Xtraordinary EExperience the - FESTIVAL 2021 JUNE 4-12

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CONTINUE READING
Xtraordinary EExperience the - FESTIVAL 2021 JUNE 4-12
Chesapeake Music presents

CHAMBER MUSIC
F E S T I VA L 2021
at the Ebenezer Theater
new home of Chesapeake Music
JUNE 4–12

Experience the Extraordinary
Xtraordinary EExperience the - FESTIVAL 2021 JUNE 4-12
BENSON & MANGOLD
   R E A L E S TAT E

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                          2
Xtraordinary EExperience the - FESTIVAL 2021 JUNE 4-12
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                                3
About
         The Ebenezer Theater
Originally the Ebenezer Methodist Church, completed in
1856, 17 South Washington served the town’s Methodist
Episcopal congregration for over one hundred years until
the merger of Easton’s three Methodist churches. Upon
completion, it was described as a “monument of good
taste.” The building has undergone several remodels over
the years but the same original structure remains.

Paul and Joanne Prager added The Ebenezer Theater to
their growing portfolio of hospitality concepts in 2014,
with the intent to attract notable talent and further
enhance Easton’s brimming arts and cultural scene. Upon
purchasing the building, they named it The Prager Family
Auditorium – later discovering its historical significance
and renaming it The Ebenezer Theater.

When not in use by Chesapeake Music, the Prager
Family and Bluepoint Hospitality have big plans for
The Ebenezer - art exhibitions, musical performances,
author readings with
sister concept Flying
Cloud Booksellers, to
name a few. The adjacent
space will soon open as
Zachariah Hall, providing
additional room for arts
and community events.

The Ebenezer Theater now
lives in The Prager Family
Center for the Arts.

                             4
Bluepoint Hospitality began their extensive theater
restoration in 2020, and is proud to unveil it to you
during the 36th Annual Chesapeake Chamber Music
Festival. An eclectic mixture of the Aesthetic Movement
and Victorian Gothic, the design is in keeping with
the time period of construction and resonates with
the original stained-glass windows and gothic arches
throughout. The historic Bradbury & Bradbury “Jeffrey”
wallpaper flanking the stage is named after the Victorian
era printing firm that sought to elevate wallpaper to a high
level of art. Intricate finishing touches like the 24 Karat
gold-leaf ceiling and the stage’s celestial arch design were
hand-painted by a Maryland based artist. The theater
is complete with a state-of-the-art sound system to be
enjoyed by performers and listeners alike for many years
to come.

Artist Kelly Walker and team gold-leafing the theater ceiling (left) and hand-
painting the celestial design over the stage (right).

Bluepoint Hospitality owns and operates boutique
restaurants and retail establishments in historic
downtown Easton, including Bas Rouge, Sunflowers &
Greens, Flying Cloud Booksellers, The Wardroom, and
many more. Learn more at bluepointhospitality.com.

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TABLE OF CONTENTS

President’s Welcome......................................................................................................................... 9
Chamber Music Artistic Director Profiles..............................................................................10–11
Artist Profiles............................................................................................................................. 13–25
Festival Opening Extravaganza!: June 4.................................................................................... 27
   Program Notes for June 4 Concert............................................................................................... 29
Dynamic Duos: June 5.................................................................................................................. 31
  Program Notes for June 5 Concert......................................................................................... 33–35
Summer Nights: June 6................................................................................................................. 36
  Program Notes for June 6 Concert............................................................................................... 37
Masterworks: June 10.................................................................................................................... 39
  Program Notes for June 10 Concert............................................................................................. 41
Piano Spotlight: June 11............................................................................................................... 42
   Program Notes for June 11 Concert............................................................................................. 43
Festival Finale: June 12................................................................................................................. 45
   Program Notes for June 12 Concert............................................................................................. 47
Board of Directors and Thank You’s...................................................................................... 48–49
List of Advertisers........................................................................................................................... 50

                                     APPLIANCES • FURNITURE

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                                                                          7
ifts that G
   G             ive Back

 What is it that defines your passion for music
and how will you ensure that the music you love
         continues for years to come?

     There are three simple ways that you can support
     Chesapeake Music with gifts that give back:
     •   Include Chesapeake Music in your will or trust;

     •	Make Chesapeake Music a beneficiary in your life insurance
         policy, IRA, 401(k), or other retirement plan; and

     •	Take advantage of a Charitable Gift Annuity through our
         partnership with Mid-Shore Community Foundation. Are you
         considering remembering Chesapeake Music in your estate
         plans? Phone or write Executive Director, Donald Buxton,
         410-819-0380 or don@chesapeakemusic.org.

                                      8
Welcome to the 36th Chesapeake Chamber Music Festival. We are delighted
that you chose to attend and promise you a superb musical experience.
Our Co-Artistic Directors, Marcy Rosen and Catherine Cho, have put together a
program of six concerts. You will hear masterworks of the classical chamber music
repertoire by Mozart, Beethoven, Schubert, Brahms, and Schumann, among others,
and a concert of solely duo performances that features a group of diverse composers:
Joseph Bologne, William Grant Still, William Bolcom, and Amy Beach. Other concerts
will spotlight Chesapeake Music’s Steinway & Sons concert grand piano. You can
be sure that Marcy and Cathy have selected music that will be pleasing to you, the
audience, and interesting to the musicians.
Many of the musicians are old friends, who have graced us with their talents over and
over again but, as always, there will be performers who are new to the Festival. This
year we will have the pleasure of hearing Molly Carr, a young violist, who was featured
as part of the Carr/Petrova Duo at our online Rising Stars Concert this past February.
We will also welcome Timothy Eddy, a founding member of the Orion String Quartet
and we are particularly pleased that for the first time, the Quartet will play here as a
group, performing the Beethoven C Major String Quartet, Opus 59 No. 3. We are indeed
fortunate that our Artistic Directors assembled this marvelous group of performers who
are internationally recognized and the recipients of many awards and prizes.
Of course, there will be several striking differences in our Festival this year. All of
the performances will be at the newly renovated and named Ebenezer Theater, the
permanent home of Chesapeake Music. The theater houses our recently acquired
Steinway & Sons concert grand piano, the gift of a group of generous music
supporters. Use of the theater for our concerts and the location of our administrative
office are the gifts of Paul and Joanne Prager. The other major difference will be the
need to limit our live audience and supplement it with live-streaming.
Finally, I want to thank our Executive Director, Don Buxton, his assistant, Leslie
Hamburger, our Festival Co-Chairs, their volunteers and our host families. The
Festival would not be possible without their hard work. I am particularly grateful to
our Sponsors and contributors for their support of the Festival and Chesapeake Music.
So, sit back, whether in the Theater or your living room, and enjoy the
extraordinary experience.

