The Drowning Girls By BETH GRAHAM, CHARLIE TOMLINSON and DANIELA VLASKALIC - September 19 to 28, 2019 | PAVILION THEATRE - Western Canada Theatre
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The Drowning Girls By BETH GRAHAM, CHARLIE TOMLINSON and DANIELA VLASKALIC September 19 to 28, 2019 | PAVILION THEATRE
THANK YOU! TO OUR SPONSORS PRESENTING PARTNER GOVERNMENT FUNDERS SEASON SPONSORS STUDIO SERIES SPONSOR THE DROWNING GIRLS SHOW SPONSOR FOUNDATIONS GUEST SERVICES For Assistance and Accessibility: We’re here to help. If you require assistance, please ask the House Manager or one of the ushers. The Sagebrush Theatre now has hearing assist listening systems. And both the Pavilion and Sagebrush theatres are wheelchair accessible and equipped with wheelchair-seating locations. Please see the House Manager for details. In consideration of your fellow audience members’ comfort and enjoyment, we ask the following: Electronic Devices: Please turn off all cellular phones and watch alarms prior to the show. Due to copyright regulations, the use of cameras and other video or audio recording of this performance by any means is strictly prohibited. Late Arrival and Re-admission: If you arrive after a performance has begun or leave the auditorium during the performance, we will make every effort to seat you at an appropriate interval in the program. Please be advised that this may not be the seat you are ticketed for, depending on its location in the theatre. Scent-free Facilities: Please arrive perfume/cologne-free and do not bring flowers into the lobby or theatre. Children: WCT productions, unless they are identified as family friendly, are not suitable for children or babes in arms. Every patron, regardless of age, requires a ticket. For more information, please visit the FAQs on wctlive.ca.
WELCOME!
I first met The Drowning Girls in a workshop production
in Edmonton almost 20 years ago. The creators were
emerging playwright/actors who went on to refine
and develop the play, which has since been produced
all across Canada and abroad. I loved its brashness,
its daring, its theatricality, and its subversion of genre:
melding the tragic, the comic, the mysterious, and the
dramatic in a storytelling format that keeps you on
your toes.
I have always questioned why our popular culture
identifies and obsesses over the perpetrators of
violence, while we turn the “victims” into passive
participants. The appeal of this play lies in the way
it gives voice to the women who were targeted by
this real-life sociopath, empowering them to take
control of their own stories, and to present them
as living, breathing, excited individuals instead of
faceless statistics. The play also speaks of the early- UP NEXT
20th century, a time when women were severely on the stage:
restricted in their options, but were on the brink of DRACULA:
emancipation, including suffrage. THE BLOODY TRUTH
Taking advantage of the flexible space the Pavilion October 10 to 19
Theatre offers, I chose to stage the play in the round, SAGEBRUSH THEATRE
in order to immerse the audience (sometimes literally!)
other activities:
in the production and performances. At the theatre
we can often feel that we are witnesses to a story; the BREWLOOPS 2019
unique, 360-degree perspective of staging in the round September 27 & 28
takes it one step further, allowing the audience to feel Evenings for the adults
like active participants. Sat. afternoon for everyone
MacArthur Island
This is a play that stimulates our imagination, engages
TAKE A BEHIND THE
our intellect, and provokes our emotions. A perfect
STAGE TOUR OF THE
encapsulation of why we come to the theatre!
DROWNING GIRLS
for Culture Days 2019
September 28
Pavilion Theatre
James MacDonald, Artistic Director of WCT
Director of The Drowning Girls wctlive.ca
We extend our appreciation for the opportunity to live, create and perform on the
beautiful land located in the Tk’emlúps te Secwépemc territory within the traditional
lands of the Secwépemc Nation.
Enjoy the Show!
