18TH LESSEDRA WORLD ART PRINT ANNUAL - CONTEMPORARY ART PROJECTS
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18TH LESSEDRA WORLD ART PRINT ANNUAL
2019 CONTEMPORARY ART PROJECTS
The Catalogue presents
Artists 214 – 36 Countries
The exhibition is held
June 19 – September 30, 2019
Lessedra Gallery
25, Milin Kamak Street, Lozenetz
1164 Sofia, Bulgaria
Argentina – 1 Australia – 2 Austria – 5 Belgium – 5
Bulgaria – 17 Canada – 20 China – 1 Croatia – 2
Denmark – 1 England – 10 Estonia – 1 Finland – 6
France – 5 Germany – 8 Greece – 1 Hungary – 2
Ireland – 5 Israel – 2 Italy – 1 Japan – 36 Lithuania – 1
Mexico – 3 The Netherlands – 18 Norway – 1 Poland – 23
Puerto Rico – 1 Romania – 4 Scotland – 1 Slovenia – 3
South Korea – 1 Sweden – 3 Switzerland – 5
Taiwan – 1 Thailand – 2 U. S. A. – 15
Venezuela – 1
With Special Thanks for the cooperation to: The project is presented on the web
www.lessedra.com
Japan Artists Association
link Annual
Mr. Tsutomu KONO - Japan
HANGA Forum & Japan Print Society
University of British Columbia Okanagan, Canada
Publisher:
Book cover design: Atanas Vassilev LESSEDRA Gallery & Contemporary Art Projects
Concept for the book: Georgi Kolev 25, Milin Kamak Street, Lozenetz
1164 Sofia, Bulgaria
and Christophor Krustev
Tel.: (++359 2) 865 04 28, (++359 2) 866 38 57
e-mail: georgi-lessedra@lessedra.com
Pre - press: Christophor Krustev©2018 georgi.lessedra@yahoo.com
www.lessedra.com
Print: Stovi©2019 2019© Lessedra
2
2019
18TH ANNUAL INTERNATIONAL JURY
PRIZE WINNERS
KITTY DOOMERNIK
First Prize The Netherlands, Artist and Curator
ANNE DESMET, England
Second Prize
RENE VAN KEMPEN, The Netherlands
SNEZHINA BISSEROVA
Bulgaria, Artist & Art Teacher Academy of Arts
and Sofia University
Third Prize
ANN RICHARDS, Canada
ALEXANDRA DIMITROVA
Bulgaria, Prize for Young Emerging Artist
5 Special Prizes
BERT MENCO, The Netherlands
ELAINE SOTO, Puerto Rico/U. S. A.
IRA HOPKOPER, The Netherlands
KEIKO KOBAYASHI, Japan
NADEZHDA MALINOVA
MARY FARRELL, U. S. A. Bulgaria, Freelanced Designer
18th LESSEDRA WORLD ART PRINT ANNUAL – MINI PRINT 3
2019
Special Presentation
Faculty of Creative and Critical Studies, Department of Creative Studies
University of British Columbia Okanagan, Canada
Printmaking – A Global Gathering Place selflessly sharing their ‘secrets’. We tend to work communally
because of our equipment needs but also as a way of constantly
One of the reasons I first became interested in printmaking was exposing ourselves to new possibilities and new options that
the promise of participating in international exhibitions. Surely, might become available. It really is a global, pluralistic and
the mysterious and magical processes and materials and endlessly supportive community.
procedures involved in making prints were also deciding factors
that would draw me to these unique forms of art making but One can only assume that with the development of improved
seeing my professors’ work in international exhibition catalogues communication technologies it is much easier to organize,
was incredibly inspiring and it left an indelible impression on advertise and attract artists to an exhibition and to share one’s
me. Even as a young artist taking classes in print media for work widely. What an exhibition like The World Art Print Annual
the first time, I was excited by the prospect of one day being does however is capitalize on communications technologies to
able to see my work along side works by artists I admired from attract artists to send work but then provides an opportunity
around the world. The portability of works on paper and the for lucky viewers and artists to see real works first hand with
fact that we tend to work in multiples/editions only made those all of their tactility, material richness and subtlety. It is like
prospects of being involved in a truly international community of a snap shot of what is currently of material, conceptual and
artists seem all the more attainable. communicative interest to practicing international artists and
it is all gathered together for us to see live-and-in-person. I
Now, years later, I am lucky to be in the position to urge continue to think that is important - to create opportunities
students of my own to enter into that same vibrant (and now for others to see things up close and to have a real time and
greatly expanded) international art community. Hopefully, real space ability to interact with them. It is how art should be
participation in the 2019 Lessedra World Art Print Annual will viewed and it is the very best way to glean the content that a
be the encouragement, incentive to launch them into careers of work is trying to express. I think we crave those real eperiences
making and exhibiting art around the world. perhaps even more so since we have so many virtual ones from
day to day.
