CHRIS SOAL AS BELOW SO ABOVE - Artoday

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CHRIS SOAL AS BELOW SO ABOVE - Artoday
CHRIS SOAL   AS BELOW SO ABOVE
CHRIS SOAL AS BELOW SO ABOVE - Artoday
AS BELOW SO ABOVE
CHRIS SOAL

                    WHATIFTHEWORLD is pleased to announce Chris Soal’s solo exhibition, As below so above.

                    In this body of work, the viewer’s experience is considered in relation to the monumental scale of these works. Their
                    immersive scale prompts a phenomenological connection between conceptual engagement and bodily interaction.
                    Soal connects, both visually and thematically, the intestinal or cerebral twists of the bottle top works with the exhibition’s
                    title, which is an inversion of the saying, ‘As above, so below’. Soal considers smaller systems such as the human
                    body in relation to the larger universe — both physical and spiritual — and how these ‘worlds’ are interconnected.
                    The self being a microcosm of the community, and a toothpick being a humble unit that, when collectivised, forms
                    the whole artwork. It also reflects his intuitive working process, which stems from somewhere in-between the gut and
                    the brain.

                    As below so above will be opening in conjunction with his solo exhibition at the Nirox Sculpture Park in the Cradle of
                    Humankind. The exhibition touches on themes of ruins, decay, erosion, the relic and effigy
CHRIS SOAL AS BELOW SO ABOVE - Artoday
INSTALLATION VIEW
CHRIS SOAL AS BELOW SO ABOVE - Artoday
AS BELOW SO ABOVE
CHRIS SOAL

                    ARTIST BIOGRAPHY

                    Chris Soal (b. 1994, South Africa) is an award-winning, emerging artist living and practicing in Johannesburg. Using
                    unconventional found objects, such as toothpicks and bottle caps, in conjunction with concrete and other industrial
                    materials, Soal negotiates structural impacts on urban living and reflects on ecological concerns, while considering the
                    philosophical and psychological notion of the “self.”

                    Soal’s spatial approach to sculpture reveals a sensitivity to texture, light and form, expressed in an abstract minimalist
                    language. While, conceptually, his works refer to the socio-political context of their making, highlighting the histories
                    embedded in the found material, and utilising them in a way that challenges societal assumptions of value.

                    In 2017, Soal graduated with a Bachelor of Arts in Fine Arts (Hons) at the University of Witwatersrand. He was
                    awarded the PPC Imaginarium Award in 2018, alongside being named the winner of the Sculpture category. He
                    has been awarded residencies by the South African Foundation of Contemporary Art, taking place in Knysna, South
                    Africa, by the RAW Material Company in Dakar, Senegal, and the Residenza Roma by Montoro12 in 2019. His
                    solo exhibition, Field of Vision, was held at WHATIFTHEWORLD in 2019. He has also exhibited in group shows at
                    institutions such as the Iziko National Museum (2020), FRAC MECA, Bordeux (2019), Wits Art Museum (2017) and
                    Stellenbosch University Museum (2018). Recent projects include Soal’s collaboration with Dior on the fifth edition of
                    the Lady Dior Art Bag. Chris Soal’s work has been included in many notable private and public collections, both locally
                    and internationally, include: The Beth Rudin DeWoody collection, (The Bunker Artspace), USA; The Braunsfelder
                    Family Collection, Germany; Galila’s P.O.C. - The collection of Galila Barzilaï-Hollander, Belgium; The Sylt Foundation
                    Collection, Germany; Southern African Foundation for Contemporary Art (SAFFCA), South Africa and France; Modern
                    Art Projects, South Africa; First Rand Bank, Corporate collection, South Africa; The Department of Arts and Culture,
                    South Africa; The Rupert Family Collection, South Africa; Barloworld Corporate Collection, South Africa; The Ackerman
                    -Berman Collection, South Africa; Tisot Art Collection Trust, Italy.
CHRIS SOAL AS BELOW SO ABOVE - Artoday
AS BELOW SO ABOVE
CHRIS SOAL

AS BELOW SO ABOVE, 2021
DISCARDED BEER BOTTLE TOPS THREADED
ONTO WOVEN STEEL ROPE HELD IN
POLYURETHANE SEALANT ON BOARD
INSTALLATION SIZE: 370 X 260 X 240 CM
WALL SIZE: 240 X 190 X 15 CM

20 000 EURO
CHRIS SOAL AS BELOW SO ABOVE - Artoday
CHRIS SOAL AS BELOW SO ABOVE - Artoday
CHRIS SOAL AS BELOW SO ABOVE - Artoday
AS BELOW SO ABOVE
CHRIS SOAL