Presenting
Partner
Ron & Rae Fawcett
k e lsongro up.c omWCT STAFF BOARD
JAMES MACDONALD Artistic Director TIM RODGERS President
EVAN KLASSEN Managing Director GRANT CHU Past President
LORI BREGOLISS
ADMINISTRATION MARILYN CROSSEN
TERRI RUNNALLS Education & Outreach Director BEVERLEY DESANTIS
RON THOMPSON Finance Director WESLEY ECCLESTON
SUSAN THOMPSON Associate Finance Manager SHARON FRISSELL
CATRINA CROWE Marketing & Communications Director GORDON MILLER
FRANKIE KNIGHT Marketing Associate CHRYSTIE STEWART
SUZAN GOGUEN Growth & Engagement Director
ROGER DOWNIE Fund Development Manager David Ross †
ALI WEBSTER Special Events Manager Tom Kerr ‡
SARAH BLUMEL Fund Development Coordinator Judge T.W. Shupe §
D. Michael Dobbin *
PRODUCTION Peggy Gilmour *
DAWN BERGSTROM Producer Francis Barnett *
BILL CHABASSOL Production Manager Mike Latta *
BRIAN ST-AMAND Sagebrush Technical Director Anne Manson *
PAUL CUTHBERT Sagebrush Assistant Technical Director Maureen Marshall *
LIAM BEFURT Associate Technical Director Lanni Shupe *
CINDY WIEBE Head of Wardrobe
RORY LYNCH Head of Scenic Carpentry § Honorary Life Chairman
ANGELA FRYE Head of Properties & Scenic Painter * Honorary Life Member
SELENA “TWITCH” TOBIN Intern Production Manager/ †
Honorary Life Artistic Producer
Technical Director ‡
Founding Artistic Director
RYAN PINETTE Production Assistant
CHARLOTTE WAGNER Wardrobe
BRITTNEY MARTENS Scenic Paint Apprentice
SPECIAL
VENUE SERVICES
SHEVAUN FORTUNE Venue Services Director
MICHELLE CHABASSOL Venue Services Coordinator
THANKS
ALLISON BREGOLISS Volunteer Coordinator
MORGAN BENEDICT House Manager
House Staff:
AMANDA BREUER, NICOLLE DUPONT, MAXWELL
GALLAGHER, BERT KEEPER,
JAKOB KOPYTKO, KELLY MCCALLUM,
KAMLOOPS
LIZ SPIVEY JENNIE WIEBE
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Phone: 250-374-1300 • Fax: 250-374-8115
www.kamtileworks.comBRAVO! TO OUR DONORS
Western Canada Theatre gratefully acknowledges the following government agencies,
corporations, foundations, and individuals for their generous contributions through
sponsorships and/or charitable donations. We thank everyone who plays their important part
in helping us to bring the highest quality of work to the broadest possible audience.
Listings based on annual contributions, September 1, 2018 to August 31, 2019.
FUNDERS DIAMOND COMPANIONS: Evelyn Baziuk
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Canada Council for the Arts Michael E. Black and the Late Christine Bilbey
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$9,999
Margaret Chrumka
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E
FRE
BACKSTAGE TOUR OF
The Drowning Girls
Saturday, Sept 28
4:00–5:00pm
PAVILION THEATRE
Curious about how theatre is made? Join WCT Artistic Director James MacDonald on Culture
Days for a free backstage tour. See how WCT’s production team overcame the technical challenges of
this play, including taking into account all that water and having the audience on four sides of the stage
– with no wings in which to hide production features. More tour details at wctlive.ca.The Drowning Girls By BETH GRAHAM, CHARLIE TOMLINSON and DANIELA VLASKALIC FEATURING MORGAN BENEDICT Alice GENEVIEVE FLEMING Margaret CHEYENNE SCOTT Bessie CREATIVE TEAM JAMES MACDONALD Director ANGELA FRYE Set Designer CINDY WIEBE Costume Designer BILL CHABASSOL Lighting Designer LUKAS VANDERLIP Sound Designer TRACEY POWER Choreographer NANCY YUEN Stage Manager DUSTON BARANOW-WATTS Apprentice Stage Manager 75-minute running time – No intermission The Drowning Girls is staged by arrangement with Ian Arnold, Catalyst TCM Inc. www.catalysttcm.com The Drowning Girls premiered at PlayRites Festival, Alberta Theatre Projects, 2008. Western Canada Theatre is an active member of the Professional Association of Canadian Theatres (PACT) and engages, under the terms of the Canadian Theatre Agreement, professional artists who are members of Canadian Actors’ Equity Association. Programme Producer: Western Canada Theatre • wctlive.ca • 250-372-3216 Printer: Wayside Press • www.waysideco.ca • 250-372-3373 Box Office: Kamloops Live! Box Office • kamloopslive.ca • 250-374-5483
Western Canada Theatre continues to
deliver vibrant and professional theatre
to our community.
