Miart - international modern and contemporary art fair miart.it 17 - 19 april 2020 VIP preview: 16 april fieramilanocity, milan viale scarampo ...
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miart – international modern
and contemporary art fair
miart.it
17 – 19 april 2020
VIP preview: 16 april
fieramilanocity, milan
viale scarampo – gate 5
index intro 3
milano art week 7
galleries 2019 17
sections 20
miartalks 28
prizes 2019 30
vip 34
partner 35
team 36
2
intro miart is a fair conceived as a platform fostering dialogues
between contemporary art, modern art and collectible
design.
In 2019, miart hosted 185 galleries from 19 countries, with
an exhibition format that brings together international
contemporary artists, post-war masters, emerging talents
and experimental design.
miart is the Italian art fair with the broadest chronological
offering of artworks, spanning the period from the early
years of the 20th century to works by the most recent
generations: through its 5 sections, miart encourages
interaction between different creative disciplines, and
between history and the present.
Every spring, the rich programme of awards, an ambitious
series of talks and exclusive VIP events bring over 60
directors and curators of international museums, 250
collectors and over 12,000 VIP visitors to Milan.
The 25th edition of miart will once again be the catalyst
for Milano Art Week, the week-long schedule of newly
commissioned exhibitions, openings and events involving
Milan’s most prestigious public and private institutions,
foundations and galleries, plus non-profit and independent
spaces —all of whom make Milan a favourite cultural
destination for art lovers, collectors and professionals.
Gladstone Gallery , New York - Brussels 3
Galleria dello Scudo, Verona 4
Cardi, Milan - London 5
Massimo De Carlo, Milan - London - Hong Kong
6
milano art week Every year, miart heralds a new edition of Milano
Art Week, a packed calendar of openings and
events involving the city’s many public and private
institutions, including Fondazione Prada, Pirelli
HangarBicocca, Fondazione Nicola Trussardi, Triennale
di Milan, Museo del Novecento, PAC – Padiglione d’Arte
Contemporanea, Fondazione Carriero, Fondazione
Furla, GAM - Galleria d'Arte Moderna, Palazzo Reale,
Fondazione Prada Osservatorio, Fondazione ICA, FM
– Centro per l’Arte Contemporanea and Fondazione
Pomodoro, amongst the many others.
Organised in conjunction with the City of Milan, the
2019 edition of Milano Art Week was the richest to
date, attracting, amongst others, artists like Lizzie
Fitch / Ryan Trecartin, Ibrahim Mahama, Sheela
Gowda, Lygia Pape, Anna Maria Maiolino, Hans
Josephsohn, Anj Smith, Giorgio Andreotta Calò,
Sophia Al-Maria, Marinella Pirelli, Carlos Amorales
and Renata Boero, together with large scale group
exhibitions such as Broken Nature: Design Takes on
Human Survival, The Unexpected Subject: 1978 Art and
Feminism in Italy, and Hyper Visuality. Film & Video Art
from the Wemhöner Collection.
