COURSES AND PROGRAMS FALL 2019 - INCLUDING JANUARY 2020 WORKSHOPS - International Center of ...

 
COURSES AND PROGRAMS FALL 2019 - INCLUDING JANUARY 2020 WORKSHOPS - International Center of ...
COURSES AND
               PROGRAMS
               FALL 2019

INCLUDING
JANUARY 2020
WORKSHOPS
icp.org
   @ICP
   @ICPhotog
   ICP
COURSES AND PROGRAMS FALL 2019 - INCLUDING JANUARY 2020 WORKSHOPS - International Center of ...
COURSES AND PROGRAMS | FALL 2019
                                                                                              Please note: Our fall classes will
 3	FOUNDATION & TECHNIQUES                                 12	JANUARY 2020                 be held on the second floor in the
		Digital Photography                                            WORKSHOPS                    Grace Building at 1114 Avenue of
                                                                                              the Americas, New York, NY.
		 Digital Workflow
		 New Media / Video
                                                            		Digital Photography             Entrance to the building is on 42nd
                                                                 Digital Workflow             Street between 5th and 6th Avenues.
		Printing
                                                                 Printing
                                                                                              Our January classes will be held at
 6	IDEAS & PRACTICE                         		 New Media / Video              our new location at Essex Crossing

		Documentary Photography &                                 		 Film Photography
                                                            		Alternative Processes
                                                                                              on the Lower East Side. More entry
                                                                                              information will be available soon.
          Visual Journalism
                                                            		 Documentary Photography &
		Lighting
                                                            		   Visual Journalism
		 The Portrait
                                                            		 The Portrait
		 Fashion / Beauty
                                                            		Lighting                      18	MORE FROM ICP
		 Cityscape / Landscape                                                                    		New Addition to the Collection
                                                            		 Personal Vision
		 Personal Vision                                                                               Public Programs
                                                            		 Book Design and Production
                                                                                            		Membership
10	ONLINE CLASSES                                          15 PART-TIME PROGRAMS           		 Museum Education
                                                                                            		 Community Partnerships
 11 	STRATEGIES FOR                                      16 FULL-TIME PROGRAMS
        THE PHOTOGRAPHER                                                                    19 	HOW TO REGISTER
		Best Practices                                            17 TEEN ACADEMY                 		Portfolio Reviews
		Book Design and Production                                                                		 Class Policies
                                                                                            		Facilities
                                                                                            		 Teaching Assistantship
                                                                                            		   Volunteer Program

Registration for fall term
begins Wednesday, July 17.
Classes begin Saturday, September 7.                                                                          Join ICP in
REGISTER EARLY                                                                                               Umbria, Italy
AND SAVE 15%                                                                                                     with
Wednesday, July 17 through Monday,
August 19, use code PGFY20 to
                                                                                                               Sally Gall
receive 15% off tuition on all fall                                                                        November 14–23, 2019
term Continuing Education classes.
ICP Members receive an additional
$25 off.*
                                                                                                           For more information,
Register online at icp.org/register
                                                                                                                please visit:
*Discount is not valid on prior purchases,                                                                       icp.org
  yearlong courses, or Teen Academy
  classes. Offers cannot be combined.

cover: Partial Appearances, #1722, 2017. © Bill Armstrong
right: © Sally Gall
  2     FACULTY BIOS | icp.org/faculty
COURSES AND PROGRAMS FALL 2019 - INCLUDING JANUARY 2020 WORKSHOPS - International Center of ...
FOUNDATION & TECHNIQUES                                                                                                                                   iPHONE PHOTOGRAPHY 101
                                                                                                                                                          Sept 21 | Sat 10 AM–5 PM
                                                                                                                                                          Clinton Weldon | 19FCEDP011A
                                                                                                                                                          Nov 10 | Sun 10 AM–5 PM
                                                                                                                                                          Clinton Weldon | 19FCEDP011B
                                                                                                                                                          $120
                                                                                                                                                          Your iPhone is capable of more than just
                                                                                                                                                          vacation photos and food pics. It’s a photo-
                                                                                                                                                          graphic tool that can be used to capture and
                                                                                                                                                          share your vision of the world around you. In
                                                                                                                                                          this hands-on class, students discover how to
                                                                                                                                                          create frame-worthy images with an iPhone.
                                                                                                                                                          Participants will learn the basic techniques of
                                                                                                                                                          image composition, tips on shooting portraits,
                                                                                                                                                          and the camera apps and editing tools that
                                                                                                                                                          can elevate a photograph from a casual snap-
                                                                                                                                                          shot to a thoughtful and personal image.

