The art of teaching Inaugural Exhibition - The Mildred Zahradnicek Gallery on the Concourse Friday, October 11, 2013, 6:30 p.m - Casper College
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the art of teaching I nau gur a l E x h ib itio n The M i l dred Z a h r a d n ic e k G a lle ry on th e Con c ou rse F rid ay, Oct o b e r 1 1 , 2 0 1 3 , 6 :3 0 p .m. I nau gur a l Re c ita l The Ri chard E . a n d L i n d a S . Wh e e le r Con c e rt Hall F rid ay, Oct o b e r 1 1 , 2 0 1 3 , 7 :3 0 p .m.
redStone logo by Alex Unruh
1
C as p er Co llege Departments of M us i c a nd V i s ua l A r t s
m i s s i o n
The Casper College redStone Recital and Gallery Series
shall provide educational enrichment and cultural
opportunities for the college and the greater community.
Lynn R. Munns
Vase
c.1985 - c.1990
Low-fire ceramics
M ild red Z ahr adn ic ek gallery exhibition
t h e a r t o f t e a c h i n g
Throughout the history of the Visual using a style that led students to their
Arts Department at Casper College, goals by giving them the answers
dedicated, visionary artists have through the use of demonstrations,
facilitated the growth of programming, illustrations, books, and critiques.
achieved specialized accreditation with He continued to help and mentor
the National Association of Schools students by creating tech positions
of Art and Design, partnered with and jobs to help them earn money
museums and galleries, and witnessed for school. Lynn maintained a strong
the successful matriculation of students and open studio practice at the school
into the art world. This exhibition is and his home studio. Lynn graciously
a selection of works in various media invited students into his home where
that represent the personal visions the art history lessons would begin
of the award-winning faculty. Each again through his extensive library
teacher was committed to instruction and ceramic art collection. His service
and devoted his or her career to paved the way for his students to
enriching the lives of many students. follow in his footsteps.” Munns was
With a mission of student success, one of a team that has evolved and
Casper College provides educational even today strives for exemplary
opportunities to improve quality of life pedagogy and connections with his
and sustainable community building many students.
and citizenship.
The teachers whose works are included
The Mildred Zahradnicek Gallery is in The Art of Teaching exhibition are:
fortunate to inaugurate its opening
by presenting works mainly in the James Gaither
collection Lynn and Sunny Munns. Ed Gothberg
Professor Emeritus Lynn Munns Justin Hayward
served as an Instructor and Division Richard Jacobi
Chair of Fine Arts at Casper College Michael Keogh
while serving the community for 35 Nancy Madura
years. His 2013 Wyoming Governor’s Lynn Munns
Arts Award recognizes his many Stephen Naegle
outstanding contributions. A fellow Michael Olson
artist, Markus Urbanik, wrote, “There Wilhelm Ossa
are very dedicated teachers out there, Nolan Preece
but Lynn’s gift to teach goes well Linda Ryan
beyond the classroom. He taught Gene Tobey 2
3 redStone
recital and gallery series inaugural
t h e a r t o f t e a c h i n g
The R i c h a rd E . a n d L i n d a S . Wh e e le r Con c e rt Hall
C as pe r C o lle g e
Fr i day, O c t o b e r 1 1 , 2 0 1 3
7: 30 p . m .
