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New Books and Highlights Autumn 2018
Welcome
Publishers love series: they are a neat way of establishing a presence in a new subject-
area and signalling to our readers a consistent format or approach. As we celebrate our
third birthday as an independent publisher, Lund Humphries is expanding with a number of
exciting new series, many of them showcased in the pages of this catalogue.
Brinkworth (p.7) launches our Designing Interiors series. This will set out emergent
thinking in the fields of interior design and architecture, foregrounding the work of the
most innovative design practices internationally in imaginatively designed monographs, as
well as covering key topics of current relevance to professionals in the field.
Our new Concise Guides to Planning (p.10) extend the Lund Humphries list further into the
professional sphere, providing a series of accessible, attractive books on key areas of the
planning profession, for practitioners and students.
At the historical end of our architecture list, we are delighted to announce a new
scholarly series of illustrated monographs and surveys on the Architectural History of the
British Isles, edited by Dr Timothy Brittain-Catlin working with a distinguished academic
editorial board. We are currently inviting proposals for new volumes in the series, which
should be emailed to Val Rose, vrose@lundhumphries.com.
Taking a narrower slice of art and design history, the V&A 19th-Century Series, edited by
Julius Bryant, explores the remarkable and extensive 19th-century collections of the V&A,
linking scholarly illustrated publications to new collections displays. The Museum and the
Factory (p.8) tells a core V&A story and is published to coincide with the re-opening of
the V&A’s Cast Courts in November.
Our Contemporary Painters Series continues apace, with volumes due out this
autumn on American painters Stanley Whitney and Mary Weatherford (p.2). And we are
planning more new series! Keep in touch by signing up for our email newsletters and
following us on social media – and don’t forget that we now have a US website
www.us.lundhumphries.com, where you can order our books in dollars with local shipping.
Lucy Myers
Managing Director
Full details of all our books at www.lundhumphries.com
Full details of all our books at www.lundhumphries.com
Contents
New Titles
Contemporary Painters Series: Mary Weatherford 2
Contemporary Painters Series: Stanley Whitney 2
Rose Wylie 3
Studio Voices: Art and Life in 20th-Century Britain 4
Eric Ravilious Scrapbooks 4
Mary Newcomb: Drawing from Observation 5
Library of Light: Encounters with Artists and Designers 6
Brinkworth: So Good So Far 7
The Museum and the Factory: The V&A, Elkington and
the Electrical Revolution 8
Photography and the Art Market 8
Japan and the West: An Architectural Dialogue 9
Concise Guides to Planning 10
Concise Guides to Planning: Planning, Sustainability and Nature 10
Data Cities: How Satellites are Transforming Architecture and Design 11
Rabih Hage: Quiet Architecture 12
Modern and Site-Specific: The Architecture of Gino Valle, 1923-2003 12
Lund Humphries
Office 3, Book House
261A City Road
London EC1V 1JX, UK
Tel: +44 (0)20 7440 7530
Email: info@lundhumphries.com Published Books: Highlights 13–23
Front cover:
Laura Buckley, Fatamorgana, 2012
Wood, mirrored perspex, 2-way mirror
projections screen, Approx. 2m diameter Index 24
Installation at Cell Project Space, London
Photo © Saatchi collection,
courtesy Cell Project Space
From Library of Light, see p. 6
Back cover:
Mary Newcomb, Foaming Water, 1975
Oil on board, 62.2 x 58.4 cm
Courtesy Crane Kalman
From Mary Newcomb: Drawing from
Observation, see p. 5
Twitter & Instagram: @LHArtBooks facebook.com/LHArtBooks
Contemporary Painters Series
Mary Weatherford
Suzanne Hudson
• The first book-length monograph on the art of critically acclaimed US artist Mary
Weatherford (b.1963)
• The fullest record of Weatherford’s entire career to date, featuring a large number of
works, many specially photographed for the book
Mary Weatherford’s paintings address the legacies of modernists from Arthur Dove to
Willem de Kooning, while grappling with the politics of gender, the representation of
specific moods and experiences, and other concerns rooted squarely in the present.
From early monumental targets, through to recent neon-appended panels,
Weatherford’s works argue forcibly and convincingly for the engagement of painting
with contemporary life.
Suzanne Hudson’s text, the fruit of studio visits and long interviews, reveals an artist
whose boundless facility for reinvention will compel any viewer, student or critic of
painting.
Suzanne Hudson is an art historian, critic, and Associate Professor of Art History and
Fine Arts at the University of Southern California. Her publications include Agnes Martin:
Night Sea (2017), Painting Now (2015) and Robert Ryman: Used Paint (2009). She is also Contemporary Painters Series
280 x 240 mm. 144 pages
a regular contributor to Artforum.
Includes 100 colour illustrations
ISBN 978-1-84822-246-5. Hardback. £30.00
September 2018
Stanley Whitney
Christopher Stackhouse
• The first monograph that exclusively studies Stanley Whitney’s commitment to abstract
painting over four decades of consistent practice
• Publication coincides with an exhibition of Stanley Whitney’s paintings opening in
November 2018 at the Lisson Gallery, New York
Since the mid-1970s, Stanley Whitney (b.1946) has explored the formal possibilities of
abstraction, examining colour, juxtaposition and linearity within loosely painted grids.
In this book, Christopher Stackhouse combines Whitney’s personal and professional
narratives to weave a chronological analysis of the greater cultural contributions made
by the artist and his work.
Born in Philadelphia, Whitney moved to New York in 1968. Influenced by Robert
Reed, Philip Guston and Al Held, he began to experiment with abstraction, drawn to
the formal qualities of Abstract Expressionism, the pure chroma of the Color Field
movement, and minimalism. Steadfastly pursuing painting when critical interest was
focused on conceptual art, photography, performance, figuration and identity, Whitney
has not received critical recognition until late in his career. This book affirms his
outstanding achievement.
Contemporary Painters Series Christopher Stackhouse is a freelance critic, poet, lecturer and curator based in New
280 x 240 mm. 144 pages
York.
Includes 100 colour illustrations
ISBN 978-1-84822-251-9. Hardback. £30.00
October 2018
2 New Titles Full details of all our books at www.lundhumphries.com
Rose Wylie
Clarrie Wallis
Rose Wylie
C la rrie Wallis
001-071 Rose Wylie.indd 2-3 10/05/2018 11:20
86
Standing Spider (Box) 2008
ink on paper, 30 × 21 cm
Wylie uses paint as a subversive means of expression. She prior- Collection
itises ‘looking’ over ‘reading’, or ‘sensing’ rather than ‘knowledge’:
the importance of pre-cognitive lived experience as opposed to 90
conceptual thought.67 The works are intensely felt and painted with RW & Bird 1996
oil on canvas, 183 × 168 cm
such compulsion. They have a terrible frankness about them.