                                                                                                                                                          iPHONE VIDEO PRODUCTION:
                                                                                                                                                          SHOOT, EDIT, UPLOAD
                                                                                                                                                          Oct 19–20 & 26–27 | Sat & Sun 10 AM–5 PM
                                                                                                                                                          Stefanie Dworkin | 19FCEDP017
                                                                                                                                                          $670 + $40 fee
                                                                                                                                                          In this two-day hands-on workshop, students
                                                                                                                                                          gain access to one of today’s most powerful
                                                                                                                                                          and engaging communication tools by
                                                                                                                                                          learning how to create professional, easily
                                                                                                                                                          sharable, short videos directly from their
                                                                                                                                                          iPhones. We cover Camera and iMovie, as
© Perri Hofmann                                                                                                                                           well as other apps and accessories that help
                                                                                                                                                          make shooting iPhone video simple and
                                                                                                                                                          accessible. This class welcomes all who wish
Foundation courses provide beginning, intermediate, and                                             speed, aperture, focal length, RAW file
                                                                                                                                                          to learn the tools and explore the potential of
                                                                                                    formats, white balance, and composition.
advanced photographers with the fundamental principles,                                             Using Adobe Lightroom, participants also              iPhone video production, whether to achieve
                                                                                                    delve into file management, image enhance-            professional, creative, or personal goals.
techniques, and skills needed to support their photographic                                         ment, and printing. Lectures on historical
practice and vision.                                                                                and contemporary artwork explore creative             HOW TO ORGANIZE YOUR DIGITAL
                                                                                                    approaches to photography, and assign-                PHOTOS USING LIGHTROOM
                                                                                                    ments build photographic skill sets.                  Nov 9 | Sat 10 AM–5 PM
                                                  possible. Cameras can be reserved on a first-     For beginners
Digital Photography                               come, first-served basis after registering for    Note: A DSLR camera capable of shooting RAW
                                                                                                                                                          Clinton Weldon | 19FCEDP012
                                                                                                                                                          $120
Our digital media courses cover a range           a class. To reserve a camera, please call the     files is required. Prerequisite: Macintosh literacy
                                                  Education department, 212.857.0001.               or Macintosh Basics (free of charge)                  Capturing great images is one thing, but
of issues, including the basics of digital
                                                                                                                                                          keeping them organized is quite another. In
photography, the integration of digital
                                                  PHOTOGRAPHY I                                     HOW TO USE YOUR DIGITAL SLR OR                        this one-day class, we look at the best, most
techniques into photographic practice,
                                                                                                    MIRRORLESS CAMERA                                     efficient ways to store, browse, and cata-
and the exploration of new possibilities          Sept 9–Nov 25 | Mon 6:30–9:30 PM
through web design, multi- media, and digital                                                                                                             logue your images using Adobe Lightroom.
                                                  Keisha Scarville | 19FCEDP000A                    Sept 14 | Sat 10 AM–5 PM
video. Advanced classes provide access to                                                                                                                 Learn how to sort and tag your pictures, find
                                                                                                    Robert Meyer | 19FCEDP001A
high-end professional equipment, such as          Sept 10 –Nov 19 | Tues 10 AM–1 PM                                                                       out how external hard drives can provide
Hasselblad high-resolution scanners and the       Bradly Dever Treadaway | 19FCEDP000B              Nov 10 | Sun 10 AM–5 PM                               cost-effective storage, and explore the differ-
Canon 1000, 2000, and 4000 archival inkjet                                                          Robert Meyer | 19FCEDP001C                            ences between various image file types.
                                                  Sept 11–Nov 20 | Wed 10 AM–1 PM
printers, which generate mural-size prints. All                                                                                                           We also cover the ins and outs of image
                                                  Jeanette May | 19FCEDP000C                        Nov 16 | Sat 10 AM–5 PM
students enrolled in a digital class receive 10                                                                                                           backups to protect against data loss.
                                                                                                    Lester Lefkowitz | 19FCEDP001B
hours free toward Digital Media Lab usage.        Sept 12–Nov 14 | Thurs 6:30–9:30 PM
                                                  Christine Callahan | 19FCEDP000D                  $290                                                  PHOTOGRAPHY II
note: All digital classes are taught on
Macintosh computers. For further informa-         $820 + $40 fee                                    This workshop demystifies the digital single-         Sept 9–Nov 25 | Mon 10 AM–1 PM
tion, please contact the Digital Media                                                              lens reflex (DSLR). As students practice              Claudia Sohrens | 19FCEDP100A
department, 212.857.0077.                         Sept 7–8 & 14–15 | Sat & Sun 10 AM–5 PM           taking digital photographs, they learn how
                                                  Sophie Barbasch | 19FCEDP000E                     to use all the settings and functions of their        Sept 11–Nov 20 | Wed 6:30–9:30 PM
                                                                                                    cameras. Topics include auto white balance,           Heidi Norton | 19FCEDP100B
DIGITAL CAMERAS                                   Nov 2–3 & 9–10 | Sat & Sun 10 AM–5 PM
                                                                                                    color space, color temperature, formatting,           $820 + $40 fee
Through the generous support of Canon             Perri Hofmann | 19FCEDP000F
                                                                                                    correct exposure for digital images, and
U.S.A. and Pentax U.S.A., ICP now has a large
                                                  $770 + $40 fee                                    the advantages of shooting in different file          Nov 16–17 & 23–24 | Sat & Sun 10 AM–5 PM
inventory of state-of-the-art DSLRs to loan
                                                                                                    formats. Participants explore the many                Christine Callahan | 19FCEDP100C
beginning students taking Photography I:          This course introduces beginners to the
                                                                                                    functions that a DSLR shares with a tradi-            $770 + $40 fee
Digital and/or DSLR Video for Photographers.      creative and technical possibilities of digital
We often suggest that incoming students           photography. Through demonstrations               tional film camera, and discover how to use           In this intermediate course, students
borrow a camera rather than purchase one          and hands-on sessions, students learn the         them to create the best possible image.               improve their creative and technical skills
at the onset, thus providing the student with     basics of using cameras and imaging soft-                                                               and, through lectures and assignments,
the time and experience needed to make            ware to produce digital photographs. Topics                                                             explore the aesthetic and compositional
the best purchase decision. Through the           include camera operation, shutter                                                                       aspects of photography. Presentations
generosity of Canon and Pentax, this is now                                                                                                               on historical and contemporary artwork

                                                                                                                                                              REGISTER | icp.org/register               3
COURSES AND PROGRAMS FALL 2019 - INCLUDING JANUARY 2020 WORKSHOPS - International Center of ...
CONTINUING EDUCATION