A lot has changed in the years since I first started exhibiting
my prints. For one, the Lessedra World Art Print Annual didn’t From me and all the student artists from the University of British
exist and neither did many of the other international exhibition Columbia’s Okanagan campus represented here I would like to
opportunities for printmakers. As more and more artists have extend a sincere thank you to Mr. Georgi Kolev for continuing
taken up the challenges and benefits of making art through to organize this exhibition and provide opportunities for artists
print media the number of exhibition, conference, residency to share their work and learn from one another. The Mini
and exchange opportunities has grown equally. Print Annual, the Mixed Media Annual and everything he has
done building the Art Villiage in his home town of Lesidren
Print media themselves are also constantly changing and are all contributing to that vibrant global community. We all
expanding – not only do artists continue to work in traditional need to stay connected, interested in and concerned for one
media like stone lithography, copper plate etching or wood another in this rapidly changing world and Georgi’s efforts have
engraving but the essence of print has now expanded to undoubtedly contributed to that.
incorporate aspects of the latest technologies and materials.
Printmaking itself continues to expand and change and grow And, of course, we would like to thank Georgi for offering us
and while there was some early concern that digital technologies this ‘special presentation’ within the 2019 Mini Print Annual.
would make printmaking redundant that hasn’t been the case. The exhibition as a whole continues to be an excellent resource
Print media have grown to incorporate or co-opt many of those for sharing the artisitic production, experiences and ideas of
new technologies further expanding the possibilities available artists from incredibly varied cultural backgrounds and we are
to print artists. honored to be a part of it.
And, still, amidst that constant change and evolution, the
essence of printmaking and the spirit of sharing that is so often Briar Craig,
exemplified by print artists has remained the same. The sense Professor and Undergraduate Coordinator
of community and of involving others is one of the things that Faculty of Creative and Critical Studies
hasn’t changed in the last 38 years. Printmakers continue to be University of British Columbia Okanagan
supportive of one another often opening up their studios and Canada
4
BRIAR CRAIG, Will You Make,
2018, Ultra Violet Screen Print, 29 x 23 cm
ANANNA TOOKE, A Small Ceremony, 2019, Screen Print, 17 x 25 cm
18th LESSEDRA WORLD ART PRINT ANNUAL – MINI PRINT 5
ANN RICHARDS, Fractured Sphericity,
2018, Lithograph, Diameter 15,3 cm
CHLOE CORBET, 69.C,
2019, Ultra Violet Screen Print, 17 x 12,5 cm
6
ECLIPSE GALLOWAY, The Little Things,
2019, Ultra Violet Screen Print, 29 x 23 cm
HANA HAMAGUCHI, Japan/Canada, Polar
Symbiosis, 2018, Screen Print, 10 x 7,5 cm
MIAH OLMSTED,
Untitled,
2019, Screen Print,
16,5 x 21,5 cm
18th LESSEDRA WORLD ART PRINT ANNUAL – MINI PRINT 7
linocut student
intaglio printing stage
linocut student printing
8
linocut student action
screen print studio
screen print studio aerial
main studio
18th LESSEDRA WORLD ART PRINT ANNUAL – MINI PRINT 9
REUBEN SCOTT, Whitewashing,
2019, Ultra Violet Screen Print, 24 x 17 cm
ROBYN MILLER, Nicola`s Canvas,
2019, Ultra Violet Screen Print,
15,5 x 17,5 cm
10ROGER LEE, Gus,
2019, Screen Print, 8,5 x 12,5 cm
TALIA MALKOWICH,
Life Size, 2019,
Ultra Violet Screen Print,
28 x 20 cm
BRONWYN MADDOCK, Morphed,
2019, Screen Print, 14 x 12,5 cm
18th LESSEDRA WORLD ART PRINT ANNUAL – MINI PRINT 112019
Special Presentation
Iida Print Art Studio, Nagano-ken, Japan
The Iida Print Art Studio is a group of printmakers who
live around Iida City, Nagano, Japan.
It was started in 1996 by Toshimi Kitano, a renowned
printmaker and art teacher, along with his ex-students
and friends.
They found a place to install an etching press and some
tools, and shared and used them so that anyone with an
interest in printmaking could start working there.