Barry Koh
President, Board of Directors

       PO Box 461, Easton, MD 21601 • 410-819-0380 • ChesapeakeMusic.org
                                           9
Marcy Rosen
                          Cello, Founder and Artistic Director
                          Chesapeake Chamber Music Festival

MARCY ROSEN has established herself as             Stern, among others, and with the Juilliard,
one of the most important and respected            Johannes, Emerson, Daedelus and Orion
artists of our day. Los Angeles Times music        Quartets. She is a founding member of La
critic Herbert Glass has called her “one           Fenice as well as the Mendelssohn String
of the intimate art’s abiding treasures”           Quartet. With the Mendelssohn she was
and The New Yorker Magazine calls her “a           Artist-in-Residence at the North Carolina
New York legend of the cello.” She has             School of the Arts and for nine years
performed in recital and with orchestra            served as Blodgett-Artist-in-Residence at
throughout Canada, England, France, Italy,         Harvard University. Since first attending
Japan, the Netherlands, South America,             the Marlboro Festival in 1975, she
Switzerland, and all fifty of the United           has taken part in 25 “Musicians from
States. Sought after for her riveting and          Marlboro” tours and has performed in
informative Master Classes, she has been           concerts celebrating the 40th, 50th, and 60th
a guest of the Curtis Institute of Music,          anniversaries of the festival.
the New England Conservatory, the
San Francisco Conservatory, the Central            Since 1986, Ms. Rosen has been Artistic
Conservatory in Beijing, China, the Seoul          Director of Chesapeake Chamber Music in
Arts Center in Korea and the Cartagena             Maryland and she is an artist member of
International Music Festival in Colombia.          Music for Food, a musician-led initiative to
                                                   fight hunger in our local communities.
2018 saw the release of two new recordings
from Bridge Records: The Complete Works            A graduate of the Curtis Institute of Music,
for Cello and Piano by Felix Mendelssohn           Ms. Rosen is currently professor of cello
with the pianist Lydia Artymiw, and the            at the Aaron Copland School of Music at
Sonatas of Richard Strauss and Edvard              Queens College, also serving as Artistic
Grieg with pianist Susan Walters.                  Director of the Chamber Music Live concert
                                                   series. She also serves on the faculty at the
Ms. Rosen has collaborated with the                Mannes College of Music in New York City.
world’s finest musicians, including Leon
Fleisher, Richard Goode, Andras Schiff,            The Michael and Ella Bracy Cello Chair
Mitsuko Uchida, Jonathan Biss, Peter               is held by Marcy Rosen, Founding Artistic
Serkin, Marc-Andre Hamelin and Isaac               Director

                                              10
Catherine Cho
                          Violin, Viola, and Artistic Director
                          Chesapeake Chamber Music Festival

Praised by the New York Times for her               Hannover, and Queen Elizabeth
“sublime tone,” CATHERINE CHO has                   International Violin Competitions. She has
appeared worldwide as a soloist with many           judged international competitions and
orchestras, including the National, Detroit,        taught master classes worldwide. She holds
Buffalo, Montreal, Ottawa, Edmonton, and            a Master’s Degree from The Juilliard
Aspen Chamber Orchestras.                           School, and she is a member of their violin
As a recitalist and chamber musician, she           and chamber music faculty as well as their
has performed at New York’s Lincoln                 Community Engagement Seminar. She has
Center, the Mozarteum in Salzburg, Casals           taught at numerous Workshops and
Hall in Tokyo, the Seoul Arts Center, the           symposia, and she is also on the faculty of
Kennedy Center in Washington, DC, the               the Perlman Music Program. Devoted to
Metropolitan Museum of Art, the New York            the cause of promoting peace through
92nd Street Y, the Gardner Museum in                music, Ms. Cho was V.P. of
Boston and at Ravinia in Chicago. With              the Board of Musicians for Harmony for
pianist Mia Chung, she has performed the            several years.
complete cycle of Beethoven’s violin                She is an artist member of Music for Food, a
sonatas in the United States and Asia.              musician-led initiative to fight hunger in
Ms. Cho has appeared at the Aspen,                  our local communities. Ms. Cho resides in
Marlboro, Chamber Music Northwest, and              Brooklyn with her husband, Todd Phillips,
Santa Fe festivals, among others. She has           their son, Brandon, and their three cats,
also appeared regularly at the Chesapeake           Orso, Livie, and Ella. She is the stepmom of
Chamber Music Festival since 1998.                  Lia, Eliza, and Jason, and “Halmoni”
She is a founding member of the ensemble            (Korean grandma) to Baby Theo.
La Fenice and a former member of the                When she is not performing or teaching,
Johannes String Quartet.                            she enjoys baking, practicing yoga, catching
A winner of the Avery Fisher Career Grant,          up with her booklist, gardening, and
Ms. Cho won top prizes at the Montreal,             knitting!

