Art History New Titles - Brepols Publishers
←
→
Page content transcription
If your browser does not render page correctly, please read the page content below
Spring 2019
Art History
New Titles
brepols_catalogus_art_history_2019_v5.indd 1 12/02/19 16:58
Table of Contents
CULTURAL HISTORY & ART THEORY 4
PAINTING 14
SCULPTURE, DECORATIVE ARTS & MATERIAL CULTURE 22
BOOKS, PRINTS & MANUSCRIPTS 28
ARCHITECTURE 34
HARVEY MILLER PUBLISHERS
Harvey Miller is Brepols’ imprint of authority and
quality for books on the history of art and culture.
WEBSITES
www.brepols.net
www.harveymillerpublishers.com
E-NEWSLETTER
Subscribe to our free E-Newsletter: info@brepols.net
Please specify your field(s) of interest.
FOLLOW US ON
Cover image:
Still Life with Flowers in a Glass, Jan Brueghel (II), c. 1625 - c. 1630
Rijksmuseum, Amsterdam
brepols_catalogus_art_history_2019_v5.indd 2 12/02/19 16:58
Art History
New Titles
Spring 2019
FHG
brepols_catalogus_art_history_2019_v5.indd 3 12/02/19 16:58
CULTURAL HISTORY & ART THEORY
Eye and Art in Ancient Greece Art and Experience
A Study in Archaeoaesthetics in Trecento
Christopher Witcombe Holly Flora, Sarah Wilkins (eds)
Perfection Eye and Art in Ancient Greece examines the art of The age of Giotto, Dante, and Boccaccio, the fourteenth
The Essence of Art and Architecture ancient Greece through reconstructions of how the century in Italy, known as the trecento, was a pivotal
Greeks saw and understood the products of their moment in art history and in European culture. The
in Early Modern Europe own visual culture. The material is approached using studies in this volume present new approaches to
Lorenzo Pericolo, Elisabeth Oy-Marra (eds) a newly developed methodology of archaeoaesthetics art in this important but often neglected period of
by which past modes of vision and perception are the early Renaissance. Scholars at various stages in
Whether a painting, a sculpture, or a building, works examined in conjunction with prevailing notions their careers discuss a wide range of topics including
of art in early modern Europe must achieve the of pleasure and judgement with the purpose of architecture, materiality, politics, patronage, and
highest degree of perfection. If in the Middle Ages identifying the visual and psychological contexts within devotion, contributing to a new understanding of how
perfection is mostly perceived as a technical quality
which the aesthetics of a culture emerge. Through art was made and experienced in this nodal century.
inherent in craftsmanship–a quality that can be judged
a wide-ranging examination of ideas found in early These papers were originally presented at the Andrew
according to often unspoken criteria agreed upon by
written sources, the book examines various key Ladis Trecento Conference held at Tulane University in
the members of a guild–from the fifteenth century
aspects of Greek visual culture, such as continuity and November of 2016.
onwards perfection comes to incorporate a set of
rhetorical and literary qualities originally extraneous change, nudity, identity, lifelikeness, mimesis, personation
to art making. Furthermore, perfection becomes and enactment, symmetria, dance, harmony, and the Holly Flora is Associate Professor of Art History at Tulane
a transcendent quality: something that cannot be modal representation of emotions, with the aim of University. Sarah Wilkins is Visiting Assistant Professor of
measured only in terms of craftsmanship. In the comprehending how and why choices were made in Art History at Pratt Institute.
Baroque period, perfection turns into obsession as a the conception and making of artifacts. Special attention
result of the emergence of historical models of artistic is given to factors contributing to the formation of Table of Contents: www.brepols.net
evolution in which perfection is already historically taste and the emergence and transmission over time
embodied–in the first place, Vasari’s investiture of concepts of art and beauty and the means by
of Michelangelo as a universal canon for painting, which they were identified and judged. The approach
sculpture, and architecture. This book aims to define, facilitates encounters with the material in ways that
analyze, and reassess the concept of perfection in the give rise to new insights into how the ancient Greeks
arts and architecture of early modern Europe. What experienced their own visual culture and how Greek
is perfection? What makes a work of art unique, art may be understood by us today.
emblematic, or irreplaceable? Does perfection
necessarily relate to individuality? Is the perfect work Christopher L.C.E. Witcombe, a British citizen born in
connate with or independent from its author? Can Oxford, studied painting at the Accademia di Belle Arti
perfection be reproduced or represented? How do in Florence, Italy, before moving to the United States to
artists react to perfection? How do post-Vasarian undertake undergraduate and graduate studies in art
models of art history come to terms with perfection? history. He subsequently received a Ph.D. in art history
To what extent perfection in early modern Europe is from Bryn Mawr College and is currently the Eleanor
the matter of rhetoric, literary theories, theology, and Barton and Aileen “Ninie” Laing ’57 Endowed Professor
even scientific observation? in Art History at Sweet Briar College. He has held visiting
scholar positions at Oxford University in England and the
Table of Contents American Academy in Rome. He lives in Virginia.
Introduction
Table of Contents: www.brepols.net
Measure, Number and Weight: Perfection in Medieval Art
and Thought, Benjamin Zweig / Perfection as Rhetorical
Techne and Aesthetic Ideal in the Renaissance Discourse
on Art, Valeska von Rosen / Crafting Perfection: Leon
Battista Alberti, Language, and the Art of Building, Dario
Donetti / The Palindromic Logic of Dürer’s Double-Sided
Gift, Shira Brisman / Michelangelo and la cosa mirabile,
Victor I. Stoichita / Bronzino’s Beauty, Stuart Lingo /
The Perfection of Pictorial Evidence, Klaus Krüger / The
Renaissance Masterpiece: Giorgio Vasari on Perfection,
Lorenzo Pericolo / Seeking Perfection: Scamozzi in Theory,
Practice, and Posterity, Andrew Hopkins / Metaprints in
Seventeenth-Century Antwerp, Caroline Fowler / “Per
natura capaci di ogni ornamento e perfezzione”: Nicolas
Poussin and Perfection, Henry Keazor / The Limits of
Perfection: Giovan Pietro Bellori on Celerità and Facilità,
Elisabeth Oy-Marra / Passeri’s Prologue, the Paragone,
and the Hardness of Sculpture, Estelle Lingo
approx. 290 p., 75 b/w ills, 75 col. ills, 220 x 280 mm, 2019,
ISBN 978-2-503-57979-5 256 p., 4 b/w ills, 61 col. ills, 220 x 280 mm, 2018, 347 p., 34 b/w ills, 146 col. ills, 216 x 280 mm, 2019,
Paperback: approx. € 120 ISBN 978-1-909400-03-0 ISBN 978-2-503-58195-8
Published outside a Series Hardback: € 95 Hardback: € 115
IN PREPARATION Series: Eye and Art Series: Trecento Forum, vol. 1
AVAILABLE AVAILABLE
4
brepols_catalogus_art_history_2019_v5.indd 4 12/02/19 16:58
CULTURAL HISTORY & ART THEORY
Visual Typology in Netherlandish Culture A Medici Pilgrimage
Early Modern Europe of the Sixteenth Century The Devotional Journey of Cosimo
Continuity and Expansion Urban Perspectives III to Santiago de Compostela (1669)
Dagmar Eichberger, Shelley Perlove (eds) Ethan Matt Kavaler, Miguel Taín Guzmán
Anne-Laure Van Bruaene (eds)
This is the first study that examines the varied The Grand Tour of Cosimo di Ferdinando de’ Medici,
manifestations of typological thinking in diverse media A selection of essays by an international group prince of Tuscany, between 1668 and 1669, included
of the visual arts from the Late Middle Ages through of historians and art historians on the rich urban many of the great states of Europe - Spain, Portugal,
the seventeenth century in Germany,The Netherlands, culture of the sixteenth-century Low Countries. England, Holland and France - in a carefully prepared
Italy, and France. It counteracts the underlying itinerary chosen to help educate and prepare the 26-
misconception that typology was in decline or even The authors of this volume examine various fields of year old prince to one day become Grand Duke of
ceased to exist in the sixteenth century. The studies cultural discourse in the Netherlands of the sixteenth Tuscany. All the places chosen to visit were selected to
within this volume offer new interpretations that century: the political, commercial, religious, artistic, impart cultural, economic, or political advantage to the
redefine what is meant by typological thinking in the and sensory domains, and less obviously metaphysical prince, and none more so than his longest visit: Spain.
