m. KEYWORDS KNOWLEDGE OR
EXPERIENCE REQUIRED
DURATION experiment, curiosity,
order, structure. See who can register
20h
PRICE
WHO CAN REGISTER
€ 625 (one workshop).
If you register for more than Graphic & Type Designers
one workshop, the price from (the good, the bad,
the second onwards is € 530. the ugly).
Why do type designers traditionally think in black
and white? The world is colorful, the web is colorful,
Structure and contents
Hollywood does not produce any black-and-white First of all, an introduction to the brief will be given,
movies anymore... Only type designers continue to continuing with individual discussions on project.
think in these restrictive terms. Why? Typographers Then group discussions on the dedicated project
today are living in the Golden Age of design. Let us will follow, ending with a final presentation.
open up our imagination and add some color in our
letters. Readability and legibility are highly overrated
approaches in modern typographic communication. Biography
A workshop of construction and deconstruction of
Manuel Krebs studied Graphic Design at the School
the basic shapes of letters.
of Applied Arts in Biel-Bienne. Established together
with Dimitri Bruni the graphic design studio Norm in
Objectives 1999, in 2007 Ludovic Varone joins the studio. Norm
focuses on designing and publishing books and
This workshop focuses on the development of typefaces. Book design includes self-commissioned
modular fonts. An inventory of modules that allow, in research in the field of type and graphic design,
combination, the creation of letters, will be developed. the most relevant being ‘Norm: Introduction’ and
The modules are the molecules of the project. To ‘Norm: The Things’. Commissions include numerous
apply the modules, tools will be developed to create collaborations with museums (MoMA; Tate Modern,
and reproduce them. The aim is to have control over Louvre, Centre Pompidou, Triennale Milano,
the entire production process (literally) in one’s own Kunsthaus Zurich, Museum for Gestaltung Zurich)
hands. Thus, conventional working processes will and artists (Fischli & Weiss, Simon Starling, Christian
be questioned and the direct influence of the tools Marclay…).
on aesthetics will be made clear. The process is
determined by the pairs of opposites experiment/
—
curiosity, vs. order/structure.
norm.toTALKING REPLICA, A CONVERSATION BETWEEN DIMITRI BRuNI (D) & MANuEL KREBS (M) C 01
TALKING REPLICA �L
/TALKING REPLI
CA /TALKING
�LI
RE
PLICA /TALKIN
�R
G REPLICA�I/TAL
KING REPLICA�B
/TALKING REPLI
CA�BI/TALKING
REPLICA�MR
Replica Light �L C02 01 C04 07 C06 13 C08 19 C10 25 26 C12 37 38 C14 49 C15 55
Replica Light Italic �LI C03 04 C05 10 C07 16 C09 22 C11 31 32 C13 43 44 C14 50 C15 58
Replica Regular �R C02 02 C04 08 C06 14 C08 20 C10 27 28 C12 39 40 C14 51 C15 56
Replica Italic �I C03 05 C05 11 C07 17 C09 23 C11 33 34 C13 45 46 C14 52 C15 59
Replica Bold �B C02 03 C04 09 C06 15 C08 21 C10 29 30 C12 41 42 C14 53 C15 57
Replica Bold Italic �BI C03 06 C05 12 C07 18 C09 24 C11 35 36 C13 47 48 C14 54 C15 60
Replica Mono Regular �MR C15 61 C15 62
��
120PT
C02–03
72PT
C04–05
�
48PT
C06–07
�
24PT
C08–09
�
16.8PT
C10–11
�
12PT
C12–13
�
9.6PT
C14
�
7.2PT
C15
PARENTHESIS
RIGHT — LEFT
NORM 2012
/ 50
Manuel Krebs — Norm
Modular typefaces as a design tool
Between DOG and WOLFKen Barber
House Industries
Lettering Strategies and Techniques
Practical methods for creating unique
03.
hand-lettering
DATES DEADLINE LEVEL
July, 13-17 March 31 The workshop is open
to all skill levels. Beginning,
SCHEDULE KEYWORDS
intermediate, and advanced
10.00 a.m. – 2.00 p.m. lettering, hand-lettering, students alike will benefit from
logo, design, graphic design. the strategies and techniques
DURATION offered in this class.