please silence all electronic devices
p r o g r a m
Sarabande et Rigaudon Jean Clergue
(1896-1969)
Douglas Bull, trumpet
Una voce poco fa from Il Barbiere di Siviglia Gioachino Rossini
(1792-1868)
Kristen Lenth, soprano
Four Romantic Pieces, Op. 75, B. 150 Antonín Dvořák
(1841-1904)
No 1. Allegro moderato
No 2. Allegro maestoso
Jennifer Cowell-DePaolo, violin
Danse sacrée Jean-Michel Defaye
(b. 1932)
Nathan Baker, trombone
Intermezzo Hendrik Andriessen
(1892-1981)
Delores Thornton, flute
Jane Ann Hamman, harp
Glint Roshanne Etezady
(b. 1973)
Jerome Fleg, clarinet
Andrew Stonerock, saxophone
Two Minuets and a Double Jean Braun
(ca. 1690-1740)
Richard Turner, bassoon
Erlkönig, D. 328 Franz Schubert
(1797-1828)
Zachary Vreeman, tenor
Sicilienne, Op.78 Gabriel Fauré
(1845-1924)
Gary DePaolo, viola
Fertility Rites (1997) Christos Hatzis
(b. 1953)
Movement III
David Alcorn, marimba
Paula Flynn and Eric Unruh, piano collaborators
…a reception follows on the Concourse
4
5 P rog ram N ot e s and Tr ans l a ti ons
Una voce poco fa chamber pieces, including the Intermezzo for
A young man has been serenading Rosina, the flute and harp. His compositions were highly
ward of Don Bartolo. He introduced himself varied in style, ranging from contemplative
to her as a student, Lindoro, but he is actually lyricism to 12 tone rows. Intermezzo,
Count Almaviva in disguise. She is sure she composed in 1950, is primarily tonal with some
is in love and has written a letter to him for play on chromaticism. This piece incorporates
which she is anxious to find a messenger. The arpeggios and chords that demonstrate the
translation from the Italian follows. brilliance and depth of the harp, as well as the
flexibility and technical advances of the flute.
A voice, a little while ago,
echoed here in my heart;
my heart is wounded now, Erlkönig
and it was Lindoro who covered it with Schubert’s setting of the poem “Erlkönig” by
wounds. Goethe stands as one of the most popular
Yes, Lindoro will be mine-- works in early Romantic German lieder. This
I’ve sworn it, I shall win. status arises from the poem’s mythology
and intense drama, but more importantly
My guardian will object. Schubert’s masterful setting. It is one of the
I, quick-witted, will be sharp; best examples in the genre of the elevated
in the end he will acquiesce, importance of the piano—the accompaniment
and I will be content. holds a wealth of text painting, most notably
the constant pounding of the horse’s hooves as
I am submissive, I’m respectful, the characters race to safety. The story involves
I’m obedient, sweet, affectionate. four distinct characters, all portrayed by the
I allow myself to be governed; singer in the first person: a narrator, a father
I let myself be guided. and his ill son, and the Erlking, a murderous
But if they touch me spirit in the forest who seeks to entice and
where my sensitive spot is, then kill the child. Translation from the German
I will be a viper, follows.
and I’ll cause a hundred tricks
to be played before giving in. Who rides so late through the night and wind?
It is the father with his child;
He has the boy safe in his arm,
Intermezzo He holds him secure, he holds him warm.
Hendrik Andriessen, a Dutch composer, “My son, what makes you hide your face in
organist, and teacher, studied organ and fear?” –
composition at the Amsterdam Conservatory “Father, don’t you see the Erlking?
where he later taught. He was already The Erlking with crown and flowing robe?” –
composing incredible works for organ by age “My son, it is a wisp of fog.” –
10. Many of his early compositions were sacred “You dear child, come along with me!
vocal and choral works, with his orchestral Such lovely games I’ll play with you;
and instrumental works finding their way to Many colorful flowers are at the shore,
the public by the 1930s. During the war, his My mother has many a golden garment.”
compositions were limited and not allowed “My father, my father, and do you not hear
to be performed due to his resistance against What the Erlking promises me so softly?” –
Hitler’s terror. After this time, he turned back “Be quiet, stay quiet, my child;
to composing more sacred works and smaller In dry leaves the wind is rustling.” –
“Won’t you come along with me, my fine boy? My fascination with the Inuit and their culture
My daughters shall attend to you so nicely. started in 1992 during the course of creating a
My daughters do their nightly dance, radio documentary/composition for CBC Radio
And they’ll rock you and dance you and sing called The Idea of Canada. That was the first
you to sleep.” time I heard this strange and haunting music.