early modern period. properties like time and space. What defined the Low Lasting more than five months, he visited the cities
Typological thinking informs traditional pre-figurations, Countries were not its borders and its territories but of Barcelona, Martorell, Montserrat, Igualada, Lleida,
as well as more broadly associative interconnections its cities, and their economies dominated political Zaragoza, Daroca, Guadelajara, Alcalá de Henares,
between the Old Testament, classical texts, and even relations. A dense network of large cities and small Madrid, Toledo, Mora, Consuegra, Villanueva de los
natural history, in relation to the New Testament. towns developed hand in hand with a broad range of Infantes, Andújar, El Carpio, Córdoba, Castro del Río,
Typological thought permeates religious and secular textile and luxury industries. In Antwerp, culture was Granada, Ecija, Carmona, Sevilla, Zafra, Badajoz, and
visual culture during the period under consideration commerce: its art and printing industries catered to briefly, Lisbon. In March 1669, he reached Santiago
and this collection of essays reveals the continuing much of the Western world and, at the same time, de Compostela, arguably the highlight of the trip,
relevance and expansion of typological patterns for carved a confident self-image celebrating the liberal where he made a pilgrimage to the tomb of St. James
the visual arts, with particular emphasis on innovations arts as a means of social and self-improvement. the Apostle in the city’s cathedral. The travel diaries
in the sixteenth century. In the course of the sixteenth Antwerp is omnipresent in this book, with essays on its of five members of his retinue describe the visit in
century typology became more complex and flexible, painting, printing, politics, and public festivals. But other great detail, providing a rare account of the city and
and came under the influence of the writings of cities such as Bruges, Leuven, and Leiden also figure the pilgrim’s rites and rituals. Another member of the
Protestant and Catholic reformers, and also derived prominently. It was precisely the interconnectedness of prince’s entourage, the Florentine artist, Pier Maria
new secular and political analogies. urban centers, large, middle and small, rather than their Baldi, painted a large-scale panorama of Compostela,
Each essay offers a different interpretation of autonomous character, that defined civic culture in the the most valuable cityscape from the 1600s known
typological thinking.The typological manuals that were Low Countries. Among the topics treated are differing to date. Using hitherto unknown source material, this
written in the course of the Late Middle Ages remain notions of urban topography, the dialogue between volume charts a journey to one of the most important
the basis for many artistic projects in illuminated city and court, issues of censorship, and the sensory pilgrimage sites in the world, then held as an equal to
manuscripts, stained glass windows, sculpture, and and psychological response to texts and images. Rome and Jerusalem, that stimulated the piety of the
painting. By the sixteenth century, the notion of man who would become Cosimo III de’ Medici, Grand
type and antitype was so well embedded in thought Ethan Matt Kavaler is Director of the Centre for Duke of Tuscany.
that artists such as Brueghel and Lucas van Leyden Reformation and Renaissance Studies and Professor of Art
implicitly evoked typological relationships. Before the History at the University of Toronto. He specializes in early Miguel Taín Guzmán received his prize-winning
Council of Trent, more allusive interpretations led modern Netherlandish art and Gothic art and architecture doctorate in art history from the Universidad de Santiago
to unorthodox pairings of images from secular and throughout northern Europe. Anne-Laure Van Bruaene de Compostela in 1997, where, since 2001, he has
religious contexts. In the first half of the sixteenth is Professor of Early Modern Cultural History at Ghent taught art history as Associate Professor. Dr. Taín Guzmán
century new relationships were developed by University. She specializes in the urban culture of the late has held fellowships at the Kunsthistorisches Institut in
Protestant commentators. After the Council of Trent medieval and early modern Low Countries. Her research Florence, at Harvard’s Villa I Tatti, and at the Brandenburg
the Catholic Church returned to more traditional interests include the history of guilds and confraternities Research Academy. His current research focus is the art
typological forms and established new guidelines and the social contexts of art, literature and religion. and architecture of travel and pilgrimage in seventeenth-
for reading devotional images. Nonetheless, artists and eighteenth-century Spain.
continued to pursue unorthodox, innovative pairings. Table of Contents: www.brepols.net
Dagmar Eichberger is professor of Art History at
Heidelberg University. Shelley Perlove (Professor Emerita
of Art History, University of Michigan-Dearborn) has been
teaching in the History of Art and Frankel Center of Judaic
Studies departments at the University of Michigan, Ann
Arbor, since retirement in 2012.
371 p., 130 b/w ills, 58 col. ills, 178 x 254 mm, 2018, xvi + 388 p., 110 b/w ills, 178 x 254 mm, 2018, 156 p., 8 b/w ills, 147 col. ills, 300 x 240 mm, 2019,
ISBN 978-2-503-54550-9 ISBN 978-2-503-57582-7 ISBN 978-1-909400-93-1
Hardback: € 95 Paperback: € 99 Hardback: € 100
Published outside a Series Series: Studies in European Urban History (1100-1800), vol. 41 Series: The Medici Archive Project, vol. 5
AVAILABLE AVAILABLE AVAILABLE
FHG 5
brepols_catalogus_art_history_2019_v5.indd 5 12/02/19 16:58
CULTURAL HISTORY & ART THEORY
Siena and the Angevins,
1300-1350
Art, Diplomacy,
Images of Discord Crime and Illusion and Dynastic Ambition
Diana Norman
Poetics and Politics of the Sacred The Art of Truth in the
Image in 15th-Century Spain Spanish Golden Age Based on extensive new research, this book
Felipe Pereda Felipe Pereda explores the distinctive political and diplomatic
relationship between the late medieval city of
Felipe Pereda reconstructs the history of religious The book explores the artists’ skeptical Siena and the Angevin royal family of Naples and
art in Spain between two crucial dates in the reflection on the problematic relationship of the ways in which this relationship impacted upon
“politics of the image” enforced by the “Reyes painting and sculpture to the art of truth. the production and dissemination of Sienese art
Católicos”: 1478 and 1501. By focusing first on during the first half of the fourteenth century.
