Q Design Portfolio - www.linkedin.comin/steve-harris
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Design Portfolio
a r r i s 7 7 @ i c l o u d . c o m
Steve. h om/in/steve-harris-
/
www.linkedin.c
Q
IW Y G h o w e v e r I’ m currently a m fi n d in g t h e software
r a t e e v e n t s m a in ly using WYS t h a n m y e v e n t design skills I n io r role.
r t s a n d c o r p o h is is a lo t le s s o s t a r t in a ju
sign conce xperience in t en if I had t still utilise
HI! I’m Steve I de r w o r k s . A lt h o u g h m y e
t h e d e s ig n in d u s t r y, e v
o t h is a s it w il l
a r n in g C in e m a 4 D and Vecto in t h e s e a r e a s to pivot to c t m y w o r k I a m looking to d
t h in g I struggle
le m y s k il ls n o t a f f e n is s o m e
y s im il a r a n d w a nt to expand y e a r s a g o a n d while it does ig h t w h ic h w it h my conditio
ver lt ip le sclerosis 4 e t field late at n
w it h m u in a c o ld w myself.
I was diagno s e d
e n t m e f r o m b e in g s t u c k
t h a t c h a n c e t o p r o v e
e a d y c r e a t e d u sing these
y d e s ig n e x p e r ie nce but prev h e lp m e d o t h a t and give me a t io n s a n d v id eos I have alr n b u t w o uld like
m r s o n t o e s , a n im In D e s ig
P e r h a p s y o u w ill be the pe h e r e is a s e le ction of imag is p o r t f o li o t o g ether using a ny product
with . r k o n W Y S IW Y G C C a n d p u t t h in g p r o d u c e d m
at my wo r with Adobe ge either hav
Before you look real clients. I’ m a ls o f a m il ia
et. Final Cut is n o t a c h a ll e n
o g r a m s in c lu d in g s o m e
e li e v e r in g r o w t h m in d s
e d in .c o m / in / s t e ve-harris-/
p r e a nd I’m a big b t t p s://www.link
h is a lo t m o r In p r o fi le . h
to develop t
a t y o u c a n s e e on my Linked
os th
and training vide
uc e a co lle ct ion of loo pi ng videos for the
I was asked to prod
ss ion s an d cl as se s of fe re d by EVO one of the
different se U K . These were to
tr ia th lon cl ub s in th e
most well known
so ci al m ed ia to at tr ac t m ore attendance to both
be used on bi nation of Photoshop,
or ac ti vi ti es . U si ng a co m
adult and juni e da ta was taken from
l cu t m ot ion ca pt ur
Cinema 4d and Fina oshopped to appear
th e m od el s we re th en ph ot
Mixamo and ed ited with final
s ki t. Th es e we re fi na lly
wearing the club
d ti tl es an d ke yi ng th e m od els onto backgrounds.
cut to ad here or the videos
th e vi de o st ill s ca n be se en
A selection of
loa de d he re . ht tp s: // ti ny url.com/r9zzbfc
down
Andy C @ Reading Fest 2019
01
R f est 2
C @
Andy
Cam
elpha
t @ R
fest
19
The breif was to design the dance stage for Reading & Lee
ds Festival
2019 The one caveat of the design is it must be identica Andy
l for both C @ R
fest 2
locations so that acts performing on the 1st of their 2 per 019
formances can
then take their saved showfile to the 2nd location and car
ry on where
they left off.
With many acts carrying roll on lighting packages the 2
outside PA
towers were used to hang more lighting fixtures with ligh
ting fixtures
rigged for the entire width of the stage this provided plen
ty of eye
candy for those spending their time in the tent enjoying
acts like:-
Camelphat, Holy Goof, Andy C & Dillon Francis.
One of the advantages of having identicle lighting rigs in
both
locations is the Leeds site programmed on 1 brand of ligh
ting desk and
I programmed the other in Reading. We then swapped sho
wfiles, This
saved on programming time.Designed and operated by Ste
ve Harris.
Idles headline show at Alexandra Palace brought with it a complex
rigging solution. This was due to the large number of lighting trusses
and grid of jarag panels hanging at 45 degrees to the audience.
This would require a large amount of rigging points and motors.
Instead a mothergrid was drawn above the 5 main lighting trusses
reducing the motor count by 12.
This reduced the time it takes to get the rig in the air and show
ready. This also made cabling and patching the rig more efficient and
cost effective.
