The Yeung Collection II - including Works from Various Vendors Sydney | 24 June 2020 - Bonhams
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The Yeung Collection II including Works from Various Vendors Sydney | 24 June 2020
Asian Art
Sydney | 24 June 2020
VIEWING AUCTION IMPORTANT INFORMATION PHYSICAL CONDITION
Sydney Behind closed doors The United States Government OF LOTS IN THIS AUCTION
by appointment only has banned the import of ivory PLEASE NOTE THAT THERE
Wednesday 24 June at 6pm into the USA. Lots containing IS NO REFERENCE IN THIS
Please email Sale number: 26452 ivory are indicated by the symbol CATALOGUE TO THE PHYSICAL
info.au@bonhams.com to Ф printed beside the lot number CONDITION OF ANY LOT.
book a time, Monday to Friday ILLUSTRATIONS in this catalogue. INTENDING BIDDERS MUST
10am – 2pm at Bonhams, Front cover: Lot 15 (detail) SATISFY THEMSELVES AS
97-99 Queen St Inside front: Lot 53 (detail) ENQUIRIES TO THE CONDITION OF ANY
Woollahra NSW 2025 Yvett Klein LOT AS SPECIFIED IN CLAUSE
CATALOGUE Asian Art Specialist 14 OF THE NOTICE TO
$30.00 +61 (0) 2 8412 2222 BIDDERS CONTAINED AT THE
yvett.klein@bonhams.com END OF THIS CATALOGUE.
BIDS
Online bidding will be available CLIENT SERVICES As a courtesy to intending
for the auction. For further Penny Pfahl bidders, Bonhams will provide a
information please visit: +61 (0) 2 8412 2222 written indication of the physical
www.bonhams.com penelope.pfahl@bonhams.com condition of lots in this sale if a
request is received up to 24
All bidders are advised to Kate Floro hours before the auction starts.
read the important information +61 (0) 2 8412 2222 This written indication is issued
on the following pages relating kate.floro@bonhams.com subject to Clause 3 of the Notice
to bidding, payment, collection, to Bidders.
and storage of any purchases. PRESS ENQUIRIES
Claire Martin REGISTRATION
+61 (0) 414 437 588 IMPORTANT NOTICE
claire@articulatepr.com.au Please note that all customers,
irrespective of any previous
activity with Bonhams, are
required to complete the Bidder
Registration Form in advance of
the sale. The form can be found
at the back of every catalogue
and on our website at www.
bonhams.com and should be
returned by email or post to the
specialist department or to the
bids department at
info.aus@bonhams.com
To bid live online and / or leave
internet bids please go to
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auctions/26452 and click on the
Register to bid link at the top left
of the page.
Sale Information
BIDS Storage charges will apply from Cheques: Bank and personal BUYER’S PREMIUM
+61 (0) 2 8412 2222 Monday 15 July 2020 cheques should be made out A Buyer’s Premium of 22%
+61 (0) 3 8640 4088 Daily storage charge per Lot: to Bonhams 1793 Ltd, these plus GST will be added to the
+61 (0) 2 9475 4110 fax $50 plus GST can only be sent via post to: Hammer Price on all lots.
info.aus@bonhams.com Lots will be released upon Bonhams, 97-99 Queen St.
production of the collection Woollahra NSW 2025. **Note EXPORT/TRADE
To bid via the internet please visit form which will be provided items cannot be collected until RESTRICTIONS
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Please present this form and NO cash payment will be to comply with all export and
PAYMENTS photographic ID at the time accepted for this sale. We cannot import regulations relating to your
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prior to collection. The third party To comply with legislative The refusal of any import or
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Payment of sale proceeds when collecting. accept payment from an account delay in obtaining such license(s),
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+61 (0) 3 8640 4088 PAYMENT invoice issued, i.e. the name on export a Lot shall not permit the
+61 (0) 2 9475 4110 fax Payment is due by 4.30pm AEST the original registration form. rescission of any sale nor allow
on Friday 26 June 2020. Due any delay in making full
SHIPPING to current regulations, payment Payment and collection enquiries payment for the Lot.
For information and estimates can onlybe made via the below please contact:
on domestic and international contactless methods. Payment CITES REGULATIONS
shipping as well as export cannot be made in person. Penny Pfahl Please be aware that all Lots
licenses please contact our +61 (0) 2 8412 2222 marked with symbol Y are
Sydney office: penelope.pfahl@bonhams.com subject to CITES when exporting
Bank Transfer: this is the
these items outside Australia.
preferred method of payment. If
+61 (0) 2 8412 2222 Kate Floro Information about these
transferring from an international
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account, please be sure to check
kate.floro@bonhams.com www.environment.gov.au/
with your bank and add any
COLLECTION biodiversity/trade-use/cites/index.
international transaction fees
Collections will take place from html or may be requested from:
incurred to the total
12pm AEST on Thursday 24 June
transfer amount. See your
2020, strictly by appointment. The Director
Bonhams invoice for bank
International Wildlife Trade
account and BPAY details.
Once your item/s have been paid Department of Sustainability,
for in full, please email info.au@ Environment,
Online payment via Bonhams.
bonhams.com with your ‘Buyer Water, Population and
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collection time. Clients MUST GPO Box 787
to Invoice Payment, limits apply
bring their own packing material Canberra ACT 2601
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Credit card payment via
wildlifetrade@environment.gov.au
telephone: We can accept Visa,
Please note collection will not
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been received and has cleared
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into Bonhams’ account.
please call to make payment over
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Specialists
Merryn Schriever
Director
Australian and International Art Specialist
Yvett Klein
Asian Art Specialist
Alex Clark
Australian and International Art Specialist
Francesca Cavazzini
Aboriginal and International Art Specialist
Fiona Frith
Jewellery Specialist
Penelope Pfahl
Accounts and Client Services
Kate Floro
Marketing and Client Services
Venues
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From the collection of Fr. Peter Grice (1943-2019)
Peter Grice 神父收藏 (Lot 1 to 5)
Father Peter Grice was an avid collector throughout his life. His collection transcends cultures and periods. The majority of his Asian art,
includes Chinese jade, and later porcelain, was sold with Bonhams Sydney and an outstanding success. See Bonhams, Sydney, Asian Art
including highlights from the Grice Collection, 13 May 2020, sale 26269
Peter Grice 神父一生熱衷收藏，所藏甚丰，涵蓋各文化、歷史時期。其所藏亞洲藝術，主要包括中國玉器、晚期瓷器，由邦瀚斯悉尼辦公室
代理，廣受同仁好評，見邦瀚斯悉尼,「亞洲藝術：Grice 神父特輯」，2020年5月13日，拍賣會26269號
1 2 3
UNKNOWN (18TH/ 19TH CENTURY) SU JI (QING DYNASTY) AFTER TANG YIN (1470-1524)
Lion under a Pine Tree Lu Meier Figure under a Pine Tree
Ink and colour on silk, framed Ink and colour on paper, framed Ink and colour on paper, framed
22.5 x 19.5cm Inscribed and signed Moqiao Su Ji, with two Inscribed and signed Jingchang Tang Yin,
seals of the artist with two seals of the artist
$500 - 800
74.0 x 33.0cm Dated summer of xinsi year of the Zhengde
No reserve reign (1521)
$800 - 1,200
88.5 x 55.0cm
佚名 松下臥獅 設色絹本 鏡框 鈐印一枚漫漶 蘇吉（清） 盧媚兒 設色紙本 鏡框
$800 - 1,200
不辯
款識：舌底氤氳似吐蓮，馨香端不籍龍涎。
無底价 未能了得煙花債，空坐蒲團二十年。丙戌仲 唐寅（款） 松下人物 設色紙本 鏡框
春春分後畫。墨樵蘇吉。
鈐印：蘇吉之印、墨樵 款識：正德辛巳（1521）夏五月望晉昌唐寅
畫。
傳承： 鈐印：唐白虎、六如居士
佈裏斯本 Peter Grice (1943-2019) 神父
傳承：
佈裏斯本 Peter Grice (1943-2019) 神父
6 | BONHAMS
4 5
KOICHI OKADA (1907-?) A GROUP OF SEVEN FRAMED
Hagoromo kaigan no Fuji [Mt. Fuji from EMBROIDERED FRAGMENTS
Hagoromo beach] 19th century
Oban tate-e, signed Koichi ga [painted by the borders of 50cm to 60cm in length, the
Koichi], and Koichi Okada, published by square piece: 18.5 x 12.5cm (7).
Unsodo, with publisher's seal in lower left,
$500 - 800
29th year of Showa (1954),
36.0 x 24.0cm No reserve
$200 - 300
清十九世紀 刺繡一組七件
No reserve
無底价
THE YEUNG COLLECTION II: INCLUDING WORKS FROM VARIOUS VENDORS | 7
Various owners | 各方藏家
6P 7TP P
A GROUP OF THREE CHINESE TOSHI YOSHIDA (JAPANESE, 1911-1995)
EMBROIDERY The Garden of the Three Friends
Late Qing dynasty Three pencil signed woodblock prints each titled Sho [pine], Chiku
framed, [bamboo], and bai [plum], limited edition and commissioned by The
70.0cm x 7cm, 50.5cm x 9cm (3). Franklin Gallery, Pennsylvania, with the certificates issued by the
gallery dated the 55th year of the Showa era (1980),
$300 - 500
49.5 x 25.0cm (3).
$800 - 1,200
No reserve
Provenance:
晚清 織綉零片一組三件 Franklin Gallery, Pennsylvania, United States of America
Private collection, Melbourne
無底价
Please note that this lot is held in Bonhams Melbourne office during
preview and sale, and to be collected from there.