Seville, then on Granada Pereda evokes the first According to an old historiographic tradition, the
moments of the institution of the “Santo Oficio” Spanish Golden Age placed the imitation of nature Between 1289 and 1327 Siena witnessed a series of
and its later developments. In both cities, the at the service of religion: its radical naturalism lavish ceremonial events marking the visits to the city
local authorities had established the obligation for responded to the deep faith of that culture and of successive Angevin kings and princes, members of
citizens to keep religious images within their houses. moment. Crime & Illusion argues the opposite. It the French dynasty that ruled the whole of southern
In Seville, the authorities in particular targeted the defends the thesis that the fundamental problem Italy. The reason for these magnificent civic rituals was
“marranos” (Jewish converts); in Granada, the new artists of the Golden Age confronted was not Siena’s status as a Guelph city state closely allied both
“moriscos” (converted Muslims). In both cases, the imitation but Truth. Moreover a large part, maybe to the papacy and to the kingdom of Naples. Based on
edicts emanated from the confessor of Queen the best part, of Spanish Baroque religious imagery extensive new research, including unpublished archival
Isabella of Castile, Fray Hernando de Talavera, is better understood as a complex exercise in material, Diana Norman explores in detail the nature
himself of “converso” origin. At the intersection addressing the spectators’ doubts. Hovering on the and extent of this distinctive political and diplomatic
of social history and intellectual history, Images of horizon of an emerging empiricism, artists created relationship and the ways in which it impacted upon
Discord shows in which ways religious and social their images as pieces of evidence, arguments for the production and dissemination of Sienese art
conflicts determined the status and development belief. Crime & Illusion reconstructs and interprets during the first half of the fourteenth century. In so
of sacred art in late fifteenth- and early sixteenth- this judicial or forensic aspect of early modern visual doing, she demonstrates that this relationship not only
century Castile and Andalusia and, more broadly, the culture at the center of a political, religious, and informed the conception and resolution of a number
history of Spanish art in the early modern period. scientific triangle. Finally, the book explores the artists’ of major pictorial schemes for key civic sites in Siena
skeptical reflection on the problematic relationship of itself, but that it also familiarised the Angevin royal
painting and sculpture to the art of truth. family with the quality of contemporary Sienese art.
This, in turn, led to the employment of Sienese artists
Felipe Pereda is the Fernando Zóbel de Ayala Professor by the Angevins and to the production of significant
of Spanish Art at Harvard University. Born in Madrid, images that commemorated various members of the
he studied at the Universidad Complutense, and the dynasty. In this beautifully illustrated book, works of art
Autónoma University where he received his PhD (1995) executed by well-known fourteenth-century artists
and taught until 2011. In more recent years, he has - including Simone Martini, Ambrogio Lorenzetti,
also taught at the Instituto de Investigaciones Estéticas and Tino di Camaino - are examined in a new light,
(Universidad Autónoma de México), and Johns Hopkins together with other finely crafted objects produced
University (2011-15). He has worked on Spanish late by lesser known artists, all of whom contributed to
medieval and early modern art, art theory, image theory this hitherto over-looked example of late medieval
and history of architecture. cultural exchange.
Diana Norman studied art history at the University of
London and taught in the Department of Art History
at the Open University, Milton Keynes. She is currently
Emeritus Professor of Art History.
312 p., 12 b/w ills, 62 col. ills, 220 x 280 mm, 2019, 336 p., 11 b/w ills, 118 col. ills, 220 x 280 mm, 2019,
ISBN 978-1-909400-33-7 ISBN 978-1-912554-09-6 iv + 272 p., 55 b/w ills, 50 col. ills, 220 x 280 mm, 2018,
Hardback: € 110 Hardback: € 60 ISBN 978-2-503-57436-3
Series: Renovatio Artium, vol. 2 Series: Studies in Baroque Art, vol. 13 Hardback: € 125
AVAILABLE AVAILABLE Series: Studies in the Visual Cultures of the Middle Ages
AVAILABLE
6
brepols_catalogus_art_history_2019_v5.indd 6 12/02/19 16:58
CULTURAL HISTORY & ART THEORY
Temporality and Mediality Arenberg Encounters
in Late Medieval and Early Portrait of a Family, The Art of Interfaith Dialogue
Modern Culture Story of a Collection Nicola Green (Art & Concept)
Aaron Rosen (ed.)
Christian Kiening, Martina Stercken (eds) Mark Derez, Soetkin Vanhauwaert,
Anne Verbrugge (eds)
The 21st century is a new era for interfaith
This interdisciplinary volume explores the ways in dialogue. Readers are invited to witness the
which time is staged at the threshold between the The Arenberg lineage belongs to the high nobility,
whose estates, interests and familial connections have meetings of faith leaders from across the globe
Middle Ages and the early modern period. Proceeding through the eyes of acclaimed artist Nicola
from the reality that all cultural forms are inherently traditionally extended across borders. Through their
prominent military role in European conflicts, the Green, accompanied by challenging reflections
and inescapably temporal, it seeks to discover the from leading scholars.
significance of time in mediations and communications Arenbergs derived power, prowess and prestige. Their
of all kinds. princely and ducal standing was equally reflected in the
highly superior quality of their art collection, as they What makes for productive and long-lasting interfaith
By showing how time is displayed in diverse cultural dialogue? This book uses Nicola Green’s artwork as a
strategies and situations, the essays of this volume commissioned works from contemporaries such as
Rubens, Van Dyck, and later Watteau. In the nineteenth lens through which to explore and analyse the state
show how time is intrinsic to the very concept of of interreligious dialogue today. The book features
tradition. In exploring a variety of medial forms and century, the Duke of Arenberg’s newly established
gallery in his palace in Brussels was renowned for contributions from leading scholars and practitioners
communicative practices, they also reveal that while in theology, history, cultural studies, and art history,
the beginning of the age of printing (around 1500) may its Flemish and Dutch masters, such as Brueghel and
Jordaens, Rembrandt and Vermeer, and was explicitly writing in an accessible style that is engaging for
mark a fundamental change in terms of reproduction both academic and general readers. Writers pay
and circulation, artefacts and other historical traditions recommended as a private museum in travel guides
of the time: Vaut le voyage! This exceptional collection special attention to the embodied nature of dialogue,
continue to employ earlier systems and practices commenting on frequently neglected dimensions
relating time and space. is also indicative of the practice of collecting art and
promoting artists which has long been an integral part of such encounters, from the set-up of the physical
The volume features articles by leading researchers spaces to gestures and clothing. Not only does this
in their respective fields, including studies on mosaics of the culture of nobility.