Gradually nearby artists and beginners have gathered to
learn from Kitano and from each other.
Many of the members have their jobs, so they come to
the studio after work or on holidays.
During the past 20 years, the workplace has changed
from the storeroom of a member to the workroom in the
cultural facilities in the city. Group exhibition with Bulgarian artworks in Tokyo in 2017
Each member usually works individually, but sometimes
works together and participates in Kitano’s print courses
once a year to improve their skills.
We exchange information on graphic art and apply for
print exhibitions in Japan and overseas. We have found
it very interesting and inspiring to see various works in
other countries and to see our works accepted in the ex-
hibitions.
Keisuke Kojima, a leading member of the group, has won
the first prize in Lessedra World Art Print Annual and held
a solo exhibition there.
We are also active in holding group exhibitions and in-
teracting with printmakers in other regions. These activi-
ties as a group have continued for more than 20 years
because we have cooperated with each other to create
a better environment for printmaking, and because the
advisor, Kitano, has always motivated us to apply for Group exhibition in Gifu pref. in 2017
various exhibitions including Lessedra World Art Print
Annual.
Iida is a small local city, but we would like to share aes-
thetic imagination with other people in the world through
art prints.
LATEST EXHIBITIONS
LESSEDRA WORLD ART PRINT ANNUAL 2004-2019,
BULGARIA
INTERNATIONAL TRIENNIAL OF SMALL GRAPHIC
FORMS VILNIUS, LITHUANIA
INTERNATIONAL TRIENNIAL OF SMALL GRAPHIC
FORMS LODZ, POLAND
EXHIBITION OF JAPAN PRINT ASSOCIATION, TOKYO
CWAJ PRINT SHOW, TOKYO
EXHIBITION OF SHINSHU PRINT ASSOCIATION, NAGA-
NO, JAPAN Kitano’s printmaking course in Iida in 2016
12TOSHIMI KITANO
1988 12th Cracow International Print Biennial
(Cracow Poland)
1993 14th FRANCE-JAPAN Contemporary Art Exhibition
(Paris, Tokyo)
1997 2nd Egyptian International Print Triennial (Egypt)
2000 21st Century Prints Grand Prix Exhibition (Tokyo, Paris)
2015 Exhibition of masterpieces of Japanese prints
1980-2010 (Moscow)
KEISUKE KOJIMA
2000 Solo Exhibition (Tokyo), 45th CWAJ PRINT SHOW
(Tokyo)
2001 International Art Symposium (Hungary)
2003, 2014 Exhibition of Shinshu Print Association (Nagano,Japan)
2007, 2011 Lessedra World Art Print Annual
(Sofia, Bulgaria)
2008 Solo Exhibition (Soria, Bulgaria) Jury in Lessedra
World Art Print Annual
MIWAKO OSO
2006 2ndInternational printmaking competition, Honor-
ary Mention (Istanbul, Turkey)
2013 Lessedra World Art Print Annual (Sofia,
Bulgaria)
2017 16th International Triennial of Graphic Forms, Lodz,
Honorable Medal (Poland)
ARTISTS PRESENTLY AFFILIATED WITH THE STUDIO
TOSHIMI KITANO, KEISUKE KOJIMA, MUTSUKO ANDO,
YOKO UMEDA, KISEKO OGASAWARA, MIWAKO OSO,
MASAKAZU KITAZAWA, KAZUHIKO HASHIZUME
Mutsuko Ando
Solo exhibition in
Iida in 2016
18th LESSEDRA WORLD ART PRINT ANNUAL – MINI PRINT 13KEISUKE KOJIMA, The Other Side 19-03,
2019, Etching, Aquatint, 15 x 21 cm
MIWAKO OSO, Walls and a River 1902,
2019, Etching, Aquatint, 15 x 18 cm
MASAKAZU KITAZAWA,
Gather Dancing, 2019, Etching,
Aquatint, Gold Leaf, 16 x 22,8 cm
14KISEKO OGASAWARA, Looks II, TOSHIMI KITANO, A View 1910,
2019, Etching, Aquatint, 22 x 15 cm 2019, Etching, Aquatint, Collagraph, 22 x 17 cm
MUTSUKO ANDO, Coffee Break III, YOKO UMEDA, Hana Oto, 2018, Etching,
2018, Etching, Aquatint, 23 x 18 cm Aquatint, Japanese Paper, 23,8 x 17,8 cm
18th LESSEDRA WORLD ART PRINT ANNUAL – MINI PRINT 152019
Featured Artist CHLOE DEE NOBLE, USA
Chloe Dee Noble rowing boats on a lake. I like to include the subject’s
Artist Statement surroundings. Bronze sculptures of people and ani-
mals followed.