The City of Kamloops is a proud sponsor and wishes
WCT all the best during its 2019–2020 season.
Kamloops.ca
T R U A C T O R S W O R K S H O P T H E AT R E 2 0 1 9 / 2 0 S E A S O N
Sept 26–28
& Oct 3–5
TRU, Old Main, Student Street
Curtain Nightly @ 7:30pm
Tickets $15, Available Online
tru.ca/awt or by calling the
Box Office 250-377-6100
WARNING: Some Vulgar Language
ART20007
by Stefanie Zadravec
directed by Wesley EcclestonPLAYWRIGHTS
BETH GRAHAM,
CHARLIE TOMLINSON &
DANIELA VLASKALIC
Daniela, Charlie, and Beth met at the University of Alberta in
Edmonton. Together, they created The Drowning Girls, a play that has had
a long and surprising life. Since premiering at Alberta Theatre Projects’
Playrites Festival in 2008, The Drowning Girls has been performed in
professional theatres, high schools, community halls, and found spaces
across Canada. It has also been published by Playwrights Canada
Press and produced internationally in the United States, the UK, New
Zealand, and Australia. The play has received Sterling, Betty Mitchell
and SATA awards, as well as the Gwen Pharis Ringwood Literary
award and a Dora nomination. Daniela now lives in Ontario, Charlie in
Newfoundland, and Beth in Alberta.
Riverland Inn & Suites is a proud supporter of Western Canada Theatre Company
1530 River Street | Kamloops, BC V2C 1Y9
tf 1.800.663.1530 | t 250.374.1530
riverlandinn@shawbiz.ca | riverlandinn.kamloops.comPROUD
SUPPORTER
Theatre
OF LIVE
Printing | Signs + Displays | Responsive Marketing
PRINTING
SIGNS+
DISPLAYS
RESPONSIVE
MARKETING
902 Camosun Crescent, Kamloops, BC
250.372.3373 | waysideco.ca
CHAMBER MUSICIANS OF KAMLOOPS
Chamber Music - Close and Personal
October 11, 2019
On an Overgrown Path
November 9, 2019
Heritage Piano Quintet
All concerts start at 7:30 p.m.
Info and tickets: chambermusiciansofkamloops.org | (250) 377 1880CAST &
CREATIVE
TEAM DUSTON
BARANOW-WATTS
MORGAN BENEDICT BILL CHABASSOL
DUSTON BARANOW-WATTS
Apprentice Stage Manager
At WCT: Debut
Elsewhere: Some selected recent credits include Stage Manager on
Enter Laughing (Theatre in the Raw); Japanese Poets North of the 49th Parallel
(TASAI Collective); Selfie (Rumble Theatre); Yuko-Kai (TomoeArts); and
She Kills Monsters (UBC); Apprentice Stage Manager on It’s a Wonderful Life
(Gateway Theatre); Assistant Stage Manager on No One’s Safe (Banff Centre
for Arts and Creativity); World of Dreams Vancouver (Takarazuka Revue) and
Kayoi Komachi/Komachi Visited (TomoeArts). Other: Duston holds a BFA in
Theatre Design & Production from the University of British Columbia. He
is excited to be working in Kamloops with WCT for the first time! You can
find him at dustonbw.com, @dustonbw, or collecting cat mugs.
MORGAN BENEDICT
Alice
At WCT: Debut
Elsewhere: Morgan is a TRU Actors Workshop Theatre Alumni, a Stage
One Theatre School instructor, and has worked both onstage and offstage
with Project X Theatre. Other: Combining her love of theatre, baths and
strong female actors, to be a part of this show is truly a dream come true for
Morgan! She is so grateful for this opportunity to open the 2019-20 season
with WCT! It is such an honour to have her first professional acting credit
come from a company that is so near and dear to her heart. Morgan would
like to thank her family, friends, boyfriend and Gatsby for their never-ending
love and support.