LOST IN PLACE, 2020
DISCARDED BEER BOTTLE TOPS THREADED
ONTO WOVEN STEEL ROPE HELD IN
POLYURETHANE SEALANT ON BOARD
6 X 178 CM IN DIAMETER

13 000 EURO
SOLD
CHRIS SOAL AS BELOW SO ABOVE - Artoday
INSTALLATION VIEW
CHRIS SOAL AS BELOW SO ABOVE - Artoday
AS BELOW SO ABOVE
CHRIS SOAL

MOTHER, 2021
BAMBOO AND BIRCH WOOD TOOTHPICKS,
HELD IN POLYURETHANE SEALANT ON
RIPSTOP FABRIC AND BOARD
400 X 270 X 35 CM

25 000 EURO
INSTALLATION VIEW
AS BELOW SO ABOVE
CHRIS SOAL

PHOENIX, 2020
BAMBOO AND BIRCH WOOD TOOTHPICKS,
BURNT AND UNBURNT, HELD IN
POLYURETHANE SEALANT ON RIPSTOP
FABRIC AND BOARD
125 X 90 X 18 CM

8 000 EURO
SOLD
INSTALLATION VIEW
AS BELOW SO ABOVE
CHRIS SOAL

AXIS MUNDI, 2021
BIRCH WOOD, CONCRETE, STEEL
170 X 100 X 110 CM

12 000 EURO
AS BELOW SO ABOVE
CHRIS SOAL

ALL THAT WE CAN’T LEAVE BEHIND, 2021
GLASS FIBRE REINFORCED CONCRETE
RELIEF CAST, STEEL
INSTALLATION DIMENSIONS VARIABLE
10 POLES IN INSTALLATION,
EACH 215 X 20 CM IN DIAMETER

16 000 EURO
INSTALLATION VIEW
AS BELOW SO ABOVE
CHRIS SOAL

VICISSITUDE, 2020
BAMBOO AND BIRCH WOOD TOOTHPICKS,
HELD IN POLYURETHANE SEALANT ON
RIPSTOP FABRIC AND BOARD
103 X 168 X 20 CM

10 500 EURO
SOLD
AS BELOW SO ABOVE
CHRIS SOAL

SPOLIA, 2020
DISCARDED BEER BOTTLE TOPS THREADED
ONTO WOVEN STEEL ROPE HELD IN
POLYURETHANE SEALANT ON BOARD
150 X 73 X 15 CM

8 000 EURO
SOLD
AS BELOW SO ABOVE
CHRIS SOAL

AS BELOW SO ABOVE, 2020
DISCARDED BEER BOTTLE TOPS THREADED
ONTO WOVEN STEEL ROPE HELD IN
POLYURETHANE SEALANT ON BOARD
110 X 240 X 60 CM

10 500 EURO
SOLD
AS BELOW SO ABOVE
CHRIS SOAL

NOWHERE TO GO BUT EVERYWHERE, 2021
DISCARDED BEER BOTTLE TOPS THREADED
ONTO WOVEN STEEL ROPE HELD IN
POLYURETHANE SEALANT ON BOARD
8 X 134 CM IN DIAMETER

9 500 EURO
INSTALLATION VIEW
AS BELOW SO ABOVE
CHRIS SOAL

WITHIN AND WITHOUT, 2020
DISCARDED BEER BOTTLE TOPS THREADED
ONTO WOVEN STEEL ROPE HELD IN
POLYURETHANE SEALANT ON BOARD
6 X 136 CM IN DIAMETER

8 500 EURO
INSTALLATION VIEW
ADDITIONAL WORKS
AS BELOW SO ABOVE
CHRIS SOAL

THE ENDLESS SEEKER, 2020
BAMBOO TOOTHPICKS, HELD IN
POLYURETHANE SEALANT ON
RIPSTOP FABRIC AND BOARD
180 X 190 X 30 CM

12 000 EURO
AS BELOW SO ABOVE
CHRIS SOAL

I DON’T KNOW WHERE YOU ARE. YOU’LL
HAVE TO COME AND FIND ME., 2020
BAMBOO TOOTHPICKS, HELD IN
POLYURETHANE SEALANT ON
RIPSTOP FABRIC AND BOARD
75 X 136 X 10 CM

5 500 EURO
RESERVED
AS BELOW SO ABOVE
CHRIS SOAL

THE ESCAPE, 2020
FOUND BEER BOTTLE CAPS THREADED ONTO
WOVEN STEEL ROPE SECURED IN
POLYURETHANE SEALANT ON BOARD
100 CM IN DIAMETER

7 500 EURO
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