7
what they “This edition of miart recorded a considerable increase in
attendance by foreign collectors and a particularly lively and
“Milan is a fantastic city in terms of experimentation and
contemporary culture. Showing in the Emergent section of
say about us attentive approach by collectors from Italy. The presence of
an important institutional exhibition dedicated to Anna
miart 2019 has given me the chance to promote the program
of the gallery and the work of Jannis Marwitz and Nils Alix
– galleries
Maria Maiolino, held in the city’s PAC-Padiglione d’Arte Tabeling to collectors who demonstrated to be very interest-
Contemporanea, has made it possible for us to further ed and attentive”
enhance the quality of our relations” —Lucas Hirsch, Lucas Hirsch, Düsseldorf; Emergent Section
—Raffaella Cortese, Galleria Raffaella Cortese, Milan;
Established Contemporary section “miart is a fair in which the quality of both exhibitors and
public is growing year by year. The visitors were happy to
“miart 2019 has been an excellent edition. The quality of the discover the last 10 years of David Hockney’s work and we
fair and of the exhibitions in Milan’s museums, foundations registered an improvement in the quality of the meetings and
and galleries contributes to the vibrant energy that character- sales to Italian collectors”
izes the city right now and makes miart a favourite destina- —Patrice Cotensin, Galerie Lelong & Co, Paris; Established
tion for curators and collectors. We are particularly pleased Contemporary section
with the purchase by Fondazione Fiera Milano of Simon
Fujiwara’s Untitled (Empire Clock), 2016 for its collection” “For this edition of miart, we presented a focus on three
—Shifra Shalit, Dvir Gallery, Brussels – Tel Aviv; Established artists of the gallery in the Established Contemporary section:
Contemporary section Allison Katz, Kerstin Brätsch and Amelie von Wulffen; while
in the Established Masters section, we presented a selection of
“miart is a high-quality fair which has recorded excellent Mario Schifano’s works from the Compagni Compagni series
international attendance since it opened. We are satisfied dating back to 1968. We are very satisfied with the huge
with the sales of works by Emilio Vedova from the Seventies amount of attention received for both projects from Italian
and Eighties, which have been purchased by both Italian and and American collectors, and with the sales generated”
foreign collections” —Gió Marconi, Gió Marconi, Milan; Established
—Filippo Di Carlo, Galleria dello Scudo, Verona; Established Contemporary section and Studio Marconi '65, Milan;
Masters section Established Masters section
“Reflecting the current cultural and creative buzz in Milan, “Participating in the Generations section for the first time this
this edition of miart has marked a revolution as for what year was an invigorating and gratifying experience. This
concerns the relations between the fair and the rest of the section is really meticulously curated and it gave us the
city. Crowds of international visitors, the remarkable num- opportunity to meet new clients and curators, as well the
ber of exhibitions in institutions and museums, and the chance to place works in important Italian collections. Over
events’ critical success have strengthened miart’s position the past few years, Milan has become one of the major art
among international fairs and are helping to make Milan a cities and the selection of excellent galleries at miart, along
hub in the world of art” with an international public, helped create a vibrant atmos-
— Stefano Rabolli Pansera, Hauser & Wirth, Hong Kong phere right until the last day of the fair.”
– London – Los Angeles – New York – Somerset – St. Moritz — Natascha Burger, Hubert Winter, Vienna;
– Gstaad – Zurich; Established Contemporary section Generations section 8
Hauser & Wirth, Hong Kong - London - Los Angeles - New York - Somerset - St. Moritz - Gstaad - Zurich 9
Corvi-Mora, London + C+N Canepaneri, Milan - Genoa 10
what they “Milan’s contemporary culture scene is
finally flourishing, thanks in part to
“miart: the best collectible designs from
this year’s Milan fair. From titans of Italian
say about us wealthy art collectors who have opened
private foundations. April is the city’s cul-
postwar furniture to lesser-known
mid-century names, an inspiring range of
– press tural high season with miart and Milano
Art Week. Now in its 24th year, miart has
works were on show”.
ft.com, 31 May 2019
drawn a cluster of well-known internation-
al galleries.” “miart is not just another commercial art
theartnewspaper.com, 3 April 2019 event. It has become a vital space and an
important point of cultural reference for
“The time was right to come to Milan, understanding contemporary art, for inter-
which has become an interesting hub for national meetings and for interesting new
artists and institutions, as well as an ideal synergies.”
meeting place for swathes of enthusiastic La Repubblica - Milan Edition, 1 April 2019
collectors.”
news.artnet.com, 5 April 2019 “miart has transformed Milan into an
event.”
“A lot has been said about Milan's 'new tagesspiegel.de, 21 April 2019
Renaissance' in recent years. The city has
become more attractive and cosmopolitan “A formidable roster of 185 galleries from
than ever. And miart has played a key role 19 countries will be showing at the 2019
in these developments.” edition (…). It is also the first time that a
L'Economia-Corriere della Sera, 1 April 2019 number of international art galleries will
make Milan the centre of their trade.”.
“miart satisfies the need for sales and con- wallpaper.com, 6 April 2019
tacts. For a number of years now, the exhi-
bition has been a driving force for change “The Milan art exhibition is opening with
in Milan, by offering a week of art worthy 185 participating galleries. Over a third of
of the best international exhibitions.” these are from outside Italy - conclusive
Ilsole24ore.com, 9 April 2019 proof of the international dimension the
event has taken on.”