It all started with trees. As long as I can remem- After I lost my eyesight I was devastated but contin-
ber I have been fascinated with color and shadows, ued to have great passion for creating art and began
especially long soft afternoon shadows cast upon incorporating various experimental works with flower
the landscape by tall Sycamores and how shadow petals, leaves and bark from trees woven into hand-
changes the hue of earth and grass and people sit- made paper. They were embossed with Helen Keller
ting on park benches. You look again in an hour and quotes in Braille.
it has totally changed. As a child, trees always re- Usually I do not know what type of art I will do that
minded me of tender symphonies of movement and day but each day I do something and it is always a
color. Still does. surprise. I never specifically create to please another
Thru the years I have applied creative energy to person, only for the spiritual joy I receive from the
watercolor paintings of trees, children, chickens and experience.
other birds, then I created large oil paintings of peo-
ple riding horses in the Irish countryside, or boys
Bulgarian
national
television BTV
interviewing
Chloe with Georgi by the opening of the Chloe
Solo Show at Lessedra in May 2007
Chloe (in the middle) with Susan Litsios
In the mountains of Lessidren with friends from Switzerland and Georgi Lessedra
16Braille, 2019, Mixed Media, 21,5 x 26,8 cm 18th LESSEDRA WORLD ART PRINT ANNUAL – MINI PRINT 17
2019
ANNA ARMINEN, Finland, First Prize of the 17th Mini Print Annual 2018
me. There also might venture fantasy figures, like man-
like animals or animalistic human being in my pictures.
In my artwork, I often look some word or thing from dif-
ferent perspectives and trifle with all different meanings.
I like to play with Finnish langue. For exemple the idea
for series Jääkausi / Ice Age comes from the meaning
of Finnish word “jää”. One meaning is same as “ice”, but
“jää” can also mean same as “remain” and “stay”. So,
“jää” is a key to that series. It is not easy to translate all
the names of my works, because meanings are often
very different in other languages. Fortunately, pictures
speak for themselves.
In this exhibition, you can find two works, which belong to
the same series than “Chirrup” and “Stillness” that were
on view in the last year annual. This Wilderness series
invite the viewer to stay for a moment in the middle of
Finnish nature – regardless of time and place.
My latest series is Ritaripeili / Knight Mirror from last
Lessedra Art Gallery, 2019 28.4.2019 year. It is here as a whole. The series takes you to the
From Anna Arminen fantasy trip to animal human nature and to the time of
knights. The medieval knight had to have seven virtues,
skill and readiness. The series is an answer to question,
what kind of figure would fulfill all those knightly ideals.
Warm greeting to all visitors, this year’s participants, jury Knight character in the series is a combination of seven
members, staff and graphic art lovers! Thanks to eve- animals. For example in work Messenger, in the main
ryone in Lessedra Art Gallery for making this exhibition role of those animals is a bird. In the picture, you can
possible, especially to You Georgi. I have had the pleas- also find the animal symbols and the elements of the
ure to participate in the Lessedra Miniprint Annual many Finnish medieval wall paintings.
times since year 2012. Last year I was honored to win
the 17th first price. Thank you once again. It is great to
have a chance to show many works in Sofia. To this spe- There is also one work from year 1998, The Butterfly.
cial presentation I have chosen 18 works from 20 years That is one of my first etchings. Graphic have been my
period. Now I will tell something about those pictures passion since I saw those first draft come true the press.
and my art generally. The art graphic spark continues and new works are com-
ing. Through my works, I want to offer viewers possibili-
ties for the imagination to travel.
From graphic art techniques, the deep-pressure printing
is close to my heart. The challenging tools and multi-
stage methods have fascinated me in that technique. In
this exhibition, the primary techniques are etching and
polymeregravure.