book seek to evaluate the conditions and implications
as a medium reflecting space and time; the triptych’s of interreligious dialogue, it encourages readers to take
potential as a time machine; winged altarpieces up the challenge of encounters themselves.
mediating eternity; texts and images of the passion
of Christ permeating past, present, and future; Dr. Aaron Rosen is Professor of Religious Thought at
dimensions of time embedded in maps; a compendium Rocky Mountain College and Visiting Professor of Theology
of world knowledge organized by forms of time and at King’s College London.
temporality; the figuration of prophecy in times of
crisis; the portrayal of time in architecture. Table of Contents: www.brepols.net
The volume thus provides a new approach to media
and mediality from the perspective of cultural history.
Table of Contents
Introduction: Mediating Time — CHRISTIAN KIENING and
MARTINA STERCKEN
Temporality versus Transcendence: Mosaic as a
Medium beyond Perspective — BARBARA SCHELLEWALD
The Triptych and its Time Folds: Artistic Explorations
around 1500 — MARIUS RIMMELE
Presence as Display: Carved Altarpieces on the
Threshold to Eternity — BRITTA DÜMPELMANN
Mediating the Passion in Time and Space —
CHRISTIAN KIENING
Mapping Time at the Threshold of Modernity —
MARTINA STERCKEN
vide infra, … vide supra: Flipping through Times in the
Rudimentum Novitiorum (1475) — ANJA RATHMANN-LUTZ
Precarious Times: The Discourse of the Prophet in the
Age of Reformation — MARCUS SANDL
Lingering Visions of Past and Future in the
Hypnerotomachia Poliphili — ALEKSANDRA PRICA
x + 257 p., 50 b/w ills, 156 x 234 mm, 2018, 400 p., 380 col. ills, 240 x 300 mm, 2018, 176 p., 240 col. ills, 220 x 280 mm, 2018,
ISBN 978-2-503-55130-2 ISBN 978-2-503-58115-6 ISBN 978-2-503-58032-6
Hardback: € 75 Hardback: € 75 Hardback: € 90
Series: Cursor Mundi, vol. 32 Published outside a Series Series: Arts and the Sacred, vol. 2
AVAILABLE AVAILABLE AVAILABLE
FHG 7
brepols_catalogus_art_history_2019_v5.indd 7 12/02/19 16:58
CULTURAL HISTORY & ART THEORY
La cause en est cachée The European Fortune of Imagery and Ingenuity
Etudes offertes à Paulette Choné the Roman Veronica in the in Early Modern Europe
par ses élèves, ses collègues Middle Ages Essays in Honor of
et ses amis Amanda Murphy, Herbert L. Kessler, Jeffrey Chipps Smith
Marie Chaufour, Sylvie Taussig (éd.) Marco Petoletti, Eamon Duffy, Catharine Ingersoll, Alisa McCusker,
Guido Milanese (eds) Jessica Weiss (eds)
Dans une quarantaine de communications dont un
Table of Contents The joint ideas of imagery and ingenuity are meant to
tiers furent prononcées lors d’un colloque organisé
au château de Bussy-Rabutin (Côte d’or) le 7 represent the variety of topics and questions explored
I. The origins of the fame of the Roman Veronica by Jeffrey Chipps Smith throughout his career.The term
octobre 2010, des historiens, philosophes, philologues,
Herbert L. Kessler — Introduction: The Literary ingenuity, in particular, encompasses the creative genius
historiens de l’art, de la littérature et des spectacles,
Warp and Artistic Weft of Veronica’s Cloth /Zbigniew of the artist and the resourcefulness of acquirers in the
tous spécialistes français et étrangers de la première
Izydorczyk — The Cura Sanitatis Tiberii a Century use and display of art objects. This collection of essays
modernité, s’attachent à comprendre les manières
after Ernst von Dobschütz / Rémi Gounelle & Céline brings together new scholarship on European art from
dont s’est établie « la circulation vivante des symboles
Urlacher-Becht — Veronica in the Vindicta Salvatoris / the fifteenth to the seventeenth centuries by a range
» dans une civilisation hantée par la question de
Barry Windeatt — ‘Vera Icon’? The Variable Veronica of of artists such as Albrecht Altdorfer, Hans Backoffen,
l’origine des signes. Ils démontrent avec une grande
Medieval England / Federico Gallo — De sacrosanto Hans Baldung Grien, Sebald Beham, Gerard David,
cohérence la fécondité substantielle des premiers
sudario Veronicae by Giacomo Grimaldi. Preliminary Albrecht Dürer, Juan de Flandes, Hans Holbein the
travaux de Paulette Choné, qui esquissèrent à propos
Investigations /Nigel Morgan — ‘Veronica’ Images and Elder, Hans Schwarz, Joos van Cleve, Lucas van Leyden,
de la Lorraine ducale et évêchoise au tournant de
the Office of the Holy Face in Thirteenth-Century Rembrandt van Rijn, Benedetto da Rovezzano, Jacob
1600 les principes d’une « histoire totale ». Ils illustrent
England Cornelisz. van Oostzanen, and Nicolaus Gerhaert von
la valeur de la diversité dans des enquêtes rendues
II. The devotion and cult of the Veronica Leyden. Topics include the training of artists and the
solidaires par une phénoménologie historique raffinée.
Aden Kumler — Signatis… vultus tui: (Re) impressing practices of making; the communicative importance
Ils rappellent que l’utilité spirituelle de l’art dépend de
the Holy Face before and after the European Cult of of particular subjects, iconographies, and artistic
la présence magistrale.
the Veronica / Rebecca Rist — Innocent III and the processes; the shifting meanings of objects due to re-
Roman Veronica: Papal pr or Eucharistic Icon? / Guido use; and the importance of location and tradition in
Principaux auteurs: Sandrine Balan, Alexandra Ballet,
Milanese — Quaesivi vultum tuum. Liturgy, figura and the creation and reception of artworks. Imagery and
Christian Bouzy, Jacques Carbou, Claire Challéat, Marie
Christ’s Presence / Jörg Bölling — Face to Face with Ingenuity is an innovative and instructional collection
Chaufour, Annie Chaux-Haïk, Christopher Comer, Rosa
Christ in Late Medieval Rome. The Veil of Veronica in for students and scholars of Early Modern art.