Collection
Sometimes they connect the contradictory realms of the quotidian
and the mysterious, but they always seem grounded in a tangible, 85
experiential world. Willow Tree 2015 (fig.83), for example, maps the Toucan & Jay (Spiders & Birds) 2008
topology of Wylie’s unweeded garden, with tufts of grass and oil on canvas, 183 × 336 cm
Collection
hedgerows, whereas the oriental figure, prancing horse and fort in
House and Horse (Pink) 2007 (fig.84) were ‘copied’ from wine labels
found at home.
Reminiscing on a studio visit made in relation to Wylie’s
selection for the Washington exhibition, Sarah Elson has described
how she admired Toucan & Jay (Spiders & Birds) 2008 (fig.85):
a massive painting of a bird and toucan with a bunch of
grapes between them, and I loved the colour and random
nature of the placement and design, not to mention the large
83 84 gobs of paint used to define the red spiders that form the
Willow Tree 2015 House and Horse (Pink) 2007 background of the painting. Later when I used the bathroom
oil on canvas, 182 × 170 cm oil on canvas, 183 × 177 cm in the house, I discovered the source material for this
Collectionn Collection
painting: over the toilet roll, a sticker of a bunch of grapes,
and nearby, stuck on the wall, a cut-out from a tin box of
biscuits – the pink bird. When I asked her about them, Rose
replied, ‘Oh yes, and did you find the spiders in the bath?’68
Wylie’s work is tempered by wit and an acceptance of the
world as it is; her paintings reflect how we react and reason in our
struggle to make sense of it all. Perhaps unsurprisingly, given her
connection with Kent, Wylie’s work (like Russell Hoban’s) shows
parallels with Geoffrey Chaucer’s The Canterbury Tales in its
concern with the kaleidoscopic variety of human experience.
Written in the late fourteenth century, The Canterbury Tales incor-
porates almost every style of medieval narrative – bawdy anecdote,
allegorical fables, violence, and romance – and Wylie has a similar
wideness of vision, encompassing the richness and diversity of
lived lives, circumscribed by the universal horizon of our
90 R OS E W Y L I E 91
270 x 249 mm. 160 pages
072-144 Rose Wylie.indd 90-91 10/05/2018 12:15
Includes 134 colour illustrations
ISBN 978-1-84822-225-0. Hardback. £40.00
September 2018
• The first book to trace the extraordinary career of Rose Wylie, whose work prompted
critic Jonathan Jones to state: ‘The freedom and courage of Rose Wylie shows a way
forward for painting in this century’
• Draws out the key characteristics of Wylie’s practice, from the centrality of drawing to
the presence of narrative, language and the figure in her paintings
• Wylie has had recent solo shows in New York, Germany and Moscow and in the UK has
enjoyed major exhibitions at Tate Britain and the Serpentine Gallery
Rose Wylie RA (b.1934) trained as an artist in the 1950s, but it was her re-engagement Clarrie Wallis is a Senior Curator of Contemporary
with painting in the early 1980s, after a period spent raising a family, that marked British Art at Tate and has organised numerous
the beginning of a remarkable career which continues to evolve and impress. This exhibitions including Mona Hatoum (2016), Patrick
monograph follows Wylie’s fascinating artistic journey, celebrating her achievements Caulfield (2013), BP Spotlight: Rose Wylie (2013)
while also examining her current practice. and Richard Long: Heaven and Earth (2009). She
lectures and publishes on contemporary art and her
Rose Wylie’s large-scale paintings are inspired by a wide range of cultural references. books include Stones Clouds Miles: A Richard Long
Her subject-matter ranges from contemporary Egyptian Hajj wall paintings and Persian Reader (2017) and Patrick Caulfield (2013).
miniatures to film, news stories, celebrity gossip and her observation of daily life. Often
working from memory, she distils her subjects into succinct observations, using text to
give additional emphasis to her recollections. Wylie’s paintings offer a direct and wry
commentary on contemporary culture.
Drawing on a series of extended interviews with the artist, Clarrie Wallis unpicks the
complexities of Wylie’s visual language, so providing an important contribution to our
understanding and appreciation of a significant and increasingly celebrated figure in
contemporary British art.
Twitter & Instagram: @LHArtBooks facebook.com/LHArtBooks New Titles 3
Studio Voices
Art and Life in 20th-Century Britain
Michael Bird
• The first book to chart the oral history of modern British art, drawing on a wealth of
material in the Artists' Lives audio archive at the British Library
• Presents a compelling range of voices, from the early 20th-century memories of
Michael Rothenstein and Eileen Agar to contemporary artists such as Phyllida Barlow,
David Nash and Lubaina Himid
Studio Voices explores the careers and life experiences of modern and contemporary
British artists through their own words, drawing on the author’s original research in the
Artists’ Lives audio archive at the British Library.
Michael Bird’s fascinating and highly engaging selection from thousands of hours of
Artists' Lives recordings allows us to eavesdrop on life-story interviews with more
than 40 artists, ranging though childhood memories to creative practice, family life, and
unexpected epiphanies of self-awareness.
Michael Bird is an author, art historian and broadcaster who has written widely on
20th-century British art. His previous books for Lund Humphries include George
Fullard: Sculpture and Survival (2017), The St Ives Artists: A Biography of Place and Published in association with the British Library
234 x 153 mm. 256 pages
Time (2008 and 2016), Lynn Chadwick (2014) and Bryan Wynter (2010) and Sandra Blow
Includes 34 b&w illustrations
(2005).
ISBN 978-1-84822-230-4. Hardback. £30.00
October 2018
Eric Ravilious
Scrapbooks
Peyton Skipwith and Brian Webb
• The first book to present the preparatory works and visual musings of the enduringly
popular Eric Ravilious
• Reveals the inspirations and processes behind some of Ravilious’s most famous works
The collected volumes of artist-designer Eric Ravilious’s preparatory works and
materials provide a veritable mine of information about his work and working
methods. Ravilious’s scrapbooks represent a conscious accumulation of reference
material, revealing his interest in subjects as diverse as tennis, cricket, fireworks and
aeronautics, alongside a multitude of sketches, tracings and proofs of engravings.
The scrapbooks document the progression of an inquisitive mind, grasping chosen
subjects in a unique and delicate visual language, where many of the artist’s most
famous motifs can be seen blossoming from embryonic stages.