“My father, my father, and do you not see over A few years later I involved myself in a similar
there project this time focusing entirely on Inuit
Erlking’s daughters in that dark place?” – culture and throat singing in particular. This
“My son, my son, I see it most definitely; latter project took CBC producer Keith Horner
It’s the willow trees looking so grey.” and me to Baffin Island in arctic Canada,
“I love you; I’m charmed by your beautiful where we spent two weeks recording throat
form; singers and interviewing elders of the Inuit
And if you are not willing, then I’ll use force.” communities in Iqaluit and Cape Dorset. The
“My father, my father, now he is grabbing hold recorded material was eventually used in four
of me! compositions (the other three are Footprints
The Erlking has done me harm!” – in New Snow, a 38-minute radio documentary/
The father shudders, he rides swiftly; composition, Nunavut for string quartet
He holds in his arms the moaning child. and tape, and Hunter’s Dream, a miniature
He reaches the farmhouse with effort and commissioned by rock keyboardist Morgan
urgency. Fisher.
In his arms the child was dead.
The title of the work is derived from the
throat songs themselves. In one of our
Roshanne Etezady’s Glint is a dazzling interviews in Iqaluit, Keith and I learned that
composition that feels like riding a roller throat songs were originally a fertility ritual,
coaster. With countless twists, turns and a shamanistic mating call which the women
acrobatic runs, the work has been pushing performed while the men were out hunting.
clarinetists and saxophonists to their technical The katajjaq (vocal games) in this piece are
limit since its completion in 2007. The used to evoke this primordial practice. Their
composer describes that “when I think sexual suggestiveness is further enhanced
of the word ‘glint,’ I think of something by electronic processing (lowering the pitch
small, hard, and shiny, like broken glass on by an octave or more transforms the original
asphalt, or a diamond catching sunlight. It sound into a semblance of heavy breathing),
seemed like the perfect title for this piece, or through juxtaposing the katajjaq against
which is a fiendishly difficult showpiece for other types of amorous music stylistically more
clarinet and alto saxophone. Both players familiar to the listener, such as the “French-
are called upon to circular breathe and play sounding” second movement or the tango-like
virtuosic passages well above the “normal” music of the third. In addition to the katajjaq
registers of their instruments, and intertwine samples, the tape recording consists of
timbres so that at times, individual voices are marimba sounds (normal, “bent” and bowed),
indistinguishable.” Glint was commissioned which both in terms of timbre and musical
by Robert Spring (Arizona State University) and treatment represent a virtual extension of the
Timothy McAllister (Northwestern University) instrument’s abilities. In a programmatic sense
and has quickly established itself as a modern they represent the performer’s thoughts or
masterpiece in the woodwind repertoire. instincts, in contrast to the instrument on stage,
Fertility Rites (1997) for five-octave marimba which represents the “voice” of the performer.
and tape is part of a series of works all written - Christos Hatzis
in the 1990s, the connecting thread running
through all of which is Inuit throat singing. 6
7 M usicians an d Visu al Ar ti s ts
David Alcorn, originally from Pittsburgh, where he studied trombone with Jeff Williams.
Pennsylvania, is the percussion instructor He has completed the coursework for the
for the Casper College School of Fine Arts Ph.D. in music theory and music history from
and Humanities, and serves as President the University of Oregon.
of the Wyoming chapter of the Percussive
Arts Society. As an active member of the
percussion group Clocks in Motion, Dave is Douglas Bull is Director of Bands and
committed to performing classic percussion Instructor of Brass at Casper College, where
ensemble literature and chamber music, as he also serves as the chair of the Music
well as commissioning new repertoire within Department. Bull has studied with Dominic
these areas. In the orchestral field, Dave DiGangi, Don Tison, Raymond Moore and
is the principal timpanist/ percussionist of Emerson Head. Bull has been a soloist and
the Wyoming Symphony Orchestra. He has lead trumpet for the U.S. Army Touring Show
worked with acclaimed conductors including Band of the United States Army in Europe.