BILL CHABASSOL
Lighting Designer
At WCT: Associate Lighting Designer: Meet My Sister; Production Manager
at WCT, in his fifth season
Elsewhere: Graduate of Sheridan College and former attendee of the
Banff Centre’s Technical Production Work-Study program. Bill has taught,
mentored, and been found backstage on many theatrical productions
across Canada for over 15 years. Other: Thanks to Michelle for being the
brightest light in my life.In association with
Theatre NorthWest, Prince George
By LE NAVET BETE & JOHN NICHOLSON
OCTOBER 10 – 19
SAGEBRUSH THEATRE
WCTLIVE.CA
249 Victoria St, Kamloops 250-374-1711GENEVIEVE FLEMING ANGELA FRYE JAMES MACDONALD GENEVIEVE FLEMING Margaret At WCT: A Christmas Carol (2010) Elsewhere: Genevieve is an award-winning actor, director, and producer. Based in Vancouver, Genevieve is the Artistic Producer of indie theatre company Hardline Productions and works professionally in theatre, film and television, and voice over. Select performance credits include Wet (Itsazoo); The North Plan (Upintheair); Creeps (Realwheels); and Bug (Hardline). Select directing credits include Wilderness (Studio 58); Flare Path (Slamming Door); and Of Mice and Men (Hardline). Film and television: Select credits include Travelers, Motive, Supernatural, and Package Deal. Other: Genevieve is the recipient of two Jessie Richardson Theatre Awards for performance and the Ray Michal Prize for direction. She is a graduate of Mount Allison University and Studio 58. ANGELA FRYE Set Designer At WCT: Debut Elsewhere: Someone to Watch over Me, St. Mary Ignasius Explains It All For You, Duck Variations, Talking With…, Mousetrap. Other: Angela is Head of Props at WCT and has a Master’s in Fine Arts, Painting from Washington State University. She has also worked as a set painter, stage manager and production assistant in several theatres around B.C. Thank you to Maxwell who constantly shows me the great potential of the world. JAMES MACDONALD Director At WCT: Buddy – The Buddy Holly Story, Vimy, GLORY, A Christmas Carol, Million Dollar Quartet. James is also the Artistic Director of Western Canada Theatre. Elsewhere: 36 productions at Edmonton’s Citadel Theatre, including Who’s Afraid of Virginia Woolf, Venus in Fur, Vimy, and Billy Bishop Goes to War; Julius Caesar (Stratford Shakespeare Festival); The Old Ladies (Shaw Festival); A Few Good Men (Citadel/Royal Manitoba Theatre Centre), Miss Shakespeare (Escape Artists, Vancouver), As You Like It, and Much Ado about Nothing (Canadian Stage, Toronto). James is the founding Artistic Director of the River City Shakespeare Festival and the former Program Director of the Citadel/Banff Centre Professional Theatre Program.
Locally Owned & Operated
Proudly
Supporting
Western Canada Theatre
homehardware.ca
Home Owners
Rick Kurzac
Home Store Owner
Kamloops, British Columbia
helping homeowners
1325 Josep Way Phone: 250-377-7234 Hours: Monday - Saturday 7am-6pm
Kamloops BC, V2H 1N6 Fax: 250-377-7256 Sundays 9am-5pmTRACEY POWER CHEYENNE SCOTT TRACEY POWER Choreographer At WCT: Director and Choreographer: ELF – The Musical; Playwright and Choreographer: GLORY; in 2020 she will direct Chelsea Hotel, The Songs of Leonard Cohen. Elsewhere: Tracey has worked for theatres across Canada and internationally as an actor, playwright, director and choreographer. She recently directed Cinderella for Project X, choreographed The Coyotes for the Caravan Farm Theatre, and is also very proud to have again choreographed the twenty-four week national tour of GLORY, bringing this WCT premiere production to twelve different theatres across this amazing country. Upcoming: Choreographer and Assistant Director of La Traviata for Vancouver Opera. She is the recipient of the Betty Mitchell, Sterling and Jessie award for her work. www.traceypower.ca CHEYENNE SCOTT Bessie At WCT: Julia in Children of God Elsewhere: Cheyenne is Coast Salish of the Saanich Nation and a theatre artist with a focus on developing new works. Through impactful personal expression and storytelling, her work is an exploration and celebration of her Indigenous heritage. She played Julia in the Urban Ink/NAC premiere production of Children of God and continued with the show for two other tours across Canada. She is a Dora-nominated artist for Now You See Her (Quote Unquote Collective/Nightwood/Why Not Theatre). Additional performance credits include Squawk, Sidewalk Chalk (Geordie Productions); and Savage (Native Earth). Cheyenne has been an artist-in-residence with N’we Jinan Integrative Arts and Mikw Chiyam for several years, working with Indigenous youth across Turtle Island.