8 | BONHAMS
8P
UNKNOWN (19TH CENTURY)
Carp
Ink and colour on silk, hanging scroll
Inscribed Donghuang, with one seal of the artist
116.0 x 61.0cm
$200 - 300
Provenance:
Luen Chai Gallery, Hong Kong
K. Y. Fine Art, Hong Kong
No reserve
佚名（十九世紀） 鯉 設色絹本 立軸
款識：冬晃
鈐印：冬晃
傳承：
香港聯齋畫廊
香港繼遠美術
無底價
THE YEUNG COLLECTION II: INCLUDING WORKS FROM VARIOUS VENDORS | 9
From the collection of Dr TF Yeung
(1932-2019)
楊大昉醫師收藏 (Lot 9 to 20)
Dr TF Yeung, an Ear Nose and Throat (ENT) doctor in Hong
Kong since the mid 1960s, migrated to Sydney in 1999
for retirement. His collection included Lingnan paintings
and ceramic plaques from Republic period, which was
sold with Bonhams Sydney and an outstanding success.
See Bonhams, Sydney, Asian Art including the Dr TF
Yeung Collection of Chinese Paintings and Calligraphy, 21
November 2019, Sale 25469, Lot 419 to 446
楊大昉醫生，六十年代中期開始在香港行醫，1999年退休
后移民悉尼。富藏嶺南諸家書畫及民國瓷板。楊父三十年
代供職廣東水利局局長，大陸易幟前攜家遷港。楊大昉醫
生所藏2019年由邦瀚斯悉尼辦公室釋出市場，深受同仁好
評。見邦瀚斯，悉尼，「亞洲藝術：楊大昉醫生书 画收藏
特輯」， 2019年11月21日，拍賣會25369號，拍品419至
446號
9P
ZHAO SHAO'ANG (1905-1998)
Cicada and Bamboo
Ink and colour on paper, framed
Inscribed and signed Zhao Shao'ang, with three seals of
the artist, dedicated to Dr and Mrs Yeung
Dated summer of gengshen year (1980)
84.0 x 30.0cm
$5,000 - 8,000
趙少昂 飲露自潔 設色紙本 鏡框 一九八零年作
款識：翠竹學新綠，滌盡人間俗。添上知了聲，如聆霓裳
曲。大昉醫生伉儷清賞。庚申（1980）夏四月，趙少昂。
鈐印：趙、少昂、蟬嫣室
10 | BONHAMS10P
ZHAO SHAO'ANG (1905-1998)
Mantis and Bamboo
Ink and colour on paper, mounted for framing
Inscribed and signed Shao'ang, with three seals of the
artist, and dedicated to Dr TF Yeung
Dated gengwu year (1990)
29.5 x 37.0cm
$3,000 - 5,000
趙少昂 墨竹螳螂 設色紙本 鏡心 一九九零年作
款識：大昉醫生清賞。庚午（1990）冬至少昂於蟬嫣室時
年八十六。
鈐印：少昂、趙、足跡英美法義瑞德日印菲諸國
11P
ZHAO SHAO'ANG (1905-1998)
Mantis and Autumn Leaves
Ink and colour on paper, mounted for framing
Inscribed and signed Shao'ang, with three seals of the
artist, and dedicated to Dr TF Yeung
Dated wuchen year (1988)
30.0 x 37.0cm
$3,000 - 5,000
趙少昂 秋葉螳螂 設色紙本 鏡心 一九八八年作
款識：挹露裳初试 ，迎风斧半撑。戊辰（1988）新秋，大昉
醫生清賞，少昂時年八十四。
鈐印：少昂、趙、我之為我自有我在
12P
YANG SHANSHEN (1913-2004)
Landscape
Ink and colour on paper, framed
Signed Yangshanshen, with one seal of the artist
36.0 x 69.0cm
$3,000 - 5,000
楊善深 深山泛舟 設色紙本 鏡框
款識：楊善深畫。
鈐印：未（肖形印）
THE YEUNG COLLECTION II: INCLUDING WORKS FROM VARIOUS VENDORS | 11`13P
YANG SHANSHEN (1913-2004)
Landscape
Ink and colour on paper, mounted for framing
Signed Shanshen, with one seal of the artist
36.0 x 84.0cm
$6,000 - 8,000
楊善深 山水 設色紙本 鏡心
款識：善深
鈐印：善深書畫
14P
YANG SHANSHEN (1913-2004)
Landscape
Ink and colour on paper, mounted for framing
Inscribed and signed Shanshen, with one seal of the artist
Dated gengshen year (1980)
30.0 x 39.0cm
$2,000 - 4,000
楊善深 踏青 設色紙本 鏡心 一九八零年作
款識：十里香塵撲馬飛，碧蓮峰下踏青時。庚申（1980）
，善深。
鈐印：楊
15P
YANG SHANSHEN (1913-2004)
Lotus
Ink and colour on paper, framed
Inscribed and signed Shanshen, with one seal of the artist,
and dedicated to Dr TF Yeung
61.0 x 77.0cm
$4,000 - 6,000
楊善深 荷花 設色紙本 鏡框
款識：大昉先生正。善深。
鈐印：楊
16P
YANG SHANSHEN (1913-2004)
The Four Gentlemen
Ink and colour on paper, mounted for framing
Inscribed and signed Shanshen, with one seal of the artist,
dedicated to Mrs Yeung
Dated Duanwu Festival of gengshen year (1980)
35.0 x 69.0cm
$3,000 - 5,000
楊善深 四君子 設色紙本 鏡心 一九八零年作
款識：盡是君子，絕無小人。庚申（1980）端（午）節為
文聆楊婦人畫此。善深。
鈐印：善
12 | BONHAMS17P
YANG SHANSHEN (1913-2004)
Crane
Ink and colour on paper, framed
Titled, inscribed, and signed Yang Shanshen, with one seal
of the artist
Dated two days before the mid autumn festival of guihai
year (1983)
96.0 x 37.0cm
$3,000 - 5,000
楊善深 鶴壽圖 設色紙本 鏡框 一九八三年作
款識：鶴壽圖。癸亥（1983）中秋節前二日。楊善深。
鈐印：善深
THE YEUNG COLLECTION II: INCLUDING WORKS FROM VARIOUS VENDORS | 1318P
時香港的通俗文化圈風靡一股清宮熱，兩岸經濟又展望未來的無限春
FOUR PAINTED CERAMIC PLAQUES OF LANDSCAPES
光，故以宮廷春景為題材雖復古卻再應時不過。
By Fan Zikui (b. 1937) and Fan Jingqi, 1984
plaque: 74.0 x 21.2cm each
邦瀚斯，悉尼，「亞洲藝術：楊大昉醫生书 画收藏特輯」，2019年11
frame: 115.0 x 41.5cm (4).
月21日，拍賣會25369號，拍品419至446號。其中一組楊修永創作
$4,000 - 6,000 的「廬山名勝」瓷板，展現了「五、六、七」時期的特殊風格，見拍
品441。
一九八四年 範自魁、範敬琪合作「春」粉彩瓷板 一組四件
19P
FOUR PAINTED CERAMIC PLAQUES OF GARDEN SCENES
款識：
By Tu Jianming and Fu Taohua, 1987
（一）參天晴彬風景好，秀水青山分外嫣。甲子年（1984）春範自魁
Plaque: 75.0 x 21.3 cm each (4).
範敬琪合作於珠山客次。
（二）古木蕭疏香未透，枝頭消息半含疑。甲子年（1984）春範自魁 $2,000 - 4,000
範敬琪合作於珠山客次。
一九八七年 凃建明、付桃花合作「百子」粉彩瓷板 一組四件
（三）春風又綠江南岸，明月何時照家還。甲子年（1984）春範自魁
範敬琪合作於珠山客次。
（一）春華秋實聚農莊，群兒歡聚樂淘淘。丁卯年（1987）冬月作
（四）停車坐愛楓林晚，霜葉紅於二月花。甲子年（1984）春範自魁
於珠山。
範敬琪合作於珠山客次。
（二）活潑天真喜洋洋，芳園遊戲捉迷藏。丁卯年（1987）秋月，凃
建明畫付桃花設色，合作於珠山。
鈐印：仁（四鈐）、世寧（四鈐）
（三）群兒歡度上元節，鼓樂笙歌處處鳴。丁卯年（1987）秋月，凃
建明畫付桃花設色，合作於珠山。
傳承：
（四）百子恰逢庭院樂，活潑天真體智強。丁卯年（1987）冬月作
悉尼楊大昉醫生 (1932-2019)舊藏
於珠山。
範自魁、範敏琪父子，是景德鎮更爲 熟識的父子檔，市場偶有其二位的
鈐印：仁（四鈐）、世寧（四鈐）
作品釋出。範敬琪則不爲 人熟悉。從姓名推測，當是範敏琪同輩的範
自魁嫡傳無疑。景德鎮民囯時期瓷板名家於建國后或繼續創作、或衣
缽傳人，在用料及燒製工藝上延續傳統，而在藝術上以建國后乃至文
革時期風格革新。延續民囯瓷板的走俏，近年市場對二十世紀中期這
段特殊時期的瓷板創作也日益追捧，並將之以速記「五、六、七」命
名。二範合作的這組瓷板卻是「五、六、七」以後改革開放創匯時期
的作品。用料發色上與文革時期相仿，畫風卻回復到了清代宮廷院体
的風格，想必是應當時市場需求。八十年代楊醫生正於香港行醫，其
14 | BONHAMS20P From various private collections, Adelaide |
TWO PAINTED CERAMIC PLAQUES OF 阿德萊德私人收藏諸家（Lot 21 to 24）
'SPRING SOWING' LANDSCAPES
1975 21P
Plaque: 80.0 x 21.0cm each UNKNOWN (19TH CENTURY)
Frame: 102.0 x 36.0cm each (2). The Legend of Guo Ziyi and the Weaver Girl
Ink and colour on silk, hanging scroll
$2,000 - 4,000
168.0 x 39.0cm
一九七五年「春種」粉彩瓷板 一組兩件
$1,000 - 2,000
（一）春雨初遇沒，驅犍綠野耕。乙卯年（1975）之春月寫於景德 Provenance:
鎮。 Private collection, Adelaide
（二）朝夕爭時光，春來播種忙。乙卯年（1975）之春月寫於景德
鎮。 佚名（清） 富貴壽考 設色絹本 立軸
鈐印：之印（二鈐）、王公亭（二鈐） 郭子儀七月七逢織女下凡求富貴壽考的典故，在晚清江南多見繪畫瓷
板。黃山壽對此題材更屢屢入畫。《海上丹青》2005年6月刊中錄著
黃山壽四條屏中其一《富貴壽考》與此軸構圖、設色、人物衣飾開臉
如出一轍，此軸或為黃所做亦未可知。
傳承：
阿德萊德私人收藏
THE YEUNG COLLECTION II: INCLUDING WORKS FROM VARIOUS VENDORS | 1522P 鈞鑒。高涼鄧肇元。
DENG ZHAOYUAN (QING DYNASTY) 鈐印：仁山
Versifying about Snow
Ink and colour on paper, hanging scroll 謝安與侄兒侄女以雪吟詩的典故見於劉義慶《世說新語》。謝侄女謝
Inscribed and signed Deng Zhaoyuan, with one seal of the artist, and 道韞以柳絮比雪大得謝安讚許，遠勝其侄兒「撒鹽」一說，後世故以
a dedication 「詠絮才」來讚譽有文采女子。「柳絮才高不道鹽」，出蘇軾《謝人
148.0 x 40.0cm 見和雪後書臺壁二首》。鄧肇元（清），廣東吳川人。精鑑賞，家藏
仇英、陳洪綬頗豐，工人物樓閣。
$1,000 - 2,000
Provenance: 傳承：
Private collection, Adelaide 阿德萊德私人收藏
鄧肇元 柳絮才高 設色紙本 立軸 23P
AFTER QIU YING (1494-1552)
款識：晉太傅謝安因雪驟降欣然曰，「白雪紛紛何所似？」。兄子客 Enjoying Antiquity (Qing dynasty)
兒曰，「撒鹽空中差可擬。」兄女道蘊曰，「未若柳絮因風起。」安 Ink and colour on silk, hanging scroll
謂，「柳絮才高不道鹽也。」仿顧雲臣先生筆法，奉月波大公祖大人 Signed Shifu Qiuying, with seal of the artist
138.0 x 49.0cm
$2,000 - 4,000
16 | BONHAMSProvenance:
Private collection, Adelaide
仇英（款） 賞古圖 設色絹本 立軸
款識：實父仇英畫
鈐印：十洲
傳承：
阿德萊德私人收藏
24P
REN YI (1840-1896)
Meng Haoran under the Plum Blossoms
Ink and colour on silk, framed
Inscribed and signed Bonian, with one seal of the artist
Dated jimao year of the Guangxu reign (1879)
25.0cm diam.
