HEATHERS' AUDITION PACK - SPOTLIGHT THEATRICAL CO - Spotlight Theatre
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SPOTLIGHT THEATRICAL CO.
‘HEATHERS’ AUDITION PACK
MUSIC, LYRICS AND BOOK BY KEVIN MURPHY & LAURENCE O’KEEFE
BASED ON THE FILM WRITTEN BY DANIEL WATERS
Dancer/Movement/Vocal auditions Callbacks
Saturday 17th February 2018 Sunday 18th February 2018
Rehearsal Period
Commencing March 11 2018
Show Dates
th th
25 May – 16 June 2018
***PLEASE NOTE THAT DUE TO THE ADULT NATURE OF THE SHOW,
AUDITION APPLICATIONS WILL ONLY BE OPEN TO AGES 17+ ***
Welcome (Synopsis, Spotlight History + Important Dates) 1
Who will I be working with? (Production Team) 2
What happens on audition day? 3
How do I book an audition? FAQ (Application Process) 4
Character descriptions 5
Audition booking form Attached
Welcome
How Very! The cult favourite film that skewered 80s lingo and set a whole new trend with scrunchies and blazers, rockets onto
the Spotlight stage quicker than you can say ‘well F&$K me gently with a chainsaw!’. Tongue firmly planted in cheek, this
decidedly adult romp defies morals, convention, and gravity with those hairdos. After a sell out Australian tour, Gold Coast
audiences will be shocked, appalled, and completely enthralled as Veronica and the mythic bitches, the Heathers, shatter
expectations and make you laugh, even if it is uncomfortably!
The audition team are searching for a cast of 17 triple threat performers, with all ensemble roles understudying principal roles.
The production will be staged as part of Spotlight Theatre’s main stage season.
Established in 1955, Spotlight Theatrical Company stands as one of the oldest theatre companies in south east QLD, fostering an
outlet for creative youth and community, while seeking to provide vibrant, quality entertainment that enriches and educates.
Spotlight has experienced incredible growth over the years, always showcasing the fantastic talents of the Gold Coast and
surrounding areas, including some remarkable directors, actors, and highly skilled technical crews. Spotlight Theatrical Company
also includes an award winning costume department (with costumes available for hire and purchase), and renowned youth
theatre training programs; performance skills training for young people aged 18 and under. We strive with each new season to
present quality live theatre, that our community can be a part of. We would love for you to consider being part of our next sold-
out production whether you see yourself as a volunteer usher, learning the skills of making props and costumes, performing in
the ensemble, or as our most respected audience.
1|PageWHO WILL I BE WORKING WITH?
DIRECTOR/CHOREOGRAPHER // JAMIE WATT
Jamie is a multi-faceted performer who has been entertaining local and national audiences for
over a decade. He has appeared in over 30 musicals, including Sweeney Todd as Tobias Ragg
opposite Rob Guest, Grease as Danny Zuko, The Boy from Oz as Greg, Legally Blonde as
Emmett (GCATA nomination), All Shook Up as Chad (GCATA award -best actor), and several
other shows from West Side Story to Cabaret. As a Director/Choreographer, Jamie has taken
on All Shook Up (2012) and in 2016 he created, directed, choreographed and starred in Higher
and Higher: The Motown Musical (GCATA award - Best Choreographer). In 2017 Jamie
choreographed Joseph and the Amazing Technicolor Dreamcoat and directed and
choreographed Nine to Five: The Musical, both for Spotlight, for which he was nominated
again as best Director and Choreographer (GCATA nomination)
MUSIC DIRECTOR // JULIE WHITING
Julie is in constant demand as a Music Director, conductor, vocal coach, musician and
educator. Her theatre career spans more than 85 productions across Queensland, including
DAD’S ARMY with Jon English and SWEENEY TODD with Rob Guest. In 2011, Julie was selected
to attend the multiple-Tony® award-winning Goodspeed Musical Institute in the USA to study
Music Direction. Julie’s most recent professional engagement was as the Music Director for
LEGALLY BLONDE at Toowoomba’s Empire Theatre.