De Marco, Yves Ferraton, Bénédicte Gaulard, Matthieu
Papal Liturgy and Ceremony/ Uwe Michael Lang —
Gilles, Brigitte Heckel, Didier Laroque, Frédérique
Origins of the Liturgical Veneration of the Roman
Lemerle, Judi Loach, Mélanie Logre, Thomas Mentrel, Catharine Ingersoll is Assistant Professor of Art
Veronica
Yves Pauwels, Marie-Claire Planche, Maxime Préaud, History at Virginia Military Institute, Jessica Weiss is
III. The promotion of the Veronica cult
Helmut Puff, Alain Rauwel, Michel Reffet, Didier Souiller, Assistant Professor of Art History, Theory and Criticism
Gisela Drossbach — The Roman Hospital of Santo
Sylvie Taussig, Vincent Termeulen, Bernard Teyssandier, at Metropolitan State University of Denver, and Alisa
Spirito in Sassia and the Cult of the Vera Icon / Kathryn
Bertrand Tillier, Louis Van Delft. M. Carlson is Associate Curator of European and
M. Rudy — Eating the Face of Christ. Philip the Good American Art at the Museum of Art and Archeology at
and his Physical Relationship with Veronicas / Étienne the University of Missouri. They all earned their PhDs at
Doublier — Sui pretiossisimi vultus Imago: Veronica e the University of Texas at Austin, where they worked with
prassi indulgenziale nel XIII e all’inizio del XIV secolo / Dr. Jeffrey Chipps Smith.
Marc Sureda i Jubany — From Holy Images to Liturgical
Devices. Models, Objects and Rituals around the Table of Contents: www.brepols.net
Veronicae of Christ and Mary in the Crown of Aragon
(1300–1550) / Chiara Di Fruscia — Datum Avenioni.
The Avignon Papacy and the Custody of the Veronica
/ IV. The spread of the Veronica cult / Hanneke van
Asperen — ‘Où il y a une Veronique attachiée dedens’.
Images of the Veronica in Religious Manuscripts, with
Special Attention for the Dukes of Burgundy and their
Family / Marco Petoletti & Angelo Piacentini — The
Veronica of Boniface of Verona / Stefano Candiani
— The Iconography of the Veronica in the Region
of Lombardy: 13th–14th Centuries / Raffaele Savigni
— The Roman Veronica and the Holy Face of Lucca:
Parallelism and Tangents in the Formation of their
Respective Traditions / Raffaella Zardoni & Emanuela
Bossi & Amanda Murphy — The Iconography of
the Roman Veronica. From the Repertoires of Karl
Pearson to Veronica Route
approx. 500 p., 100 b/w ills, 150 x 210 mm, 304 p., 5 b/w ills, 115 col. ills, 210 x 270 mm, 2018, 268 p., 19 b/w ills, 91 col. ills, 210 x 297 mm, 2019,
ISBN 978-2-503-54495-3 ISBN 978-80-210-8779-8 ISBN 978-2-503-56860-7
Paperback: approx. € 85 Paperback: € 75 Paperback: € 100
Series: Les styles du savoir, vol. 20 Series: Convivium Supplementum, vol. 2 Published outside a Series
EN PREPARATION AVAILABLE
AVAILABLE
8
brepols_catalogus_art_history_2019_v5.indd 8 12/02/19 16:58
CULTURAL HISTORY & ART THEORY
Tributes to David Freedberg Les modèles dans l’art du Iconographie médiévale
Image and Insight Moyen Âge (XIIe-XVe siècles) entre Antiquité et art roman
Claudia Swan (ed.) Models in the Art of the Middle D’acanthes et d’écailles.
This volume honors the vital impact of David A.
Ages (12th-15th Centuries) Recueil d’articles de Jacqueline
Freedberg, Pierre Matisse Professor of the History Denise Borlée, Laurence Terrier Aliferis (éd.) Leclercq-Marx
of Art and Director of The Italian Academy for Brigitte D’Hainaut-Zveny, Alain Dierkens,
Advanced Studies in America at Columbia University, This publication brings together, for the first time Constantin Pion (éd.)
on the field of art history and several cognate areas of on the subject, a collection of works that address
research. Essays by leading specialists on early modern various issues relating to the use of models in artistic L’image médiévale entre Antiquité et art roman.
northern European and Italian art and history, prints creation in the Gothic era.The methods of circulating
and print culture, iconoclasm and responses to images, artistic forms in the West between the twelfth and Recueil d’articles rédigés par Jacqueline Leclercq-Marx
connoisseurship, and the history of collecting, testify to fifteenth centuries are examined from four different tout au long de sa carrière, ce volume consacré à
Freedberg’s wide area of influence and a substantial angles: the model, model books, three-dimensional l’Iconographie médiévale entre Antiquité et art roman est
intellectual legacy in the making. models that challenge the notion of artistic versatility, tout à la fois un état de la recherche et un stimulant
and the technical processes of transfers, particularly manuel d’initiation à l’analyse iconographique.
With contributions by Renzo Baldasso, Marisa Anne in the art of stained glass and goldsmithery. Drawing S’attachant à cette longue période souvent négligée
Bass, Emily A. Beeny, Carolin Behrmann, Francesco upon very concrete case studies, the authors base entre Antiquité tardive et Moyen Âge roman, l’auteure
Benelli, David, Benjamin, Horst Bredekamp, Giovanna their work on specific, wide-ranging examples met en évidence les cohérences et les continuités entre
Alberta Campitelli, Chiara Cappelletto, Georges Didi- covering a variety of artistic fields, and in so doing, ces deux mondes. Détaillant l’intégration, l’association,
Huberman, Adam Eaker, Jan Piet Filedt Kok, Robert provide readers with valuable insight into these l’hybridation ou la paraphrase de formes anciennes
Fucci, Diletta Gamberini, Maartje van Gelder, Carlo practices, which, although often presumed, still comme l’émergence de solutions inédites, elle identifie
Ginzburg, Claudia Goldstein, Emilie E.S. Gordenker, remain relatively difficult to understand within the un ensemble de choix iconographiques qui constituent
Meredith McNeill Hale, Koenraad Jonckheere, context of medieval artistic production. les images du haut Moyen Âge et gagent de leur
Margaret K. Koerner, Catherine Levesque, Victoria pouvoir de conviction. Le merveilleux médiéval, trop
Sancho Lobis, Peter N. Miller, Alexandra Onuf, Peter Ce volume réunit, pour la première fois sur le sujet, longtemps galvaudé, se voit ici réaccrédité, refondé. Les
Parshall, Andrea Pinotti, Larry Silver, William Stenhouse, un ensemble de contributions qui abordent les images de sirènes, centaures, minotaures, chevaliers
Jonathan Unglaub, Mariët Westermann, Veronica Maria diverses problématiques liées à l’usage des modèles marins et autres monstres, très systématiquement
White, Anne T. Woollett, Elizabeth Wyckoff, and dans la création artistique à l’époque gothique. mises “en correspondance” avec un vaste catalogue de
Carolyn Yerkes. Les modalités de la circulation des hommes et des textes, recomposent les fondements d’un imaginaire
œuvres en Occident entre le XIIe et le XVe siècle sont dont, on sait, qu’il fait toujours autant agir que penser.