$3,000 - 5,000
Provenance:
Private collection, Adelaide, acquired in Shanghai in 1980
or 1982
任頤 踏雪尋梅 設色絹本 鏡框 一八七九年作
款識：光緒己卯（1879）春三月。古越伯年作。
鈐印：任頤印
傳承：
阿德萊德私人收藏，1980年或82年於上海入藏
Various owners | 各方藏家
25P
ATTRIBUTED TO REN YI (1840-1896)
Riding Water Wheel
Ink and colour on paper, mounted for framing
Inscribed and signed Ren Bonian, with one seal of the artist
28.0 x 32.5cm
$3,000 - 5,000
（傳）任頤 水車 設色紙本 鏡心
款識：山陰伯年任頤寫於滬江寓舍並紀。
鈐印：任伯年
26
WU CHANGSHUO (1844-1927)
Plum Blossoms and Narcissus
Ink and colour on paper, hanging scroll
Titled, inscribed and signed Wu Changshuo, with four seals
of the artist
Dated winter of gengshen year (1920)
116.0 x 78.0cm
$5,000 - 8,000
吳昌碩 神仙福壽圖 設色紙本 立軸 一九二零年作
款識：神仙福壽。擬復堂設色，庚申（1920）孟冬，安吉
吳昌碩時年七十有七。
鈐印：俊卿之印、倉碩、歸仁里民、雄甲辰
THE YEUNG COLLECTION II: INCLUDING WORKS FROM VARIOUS VENDORS | 1727P
HUANG SHILING (1849-1908) Collection of Snuff Bottles, Hong Kong, 24 此執爵父丁卣見錄於宋王黼編《宣和博古
Antiquity and Flower Arrangement November 2012, Sale 20524. 圖》卷九卣一，後又錄於康熙《欽定古今圖
Ink and colour on paper, framed 書集成》等清代多部百科全書、書學文獻及
Inscribed and signed Shiling, with one seal of 黃士陵 商執爵父丁卣 設色紙本 鏡框 一八九三 金石考古書籍。宋本即有摩繪圖、銘文拓本
the artist 年作 及釋文，並記器物尺寸等。對該父丁卣還附
Dated winter of guisi year (1893) 有一段對銘文的說明考證，後世轉錄改動極
79.0 x 37.0cm 款識：商執爵父丁卣，銘三字，上象手執爵 少。黃士陵此圖所繪便是由《宣和博古圖》
形，攷（爵）之狀，口引如流，下列三足，有 摩繪圖而來，而所識皆錄《博古圖》所屬。
$5,000 - 8,000
爵之象，旁畫以（手），《說文》（手）手
Provenance: 也。按《禮記》曰：「孝子，如執玉，如奉 2012年11月邦瀚斯香港推出 Paul Braga 收藏
Paul Braga (1910-1989) 盈，洞洞屬屬然，如弗勝，如將失之。」則以 的鼻煙壺專輯，深受藏家愛好者好評。圖錄
thence by descent 手附爵者，蓋見於「如將失之」之意，非盡其 中介紹 Paul Braga 於香港長大，兒時便開始
欽而欽者，孰能臻此？商之君以「丁」為號者 收藏鼻煙壺，1977年移居三藩市。此件黃士
In November 2012, The Paul Braga Collection 六，曰「父丁」，則（未）詳其何「丁」也。 陵「商執爵父丁卣」圖由 Braga 家族移居悉
of Snuff Bottles offered by Bonhams Hong 癸巳（1893）冬十二月皖南桂人士陵並識。 尼一支後人提供。對於 Paul Braga 的介紹，
Kong achieved outstanding results. According 鈐印：黃士陵 參見 Bonhams, The Paul Braga Collection of
to the introduction, Paul Braga grew up Snuff Bottles, 香港， 2012年11月24日，拍
in Hong Kong and started collecting snuff 傳承： 賣號 20524
bottles as a schoolboy, and moved to San Paul Braga (1910-1989)
Francisco in 1977. This lot is offered by one of 遂由後人遞藏
the Braga family descendants who migrated
to Sydney. For more information about Paul
Braga, please see Bonhams The Paul Braga
18 | BONHAMS28P
JIN SHOUQUAN (1896-?)
Landscape
Ink and colour on paper, framed
Titled, inscribed, and signed Jin Shouquan, with one seal
of the artist
96.5 x 42.5cm
$500 - 800
金壽泉 仙遊九鯉湖 設色紙本 鏡框
款識：仙遊九鯉湖。上海金壽泉寫。
鈐印：金壽泉
29P
ATTRIBUTED TO LU WEIZHAO (1899-1980)
Bamboo and Rock
Ink on paper, hanging scroll
Titled, inscribed, and signed Weizhao, with two seals of the
artist
Dated winter of renyin year (1962)
90.0 x 47.0cm
$500 - 800
No reserve
（傳）陸維釗 虛心直節 水墨紙本 立軸 一九六二年作
款識：虛心直節。壬寅（1962）冬維釗戲作於湧金門外。
鈐印：陸維釗、平湖陸氏
無底價
30P
ATTRIBUTED TO ZHANG HAN
Calligraphy Couplet in Running Style
Ink on paper, hangings scroll of two
Signed Zhang Han, with one seal of the artist
130.0 x 30.0cm (2).
$300 - 500
No reserve
張寒（款） 行書對聯 水墨紙本 立軸二幅
款識：為愛涼風開北戶，因芟殘葉出南山。張寒。
鈐印：臣寒
無底價
THE YEUNG COLLECTION II: INCLUDING WORKS FROM VARIOUS VENDORS | 1931P
HUANG BINHONG (1865-1955)
Plum Blossoms
Ink or ink and colour on paper, hanging scroll of two
Inscribed and signed Binhong, each with one seal of the artist, one
dedicated to Wensu
One dated renwu year (1942)
21.0 x 21.0cm (2).
$3,000 - 5,000
Provenance:
Fu Hua (b. 1926)
thence by descent
Huang Binhong moved to Beijing in 1937 and started teaching in the
Beijing Fine Art Academy till 1948, when he moved to Hangzhou to
continue teaching. Huang left behind thousands of sketches, and
drafts as teaching aids, some of which were published to offer an
insight into Huang's artistic pursuit. The typical way Huang addresses
the dedication in this current lot implies that the dedicated is a
colleague of Huang's in a teaching environment.