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J. Lawrie Bloom                                             Molly Carr
        C L A R I N E T, F O U N D E R                                     VIOLA
    CHESAPEAKE CHAMBER MUSIC
                  F E ST I VA L                        MOLLY CARR is the violist of the award-
                                                       winning Carr-Petrova Duo, featured in
J. LAWRIE BLOOM is guessing that we can                Chesapeake Music’s inaugural Rising Stars
all agree that 2020 was a very strange year.           (virtual) concert in February, and the Iris Trio.
Planning to retire on June 30, 2020, he was            Praised for her ”intoxicating” (NYT) and
honored with a commission by Riccardo Muti             “ravishing” (STRAD) performances of “silken
and the Chicago Symphony Orchestra, and                finesse with gritty vibrancy” (Gramophone),
performed “Ophelia’s Tears” by Nicolas Bacri           she enjoys a diverse musical career as recitalist,
February 20–23, 2020, Riccardo Muti conducting.        chamber musician, educator, and artistic director.
Those turned out to be his last concerts with          She has received numerous international prizes,
the CSO, ending a 40 year tenure when the              including the Primrose International Viola
orchestra shut down due to the pandemic.               Competition. In October 2018, Ms. Carr was
                                                       honored at the United Nations for her work with
Lawrie founded the Chesapeake Chamber                  refugees around the globe through the Carr-
Music Festival and served as clarinetist and           Petrova Duo’s Novel Voices Refugee Aid Project.
Artistic Co-Director for 34 years. He is also          Ms. Carr has appeared as both performer and
a founding member of the Civitas Ensemble              guest faculty in major festivals, from Music@
in Chicago. In addition Lawrie is an Artist            Menlo to Malboro and Prussia Cove (England).
Performer for Buffet Crampon USA, and                  She has collaborated with such renowned artists
a Reed Design Consultant for D’Addario                 as Itzhak Perlman, Ida Kavafian, Donald and
Musical Instruments.                                   Alisa Weilerstein, Pamela Frank, and the Miro,
Lawrie has presented master classes all over           Orion and American Quartets.
the world and was a Senior Lecturer in Clarinet        The Carr-Petrova debut album “Novel Voices”
at Northwestern University for 28 years. He has        was released in 2019 to critical acclaim.
taught for Digital Clarinet Academy this year,         “Magical” (Fanfare Magazine). In 2020, the
                                                       Iris Trio released “Hommage and Inspiration”
trying like everyone to figure out how to best
                                                       with works by Schumann, Mozart, Kurtag and
utilize Zoom to help young clarinet players.
                                                       Weiss. “Superb […] a five-star stand-out release”
In 1980 Sir Georg Solti invited Lawrie to join         (Fanfare). Next will be a multi-album with
the Chicago Symphony Orchestra, in the                 Enescu Competition Grand Prize Winner, Josu
position of Clarinet and Solo Bass Clarinet.           de Solaun, featuring the complete piano and
In that position he has toured the world,              string chamber music of George Enescu on the
with more than 2 dozen trips to Europe, 5              NAXOS label.
to Asia, and appearances in Australia, and             Ms. Carr is also the founder and artistic director
India. He can be heard on CSO recordings of            of the award-winning nonprofit Project: Music
a vast repertoire. Previously, he held similar         Heals Us, which exists to bring the Arts to
appointments with, notably, the Orchestra              marginalized communities. Ms. Carr serves
of the Lyric Opera of Chicago, the Phoenix,            on the Viola Faculties of the Bard College
Vancouver and Cincinnati Symphonies.                   Conservatory of Music, the Juilliard School’s
                                                       Precollege Program, and Musical Arts Madrid
The Robert Reynolds Clarinet Chair is held by          (Spain). She holds a B.M. and M.M. from the
J. Lawrie Bloom, Founding Artistic Director            Juilliard School.
                                                  13
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Photo credit: Alexandra de Furio

                                                                      Photo credit: Christian Steiner
                                            Francesca
                                           dePasquale                                                   Timothy Eddy
                                            VIOLIN                                                         CELLO

Described by critics as “scintillating” and                  Cellist TIMOTHY EDDY is a founding member
celebrated for her “rich, expressive playing”                of the Orion String Quartet, whose critically
(MusicalAmerica), violinist FRANCESCA                        acclaimed recordings of the Beethoven string
dePASQUALE is the First Prize winner                         quartets are available on the Koch label. He has
of the 2010 Irving M. Klein International                    earned distinction as a recitalist, soloist with
String Competition and recipient of the                      orchestra, chamber musician, recording artist,
prestigious 2014-2016 career grant from the                  and teacher of cello and chamber music. He has
Leonore Annenberg Fellowship Fund for the                    performed as soloist with the Dallas, Colorado,
Performing and Visual Arts. Earning her the                  Jacksonville, North Carolina, and Stamford
2015 Classical Recording Foundation Young                    symphonies, and has appeared at the Mostly
Artist Award, her self-titled debut album and                Mozart, Ravinia, Aspen, Santa Fe, Marlboro,
accompanying recital tour was praised for                    Lockenhaus, Spoleto, and Sarasota music
“sincerity, intensity” and “individual voice”                festivals. He has also won prizes in numerous
(Philadelphia Inquirer) and “immaculate and                  national and international competitions,
discreet phrasing” (Strad Magazine).                         including the 1975 Gaspar Cassado International
Ms. dePasquale is a member of the violin                     Violoncello Competition in Italy.
faculty at Oberlin Conservatory of Music and                 A former member of the Galimir Quartet, the
the Juilliard School Pre-College Program.                    New York Philomusica, and the Bach Aria
Additionally, she is a member of the violin                  Group, Mr. Eddy collaborates regularly in
faculty at the Heifetz International Music                   recital with pianist Gilbert Kalish. A frequent
Institute, where she also serves as Director of              performer of the works of Bach, he has
their Program for the Exceptionally Gifted. As               presented the complete cello suites of Bach at
soloist, recitalist, and chamber musician, she               Colorado’s Boulder Bach Festival and Vermont’s
appears for festivals and series internationally.            Brattleboro Music Center. He has recorded a
Ms. dePasquale is the violinist of the                       wide range of repertoire from Baroque to avant-
Aletheia Piano Trio, a member of the artist                  garde for the Angel, Arabesque, Columbia, CRI,
roster for Manhattan Chamber Players and                     Delos, Musical Heritage, New World, Nonesuch,
Noree Chamber Soloists, and performs with                    Vanguard, Vox, and SONY Classical labels
Chameleon Arts Ensemble, Marinus Ensemble,                   Mr. Eddy is currently professor of cello and
and Orpheus Chamber Orchestra.                               chamber music at The Juilliard School and, until
                                                             recently, New York’s Mannes College of Music.
                                                             He is also Professor Emeritus at SUNY Stony
                                                             Brook and was a frequent faculty member at
                                                             the Isaac Stern Chamber Music Workshops at
                                                             Carnegie Hall. He holds BM and MM degrees
                                                             from the Manhattan School of Music, where he
                                                             studied with Bernard Greenhouse.

                                                        15
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The Harold and
Martha Quayle
Piano Chair
is held by Ieva
Jokubaviciute
                        Ieva
                    Jokubaviciute                                     Robert McDonald
                     PIANO                                                       PIANO