Table of Contents: www.brepols.net examinées à travers cinq axes : les carnets de modèles, Loin des exposés théoriques parfois arbitraires, ce
la nature des modèles servant à la transmission volume explicite au travers d’une série d’études de cas
(dessins, moulages ou gravures) , la notion d’auctoritas, une méthodologie rigoureuse, prudente et ample qui
la sélection des modèles et les interactions entre prévient contre toutes formes de surinterprétation,
les différentes techniques (orfèvrerie, sculpture et exhorte à l’établissement de corrélations entre textes
peinture). Les auteurs se fondent, dans des études de et images, souligne la richesse des apports d’une
cas très concrètes, sur des exemples précis et variés recontextualisation fine et murmure l’irrémédiable
touchant à différents domaines artistiques et, de la instabilité des choses. Ces études qui traitent
sorte, permettent au lecteur d’appréhender au plus d’architecture, de sculpture et de peinture, comme de
près une telle pratique, souvent pressentie, mais qu’il miniature et d’orfévrerie, constituent une stimulante
reste malgré tout assez difficile de saisir au sein de la incitation à la recherche, un point de départ ou le
production artistique médiévale. programme d’autres études à venir.
Table of Contents: www.brepols.net Historienne de l’art, docteure en Philosophie et Lettres
de l’Université Libre de Bruxelles (ULB), professeure
d’histoire médiévale à l’ULB, membre de l’Académie
royale d’archéologie de Belgique et de nombreuses autres
sociétés savantes - belges et françaises -, J. Leclercq-
Marx est une spécialiste internationalement connue de
l’iconographie du haut Moyen Âge.
Table of Contents: www.brepols.net
approx. 464 p., 160 col. ills, 210 x 297 mm, 2019,
approx. 510 p., 200 col. ills, 220 x 280 mm, 2019, 284 p., 150 b/w ills, 54 col. ills, 210 x 297 mm, 2018, ISBN 978-2-503-57555-1
ISBN 978-1-909400-70-2 ISBN 978-2-503-57802-6 Paperback: approx. € 100
Hardback: approx. € 150 Paperback: € 90 Série: Les Études du RILMA, vol. 9
Series: Tributes, vol. 8 Série: Les Études du RILMA, vol. 10 EN PRÉPARATION
IN PREPARATION DISPONIBLE
FHG 9
brepols_catalogus_art_history_2019_v5.indd 9 12/02/19 16:58
CULTURAL HISTORY & ART THEORY
COLLECTORS AND DEALERS
BOOK SERIES
The Journal of a Collecting and Empires Auction Prices and the
Transatlantic Art Dealer The Impact of Empires on Evolution of Taste in Dutch
René Gimpel (1918-1939) Collections and Museums from and Flemish Golden Age
Diana Kostyrko Antiquity to the Present Painting (1642-2011)
Maia Gahtan, Eva-Maria Troelenberg (eds)
The journal of the transatlantic art dealer, René The Value of Taste
Gimpel (1881-1945), is evaluated for its legacy. The comparative historical investigation of Peter Carpreau
imperialism through the lens of collecting practices,
The transatlantic art dealer, René Gimpel (1881- museum archetypes and museums proper, helps Taste is a well known but largely underestimated
1945), maintained an interwar journal for twenty- shape our understanding of contemporary phenomenon. Yet it is one of the factors that has
one years until, like many Jews in France, he was aesthetics and diversity management as well as shaped our knowledge and view of art. Why is
overtaken by radical political events. In this book, helps identify what is imperial about our own Rembrandt van Rijn today considered to be one of
Diana Kostyrko explores why Gimpel’s journal approaches to material culture. the greatest painters in European art while Gerard
should be taken seriously as a sociohistorical de Lairesse, Rembrandt’s younger contemporary
document. In contextualising the journal, including its The creation and dissolution of empires has been and one of the best-selling painters of his day, is
reception since first published in 1963, she intercuts a constant feature of human history from ancient now forgotten?
art history with material culture and a sociology of times through the present day. Establishing new This book is a systematic and quantitative study of
modernity. Firstly setting the art dealer in context, the identities and new power relationships, empires also taste. More specifically it focuses on the painters of
author examines the dominant themes which thread irrevocably altered social structures and the material the seventeenth-century Low Countries and follows
through the journal ranging from the escalation in culture on which those social structures were partly the changes in consumer evaluation of them from
power and status of European dealers catering to based. The political activities of empires are materially the seventeenth century up to 2008. Proceeding
but also rivalling wealthy private collectors, to the reflected in the movement of objects from periphery from the same starting point as Gerald Reitlinger in
irresistible pressure of twentieth-century modernity to center (and vice versa) and in the formation his monumental The Economics of Taste, it uses the
on collecting practices. and display of collections which represent the prices paintings have fetched at auction as a basis for
For all those who are concerned with the European potential for the production and the dissemination tracing trends in the taste of the art-buying public.
formulation of taste in the fine and decorative arts in of knowledge. Imperial collecting practices tell Whereas Reitlinger’s approach was rather intuitive,
the early twentieth century, the trend for eighteenth- stories that are complementary to and go beyond this study develops a sound methodological basis
century revivalism in France and North America, the classical sources of official history, the statistics of for researching taste and auction prices. It is not
the acculturation of American museums, and the social history and even the narratives of collective or only quantitative methods and properties of
rise to stardom of the modern art market on the individual oral history. Building on previous work on auction prices that require a specific approach: in
back of the auction house will find much of value European and Colonial object histories, this collection historical research quantitative data and analyses are
here. Overall the author undertakes to distil what of essays—for the first time—approaches the subject only reliable when they can also be tested against
René Gimpel’s legacy might be. Finally, she asks: was of collecting and empires from a global and inclusive qualitative or historical sources. Based on a statistical
the Paris art dealer incongruously but ultimately a comparative perspective by addressing selection of analysis, various ‘universal’ painters, such as Rubens
prophet concerned with the over-materiality of the greatest empires the world has known from Han and Rembrandt, are defined. In addition, however,
modern society, and a cultural pessimist to boot: China to Hellenistic Greece to Aztec Mexico to the specific genres such as landscape, portrait, history
or did he merely reflect a range of common Third Reich. The comparative historical investigation painting, and so on are analysed. In the case of
perceptions abroad at the time? of imperialism through the lens of collecting practices, eighty-three painters there is sufficient information
museum archetypes and museums proper, helps to allow the profiling of individual price trends. But
Dr Diana J. Kostyrko is an art historian and shape our understanding of contemporary aesthetics other quantitative data drawn from the examination
provenance researcher, and a visiting fellow in cultural and diversity management as well as helps identify of collections or catalogues raisonnés prove an
history with the School of Literature, Languages and what is imperial about our own approaches to additional source of information when compared
Linguistics at the Australian National University. material culture. with auction prices. This book shows what big data
and statistics can mean to our understanding of art.
