Quarterly Journal of the Music Library Association - June 2021 Volume 77, No. 4
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01_907-155 Notes 77.4 FrontM r3 03/31/21 Page 497 Quarterly Journal of the Music Library Association June 2021 Volume 77, No. 4
01_907-155 Notes 77.4 FrontM r3 03/31/21 Page 498
Editor: Jonathan Sauceda Assistant Editors: Richard Griscom, Anne Shelley, Scott Stone
Contributing Editors: Manuel Erviti, book reviews; Matthew Ertz, James Procell, book list;
Matthew Ertz, music reviews; Kathleen A. Abromeit, music list; Lindsay Hansen Brown, periodi-
cals; Stephen Henry, new media reviews; Paul Cary, music price index; Martin D. Jenkins, Notes
index; Stephen L. Mantz, advertising.
SUBSCRIPTION INFORMATION
NOTES (ISSN 0027-4380) is published quarterly, in September, December, March, and June,
by the Music Library Association. Membership in the Association includes a subscription to
Notes. Annual U.S. membership dues: institutions, $165.00; individuals, $130.00; students,
$65.00; retirees, $95.00; sustaining members, $260.00; paraprofessionals, $75.00; corpo-
rate members, $480.00; corporate patrons, $780.00. Postage (surface mail) supplement for
Canadian and other foreign addresses: $10.00. Recent single issues are also avail- able for
$36.00 (U.S.), $40.00 (non-U.S.) each, plus shipping and handling ($10.00 for first item
and $2.00 for each additional item); current and past two volume years are also available. All
payments must be in U.S. funds, payable to the Music Library Association, and sent to the
business office (see address below). Change of address notice should be sent with a recent
mailing label to the business office 30 days before the effective date. Local postmaster will
forward Notes only if second-class forwarding postage is guaranteed. MLA does not replace
copies undelivered because of address changes; claims for other missing issues will be hon-
ored within three months of the publication date for the issue claimed.
ADDRESSES
Membership and subscription correspondence, payments, recent issue orders, and back vol-
ume orders: MLA Business Office, 1600 Aspen Commons, Suite 100, Middleton, WI 53562.
Phone: 608/836-5825. Fax: 608/831-8200. Email: mla@areditions.com.
Articles, news items, and editorial correspondence: Jonathan Sauceda, Douglass and Laurie
Library, 8 Chapel Dr., New Brunswick, NJ 08901, 848/932-9023. Email: jonathan.sauceda
@rutgers.edu.
Books for review: Manuel Erviti, Jean Gray Hargrove Music Library, University of California,
Berkeley, CA 94720-6000. Email: merviti@library.berkeley.edu.
Music for review: Kathleen Abromeit, MLA Notes Music Received, Oberlin College,
Conservatory Library, 77 W. College St., Oberlin, OH 44074-1588. Email: kathleen
.abromeit@oberlin.edu.
Periodicals for review: Lindsay Hansen Brown, Music & Media Librarian, California State
University, Northridge, 18111 Nordhoff Street, Northridge, CA 91330. Email: lindsay
.hansen@ csun.edu.
Digital media for review: Stephen Henry, 8115 Alumni Dr., University of Maryland, Michelle
Smith Performing Arts Library, College Park, MD 20742-1630. Email: shenry@umd.edu.
Videos for review: Stephen Henry (see above).
Advertising: Stephen L. Mantz, University of Pennsylvania, Otto E. Albrecht Music Library,
3420 Walnut St., Philadelphia, PA 19104. Email: mantzs@upenn.edu.
Notes is indexed or abstracted in Arts & Humanities Citation Index, Book Review Digest, Book
Review Index, Library & Information Science Abstracts, Library Literature, Music Index, and RILM
Abstracts. Electronic access to the articles in Notes is provided by Bell & Howell, Ebsco,
H. W. Wilson Company, Information Access Company, Institute for Scientific Information,
JSTOR, and Project Muse.