LUKAS VANDERLIP CINDY WIEBE
LUKAS VANDERLIP
Composer/Sound Designer
At WCT: Composer/Sound Designer: Vimy, Armstrong’s War; Actor: A
Christmas Story
Elsewhere: Lukas is a composer and sound designer, based in Kamloops.
He has done sound and music composition for local film and theatre
productions, such as Disappearing Summers and The Wolf and the Woods (films
by Kora Vanderlip); She Kills Monsters (TRU Actors Workshop Theatre);
The Robber Bridegroom, Frankenstein (Chimera Theatre); Jack and the Beanstalk,
Cinderella (Project X); and Medea (Performing Arts Westsyde). Other: Lukas
has released two albums of music under the name Beholding, with a third
coming out this year. Lukas is in his third year, studying for his Bachelor of
Arts with a major in history at TRU. Lukas is very excited for the world to
experience this production, and he wishes much love to the cast, crew and
audience of WCT. He also wants to thank his family and friends for their
love, support and constant encouragement.
CINDY WIEBE
Costume Designer
At WCT: Cindy has been Head of Wardrobe since 2003. Past costume
designs with WCT include Meet My Sister (with Theatre NorthWest), GLORY,
Million Dollar Quartet, Made in Italy, Don’t Dress For Dinner (with Thousand
Islands Playhouse, Gananoque, ON/ Richmond Gateway Theatre), Closer
Than Ever, Dreary and Izzy, Never Shoot a Stampede Queen, A Christmas Story, A
Christmas Carol (2010), and The 25th Annual Putnam County Spelling Bee.
Elsewhere: Romeo and Juliet, Elizabeth Rex, A Midsummer Night’s Dream, Much
Ado About Nothing, and The Tempest (Project X).
romantic 28
SEPTEMBER
elements Noran Masterworks
Saturday
Timothy Chooi, violin
• 7:30pm
Dina Gilbert, Music DirectorNANCY YUEN Stage Manager At WCT: Debut Elsewhere: As an Edmonton-based stage manager, Nancy has worked at the Mayfield Theatre for over 50 productions, including Sleuth, Sister Act, Forever Plaid, All Shook Up, Jesus Christ Superstar, Hair, Cabaret, Hairspray, Chicago, and many more. Some other theatre credits include: Witness to a Conga (Teatro la Quindicina); Crazy For You (Cameco Capitol Arts Centre); Fatboy (Edmonton Actors Theatre); Strike! (Workshop West Theatre); The Last Tree of Rapa Nui (Manitoba Theatre for Young People); Love Song, The Liars (Shadow Theatre); The Three Musketeers, As You Like It, Julius Caesar, The Blonde, the Brunette and the Vengeful Redhead, Equus, A Year with Frog and Toad, The Syringa Tree (Citadel Theatre); Rock ’n Roll, Fire (Canadian Stage Company/Citadel Theatre co-production); Humble Boy (Theatre Calgary/Citadel Theatre); and The Winter’s Tale Project (OrangeBus Production). Nancy is happy to be working on her first show at WCT, The Drowning Girls. Enjoy the show!
HEXSA’AM / TO BE HERE ALWAYS
OCTOBER 5 TO DECEMBER 31, 2019
From Hexsa’am: To Be Here Always, 2018, Photo: Marianne Nicolson Kamloops︱BC • kag.bc.ca
Enjoy The Drowning Girls
PROUD SUPPORTER
OF THE WESTERN
CANADA THEATREPROGRAM NOTES
THE EVOLUTION OF A MURDER STORY:
THE DROWNING GIRLS RISE(S) AGAIN
Beatrice (Bessie) Munday, Alice Burnham, Margaret Lofty
Credit: John Frost Newspapers / Alamy Stock Photo
Beth Graham, Charlie Tomlinson, and Daniela Vlaskalic rise to a big
challenge in The Drowning Girls: they take an early 20th Century British true
crime, refocus the lens from which it has historically been viewed, do not
give short shrift to its horrors, and make their docudrama entertaining
and relevant – at once gripping and humorous, a period piece with
contemporary resonance.
Society is only beginning to acknowledge the compounding injustice of
placing perpetrators of crimes in the spotlight while relegating victims to
bit-player status. From 19th and 20th Century British and American to late-
20th Century Canadian serial killers, the names stay recognizable; the names
of those who suffered at their hands decidedly less so.