Interest in history and nature are reflected in my works. Best regards from Joensuu and
For example, the old objects, places and trees fascinate great exhibition summer, Anna
18Sanansaattaja / Messenger, 2018
From the series: Ritaripeili / Knight Mirror
etching and polymeregravure, print 9/20, 20 x 23 cm
Kurjenmiekka / Blooming sword, 2018
From the series: Ritaripeili / Knight Mirror
etching and polymeregravure, print 9/20, 20 x 23 cm
Turnajaiset / Tournament, 2018
From the series: Ritaripeili / Knight Mirror
etching and polymeregravure, print 9/20, 20 x 23 cm
18th LESSEDRA WORLD ART PRINT ANNUAL – MINI PRINT 19Suojelija / Guardian, 2018 Kuin kala vedessä / Like a fish in the water, 2018
From the series: Ritaripeili / Knight Mirror From the series: Ritaripeili / Knight Mirror
etching and polymeregravure, print 11/20, 25 x 20 cm etching and polymeregravure, print 5/20, 25 x 20 cm
Ritariyökkönen / Knightflyer, 2018 Hevosmiehen tähti / Horseman’s star, 2018
From the series: Ritaripeili / Knight Mirror From the series: Ritaripeili / Knight Mirror
etching and polymeregravure, print 9/20, 25 x 20 cm etching and polymeregravure, print 7/20, 25 x 20 cm
20Sumu leviää / Mist spreads, 2017 From the series:
Erämaa / Wilderness polymeregravure, print 10/12,
18 x 24 cm
tion Exhibition, Joensuu, Finland
2018-2012 Lessedra Mini Print, Lessedra Gal-
lery, Sofia, Bulgaria
2018, 2017 Miniprint Kazanlak, Fine Arts Gallery
Kazanlak, Bulgaria
2018-2014 Nokia Printti, Nokia Art House, Nokia,
Finland
2018 4th Enter into Art, Köln, Germany
ANNA ARMINEN 2017, 2016 Miniprint International Of Cadaques,
Spain
YEAR OF BIRTH: 1979 2017-2011New Leaf, Gallery G, Helsinki, Finland
LIVES AND WORKS: Joensuu, Finland 2015, 2012 Year exhibition of Union of Finnish
Art Associations, Finland
EDUCATION: 2015 Ah!Jo!, Art Center Ahjo and ja Joensuu Art
2008 Master of Arts. Culture Research, speciali- Museum Onni, Finland
zation: Sosiology of Arts, University of Joensuu, 2014 Miniprint Finland, Hyvinkää Art Museum,
Finland Finland
2003 Bachelor of Visual and Media Arts, Fine Arts. 2013 World is Art, Art is World, Artmeet Galleriy,
Nort Karelia Polytechnic, Joensuu, Finland Milano, Italy
2013 Sculptural Shapes, Galleria Fogga, Helsinki,
MEMBERSHIPS: Finland
The Association of Finnish Printmakers 2011 Theme exhibition of Union of Finnish Art
Joensuu Artist’ Association Associations, Finland
2010 Miniprint Finland, Lahti Art Museum, Fin-
SOLO EXHIBITIONS: land
2018 Artist of the month - exhibition, Grafoteekki, 2010 Joensuu Artists´ Association, Annual
Helsinki, Finland Exhibition, Joensuu, Art Center Ahjo, Joensuu,
2017 Artist of the month - exhibition, Aulagalleria, Finland
Gallery Kohina, Joensuu, Finland 2009 Joensuu Artists´ Association, Annual Exhi-
2016 Jokigalleria, Joensuu, Finland bition, Kulture Center Lieksa, Finland
2013 Art center Ahjo, Joensuu, Finland
2011 Gallery Kohina, Joensuu, Finland
2009 Koloveden luontotupa, Enonkoski, Finland
GROUP EXHIBITIONS:
2018 Print – Art Graphics, Art Center Ahjo, Joen-
suu, Finland
2016 On Page 12, Joensuu Art Museum Onni,
Finland
2015 On Page 13, Riihisaari, Savonlinna, Finland
2014 On Page 13, Imatra Art Museum, Finland
2014 Anna Arminen / Hanna Järvenpää, Gallery
Tyko, Nurmes, Finland
2012 Anna Arminen / Hanna Järvenpää, Gallery
Pinna, Savonlinna, Finland
2008 Quattro stagioni, Art Center Ahjo, Joensuu,
Finland
COLLECTIVE EXHIBITIONS: Murtosaaren vartija / Island guard, 2017 From the series:
2019-2012 Art Karelia, Joensuu Artists´ Associa- Erämaa / Wilderness polymeregravure, print 10/12, 18 x 24 cm
18th LESSEDRA WORLD ART PRINT ANNUAL – MINI PRINT 21Jääkengät / Ice shoes, 2016
From the series: Jääkausi / Ice Agepolymeregravure,
print 5/8, 30 x 30 cm
Kultahäkki / Golden cage, 2017
etching and carborundum, print 5/5, 30 x 20 cm
Jääkynttiläillallinen / Ice candlelight supper, 2016
From the series: Jääkausi / Ice Age
polymeregravure, print E.a. 1/3, 30 x 30 cm
Perhonen / Butterfly, 1998
etching, print H.C. II, 15 x 10 cm
Ilmaan jääneet sanat / Words left in the air, 2016From the series:
Jääkausi / Ice Age polymeregravure, print 8/8, 30 x 30 cm
22Vain kalossit jäivät / Only galoshes remained, 2013
From the series: Hetken herra / Moment’s Lord
polymeregravure, print 6/10, 20 x 27 cm
Hetken herra / Sir for
a moment, 2013
From the series:
Hetken herra / Moment’s Lord
polymeregravure, print E. a. 1/1,
20 x 27 cm
Muistaessani kirjoitan / When I remember I write, 2013 Kartoittamaton / Uncharted, 2013
From the series: Hetken herra / Moment’s Lord From the series: Hetken herra / Moment’s Lord
polymeregravure, print 6/12, 20 x 27 cm polymeregravure, print E. a. 1/3, 20 x 27 cm
18th LESSEDRA WORLD ART PRINT ANNUAL – MINI PRINT 232019
JAMES MCCREARY, Ireland, Third Prize of the 17th Mini Print Annual 2018
Art Education
1960-63 Harry Clarke’s stained glass studio
1960-63 National Collage Art-night classes
1973-77 Etching and Lithography at Graphic Studio Dublin
Public Collections
National Gallery of Ireland
Chester Beatty library
Ulster Museum Belfast
Exhibitions
Solo Exhibitions
James McCreary was born in Dublin in 1944. He worked at 2015, Custom house Studios. Westport, Co; Mayo
Harry Clarke’s Stained Glass Studio from 1960 to 1963. He 2014, Hamilton Gallery, Sligo
joined Smith & Pearson’s structural steel engineering works in 2011,Taller Galeria Fort, Caqaques, Spain
1964 as a steel erector. In 1973 he joined the Graphic Studio 2005, Graphic Studio Gallery, Dublin
Dublin Studio studying etching and lithography, and became 2004 Galleri Astley. Utterberg, Sweden
studio manager in 1980. He set up and managed the Graphic 1976, 77, 78 Emmet Gallery, Dublin
Studio’s visiting artist’s program which introduced many of Ire- 1974 Project Arts Centre, Dublin
land’s leading artist’s to printmaking. Along with Mary Farl Pow-
ers and James O’ Nolan he was responsible for the setting-up
of the Graphic Studio Gallery in Cope Street in 1988. James Two-person Exhibitions
was a Director of the Graphic Studio from 1979-2000 and a 2014 James McCreary and Ruth O’Donnell, So Fine Art Edi-
committee member from 1975-2004. In 2004 James left his tions, Dublin
position as studio manager in order to concentrate solely on 2011James McCreary and Leo Higgins, Hamilton Gallery, Sligo
making his own work. James is a member of Aosdána. 2010 James McCreary and Leo Higgins, Galleri Astley, Utter-
James was the coordinator of the Visiting Artists for “Art/Art” berg, Sweden
in the National Gallery and was one of the curators for “The 2008 James McCreary and Lars Nyberg, Graphic Studio Gal-
Holy Show” and “The Gardens of Earthly Delights” and one lery, Dublin
of the artists in “Artist’s Proof”, all shows which were created 1997 James McCreary and Stephen Lawlor, Nordens Ljus,
by the artists in response to work in the Chester Beatty Col- Stockholm
lection. James was one of the curators for the Graphic Studio 1993 James McCreary and Jenny Lane, Graphic Studio Gal-
Dublin’s “The Cracked Looking Glass” exhibition celebrating the lery, Dublin
centenary of Bloomsday. Lars Nyberg, Ann Hodge and James 1988 James McCreary and Leo Higgins, Fenderesky Gallery,
were responsible for “From Darkness into Light” an exhibition of Belfast
Swedish prints from the King’s collection in the National Gallery 1983 James McCreary and Margaret Becker, Kilcock Art Gal-
of Ireland which ran in conjunction with an exhibition of con- lery, Kildare
temporary Swedish prints in the Graphic Studio Gallery in 2005. 1982 James McCreary and Leo Higgins, Lincoln Gallery, Dub-
lin
1982 James McCreary and Leo Higgins Bell Gallery, Belfast
1979 James McCreary and Mary Farl Powers, Bell Gallery,
Belfast
24Three Person Exhibitions 1985 Central Academy of Fine Art Gallery, Beijing, China
2010 James McCreary, Leo Higgins and Michael Cullen, 1985-74 An-Oireachtas Art Exhibition
Graphic Studio gallery 1984-75 Independent Artists
2012 James McCreary, John Behan and Clare Henderson, 1984 British International Print Biennale, Bradford, England
Graphic Studio Gallery 1984-75 Listowel Graphics
Selected Group Shows 1982 “Joyce in Art”, Peacock Theatre
2015-1992 RHA, Dublin 1976 Graphic Studio Retrospective, Municipal Gallery of Mod-