“The eyes of the art world turn to Milan La Repubblica, 2 April 2019
– as heavyweight galleries join the line-up
at the Miart fair”.
howtospendit.ft.com, 29 March 2019
11what they “The selection of galleries presenting at
miart feels entirely unique, with specialty
“miart was a great experience! The highly
elaborated and well-curated sections make
say about us gallerists showing unusual and fascinating
material alongside more recognizable fac-
it different from other fairs, especially
the Generations and the Decades sections
– institutions es of the international contemporary art
scene. I felt I learned more at miart than at
were really an achievement. The very at-
tractive exhibitions program of Milanese
most contemporary art fairs, and with the institutions - like Fondazione Prada or the
exciting backdrop of Milan’s ever-expand- show devoted to Antonello da Messina at
ing contemporary art landscape, the city is Palazzo Reale - makes miart a cornerstone
ripe for rediscovery.” in the fair calendar. I look forward to com-
Michael Darling, James W. Alsdorf Chief ing back next year!”
Curator, Museum of Contemporary Art Reinhard Spieler, Director, Sprengel
Chicago Museum, Hannover
“Participating in miart 2019 as a jury mem- “I was impressed with the quality of the
ber of the On Demand Prize was a really presentations at miart and of the pro-
great experience: I had the opportunity to gramme of talks, in which I participated
familiarize with the flourishing art scene in in 2019. Aside from the engaging panels,
Milan and to join the very fruitful conver- the fair brings together some of the galler-
sation with the donor of the prize and with ies with the most exciting programs today,
other colleagues from International institu- and the excellent institutions in Milan are
tions. I particularly enjoyed the carefully always worth a visit.”
curated booths at the fair and the beautiful Stefanie Hessler, Writer, and Curator,
exhibitions at the Triennale, at the Pirelli TBA21–Academy, London and Royal
HangarBicocca and at the Fondazione Institute of Art, Stockholm
Prada”.
Leevi Haapala, Director, KIASMA – Museum
of Contemporary Art, Helsinki
12what they “miart 2019 was full of discoveries. The
Generations Section, for which I was part
platform to discuss with other internation-
al professionals the situation of women
say about us of the Jury, had some great contribu-
tions. Apart from the winning booth with
artists today. The program of exhibitions
all around the city was very interesting and
– institutions Katsumi Nakai and Alice Cattaneo, I was
impressed by the pairing that Thomas
it contributed significantly to improve the
high-quality level of the fair.”
Dane Gallery and Bortolami created Teresa Grandas, Curator, MACBA - Museu
around works by Morgan Fisher and d’Art Contemporani de Barcelona
Walead Beshty. Although the program of
talks at the fair included many interest- “It was a great pleasure for me to partici-
ing conversations, sadly I missed most of pate in miart 2019 as a speaker within the
them as I also wanted to see the many in- program of talks and to discuss art and
stitutional shows in Milan.” feminism with international experts. The
Magnus af Petersen, Director, Bonniers miart team does a fantastic job ensuring
Konsthall, Stockholm that the fair plays an important role on the
international stage”.