Table of Contents: www.brepols.net
Peter Carpreau studied Art History at the University
of Leuven and the Sorbonne Paris IV. Today he is Head
of the Old Masters Departement of the M Museum
in Leuven.
360 p., 53 b/w ills, 220 x 280 mm, 2017, 393 p., 115 b/w ills, 220 x 280 mm, 2019, 295 p., 220 x 280 mm, 2017,
ISBN 978-1-909400-51-1 ISBN 978-1-909400-63-4 ISBN 978-1-909400-48-1
Hardback: € 100 Hardback: € 125 Hardback: € 110
Series: Collectors and Dealers, vol. 2 Series: Collectors and Dealers, vol. 4 Series: Collectors and Dealers, vol. 3
AVAILABLE IN PREPARATION AVAILABLE
10
brepols_catalogus_art_history_2019_v5.indd 10 12/02/19 16:58JOURNAL CULTURAL HISTORY & ART THEORY
IKON 11/2018 Pleasure and Politics at the Performing Emotions
Iconoclasm and Iconophilia Court of France in Early Europe
Table of Contents
The Artistic Patronage of Queen Philippa Maddern †, Joanne McEwan,
Anne M. Scott (eds)
Marie de Brabant (1260-1321)
Gaetano Curzi Reflexes of Iconoclasm and Iconophilia Tracy Hamilton New perspectives on the performance of pre-
in the Roman Wall Paintings and Mosaics of the 8th and modern emotions from international experts.
9th Centuries / Nicoletta Usai Paintings in the Church of For her commissioning and performance of a French
San Juli de los Prados in Oviedo. An Analysis of Aniconic vernacular version of the Arabic Tale of the Thousand Drawing on a range of interdisciplinary approaches and
Paintings in the Framework of Art in the Mediterranean and One Nights – recorded in one of the most vivid and innovative methodologies, this collection contributes
/ Francesca DellAcqua Iconophilia in Italy, c. 680- sumptuous late thirteenth-century manuscripts extant ground-breaking new scholarship in the burgeoning
880 - A European Project and Its Method / Stephanie – as well as for her numerous other commissions, field of emotions studies by examining how medieval
Azzarello Iconoclasm and Anti-Semitic Imagery in Queen Marie de Brabant (1260-1321) was heralded and early modern Europeans communicated and
a Fifteenth-Century Venetian Choir Book / Yoshie as a literary and intellectual patron comparable to ‘performed’ their emotions. Rejecting the notion that
Kojima Iconoclasm and Iconophilia in Cistercian Art. Alexander the Great and Charlemagne. Nevertheless, emotions are ‘essential’ or ‘natural’, this volume seeks
Cloister Sculpture of Fontfroide, Alcoba and Chiaravalle classic studies of the late medieval period understate to pay particular attention to cultural understandings
della Colomba / Dmitriy Antonov Miniatures under Marie’s connection to the contemporary rise of of emotion by examining how they were expressed
Attack: Damaged Figures in Russian Iconography / Olga secular interests at the French court. and conveyed in a wide range of historical situations.
Chumicheva Iconoclasm and Iconophilia in Late Medieval By reshaping the inquiry into court patronage, Pleasure The contributors investigate the performance and
Russia. The State of Research and New Concepts / Saša and Politics at the Court of France posits that the reception of pre-modern emotions in a variety of
Brajović, Milena Ulčar Silver Covers, Iron Grids and historical record reveal the exciting and important contexts — in literature, art, and music, as well as
Sensory Experience. Simultaneousness of Iconoclastic contributions Marie de Brabant made to this through various social and religious performances —
and Iconophilic Nature of Veneration in the Early Modern burgeoning secular court. This emerging importance and in a variety of time periods ranging from the
Bay of Kotor / Alice Byrne St George - Iconoclasm, of the secular and redefinition of the sacred during twelfth to the eighteenth centuries. These studies
Iconophilia and Englands Patron Saint (1534-1553) / Lidija these last decades of Capetian rule becomes all the provide both case-studies of particular emotions and
Matošević Iconoclasm as a Side Effect of the Reformation more striking when juxtaposed to the pious tone emotional negotiations, and examinations of how
/ Tamara Quírico Michelangelos Last Judgement: Art and of the lengthy reign of Louis IX (1214-1270), which their categorisation, interpretation, and meaning has
Religion Between Reformation and Counter-Reformation had ended just four years before Marie’s marriage changed over time.
/ Rachel Miller Peter Paul Rubens Investigation of the to his son. That Marie often chose innovative The contributors provide new insights into the
Origins of Idolatry and Iconoclasm in the Jesuit Church materials and iconographies – that would later in the expression and performance of pre-modern emotions
of Antwerp / Yvonne Dohna Schlobitten Lestetico pu fourteenth century become the norm – to create from a wide range of disciplinary fields, including
possedere un senso veritativo? Contemporaneit dellicona, these images signals her importance in late medieval historical studies, literature, art history, musicology,
icone nella contemporaneit / Enrico Garlaschelli patronage. These themes of court, culture, politics, gender studies, religious studies, and philosophy.
La questione dellicona in unepoca apparentemente and gender reflect and connect the chronological Collectively, they theorise the performativity of
iconofila, ma molto vicina allantica iconoclastia / Nadežda and methodological organization of my fully drafted medieval and early modern emotions and outline a
Elezović Sacred in Modern Abstract Art / Vladimir P. manuscript. A substantial revision and expansion of my new approach that takes fuller account of the historical
Goss Minimalism as Iconophilia. The Case of Yves Klein / dissertation, the book examines Marie’s commissions specificity and cultural meanings of emotions at
Ana Šeparović Desirable and Stigmatized: Subject, Form from her arrival in Paris in 1274 until her death in 1321 particular points in time.
and Content as the Main Categories in the Discourse and analyzes the dynamics of her patronage and its
of Croatian Socialist Realist Art Criticism / Richard impact on other women and men of the royal house. Table of Contents: www.brepols.net
Gregor Occasional Iconography (Iconology) of Stano
Filkos Altars / Cristian Nae Revisiting Iconoclash.