introduce various photographic genres, such                                                                                                                This course is recommended for photog-
as portraiture, landscape, and documentary.                                                                                                                raphers confident with digital input, overall
Using Adobe Lightroom, students develop                                                                                                                    adjustment, and output in Photoshop who
effective workflows for sorting and editing                                                                                                                require the skills to refine particular areas of
images, refine image adjustment skills, and                                                                                                                their digital images.
perfect printing ability. As they work toward                                                                                                              Prerequisite: Photoshop I or portfolio review
developing a personal visual language,
participants also learn advanced techniques                                                                                                                PHOTOSHOP I:
for converting images to black-and- white.                                                                                                                 FOR ADOBE LIGHTROOM USERS
Prerequisite: Photography I: Digital, Adobe                                                                                                                Sept 11–Nov 20 | Mon 10 AM–1 PM
Lightroom for beginners or portfolio review
                                                                                                                                                           Kathleen Anderson | 19FCEPS106
                                                                                                                                                           $820 + $40 fee
MACINTOSH BASICS
                                                                                                                                                           This course is for students who have
Sept 7 | Sat 10 AM–1 PM
                                                                                                                                                           refined their use of Adobe Lightroom’s
Lavonne Hall | 19FCEMB000A
                                                                                                                                                           color and tonal adjustments, and are
Sept 8 | Sun 2–5 PM                                                                                                                                        ready to explore and incorporate the
Lavonne Hall | 19FCEMB000B                                                                                                                                 more intricate and nuanced methods of
$100                                                                                                                                                       local image adjustments and retouching
                                                                                                                                                           offered by Photoshop. We cover effective
This workshop provides an introduction to                                                                                                                  use of layers and blending modes for a
computers in general and the Macintosh                                                                                                                     variety of retouching and image-adjust-
system in particular. Students learn all the                                                                                                               ment techniques, as well as how to modify
basic features necessary to use a Macintosh                                                                                                                layer masks with a range of brushes and
computer for digital photography. Through                                                                                                                  selection tools. Students also learn various
hands-on instruction, they become familiar                                                                                                                 sharpening techniques and more.
with the computer’s components—the                                                                                                                         Prerequisite: Photography II: Digital, Adobe
desktop, its contents, and removable media,           © Pablo Lerma                                                                                        Lightroom for Advanced Users, Adobe Lightroom
such as CD-ROMs and DVD disk drives—and                                                                                                                    Comprehensive, or portfolio review
learn to create, save, open, and retrieve
                                                      ADOBE LIGHTROOM OVERVIEW                             PHOTOSHOP I:
documents; use folders; and work efficiently.                                                                                                              LIGHTROOM AND MORE:
                                                                                                           DIGITAL IMAGING FOR
Upon completion, students may advance to              Oct 26–27 | Sat & Sun 10 AM–5 PM                                                                     AFTER THE SHOOT, WHAT NEXT?
                                                                                                           PHOTOGRAPHERS
more demanding applications.                          Ports Bishop | 19FCELR104
                                                      $540 + $20 fee                                       Sept 9–Nov 25 | Mon 10 AM–1 PM                  Nov 2–3 | Sat & Sun 10 AM–5 PM
                                                                                                           Christopher Giglio | 19FCEPS000A                Lester Lefkowitz | 19FCEDP002
                                                      This weekend course provides digital photog-                                                         $380 + $25 fee
Digital Workflow                                      raphers with an overview of Adobe Lightroom,
                                                      which offers an intuitive, simple, yet profes-
                                                                                                           Sept 11–Nov 20 | Wed 7–10 PM
                                                                                                           Claudia Sohrens | 19FCEPS000B                   This course covers how to handle digital
                                                      sional solution for organizing, adjusting,                                                           images after the “click.” With emphasis
ADOBE LIGHTROOM:                                                                                           $820 + $40 fee                                  on Lightroom, we delve into the digital
COMPREHENSIVE                                         and outputting large quantities of images.
                                                      Taking a professional approach to this               This course delves into Photoshop’s basics,     “workflow” (storing, organizing, retrieving
Sept 10–Nov 19 | Tues 10 AM–1 PM                      powerful software, students gain increased           from scanning and digital-camera input to       digital files), use of the histogram, RAW
Ports Bishop | 19FCELR001                             control over their images and knowledge of           digital prints. It also explores the capabil-   vs. JPEG files, cataloging (making it easily
$820 + $40 fee                                        advanced tonal and color adjustments. They           ities of the “electronic darkroom” through      to find any photo in the future), “tweaking”
                                                      also develop new skills in output and asset          computer-imaging hardware and software          images (with demonstrations using your
Adobe Lightroom offers an intuitive, simple,
                                                      management, making workflow possibilities            technology. Students learn about resolution,    photographs), and more. We also explore
yet professional solution for organizing,
                                                      faster and more intuitive, and thus maxi-            white balance, and noise reduction, as well     color calibration of your monitor and prints,
adjusting, and outputting large quantities
                                                      mizing all that Lightroom has to offer.              as how to import camera files into Bridge,      HDR, panoramas, montages, making fine
of digital images. Students will learn to sort
                                                                                                           open Camera RAW files, and scan film. The       black-and-white and color digital prints, and
images into easily manageable databases,              Prerequisite: Macintosh literacy, Macintosh
                                                                                                           course covers nondestructive tonal and          even creating your own books!
color correct and retouch images, and                 Basics (free of charge), Photography I: Digital or
                                                                                                           color correcting with levels and curves,
output images for various purposes, such as           portfolio review
                                                                                                           adjustment layers, basic retouching on a        THE PERFECT SCAN
printing, emails, slide shows, and websites.
                                                                                                           separate layer, and printing with profiles.
For beginners                                         ADVANCED DIGITAL WORKFLOW:                                                                           Nov 23–24 | Sat & Sun 10 AM–5 PM
                                                      CAPTURE ONE AND ADOBE LIGHTROOM                      For beginners
Prerequisite: Macintosh literacy or Macintosh                                                                                                              Ben Gest | 19FCEDT101
Basics (free of charge), or portfolio review
                                                                                                           Prerequisite: Macintosh literacy or Macintosh   $540 + $40 fee
                                                      Nov 23–24 | Sat & Sun 10 AM–5 PM                     Basics (free of charge)
                                                      Ports Bishop | 19FCELR105                                                                            The digital workflow necessary for
LIGHTROOM INTENSIVE FROM A TO Z                       $540 + $20 fee                                       PHOTOSHOP II:                                   successful image production begins with
Sept 9–26 | Mon & Wed 2–5 PM                          Designed for students with a working knowl-          DIGITAL IMAGING FOR                             the software of the scanner and continues
Jade Doskow | 19FCELR003                              edge of digital photography, this advanced           PHOTOGRAPHERS                                   with Photoshop. This course addresses the
$650 + $40 fee                                        course explores the professional uses of                                                             unique considerations that accompany the
                                                                                                           Sept 10–Nov 19 | Tues 7–10 PM
                                                      Capture One and Adobe Lightroom. Partici-                                                            digitization of film and the preparation of
This course introduces students to all of                                                                  Claudia Sohrens | 19FCEPS100A
                                                      pants examine these powerful and essential                                                           those files for high-quality digital output.
Adobe Lightroom’s possibilities—from
                                                                                                           Sept 12–Nov 14 | Thurs 10 AM–1 PM               Participants learn how film grain, pixel
importing and organizing to making global             software systems from capture through
                                                                                                           Kathleen Anderson | 19FCEPS100B                 resolution, and post-production techniques
and local corrections. Students will begin by         output, gaining increased control over their
                                                      images and knowledge of advanced tonal               $820 + $40 fee                                  combine to translate film into beautifully
creating a Lightroom catalogue and arranging
                                                      and color adjustments. They also develop                                                             satisfying digital prints, and explore strate-
their digital files within it. They will then delve                                                        In this intermediate course, students refine
                                                      new skills in output, asset management,                                                              gies that allow them to create the images
into creative image processing in the Develop                                                              their use of Photoshop’s basic tools by
                                                      and tethered capture, making new workflow                                                            they envision.
module, learning about intensive color                                                                     investigating advanced working methods,
work, creative black-and-white conversions,           possibilities faster and more intuitive, and
                                                                                                           such as Camera RAW techniques, selection
perspective correction, and even Photomerge           thus maximizing all that these modern work-
                                                                                                           and masking techniques for adjustment
and HDR. Participants must bring an external          flows have to offer.
                                                                                                           layers to correct color and tone, retouching
hard drive from which to work.                        Prerequisite: Photography I: Digital, Photoshop      with the history brush, and black-and-white
Prerequisite: Macintosh literacy, Macintosh           I, Adobe Lightroom for Beginners, or portfolio
                                                                                                           conversion methods in adjustment layers.
Basics, or portfolio review                           review