Kenneth Kiesler, Michael Haithcock and H. Upon returning from Europe, Doug continued
Robert Reynolds. Dave has been a reserve to study with Raymond Moore, completing
percussionist for the Lansing Symphony a double major in Music Education and
Orchestra, the Ann Arbor Symphony Trumpet Performance from Towson University.
Orchestra, and the former principal Thereafter, he was selected to fill the utility
percussionist and timpanist for the Livingston trumpet chair with the Baltimore Symphony.
Symphony Orchestra. He performed in Bull then pursued a career in commercial
Carnegie Hall in 2008, and can be heard on music in the Baltimore area, playing, recording
the album, “Raise the Roof” (Equilibrium or conducting for Bob Hope, Frank Sinatra,
Records). Dave holds the B.M. from the Tony Bennett, Barbara Streisand as well as
University of Michigan and the M.M. from the the top artists from other genres. He has
University of Wisconsin. recorded Original Broadway Cast Albums, film
sound tracks, national commercials and many
albums. For his work as a conductor in musical
Nathan Baker is the music theory coordinator theater, he won multiple PBS Critic’s Choice
at Casper College, where he teaches courses Awards for Best Musical Direction and Show
in music theory, aural skills, music technology, of The Year. He is an Endorsing Artist for the
and composition. In addition to his academic New York Trumpet Company.
interests, Baker is an active trombonist with
the Wyoming Symphony Orchestra, the
Casper Municipal Band, the Dem Bones Jennifer Cowell-DePaolo, a Casper native,
trombone quartet. He has performed with joined the faculty at Casper College in 2001.
the Blues Brothers, the percussion quintet Cowell directs the Casper College Chamber
Sympatico, the Casper Brass and Storm Door Orchestra and also teaches studio violin,
Company, and in various musical theatre music education, and class piano. She serves
productions at Utah State University, the as the Music Accreditation Coordinator for
University of Oregon, and the Krampert the department. Cowell has studied with
Theatre. In 2002, Baker received the B.M. in Joseph Genualdi, Kathryn Lucketnberg,
Music Education and Composition from Utah Fritz Gearhart, Lucie Robert and acclaimed
State University, where he studied trombone Baroque specialist, Japp Schroder. In the
with Todd Fallis. He earned the M.A. in music orchestral field, she has performed with
theory from the University of Oregon in 2006, various orchestras including the WyomingSymphony Orchestra, the Cheyenne Jerome Fleg is instructor of woodwinds and
Symphony, the Helena Symphony, and the jazz studies and serves as executive director
Black Hills Symphony. She often performs in of the Casper College Kinser Jazz Festival. He
musical theatre productions at the Krampert has performed throughout the United States,
Theatre. Cowell has been an active chamber Europe, and South America. He is principal
musician, frequently performing with the clarinetist of the Boulder Chamber Orchestra,
Equinox Trio. In 2009-11, she served as the Antero Winds, and bass clarinetist with the
conductor of the Casper Youth Orchestra. Central City Opera. As a saxophonist, Fleg
Jennifer is an active member of the American has performed with the Central City Opera
String Teachers Association and served as and the University of Wyoming Creativity Big
president in 2007-2009. She performed Band. Fleg has served as conductor of the
in Carnegie Hall in 2012 with the Casper Colorado Youth Symphony’s Philharmonia
Children’s Chorale, premiering a work by Wind Ensemble, Youth Orchestra of the
acclaimed choral composer, Lee Kesselman. Rockies, and the Archipelago Music Festival.
Jennifer holds the B.M. degree in violin Fleg has previously taught at the University of
performance from DePaul University (Chicago, Wyoming. He has presented master classes at
Illinois), and the M.M. in violin performance the University of Kansas, Iowa State University,
with an emphasis in string pedagogy from the the University of Nebraska, “El Sistema” in
University of Oregon (Eugene, Oregon). Venezuela, the University of New Mexico,
Archipelago Summer Festival, and Carleton
College.