Postsecularism, Religion and Politics in Contemporary Art
from Romania / Dmitrii Doronin The Soft Iconoclasm
in Vernacular Orthodoxy of Volga Finns / Karen von
Veh Revisiting Religion. Iconoclasm as Renewal in Post-
Apartheid South Africa / Arthur Valle Afro-Brazilian
Religions, Visual Culture and Iconoclasm / Ana Munk
Has ISIS Gone Hollywood? Visual Strategies and Images
of Destruction in ISISs Magazines Dabiq and Rumiyah
/ Noa Yuval-Hacham Fear of Images. Iconophobia
and Iconoclasm among Jews and Samaritans in Late
Antiquity / Dmitriy Antonov - Mikhail Maizuls Ruina
idolorum. Iconography of Christian idoloclasm: East and
West / Silvia Marin Barutcieff No Limits: Iconoclasm
and Iconophilia in Contemporary Romania.The Attitudes
towards Saint Christophers Modern Iconography / Svea
Janzen Lenin resurrected? / Florentina Badalanova
Geller Medieval Narratives on Russian Demonology /
Sanja Cvetni Iconos and logos
240 x 310 mm, 2018, ISBN 978-2-503-57841-5
Paperback: € 55 300 p., 150 b/w ills, 32 col. ills, 220 x 280 mm, 2019, xxx + 296 p., 25 b/w ills, 156 x 234 mm, 2018,
AVAILABLE ISBN 978-1-905375-68-4 ISBN 978-2-503-57237-6
Hardback: approx. € 110 Hardback: € 85
Multiple subscription options available. Series: Studies in Medieval and Early Renaissance Art History, vol. 64 Series: Early European Research, vol. 11
Contact: periodicals@brepols.net IN PREPARATION AVAILABLE
FHG 11
brepols_catalogus_art_history_2019_v5.indd 11 12/02/19 16:58CULTURAL HISTORY & ART THEORY
Optics, Ethics, and Art in the Hypnos - Somnus: il demone Il cantiere romanico di
Thirteenth and Fourteenth custode e l’erote dormiente Sainte-Foy de Conques
Centuries Studio iconologico del dio del sonno La ricchezza, i miracoli e le
Looking into Peter of Limoges’s dall’antichità all’epoca moderna contingenze materiali, dalle fonti
Moral Treatise on the Eye Graziella Becatti testuali alla storia dell’arte
Herbert L. Kessler, Richard G. Newhauser Xavier Barral i Altet
Questo studio propone l’analisi, dalla sua genesi antica
fino alle epoche moderne, delle effigi ed i contesti del Analyse complèxe de l’église romane Sainte-Foy
This volume examines afresh the various ways in
dio Hypnos/Somnus che incarna il tema del sonno de Conques.
which the introduction of ancient and Arabic optical
materializzandosi in momenti significativi della cultura
theories transformed thirteenth-century thinking Après une description détaillée du monument, Xavier
e della storia dell’arte. Nata come vaga immagine
about vision, how scientific learning came to be Barral expose les principaux questionnements que lui
della letteratura nelle prime rappresentazioni greche,
reconciled with theological speculation, and the effect inspire cet édifice à l’immense bibliographie, questions
l’iconografia di Hypnos trova la sua forma compiuta
these new developments had on those who learned auxquelles il tente de répondre dans ce livre. Il le fait
nel Somnus latino, soprattutto per mezzo di sculture en analysant trois ensembles de données – les sources
about them through preaching. At the core of this
originali di prima epoca imperiale. Lo studio dei documentaires et narratives, les éléments stylistiques,
collection lies Peter of Limoges’s Tractatus moralis de
contesti letterari e filosofici evidenzia l’identità les documents du suivi des travaux de conservation/
oculo, a compilation remarkable for subsuming science
demonica del dio che diventa un custode dell’umanità. restauration. Mais, bien au-delà du chantier de Conques,
into the edifice of theology and glossing the physiology
Le rappresentazioni di Hypnos si ritrovano, dunque, ce livre offre une véritable leçon de méthodologie en
of the eye and theories of perception in terms of Histoire de l’art du Moyen Age.
in alcuni larari domestici, in giardini di grandi ville e
Christian ethics and moralization, making esoteric
in luoghi consacrati alla pratica dell’otium. Raffigurato
learning accessible to the public (including artists) 104 p., 21 b/w ills, 45 col. ills, 200 x 280 mm, 2018,
come un erote dormiente, con specifici attributi,
through preaching.Transgressing traditional boundaries ISBN 978-953-6002-95-5
invece, Somnus associa il suo ruolo di demone
between art history, science, literature, and the history Paperback: € 30
protettore anche alle rappresentazioni simboliche
of religion, the nine essays in this volume complicate Series: Dissertationes et Monographiae, vol. 12
dell’anima. Persistenze iconografiche del dio
the generally accepted understanding of the impact
sopravvivono nel medioevo attraverso la letteratura AVAILABLE
science had on thirteenth-century visual culture.
ed in alcuni specifici contesti artistici ma sarà sotto
la forma di genietto addormentato che l’effige del
Sonno tornerà ad avere fortuna nel Rinascimento, in
contesti intrisi di cultura antica : in seno all’Accademia
ficiniana, alla corte medicea e nella Grotta di Isabella
d’Este. L’immagine dell’erote dormiente, riproposta
anche da Michelangelo, divenne importante non solo
in funzione del confronto con l’antico ma soprattutto
per il suo valore simbolico e culturale. E’ attraverso
questa interpretazione significativa che si può
analizzare l’allestimento tematico delle sculture di
putti addormentati in serie, antichi e moderni, nelle
collezioni di tutta l’epoca moderna. Il dio del Sonno,
sotto forme differenti, trova una collocazione precisa
anche nei contesti pittorici di grandi palazzi signorili e
contribuisce a dar vita ad un nuovo modello formale De la passion à la création
per le rappresentazioni di Mercurio.
Hommage à Alain Erlande-
Graziella Becatti si è laureata in Filologia romanza, Brandenburg
Scienze ed Arti dello Spettacolo presso l’Université Miljenko Jurkovic (éd.)
Libre de Bruxelles ed in Studi Storico-Artistici presso La
Sapienza Università di Roma dove ha conseguito un
Ouvrage collectif dédié à l’historien de l’art Alain
dottorato di ricerca in Storia dell’arte moderna. Erlande-Brandenburg.
Le volume donne l’aperçu de la position scientifique
de Alain Erlande-Branderburg dans le monde de
l’historien de l’art. Deux introductions sur son
importance scientifique, sa bibliographie et une
interview élaborée donnent le panorama total
d’une carrière incroyable. Centrée sur la carrière
de Alain Erlande-Branderburg, le volume offre une
dizaine de contributions scientifiques de ses amies et
collaborateurs européens.
xiv + 212 p., 150 x 230 mm, Pontifical Institute of Mediaeval
Studies, 2018, ISBN 978-0-88844-209-3 approx. 216 p., 60 col. ills, 190 x 255 mm, 2018, 184 p., 43 b/w ills, 78 col. ills, 200 x 280 mm, 2018,
Hardback: € 90 ISBN 978-90-74461-91-7 ISBN 978-953-6002-96-2
Series: Studies and Texts, vol. 209 Paperback: € 65 Paperback: € 40
AVAILABLE Series: Artes, vol. 9 Série: Dissertationes et Monographiae, vol. 9
North American customers are advised to order through University of Toronto Press AVAILABLE DISPONIBLE
12
brepols_catalogus_art_history_2019_v5.indd 12 12/02/19 16:58You can also read