4      FACULTY BIOS | icp.org/faculty
COURSES AND PROGRAMS FALL 2019 - INCLUDING JANUARY 2020 WORKSHOPS - International Center of ...
CONTINUING EDUCATION

                                                DIGITAL VIDEO PROJECTS I                         prints takes knowledge and practice. In this        FINE ART DIGITAL PRINTING II
New Media / Video                               Sept 10–Nov 19 | Tues 6:30–9:30 PM
                                                                                                 hands-on course, we delve into the tech-
                                                                                                                                                     Sept 12–Nov 14 | Thurs 2–5 PM
                                                                                                 niques involved in controlling overall tonal
 NEW INTRODUCTION TO                            Bradly Dever Treadaway | 19FCEDV117                                                                  Ben Gest | 19FCEPR200
                                                                                                 range, color, and contrast, as well as how to
                                                $820 + $40 fee                                                                                       $820 + $70 fee
VR IMAGING                                                                                       use brushes and gradients to modify specific
                                                This hands-on course leads students in           areas of an image. Topics include sharp-            Making exhibition-quality digital prints takes
Nov 2–3 | Sat & Sun 10 AM–5 PM
                                                the creation of short digital video projects.    ening and noise-reduction methods, portrait         time and expertise. In this hands-on course,
Bryan Whitney | 19FCEDV004
                                                Participants learn the practical operation       retouching, and black-and-white conversion.         students learn ways to bring out detail and
$540 + $40 fee
                                                and creative possibilities of shooting video,    Students print large and experiment with a          fine-tune color and contrast in specific
Expand your vision beyond the narrow            capturing sound, and editing in Adobe            variety of inkjet papers.                           areas of an image to improve its overall
frame! If you are curious about how street      Premiere. Focusing on production, primarily                                                          quality. Topics include masking techniques,
                                                                                                 Prerequisite: Photography I: Digital or portfolio
photography, architecture, or even portrai-     with a DSLR camera and Zoom sound                review                                              blending mode options, advanced sharp-
ture look using 360 imaging techniques          recorders, the class also covers manual          Note: Must be familiar with Lightroom               ening techniques, noise-reduction methods,
that capture multiple perspectives, then this   operation of camera controls, shot types,                                                            and various means of retouching. A variety
class is for you. Students are introduced       camera movement, and more. DSLR-enabled          FINE ART DIGITAL PRINTING I                         of inkjet papers are supplied for use with
to the world of virtual reality (VR) imaging    video cameras are available for 5-week                                                               different Epson inkjet printers.
using inexpensive consumer 360 cameras                                                           Sept 12–Nov 14 | Thurs 6:30–9:30 PM
                                                student loan. Zoom sound recorders are                                                               Prerequisite: Fine Art Printing I, Photoshop II,
that simplify and bring spontaneity to the                                                       Sarah Palmer | 19FCEPR100
                                                available for three-day checkout periods;                                                            or portfolio review
360 capture process. Together, we delve                                                          $820 + $70 fee
                                                contact ICP’s Equipment Office.
into the aesthetic possibilities of this new    Prerequisite: Photography I: Digital, DSLR       This hands-on course covers the funda-              THE DIGITAL PORTFOLIO MASTER
medium and how it relates to traditional        familiarity, or portfolio review                 mentals of image editing, including RAW             CLASS: ARCHIVAL INKJET PRINTING
photographic values of light and compo-                                                          conversion, localized adjustments, and
                                                                                                                                                     Sept 12–Nov 14 | Thurs 10 AM–1 PM
sition. We also explore various ways of                                                          color to black-and-white conversions, as
                                                                                                                                                     Ben Gest | 19FCEPR300
presenting this work: in a headset, as an
interactive model, in video, or even as a       Printing                                         well as printer profiles, driver settings, and
                                                                                                 soft-proofing. With an introduction to basic
                                                                                                                                                     $820 + $100 fee
traditional print. Take your images and                                                          elements of process control, students learn         In this master class, students learn how to
storytelling beyond the flat, single perspec-    NEW PRINTING FOR                                                                                    refine their techniques and methods
                                                                                                 how to approach troubleshooting options
tive and learn to see and represent the         LIGHTROOM USERS                                  efficiently. By continuously applying these         of production in the creation of muse-
world in a totally new way!                     Sept 10–Oct 15 | Tues 10 AM–1 PM                 techniques and concepts to their own                um-quality prints, as they create a consis-
                                                Jeanette May | 19FCELR106                        images, participants also hone the skills           tent and professional portfolio. Participants
                                                $540 + $75 fee                                   necessary to ensure that their prints accu-         gain insight into the visual language of
                                                                                                 rately reflect both the technical and aesthetic     photography, color theory, and the digital
                                                This course builds on the introductory                                                               techniques necessary to create images
                                                                                                 qualities of their digital images.
                                                printing skills covered in ICP’s Photography                                                         that articulate ideas and convey meaning.
                                                I and II: Digital. Making high-quality digital   Prerequisite: Photoshop I or portfolio review
                                                                                                                                                     They also explore various materials, mural
                                                                                                                                                     printing (Epson 7890), and advanced
                                                                                                                                                     production techniques in a small class of
                                                                                                                                                     skilled and dedicated photographers.
                                                                                                                                                     Prerequisite: Fine-Art Digital Printing II and
                                                                                                                                                     portfolio review, strong knowledge of Photoshop,
                                                                                                                                                     color management, and inkjet printing

