SIMON EDMONDSON Los últimos cuadros de Velázquez? Una propuesta - May 13- June 26 2021

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SIMON EDMONDSON Los últimos cuadros de Velázquez? Una propuesta - May 13- June 26 2021
May 13- June 26 2021

      SIMON EDMONDSON
¿Los últimos cuadros de Velázquez?
          Una propuesta
SIMON EDMONDSON Los últimos cuadros de Velázquez? Una propuesta - May 13- June 26 2021
The three mythological scenes painted by Velázquez and lost in the re of 1734

     When the Real Alcázar was burnt down over 500 works of art were destroyed, these included many important pieces by Titian,
     Veronese, Rubens, and Velázquez. Of the series of 4 mythological scenes by Velázquez, which had been hanging in the Hall of
     Mirrors, only Mercury and Argus was saved from the ames. Today it is hanging in the Prado, and although it has suffered alterations
     and additions, it is still considered one of this great artist’s most interesting late works. We know from the late 17th century Royal
     Inventories, that the three lost paintings were depictions of Venus and Adonis, Apollo and Marsyus, and Psyche and Cupid. Thanks
     also to these inventories we have a good idea of the canvas size too, and more or less how they had been hung. Although we have
     no idea how they looked.

     My idea here has been to produce these three lost tales from Ovid, following the treatment of the surviving Mercury and Argus, in
     mood light and technique. There is an atmosphere of suspense, premeditating the action which gives Mercury and Argus (1659) its
     tension, and this I have also tried to maintain in different ways. It was interesting to have to decide which moment from each story
     Velázquez would have chosen, and here I have opted for the unity of couples in landscape. The 2 violent central scenes anked by
     the death of Adonis on the left, and the resurrection of Psyche on the right. I imagine the four paintings, each with its couple
     painted to the same scale, stretching frieze-like at eyelevel above the famous lion tables, all the way down the south wall of the
     great state room. It has been suggested that the hanging of paintings in this room, had been decided by Velázquez himself, and
     that there may also have been interrelation from one painting to another (cf. Steven N. Orso). Prosaically, in my mind, the reddening
     dusk in Titians Portrait of Charles V on horseback casts him as strolling, lance at the ready, towards Velázquez´s twilight land of
     Gods.

                                                                                                              Simon Edmondson, Madrid.

     Acknowledgements:

     Jose Manuel Barbeito: El Alcázar de Madrid.
     Colegio O cial de Arquitectos de Madrid 1992.
     Steven. N. Orso: Philip IV and the decoration of the Alcázar of Madrid.
     Princetown Univ. Press 1986.
     Museo Nacional del Prado, Madrid.
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SIMON EDMONDSON Los últimos cuadros de Velázquez? Una propuesta - May 13- June 26 2021
SIMON EDMONDSON Los últimos cuadros de Velázquez? Una propuesta - May 13- June 26 2021
SIMON EDMONDSON Los últimos cuadros de Velázquez? Una propuesta - May 13- June 26 2021
VENUS Y ADONIS

      2019

  Oil on canvas
  40 x 57,5 cm
SIMON EDMONDSON Los últimos cuadros de Velázquez? Una propuesta - May 13- June 26 2021
PSIQUE Y CUPIDO

      2019

  Oil on canvas
  40 x 57,5 cm
SIMON EDMONDSON Los últimos cuadros de Velázquez? Una propuesta - May 13- June 26 2021
APOLO Y MARSIAS

      2019

  Oil on canvas
  40 x 106 cm
SIMON EDMONDSON Los últimos cuadros de Velázquez? Una propuesta - May 13- June 26 2021
MERCURIO Y ARGOS

       2019

   Oil on canvas
   40 x 106 cm
SIMON EDMONDSON Los últimos cuadros de Velázquez? Una propuesta - May 13- June 26 2021
SIMON EDMONDSON Los últimos cuadros de Velázquez? Una propuesta - May 13- June 26 2021
PSIQUE Y CUPIDO I   VENUS Y ADONIS I

      2014                2014

Charcoal on paper   Charcoal on paper
  107 x 148 cm        107 x 148 cm
PSIQUE Y CUPIDO II   VENUS Y ADONIS II

       2014                2014

 Charcoal on paper   Charcoal on paper
   107 x 148 cm        107 x 148 cm
PSIQUE Y CUPIDO
                    VENUS Y ADONIS
      2017
                          2017
Charcoal on paper
                    Charcoal on paper
 58,5 x 83,5 cm
                     58,5 x 83,5 cm
APOLO Y MARSIAS

      2017

Charcoal on paper
 58,5 x 152,5 cm
MERCURIO Y ARGOS

       2017

 Charcoal on paper
  58,5 x 152,5 cm
STANDING BY THE RUINS N.1   STANDING BY THE RUINS N.2

          2020                        2020

       Oil on panel                Oil on panel
       50 x 45 cm                   50 x 45 cm
MID-SUMMER BALL

      2021

  Oil on canvas
  181 x 198 cm
TENNIS BLUE

    2021

Oil on canvas
181 x 198 cm
SALA DE REZAR N.3   SALA DE REZAR N.4

     2019-20             2019-20

  Oil on canvas       Oil on canvas
  103 x 89,5 cm       103 x 89,5 cm
MAP ROOM

    2020

Oil on canvas
 65 x 46 cm
TWO PORTRAITS

     2007

 Oil on canvas
 181 x 149 cm
RED CARPET

    2021

 Oil on canvas
138,5 x 160 cm
ARMADORA

                                                   2021
                                           March 2021
                                           M aOil
                                              r conhcanvas
                                                       2021
                                                124 x 142 cm
Galería Álvaro Alcázar | Ferrer del Río 5 28028 Madrid | 91 342 8108 | galeria@galeriaalvaroalcazar.com
A SMALL WORLD

     2020

  Oil on panel
  55 x 48 cm
Brief biography                                                                Collections

Simon Edmondson, London (UK), 1955                                      Arts Council of Great Britain.
                                                                          Contemporary Art Society.
He trained in London, where he graduated in M.                                  Unilever PLC.
A. in Painting at Chelsea College of Art (1977-78)                   Prudential Life Inc., New York, USA.
and later in M. F. A. in Painting at Syracuse                           Prudential Holborn, London.
University in New York (1978-80).                                   Haggerty Museum. Milwaukee, USA.
                                                               May and Samuel Rudin Foundation, New York.
He had his rst major institutional exhibition at the         Collection de Beaux Artes Contemporain, Monaco.
Deutsche Bank in Madrid in 1998 and in 2009-10                     Stephen Solovey Foundation, Chicago.
at the Stadtgalerie Klagenfurt in Austria.                   Chazen Museum of Modern Arte, Wisconsin, USA.
                                                            La Chaux-des-Fonds, Museum of Modern Art, Suiza.
Since 1991 Edmondson has lived and worked in                          Deutsche Bank Collection, Spain.
Madrid. His work is represented in major cities                   Colección Gobierno de Cantabria, Spain.
around the world and he regularly participates in                           Lloyds Bank, Madrid.
the most prestigious art fairs such as Arco, Art                        Fundación Zuloaga, Madrid.
Chicago, Art Basel and Art Paris.                      Simone Audemars Foundation, Theatre-contemporain, Lausanne.
                                                                         Kunsthaus Kollitsch, Austria.
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May 13- June 26 2021

Galería Álvaro Alcázar | Ferrer del Río 5 28028 Madrid | 91 342 8108 | galeria@galeriaalvaroalcazar.com
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