Copyright 2020 by the Music Library Association, Inc. Material protected by this copyright may be
photographed for the noncommercial purpose of scholarship, research, and classroom use, provided
the copyright notice is shown on the first page of each copy of each selection. Typesetting and music
engraving by A-R Editions, Inc. Printed 0° on acid-free 55# Glatfelter paper by A-R Editions, Middleton,
WI 53562. Notes (ISSN 0027-4380) is published quarterly by the Music Library Association, 1600 Aspen
Commons Ste 100, Middleton, WI 53562. Periodicals postage is paid at Middleton, WI and additional
mailing offices. POSTMASTER: Send address changes to: Notes, Music Library Association, 1600 Aspen
Commons Ste 100, Middleton, WI 53562.01_907-155 Notes 77.4 FrontM r3 03/31/21 Page 499
CONTENTS
L
Introduction: Some Practical and Ethical
Considerations for Integrating Digital
Humanities and Music Pedagogy . . . . . . . . . . By Francesca Giannetti 503
An Open Access Scholarly Encyclopedia
for Music: A Call to Action . . . . . . . . . . . . . . . . . . . . . . . By Peter Shirts 509
Behind the Times? Digital Research Methods
and the Music Classroom. . . . . . . . . . . . . . . . . . . . . By Timothy Duguid 519
Teaching the Google Books Ngram Viewer
and JSTOR Text Analyzer in the
Graduate Music Bibliography Course:
Benefits, Issues, and Challenges. . . . . . . . . . . . . . . By Laurie J. Sampsel 539
Design Sprints and Direct Experimentation:
Digital Humanities + Music Pedagogy
at a Small Liberal Arts College . . . . . By Cal Murgu, Mark Dancigers, 561
and Emma Solloway
Notes for Notes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 586
Book Reviews. . . . . . . . . . . . . . . . . . . . . . . . . . . Edited by Manuel Erviti 590
Music in Time and Place
Musical Salon Culture in the Long
Nineteenth-Century, edited by Anja Bunzel
and Natasha Loges. . . . . . . . . . . . . . . . . . . . . . . . . Sarah Tomasewski 590
Rubble Music: Occupying the Ruins of
Postwar Berlin, 1945–1950,
by Abby Anderton. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Max Erwin 593
Musical Authorship from Schütz to Bach,
by Stephen Rose (Music Performance
and Reception). . . . . . . . . . . . . . . . . . . . . . . . . . . . Samuel J. Brannon 595
Composing Community in Late Medieval Music:
Self-Reference, Pedagogy, and Practice,
by Jane D. Hatter (Music in Context). . . . . . . . . . . . . . Karen M. Cook 598
Literature and Music
Adapting The Wizard of Oz: Musical Versions
from Baum to MGM and Beyond, edited by
Danielle Birkett and Dominic McHugh . . . . . . . . . . . . . . Alex Bádue 601
49901_907-155 Notes 77.4 FrontM r3 03/31/21 Page 500
500 Notes, June 2021
Moonlighting: Beethoven and Literary Modernism,
by Nathan Waddell. . . . . . . . . . . . . . . . . . . . . . Alexander Carpenter 604
Composers and Their Music
Beethoven’s Lives: The Biographical Tradition,
by Lewis Lockwood . . . . . . . . . . . . . . . . . . . . . . . . . . . Geoffrey Block 607
Aaron Copland and the American Legacy
of Gustav Mahler, by Matthew Mugmon
(Eastman Studies in Music, vol. 160) . . . . . . . . . . . . . . . Shih-Ni Prim 610
Strauss, by Laurenz Lütteken, translated by
Erik Butler (The Master Musicians). . . . . Patricia Josette Prokert 613
Politics and Social Movements
Orchestrating Public Opinion: How Music
Persuades in Television Political Ads for
US Presidential Campaigns, 1952–2016,
by Paul Christianen . . . . . . . . . . . . . . . . . . . . . . . . . Sarah J. Dietsche 616
Which Side Are You On?: 20th Century
American History in 100 Protest Songs,
by James Sullivan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Chris Durman 619
British Music
Organ-Building in Georgian and Victorian
England: The Work of Gray & Davison,
1772–1890, by Nicholas Thistlethwaite
(Music in Britain, 1600–2000). . . . . . . . . . . . . . . . Allison A. Alcorn 621
Henry Cow: The World Is a Problem,
by Benjamin Piekut . . . . . . . . . . . . . . . . . . . . . . . Robert B. Freeborn 624
British Music after Britten, by Arnold Whittall
(Aldeburgh Studies in Music, vol. 14) . . . . . . . . . . . . . Justin Vickers 626
Reference
The Pianist’s Dictionary, 2nd ed.,
by Maurice Hinson and Wesley Roberts,
assisted by Sida Hodoroabă-Roberts. . . . . . . . . . . . . Donald Manildi 628
Books Recently Published. . . . . . . . . . . . . . . . Compiled by James Procell 632
and Matthew Ertz
Music Reviews. . . . . . . . . . . . . . . . . . . . . . . . . . . Edited by Matthew Ertz 635
The Public Domain Song Anthology
The Public Domain Song Anthology:
With Modern and Traditional Harmonization.