                                                                                                                                                     PRINTING ON
                                                                                                                                                     ALTERNATIVE MATERIALS
                                                                                                                                                     Oct 17–Nov 14 | Thurs 6:30–9:30 PM
                                                                                                                                                     Bryan Whitney | 19FCEPR203
                                                                                                                                                     $540 + $100 fee
                                                                                                                                                     Printing images on alternative media,
                                                                                                                                                     such as fabric, metal, transparency, and
                                                                                                                                                     Japanese papers, allows photographers to
                                                                                                                                                     create images with an expressive physical
                                                                                                                                                     quality that stands in contrast to our digital
                                                                                                                                                     images and even traditional silver prints. It
                                                                                                                                                     also gives the photographer the freedom to
                                                                                                                                                     mix media and work sculpturally. This class
                                                                                                                                                     is for photographers who have experience
                                                                                                                                                     with digital printing, and would like to work
                                                                                                                                                     with a specific material, such as silk, which
                                                                                                                                                     they will select in advance, in consultation
                                                                                                                                                     with the instructor. Students should have
                                                                                                                                                     a cohesive selection of images that they
                                                                                                                                                     would like to realize as a project or portfolio
                                                                                                                                                     during the workshop.
                                                                                                                                                     Prerequisite: Photography I or portfolio review

© Sophie Barbasch

                                                                                                                                                          REGISTER | icp.org/register                   5
COURSES AND PROGRAMS FALL 2019 - INCLUDING JANUARY 2020 WORKSHOPS - International Center of ...
CONTINUING EDUCATION

IDEAS & PRACTICE                                                                                                                                     develop their personal vision, one that
                                                                                                                                                     aligns heart and mind.
                                                                                                                                                     Prerequisite: Photography II or portfolio review

                                                                                                                                                      NEW WHAT IS THE STORY?
                                                                                                                                                     Oct 26–27 & Nov 2–3 | Sat & Sun
                                                                                                                                                     10 AM–5 PM
                                                                                                                                                     Stephen Ferry | 19FCEPJ009
                                                                                                                                                     $460 + $25 fee
                                                                                                                                                     In the language of photojournalism, we
                                                                                                                                                     constantly refer to “the story.” Indeed,
                                                                                                                                                     photographers often call themselves “visual
                                                                                                                                                     storytellers.” Yet it is not always clear how
                                                                                                                                                     to define and tell “the story.” Furthermore,
                                                                                                                                                     as the field of documentary photography
                                                                                                                                                     confronts a historic lack of diversity, the
                                                                                                                                                     question of who tells the stories of our time
                                                                                                                                                     is a major concern. This workshop sharpens
                                                                                                                                                     your ability to define the stories you wish to
                                                                                                                                                     tell and provides you with narrative tools to
                                                                                                                                                     tell them. Students are required to complete
                                                                                                                                                     one major project over the duration of the
                                                                                                                                                     class, for presentation to the group.
                                                                                                                                                     Prerequisite: Photography II or portfolio review