Julie is the Creative Producer of her own musical theatre company, Blue Fish Theatrical, and has
produced several large scale musicals including the highly-acclaimed Brisbane revival of
CHICAGO in 2012. She was subsequently nominated for a Greenroom Groundling Award for
Outstanding Contribution to Queensland Theatre.
As a musician outside the theatre, Julie has appeared with a number of ensembles including the
Queensland Youth Orchestra Wind Symphony and the Brisbane Symphony Orchestra. Julie has
also performed as a Xylophone soloist with the Brisbane Concert Orchestra and with the
Queensland Wind Orchestra. Other career highlights include the International Youth Wind
Orchestra in Singapore (2005), and the Symphony Australia Conductor’s Course (2008).
Julie holds a unique combination of qualifications, which reflect her interest in diverse areas.
These qualifications include a Bachelor of Arts in Languages and Applied Linguistics (Mandarin
and Italian), a Bachelor of Music/Bachelor of Teaching (Secondary), a Postgraduate Certificate
in Biomedical Science, a Master of Applied Linguistics and a Master of Education.
ASSISTANT DIRECTOR VOCAL COACH STAGE MANAGER
Emma-June Curik Tanele Graham Diana Morgan
HAIR DESIGN MAKE UP DESIGN DANCE CAPTAIN COSTUME & LIGHTING DESIGN SOUND DESIGN
Ann-Britt Riget Tanele Graham Applications Open PROP DESIGN Michael Sutton Nick Willner
Jess Bennett
SET DESIGN SET CONSTRUCTION
Jamie Watt, Michael Sutton Butch Bernet, Michael Sutton
2|PageWHAT HAPPENS ON AUDITION DAY?
MAIN AUDITION DAY – 17TH FEBRUARY 2018
AUDITION TO-DO LIST
1. Read the audition pack carefully, paying close attention to the draft schedule and email any questions to
spotlightonheathers@gmail.com
2. Please note that availability for this production is a must. Any performer who is not available for more than 3 rehearsals
will be ineligible for the audition process. Should your availability not be disclosed before production, 3 absences during
the rehearsal period will render you ineligible to continue in the production.
3. Submit your audition registration (obtained from spotlightonheathers@gmail.com ), a CV and Headshot and be sent a
closed audition time by a member of our production team.
4. All auditionees must attend either a movement audition or dance audition.
5. All auditionees must complete a vocal audition.
Time Location Activity What to bring
8:00 – Spotlight Main Singer/Mover Call ( With *Comfortable clothing that does not restrict your movement
9:00 am Theatre Choreographer and Dance **Water bottle, deodorant, appropriate footwear
Captain)
9:00 - Spotlight Main Dance Call (With *Comfortable clothing that does not restrict your movement
10:00am Theatre Choreographer and Dance **Water bottle, deodorant, appropriate footwear
Captain)
11:30am Spotlight Main Closed Auditions Please prepare TWO songs, one up-tempo one ballad that fit
onwards Theatre
BOOK NOW the style of musical and show full vocal range and dynamic.
spotlightonheathers@gmail.com VERSE AND CHORUS ONLY PLEASE. Accepted musical
accompaniment will be on CD, iPHONE, MP3 or USB.
**NO ACAPELLA AUDITIONS (without backing) WILL BE ACCEPTED**
**At audition panel’s request you may be required to do a
cold read or range test, as well as sing exerts from the
score**
PLEASE DON’T HESITATE TO CONTACT US WITH ANY QUERIES VIA spotlightonheathers@gmail.com
CALL-BACKS WILL BE HELD ON SUNDAY 18TH FEBRUARY IN THE EVENING. IF
TH
SUCCESSFUL FOR A CALLBACK YOU WILL BE NOTIFIED ON THE 17 AND
GIVEN A PACK TO PREPARE.
3|PageFAQ
1. What do I need to return to the audition team in order to book an audition time?
- You are required to return a fully completed audition form and CV, accompanied by a headshot to
spotlightonheathers@gmail.com before you will be booked in for an audition time.