A groundbreaking work in Canadian theatre in this regard is Métis
playwright Marie Clements’ The Unnatural and Accidental Women (2000): a
group of Indigenous women found dead in the company of the same man
in Vancouver’s downtown eastside over the course of the previous two
decades or so rises from their graves and exacts justice. In an interview inPROGRAM NOTES
. . .CONTINUED
Playing the Pacific Province, Clements acknowledges that encountering in a local
newspaper a “huge spread” on the perpetrator with “maybe half a page of
all of his victims” was the catalyst for her play. A similar impetus seems at
play in The Drowning Girls.
Narratives around the “Brides in the Bath” murders – the killings of three
newly married women by their serial bigamist groom – have been male
centred. For example, the husband’s waxwork likeness was exhibited at
Madame Tussaud’s Chamber of Horrors, and the protagonists of fiction
by William Trevor and Anthony Burgess (among others) take his deeds as
inspiration for their crimes. The case has also remained well-known because
of two men who helped solve it: a famous detective fiction writer and an
eminent pathologist.
Graham, Tomlinson, and Vlaskalic turn traditional narratives on their
heads by reviving the three women – Bessie, Alice, and Margaret – as the
stars of their show and relegating the husband to a few lines – spoken by
one of his victims. The central question becomes not “Who dun it?” or even
“Why and how did he do it?” but “How did these women get deceived by
this con artist?” In order to answer that question, of course, the audience
needs to get to know the three as individuals.
The characters re-enact their respective relationships with their husband,
render the conventions of their British Edwardian society, particularize
the gruesome details of their demises, and relate the subsequent trial and
conviction. Importantly, this is all done through the prisms of dark wit and
irony. As audience members, we are likely to shift between the comfort
afforded by the humour and the spatial and temporal distance and a more
complicated empathy, or even identification, as we recognize that things
have changed a great deal, but then they haven’t.
The Drowning Girls rose from humble beginnings at the Edmonton Fringe
to enjoy productions in theatres across North America – a testament to its
creators’ ability to envision the power of a narrative creatively refocused and
spiritedly retold.
Ginny Ratsoy
Associate Professor of English
Thompson Rivers UniversityTell us how you
Thank you for sharing your thoughts towards a collective vision for
the next ten years at TRU. Whether you’ve already contributed or are
new to EnvisionTRU, we invite you to our final community consultation
where we’ll ask: “Describe your ideal TRU 10 years from now.”
COMMUNITY CONSULTATION
September 25 | 4:30–6:30 p.m.
Desert Gardens Community Centre (540 Seymour Street)
Find details and more ways to get
involved: tru.ca/envision
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YEAR 4 - 18 WCTLIVE.CA
ROUND terri@wctlive.caHonda Hybrid
Luxury & Style
Meet Efficency
HALF ART, HALF SCIENCE. ALL STYLE.
When the flagship sedan embraces innovative hybrid
technology, you get an Accord that spends less time at
the pump without sacrificing performance and comfort.
When a car looks this good, it’s hard not to brag, once
seated, refined, luxurious features surround you. When it
comes to efficiency, the Accord Hybrid can be summed up
in five words: top-class fuel consumption ratings. But why
stop there? The innovative third-generation two-motor
hybrid powertrain proves the Accord Hybrid is not joking
around. Don’t be shy. Say hello to the All Luxury Accord
Hybrid Sedan.
SOME FEAR THE FUTURE. OTHERS DRIVE IT.
Live today with a love for tomorrow. Here’s to hitting
the fast lane while skipping the gas lane. Here’s to do-
ing good and looking good doing it. There’s no better
feeling than arriving in a car as beautiful and sleek as
the Honda Insight, except the satisfaction of knowing
it’s also a hybrid. This hybrid is on a mission to do
good for the earth, and your look. Sporting a wide,
powerful stance complete with Honda’s signature fly-
ing wing grille and bold facia, the Insight is the perfect
accessory to your driveway.
POWER YOUR TRIP WITH ELECTRIC OR GAS.
Offering the benefits of an electric car, with the freedom
of a hybrid. Using high-capacity batteries for all-elec-
tric driving and, and a gas-powered engine as back
up. Recharge the battery while cruising, regenerative
braking recharges the battery every time the accelera-
tor is lifted and each time
the brakes are applied.
Use the gas powered
engine, battery powered
electricity or a combina-
tion of both. Your choice!
Kamloops Honda
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