Fu Hua, co-founder of the Paintings Academy in Shanghai in 1956, is
a renowned Shanghai-school artist. Resided in London and Sydney
since the late 1980s, he has only permanently returned to Shanghai in
2010. Bonhams Sydney over the years has offered various materials
from Fu Hua's collection, please see Bonhams, Sydney, Asian Art,
30 Nov 2015, Sale 22858, Lot 137, and Important Asian Art, 22 May
2019, Sale 25467, lot 134 to 140
黃賓虹 梅 水墨及設色紙本 立軸雙挖兩幅 一九四二年作
〈一〉
款識：文夙都講有道。壬午（1942）賓虹。
鈐印：黃
〈二〉
款識：賓虹。
鈐印：黃
傳承：
富華
遂遞藏後人
1937年黃賓虹赴北平，任北平藝專教授，至1948年去杭繼續授課不
歇。身後留下千幅寫生、課徒稿，後世整理成冊出版發行。
富華，上海中國畫院籌建者之一，八十年代後期開始的二十載旅居倫
敦悉尼兩地，於2010年才回到上海。近年邦瀚斯悉尼办 公室二度代理
富华留在悉尼的舊藏，见邦瀚斯，悉尼，「亞洲藝術」，2015年11
月30日，拍賣會22858號，拍品137號，及「重要亞洲藝術」，2019
年5月22日，拍賣會25467號，拍品134至140號
32P
PU RU (1896-1963)
Landscape with Pavilion
Ink and colour on silk, hanging scroll
Inscribed and signed Xinyu, with two seals of the artist
64.5 x 27.5cm
$8,000 - 12,000
溥儒 樓閣山水 設色絹本 立軸
款識：江湖迴落日，村樹帶浮煙。朱銳晚湖，望之神馳。華筆超妙，
皆北苑之法。心畬。
鈐印：溥儒之印、松巢客
20 | BONHAMS33P 34P 35P
ZHU QIZHAN (1892-1996) LI KUCHAN (1899-1983) RAO ZONGYI (1917-2018)
Winter Flower Arrangement Chrysanthemum and Winter Bird New-year flower arrangement
Ink and colour on paper, hanging scroll Ink and colour on paper, mounted for framing Ink and colour on paper, hanging scroll
Inscribed and signed Qizhan, with two seals Inscribed and signed Kuchan, with two seals Titled, inscribed and signed Xuantang, with
of the artist of the artist two seals of the artist
Dated winter of guihai year (1983) Dated winter of xinyou year (1981) Dated the new year's day of wuchen year
80.0 x 42.5cm 138.0 x 67.0cm (17 February 1988)
134.0 x 33.5cm
$3,000 - 5,000 $3,000 - 5,000
$6,000 - 8,000
Provenance:
Private collection, Sydney Provenance: Provenance:
Private collection, Sydney, acquired locally Private collection, Sydney, acquired directly
朱屺瞻 梅與茶花 設色紙本 立軸 一九八三 during the early 2000s from Rao as gift when Rao visited Sydney
年作 in 1988
李苦禪 菊與冬鳥 設色紙本 鏡心 一九八一
款識：癸亥（1983）冬月屺瞻畫於梅花草 年作 饒宗頤 嵗朝清供 設色紙本 立軸 一九八八
堂。 年作
鈐印：朱屺瞻、墨戯 款識：辛酉（1981）初冬月苦禪寫意。
題簽：朱屺瞻花卉圖軸 鈐印：苦禪、李英之印 款識：嵗朝清供。戊辰元日（1988年2月7
日）選堂。
傳承： 傳承： 鈐印：選堂七十後作、九州歷其七五岳登
悉尼私人收藏 悉尼私人收藏，兩千年初於當地入藏 其四
From a Sydney private collection | 清廣東碧 傳承：
江蘇氏後人所藏 (Lot 35 and 36) 悉尼私人收藏，1988年饒旅澳，得增于画
家本人
THE YEUNG COLLECTION II: INCLUDING WORKS FROM VARIOUS VENDORS | 2136P 37P
HISTORY OF MING ZHANG BONIAN (B. 1948)
Qing dynasty, printed in 1869 Calligraphy in Clerical Script
30.2 x 18.3cm (first 10 volumes), 26.5 x 16.5cm (last two volumes) Ink on paper, mounted for framing
(135). Inscribed and signed Bonian, with two seals of the artist
32.0 x 15.0cm
$300 - 500
$200 - 300
Provenance:
Private collection, The Su Family from Bijiang in Guangdong province Provenance:
thence by descent Private collection, Adelaide, acquired in Shanghai in 1980, inscribed
Private collection, Sydney to the reverse "Translated for me by an unknown Chinese friend in the
Hangzhou Hotel, Hangzhou, China, October 1980."
No reserve
No reserve
《明史》一百三十五卷（清）張廷玉等纂修
清同治八年（1869）孟秋嶺南苑古堂刻本 章柏年 隸書唐人詩句 水墨紙本 鏡心
12函135冊 白紙 綫裝
款識：唐人詩句。星垂平野濶，月湧大江流。柏年。
傳承： 鈐印：章柏年、萍十
清广东碧江蘇氏私藏，每冊末頁均印有「碧江蘇氏涉趣樓所藏書畫
印」鈐印 傳承：
遂由蘇氏後人遞藏 阿德萊德私人收藏，1980年，背面附藏家筆錄"友人於杭州飯店協助
悉尼私人收藏 翻譯詩句，1980年10月杭州"
無底價 無底價
Various owners | 各方藏家
22 | BONHAMS38P
ATTRIBUTED TO QI BAISHI
Grasshoppers
Ink and colour on paper, hanging scroll
Inscribed and signed Xingtang Laowu Houren, with one seal of
the artist
91.0 x 21.0cm
$500 - 800
No reserve
齊白石（款） 秋葉蚱蜢 設色紙本 立軸
款識：星塘老屋後人。
鈐印：借山翁
無底價
THE YEUNG COLLECTION II: INCLUDING WORKS FROM VARIOUS VENDORS | 2339P 40P 41
ATTRIBUTED TO HUANG ZHOU ATTRIBUTED TO CHENG SHIFA ATTRIBUTED TO CHENG SHIFA
(1925-1997) (1921-2007) (1921-2007)
Baby and Cat Two Girls Girl with Two Chickens
Ink and colour on paper, hanging scroll Ink and colour on paper, hanging scroll Ink and colour on paper, hanging scroll
Inscribed and signed Huang Zhou, with one Inscribed and signed Cheng Shifa, with two Inscribed and signed Cheng Shifa, with two
seal of the artist seals of the artist seals of the artist
Dated autumn of 1975 60.0 x 38.0cm Dated January 1989
67.0 x 37.0cm 64.5 x 39.5cm
$500 - 800
$500 - 800 $800 - 1,200
No reserve
No reserve （傳） 程十發 女孩與母雞 設色紙本立軸
（傳）程十髮 合奏 設色紙本 立軸 一九八九年作
（傳）黃冑 童趣 設色紙本 立軸 一九七五年
作 款識：程十髮寫於上海。 款識：一九八九年一月。程十發漫筆。
鈐印：程、十髮 鈐印：程、十發
款識：一九七五年秋月黃冑寫於京郊。
鈐印：映齋梁氏 無底價
題簽：黃冑先生·童趣·精品軸
無底價
24 | BONHAMS42P 43P
ATTRIBUTED TO WU ZUOREN (1908-1997) ATTRIBUTED TO ZHAO PUCHU (2007-2000)
Poem by Chen Yi in Running Style Calligraphy in Running Style
Ink on paper, hanging scroll Ink on paper, mounted for framing
Inscribed and signed Zuoren, with one seal of the artist Inscribed and signed Zhao Puchu, with one seal of the artist
Dated 1958 35.0 x 68.0cm
136.0 x 32.5cm
$200 - 300
$500 - 800 No reserve
No reserve （傳）趙朴初 行書書法 水墨紙本 鏡心
（傳）吳作人 行書陳毅詩一首 水墨紙本 立軸 一九五八年作 款識：佛心。佛心者大慈悲是。趙朴初。
鈐印：趙朴初
款識：十年征戰幾人回，又見同儕並馬歸。江淮河漢今誰屬，紅旗十
月滿天飛。陳毅同志詩一首。一九五八年作人錄。 無底价
鈐印：吳作人
無底價
THE YEUNG COLLECTION II: INCLUDING WORKS FROM VARIOUS VENDORS | 2544P 4.
CHEN CANGZHENG (1912-?), HE GAIMIN (1891-1980), ET AL. HE GAIMIN (1891-1980)
Various subjects Chrysanthemum
Ink and colour on paper, hanging scroll of five Inscribed and signed Gaimin, with two seals of the artist
Dated gengxu year (1970)
1.
RONG ZHAO (20H CENTURY) 5.
Landscape GAO BIN (20TH CENTURY)
Inscribed and signed Rongzhao, with two seals of the artist Narcissus
Inscribed and signed Gaobin, with two seals of the artist
2. Rong Zhao: 104.0 x 55.0cm
CHEN CANGZHENG (1912-?) Chen Cangzheng: 98.5 x 33.5cm
Chrysanthemum Shi Qin: 101.0 x 41.0cm
Inscribed and signed Chen Cangzheng, with two seals of the artist He Gaimin: 65.0 x 33.0cm
Dated jiyou year (1969) Gao Bin: 67.0 x 46.0cm (5).
$500 - 800
3.
SHI QIN (20TH CENTURY) Provenance:
Chrysanthemum Private collection, Melbourne
Inscribed and signed Shiqin, with three seals of the artist
Dated spring of jiyou year (1969) No reserve
26 | BONHAMS陳蒼正、何蓋民等 山水、繪畫 設色紙本 立軸五幅 〈高〉
款識：神仙厘子。伯文高斌於北京。
〈榮〉 鈐印：高斌、九十歲作
款識：遠客訪亭北，逢君濁酒還。榮照寫。
鈐印：榮照、瀚海 傳承：
墨爾本私人收藏
〈陳〉
款識：年來託定傍東籬，未邇春皇敢怨道。一自秋風提落沒。獨特霜 無底價
露歲寒姿。已酉（1969）年，陳蒼正。
鈐印：陳蒼正、招蒼之印
〈石〉
款識：九月風高日，重振傲霜枝。已酉（1969）年春月石琴。
鈐印：石琴、美意延年
〈何〉
款識：秋有佳色。庚戌（1970）仲夏，蓋民繪。
鈐印：何蓋民印
THE YEUNG COLLECTION II: INCLUDING WORKS FROM VARIOUS VENDORS | 2728 | BONHAMS
45P
WAN YIPENG, YE JUNQIANG, ET AL.
Various subjects
1.
Ink and colour on paper, mounted for framing
Inscribed and signed Wan Yipeng, with two seals of the artist
Dated wuwu year (1978)
Dedicated to the current owner
2.
Ink and colour on paper, mounted for framing
Inscribed and signed Junqiang, with one seal of the artist
Dated summer of dingmao year (1987)
3.
Ink on paper, hanging scroll
Inscribed and signed Shumin, with two seals of the artist
4.