Peyton Skipwith is an independent fine-art consultant and Brian Webb is a designer
and lecturer. Together, they are the authors of Edward Bawden Scrapbooks (Lund
Published in association with the Fry Art Gallery Humphries, 2016), Edward Bawden’s London (2011), and numerous other publications
300 x 240 mm. 208 pages on British design, including books featuring the work of Paul and John Nash, David
Includes 450 colour illustrations Gentleman, Peter Blake and the Curwen Press.
ISBN 978-1-84822-259-5. Hardback. £40.00
September 2018
4 New Titles Full details of all our books at www.lundhumphries.com
Mary Newcomb
Drawing from Observation
With an introduction by William Packer and chapter texts by Tessa Newcomb
THE EN GLISH COUNT RYSIDE
I feel that Mary took solace from the countryside, and felt connected to it in the same
way that the nature poet John Clare did, seeing herself as one with the animals and
birds, rather than just looking at them. There is a diary quote (from 16th February)
where she is looking into the eye of a bird, much like the Ted Hughes poem Pike
(1959) where the poet describes the fish in great detail.
Mary was interested in paintings from an early age, but I don’t think she saw
herself as an artist as much as a country person who recorded things. I don’t think
other people saw her as an artist either; she was not part of the art world and
didn’t have friends who were. She had first trained as a marine biologist at Reading
University, before receiving a Certificate of Education in 1944, and then going on to
teach maths. She only started painting at the age of 28, after getting married in 1950.
Mary met Godfrey at Walberswick when she was on a field trip with a group of
people observing the avocets that had just started breeding on the Suffolk coast.
Godfrey’s parents had retired there and he was working for the local farmer at
Westwood Lodge after returning from Cirencester Agricultural College. After they
were married, they bought a smallholding at Needham with 100 acres of land, 50 of
which were marshland along the River Waveney, which borders Norfolk and Suffolk.
My sister Hannah and I were born among lots of animals: keeping animals and
growing vegetables was part of that life which required a lot of work. Mary’s interest
in the natural world took her on field trips. On one visit to Flatford Mill in Suffolk
she met Eric Ennion, an artist and author, who encouraged her to observe and record
the natural world. These recordings became her life’s work. They were not straight
observations, as she brought herself into her paintings and began to develop ways of
expressing her voice and a poetic understanding of the world around her.
When I stood at the top of the Waveney Valley after Mary died, looking down at
their first farm, I thought of the way their lifestyle had affected people. There were
children, and now great-grandchildren; Godfrey’s creations – his rugs woven from his
Apple Picking, 1969
sheep’s wool and his pots – are collected now, but it’s Mary’s paintings that made the
Oil on board, 64.1 × 73.7 cm most impact. Out of all that life and industry, it is her unique vision, based on careful
observation, that rings true with so many people.
tessa newcomb
22 23
Bird Tearing Through an Aviary
Watercolour on paper
30 × 41.2 cm
The Half Hour Prim Peace (Between the Judging
and the Entry of the Public), 1978
Oil on canvas, 91.5 × 102 cm
Birds in Cages
270 x 228 mm. 144 pages
Pencil on paper, 10.2 × 12.9 cm
Cage bird show budgerigars canaries cream buff
Includes 205 colour illustrations
Cherry red blue and yellow black outside cobalt cream buff
White bars inside different pale turquoise rope
Black metal shades of jade green
black bars, yellow
and buff
ISBN 978-1-84822-295-3. Hardback. £35.00
46 47
September 2018
• Published to coincide with the tenth anniversary of Mary Newcomb’s death and a launch
exhibition at her long-time gallery, Crane Kalman, in London
• ‘This is a beautiful and subtle book about a beautiful and subtle artist which made me
want to run to the nearest art shop, buy supplies and take up painting myself’ — Emma
Thompson
On New Year’s Day 1986, encouraged by her dealer Andras Kalman, artist Mary William Packer is an artist and critic and the former
Newcomb, then aged 64, began to keep a diary. She wrote in its opening pages: ‘I art critic of the Financial Times. He is the author
wanted … to remind ourselves that – in our haste – in this century – we may not give of John Houston (Lund Humphries 2003). Tessa
time to pause and look – and may pass on our way unheeding’. This beautiful new Newcomb is an artist and the daughter of Mary
book, compiled by the artist’s daughter and grandson, reveals Mary Newcomb as an Newcomb.
acute observer of her surroundings, reproducing her copious sketches alongside
more finished paintings and short diary extracts to draw out the many themes which
preoccupied her throughout her career as an artist.
Mary Newcomb’s world was rural East Anglia. The working life of the countryside
engrossed her as much as the cycle of Nature: she noticed and relished everything,
with a keen eye for colour and detail.
Mary’s daughter Tessa Newcomb, also an artist, introduces the key themes of the book
with short texts which provide fascinating insight into her mother’s world. A reflective
introductory essay by art critic William Packer considers Mary Newcomb’s written diary
observations alongside the poetic language of her art.
Twitter & Instagram: @LHArtBooks facebook.com/LHArtBooks New Titles 5
Library of Light
Encounters with Artists and Designers
Jo Joelson
250 x 190 mm. 240 pages
Chris Levine, iy project, MONA Gallery, Tasmania Includes 200 colour and b&w illustrations
ISBN 978-1-84822-253-3. Hardback. £45.00
December 2018
• Beautifully illustrated, this is the first truly interdisciplinary book on using light as a
creative medium
• Sets contemporary artists and designers within an historical context and examines
key innovators and evolving techniques across the performing arts, fine art, design,
architecture and the built environment
• 28 insightful interviews with leading artists and designers on process and methodologies
Bringing together established and emerging practitioners who work with the medium Jo Joelson has worked with light as a practising
of light, as material or subject, this book communicates the ways in which each artist for over 20 years and is known for her
practitioner extends the language of light, and provides insights into the creative pioneering and experimental approach. As co-
process. Structured around four thematic essays — Political Light, Mediating Light, founder of London Fieldworks, Joelson has created
Performance Light and Absent Light — the book examines light's impact on our cultural numerous collaborative artworks, projects and
history and the role it plays in the new frontiers of art, design and technology. public-art commissions working with film, sculpture,
architecture, installation and radio.
The contributors have been chosen for their range of work across disciplines, with
a focus on practice. They include early pioneers and innovators of light, as well as
practitioners from theatre, music, performance, fine art, film, public art, holography,
digital media, architecture, and the built environment.