                                                                                                                                                     Lighting
                                                                                                                                                     LIGHTING TECHNIQUES:
                                                                                                                                                     AN OVERVIEW
                                                                                                                                                     Sept 9–Nov 25 | Mon 10 AM–1 PM
                                                                                                                                                     Robert Meyer | 19FCELI100A
                                                                                                                                                     $680 + $50 fee
                                                                                                                                                     Nov 2–3* | Sat & Sun 9 AM–4 PM
                                                                                                                                                     Andrew French | 19FCELI100B
© Alex Fradkin
                                                                                                                                                     $470 + $75 fee
                                                                                                                                                     This introductory course provides an
ICP offers a broad spectrum of courses and workshops,                                              ON THE STREET:                                    overview of the essential principles,
                                                                                                   APPROACHING STRANGERS
                                                                                                                                                     techniques,and tools for lighting a variety
from Documentary Photography and Visual Journalism, to                                             Oct 19–20 | Sat & Sun 10 AM–5 PM                  of situations. Demonstrations take place
Personal Vision, to Lighting and Portraiture, all dedicated to                                     Greg Miller | 19FCEPJ006                          both in the studio and on location. Through
                                                                                                   $380 + $20 fee                                    hands-on practice and assignments,
inspiring the photographer’s creative process.                                                                                                       students learn how to use lighting equip-
                                                                                                   Why live in a city of 8 million people, if you
                                                                                                                                                     ment and accessories, as well as a range
                                                                                                   aren’t going to talk to any of them? In this
                                                   PEOPLE AND PLACE:                                                                                 of light sources, including tungsten, studio
Documentary Photography &                          THE DOCUMENTARY PORTRAIT
                                                                                                   intensive yet fun workshop, students take
                                                                                                   to the streets, to directly confront their fear
                                                                                                                                                     strobe, portable strobe, and daylight.
                                                                                                                                                     Through visual presentations and discus-
Visual Journalism                                  Sept 12–Nov 14 | Thurs 10 AM–1 PM
                                                   Karen Marshall | 19FCEPJ007
                                                                                                   of approaching strangers. Participants
                                                                                                   in this class learn how to get the picture
                                                                                                                                                     sions of printed matter, students review
                                                                                                                                                     examples of the direction and quality of
                                                   $655 + $15 fee                                  they want efficiently by communicating
DOING DOCUMENTARY WORK FOR                                                                         their desires. We explore all aspects of
                                                                                                                                                     light and discuss its function in the photo-
SOCIAL CHANGE AND IMPACT                           The camera is a powerful observer of                                                              graph. Students acquire a repertoire of
                                                                                                   photographing people, including fears and
                                                   people. In this course, we examine what                                                           lighting techniques to heighten the expres-
Sept 11–Nov 20 | Wed 6:30–9:30 PM                                                                  boundaries, model consent forms, and
                                                   ?it means to make images that address                                                             sive capacity of their work.
Jimmie Briggs | 19FCEPJ231                                                                         historical context. All photographic formats
$655                                               the social, cultural, or emotional space of     are welcome.                                      Prerequisite: Photography I or portfolio review.
                                                   people and the places they inhabit. Partici-                                                      *Note: This workshop is held at Splashlight
In this course, students develop the basic         pants discuss strategies for photographing                                                        Studios, 75 Varick Street, 3rd Floor, NYC.
skills and sensibilities necessary for                                                             VISUAL FREEDOM:
                                                   people within a cultural context, and create
producing comprehensive documentary                                                                HOW TO REACH THE POWER OF
                                                   documentary essays. Through class
                                                                                                   THE IMAGE                                         THE FUNDAMENTALS OF
projects with commercial and social                critiques and the honing of editorial skills,                                                     STUDIO LIGHTING
benefit. Participants undertake regular field      students gain a deeper understanding of         Oct 19–20 & 26–27 | Sat & Sun 10 AM–5 PM
                                                                                                                                                     Sept 17–Nov 26* | Tues 6:30–9:30 PM
assignments, analyze classic examples of           their personal motivation and desire, and       Frank Fournier | 19FCEPV275
                                                                                                                                                     David Arky | 19FCELI201
journalistic work with social impact, and          create meaningful work about the world          $460
                                                                                                                                                     $705 + $100 fee
discuss the burgeoning opportunities for           through their lens.                             A photograph is born at the crossroads
collaboration with civil society and human-                                                                                                          This introduction to the fundamentals of
                                                                                                   of a technical skill and a moral humility,
itarian organizations. Guests from the docu-                                                                                                         studio lighting focuses on practical appli-
                                                                                                   at the place where the inner world of the
mentary and nonprofit communities also                                                                                                               cations for portraiture. In-class demonstra-
                                                                                                   photographer meets the outer world. This
dialogue with us.                                                                                                                                    tions cover the unique properties and use
                                                                                                   course explores various methodologies
Prerequisite: Photography II or portfolio review                                                                                                     of strobe equipment and continuous light
                                                                                                   and practical tools that introduce students
                                                                                                                                                     sources, such as tungsten and LED lighting,
                                                                                                   to critical thinking on a professional level.
                                                                                                                                                     as well as diffusers, specialized reflectors,
                                                                                                   Participants are encouraged to find and
                                                                                                                                                     and focusing elements, along with filters,

6    FACULTY BIOS | icp.org/faculty
COURSES AND PROGRAMS FALL 2019 - INCLUDING JANUARY 2020 WORKSHOPS - International Center of ...
CONTINUING EDUCATION                                                                                                                                                          CONTINUING EDUCATION