WHO CAN REGISTER
20h KNOWLEDGE OR EXPERIENCE
Students interested in improving REQUIRED
PRICE their lettering technique, graphic
€ 625 (one workshop). artists seeking to expand their design Some familiarity with typographic
If you register for more than skills, and even novices curious about terms and design concepts is
one workshop, the price from drawing letters, are encouraged helpful, but not absolutely necessary
the second onwards is € 530. to attend this workshop. to participate in the workshop.
Sharpen your lettering skills with this in-depth week- consistently while drawing new word-marks.
long workshop filled with profitable design strategies Participants will then blend disparate styles to make
and drawing techniques specially formulated to unique and surprising lettering. Finally, students will
increase the depth and range of your personal and become acquainted with overlooked principles that
professional work. With over 25 years of experience, can be used to alter letters in endless ways. The
Ken Barber of House Industries will share his information presented will be supported by slide
personally-formulated recipes for producing effective presentations, drawing demonstrations, skill-building
and eye-catching word-marks in a variety of design exercises, and one-on-one feedback.
applications.
Biography
Objectives Ken Barber is the type director and letterer at font
The primary objective of this workshop is to provide foundry and design studio, House Industries. He has
students with a handful of straightforward hands-on created logos for global brands, and produced award-
approaches for drawing distinctive pieces of hand- winning fonts. His work is part of the Cooper-Hewitt
lettering. The ideas and tactics that will be introduced Design Museum, and the Henry Ford Museum of
during this class can be used as a practical way to American Innovation. Ken has been honored by the
generate a broad range of potential solutions for New York Type Directors Club, and ATypI. He teaches
virtually any logo design or branding project. at The Cooper Union in NYC, and regularly leads
lettering workshops. Ken cowrote House Industries:
The Process is the Inspiration in 2017.
Structure and contents
First, students will learn to decode the systems houseind.com
underlying letterforms, and apply those elements instagram.com/houseindustriesKen Barber — House Industries Lettering Strategies and Techniques Practical methods for creating unique hand-lettering
Cyrus Highsmith
Occupant Fonts
Thinking With Your Hands
A week of different ways of drawing,
04.
making, and seeing letters
DATES DEADLINE LEVEL
July, 20-24 March 31 All levels are welcome
SCHEDULE KEYWORDS KNOWLEDGE OR EXPERIENCE
REQUIRED
10.00 a.m. – 2.00 p.m. letters, stencils, sketchbook,
rabbits, monsters, drawing, lots of energy, an open mind,
DURATION no laptops, contour, edge, willingness to be present
20h shape, thinking hand. and participate.
PRICE WHO CAN REGISTER
€ 625 (one workshop). Anyone. My expertise
If you register for more than is limited mostly to the latin
one workshop, the price from alphabet but students who
the second onwards is € 530. want to explore additional writing
systems are very welcome.
Letters can be drawn in so many different ways. drawing and thinking about letters. Techniques may
Cyrus Highsmith’s approach is based heavily on the include stencils, screen printing, collage, painting.
importance of white space and sensitivity to shapes. Participants should be ready for new experiences,
It’s a method he applies to type design as well as experimentation, play, and failure.
image making of all kinds. For Highsmith, it’s a way
of seeing the world. This workshop will be a messy,
hands-on, and computer-free exploration of drawing,
Biography
making, and thinking about letters. Cyrus Highsmith is a letter drawer, teacher, author,
and graphic artist. He teaches type design at Rhode
Island School of Design (RISD). He wrote and
Objectives illustrated the acclaimed primer Inside Paragraphs:
Typographic Fundamentals. In 2015, he received the
The objective of this workshop is to create a
Gerrit Noordzij Prize for extraordinary contributions
memorable week of drawing letters and making art.
to the fields of type design, typography, and type
It will culminate in a group exhibition of our work.
education. In 2017, he became Creative Director for
Latin Type Development at Morisawa USA. He goes
Structure and contents to bed very early.
Each day will be 4 hours of working together on a —
group exhibition of sketches, drawings and prints. occupant.org
We will experiment and play with different ways of instagram.com/occupantfontsCyrus Highsmith — Occupant Fonts Thinking With Your Hands A week of different ways of drawing, making, and seeing letters
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