Gary DePaolo has served as adjunct
instructor at Casper College, teaching studio
viola, violin and music technology since 2002. Paula Flynn has served as a staff accompanist
He earned a B.M. in viola performance from for the Casper College Music Department
DePaul University in Chicago, Illinois. He since 2004. She completed the Associate of
studied with Chicago Lyric Opera Principal, Fine Arts in Music Education with an emphasis
Rami Solomonov and members of the in piano from Casper College in 2006. Flynn
Chicago String Quartet. As on orchestral has toured six European countries as pianist
musician, DePaolo currently serves as the with the Wyoming Music Ambassadors, and
principal violist with the Wyoming Symphony is the collaborative pianist for the Casper
Orchestra. He has performed with the Children’s Chorale, performing and touring
Black Hills Symphony, Cheyenne Symphony, with the choir, including a Carnegie Hall
and Greeley Philharmonic. DePaolo is an performance in New York. She also serves as
active composer and has underscored plays piano accompanist for the Converse County
for both the Natrona County High School School District No. 2. Currently she is pursuing
Theatre Department (The Diviners) and the baccalaureate in music with Valley City
the Casper College Theatre Department State University, Valley City, North Dakota.
(Rossum’s Universal Robots, The Scarlet She maintains a private piano studio at her
Letter and Richard III). Most recently, DePaolo residence in Glenrock, and is a member of the
composed, scored and performed the Wyoming Music Teachers Association.
underscoring of Richard III, incorporating
found percussion instruments and electric
viola. He maintains a private studio and is
a member of the Wyoming Chapter of the
American String Teachers Association.
89 M usicians an d Visu al Ar ti s ts
University Orchestra and Chorale. She was
featured with the Creighton Theater and
Center Stage Theater in The Fantasticks. In
2004, she premiered Te Deum, a work for
choir, harp, and piano by Eric Unruh. She
toured Eastern Europe and China with the
Sam Houston State University Orchestra. In
2009, she was a guest artist with the Sam
Houston State University Wind Ensemble
at the Texas Music Educators Association
Conference in San Antonio. She performs
frequently at The Brownstone, Cafe Chino,
La Tour D’Argent, The Mucky Duck, and
the St. Regis Hotel, and other Houston area
restaurants. Ms. Hamman holds a B.A. magna
cum laude from Colorado Women’s College
and a B.M. summa cum laude from The
James L. Gaither
University of Texas at Austin. She studied harp
Copse
with Helen Hope of the Denver Symphony,
c.1975 – Oil on canvas
Gayle Barrington of UT Austin, Joan Eidman
of the Houston Ballet and Paula Page of the
Jane Ann Hamman is an accomplished Houston Symphony. In addition, she studied
musician and music educator. Her professional with Alice Chalifoux, Suzann Young Davids
career began as principal harpist with the and Donald Hilsberg.
Casper Symphony. She has performed with
the Wyoming Children’s Chorale, Casper
College Theater, and various Casper
ensembles. Upon moving to Texas, she
became the restaurant harpist at the famous
Driskill Hotel and Ricco’s in Austin. While
in Austin, she performed for Mrs. Lyndon
Johnson, Senator John Tower, and humorist
and writer, John Henry Faulk.
She taught music in the public schools for
27 years in Tomball, Texas. She balanced
her career as a music educator in the public
schools and as a freelance harpist. She
received the Tomball Independent School
District Outstanding Teacher Award in 1998.
In 2012, she moved to Casper, Wyoming and
teaches harp at Casper College. Her harp Richard Jacobi
work varies from classical to popular music. Landscape
She has performed classical works with the c.1985 – Oil on canvas
Montgomery County Chorus, the Masterworks
Chorale, Pasadena Community Chorus,
Symphony North and the Sam Houston StateNancy Madura
Landscape
Michael Keogh c.1990 – Pastel on paper
Flatiron Building, NY, NY
1990 - 1995 – Black & white photography
Kristen Lenth is a member of the music
faculty at Casper College, where she teaches
voice, diction, and opera workshop. She holds
the B.M. from Ithaca College, the M.M. from
Indiana University, and has completed post-
graduate work at the University of Northern
Colorado. Kristen is a member of the National
Association of Teachers of Singing, the
College Music Society, and is the President of
the Wyoming Music Teachers Association. She
is a frequent adjudicator at local festivals and
clinics. She also is a sought-after presenter for Steve Naegle
state and regional conferences. Performing Cottonwood
highlights include the role of Susanna in Le 1979 – Oil on hardboard
Nozze di Figaro, Amy in Little Women, the
Dew Fairy in Hansel and Gretel, Clorinda
in La Cenerentola, and Kate #1 in Titanic.