umbrellas, softboxes, paras, and other            THE FASHION PORTRAIT:                              a successful portrait, including fashion,
light shapers. Students learn to consider         FROM STREET STYLE TO                               gestures, technique, lighting, and, of course,     Fashion / Beauty
the direction of light, proper exposure, and      HAUTE COUTURE                                      stealing from the best. Students become
light’s effect on contrast and color balance,                                                        immersed in a discussion of influences             FASHION: THE INSIDE STORY
                                                  Sept 12–Nov 14 | Thurs 6:30–9:30 PM
with much opportunity for in-class practice.      Alice O’Malley | 19FCEPO200                        and influencers in fashion and art photog-         Oct 19–20 & 26–27 | Sat & Sun 9 AM–4 PM
Prerequisite: Photography II, Lighting            $680 + $70 fee                                     raphy today. Participants also examine             Janusz Kawa | 19FCELI123
Techniques: An Overview, or portfolio review                                                         what it means to direct their own shoot and        $555 + $100 fee
*NOTE: Classes take place in the instructor’s     Throughout the history of photography,             produce an iconic image.
studio located in Brooklyn, NY                    portraitists have looked to fashion for            *Note: This workshop is held at Splashlight
                                                                                                                                                        In this course, students develop a personal
                                                  inspiration, and fashion has turned to the         Studios, 75 Varick Street, 3rd Floor, NYC.         and practical approach to fashion photog-
EXPOSURE, LIGHT, AND COMPOSITION                  camera for edification. Both disciplines                                                              raphy, acquiring the fundamental skills
FOR THE NOVICE                                    begin with an idea about how to represent          THE ENGAGING PORTRAIT                              needed to produce compelling photographs
                                                  the model in space. Elements of wardrobe,                                                             and learning how to use the basic tools
Nov 9–10 | Sat & Sun 10 AM–5 PM                                                                      Nov 16–17 & 23–24 | Sat & Sun 10 AM–5 PM
                                                  makeup, attitude, and personal style add                                                              and techniques within a professional photo
Lester Lefkowitz | 19FCELI001                                                                        Richard Renaldi | 19FCEPO220
                                                  dimensions to an image that are both                                                                  studio setting. Participants are challenged
$380 + $25 fee                                                                                       $460 + $20 fee
                                                  coded and revealed. In this class, students                                                           to conceptualize, communicate, and create
For those already familiar with basic camera      explore the nexus of fashion and portraiture       This two-weekend workshop places strong            a unique portfolio of images in association
operation, this workshop concentrates on          by examining our inspiration as photogra-          emphasis on environmental portraiture              with models, professional makeup artists,
understanding and applying the fundamental        phers and our desires as viewers. The class        and the making of photographic portraits           and hair stylists. Students gain insight into
underpinnings of any fine photograph: great       will include weekly lighting workshops, slide      (primarily, but not limited to, strangers). We     posing and relating to the model, examining
light, proper and appropriate exposure, and       presentations on the history of fashion            cover the construction and aesthetics of           various qualities and temperatures of light,
filling the frame in a compelling manner.         photography, and student critiques—with            what makes an engaging portrait, including         and more.
Students learn how to achieve reliable and        particular attention to decisions made             background, lighting, direction, and               Prerequisite: Photography I or portfolio review
consistent exposures, and how to master           regarding lighting, art direction, and narra-      casting. We also explore the figure/ground         *Note: This workshop is held at Splashlight
both daylight and artificial light. We also       tive themes.                                       relationship, the use of creative perspec-         Studios, 75 Varick Street, 3rd Floor, NYC.
examine how the masters have composed             Prerequisite: Photography II or portfolio review   tives, and the decisive acuity required for
their images within the simple rectangle.                                                            spontaneous portraiture. The workshop’s
Participants should bring their cameras for
photographing around the city.
                                                   NEW THE ICONIC PORTRAIT:
                                                  STEALING FROM THE BEST
                                                                                                     main objective is to provide students with a
                                                                                                     technical and conceptual fluency that they
                                                                                                                                                        Cityscape / Landscape
                                                                                                     may apply within their own practice.
 NEW LIGHT:                                       Sept 21–22 & Oct 5–6* | Sat & Sun                                                                     PHOTOGRAPHING NEW YORK:
                                                  9 AM–4 PM                                          Prerequisite: Photography II or portfolio review   THE LOWER EAST SIDE
TIPS AND TRICKS FROM THE MASTERS                                                                     Note: A DSLR or medium-format digital camera is
                                                  Andrea Blanch | 19FCEPO004
                                                                                                     recommended, but not required.                     Sept 9–Nov 25 | Mon 10 AM–1 PM
Nov 16–17 & 23–24* | Sat & Sun                    $555 + $75 fee
                                                                                                                                                        Brian Rose | 19FCELA003
9 AM–4 PM
                                                  In the words of Pablo Picasso, “Good artists                                                          $655 + $75 fee
Hans Neleman | 19FCELI002
                                                  copy; great artists steal.” Photography
$555 + $100 fee                                                                                                                                         The streets and tenements of the Lower
                                                  represents some of the most beautiful and
                                                                                                                                                        East Side—as depicted in the iconic
By emulating the lighting techniques and          hideous elements of culture and society.
                                                                                                                                                        photographs of Jacob Riis, Berenice Abbott,
concepts of master photographers, students        This course encompasses all aspects of
                                                                                                                                                        and Helen Levitt—have long been home
in this hands-on course learn how to improve
                                                                                                                                                        to immigrants from around the world.
their photography skills. The instructor
                                                                                                                                                        Today, however, affluent newcomers push
provides loads of visual stimulation, drawing
                                                                                                                                                        into established ethnic enclaves, and new
ideas and inspiration from the history of
                                                                                                                                                        construction threatens the historic street-
creative photography. The class then looks
                                                                                                                                                        scape. In this class, students document
analytically at various kinds of lighting
                                                                                                                                                        different geographical or thematic aspects
setups to help grow your own bag of lighting
                                                                                                                                                        of the neighborhood, and design and
tricks. Each week, new demonstrations and
                                                                                                                                                        produce a book using Blurb. The finished
practical tips enhance your lighting abilities
                                                                                                                                                        book will be presented to ICP’s research
and improve your artistic vision.
                                                                                                                                                        center. All formats are welcome.
*Note: This workshop is held at Splashlight
Studios, 75 Varick Street, 3rd Floor, NYC.
                                                                                                                                                         NEW THE POETICS OF PLACE:
                                                                                                                                                        EXPLORING NEW YORK CITY’S
                                                                                                                                                        LANDSCAPE
The Portrait                                                                                                                                            Sept 11–Nov 20 | Wed 6:30–9:30 PM
                                                                                                                                                        Nicholas Pollack | 19FCEPV294
 NEW PORTRAITURE MY WAY
                                                                                                                                                        $655
Sept 10–Nov 19 | Tues 6:30–9:30 PM
                                                                                                                                                        This course explores photography as a
Neal Slavin | 19FCEPO114
                                                                                                                                                        disciplined way of seeing, investigating,
$680 + $75 fee
                                                                                                                                                        and representing landscape in the
By my way I mean your way. In this course,                                                                                                              context of urban New York. We discuss
students learn via tailor-made assignments                                                                                                              photographers whose work concerns the
and honest ideas that matter. In the process,                                                                                                           physical and cultural geography of place,
each participant examines portraiture from                                                                                                              such as Charles Marville, Walker Evans,
their own inner perspective. We cover basic,                                                                                                            and Berenice Abbott, as well as texts by
hands-on lighting, studio portraiture, the                                                                                                              Rebecca Solnit and John Stilgoe. We also
use of makeup, posing, and a dash of street                                                                                                             visit the High Line, Madison Square Park,
portraiture. The class is based on individ-                                                                                                             and The Battery. Students keep a journal
ualized assignments and three full-blown                                                                                                                and develop a portfolio of photographs that
crits. To top things off, each class begins                                                                                                             investigate one site’s qualities.
with a selection of music that compares the                                                                                                             Prerequisite: Photography II or portfolio review
musical piece to photography!
Prerequisite: Photography I or portfolio review
                                                  © Andrea Blanch