Edited by David Berger and Chuck Israels. . . . . . . . . . . . . Mikkel Vad 63501_907-155 Notes 77.4 FrontM r3 03/31/21 Page 501
Contents 501
Two Beethoven Facsimiles
Ludwig van Beethoven. Streichquartett
B-Dur, op. 130; Grande Fuge B-Dur,
op. 133. Commentary by Ulrich Konrad.
(Bärenreiter-Facsimiles; Documenta
musicologica, Zweites-Reihe,
Handschriften-Faksimiles; Bd. 55)
Ludwig van Beethoven. Klaviertrio B-Dur
Opus 97: “Erzherzog”-Trio. Foreword
by Mitsuko Uchida; introduction by
Julia Ronge. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Seow-Chin Ong 640
Volumes From Martinů’s Complete Edition
Bohuslav Martinů. Field Mass,
H 279; The Spectre’s Bride, H 214 I A.
Edited by Paul Wingfield.
Bohuslav Martinů. Concerto da camera,
H 285; Rhapsody-Concerto, H 337.
Bohuslav Martinů. Edited by Sandra
Bergmannová, Aleš Březina,
Paul Silverthorne, Jitka Zichová,
Pavel Žůrek. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Marcos Stuardo 644
Music Received. . . . . . . . . . . . . . . . . Compiled by Kathleen A. Abromeit 649
Information for Contributors. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 000
Index to Advertisers. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 000
Index to Vol. 77. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 000
Tailpieces selected from:
Kaspar Schott, Magiae universalis naturae et artis (Würzburg: Jobus Hertz, 1657).
Cover music selected from:
A place toward other places by Aaron Helgeson
Used by permission01_907-155 Notes 77.4 FrontM r3 03/31/21 Page 502
MUSIC LIBRARY ASSOCIATION
Board of Directors: Liza Vick (University of Pennsylvania), president;
Susannah Cleveland (University of North Texas), past president; Misti Shaw
(Indiana University), recording secretary; Tracey Rudnick (University of
Hartford), administrative officer; Elizabeth Hille Cribbs, assistant administra-
tive officer; Ellen Ogihara, student/early career representative; Brian McMillan
(Western University Ontario), Casey Mullin (Western Washington
University), Diane Steinhaus (University of North Carolina-Chapel Hill),
members-at-large 2020–2022; Kirsti Bergland (University of Minnesota),
Marci Cohen (Boston University), Scott Stone (University of California-
Irvine), members-at-large 2021–2023.
ADDRESSES
President: Liza Vick, Otto E. Albrecht Music Library, 452.2 Van Pelt-Dietrich
Library Center, Philadelphia, PA 19104-6206. Phone: 215/898-3450. Email:
lizavick@upenn.edu.
Administrative Officer: Tracey Rudnick, Allen Library, University of Hartford,
200 Bloomfield Ave., West Hartford, CT 06117. Phone: 860/768.4404. Email:
rudnick@hartford.edu.
Business Office: Music Library Association, 1600 Aspen Commons, Suite
100, Middleton, WI 53562. Phone: 608/836-5825. Fax: 608/831-8200. Email:
mla@areditions.com.
Convention Manager: Andrew Justice, University of Southern California,
3550 Trousdale Parkway, Doheny Memorial Library G-18, Los Angeles, CA 90089.
Phone: 213/740-2926. Email: ajustice@usc.edu.
Placement Officer: Grace Haynes, Main Library Building, Michigan State
University, 366 W Circle Drive, East Lansing MI 48824. Phone: 517/353-1857.
Email: haynesg3@msu.edu.
Web site: http://www.musiclibraryassoc.org
FUTURE MEETINGS
2022: Salt Lake City, UT, 2–6 March
2023: St. Louis, MO, 1–5 March
2024: Cincinnati, OH, 28 February–2 March
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