She created the role of Virginia in the world
premiere of Stephen Harm’s opera, The
Canterville Ghost. In Spain she performed
the role of the Shepherd in Tosca with the
European company Opera Classica. She is
also a frequent recitalist in Casper and the Michael T. Olson
surrounding area. A Murder of Crows
c.2005 – High-fire ceramic
1011 M usicians an d Visu al Ar ti s ts
of the Colorado Saxophone Quartet (Jazz)
and the Chautauqua Saxophone Quartet
(Classical). As a jazz saxophonist, he has
played with Boyz II Men, Natalie Cole, John
Fedchock, Nnenna Freelon, the Ninth and
Lincoln Jazz Orchestra, the Legacy Jazz
Orchestra, and the Vaughn Weister Famous
Jazz Orchestra, among others. He is also in
high demand as a woodwind specialist, having
performed all over the country with different
theatre companies including the Alabama
Shakespeare Festival, the Arvada Arts Center,
the Denver Center Theatre Company, and
Theatre Coppell. Andrew holds the B.M. in
Music Theory from Ohio University, the M.M.
in Saxophone Performance with a secondary
area of Jazz Studies from the University of
Wilhelm Ossa
North Texas and the D.M.A. in Saxophone
Old Country I
Performance and Pedagogy from the
c.1985 – Oil on canvas
University of Colorado. While at the University
of Colorado, he was a 3-time recipient of the
Silver Medal Best Should Teach Award, an
award that recognizes outstanding graduate
teaching.
Delores Thornton earned the B.M. in
Flute Performance from the University of
Arizona, where she double majored in
Mathematics. She went on to receive her
secondary education degree in Math. While
in Tucson, she performed with the Tucson
Opera Company and the Tucson Symphony
Orchestra. Since 1976, she has been a
member of the Wyoming Symphony (then
Linda L. Ryan the Casper Civic Symphony), serving both as
Tempest in a Cup second flute and principal flute, the position
c.1990 – Painted expanded metal she currently holds. She has performed as
soloist with the Wyoming Symphony twice,
Andrew Stonerock is a diverse musician and has performed for the Casper Chamber
and an award-winning teacher. As a classical Music Society, ARTCORE, as well as several
saxophonist, he has performed with the area churches. Delores has been the adjunct
Colorado Symphony, the Fort Collins flute instructor for Casper College since 1985,
Symphony, the Colorado Music Festival and has played in the Casper Municipal Band
Orchestra, the Boulder Philharmonic, the since 1977.
Boulder Symphony Orchestra, is a memberRichard Turner studied bassoon and early
music at the University of Houston, where his
principal teachers were Paul Tucci and Ben
Kamins. He has performed with Houston
Grand Opera, Texas Opera Theater, Houston
Pops, Roanoke Symphony, and the Lynchburg
Symphony. Since moving to Casper in 1996,
he has performed with the Casper Municipal
Band, Powder River Symphony, and has been
featured on the Casper Chamber Music and
ARTCORE recital series. He currently serves
as Principal Bassoonist with the Wyoming
Symphony and Co-Principal Bassoonist with
the Black Hills Symphony (Rapid City, South
Dakota). Along with Bucky Walker, Turner
has performed recorder and bassoon works
in numerous venues around Wyoming and
Northern Colorado. Turner has served as
adjunct faculty for Casper College in both
the music and business departments, and is
currently instructor of bassoon and recorder.