Lithuanian pianist IEVA JOKUBAVICIUTE’s                    ROBERT McDONALD has performed
powerfully and intricately crafted performances            extensively as a soloist and chamber musician
have earned her critical acclaim throughout                throughout the United States, Europe, Asia, and
the United States and Europe. Her ability to               South America. He has appeared with major
communicate the essential substance of a work              orchestras in the United States and was the
has led critics to describe her as possessing              recital partner for many years to Isaac Stern and
“razor-sharp intelligence and wit” (Washington             other distinguished instrumentalists.
Post) and as “an artist of commanding technique,           He has participated in the Marlboro, Casals
refined temperament and persuasive insight”                and Lucerne festivals, the Chamber Music
(New York Times). In 2006, she was honored as a            Society of Lincoln Center, and has broadcasted
recipient of a Borletti-Buitoni Trust Fellowship.          for BBC Television worldwide. He has
Ieva’s Alban Berg Tribute CD was released to               appeared with the Takács, Vermeer, Juilliard,
critical acclaim in 2010. The New York Times               Brentano, Borromeo, American, Shanghai, and
described her as “an authoritative and compelling          St. Lawrence string quartets as well as with
guide throughout this fascinating disc.” Her               Musicians from Marlboro.
2014 album Returning Paths: Solo Piano Works by            His discography includes recordings for Sony
Janáček and Suk was equally well received. She             Classical, Bridge, Vox, Musical Heritage Society,
regularly gives solo recitals in New York, Chicago,        ASV, and CRI. Mr. McDonald’s prizes include
Philadelphia, Baltimore, and Washington DC.                the gold medal at the Busoni International Piano
She made her orchestral debut with the Chicago             Competition, the top prize at the William Kapell
Symphony Orchestra at the Ravinia Festival and             International Competition and the Deutsche
has since performed with orchestras in Rio de              Schallplatten Critics Award.
Janeiro, Montevideo, and Washington, DC. Her
piano trio, Trio Cavatina, won the 2009 Naumburg           He has studied with Theodore Rehl, Seymour
International Chamber Music Competition and                Lipkin, Rudolf Serkin, Mieczyslaw Horszowski,
made its Carnegie Hall debut in 2010.                      Beveridge Webster, and Gary Graffman. He
                                                           holds degrees from Lawrence University, the
A much sought-after chamber musician and                   Curtis Institute of Music, the Juilliard School,
collaborator, notably with violinist Midori, Ieva          and the Manhattan School of Music which
has appeared on major stages around the world,             recently awarded him an honorary doctoral
such as Carnegie Hall’s Stern Auditorium,                  degree in Musical Arts. A member of the piano
the Kennedy Center, and London’s Wigmore                   faculty at The Juilliard School since 1999,
Hall. She regularly appears at music festivals             Mr. McDonald joined the faculty of the Curtis
including Marlboro, Ravinia, Bard, Caramoor,               Institute of Music in 2007, where he holds the
Chesapeake Music, and Prussia Cove (England).              Penelope P. Watkins Chair in Piano Studies.
She has also appeared in festivals in Finland,
Germany, and Spain. A graduate of the Curtis               During the summer, he is the artistic director of
Institute of Music and the Mannes College of               the Taos School of Music and Chamber Music
Music, Ieva is currently Associate Professor               Festival in New Mexico.
of the Practice of Piano at Duke University in
Durham, NC.
                                                      17
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                                    18
Tara Helen
                 O’Connor                                                  Peggy Pearson
                      FLUTE                                                       OBOE

TARA HELEN O’CONNOR is a charismatic                         Oboist PEGGY PEARSON is a winner of the
performer noted for her artistic depth, brilliant            Pope Foundation Award for Outstanding
technique and colorful tone spanning every                   Accomplishment in Music. Lloyd Schwartz,
musical era. Recipient of an Avery Fisher Career             who received the 1994 Pulitzer Prize for
Grant, a two-time Grammy nominee and the first               Criticism, called her “my favorite living oboist.”
wind player chosen to participate in the Bowers              Peggy has performed solo, chamber and
Program, she is now a Season Artist of the                   orchestral music throughout the United States
Chamber Music Society of Lincoln Center. A Wm.               and abroad. She is principal oboist with the
S. Haynes flute artist, Tara is a regular participant        Boston Philharmonic and solo oboist with the
at music festivals, including Santa Fe Chamber               Boston-based Emmanuel Chamber Orchestra,
Music, Music@Menlo, Chamber Music Festival                   an organization that has performed all of the
of the Bluegrass, Spoleto USA, Chamber Music                 cantatas of Johann Sebastian Bach. She is also a
Northwest, Mainly Mozart, Rockport Music,                    member of the Bach Aria Group. According to
Manchester Music, Great Mountains (Korea),                   Richard Dyer of the Boston Globe, “Peggy
Bravo Vail Valley! and Chesapeake Music.                     Pearson has probably played more Bach than
Along with her husband Daniel Phillips, she is               any other oboist of her generation; this is
the newly appointed Co-Artistic Director of the              music she plays in a state of eloquent grace.”
Music from Angel Fire Festival in New Mexico.                Ms. Pearson was the founding director of, and is
                                                             oboist with, Winsor Music, Inc., and a founding
Tara is a member of the woodwind quintet                     member of the ensemble La Fenice.
Windscape, the legendary Bach Aria Group,
and is a founding member of the Naumburg                     She has toured internationally and recorded
Award-winning New Millennium Ensemble.                       extensively with the Orpheus Chamber
She has premiered hundreds of new works and                  Orchestra, and has appeared with the Boston
has collaborated with the Orion String Quartet,              Symphony Orchestra, St. Paul Chamber
St. Lawrence Quartet and Emerson Quartet. She                Orchestra, and the Orchestra of St. Luke’s as
has appeared on A&E’s Breakfast for the Arts,                principal oboist, the Chamber Music Society of
Live from Lincoln Center and has recorded for                Lincoln Center, and Music from Marlboro. In
Deutsche Grammophon, EMI Classics, Koch                      addition to her freelance and chamber music
International, CMS Studio Recordings with the                activities, Peggy Pearson has been an active
                                                             exponent of contemporary music. She was a
Chamber Music Society of Lincoln Center, and
                                                             fellow of the Radcliffe Institute in contemporary
Bridge Records.
                                                             music, and has premiered numerous works,
Tara is Associate Professor of Flute, Head of the            many of which were written specifically for her.
Wind Department and Coordinator of Classical
                                                             Peggy Pearson has been on the faculties at the
Music Studies at Purchase College. She is also on
                                                             Bach Institute (a collaboration between Winsor
the faculty of Bard College, the Contemporary
                                                             Music, Emmanuel Music and Oberlin College),
Performance Program at Manhattan School of                   Songfest, the Tanglewood Music Center,
Music and is a visiting artist, teacher and coach            Boston Conservatory, MIT, U. of Cincinnati
at the Royal Conservatory of Music in Toronto.               Conservatory of Music, Wellesley College, the
She lives in Manhattan with her husband,                     Composers Conference at Wellesley College,
violinist Daniel Phillips, and their two miniature           and the Longy School of Music of Bard College.
dachshunds, Chloe and Ava.
                                                        19
Treasure the Moment,
                            Savor the Day!