“miart is so much more than a simple art Gabriele Schor, Founding Director,
exhibition. It also provides a place for Sammlung Verbund Collection, Vienna
meetings and multidisciplinary discus-
sions. What makes the exhibition so spe- “As a jury member selecting the LCA Prize
cial is its close link with the city of Milan. for the Emergent section at miart, I was
The exhibition has expanded into an ex- fortunate enough to discover a host of new
tended cultural programme that involves galleries and artists. Vital to my work as
many of the city's locations and institu- a curator, I was able to see new works by
tions and incorporates and promotes other world-class artists, of different ages and
events, like the coming Design Week, in a backgrounds, and speak with their galler-
unique manner.” ists all whilst in Milan. The quality of the
Ippolito Pestellini, Partner, OMA, Rotterdam programme at miart is exceptional, and the
- Milan exhibitions across the city are also a key
reason to visit.“
“I participated in one of the talks orga- Sarah McCrory, Director, Goldsmiths CCA,
nized by miart 2019, which was a positive London 13Marian Goodmann Gallery, New York - Paris - London 14
highlights 185 international galleries from 19 countries (Austria,
Belgium, Czech Republic, Denmark, France,
Germany, Greece, Hungary, Italy, Mexico, Peru,
Portugal, Romenia, Slovakia, South Africa,
Switzerland, Turkey, United Kingdom, United
States)
89% of the galleries are satisfied with their participation
in miart 2019*
95% of the participating galleries declare their intention
to apply for the 2020 edition*
More than 12.000 international VIP including
collectors, art advisors, curators and museum
directors, private foundations, from more than 20
countries (including Austria, Belgium, Canada,
Denmark, France, Germany, Israel, Netherlands,
Spain, Switzerland, United Arab Emirates, United
Kingdom, United States)
VIP program dedicated to 250 international hosted
collectors
More than 60 professionals – including museum
directors, curators, collectors, artists, designers
and writers – as Jurors and Speakers of miartalks
ChertLüdde, Berlin *data processing source: mps - evolving marketing research 15T293, Rome + Paci Contemporary, Brescia 16
galleries ESTABLISHED CONTEMPORARY
A Arte Invernizzi, Milan | Acappella, Naples | Apalazzogallery, Brescia | Alfonso Artiaco, Naples | Maria Bernheim,
2019 Zurich | Alessandra Bonomo, Rome | Thomas Brambilla, Bergamo | C+N Canepaneri, Milan – Genoa | Cabinet,
London | Campoli Presti, London – Paris | ChertLüdde, Berlin | Clearing, Brussels – New York – Brooklyn | Galleria
Continua, San Gimignano – Beijing – Boissy-le-Châtel – Habana | Raffaella Cortese, Milan | Corvi-Mora, London |
Monica De Cardenas, Milan – Zuoz – Lugano | Massimo De Carlo, Milan – London – Hong Kong | Deweer, Otegem
| Tiziana Di Caro, Naples | Dvir Gallery, Brussels – Tel Aviv | Edel Assanti, London | Ex Elettrofonica, Rome | Renata
Fabbri, Milan | Francisco Fino, Lisbon | Fumagalli, Milan | FuoriCampo, Siena | Gladstone Gallery, New York – Brussels
| Marian Goodman Gallery, New York – Paris – London | Hauser & Wirth, Hong Kong – London – Los Angeles – New
York – Somerset – St. Moritz – Gstaad – Zurich | Éric Hussenot, Paris | Rodolphe Janssen, Brussels | Kalfayan Galleries,
Athens – Tessalonica | Kaufmann Repetto, Milan – New York | Peter Kilchmann, Zurich | Andrew Kreps Gallery,
New York | Lelong & Co., Paris – New York | Antoine Levi, Paris | Levy.Delval, Brussels | Loom, Milan | Federico
Luger, Milan | Madragoa, Lisbon | Magazzino, Rome | Mai 36, Zurich | Norma Mangione, Turin | Gió Marconi, Milan
| Primo Marella Gallery, Milan | Francesca Minini, Milan | Massimo Minini, Brescia | Monitor, Rome – Lisbon | Office
Baroque, Brussels | Officine dell’Immagine, Milan | Otto Zoo, Milan | P420, Bologna | Galleria Pack, Milan | Francesco
Pantaleone, Palermo – Milan | Gregor Podnar, Berlin | Prometeogallery, Milan – Lucca | Revolver, Lima – Buenos