2012-2009 RUA, Belfast ern Art Dublin
2015-2010 Mini Print International Cadaques, Spain 1973 Irish Exhibition of Living Arts
2010 “Artist’s Proof”, Chester Beatty Library
2005 “The Gardens of Earthly Delights”, Chester Beatty Li-
brary
2003 OPW “Impressions” touring show
2002 “Holy Show”, Chester Beatty Library Awards
2004 “The Cracked Looking Glass” Dublin 2011 Mini Print International, Caqaques, Spain
2004 Elkilstuna Art Museum, Sweden 2007 Dublin Port Print, Exhibition
1999 “Contemporary Irish Print”, Galleri Astley, Utterberg 1999 Print Award, Iontas, Sligo
1998 “Art/Art”, National Gallery of Ireland 1995 Limerick Small Print Exhibition
1998 National Portrait Collection, National Gallery of Ireland 1991 Irish Arts Council bursary
1994 L’Oient Biennale, France 1984 Irish Arts Council travel grant
1992 Art of the State, Dublin Castle 1984 Listowel International Print Biennale
1988 Biennale of European Graphic Art, Heidelberg 1984 British International Print Biennale, Bradford, England
International Print Biennale, Baden Baden 1984 Claremorris Open Exhibition
1987 International Print Triennial, East Berlin. Intergrafik Swe- 1981 Irish Arts Council Bursary
den 1981 Listowel Graphics Exhibition
1987, 1985 International Print Biennale, Ljubjana 1974 An-Oireachtas Art Exhibition
Bog Pool, Mezzotint, Aquatint, 15 x 20 cm
Dublin Boy, Etching, 25 x 15 cm
18th LESSEDRA WORLD ART PRINT ANNUAL – MINI PRINT 25The Liffy flows quitly to the Sea, Mezzotint, Aquatint, 10 x 30 cm
Forest XIX, Mezzotint, Aquatint, 16 x 27 cm
Bangor Buoys 1, Mezzotint, Aquatint, 15 x 30 cm
26It is a long Way to Tipperary,
Mezzotint, Aquatint, 24 x 29,5 cm
Bangor Buoys 2, Mezzotint,
Aquatint, 15 x 30 cm
The Lure of Miro, Mezzotint, Aquatint, 19,5 x 20,5 cm
18th LESSEDRA WORLD ART PRINT ANNUAL – MINI PRINT 272019
ALEXANDRA DIMITROVA, Bulgaria Prize for Young Emerging Artist
Alexandra Dimitrova was born in Smolyan on May 28, 1992. • Winner`s Award Exhibition at the 17-th Annual
She graduated in Graphics. from the National School of Fine Mini-Print, Lessedra Gallery /May 15 - June 15/
Arts, `Iliya Petrov` Sofia. • Annual SOFIA PAPER ART FEST, Amateras Foundation May
2018 – she graduated the National Academy of Arts, Sofia with 2 - May 12, National Palace of Culture
a BA degree in Book and Print Graphics, and an MA in Illustra-
tion. 2018
She works in the field of Fine Arts. The wide area of her crea- • Awarded with a Diploma from the Sixth Forum `Small
tive interests includes Graphics /traditional and contemporary Graphic Forms`, Union of Bulgarian Artists UBA, Art Aleya
printmaking/, Calligraphy, Experimental photography, Artist`s Gallery, Sofia
book /pop-up/, Digital art, Design, Paper art, and most recently • Award in the section Young Artist from the 17-th Lessedra
– Street art. World Art Print Annual MINI PRINT
• Solo exhibition `The Song of the Fog` at the `Friday Bar`,
International and national group exhibitions Sofia, Bulgaria
• Participation in the BIENNIAL OF ILLUSTRATION 2018
2019 • Participation in the Unique Books Exhibition ARTICLE PARA-
• International project `Graphic Transformations II` – partici- GRAPH of the TI-RE ARTISTS` GROUP at the Goethe Institute
pation in the Group Exhibition `Bulgarian and Polish Printmak- • International Art Project `Graphic Transformations I`, partici-
ing and Artist`s Book`, Bulgarian Cultural Institute, Warsaw, pation in the group exhibition San Stefano Gallery, Sofia
Poland. • International Art Project `Graphic Transformations I`, partici-
• Second prize from the NATIONAL CONTEST FOR CONTEM- pation in the group exhibition, Etude Gallery, Sofia
PORARY ART 2019 /for photography/, Sofia, Bulgaria • Participation in THE TOTE IS BAG by Surfrider Foundation
• International project `Graphic Transformations II` – partici- Sofia, BOLD Gallery
pation in the Group Exhibition `Bulgarian Printmaking and
Artist`s Book` at the WA-UMCS Gallery, Lublin, Poland / Uni- 2017
wersytet Marii Curie-Skłodowskiej w Lublinie/ • Graphic Designer at LUXNOX
• Completed a course in Character Design at Grozen Ent.