Ink and colour on paper, hanging scroll
Inscribed and signed Zhilin, with one seal of the artist, dedicated to
Nicholas (the current owner)
Dated renxu year (1982)
Wan Yipeng: 63.0 x 47.5cm;
Ye Junqiang: 42.5 x 31.5cm;
Wang Shumin: 68.0 x 49.5cm;
Zhou Zhilin: 44 x 66.5cm (4).
$500 - 800
Provenance:
Private collection, Melbourne, the Wan Yipeng acquired directly from
the artist as a gift
No reserve
萬一鵬、葉均強、王樹民、周之林 山水禽鳥等諸樣題材 鏡心、立軸
各二幅
〈萬〉
款識：林泉猿啼。戊午（1978）初冬為尼古拉士寫。萬一鵬於芳洲。
鈐印：萬一鵬印、無因老人
〈葉〉
款識：丁卯夏月。均強。
鈐印：葉均強
〈王〉
款識：奔馬圖。北方冰城冷尔消。樹民。
鈐印：王樹民印、積健為雄
〈周〉
款識：壬戌（1982），之林。
鈐印：周之林印
傳承：
墨爾本私人收藏，其中萬一鵬畫直接得增於畫家旅澳時，並題上款
無底價
THE YEUNG COLLECTION II: INCLUDING WORKS FROM VARIOUS VENDORS | 2930 | BONHAMS
46P experimental works such as the current lot. Curiously it is signed
DING YANYONG (1902-1978) twice.
Western Village
Ink and colour on paper, hanging scroll By the time Chou settled in Brisbane in 1992, she had developed a
Inscribed and signed Ding Yanyong, with one seal of the artist more focused and consistent style which is what we now recognise as
34.0 x 45.0cm iconically Irene Chou. She continued to paint and exhibit well into her
80s. During the early 1990s, Reverend Father Peter Grice discovered
$3,000 - 5,000
this painting in a local art gallery, and later sold it to a close friend.
Provenance: For two other similarly signed experimental works by Irene Chou,
Plum Blossoms Gallery, Hong Kong (label) Luohan and Untitled, see Lüyun Hua Yi: Chinese painting by Irene
Private collection, Sydney Chou , Feng Pingshan Museum of the Hong Kong University, 1986, P.
14 - 17.
丁衍庸 「西村」詩意 設色紙本 立軸
Father Peter Grice was an avid collector throughout his life. His
款識：遠近皆僧剎，西村八九家。 collection transcends cultures and periods. The majority of his
鈐印：犬（肖形印） Asian art, includes Chinese jade, and later porcelain, was sold with
Bonhams Sydney and an outstanding success. See Bonhams,
傳承： Sydney, Asian Art including highlights from the Grice Collection, 13
香港萬玉堂畫廊（標籤） May 2020, sale 26269
悉尼私人收藏
周綠雲 無題 設色紙本 鏡框
47P
IRENE CHOU (ZHOU LÜYUN) (1924-2011) 款識：綠雲（二次）
Untitled 鈐印：綠雲
Ink and colour on paper, framed
Signed Lüyun (twice), with one seal of the artist 傳承：
82.5 x 47.0cm 佈里斯本 Peter Grice (1943-2019) 神父收藏，九十年代閒購於當地
佈里斯本私人收藏
$3,000 - 5,000
Provenance: 周綠雲五十年代間跟隨趙少昂學畫。其早期乃至六十年代一些作品深
Collection of Rev. Fr. Peter Grice (1943-2019), Brisbane, acquired 受嶺南畫派影響。與此同時，周亦在探索一種更現代的藝術方向。從
locally during the 1990s 周的一些五十年代中期的作品中可見其借鑑商周金石及西方拼貼藝術
Private collection, Brisbane 的元素。其後的十年間，周不斷吸收探索古今中外各種藝術流派為己
用，風格多變無定式。
Irene Chou started her training under Zhao Shao'ang during the
1950s. Some of her more traditional works reflect a deep influence by 此幅作品可能就是此探索期間的一次嘗試。畫面以青綠朱磦 分層潑彩
the Lingnan school, a style which she continued to practice well into 渲染佈滿紙面，表現出一副秋山迷濛的景象。佈局取西方現代抽象寫
the 1960s. Concurrently however, Chou started experimenting with 意，以國畫顏料設色，樹幹及樹枝更顯國畫書畫同源之髓，與「綠
more expansive and abstract compositions. Works by her dated from 雲」二字筆意如出一轍。
the mid 1950s saw her borrowing elements from archaic seal scripts
and incorporating modernist techniques such as collage. For the next 周綠雲作品的簽名中「雲」字多以甲骨文體簽就。早期嶺南風格的傳
decade or so, Chou continued exploring a variety of traditional and 統國畫以楷體簽就，但也有少數現代風格如此幅用楷書。有趣的是，
modern styles with no particular clarification of direction. 此幅作品「綠雲」簽了二次。周綠雲另兩件當代風格以楷書簽就的
作品「羅漢」及「無題」，見《綠雲畫意》，香港大學馮平山博物
The current lot is most likely a product of this period's intense artistic 館，1986，頁14至17。
output. Covered almost overall with layered splashed ink of turquoise
and maple, the picture plane presents a vertical landscape of misty 1992年周綠雲移民布里斯本時，其繪畫風格已見成熟定型，八十歲後
jungle. Elements of traditional Chinese painting persist: all the colours 仍繼續創作展覽不歇。九十年代間佈里斯本神父 Peter Grice 於布里
incorporated are from guohua, and the tree trunks and branches share 斯本當地一畫廊購得此畫，後轉讓於友人。
the same method of strokes with calligraphy, as is exemplified by the
artist's signature. Peter Grice 神父一生熱衷收藏，所藏甚丰，涵蓋各文化、歷史時
期。其所藏亞洲藝術，主要包括中國玉器、晚期瓷器，由邦瀚斯悉尼
Predominately Chou signs the last character of her name, yun, in the 辦公室代理，廣受同仁好評，見邦瀚斯悉尼，「亞洲藝術：Grice 神
oracle script. Only occasionally does she sign in the regular script, as 父特輯」，2020年5月13日，拍賣會26269號
is with most of her Lingnan-style works and some of her earlier
THE YEUNG COLLECTION II: INCLUDING WORKS FROM VARIOUS VENDORS | 3148P
CHEONG SOO PIENG (1917-1983) 鍾泗濱 馬來村莊 水墨水彩紙本 一九六五年作
Malay Village, 1965
signed in Chinese, with one artist seal, signed and dated lower left: 簽名：亖 賓 SOO PIENG. 65.
SOO PIENG. 65 鈐印：四賓
56.5 x 45.0cm
傳承：
$10,000 - 15,000 新西蘭私人收藏
「Important Australian + International Fine Art, Deutscher and
Provenance:
Hackett」, 墨爾本，2008年11月26日，拍品49號
Private collection, New Zealand
悉尼私人收藏
Important Australian + International Fine Art, Deutscher and Hackett,
Melbourne, 26 November 2008, lot 49
Private collection, Sydney
32 | BONHAMS49P
PARITOSH SEN (INDIA, 1918-2008)
Ragini Asavari, 1961
titled and dated verso: Ragini Asavari, October 1961
oil on panel
90.0 x 60.0cm (35 7/16 x 23 5/8in).
$2,000 - 4,000
THE YEUNG COLLECTION II: INCLUDING WORKS FROM VARIOUS VENDORS | 3350P 51P
A SANCAI GLAZED POTTERY HORSE A CELADON GLASS BOTTLE VASE
Tang dynasty Tang dynasty
52.0cm high, 45.0cm wide 7.8cm high
$20,000 - 30,000 $1,000 - 2,000
Provenance: Provenance:
Private collection, Hobart, acquired in Hong Kong during the early Tony Omura, "See an Old Friend", Hong Kong
2000s
Probably imported from the Persian Empire in present-day East
The result of C-Link Research & Development Limited (originally Mediterranean or Iran, this type of glassware were excavated along
the Yeung Shui Sang Laboratory for Thermoluminescence of the ancient trade routes in Far East. Two similar examples decorated
Ancient Ceramics in the Chinese University of Hong Kong) with circular relief patterns can be found in the Miho Museum and
thermoluminescence test no.9060HK23 dated 23 October 2019, is the Shaanxi History Museum, dated 4th to 6th century and the Sui
consistent with the dating of this lot. dynasty respectively, the Shaanxi piece of a similar shape, too. Both
were made with cut-glass technique, where the surrounding glass,
唐 三彩繪陶馬俑 after cooling, was cut back to leave the bosses standing in relief. The
bosses, as well as the foot, on this bottle however are applied to the
中科研發有限公司（原香港中文大學楊瑞生古物鑑證實驗室）熱釋光 body when the glass was still hot, a feature also found on a bottle
檢測結果（2019年10月23日，編號9060HK23）顯示年代與本品年 excavated from the Famen Temple (dated 8th to 9th century). Such
代一致。 technique was mastered by artisans in the Eastern Mediterranean
in the Roman Empire, and later spread to the Islamic world, the
傳承： circular discs being one of the most common decorations of Islamic
霍巴特私人收藏，兩千年初購於香港 glassware. The Shaanxi piece was excavated from a Buddhist temple
and used for storing Sarira; the current lot may serve the same
purpose, too.
34 | BONHAMS唐 青琉璃貼花小瓶（並盒） Hunan), Changsha, 2009, pp. 97–106, with detail images of two of the
inscriptions on pp. 98 and 99.