Gene Tobey
Icarus
c.1975 – Bronze
Gene Tobey
Reclining Figure
c.1970 – Bronze 1213 M usicians an d Visu al Ar ti s ts
Eric Unruh, founder of the RedStone Series, through the Wyoming Community Foundation
serves as dean of the School of Fine Arts and to compose for the Casper College choral
Humanities at Casper College. Prior to the and theatre programs. Unruh holds the D.M.
realignment at Casper College, he was music and M.M. degrees in piano performance and
department chair and chair of the Division pedagogy from Northwestern University, and
of Fine Arts. He has served the National the B.A. in piano performance from Bethany
Association of Schools of Music as chair of the College, Kansas.
Commission on Community/Junior College
Accreditation, and as a member of the NASM
Board of Directors. He continues to serve Zachary Vreeman joined the faculty of Casper
NASM as a visiting evaluator and consultant. College in the fall of 2013 as the Director of
He is a past president of the Wyoming Choral Activities. He conducts all four choirs
Music Teachers Association, and former at Casper College, including the Collegiate
vice president of higher education for the Chorale, Men’s and Women’s Choirs, and
Wyoming Music Educators Association. Unruh the Casper College Contemporary Singers,
is a recipient of the Casper College Rosenthal and also teaches music education and
Outstanding Educator award, the WMEA private voice. He has held previous teaching
Music Teacher of the Year award, the WMTA and conducting positions at the University
Music Teacher of the Year award, and is listed of Wyoming, the University of Nebraska—
in Who’s Who Among America’s Teachers. Lincoln, the Nebraska Choral Arts Society,
As piano soloist, he has performed with the and Grace Christian School in his hometown
Wyoming Symphony Orchestra, the Powder of Anchorage, Alaska. Dr. Vreeman holds the
River Symphony, the Orquestra Filharmônia B.A. and M.Ed. in Music Education from Dordt
de Goiás, Brazil, Tenors Unlimited, The College in Sioux Center, Iowa, and the D.M.A.
Casper Chamber Music Society, and various in Choral Conducting from the University
chamber and choral organizations. As a of Nebraska. In addition to his conducting,
choral composer, he has published works with Vreeman is an active singer, and has sung
Pavane Publishing and Augsburg Fortress. professionally with the Colorado Bach
He has composed works commissioned by Ensemble; Abendmusik in Lincoln, Nebraska;
the Natrona, Albany, and Converse county and Anchorage Opera.
school districts, and has received grantsredStone
recital and gallery series committee
E ri c U nruh
D e a n , Sc ho o l o f F i ne Arts a nd Humanit ies
J e nnif er Co w ell-DeP a o lo
Mu s i c Pro g ram Ac c red i tati on C oordinat or
K ri s te n Lenth
Mu s i c Fac ul ty R e p re s e n tati ve
Va lerie Innella
G a l l e r y Di re c to r
Sim o n Ma rsha ll
Co m m un i ty R e p re s e n tati ve
E v a n Gw in
Mu s i c Stud en t R e p re s e n tativ e
Th e re d Sto n e R ec i tal an d Galler y Ser ies is suppor t ed in par t by a
g r a n t fro m the W yo ming A rts C ou n cil t hrough funding from t he
W y o mi ng S tate Le g i s l atu re and t he Nat ional Endow ment for t he Art s .
A d d i t i on al f un d i n g i s p ro vi ded by t he C asper C ollege Foundat ion.
Casper College
RedStone Recital and Gallery Series
Music Building
125 College Drive
Casper, Wyoming 82601
307-268-2606
www.caspercollege.edu
1415 redStone
recital and gallery series events
Storytelling in Art and Song
Friday, February 28, 2014
6:30 p.m.
exhibition – Justin Hayward, paintings
7:30 p.m.
recital – Karen Clift, soprano
Jascha Herdt, guitar and percussion
Eric Unruh, piano
The University of Wyoming Connection
Saturday, April 26, 2014
6:30 p.m.
exhibition – Ricki Klages, paintings
7:30 p.m.
recital – Verismo Trio
Theresa Bogard, piano
Scott Turpin, saxophones
Nicole Riner, flutesYou can also read