     
Anna C. Larkin
Benson and Mangold LLC
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                         20
Daniel Phillips                                          Todd Phillips
                     VIOLIN                                                   VIOLIN

Violinist DANIEL PHILLIPS enjoys a versatile              TODD PHILLIPS is the violinist and founding
career as an established chamber musician, solo           member of the highly acclaimed Orion String
artist, and teacher. A graduate of Juilliard, his         Quartet. He made his solo debut with the
major teachers were his father, Eugene Phillips,          Pittsburgh Symphony at the age of 13. He has
Ivan Galamian, Sally Thomas, Nathan Milstein,             since performed as guest soloist with leading
Sandor Vegh, and George Neikrug. He is a                  orchestras throughout North America, Europe
founding member of the 34-year-old Orion String           and Japan including the Orpheus Chamber
Quartet, which is in residence at New York’s              Orchestra, of which he has been a member
Mannes College of Music and performs regularly            since 1983 and with whom he made a critically
at The Chamber Music Society of Lincoln Center.           acclaimed recording of Mozart’s Sinfonia
Available on recording are the complete quartets
                                                          Concertante for Deutsche Grammophon.
of Beethoven and Leon Kirchner.
Since winning the 1976 Young Concert Artists              Mr. Phillips has appeared at the Mostly Mozart,
Competition, he has performed as a soloist                Ravinia, Santa Fe, Marlboro and Spoleto
with many orchestras, including the Pittsburgh,           Festivals, and with the Chamber Music Society
Houston, New Jersey, Phoenix, San Antonio, and            of Lincoln Center, Chamber Music at the 92nd
Yakima symphonies. He appears regularly at the            St Y and New York Philomusica. His experience
Spoleto USA Festival, Santa Fe Chamber Music              as a frequent leader of the Orpheus Chamber
Festival, Chamber Music Northwest, Chesapeake             Orchestra has led to guest appearances as
Chamber Music Festival, and has participated in           conductor/leader with chamber orchestras
the International Musicians Seminar in Cornwall,          worldwide. He has collaborated with such
England since its inception and recently returned         renowned artists as Rudolf Serkin, Jaime Laredo,
to the Marlboro Music Festival. Along with his            Peter Serkin and Pinchas Zukerman and has
wife Tara Helen O’Connor, he is the newly-                participated in eighteen “Musicians from
appointed Co-Artistic Director of Music From              Marlboro” tours.
Angel Fire. He also serves on the summer faculty          Mr. Phillips has recorded for the Arabesque,
of the Heifetz Institute and the St. Lawrence             Delos, Deutsche Grammophon, Finlandia, Koch
String Quartet Seminar at Stanford. He was a              International, Marlboro Recording Society, New
member of the renowned Bach Aria Group and                York Philomusica, RCA Red Seal and Sony
has toured and recorded in a string quartet for
                                                          Classical labels. He serves on the violin and
SONY with Gidon Kremer, Kim Kashkashian,
                                                          chamber music faculties of New York’s Mannes
and Yo-Yo Ma.
                                                          College of Music, Rutgers University, Manhattan
A judge in the 2018 Seoul International Violin            School of Music, Bard College Conservatory of
Competition, he is a professor at the Aaron               Music and Cleveland Institute of Music. He lives
Copland School of Music at Queens College and             in Brooklyn, New York, with his wife, violinist
on the faculties of the Mannes College of Music,          Catherine Cho, and is the father of Lia, Eliza,
Bard College Conservatory, and The Juilliard              Jason and Brandon, and grandfather of Theo.
School. He lives with his wife, flutist Tara Helen
O’Connor, on Manhattan’s upper west side.                 Mr. Phillips plays a violin made by Samuel
                                                          Zygmuntowicz in 2004.
Mr. Phillips will play a violin made by Samuel
Zygmuntowicz in 2017.
                                                     21
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                                   42
Steven
               Peter Stumpf                                                Tenenbom
                     CELLO                                                     VIOLA

PETER STUMPF is Professor of Cello at the                  Violist STEVEN TENENBOM is the violist
Indiana University Jacobs School of Music. Prior           and founding member of the highly acclaimed
to this appointment, he was principal cellist of           Orion String Quartet. He has established a
the Los Angeles Philharmonic.                              distinguished career as a chamber musician,
Mr. Stumpf’s tenure in Los Angeles followed                soloist, recitalist and teacher. He has worked
twelve years as associate principal cellist of             with composer Lukas Foss and jazz artist
the Philadelphia Orchestra. His professional               Chick Corea and appeared as guest artist with
orchestral career began at age sixteen when he             such eminent ensembles as the Guarneri and
joined the cello section of the Hartford Symphony          Emerson String Quartets, the Beaux Arts and
Orchestra. He is a graduate of the Curtis Institute        Kalichstein-Laredo-Robinson Trios, and the
of Music and the New England Conservatory.                 Chamber Music Society of Lincoln Center.
A dedicated chamber musician, he is a member               He has performed as soloist with the Utah
of the Weiss-Kaplan-Stumpf Trio and has                    Symphony, Rochester Philharmonic and
appeared at Carnegie Hall, the Kennedy Center,             Cincinnati Chamber Orchestra, and toured
and in Amsterdam, Tokyo, and Cologne. He has               with the Brandenburg Ensemble throughout
performed with the chamber music societies                 the United States and Japan. His festival
of Boston and Philadelphia, and at numerous                credits include Mostly Mozart, Aspen,
festivals, including the Casals Festival in Puerto         Ravinia, Marlboro, June Music Festival,
Rico, Marlboro, Santa Fe, Bridgehampton,                   Chamber Music Northwest, Music from Angel
Spoleto, and Aspen. He has toured with Music               Fire, and Bravo! Colorado.
from Marlboro, and with pianist Mitsuko Uchida
in performances of the complete Mozart Piano               A recipient of the prestigious Coleman
Trios. As a member of the Johannes Quartet he              Chamber Music award and a former member
collaborated with the Guarneri String Quartet on           of the Galimir Quartet, he is currently a
a tour including premieres of works by Bolcom              member of the renowned group TASHI and
and Salonen.                                               the piano quartet OPUS ONE. Mr. Tenenbom
                                                           is on the faculties of The Curtis Institute of
Concerto appearances have been with the Boston
Symphony, the Philadelphia Orchestra, the                  Music, The Juilliard School, and The Bard
Los Angeles and Boston Philharmonics among                 College Conservatory of Music. He has
others. As a recitalist, he has performed at the           recorded on RCA Records with TASHI and the
Universities of Hartford, Syracuse and Delaware,           Guarneri String Quartet, and can also be heard
at Jordan Hall in Boston, and at the Phillips              on the Arabesque, Delos, ECM, Marlboro
and Corcoran Galleries in Washington, DC. His              Recording Society and Sony Classical labels.
awards include first prize in the Washington               Mr Tenenbom plays a viola made by Wendy &
International Competition, the Graham-Stahl                Peter Moes in 2015.
and the Aspen Concerto Competitions. As a
teacher, he has conducted master classes at the            He lives in Connecticut with his wife, violist
Hong Kong Academy of the Performing Arts,                  Ida Kavafian, where they breed, raise, train,
Manhattan and Mannes Schools of Music, Royal               and show champion Vizsla purebred dogs.
Conservatory of Music in Toronto, Seoul National
University and several U.S. universities.
                                                      23
Orpheus and St. Luke’s ensembles, and soloed
                                                  with orchestras in Germany, Russia, China, the
                                                  Netherlands, Czechia, and Brazil.
                                                  In 2009 she was the onstage pianist in the
                                                  Broadway production of Moises Kaufman’s
              Diane Walsh                         award-winning play 33 Variations (starring
                   PIANO                          Jane Fonda), during which she performed
                                                  Beethoven’s Variations on a Waltz of
The award-winning Steinway Artist DIANE           Diabelli. She was also featured in three other
WALSH has given solo and chamber music            productions of the play at Washington’s
concerts throughout the United States, Canada,    Arena Stage, the La Jolla Playhouse and the
South America, Europe, Russia, China and          Ahmanson Theatre in Los Angeles, for a total
New Zealand. Highlights include recitals at       of over 200 performances.
Carnegie’s Weill Recital Hall, Merkin Concert     Diane has been happily coming to Chesapeake
Hall, Kaufmann Auditorium and Miller              Music since the festival’s second season. Other
Theater in New York, the Kennedy Center           summer chamber music festivals where she has
in Washington, Orchestra Hall in Chicago,         performed include Marlboro, Bard, Portland,
Wigmore Hall in London, the Concertgebouw         Santa Fe and Skaneateles; she also led the
in Amsterdam, the Philharmonia Great Hall in      Skaneateles Festival as artistic director. To
St. Petersburg, and Dvorak Hall in Prague.        date she has released eighteen recordings of
Diane has appeared with the San Francisco,        repertoire spanning four centuries. She taught
Indianapolis, Austin, Rochester, Delaware,        at Mannes College of Music in New York City
Syracuse, Springfield, New Bedford, American,     for 32 years, and now lives in Maine with her
and Portland symphonies, toured with              husband, the writer Richard Pollak.