• SOLO Exhibition at the HUNT Club, Sofia, Bulgaria
2016
• Graduate Bachelor‘s Exhibition, Shipka 6 , Sofia
• Participation in COMIXBOX.TV with Grozen Ent.
2015
• Participation in the SOFIA PAPER ART FEST, Amateras
Foundation an annual small format competition exhibition and
an artist`s book exhibition
2014
• Project with the Japanese graphic society 15 Bulgarian
artists with 15 graphic works by Japanese Paper Exhibition
at Lessedra Gallery 05.2014, Exhibition in Japan - HANGA
FORUM 06.2014
• First solo exhibition - art photography and graphics at the
Artamonzev Gallery
2012
• Exhibition at the Lessedra Gallery, Sofia
The Song of the Fog 1, Waterless,
Lithograph, 2019, 65,5 x 50,5 cm
28• Participation in a competition in Poland
• Participation in the exhibition Pictures for a Children‘s
Room, Artamonzev Gallery , Sofia
2011
• Young Artist`s Award at Lessedra Gallery, Sofia
• Participation in the poster exhibition of the contest
organized by SBA in honour of Ikko Tanaka, Kazumasa
Nagai, Shigeo Fokuda – the Great masters of poster from
Japan
• Fifth place in the Seventh National Drawing Contest,
Sofia
• FIRSTprize in the Artistic Drawing section of the Art
Drawing Competition, National School for Fine Arts Ilia
Petrov
2010
• Participation in the competition and catalogue Il Bosco
Stregato of the Associazione Solstizio d‘Estate, Festival
del Saperi e dei Sapori Onlus, Bosia, Italia
• Participation in the Japanese - Bulgarian catalogue
• Group exhibition `The Road is Ahead of Me` by Arthur
Gallery, Sofia
2009
• Participation in the Lessedra Mini Print catalogue The Song of the Fog 2, Waterless,
• Diploma for participation in the plain air `The colors of Lithograph, 2019, 65,5 x 50,5 cm
Byala`, Byala, Bulgaria
• Diploma for participation in the poster for the “Meet the
drugs so you do not love them” contest
• Certificate of participation from the `Artists` Evenings`
in the world of music and paintings Kempinski Hotel Zo-
grafski
• First Prize from the Annual Exhibition Competition from
the National School of Fine Arts, Ilia Petrov
2008
• Third prize from the Fourth National Drawing Contest,
Sofia
2003
• Group exhibition at a French cultural center, glass paint-
ing, Sofia
2002
• Group exhibition at the Japanese Cultural Center, Sofia
2001
• Group exhibition at the Czech Cultural Center, Sofia
1996
• Award from the `Charity Exhibition for Orphans`, City
Gallery, Smolyan, Bulgaria
The Song of the Fog 3, Waterless,
Lithograph, 2019, 65,5 x 50,5 cm
18th LESSEDRA WORLD ART PRINT ANNUAL – MINI PRINT 29INTERNATIONAL ARTISTS 2019 CONTEMPORARY ART PROJECTS 30
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18th LESSEDRA WORLD ART PRINT ANNUAL – MINI PRINT 337
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18th LESSEDRA WORLD ART PRINT ANNUAL – MINI PRINT 396
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18th LESSEDRA WORLD ART PRINT ANNUAL – MINI PRINT 413
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18th LESSEDRA WORLD ART PRINT ANNUAL – MINI PRINT 472
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18th LESSEDRA WORLD ART PRINT ANNUAL – MINI PRINT 492019
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18th LESSEDRA WORLD ART PRINT ANNUAL – MINI PRINT 51LESSEDRA Gallery & Contemporary Art Projects
25, Milin Kamak Street, Lozenetz
1164 Sofia, Bulgaria
Tel.: (++359 2) 865 04 28, (++359 2) 866 38 57
e-mail: georgi-lessedra@lessedra.com
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