Aires | Rizzutogallery, Palermo | Galerie Thaddaeus Ropac, Paris – London –Salzburg | Lia Rumma, Milan – Naples |
Tucci Russo, Torre Pellice | Federica Schiavo, Milan – Rome | Mimmo Scognamiglio, Milan | Eduardo Secci, Florence
| Smac, Cape Town – Johannesburg – Stellenbosch | Soda, Bratislava | SpazioA, Pistoia | Sprovieri, London | Studio
Dabbeni, Lugano | Studio Guenzani, Milan | Studio SALES di Norberto Ruggeri, Rome | Studio Trisorio, Naples |
Vistamare – Vistamarestudio, Pescara – Milan | Wilde, Geneva – Basel | Z2o Sara Zanin, Rome | Zero…, Milan
GENERATIONS
Matt Connors, Herald St, London + Piero Dorazio, Tega, Milan
Walead Beshty, Thomas Dane Gallery, London – Naples + Morgan Fisher, Bortolami, New York
Richard Rezac, Isabella Bortolozzi, Berlin + Giacomo Balla, Galleria d’Arte Maggiore G.A.M., Bologna – Paris – Milan
Kate Newby, The Sunday Painter, London + Michael Berryhill, Lulu, Mexico City
Birgit Jürgenssen, Hubert Winter, Vienna + Tina Lechner, Hubert Winter, Vienna
Patrizio Di Massimo, T293, Rome + Horst P. Horst, Paci Contemporary, Brescia
Polys Peslikas, Vistamare – Vistamarestudio, Pescara – Milan + César Domela, Martini & Ronchetti, Genoa
Katsumi Nakai, Ronchini, London + Alice Cattaneo, MLF | Marie-Laure Fleisch, Brussels
17galleries ESTABLISHED MASTERS
10 A.M. Art, Milan | Enrico Astuni, Bologna | Giovanni
DECADES
1910 - 1920 Avant-gardes and bon ton, Società di Belle
2019 Bonelli, Milan | Ca’ di Fra’, Milan | Cardelli & Fontana,
Sarzana | Cardi, Milan – London | Casoli De Luca, Rome
Arti, Viareggio
1920 - 1930 Duilio Cambellotti, Russo, Rome
| Conceptual, Milan | Contini Galleria d’Arte, Venice – 1940 Antonietta Raphaël, Copetti Antiquari, Udine
Cortina d’Ampezzo – Mestre | Cortesi, Lugano – London 1950 Jaroslav Serpan, Dellupi Arte, Milan
– Milan | de’ Foscherari, Bologna | Dep Art, Milan | 1960 Maria Lai, M77, Milan
Diehl, Berlin | Eidos Immagini Contemporanee, Asti | 1970 Carlo Scarpa, Galleria Gomiero, Milan
Frediano Farsetti, Milan | Frittelli, Florence | Galerie21, 1970 Katalin Ladik and the Hungarian Neo-avant-garde,
Livorno | Galleria dello Scudo, Verona | Gariboldi, Milan acb, Budapest
| Häusler Contemporary, Monaco – Zurich – Lustenau 1980 Sandro Chia, Alessandro Bagnai, Foiano della
| Matteo Lampertico, Milan | Lorenzelli Arte, Milan | Chiana
Maab, Milan – Padoa | Galleria d’Arte Maggiore G.A.M., 1990 Jon Thompson, Anthony Reynolds Gallery, London
Bologna – Paris – Milan | Mazzoleni, London – Turin
| Montrasio Arte, Monza – Milan | Open Art, Prato | EMERGENT
Osart, Milan | Otto Gallery, Bologna | Nicola Pedana, ADA, Rome | Balcony, Lisbon | Car Drde, Bologna |
Caserta | Poggiali, Florence – Milan – Pietrasanta | Clima, Milan | Damien & The Love Guru, Brussels | gaep
Il Ponte, Florence | Progettoarte-Elm, Milan | Erica - Eastwards Prospectus, Bucharest | Galeriepcp, Paris
Ravenna, Rome | Allegra Ravizza, Lugano – Honolulu | | Gallleriapiù, Bologna | Felix Gaudlitz, Vienna | Lucas
RCM Galerie, Paris | Repetto Gallery, London | Michela Hirsch, Düsseldorf | Horizont, Budapest | Gilda Lavia,
Rizzo, Venice | Robilant+Voena, London – Milan – St. Rome | Nome, Berlin | Öktem Aykut, Istanbul | Polansky,
Moritz | Richard Saltoun, London | Galleria Spazia, Prague – Brno | Ribot, Milan | Stems Gallery, Brussels –
Bologna | Gian Enzo Sperone, Sent – New York | Studio Luxembourg | Sophie Tappeiner, Vienna | Una, Piacenza |
d’Arte Campaiola, Rome | Studio G7, Bologna | Studio Veda, Florence | Vin Vin, Vienna
Guastalla, Milan | Studio Marconi ‘65, Milan | Tega, Milan
| Galleria Tonelli, Milan – Porto Cervo | Tornabuoni Arte, OBJECT
Florence – Milan – Paris – London | Paola Verrengia, Elisabetta Cipriani Wearable Art, London | Luciano
Salerno Colantonio, Brescia | Galleria Luisa Delle Piane, Milan
| Dimoregallery, Milan | Erastudio Apartment-Gallery,
Milan | Eredi Marelli, Cantù | Galleri Feldt, Copenhagen
| Galerie Marc Heiremans, Antwerp | Frank Landau,
Frankfurt / Stockholmmodern, Stockholm | Officine