傳承：
Tony Omura, 香港緣來畫廊 南宋 八曲花鳥紋銀碟
類似此瓶的琉璃器多產於位于今伊朗至東地中海的波斯帝國，由絲綢 傳承：
之路傳入中原及遠東。美秀美術館及陝西歷史博物館館藏的兩件琉璃 悉尼 R and V Tregaskis Oriental Art （2962號）
器（分別斷代為四至六世紀及隋）與此瓶飾有相似的圓形浮雕，歷史
博物館的小瓶與該瓶更是形狀大小皆相若。不同之処 ，美秀及西安的兩 紐約 J. J. Lally & Co. 2012年3月16日至4月14日的展覽中，有一與該
器紋飾都是待琉璃冷卻后切割打磨去紋飾周邊琉璃而成浮雕，此瓶則 碟幾乎相同的展品，亦銘刻相同戳記，見當時圖錄 Silver and Gold in
是熱加工的貼花工藝製成。該工藝另見於法門寺出土的綠琉璃瓶（斷 Ancient China，圖錄號23. 錄著中說明，銘文中似乎含有「三郎」二
代為七至八世紀），興起於地中海東岸的羅馬帝國，后傳入伊斯蘭世 字。同樣的銘文出現於一組1996年出土的銀器，刊於《湖南出土銀
界，而圓形飾乃伊斯蘭琉璃中最常見的貼花。陝西歷史博物館瓶出土 器》，長沙，2009，頁97至106，銘文見於頁98與99
于西安清禪寺，用於存放舍利，本拍品或也作相似用途。
53P
52P A JIZHOU BLACK-GLAZE 'PHOENIX' BOWL
AN OCTAFOIL SILVER "TWIN BIRDS" DISH 12th/ 13th century
Southern Song dynasty box, 12.0cm diam., 5.0cm high
14.0cm diam.,
$1,500 - 2,200
$8,000 - 12,000
Provenance:
Provenance: Capital Gallery, Hong Kong
R and V Tregaskis Oriental Art, Sydney (no. 2962)
Compare a similarly decorated jizhou bowl, see Peng Minghan, Jizhou
Compare an almost identical dish with the same inscription, see J. J. Kiln, Wenwu Publishing, Beijing, 2007, P. 94, Pl. 51.
Lally & Co., Silver and Gold in Ancient China, 16 March to 14 April,
2012, Lot 23. According to the catalogue, the stamped inscription 十二至十三世紀 吉州窯黑釉釉上彩繪雙鳳紋盞（並盒）
includes two characters which may be read as san lang [三郎]. The
same inscription appears on a set of ten silver dishes excavated 傳承：
in 1996 from a hoard containing late Sing to early Yuan objects, 香港長安畫廊
illustrated in Hunan chutu jinyinqi (Gold and Silver Excavated in
比較一相似釉上彩繪雙鳳紋盞，見彭明瀚，《雅俗之間：吉州窯》，
文物出版社，北京，2007年，頁94，圖版51
THE YEUNG COLLECTION II: INCLUDING WORKS FROM VARIOUS VENDORS | 3554P
A JIZHOU BLACK-GLAZE 'TIGER'S FUR' BOWL
12th/ 13th century
box, 11.1cm diam.， 5.9cm high
$1,500 - 2,200
Provenance:
Capital Gallery, Hong Kong
十二至十三世紀 吉州窯黑釉虎皮紋盞（並盒）
傳承：
香港長安畫廊
55P
A JIZHOU BLACK-GLAZE 'LEAF' BOWL
12th/ 13th century
box, 11.6cm diam., 4.8cm high
$1,800 - 2,500
Provenance:
K. Y. Fine Art, Hong Kong
十二至十三世紀 吉州窯黑釉木葉紋盞（並盒）
傳承：
香港繼遠美術
56P
A GREEN-GLAZE 'LOTUS PETAL' BOWL
Late 5th to early 6th century
fitted box, 10.0cm diam., 5.6cm high
$1,500 - 2,200
Provenance:
Tony Omura, "See an Old Friend" Gallery, Hong Kong
Pieces of this type are often grouped among Yue wares, but
were also made in Jiangxi province. Identified as some of the
earliest tea wares, the bowls such as the current lot would
have always been made with a matching stand repeating the
decoration of the lotus petal. A cup stand which would fit the
current lot, was sold at Sotheby's London, St George Street
Sale: Asian Art, 9 November 2018, lot 260 sale L18219.
五世紀末至六世紀初 青釉刻蓮瓣紋盌（並盒）
傳承：
Tony Omura, 香港緣來畫廊，題盒「南北朝 青瓷刻蓮瓣紋盌」
此類青瓷基本歸于越窯一類，但在江西亦有燒製，乃已知中
國最早的茶具。相似茶盞均配有同樣紋飾的座，2018年11月
9日在蘇富比倫敦售出一座，尺寸紋樣及釉色都與此盞相配，
見「St George Street Sale: Asian Art」，拍號 L18219，拍品
260。
57P
A SET OF TWO TANG-STYLE CIRCULAR BOXES
box, 6.1cm diam., and 5.7cn diam. (2).
$500 - 800
No reserve
唐式花卉紋、蝶紋圓形蓋盒一組兩件（並盒）
無底價
36 | BONHAMS58P
A CLOISONNÉ 'THREE FRIENDS OF WINTER' YEN-
YEN VASE
Kangxi period
44.4cm high
$10,000 - 20,000
Provenance:
Private collection, Sydney, acquired in London during the
mid-1980s
清康熙 歲寒三友紋銅胎琺瑯燕尾尊
傳承：
悉尼私人收藏，八十年代中期購于倫敦
59P
A FAMILLE ROSE CANTON ENAMEL SAUCER-DISH
Qianlong six-character blue seal mark, and of the period
15.9cm diam.
$5,000 - 8,000
Provenance:
The British Antique Dealers Association (label)
Private collection, Queensland
Important Chinese Art & the Spring Auction Series,
Mossgreen, Melbourne, November/ December 2011, lot
110
Private collection, Sydney
For an almost identical plate, see Auspicious Emblems:
Chinese Cultural Treasures - 45th Anniversary Exhibition
of the Min Chiu Society, Hong Kong Museum of Art, Hong
Kong, 2005, p. 148, pl. 89
清乾隆 粉彩廣東畵 琺瑯黃地五福洋蓮紋碟 「大清乾隆年
製」
傳承：
英國古董協會（標簽）
昆省私人收藏
Important Chinese Art & the Spring Auction Series，慕士
閣，墨爾本，2011年11月至12月，拍品110號
悉尼私人收藏
比較一幾乎相同紋樣的畵 琺瑯碟，見《千祥雲集：中國吉祥
圖案文物--敏求精舍四十五周年紀念展》，香港藝術博物
館，香港，2005年，頁148，圖版148
THE YEUNG COLLECTION II: INCLUDING WORKS FROM VARIOUS VENDORS | 3760P
A SMALL CLOISONNÉ ARROW VASE
Jingtai four-character incised mark
12.3cm high
$800 - 1,200
掐絲琺瑯洋蓮紋投壺 「景泰年製」底款
61P
A CLOISONNÉ 'WINGED HORSE' LOBED DISH
17.7cm wide
$500 - 800
No reserve
飛馬紋海棠形琺瑯碗
無底價
62P
A PAIR OF CLOISONNÉ 'LONGEVITY' SIX-LOBED
VASES
20th century
32.7cm high (2).
$800 - 1,200
二十世紀 銅胎琺瑯「福壽」紋六棱瓶一對
38 | BONHAMS63P
A PAIR OF 'CHRYSANTHEMUM' AND 'PEONY'
CLOISONNÉ VASES
20th century
36.5cm high (2).
$800 - 1,200
二十世紀 琺瑯菊紋及牡丹紋瓶一對
64P
A ZITAN 'CAPE JASMINE' BRUSH LICK
18th century
fitted box, 10.1cm long, 41g
$3,500 - 5,200
Provenance:
KY Fine Art, Hong Kong, 28 May 2008 (label inscribed by
Mr Ng Kai Yuen)
R and V Tregaskis Oriental Art, Sydney (no. 2008)
清十八世紀 紫檀「梔子」筆舔
傳承：
香港繼遠美術，2008年5月28日（吳繼遠先生題盒「清紫
檀葉筆舔」）
悉尼 R and V Tregaskis Oriental Art （2008號）
65P
A BEADED NECKLACE
comprising 108 aloeswood beads separated with amethyst
beads and suspending a white jade gourd, pewter circular
box, fully extended without tassel: 70.5cm long
$800 - 1,200
沈香一百零八子及紫水晶白玉珠串並鋁盒 盒「清迦南佛珠
上等」籤及「乾隆御製」底款
THE YEUNG COLLECTION II: INCLUDING WORKS FROM VARIOUS VENDORS | 3966P
A JAPANESE BLUE AND WHITE AND ENAMEL
'FLORAL' DISH
Possibly imari, late 17th/ early 18th century
underside freely inscribed in underglaze blue fuku [福] mark,
21.6cm diam., 4.9cm high
$200 - 300
No reserve
The particular fuku mark is said to be discontinued after
1710 and more associated with the Kakiemon type.
67P
A GROUP OF 5 SILVER REPOUSSÉ HAIR PINS
19th century
Varying sizes from 8.5cm to 26.9cm long (5).
$600 - 800
Provenance:
Private collection, Melbourne
清十九世紀 鎏金銅及銀錘揲鑲綠松石珊瑚髮簪一組五件
傳承：
墨爾本私人收藏
From a private collection, Melbourne | 墨爾本私人收藏
（Lot 68-75）
68P
A GROUP OF 12 SILVER HAIR ORNAMENTS LINED
WITH KINGFISHER FEATHER
19th century
varying sizes measuring 10.3cm widest and 16.6cm
longest (12).
$600 - 800
Provenance:
Liberty London, acquired c. 1975 during its Centennial
Celebration
Private collection, Melbourne
清十九世紀 銅胎鎏金掐絲點翠頭飾一組十二件
傳承：
墨爾本私人收藏，1975年購於倫敦利寶百貨公司百年紀念
展，或若干年後
40 | BONHAMS69P
A GROUP OF 18 SILVER HAIR ORNAMENTS LINED
WITH KINGFISHER FEATHER
19th century
varying sizes measuring 12.0cm widest and 15.7cm
longest (the 'goldfish' hairpin measured without the springs)
(18).