The book includes interviews and conversations with David Batchelor, Rana Begum,
Robin Bell, Anne Bean, Jason Bruges, Laura Buckley, Paule Constable, Angus Farquhar
(NVA), Rick Fisher, Wenyon & Gamble, Susan Hiller, Cliff Lauson, Chris Levine, Liliane Lijn,
Michael Light, Rafael Lozano-Hemmer, Anthony McCall, Gustav Metzger, Haroon Mirza,
Yoko Ono, Katie Paterson, Andi Watson, Richard Wilson.
6 New Titles Full details of all our books at www.lundhumphries.com
Brinkworth
So Good So Far
Graeme Brooker
DIESEL VILLAGE
A ready-made approach to the design of interior space can For each environment in which to house the discreet ranges
be useful for a number of reasons. Firstly, it can be an off-the-peg solution was found in the use of a basic
economically prudent: existing materials and objects can everyday garden greenhouse. Each of the greenhouse
be sourced from any supplies. Secondly, it can be extremely structures were adapted in order to complement the
expedient: ready-made solutions speed up costly design qualities of the products that they were housing. Metallic
and construction time. The usual processes of thinking and iridium glazing was used in the reflective and colourful
making, where origination and fabrication dominate, instead watches area, rough-sawn timber for hats and t-shirts, clear
involve a different set of approaches: methods where the glazing with fluorescent tube-lights for shirts and jeans,
selection, edit and construction of the elements and objects, and so on. The village environments were sometimes
things that will cause the spaces to make discerning design manipulated in order to make new openings, or cladding
statements. panels were left on in order to make news ways of entering
and moving through the spaces. Greenhouses were also
Brinkworth were approached to design a large pop-up utilised for the cash and wrap area, and the changing rooms.
temporary Diesel flagship store on Regent’s Street, London. The structures were placed selectively within the two levels
A Grade II listed status on the existing site meant that the of the interior, and in such a way as to extract maximum
5000-square-foot two-floor space had to be completed contrast between the existing building and the new
without significantly altering the existing structure. To elements.
compound matters further, it had to be designed and made
quickly and in time for the Christmas sales period. On a In order to extract the maximum theatricality of this
very limited budget, working with the Wilson Brothers, the approach, and to ensure that the village of shelters was
project began with a meticulous documenting of the Diesel clearly understood as separate to the structure of the
range, separating it out into related product groups. Each building, the existing shell of the ground floor menswear
grouping of products was then assigned a space. The level was sprayed dark grey. The upper level womenswear
resultant process suggested that each space was assigned floor was finished in a lighter grey. The existing staircase
its own form: in other words, an approach that created a was clad in Valchromat: black medium density fibreboard
village of environments. (MDF). Strip lighting and bold adhesive vinyl graphics were
also applied to the structures to ensure not just a coherently
A powerful design strategy is the use of the ready-made, branded environment but also to create a memorable
an approach that utilises the existing as a signifier or interior statement.
metaphor for the new space being constructed. In other
words, when a ready-made approach is utilised, the selection As well as the spatial impact, the bold and cost-effective
and edit of the off-the-peg object can be made with a project was designed to create a high-impact social media
particular aesthetic and functional choice in mind. This statement, one that ultimately ensured Diesel could
approach can also maximise the contrast and tension demonstrate that their products were to be consumed in a
between the existing context and any new activity in it. very particular manner and environment. The dynamic
Ready-mades are chosen not just for expediency but also imagery of the store achieved this: it was not only an
for the message that they convey. Usually ready-mades are impressive spatial statement, but also a social media hit.
utilised because they are objects or elements that have The success of this project in its delivery, installation and
been removed from their original context, thus a powerful ultimately reception meant that its life was extended by an
resonance can be formed essentially through the fact that additional month. This ensured that the ‘village community’
the environment is made with elements that were never could be enjoyed for a longer period of time during the
usually intended to be located in that environment. This visual overload of the Christmas celebrations.
was the approach for the Diesel Village project.
104 COMMUNITIES : DIESEL VILLAGE 105
Designing Interiors
270 x 228 mm. 176 pages
52 PLACES : NETHERHALL GARDENS 53
Includes 130 colour illustrations
ISBN 978-1-84822-255-7. Hardback. £40.00
November 2018
• This is the first book which brings together the complete range of internationally
renowned and award-winning projects by interior-design firm Brinkworth
• Beautifully designed by Fuel and illustrated with colour photographs and concept
sketches of Brinkworth's innovative, striking and meticulously detailed projects
• Includes in-depth interviews with partners Adam Brinkworth and Kevin Brennan, and with
a range of clients, to explain their unique design process and creative collaborations
Brinkworth is an award-winning London-based design studio, working globally in Graeme Brooker is a writer and lecturer and current
interior and architectural design. It was founded in 1990 by Adam Brinkworth, who, Head of Interior Design at the Royal College of Art’s
having trained as a furniture designer, found himself offered a series of modest School of Architecture. His research focuses on
fashion-shop projects. Unfamiliar with the conventions of interior practice, he evolved interior design and the reuse of existing buildings and
a design and build methodology, allowing him control over the quality of the finished space. His publications include Adaptations (2016)
interior and the opportunity to experiment with ideas and techniques. Partner Kevin and Key Interiors Since 1900 (2013).
Brennan joined him in 1999 to assist with an increasing workload and more corporate
clients. This is the first book in our Designing Interiors series,
edited by Graeme Brooker.
By 2016, their obsessional attention to detail and efficiency had resulted in a prolific
output of 2,000 projects, located in over 80 countries. While the studio has grown, it
retains a commitment to experimentation. Projects are mainly for smaller, progressive
traders, including collaborations with others working in complementary creative
areas, such as music, film and sculpture. Brinkworth has become known for its retail
and hospitality work, always with a cool, creative edge to the designs, including work
for Dabbous, All Saints, the Rapha Bike Clubs and the Kent Reservoir House (Dinos
Chapman’s home).
Twitter & Instagram: @LHArtBooks facebook.com/LHArtBooks New Titles 7
The Museum and the
Factory
The V&A, Elkington and the Electrical
Revolution
Alistair Grant and Angus Patterson
• Published to accompany the re-opening of the V&A Cast Courts on 27 November 2018
• A fascinating untold British success story of 19th-century reproduction and global
exchange which had a profound influence on the development of the V&A
This book reveals a great untold story of enterprise and innovation born of the
relationship between the Victoria and Albert Museum and Elkington & Co. Elkington
pioneered the use of electro-metallurgy to create original artworks, perfect replicas,
and mass-reproduced luxury consumer goods.