Drawn by Steve Harris
Idles Rehearsals
ce
ra Pala
Alexand
Idles @
h a to ta l c a p a c it y of 50000 it
th e O ly m p ic S ta d ium in Berlin Wit la r g e IM A G screens
a te d a t p it e 2
Lolapaloozas Perrys
Stage was loc in th e v a st si z e of the venue des b ea ms will be
st a g e to g et lo st r ra y of 7 0 A qu a
was very easy for a
large 18m
th e sc r ee n s. It w as decided an a b eams around
ot t om a n d to p of d eg r ee ef fe c t of
es b to create a 180
with lighting fixtur et er of th e v en u e
c ed on th e u p p er seating perim with the
p la n in g th e st a g e a n d
the arena. ri x & U n d er w or ld who were headli y b ig v en u e expand
r ti n G a r in a v er
The effect was res
erved for Ma
h a t lo o k ed li k e a v ery small stage
la se r s th a t w er e p rovided made w
additional n S te ve Harris
e . S ta g e d es ig
into the spac
palo oza
rld @ lola
Underwo
Lolapalooza Berlin 2019 Perrys Stage
tia lly th e sa me set up wh er ev er it goe s in the country.
WWE NXT UK’s show is essen pe nding on what is available.
is th e lig ht ing fix tu re s ch an ge de
The big difference I cr ea ted a generic patch
un iqu e pa tc h for ea ch sh ow
Rather than producing a re . Wh en th e lighting operator
fer en t ty pe s of fix tu
allowing enough space for the dif nc hin g in the fixture number and
his de sk its a sim ple ca se of pu
for the shows sets up
ct ur er wit h th e exi sti ng pr ogr am mi ng retained from each show.
the manufa ick er wit h lit tle reprogramming of
d ru nn ing mu ch qu
This made getting the show up an
the lighting desk. so rig gin g po int s were already in
nc ing sh ow s to ar en as
This was also useful when adva n an d designed by Steve Harris
tio n ar riv es at th e ve nu e. Dr aw
place when the produc
The problem presented with Mint Festival was the weight restriction on the singular truss
hanging between the roof in the hanger arena. This restricted the lighting fixtures we could
hang on the truss. The answer was to put all the main lighting fixtures and video screen on
ground support towers spread across the stage.
This created the feeling of space around the performer while restricting stage access to their
guests and the additional god lights behind enhanced those “hands in the air” moments.
The other stage was hosted by Elrow with a breif of making it as colourful as possible to
compliment their large ammount of decor to brand the stage. Mission accomplished.
Stage and lighting design Steve Harris.
Min
t F
est
Elr
ow
Mint Fe Sta
st Han ge
ger 2019 201
9
ev en t he ld by Ne wh am co un cil wit h a diverse line-up ranging from
Newham Under the Stars was a 4 day orc he str a he ad lin ing th e fin al night. Each of the acts
al philh ar mo nic
reggae, dance, soul music and the roy if us ing a ge ne ric de sig n ca n ma ke a solo artist easily
irement which
brought a different size of stage requ
disappear on a big stage. on wh ee lbo ar ds th at co uld be pla ced around the performing
were crea ted
Six lighting towers of various heights ve d to th e sid es to all ow for mo ve re al estate on the stage.
for larger acts mo
artist to create a feeling of depth or n for ea ch artist performing
er ch an gin g lig ht ing de sig
. T .S. 2019
This also gave a dynamic ev lighting design Steve Harris.
a m U e an d
Newh y ac hie ve d in ch an gov er. St ag
that could be easil
New
ham
U.T
.S.
19
Bu
ild
9
. 201
U.T.S
ic @
ha rmon
l Phil
Roya
E3UK
2019
Soun
dchec
k
Coloursound were approached by E3UK Live to provide full production for their
forthcoming event in Birmingham. The design incorporated 6 upstage hung
video screens, 4 truss ladders and 4 overhead trusses creating a dymanic
lighting rig for every artist performing.
Full design & concept by Steve Harris.Mabel required a touring floor packag
e for her european 2020 shows
however wanted to scale the design up
for the bigger shows. 2 lighting
rigs were created with similar fixture
s so the programming for the tour
could be easily scaled up for the bigge
r shows by using similar but larger
fixtures. Sceptrons were chosen for th
e smaller shows which were scaled
up to GLP X4 bars to give more punc
h for the larger stages. To finish
off the symetrical design Robe BMFL
’s and Megapointes were used. .You can also read