Saffi, Milan | Taste Contemporary, Geneva | Galleria
Antonio Verolino, Modena
18Studio Marconi '65, Milan
19sections MIART 2020: SECTIONS AND RATES
Opening date of online application process 9 JULY 2019
Closing date of online application process 8 NOVEMBER 2019
Application fee* 400€
SELECTION COMMITTEE HONOR COMMITTEE
ESTABLISHED CONTEMPORARY: Francesca and Marco Assetto
Emanuela Campoli, Campoli Presti, Fabio Agovino
London – Paris Beatrice Bulgari
Claudia Ciaccio, Zero…, Milan Francesco Dalla Rovere
Alice Conconi, Andrew Kreps, New York Tiziana Fausti
Peter Kilchamnn, Peter Kilchmann, Zurich Angela Missoni
Florian Lüdde, ChertLüdde, Berlin Martina Mondadori
Stefania Morellato
ESTABLISHED MASTERS: Valeria Napoleone
Michele Casamonti, Tornabuoni, Lorenzo Paini and Enea Righi
Florence – London – Milan – Paris Andrea Succo
Davide Mazzoleni, Mazzoleni,
Turin – London
Ruggero Montrasio, Montrasio Arte,
Milan – Monza
*(refundable upon selection) 20map 2019 LEGEND
CONTEMPORARY
MASTERS
DECADES
GENERATIONS
EMERGENT
OBJECT
reception
vip lounge
miartalks
21sections ESTABLISHED CONTEMPORARY ESTABLISHED MASTERS
The main section of miart dedicated to The main section of miart dedicated to
contemporary art attracts galleries who modern art attracts galleries that present
present contemporary art in its strictest works produced before 1999, in a selection
interpretation, from modern classics to the ranging from the masters of modern art to
most recent new creations. twentieth century artists currently enjoying
Starting from the 2020 edition, miart will a revival of interest. The section excludes
also be accepting applications for this works produced after 1999 with the excep-
section from galleries in the field of col- tion of recent works by historically reco-
lectible design, with special emphasis on gnised artists.
the relationship between the visual and Starting from the 2020 edition, miart will
applied arts and on the design-oriented also be accepting applications for this
nature of exhibits. section from galleries in the field of col-
lectible design, with special emphasis on
the relationship between the visual and
applied arts and on the design-oriented
nature of exhibits.
Curated by:
Alberto Salvadori, Director,
Fondazione ICA, Milan
Price: 277€/sqm* Price: 281€/sqm*
Registration fee: 1.000€* Registration fee: 1.500€*
Size: from 32 to 96 sqm Size: from 48 to 96 sqm
*All prices are net of VAT. Galleries are required to stipulate an all-risks insurance policy (available from Fiera Milano).
(NOTE: Galleries with a foreign VAT number are exempt from VAT provided they declare their VAT numbers in advance.) 22sections ESTABLISHED FIRST STEP EMERGENT
A category devoted to galleries that A section for young galleries whose
participated in the past in the Emergent programming focuses on the latest
section and are now passing to the generations. The exhibition project can
Established Contemporary section. include at most 3 artists.
Collaborations between two galleries
sharing a single exhibition project are
welcomed.
Curated by:
Attilia Fattori Franchini, Independent
Curator, London
Price: 251€/sqm* Price: 192€/sqm*
Registration fee: not required Registration fee: 450€*
Size: 24 sqm Size: 20 sqm
*All prices are net of VAT. Galleries are required to stipulate an all-risks insurance policy (available from Fiera Milano).
(NOTE: Galleries with a foreign VAT number are exempt from VAT provided they declare their VAT numbers in advance.) 23sections GENERATIONS DECADES
Section in which two galleries are invited A section that explores the history of the
to create a dialogue between two artists 20th century, divided by decades. Each
belonging to two different generations. booth, through a monographic or thematic
The two galleries will share the same stand exhibition, presents a key moment of the
and will collaborate on a single exhibition period in question, in a succession of pro-
project. One gallery may also represent jects dating from the 1910s to the 1990s.
both artists.