Elkington played a crucial role in shaping and building the V&A’s permanent collection
and the V&A's collections in turn had a profound influence on Elkington's output.
The great success of their association cemented the museum as a leading cultural
institution, and the E&Co ‘makers-mark’ as one of the world’s first truly multinational V&A 19th-Century Series
designer brands. Published in association with V&A Publishing
270 x 228 mm. 160 pages
Alistair Grant is a Teaching Fellow at the University of Sussex, and a Research Fellow at Includes 150 colour illustrations
ISBN 978-1-84822-291-5. Hardback. £35.00
the Victoria and Albert Museum. Angus Patterson is Senior Curator in the Sculpture,
November 2018
Metalwork, Ceramics and Glass Department of the Victoria and Albert Museum.
Photography and the
Art Market
Juliet Hacking
• The first book to explore the development of photography as an art form from an art-
market perspective
• An essential guide that explains how the market for art photography works and how to
navigate it
The first part of this essential handbook provides an art-business analysis of the
market for art photography and explains how to navigate it; the second is an art-
historical account of the evolution of art photography from a marginal to a core
component of the international fine-art scene. In tracing the emergence of a robust
art-world sub-system for art photography the book shows the solid foundations on
which today's international market is built, examines how that market is evolving, and
points to future developments.
This pioneering handbook is a must-read for scholars, students, curators,
dealers, photographers, private collectors and institutional buyers, and other arts
professionals.
Handbooks in International Art Business
Published in association with Sotheby's Institute of Art Dr Juliet Hacking is Subject Leader in Photography at Sotheby’s Institute of Art, London
244 x 172 mm. 192 pages and was former Head of the Photographs Department at Sotheby’s auction house,
Includes 24 colour illustrations London. Her previous publications include Lives of the Great Photographers (2015) and
ISBN 978-1-84822-148-2. Hardback. £30.00
Photography: The Whole Story (ed. 2012).
September 2018
Ebooks available
8 New Titles Full details of all our books at www.lundhumphries.comJapan and the West
An Architectural Dialogue
Neil Jackson
250 x 190 mm. 400 pages
Includes 20 colour and 180 b&w illustrations
The Nishitagawa District Office at Tsuruoka, built by Takahashi Kanekichi in 1881 ISBN 978-1-84822-296-0. Hardback. £55.00
November 2018
• Beautifully illustrated, this is the first comprehensive history of the architectural
interchange between Japan and the West over the past 150 years
• Includes insightful analysis of the Japanese influences on architects like Charles Rennie
Mackintosh as well as Western influences on Kenzo Tange and Toyo Ito, amongst others
• Published in 2018 to celebrate the 150th anniversary of the Meiji Restoration, which
marked the start of modernisation and thus the Westernisation of Japan
This book shows the architectural influence that Japan and the West have had on each Neil Jackson is an architect and architectural
other during the last 150 years. While the recent histories of Western and Japanese historian and holds the Charles Reilly Chair in the
architecture have been individually well recorded, they have rarely been interwoven. School of Architecture, University of Liverpool. He
is currently a Professorial Research Associate in the
Based on extensive research, this book provides a synthetic overview that brings Japanese Research Centre at SOAS (the School of
together the main themes of Japanese and Western architecture since 1850 and African and Oriental Studies), University of London,
shows that neither could exist in its present state without the other. It should be no and President of the Society of Architectural
surprise that the Bank of Japan in Tokyo is based upon the national banks in Brussels Historians of Great Britain. He has published widely
and London, or that Le Corbusier’s Cabanon at Cap-Martin in the south of France is on 19th-century and 20th-century architecture in
based upon the traditional Japanese tatami. In considering these histories, this book Britain, America and Japan.
demonstrates the mutual inter-dependence of both architectural cultures while, at the
same time, acknowledging their differences. Beyond similarities of style and structure,
the Japanese concept of ‘ma’, the pause or the space between, has found a place in
Western architecture and might provide, for Western architects, a new way forward.
Twitter & Instagram: @LHArtBooks facebook.com/LHArtBooks New Titles 9New Series: Concise Guides to Planning
Series Editor: Professor Graham Haughton, University of Manchester
As part of our expanding list of books for professionals across the fields of architecture, urban design and
planning, this series provides a range of short, well-illustrated books aimed primarily at planning practitioners who
wish to keep their skills up to date, as well as those seeking to gain professional accreditation. Books in the series
will cover the key issues of concern to planning professionals and will bring leading-edge research to practice,
helping practitioners to gain a quick overview of recent intellectual and policy debates, with useful case studies
for clear illustration. Whilst the books are aimed primarily at English-speaking and European audiences, they will
have broader appeal too, drawing on examples of planning practice and debates from around the world.
Contracted Books
Green Infrastructure Planning: Landscape in Urban Planning by Ian Mell (978-1-84822-275-5) January 2019
The Urban Design Process by Philip Black and Taki Sonbli (978-1-84822-288-5) January 2019
Neighbourhood Planning in Practice by Gavin Parker, Kat Salter and Matthew Wargent (978-1-84822-283-0)
January 2019
Conserving the Historic Environment by John Pendlebury and Jules Brown (978-1-84822-299-1) May 2019
Why Plan? Planning Theory for Practitioners by Graham Haughton and Iain White (978-1-84822-278-6) July 2019
Children and Planning by Claire Freeman and Andrea Cook (978-1-84822-314-1) October 2019
Planning, Design and Health by Tim Townshend (978-1-84822-330-1) November 2019
Security, Resilience and Planning by Jon Coaffee (978-1-84822-335-6) January 2020
Print: ISSN 2516-8177 / eBook: ISSN 2516-8185
Planning, Sustainability
and Nature
Dave Counsell and Rob Stoneman
• Written clearly and engagingly, this useful guide sets out the full range of issues that
planners might have to deal with concerning the natural environment
• Illustrated with over 40 case studies from around the UK, Europe and internationally and
including clear bullet-point summaries and a section on tools and policy devices
This book provides a grounding for planning professionals in the key concepts
associated with biodiversity and the natural environment, and their practical
application. It considers environmental policy changes, from the protection of rare
species and nature reserves to a more holistic approach. Beginning with a brief
history of environmental movements, the book focuses on changing approaches to
conservation. It explains environmental sustainability approaches and techniques for
planners, using ideas such as environmental capacity and natural capital, addressing
issues of spatial scale, connectivity and ecological networks and recognising that
small nature reserves are vulnerable. It identifies key lessons and implications for
future policy development and planning practice.