                                                 24
In the summer of 2019, the
                                                                    Orion String Quartet returned
                                                                    to the Santa Fe Chamber Music
                                                                    Festival, with which it has
                                                                    enjoyed a long association,
                                                                    to perform three programs
                                                                    that included music by
                                                                    Schubert, Mozart and Kreisler.
                                                                    In the 2019-20 season, the
                                                                    Quartet appeared with the
                                                                    Chamber Music Society of
                                                                    Lincoln Center in October
                                                                    with a program of Haydn
                                                                    and Mozart. The Quartet also
                                                                    performed with Chamber
                                                                    Music Pittsburgh (Currier’s
            ORION STRING QUARTET                                    Etudes and Lullabies along
                                                                    with music by Haydn,
                                                                    Kreisler and Beethoven) and
The ORION STRING QUARTET is one of the               at the Philadelphia Chamber Music Society
leading chamber music ensembles on the               (including Dvořák’s String Sextet in A Major,
classical music scene today. Admired for the         Op. 48 along with violist Kim Kashkashian
diverse nature of programming that                   and cellist Marcy Rosen).
juxtaposes masterworks of quartet literature         During the Quartet’s 30th-anniversary
with key works of the 20th and 21st                  season in 2017-2018, the group celebrated at
centuries, the Orion remains on the cutting          principal chamber music series throughout
edge of programming through commissions              North America. They held the position of
from composers ranging from Chick Corea to           Quartet-in-Residence for 27 years at Mannes
Wynton Marsalis and a creative partnership           School of Music.
with the Bill T. Jones/Arnie Zane Dance
Company. The members of the Orion String             The Orion String Quartet was established
Quartet—violinists Daniel Phillips and Todd          in 1987 and takes its name from the
Phillips, brothers who share the first violin        Orion constellation as a metaphor for the
chair equally, violist Steven Tenenbom, and          personality each musician brings to the
cellist Timothy Eddy—have worked closely             group in its collective pursuit of the highest
with illustrious musicians, such as Pablo            musical ideals.
Casals, Sir András Schiff, Rudolf Serkin,            “The persuasive power of [their] performance
Isaac Stern, Pinchas Zukerman, Peter Serkin,         came from the exquisiteness and eloquence
members of the ensemble TASHI, and the               the four players brought their lines...but
Beaux Arts Trio, as well as the Budapest,            it also came from how all of them phrased
Végh, Galimir, and Guarneri String Quartets.         together—and, it seemed, breathed together.
The Orion String Quartet are Artist                  The Orion Quartet is a configuration of
Members of the Chamber Music Society of              particular sensitivity and bravado.”
Lincoln Center.                                      —The New York Times
                                                25
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                          26
FRIDAY, JUNE 4 AT 7:30 PM

             Festival Opening Extravaganza!
                                       Q

Wolfgang Amadeus Mozart		Piano Trio in G Major, K. 496
(1756–1791)              Allegro
                         Andante
                         Allegretto
	Ieva Jokubaviciute, Catherine Cho,
  Marcy Rosen

Anton Webern Langsamer Satz
(1883–1945)	Langsam, mit bewegtem Ausdruck
             (Slowly with feeling)
	Peggy Pearson, Catherine Cho,
  Francesca dePasquale, Molly Carr,
  Peter Stumpf

                               INTERMISSION

Antonín Dvořák                            Piano Quartet No. 2 in E-flat Major,
(1841–1904)                               Opus 87
                                          Allegro con fuoco
                                          Lento
                                          Allegro moderato grazioso
                                          Finale: Allegro ma non troppo
	Diane Walsh, Francesca dePasquale,
  Molly Carr, Peter Stumpf

              This concert is generously sponsored by
                        BayVanguard Bank
                       Susan and Barry Koh
            Chesapeake Music is grateful for their support.

                 Artists and program selections are subject to change.