Curated by:
Alberto Salvadori, Director, Fondazione
ICA, Milan
Price: 277€/sqm* Price: 277€/sqm*
Registration fee: not required Registration fee: 1.000€*
Size: 50 sqm Size: from 36 to 64 sqm
*All prices are net of VAT. Galleries are required to stipulate an all-risks insurance policy (available from Fiera Milano).
(NOTE: Galleries with a foreign VAT number are exempt from VAT provided they declare their VAT numbers in advance.) 24Gian Enzo Sperone, Sent - New York
25Veda, Florence 26
Erastudio Apartment-Gallery, Milan 27
miartalks Every year, miart offers visitors a platform of round tables, discussion groups and
interviews that attract over 40 international speakers including artists, museum
directors, curators, writers, collectors, thinkers and designers.
For the fifth year running, miartalks will be presented in collaboration with
In Between Art Film, the cinematic production house founded by Beatrice Bulgari
to encourage cultural exchange between different contemporary art tendencies through
the production of art films and documentaries and support for institutional moving
image projects.
Each miartalks cycle deals with a single theme. The programme has therefore assumed
the richness of a symposium and every year attracts the most authoritative and
prestigious speakers on the international art circuit.
28
Massimiliano Gioni Jessica Morgan Nancy Olnick Giorgio SpanuMichelangelo Pistoletto Stefanie Hessler Christian Marclay Alice Rawsthorn
Aric Chen Vivien Greene Kasper König Chus Martinez
29
Jeremy Deller Annie Fletcher Hans Ulrich Obrist Paola Antonelliprizes FONDAZIONE FIERA MILANO
ACQUISITION FUND
ON DEMAND PRIZE BY SNAPORAZVEREIN
2019 Acquisition fund for artworks to enhance
Conceived as a partnership between miart
and the association for experimental pro-
the collection of Fiera Milano Foundation ductions Snaporazverein, the prize of Euro
with a budget of Euro 100.000. 10.000 is assigned to the best presentation
within the section On Demand. The prize
will support a project by the awarded artist
HERNO PRIZE to be realized in the future.
The prize has been assigned to Madragoa
Conceived as a partnership between mi- with Luís Lázaro Matos.
art and Herno, the prize of Euro 10.000 is
assigned to the booth with the best concept
and design. LCA PRIZE FOR EMERGENT
The prize has been assigned to Clearing
and MAI 36. Conceived as as a partnership between
miart and LCA Studio Legale, the prize of
Euro 4.000 is awarded to the best pres-
FIDENZA VILLAGE PRIZE FOR entation within the section Emergent.
GENERATIONS The prize has been assigned to Vin Vin.
Conceived as a partnership between mi-
art and Fidenza Village, a member of The ROTARY CLUB MILANO BRERA PRIZE
Bicester Village Shopping Collection by FOR CONTEMPORARY ART AND YOUNG
Value Retail, the prize of Euro 10.000 is ARTISTS
awarded to the best dialogue within the
section Generations. The prize consists in the acquisition of
The prize has been assigned to Ronchini an artwork by an emerging or mid-career
with Katsumi Nakai and MLF | Marie Laure artist to be donated to the Museo del
Fleisch with Alice Cattaneo. Novecento, Milan.
The prize has been assigned to the artist
June Crespo, gallery P420.