$600 - 800
Provenance:
Liberty London, acquired c. 1975 during its Centennial
Celebration
Private collection, Melbourne
清十九世紀 銅胎鎏金掐絲點翠頭飾一組十八件
傳承：
墨爾本私人收藏，1975年購於倫敦利寶百貨公司百年紀念
展，或若干年後
70P
A GROUP OF 13 SILVER HAIR ORNAMENTS LINED
WITH KINGFISHER FEATHER
19th century
varying sizes measuring 12.2cm widest and 20.1cm
longest (13).
$600 - 800
Provenance:
Liberty London, acquired c. 1975 during its Centennial
Celebration
Private collection, Melbourne
清十九世紀 銅胎鎏金掐絲點翠頭飾一組十三件
傳承：
墨爾本私人收藏，1975年購於倫敦利寶百貨公司百年紀念
展，或若干年後
71P
A GROUP OF 15 SILVER HAIR ORNAMENTS LINED
WITH KINGFISHER FEATHER
19th century
varying sizes measuring 11.7cm widest and 14.2cm
longets (15).
$500 - 800
Provenance:
Liberty London, acquired c. 1975 during its Centennial
Celebration
Private collection, Melbourne
清十九世紀 銅胎鎏金掐絲點翠頭飾一組十五件
傳承：
墨爾本私人收藏，1975年購於倫敦利寶百貨公司百年紀念
展，或若干年後
THE YEUNG COLLECTION II: INCLUDING WORKS FROM VARIOUS VENDORS | 4172P
A GROUP OF 22 SILVER HAIR ORNAMENTS LINED
WITH KINGFISHER FEATHER
19th century
varying sizes measuring 12.0cm widest and 14.6cm
longest (22).
$400 - 600
Provenance:
Liberty London, acquired c. 1975 during its Centennial
Celebration
Private collection, Melbourne
清十九世紀 銅胎鎏金掐絲點翠頭飾一組二十二件
傳承：
墨爾本私人收藏，1975年購於倫敦利寶百貨公司百年紀念
展，或若干年後
73P
A GROUP OF 16 SILVER HAIR ORNAMENTS LINED
WITH KINGFISHER FEATHER
19th century
varying sizes measuring 7.5cm widest and 15.4cm longest
(16).
$400 - 600
Provenance:
Liberty London, acquired c. 1975 during its Centennial
Celebration
Private collection, Melbourne
清十九世紀 銅胎鎏金掐絲點翠頭飾一組十六件
傳承：
墨爾本私人收藏，1975年購於倫敦利寶百貨公司百年紀念
展，或若干年後
74P
A GROUP OF 13 SILVER HAIR ORNAMENTS LINED
WITH KINGFISHER FEATHER
19th century
varying sizes measuring 9.4cm widest and 13.8cm longest
(13).
$400 - 600
Provenance:
Liberty London, acquired c. 1975 during its Centennial
Celebration
Private collection, Melbourne
清十九世紀 銅胎鎏金掐絲點翠頭飾一組十三件
傳承：
墨爾本私人收藏，1975年購於倫敦利寶百貨公司百年紀念
展，或若干年後
42 | BONHAMS75P
A 'DREAM STONE' TABLE SCREEN
51.4cm H, 56.3cm W, 27.4cm D
$1,500 - 2,200
Provenance:
Private collection, Sydney
雲石屏風
傳承：
悉尼私人收藏
Various owners | 各方藏家
76P
A HUANGHUALI AND HARDWOOD PLANK-TOP
PEDESTAL TABLE, JIAJI'AN
Qing dynasty
the table: 350cm W, 99cm H, 49cm D
the pedestals: 77cm W, 91cm H, 46cm D
$20,000 - 30,000
Provenance:
Private collection, Sydney, acquired in Hong Kong during
the 1990s
Probably due to the demountable nature of plank-top
pedestal tables, complete surviving examples tend to be
rare. Some 'display stands' seen on the commercial market
might have been the remaining pedestals after the planks
were either missing or repurposed. It is also due to the
flexible form that these tables are so versatile, fitting for a
variety of spaces.
清十八至十九世紀 黃花梨及硬木架几案
傳承：
悉尼私人收藏，九十年代間購於香港
架几案因其架、几獨立可隨意拆卸，裝配靈活，搬運方
便，卻也因此存世全品少見。市場常見成對方几，一些很
可能便是架几案在其架遺失或挪作他用後的存餘。
THE YEUNG COLLECTION II: INCLUDING WORKS FROM VARIOUS VENDORS | 4377P
A HUANGHUALI FOLDING CHAIR, JIAOYI 清十八至十九世紀 黃花梨素紋交椅
18th/ 19th century
99cm H, 73cm W, 61cm D 傳承：
悉尼私人收藏，九十年代間購於香港
$6,000 - 8,000
交椅源於宋，興盛於明代，沿用至有清。在等級森嚴的封建社會，坐
Provenance:
交椅乃是身分、地位的高貴象徵。故俗語所謂「穩坐頭把交椅」，即
Private collection, Sydney, acquired in Hong Kong during the 1990s
以身下座位影射主人身分。其設計及工藝於明末清初臻於完美，形
制、尺寸、及各部比例均有定式，椅背、角牙、牙頭等細部彫花紋飾
First developed during the Song dynasty, the folding armchair had
多樣。
become a designated seat of honour in the households of the
ruling and upper class by the Ming dynasty. Their design reaching a
本件交椅在上述部位設計極其簡約，只用浮雕卷雲紋勾勒外延。與之
pinnacle during the 16th and 17th century, these chairs are almost
形成強烈對比的是滿工的包銅加固件，以洋蓮紋刻於魚子紋地。繁簡
identical in form, dimensions and proportions, with a variety of carving
相得益彰，不落俗套。比較一類似極簡木材雕工對比繁複金屬飾藝的
decorations in their backsplats, leg curves, and seat aprons.
交椅，見佳士得，紐約，Fine Chinese Furniture, Ceramics and Works
of Art, 2001年10月16日，拍號9734，拍品254.
A minimalist approach has been taken in this example in the above
mentioned components, their outlines traced with 'scrolling cloud'
edges in low relief. This contrasts the fully decorated metal mounts
with uniformly engraved 'scrolling lotus' against ring-punched
grounds.
A similarly designed folding armchair, with simplistic carving and
elaborated metalwork was sold with Christie's, New York, Fine
Chinese Furniture, Ceramics and Works of Art, 16 October 2001, sale
9734, lot 254.
44 | BONHAMS78P
A PAIR OF HUANGHUALI CHAIRS AND A
SIDE TABLE
20th century
chairs: 98.0cm H, 76.0cm W, 68.0cm D (each)；
table: 71.0cm H, 48cm W, 39.5cm D (3).
$8,000 - 12,000
Provenance:
Private collection, Mr Singh Mann, Wollongong
(by repute)
Private collection, Sydney
二十世紀 黃花梨圈椅一對及茶几
傳承：
臥龍崗Singh Mann先生私人收藏（擬）
悉尼私人收藏
79P
A HUANGHUALI LUTE TABLE
20th century
81.0cm H, 129.0cm W, 39.0cm D
$6,000 - 8,000
Provenance:
Private collection, Mr Singh Mann, Wollongong
(by repute)
Private collection, Sydney
二十世紀 黃花梨琴桌
傳承：
臥龍崗Singh Mann先生私人收藏（擬）
悉尼私人收藏
THE YEUNG COLLECTION II: INCLUDING WORKS FROM VARIOUS VENDORS | 45NOTICE TO BIDDERS 3. DESCRIPTIONS OF LOTS AND ESTIMATES 4. CONDUCT OF THE SALE
This notice is addressed by Bonhams to any person who Contractual Description of a Lot Our Sales are public auctions which persons may attend and
may be interested in a Lot, including Bidders and potential The Catalogue contains an Entry about each Lot. Each you should take the opportunity to do so. We do reserve the
Bidders (including any eventual Buyer of the Lot). For ease of Lot is sold by its respective Seller to the Buyer of the Lot right at our sole discretion to refuse admission to our premises
reference we refer to such persons as “Bidders” or “you”. Our as corresponding only with that part of the Entry which is or to any Sale without stating a reason. We have complete
List of Definitions and Glossary is incorporated into this Notice printed in bold letters and (except for the colour, which may be discretion as to whether the Sale proceeds, whether any Lot is
to Bidders. It is at Appendix 3 at the back of the Catalogue. inaccurately reproduced) with any photograph of the Lot in the included in the Sale, the manner in which the Sale is conducted
Where words and phrases are used in this notice which are Catalogue. The remainder of the Entry, which is not printed in and we may offer Lots for sale in any order we choose
in the List of Definitions, they are printed in italics. bold letters, represents Bonhams’ opinion (given in good faith notwithstanding the numbers given to Lots in the Catalogue.
on behalf of the Seller) about the Lot only and is not part of the You should therefore check the date and starting time of the
IMPORTANT: Contractual Description in accordance with which the Lot is Sale, whether there have been any withdrawals or late entries.
sold by the Seller. Remember that withdrawals and late entries may affect the
Additional information applicable to the Sale may be set out in time at which a Lot you are interested in is put up for Sale. We
the Catalogue for the Sale, in an insert in the Catalogue and/ Estimates have complete discretion to refuse any bid, to nominate any
or in a notice displayed at the Sale venue and you should read In most cases, an Estimate is printed beside the Entry. bidding increment we consider appropriate, to divide any Lot,
them as well. Announcements affecting the Sale may also be Estimates are only an expression of Bonhams’ opinion made to combine two or more Lots, to withdraw any Lot from a Sale
given out orally before and during the Sale without prior written on behalf of the Seller of the range where Bonhams thinks the and, in the case of dispute, to put up any Lot for auction again.
notice. You should be alert to the possibility of changes and ask Hammer Price for the Lot is likely to fall; it is not an estimate Auction speeds can exceed 100 Lots to the hour and bidding
in advance of bidding if there have been any. of value. increments are generally about 10%. However these do vary
from Sale to Sale and from Auctioneer to Auctioneer. Please
If the Lot is knocked down to you, you will be liable to pay the Please note that as it is only an estimate of the Hammer Price check with the department organising the Sale for advice
Purchase Price, which is the Hammer Price which includes the Estimate does not take into account any Buyer’s Premium on this.
any applicable GST, plus Buyers Premium and any Additional payable. Lots can in fact sell for Hammer Prices below and
Premium on the Hammer Price. See sections 6, 7 and 9 above the Estimate. Any Estimate should not be relied on as an Where a Reserve has been applied to a Lot, the Auctioneer
below for more details. indication of the actual selling price or value of a Lot. Estimates may, in his absolute discretion, place bids (up to an amount not
are in the currency of the Sale. equalling or exceeding such Reserve) on behalf of the Seller.