                                         27
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                                  28
PROGRAM NOTES FOR JUNE 4, 2021

Wolfgang Amadeus Mozart                              was highly resistant to this technique, which,
Piano Trio No. 2 in G Major, K. 496                  to the early 20th century ear, was generally
                                                     unwelcome. Despite that initial resistance,
1786 was an important year for Mozart: his           the tonal emancipation of serialism still
Marriage of Figaro premiered in May; in              reverberates today.
March, two great piano concertos, K 488 in A         Webern eventually became very influential
major and K 491 in C minor appeared; in July,        in the world of music theory, but many years
the piano Trio in G major was completed.             before that occurred the composer went hiking
Around that time piano trios became hugely           in the mountains with his adored cousin
popular in Vienna, probably due to the               Wilhelmine. Smitten, he began composing this
growing success of the pianoforte, a new             rapturous piece, which was to have been part
feature in households of both the upper and          of a quartet. The quartet advanced no further
middle classes. Enterprising editors                 than its initial Slow Movement, now a concert
published innumerable trios destined to be           favorite in its own right.
played by amateurs. The genre had its rules:
the piano part, not too difficult; the violin        Antonín Dvořák
should carry the melody, the cello the bass          Piano Quartet No. 2 in E-flat Major, Opus 87
line. Predictably, Mozart expanded this form,
giving the pianoforte a more serious role            A number of letters from Dvořák’s publisher,
while warming up its relationship with the           Simrock, state that fourteen years have
accompanying strings. Mozart soon acquired           passed since he wrote his last piano quartet.
his own pianoforte and the mechanics of the          “You promised me this a long time ago,” the
new instrument allowed the keyboard parts            publisher grumbled. “Well! How is it faring?”
he wrote for his piano trios to be more              Thus admonished, the composer went to
demanding. They were, most likely, intended          work and soon the quartet was practically
to display—at his Vienna concerts —the               composing itself. “My head is full of it. If only
composer’s own exceptional abilities.                one could write it immediately! It’s going
                                                     unexpectedly easily and melodies are coming
Anton Webern                                         to me in droves!” Once begun, the Piano
Langsamer Satz                                       Quartet was completed in the weeks between
                                                     July and August 1889.
Webern’s name will always be associated
with that of Arnold Schoenberg, his teacher          Dvořák, by this time, was a mature and
and mentor. Along with Alban Berg and                innovative composer with an exceptional
others who constituted the core of the               ability to introduce originality into the
2nd Viennese School, Webern followed                 classical form, his access to stunning
Schoenberg into new paths of tonal structure,        melodies and compelling rhythmic structures
an approach using tone rows ensuring that            embedded in technical assurance.
all 12 notes in the chromatic scale get equal        The Piano Quartet, Opus 87, an immediate
time within a given piece of music, thus             success, was his last work for this
avoiding any specific key. The musical world         instrumental ensemble.

                                                29
30
SATURDAY, JUNE 5 AT 7:30 PM

                               Dynamic Duos
                                        Q
Joseph Bologne,                         Sonata No. 3 in A Major for two violins
Chevalier de Saint-Georges              Francesca dePasquale and Catherine Cho
(1745–1799)
William Grant Still                     ‘’Mother and Child’’ from the Suite for
(1895–1978)                             violin and piano
                                        Catherine Cho and Diane Walsh

William Bolcom                          Graceful Ghost Rag
(b. 1938)                               Peggy Pearson and Ieva Jokubaviciute

Amy Beach                               Romance for violin and piano, Opus 23
(1867–1944)                             Catherine Cho and Diane Walsh

                                INTERMISSION

Robert Schumann                         Six Studies in Canon Form, Opus 56 for
(1810–1856)                             one piano, four hands (trans. Georges Bizet)
                                        Nicht zu schnell
                                        Mit innigem Ausdruck
                                        Andantino
                                        Innig
                                        Nicht zu schnell
                                        Adagio

Robert Schumann	Bilder aus Osten (‘’Pictures from the East’’),
                 Opus 66 for one piano, four hands
                 Lebhaft
                 Nicht schnell und sehr gesangvoll zu spielen
                 Im Volkston
                 Nicht Schnell
                 Lebhaft
                 Reuig andächtig
                 Ieva Jokubaviciute and Diane Walsh

                This concert is generously sponsored by
                        Mariana and Pete Lesher
                       Sam and Rosemary Trippe
              Chesapeake Music is grateful for their support.

                                          31
                  Artists and program selections are subject to change.
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                                         32
PROGRAM NOTES FOR JUNE 5, 2021

Joseph Bologne,                                        Sargent Johnson, the artist chosen for this
                                                       middle movement, made a number of
Chevalier de Saint-Georges                             sculptures designated “Mother and Child.”
Sonata No. 3 in A Major for two violins                The clean lines and natural dignity of
The composer was born Joseph, the son                  Johnson’s work have made their way into
of George Bologne de Saint-Georges, a                  this warm and melodic composition.
planter in the French colony of Guadeloupe             William Grant Still is known as the Dean of
and Anne, (known as ”Nanon”), his wife’s               African-American composers. He was first
Senegalese slave.                                      in many things: the first African-American to
A gifted child, he was taken to France when            conduct a major symphony orchestra in this
he was seven years old to be educated in               country; the first to have an opera produced
a boarding school. By his 17th year, young             by a major company in the United States;
Joseph had become a renowned champion                  and the first to have an opera televised over
in both fencing and horsemanship and                   a national network. In the 1930s he wrote
on graduating from the Academie Royale                 the scores for several movies and later for
Polytechnique, he was made a Gendarme du               television shows. In all, he wrote over 150
roi and a chevalier.                                   compositions including operas, ballets,
                                                       symphonies, chamber works, choral pieces,
During those early years, nurturing a gift             and solo vocal works.
that must have been prodigious from the
start, young Joseph developed a remarkable             William Bolcom
proficiency on the violin and began to study           Graceful Ghost Rag
composition. Soon thereafter, an astonished
Parisian public found the popular young                Born in Seattle, Washington, this
fencer appearing as a violinist in an orchestra        consummately American composer, pianist,
where he soon became concertmaster/                    and teacher has worked in diverse idioms
conductor. He had a sensational debut as               and over the years sought to break down
a soloist playing his own first two violin             the walls between popular and so-called
concertos. As a composer and performer he              “serious” music. He has composed for
went on to have a brilliant career both in the         solo instruments, voice, chamber groups,
court of Louis XVI and in the wider public.            orchestra, film and stage, and is well known
                                                       for his interest in ragtime music. He names
William Grant Still                                    Charles Ives as his greatest influence and
“Mother and Child” from the Suite for                  in his own operas and works for the stage
violin and piano                                       specializes in pieces about America with
                                                       American characters by American authors.
This gentle piece with its slow, rocking
rhythm is the second of three movements                As a performer he is noted for his great sense
in a suite inspired by sculpture created in            of humor and with his wife, mezzo-soprano
the 1930s by artists associated with the               Joan Morris, has made more than
Harlem Renaissance.                                    20 recordings of American popular songs.
                                                                                        (continued)
                                                  33
34
PROGRAM NOTES FOR JUNE 5, 2021

Bolcom’s poignant Graceful Ghost Rag                      she was largely self-taught. Still only in her
(1970), dedicated to the memory of his father,            early thirties in 1910 when her husband
is one of 22 rags Bolcom wrote between                    died, she soon resumed her concert career
1967 and 1993. He took his inspiration from               and never ceased creating the numerous
African American musicians including Scott                distinguished works that are performed all
Joplin and Eubie Blake.                                   over the world.