Dave Counsell is a planner by profession with experience of working in local government
200 x 130 mm. 144 pages and in the academic and voluntary sectors. He has acted as trustee for the Royal
Includes 47 b&w illustrations Society of Wildlife Trusts, including Yorkshire Wildlife Trust. Rob Stoneman is Chief
ISBN 978-1-84822-285-4. Hardback. £25.00
Executive of the Yorkshire Wildlife Trust.
October 2018
Ebooks available
10 New Titles Full details of all our books at www.lundhumphries.comData Cities
How Satellites are Transforming Architecture and Design
Davina Jackson
Central Embassy, Bankok, by AL_A with Pi Design (Hufton and Crow, courtesy AL_A)
250 x 190 mm. 176 pages
Includes 48 colour and 92 b&w illustrations
(cover image by Mark Hadden)
ISBN 978-1-84822-274-8. Hardback. £45.00
• The world's first comprehensive survey of how satellite-networked technologies — such
November 2018
as drones, robots, 3D printers, augmented and virtual reality, building and city modelling,
novel materials and structural systems, and machine analysis of sensor data — will
transform architecture and cities in the future
• Published 50 years after the seminal book An Operating Manual for Spaceship Earth,
this book shows how prescient Buckminster Fuller was and provides a compelling vision
of ‘Spaceship Earth’ today
This book explains how rocket science and electronic technologies are transforming Dr Davina Jackson is a Sydney-based author who
how we live and understand architecture, as networks of semiconductors, satellites, writes on creative applications of technology in urban
scanners and sensors convert light into unprecedented formats and contents of contexts, and on architecture, design and geographic
information. Flows of data will inform our future behaviours in physical, virtual and history. During the past decade she has produced
hybrid-reality situations, and architecture and cities are being reinvented as not merely books, exhibitions, websites, and articles on themes
static structures, but places that pulse. she named ‘smart light cities’, ‘viral internationalism’,
‘data cities’ and ‘virtual nations’. A founder of the city
Davina Jackson surveys some exceptional projects created by talents from many light festivals in Sydney and Singapore, she edited
disciplines, including Lichtarchitektur by Yann Kersalé and Rafael Lozano-Hemmer; the first comprehensive survey of international
VR and AR demos by Greg Lynn, William Latham and Joe Paradiso; creative robotics contributions to the Global Earth Observation System
by Carlo Ratti, Patrick Tresset and Zaha Hadid; laser-cut constructs by Alex Haw of Systems and Digital Earth projects.
and Patrick Keane; living architecture by Philip Beesley and Rachel Armstrong; space
schemes by Foster and BIG; public buildings by MVRDV, Wolfgang Buttress, Diller
Scofidio + Renfro, Santiago Calatrava, UN Studio, SHoP, LAVA and MAD; atmospheric
concepts by Philippe Rahm, Daan Roosegaarde and Bruce Ramus; city modelling by ETH
and MIT; and aerial designs by Marc Newson and Ars Electronica-Spaxels.
Twitter & Instagram: @LHArtBooks facebook.com/LHArtBooks New Titles 11Rabih Hage
Quiet Architecture
Dominic Bradbury
• This monograph on an award-winning architecture and interior-design practice is
beautifully illustrated with colour photographs, architectural drawings and concept
sketches
• Reveals the processes behind Hage’s melding of historic spaces with modern luxury to
create rich interiors, complete with bespoke furniture and artwork
Architect Rabih Hage defines his work in terms of a 'quiet architecture'. He draws on
a range of architectural influences, from classicism to modernism, to highlight the
individuality and personality of each space to carefully adapt period structures for
modern living. Key to the success of Hage’s projects is a holistic, curatorial approach
— informed by a rich personal heritage in the Lebanon, France and England — which
enables him to combine architecture, interior and bespoke furniture design.
This book provides a comprehensive survey of the atelier’s work, from London
townhouses to escapist farmhouses. Hage discusses his process and the development
of each of the projects with best-selling architectural writer Dominic Bradbury.
270 x 228 mm. 160 pages
Writer and journalist Dominic Bradbury has produced more than a dozen books on Includes 200 colour illustrations
design, architecture and interiors, including the best-selling Mid-Century Modern ISBN 978-1-84822-290-8. Hardback. £40.00
October 2018
Complete (2014), The Iconic Interior (2012) and The Iconic House (2009).
Modern and Site-Specific
The Architecture of Gino Valle, 1923–2003
Pierre-Alain Croset and Luka Skansi
with a Foreword by Joseph Rykwert
• Beautifully illustrated, this is the first comprehensive monograph on one of the most
exciting exponents of both New Brutalism and Critical Regionalism
• Includes a Foreword by leading architectural historian and critic Joseph Rykwert
Since his early 1950s projects at Udine in Friuli, Gino Valle has been recognised by
international critics as one of the most original and creative European architects of
the post-war period. His buildings make valuable contributions to debates concerning
the relationship between new architecture and historic surroundings, industrial
and open landscape, urban design and architectural intervention. Much of his work
was dedicated to working spaces — factories and office buildings — for Zanussi,
Fantoni, Olivetti and IBM amongst others. This is the first critical monograph in English
dedicated to the complete work of Gino Valle.
Pierre-Alain Croset is Professor of Architecture at Turin Polytechnic. He has published
many critical essays on contemporary architecture and curated exhibitions on Valle,
250 x 190 mm. 320 pages
Aalto, Cattaneo, Scarpa and Siza. Luka Skansi is Assistant Professor of Architectural
360 colour illustrations
History at the University in Rijeka, Croatia.