2. Does everyone have to attend the dance or movement call?
- This is a compulsory part of the audition process in which the Director/Choreographer assesses your
suitability for the production, it is your choice which you’d like to attend, however, the choreographer
may ask you to stay for an extra workshop if deemed necessary.
3. Can I audition even if I’m under 17 or turning 17 soon?
- Due to the extremely adult nature of the production, Heathers auditions will be open to those who are
currently 17 and above. This is non negotiable.
4. Are there any non-singing roles?
- No! The ensemble size of this particular production is 17. All roles must sing, dance and act for this production.
5. How else can I get involved in the production?
- We would love to hear from anyone interested in lending a hand behind the scenes!
Contact spotlightonheathers@gmail.com to discuss!
HOW DO I BOOK AN AUDITION?
You now know what the show’s about, what Spotlight Theatrical Co is about, who’s involved, when it’s all happening and what
roles are available. The next step is to book an audition! You must fill out the audition form attached and send it back to us with
your CV and headshot attached, then we will send you a time for your closed audition, and we’ll also book you a space in a
dance call and the ensemble workshop! It’s as easy as that!
4|PageCHARACTER DESCRIPTIONS
VERONICA SAWYER – High Belting up to A#. Must have dynamic and stylistic range. Burns to be both cool and kind, but doesn’t
yet know how to be both at the same time. Sarcastic and witty, but easily blindsided by love. Plays age 17
JASON ‘JD’ DEAN – Strong, confident belt up to at least A# with wide emotional range. Darkly charismatic, compellingly
attractive, charming yet damaged. Savage wit. Plays age 17.
HEATHER CHANDLER – Strong belt to F or higher preferred. The richest, hottest, cruellest girl in town. Plays age 17
HEATHER McNAMARA – Strong belt to D#. Beautiful, innocent, stupid. Can be mean on command but very vulnerable and
fearful. Plays age 17
HEATHER DUKE – Strong belt to D. The whipped beta dog of the three Heathers. Deeply insecure but longs to wield power like a
bulldozer. Plays age 17.
MARTHA DUNSTOCK – Strong belt to F. Nicknamed ‘Martha Dumptruck’, the opposite of confident and popular. Huge and
beautiful soul. Plays age 17
RAM SWEENEY – Strong baritone, belt to G, falsetto useful. Linebacker. Big, insensitive to the feelings of others, ruled by
appetites. Plays age 17
KURT KELLY – Tenor, strong belt to A#, some falsetto. Quarterback and captain. Chiselled, rude, entitled and cocky, he’s the
brains of the friendship with Ram. Plays age 17
RAM’S DAD/BIG BUD DEAN/COACH RIPPER – Baritone/Tenor with belt to A#, higher welcome. Requires a chameleon actor and
singer who is familiar with comedy. Plays age 40 – 45
MS FLEMING/VERONICA’S MOM – Great belt up to C, higher welcome. MS FLEMING – Aging hippie teacher, still yearning for
the day the Age of Aquarius reaches Ohio. VERONICA’S MOM – easy going and distant. Plays age 45 -50
KURT’S DAD/VERONICA’S DAD/PRINCIPAL GOWAN – Strong baritone/Tenor to a G, higher welcome. Requires a chameleon
actor and singer who is familiar with comedy. Plays age 30 – 45.
BOYS 1, 2 and 3 – BELEAUGUERED GEEK, PREPPY STUD, HIPSTER DORK – all vocal ranges
GIRLS 1, 2 and 3 – NEW WAVE GIRL, STONER CHICK, YOUNG REPUBLICANETTE. – all vocal ranges
SWING BOY – THIS ROLE WILL UNDERSTUDY ALL ENSEMBLE ROLES AND MAY APPEAR ON STAGE
SWING GIRL – THIS ROLE WILL UNDERSTUDY ALL ENSEMBLE ROLES AND MAY APPEAR ON STAGE
THE AUDITIONS TEAM ARE SEARCHING FOR A STRONG TRIPLE
THREAT CAST OF 17. MOST ENSEMBLE ROLES WILL UNDERSTUDY
PRINCIPAL ROLES IN THE PRODUCTION.
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