Amy Beach                                                 Robert Schumann
Romance for violin and piano, Opus 23                     Bilder aus Osten (“Pictures from the East”)
                                                          Opus 66 for one piano, four hands
On July 6, 1893, at the Women’s National
Congress in Chicago, Amy Beach joined                     Although Schumann was increasingly
her friend and fellow musician violinist                  engulfed by mental illness, he maintained an
Maud Powell, in the first performance of                  admirable work ethic. Despite maddening
the Romance. The audience “cheered to the                 tinnitus, a terror of high places, and phobias
echo” when the piece was finished and called              about metal objects such as keys and cutlery,
for a repeat performance. A contemporary                  he continued to work at his piano conjuring
review states that as Maud was playing the                up the luscious harmonies and complex tonal
encore the music slipped off her music stand,             structures that make his music a continuing
but having memorized it, “the beautiful                   source of delight.
thread of melody moved on and on for Miss                 The “East” evoked in these musical sketches
Powell had made it her own in every sense.”               was inspired by a translation from the Arabic
Amy Beach composed the Romance for that                   by Friedrich Rückert of a book of poetry by
occasion and dedicated it to the violinist.               Al-Hariri of Basra. In 1826 this book of fifty
The extraordinary talents of Amy Beach                    poems—full of clever rhymes and wordplay,
were kept within careful bounds while her                 a format known as saj’—had become very
husband, a physician considerably older, was              popular with German readers.
alive. Although she had been an acclaimed                 Although Schumann did not set the actual
concert pianist, as a married woman her                   poetry to music, he invoked the rich
concerts were limited to one per year and she             atmosphere that suffused the poems.
was always listed as Mrs. H. H. A. Beach, the             He wrote in his preface to Opus 66 that
only title deemed appropriate at that time.               he owed its character to Hariri, and he
It is possible that, deprived of a life of concert        compared the hero of the poems, Abu Seid,
tours, Amy Beach was able to direct all her               to Till Eulenspiegel, the folkloric German
energy into studying composition, in which                mischief-maker.

                                                     35
SUNDAY, JUNE 6 AT 5:30 PM
                               Summer Nights
                                         Q

Joseph Haydn                             Trio No. 30 in F Major for oboe, cello, and
(1732–1809)                              piano Hob. XV:17
                                         Allegro
                                         Finale: Tempo di menuetto
                                         Peggy Pearson, Marcy Rosen, Diane Walsh

Ludwig van Beethoven                     String Trio in C minor, Opus 9 No. 3
(1770–1827)                              Allegro con spirito
                                         Adagio con espressione
                                         Scherzo: Allegro molto e vivace
                                         Finale: Allegro ma non troppo
	Francesca dePasquale, Molly Carr,
  Peter Stumpf

Robert Schumann                          Piano Quartet in E-flat Major, Opus 47
(1810–1856)                              Sostenuto assai - Allegro ma non troppo
                                         Scherzo: molto vivace - Trio 1 - Trio ll
                                         Andante cantabile
                                         Finale: vivace
	Ieva Jokubaviciute, Francesca dePasquale,
  Molly Carr, Marcy Rosen

                 This concert is generously sponsored by
                          Elizabeth Koprowski
                        Herbert and Patrice Miller
                         Anna and Gilbert Snow
               Chesapeake Music is grateful for their support.

                  Artists and program selections are subject to change.

                                           36
PROGRAM NOTES FOR JUNE 6, 2021

Joseph Haydn                                           The composer thought very highly of his
Trio in F Major for oboe, cello, and piano             three Opus 9 string trios calling them “the
Hob. XV:17                                             best of my works.” Certainly, this final
                                                       venture into the string trio form raised
 Marianne Genzinger, the dedicatee of this             the genre to new levels of complexity.
piece, was the aristocratic and cultivated wife        The composer’s friend, violinist Ignaz
of a physician in Vienna and mother of six             Schuppenzigh, who went on to premiere
children. She met Haydn in 1789 and they               many of Beethoven’s compositions for string
formed a close friendship. At the Genzinger’s          quartet, gave the first performance.
he found a pleasant retreat presided over by
a cultivated woman who took a keen interest            Robert Schumann
in each of his new compositions while still            Piano Quartet in E-flat Major, Opus 47
finding the time to cook his favorite dishes.
At the Haydn residence there was no such               For Robert Schumann the year 1842 was the
congeniality, since Frau Haydn cared nothing           year of chamber music. Within the space of
for music and appeared to care little for him.         a few months Schumann wrote three string
                                                       quartets, a piano trio, a piano quintet, and
A number of rare musical sketches written
                                                       finally, the Piano Quartet Opus 47.
in Haydn’s own hand suggest that he
may have intended for the initial Allegro              Having purchased the quartets of Mozart
of the Trio to have a far more complex                 and Beethoven, Schumann studied up on
development than the version he eventually             theory complaining to his wife Clara of
sent to his publisher. However, the impulse            having to ‘work all the time on counterpoint
was restrained and the Trio in F Major, a              and fugue.’ Evidently, it was time well spent.
charming and intimate work, retained its               Shortly after completing the Piano Quintet
initial simplicity.                                    in E-flat Major, Opus 44, he began work on
                                                       the Piano Quartet, Opus 47. Although they
Ludwig van Beethoven                                   share the same year and the same key, the
String Trio in C minor, Opus 9 No. 3                   two compositions are very different, Opus
                                                       47 being the more traditional with more
The third and final of the Opus 9 trios is both        contrapuntal material.
intense and passionate. In the composer’s              Although the Quartet is dedicated to
development it could be seen as part of the            his patron, the Russian cellist Matthew
preparation for his string quartets, which he          Wielhorsky, Schumann always had Clara in
continued to write for the rest of his life.           mind, and it was Clara who first performed
Opus 9 is dedicated to Count Johann Georg              it in Leipsig on 8 December 1844.
von Browne, a Viennese patron of Irish
descent. During his first years in Vienna
Beethoven dedicated several works to this
patron who once, in a thoughtful gesture,
presented Beethoven with a horse.

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