1. OUR ROLE We are not responsible to you in respect of the presence or
Where the Seller has indicated that it is registered or absence of any Reserve in respect of any Lot. If there is a
In its role as Auctioneer of Lots, Bonhams acts solely for and required to be registered for GST, GST will be included in Reserve it will normally be no higher than the lower figure for
in the interests of the Seller. Bonhams’ job is to sell the Lot at the Hammer Price. any Estimate in the Catalogue, assuming that the currency of
the highest price obtainable at the Sale to a Bidder. Bonhams the Reserve has not fluctuated adversely against the currency
does not act for Buyers or Bidders in this role and does not Condition Reports of the Estimate. The Buyer will be the Bidder who makes the
give advice to Buyers or Bidders. When it or its staff make In respect of most Lots, you may ask for a Condition Report highest bid acceptable to the Auctioneer for any Lot (subject
statements about a Lot or, if Bonhams provides a Condition on its physical condition from Bonhams. If you do so, this will to any applicable Reserve) to whom the Lot is knocked down
Report on a Lot it is doing that on behalf of the Seller of the Lot. be provided by Bonhams on behalf of the Seller free of charge. by the Auctioneer at the fall of the Auctioneer’s hammer. Any
Bidders and Buyers who are themselves not expert in the Lots Bonhams is not entering into a contract with you in respect dispute as to the highest acceptable bid will be settled by the
are strongly advised to seek and obtain independent advice on of the Condition Report and accordingly does not assume Auctioneer in his absolute discretion. All bids tendered will
the Lots and their value before bidding for them. The Seller has responsibility to you in respect of it. Nor does the Seller owe or relate to the actual Lot number announced by the Auctioneer.
authorised Bonhams to sell the Lot as its agent on its behalf agree to owe you as a Bidder any obligation or duty in respect An electronic currency converter may be used at the Sale. This
and, save where we expressly make it clear to the contrary, of this free report about a Lot, which is available for your own equipment is provided as a general guide as to the equivalent
Bonhams acts only as agent for the Seller. Any statement or inspection or for inspection by an expert instructed by you. amount in certain currencies of a given bid. We do not accept
representation we make in respect of a Lot is made on the However, any written description of the physical condition of any responsibility for any errors which may occur in the use
Seller’s behalf and, unless Bonhams sells a Lot as principal, the Lot contained in a Condition Report will form part of the of the currency converter. We may use video cameras to
not on our behalf and any Contract for Sale is between the Contractual Description of the Lot under which it is sold to any record the Sale and may record telephone calls for reasons of
Buyer and the Seller and not with us. If Bonhams sells a Lot Buyer. security and to assist in solving any disputes which may arise in
as principal this will either be stated in the Catalogue or an relation to bids made at the Sale. At some Sales, for example,
announcement to that effect will be made by the Auctioneer, The Seller’s responsibility to you jewellery Sales, we may use screens on which images of the
or it will be stated in a notice at the Sale or an insert in the The Seller does not make or agree to make any representation Lots will be projected. This service is provided to assist viewing
Catalogue. of fact or contractual promise, guarantee or warranty and at the Sale. The image on the screen should be treated as an
undertakes no obligation or duty, whether in contract or in indication only of the current Lot. It should be noted that all bids
Bonhams does not owe or undertake or agree to any duty tort (other than to the eventual Buyer as set out above), in tendered will relate to the actual Lot number announced by the
or responsibility to you in contract or tort (whether direct, respect of the accuracy or completeness of any statement Auctioneer. We do not accept any responsibility for any errors
collateral, express, implied or otherwise). If you successfully bid or representation made by him or on his behalf, which is in which may occur in the use of the screen.
for a Lot and buy it, at that stage Bonhams does enter into an any way descriptive of any Lot or as to the anticipated or
agreement with the Buyer. The terms of that contract are set likely selling price of any Lot. Other than as set out above, no 5. BIDDING
out in our Buyer’s Agreement, which you will find at Appendix statement or representation in any way descriptive of a Lot or
2 at the back of the Catalogue. This will govern Bonhams’ any Estimate is incorporated into any Contract for Sale between We do not accept bids from any person who has not
relationship with the Buyer. a Seller and a Buyer. completed and delivered to us one of our Bidding Forms,
either our Bidder Registration Form, Absentee Bidding Form
2. LOTS Bonhams’ responsibility to you or Telephone Bidding Form. You will be asked for proof of
You have the opportunity of examining the Lot if you want to identity, residence, financial details and references, which, when
Subject to the Contractual Description printed in bold letters and the Contract for Sale for a Lot is with the Seller and not asked for, you must supply if your bids are to be accepted
in the Entry about the Lot in the Catalogue (see paragraph 3 with Bonhams; Bonhams acts as the Seller’s agent only (unless by us. Please bring your passport, driving license (or similar
below), Lots are sold to the Buyer on an “as is” basis, with Bonhams sells the Lot as principal). photographic proof of identity) and a debit card. We may
all faults and imperfections. Illustrations and photographs Bonhams undertakes no obligation to you to examine, request a deposit from you before allowing you to bid. We may
contained in the Catalogue (other than photographs forming investigate or carry out any tests, either in sufficient depth or at refuse entry to a Sale to any person even if that person has
part of the Contractual Description) or elsewhere of any Lots all, on each Lot to establish the accuracy or otherwise of any completed a Bidding Form.
are for identification purposes only. They may not reveal the descriptions or opinions given by Bonhams, or by any person
true condition of the Lot. A photograph or illustration may on Bonhams’ behalf, whether in the Catalogue or elsewhere. Bidding in person
not reflect an accurate reproduction of the colour(s) of the You should not suppose that such examinations, investigations You should come to our Bidder registration desk at the Sale
Lot. Lots are available for inspection prior to the Sale and it or tests have occurred. venue and fill out a Bidder Registration Form on (or, if possible,
is for you to satisfy yourself as to each and every aspect of a Bonhams does not make or agree to make any representation before) the day of the Sale. The bidding number system is
Lot, including its authorship, attribution, condition, w, history, of fact, and undertakes no obligation or duty (whether in sometimes referred to as “paddle bidding”. You will be issued
background, authenticity, style, period, age, suitability, quality, contract or tort) in respect of the accuracy or completeness with a large card (a “paddle”) with a printed number on it. This
roadworthiness (if relevant), origin, value and estimated selling of any statement or representation made by Bonhams or on will be attributed to you for the purposes of the Sale. Should
price (including the Hammer Price). It is your responsibility Bonhams’ behalf which is in any way descriptive of any Lot or you be a successful Bidder you will need to ensure that your
to examine any Lot in which you are interested. It should be as to the anticipated or likely selling price of any Lot. number can be clearly seen by the Auctioneer and that it is
remembered that the actual condition of a Lot may not be as No statement or representation by Bonhams or on its behalf in your number which is identified as the Buyer’s. You should not
good as that indicated by its outward appearance. In particular, any way descriptive of any Lot or any Estimate is incorporated let anyone else use your paddle as all Lots will be invoiced to
parts may have been replaced or renewed and Lots may not into our Buyer’s Agreement. the name and address given on your Bidder Registration Form.
be authentic or of satisfactory quality; the inside of a Lot may Once an invoice is issued it will not be changed. If there is
not be visible and may not be original or may be damaged, Alterations any doubt as to the Hammer Price of, or whether you are the
as for example where it is covered by upholstery or material. Descriptions and Estimates may be amended at Bonhams’ successful Bidder of, a particular Lot, you must draw this to
Given the age of many Lots they may have been damaged and/ discretion from time to time by notice given orally or in writing the attention of the Auctioneer before the next Lot is offered for
or repaired and you should not assume that a Lot is in good before or during a Sale. Sale. At the end of the Sale, or when you have finished bidding
condition. Electronic or mechanical parts may not operate please return your paddle to the Bidder registration desk.
or may not comply with current statutory requirements. You THE LOT IS AVAILABLE FOR INSPECTION AND YOU MUST
should not assume that electrical items designed to operate FORM YOUR OWN OPINION IN RELATION TO IT. YOU ARE Bidding by telephone (only available on lots with a low
on mains electricity will be suitable for connection to the mains STRONGLY ADVISED TO EXAMINE ANY LOT OR HAVE IT estimate greater than AU$1,000). If you wish to bid at the
electricity supply and you should obtain a report from a qualified EXAMINED ON YOUR BEHALF BEFORE THE SALE. Sale by telephone, please complete a Telephone Bidding Form,
electrician on their status before doing so. Such items which which is available from our offices or in the Catalogue. Please
are unsuitable for connection are sold as items of interest for then return it to the office responsible for the Sale at least 24
display purposes only. If you yourself do not have expertise hours in advance of the Sale. It is your responsibility to check
regarding a Lot, you should consult someone who does to with our Bids Office that your bid has been received.
advise you. We can assist in arranging facilities for you to carry
out or have carried out more detailed inspections and tests. Telephone calls will be recorded. The telephone bidding facility
Please ask our staff for details. is a discretionary service and may not be available in relation to
all Lots. We will not be responsible for bidding on your behalf
Any person who damages a Lot will be held liable for the if you are unavailable at the time of the Sale or if the telephone
loss caused. connection is interrupted during bidding. Please contact us for
further details.
AUS/NOB/MAIN/V1/11.16You can also read