ISBN 978-1-84822-277-9. Hardback. £45.00
November 2018
12 New Titles Full details of all our books at www.lundhumphries.comAdrian Heath Albert Irvin Alison Wilding America Collects Eighteenth-
Jane Rye The Complete Prints Jo Applin with an essay by Century French Painting
Briony Fer Yuriko Jackall et al
Hardback 216 pages £45.00 Mary Rose Beaumont
ISBN 978–1–84822–038–6 Hardback 192 pages £40.00 Hardback 304 pages £50.00
Limited Edition with an original print
ISBN 978–1–84822–265–6 ISBN 978–1–84822–234–2
by the artist packaged with the book
in a slipcase 136 pages £350.00
ISBN 978–1–84822–055–3
Anthony McCall Art and Authenticity Art and the War at Sea Art Business Today
Notebooks and Conversations Edited by Megan Aldrich and Jos 1914-1945 20 Key Topics
Hackforth-Jones
Graham Ellard and Stephen Edited by Christine Riding Edited by Jos Hackforth-Jones and
Johnstone Hardback 208 pages £45.00 Iain Robertson
Hardback 208 pages £45.00
ISBN 978–1–84822–098–0
Hardback 192 pages £40.00 ISBN 978–1–84822–168–0 Handbooks in International Art
ISBN 978–1–84822–169–7 Business
Paperback 224 pages £20.00
ISBN 978–1–84822–091–1
Also available as an ebook
Art Crime and its Prevention The Art Collector’s Handbook The Art of David Jones The Art of Jeremy Gardiner
A Handbook for Collectors and A Guide to Collection Management Vision and Memory Unfolding Landscape
Art Professionals and Care Ariane Bankes and Paul Hills Wendy Baron, Ian Collins, William
Edited by Arthur Tompkins Mary Rozell Varley, Peter Davies, Christiana
Hardback 176 pages £40.00 Payne, and Simon Martin
Hardback 240 pages £35.00 Handbooks in International Art ISBN 978–1–84822–160–4
ISBN 978–1–84822–187–1 Business Limited Edition with an original print
by the artist packaged with the book
Also available as an ebook Hardback 232 pages £30.00
in a slipcase 160 pages £350.00
ISBN 978–1–84822–099–7
ISBN 978–1–84822–101–7
Also available as an ebook
Twitter & Instagram: @LHArtBooks facebook.com/LHArtBooks Published Books: Highlights 13The Art of Modern Tapestry The Avant-Garde Icon Barbara Hepworth: The Barbara Rae
Dovecot Studios Since 1912 Russian Avant-Garde Art and the Plasters With texts by Bill Hare, Andrew
Icon Painting Tradition Lambirth and Gareth Wardell
Edited by Elizabeth Cumming The Gift to Wakefield
Andrew Spira Edited by Sophie Bowness Hardback 192 pages £45.00
Hardback 192 pages £45.00
ISBN 978–0–85331–990–0
ISBN 978–1–84822–105–5 Hardback 224 pages £55.00 Hardback 200 pages £45.00
ISBN 978–0–85331–975–7 ISBN 978–1–84822–066–9
Barbara Rae Being a Pilgrim Ben Nicholson Big Bucks
With texts by Bill Hare, Andrew Art and Ritual on the Medieval Drawings and Painted Reliefs The Explosion of the Art Market in
Lambirth and Gareth Wardell Routes to Santiago the 21st Century
Peter Khoroche
Limited Edition with an original print Kathleen Ashley and Marilyn Deegan Georgina Adam
Paperback 160 pages £25.00
by the artist packaged with the book
Hardback 264 pages £45.00 ISBN 978–1–84822–004–1 Paperback 208 pages £19.99
in a slipcase 192 pages £350.00
ISBN 978–0–85331–989–4 ISBN 978–1–84822–138–3
ISBN 978–0–85331–991–7
Also available as an ebook
Birmingham Town Hall Brian O’Doherty/Patrick Bryan Wynter C.R.W. Nevinson
An Architectural History Ireland Michael Bird The Complete Prints
Anthony Peers Between Categories Hardback 216 pages £45.00 Jonathan Black
Brenda Moore-McCann ISBN 978–1–84822–009–6
Hardback 248 pages £40.00 Hardback 208 pages £150.00
ISBN 978–1–84822–074–4 Hardback 208 pages £45.00 ISBN 978–1–84822–157–4
ISBN 978–1–84822–014–0
14 Published Books: Highlights Full details of all our books at www.lundhumphries.comCelebrating Moore A Century of Israeli Art Chinese Antiquities Christopher Wood
Works from the Collection of the Yigal Zalmona An Introduction to the Art Market Katy Norris
Henry Moore Foundation Audrey Wang
Hardback 512 pages £50.00 Hardback 176 pages £40.00
Edited by David Mitchinson ISBN 978–1–84822–127–7 ISBN 978–1–84822–186–4
Handbooks in International Art
Paperback 360 pages £35.00 Business
ISBN 978–0–85331–944–3 Hardback 192 pages £30.00
ISBN 978–1–84822–065–2
Also available as an ebook
Claude Lorrain Conscience and Conflict Cook’s Camden Corporate Art Collections
The Enchanted Landscape British Artists and the Spanish The Making of Modern Housing A Handbook to Corporate Buying
Martin Sonnabend and Jon Whiteley Civil War Mark Swenarton Charlotte Appleyard and James
Simon Martin Salzmann
Hardback 200 pages £45.00 Hardback 328 pages £45.00
ISBN 978–1–84822–092–8 Hardback 160 pages £40.00 ISBN 978–1–84822–204–5 Handbooks in International Art
ISBN 978–1–84822–175–8 Business
Hardback 160 pages £30.00
ISBN 978–1–84822–071–3
Also available as an ebook
Craigie Aitchison Crime and the Art Market Crusader Art Cyril Power Linocuts
A Life in Colour Riah Pryor The Art of the Crusaders in the A Complete Catalogue
Cate Haste Holy Land, 1099-1291 Philip Vann
Hardback 192 pages £30.00
ISBN 978–1–84822–171–0 Jaroslav Folda
Hardback 240 pages £45.00 Hardback 112 pages £35.00
ISBN 978–1–84822–129–1 Also available as an ebook Hardback 176 pages £55.00 ISBN 978–1–84822–140–6
ISBN 978–0–85331–995–5
Twitter & Instagram: @LHArtBooks facebook.com/LHArtBooks Published Books: Highlights 15Dark Side of the Boom Design for the Corporate Designing for Heritage Designing the V&A
The Excesses of the Art Market World 1950-1975 Contemporary Visitor Centres The Museum as a Work of Art
in the 21st Century Edited by Wim de Wit Ruth Dalton (1857-1909)