30jurors Magnus af Petersens, Director, Bonniers Konsthall, Stockholm
Laura Cherubini, Curator and Professor of Contemporary Art History, Accademia di
2019 Belle Arti di Brera, Milan
Sarah Cosulich, Artistic Director, La Quadriennale di Roma
Sören Grammel, Head of Art since 1960 / Contemporary Art, Kunstmuseum Basel
Leevi Haapala, Director, KIASMA – Museum of Contemporary Art, Helsinki
Vincent Honoré, Director of Exhibitions, MoCo – Montpellier Contemporain
Sarah McCrory, Director, Goldsmiths CCA, London
Alice Motard, Chief Curator, CAPC – musée d'art contemporain de Bordeaux
Matthias Mühling, Director, Lenbachhaus, Munich
François Quintin, Director, Lafayette Anticipations - Fondation d’entreprise Galeries
Lafayette and Fonds de dotation Famille Moulin, Paris
Bartolomeo Pietromarchi, Director, MAXXI Arte, MAXXI Museo Nazionale delle Arti
del XXI secolo, Rome
Cristiano Raimondi, Head of International Projects, Nouveau Musée National de
Monaco
Kathleen Reinhardt, Curator of Contemporary Art, Albertinum Dresden
Reinhard Spieler, Director, Sprengel Museum, Hannover
Francesco Stocchi, Curator for Modern and Contemporary Art, Museum Boijmans Van
Beuningen, Rotterdam
Paula van den Bosch, Art Historian and Senior Museum Curator, Bonnefantenmuseum,
Maastricht
Ernestine White, Director, William Humphreys Art Gallery, Kimberley
31Katsumi Nakai, Ronchini, London + Alice Cattaneo, MLF | Marie-Laure Fleisch, Brussels 32
Lucas Hirsch, Dusseldorf
33VIP Program Every year, miart is pleased to welcome over
12,000 VIP cardholders including Top Collectors,
institutional figures, curators and museum directors.
The VIP card entitles the holder to exclusive benefits:
— Preview and vernissage
— Access to the Ruinart VIP Lounge
— Access to the VIP Restaurant Da Vittorio (3 Michelin
stars)
— Access to the VIP Program, which includes visits to
important Milanese institutions, including Triennale
di Milano, Museo del Novecento, Palazzo Reale and
Fondazione Prada
VIP PLUS Program In addition, miart has developed a VIP Plus Program
dedicated to over 250 international collectors,
which includes accommodation in a first class hotel,
transfers, visits to private collections and ad hoc
appointments.
34partnership
and sponsorship
main partner
under the patronage of partners
sponsors miartalks powered by
media partners international media partner
online exclusively on official guide
Galerie Thaddaeus Ropac, Paris – London – Salzburg 35team MANAGEMENT FIERA MILANO SPA
Strada Statale del Sempione 28
PRESS OFFICE MIART
Lara Facco
20017 Rho (MI) press@larafacco.com
+39 02 4997 1
miart@fieramilano.it PRESS OFFICE FIERA MILANO
Rosy Mazzanti
EXHIBITION MANAGER rosy.mazzanti@fieramilano.it
Emanuela Forlin
emanuela.forlin@fieramilano.it Elena Brambilla
elena.brambilla@fieramilano.it
ARTISTIC DIRECTOR
Alessandro Rabottini EXHIBITOR CUSTOMER CARE
alessandro.rabottini@consulenti.fieramilano.it Elisa Aonzo
elisa.aonzo@fieramilanomedia.it
EXHIBITOR LIASION AND SPECIAL PROJECTS miart.customercare@fieramilano.it
Oda Albera +39 02 4997 7242
oda.albera@consulenti.fieramilano.it
CURATOR ESTABLISHED MASTERS AND DECADES
Alberto Salvadori
alberto.salvadori@consulenti.fieramilano.it
CURATOR EMERGENT
Attilia Fattori Franchini Photocredit: Andrea Pisapia
Photocredit p.6:
VIP RELATIONS MANAGER Installation views at miart booth C13 - Massimo De Carlo
Photo by Roberto Marossi
Lorena Stamo Courtesy Massimo De Carlo, Milan - London - Hong Kong
VIP RELATIONS ASSISTANT Photocredit p.7:
Sheela Gowda, Stopover, 2012
Alessandra Costenaro Installation view, Pirelli HangarBicocca, Milan, 2019
alessandra.costenaro@fieramilano.it Courtesy of the artist and Pirelli HangarBicocca
Photo: Agostino Osio
+39 02 4997 7337
Photocredit p.9:
MARKETING AND COMMUNICATION Installation view: Gladstone Gallery at miart 2019, Milan, Italy
April 5 -7, 2019
Elisa Panico Cristofoli Courtesy Gladstone Gallery, New York - Brussels
elisa.panico@fieramilano.it Photography by Andrea Rosetti
+39 02 4997 7786 Photocredit p. 33:
Photography by Francesco Caredda
Courtesy Flos 36You can also read