Georgina Adam Julius Bryant
Hardback 160 pages £40.00 Hardback 216 pages £45.00
Paperback 232 pages £19.99 ISBN 978–1–84822–194–9 ISBN 978–1–84822–214–4 V&A 19th-Century Series
ISBN 978–1–84822–220–5 Hardback 176 pages £35.00
Also available as an ebook ISBN 978–1–84822–233–5
The Diary of Mary Watts The Drawings of Barbara The Drawings of Henry Moore Eduardo Paolozzi
1887-1904 Hepworth Andrew Causey Judith Collins
Victorian Progressive and Artistic Alan Wilkinson Hardback 160 pages £45.00 Hardback 304 pages £45.00
Visionary ISBN 978–1–84822–029–4 ISBN 978–1–84822–131–4
Hardback 144 pages £40.00
Edited by Desna Greenhow ISBN 978–1–84822–164–2
Hardback 264 pages £30.00
ISBN 978–1–84822–201–4
Edward Ardizzone Edward Bawden Scrapbooks Edward Burra Edward Seago
Artist and Illustrator Peyton Skipwith and Brian Webb Simon Martin James Russell
Alan Powers Hardback 208 pages £40.00 Hardback 176 pages £45.00 Hardback 192 pages £45.00
ISBN 978–1–84822–184–0 ISBN 978–1–84822–090–4 ISBN 978–1–84822–147–5
Hardback 208 pages £40.00
ISBN 978–1–84822–182–6
16 Published Books: Highlights Full details of all our books at www.lundhumphries.comEileen Gray Elisabeth Frink Catalogue The England of Eric Ravilious Enid Marx
The Private Painter Raisonne of Sculpture Freda Constable and Sue Simon The Pleasures of Pattern
Peter Adam and Andrew Lambirth 1947–93 Paperback 104 pages £25.00 Alan Powers
Edited by Annette Ratuszniak ISBN 978–0–85331–880–4
Hardback 104 pages £35.00 Hardback 176 pages £40.00
ISBN 978–1–84822–183–3 Hardback 208 pages £100.00 ISBN 978–1–84822–252–6
ISBN 978–1–84822–113–0
Eric Ravilious Etel Adnan F.C.B. Cadell Fragonard
Artist and Designer Kaelen Wilson-Goldie The Life and Works of a Scottish The Fantasy Figures
Alan Powers Colourist 1883-1937 Edited by Yuriko Jackall
Contemporary Painters Series
Tom Hewlett and Duncan Macmillan
Hardback 216 pages £40.00 Hardback 144 pages £30.00 Hardback 160 pages £40.00
ISBN 978–1–84822–111–6 ISBN 978–1–84822–266–3 Hardback 192 pages £45.00 ISBN 978–1–84822–248–9
ISBN 978–1–84822–088–1
Francis Bacon Frederick Walker and the Geoffrey Clarke Sculptor George Fullard
Painting in a Godless World Idyllists A Catalogue Raisonné Sculpture and Survival
Rina Arya Donato Esposito Judith LeGrove Michael Bird
Hardback 176 pages £45.00 Hardback 208 pages £40.00 Hardback 248 pages £115.00 Hardback 160 pages £45.00
ISBN 978–1–84822–044–7 ISBN 978–1–84822–162–8 ISBN 978–1–84822–254–0 ISBN 978–0–9570417–3–8
Twitter & Instagram: @LHArtBooks facebook.com/LHArtBooks Published Books: Highlights 17
17 P UBLI SH ED B O O KSGerald Laing The Global Spectacular Glory, Azure and Gold Gold Coast
A Catalogue Raisonné Contemporary Museum Architecture The Stained-Glass Windows of City and Architecture
Edited by David Knight in China and the Arabian Peninsula Thomas Denny Andrew Leach
Karen Exell Edited by Antonia Johnson and
Hardback 488 pages £75.00 Hardback 160 pages £40.00
Josie Reed
ISBN 978–1–84822–210–6 Hardback 128 pages £45.00 ISBN 978–1–84822–229–8
ISBN 978–1–84822–249–6 Hardback 104 pages £40.00
ISBN 978–1–84822–228–1
Graham Crowley Hans Hofmann Heath Robinson’s Commercial Ian McKeever
Martin Holman Catalogue Raisonné of Paintings Art Paintings
Hardback 128 pages £45.00 Edited by Suzi Villiger A Compendium of His Advertising Marjorie Allthorpe-Guyton, Michael
ISBN 978–1–84822–024–9 Work Tucker, and Catherine Lampert
Hardback 1280 pages £170.00
ISBN 978–1–84822–126–0 Geoffrey Beare Hardback 208 pages £50.00
ISBN 978–1–84822–037–9
Hardback 256 pages £40.00
ISBN 978–1–84822–216–8
Imperishable Beauty Ivon Hitchens James Dickson Innes John Byrne
Art Nouveau Jewelry Peter Khoroche (1887-1914) Art and Life
Yvonne Markowitz and Elyse Zorn Paperback 208 pages £25.00 John Hoole and Margaret Simons Robert Hewison
Karlin ISBN 978–1–84822–149–9 Hardback 184 pages £45.00 Limited Edition with an original print
Hardback 176 pages £45.00 ISBN 978–1–84822–139–0 by the artist packaged with the book
ISBN 978–0–85331–997–9 in a slipcase 144 pages £500.00
ISBN 978–1–84822–080–5
18 Published Books: Highlights Full details of all our books at www.lundhumphries.comJohn Craxton John Minton Johnston and Gill Julian Trevelyan
Ian Collins Dance Till the Stars Come Down Very British Types Picture Language
Hardback 184 pages £40.00 Frances Spalding Mark Ovenden Philip Trevelyan
ISBN 978–1–84822–069–0 Hardback 336 pages £25.00 Hardback 200 pages £40.00 Hardback 256 pages £45.00
ISBN 978–0–85331–918–4 ISBN 978–1–84822–176–5 ISBN 978–1–84822–112–3
Keith Vaughan Klimt, Schiele, Moser, A Kurt Jackson Bestiary Kurt Jackson Sketchbooks
Philip Vann and Gerard Hastings Kokoschka Kurt Jackson Alan Livingston and Kurt Jackson
Hardback 184 pages £45.00 Vienna 1900 Hardback 160 pages £40.00 Paperback 144 pages £19.99
ISBN 978–1–84822–097–3 Marie-Amélie zu Salm-Salm ISBN 978–1–84822–170–3 ISBN 978–1–84822–155–0
Hardback 368 pages £45.00
ISBN 978–0–85331–934–4
Kyffin Williams Lee Miller and Surrealism in Leonora Carrington Lois Dodd
The Light and The Dark Britain Surrealism, Alchemy and Art Faye Hirsch
Rian Evans and with photographs by Edited by Eleanor Clayton Susan Aberth Contemporary Painters Series
Nicholas Sinclair
Hardback 152 pages £35.00 Paperback 160 pages £25.00 Hardback 144 pages £30.00
Hardback 160 pages £40.00 ISBN 978–1–84822–272–4 ISBN 978–1–84822–056–0 ISBN 978–1–84822–237–3
ISBN 978–1–84822–240–3
Twitter & Instagram: @LHArtBooks facebook.com/LHArtBooks Published Books: Highlights 19You can also read