                                                                                                                                                             REGISTER | icp.org/register               7
COURSES AND PROGRAMS FALL 2019 - INCLUDING JANUARY 2020 WORKSHOPS - International Center of ...
THE MODERN METROPOLIS:                                                                                                                                   NEW REIMAGINING THE PHOTO:
RETRACING BERENICE ABBOTT’S                                                                                                                             AN ALTERNATIVE VISION
NEW YORK
                                                                                                                                                        Sept 9–Nov 25 | Mon 6:30–9:30 PM
Sept 12–Nov 14 | Thurs 2–5 PM
                                                                                                                                                        Gerald Slota | 19FCEPV285
Jade Doskow | 19FCENY110
                                                                                                                                                        $655
$655 + $30 fee
                                                                                                                                                        This class is about experimenting with
In 1935, Berenice Abbott set out on a major
                                                                                                                                                        a hands-on approach and pushing the
five-year photography project: to document
                                                                                                                                                        boundaries of what a “typical” photograph
the changing New York cityscape with the
                                                                                                                                                        is supposed to be. We explore different
support of the Works Progress Administra-
                                                                                                                                                        techniques in order to create original
tion (WPA). Her pictures represent a dynamic
                                                                                                                                                        imagery, working spontaneously with
view of the city’s transformation. Using her
                                                                                                                                                        chance and turning mistakes into advan-
iconic 1939 publication, Changing New
                                                                                                                                                        tages. Designed to push the boundaries of
York, as a departure point, we travel to the
                                                                                                                                                        creative approach, this class opens up new
neighborhoods in this book to gain a visual
                                                                                                                                                        possibilities and allows for innovations in
understanding of the rich urban environment
                                                                                                                                                        one’s own photographic practice.
and create a series of images representative
of the rapidly evolving skyline.                                                                                                                        Prerequisite: Photography II or portfolio review

Prerequisite: Photography I or portfolio review
                                                                                                                                                         NEW COLLAGE:
                                                                                                                                                        HYBRIDS OF THE REAL &
NEW YORK AT TWILIGHT
                                                                                                                                                        THE SURREAL PHOTOGRAPHY
Oct 21–Nov 25 | Mon 6:30–9:30 PM                                                                                                                        Sep 9–Oct 21 | Mon 6:30–9:30 PM
Lynn Saville | 19FCENY102                                                                                                                               Keren Benbenisty | 19FCEPV180
$410 + $55 fee                                                                                                                                          $410 + $75 fee
New York at twilight is a study in contrasts.                                                                                                           The unconscious, dreamy, and fantastic
Changing conditions of light and weather                                                                                                                realms of surrealism meet Dada’s impro-
interact with architecture to build and                                                                                                                 visational practices in this workshop
dismantle an endless series of twilight                                                                                                                 that melds photography and collage.
cities, each hinting at pleasure and mystery.                                                                                                           Emphasizing chance, randomness, and
In this course, students develop their                                                                                                                  the unexpected, participants develop a
power of observation and photographic                                                                                                                   series of hybrid images that combine their
techniques as they delve into this shifting                                                                                                             own photographs along with found and
scene. Field trips explore the contrasts                                                                                                                archival images. Each week, the instructor
between obscure urban spaces, such as                                                                                                                   introduces 20th-century surrealist photog-
warehouses and industrial zones, and urban                                                                                                              raphers, Dada collages, and contemporary
icons like the Flatiron Building and the                                                                                                                artists working with photography and
Washington Square Arch.                                                                                                                                 collage who incorporate digital tools in their
Prerequisite: Photography I or portfolio review                                                                                                         practice.
                                                                                                                                                        Prerequisite: Photoshop I or portfolio review
THE ARCHITECTURAL METROPOLIS                                                                                                                            Note: Must have existing photographs to work
                                                  © Gerald Slota
AND THE POETICS OF SPACE                                                                                                                                with.

Oct 28–Nov 25 | Mon 6:30–9:30 PM
Alex Fradkin | 19FCELA001
                                                  aspects of using the view camera, in contrast      an artist as well as different modes of online     THE GRAMMAR OF PHOTOGRAPHY
                                                  to the 35mm camera. Topics include perspec-        display. Classes consist of shooting assign-
$410                                                                                                                                                    Sept 11–Nov 20 | Wed 10 AM–1 PM
                                                  tive control, bellows factor, basic sheet-film     ments, weekly critiques, and discussions.          Christopher Giglio | 19FCEPV051
Architectural movements and styles,               handling, contact printing, and processing.        Prerequisite: Photography I Digital, familiarity   $655
neighborhoods emanating rich cultural             Although this course is technically intensive,     with Photoshop, or portfolio review
diversity, and vernacular histories combine       students are encouraged to pursue their own                                                           Based on ideas suggested in two seminal
to make New York one of the most recog-           aesthetic directions. For participants who do      DAILY PRACTICE:                                    writings on photography, John Szarkows-
nizable and visually stimulating cities on        not own a large-format camera, ICP provides        THE PHOTO JOURNAL                                  ki’s The Photographer’s Eye and Stephen
the planet. Using film or digital cameras,        4x5 cameras.                                                                                          Shore’s The Nature of Photographs, this
                                                                                                     Sept 9–Nov 25 | Mon 6:30–9:30 PM
students create a body of work featuring          Prerequisite: Photography I in Black-and-White                                                        class functions as a primer of visual
                                                                                                     Linda Cummings | 19FCEPV002
various neighborhoods, returning to the           or portfolio review                                                                                   literacy for photographers. Through weekly
                                                                                                     $655 + $50 fee
same spot each week to further investigate        Note: All students signing out equipment are                                                          shooting assignments, lectures, and
what makes a place unique, both during the        required to take it home for the duration of the   The daily practice of making photographs           critiques, students learn about balance,
day and at night. We also cover technical         class. ICP is unable to accommodate storage of     is a way of “slowing down time” and                tempo, ways of organizing space, the signif-
aspects of architectural photography and          equipment.                                         “making sense” of the world. In this course,       icance of geometric structure, and why the
discuss weekly assignments as a group.                                                               students photograph every day, regardless          edges of the frame are important. In-class
                                                   NEW PHOTOGRAPHIC INTIMACY
                                                                                                     of other commitments, and keep a visual            exercises examine how we see what we
                                                  AND THE INTERNET                                   diary. Class discussions provide support           see, and enable participants to produce

Personal Vision                                   Sep 9–Nov 25 | Mon 10 AM–1 PM
                                                  Melissa Spitz | 19FCEPV178
                                                                                                     and encourage refinement of photographic
                                                                                                     technique. Readings include essays by
                                                                                                                                                        stronger, clearer pictures.

                                                  $655                                               renowned photographers. In committing to           ADVANCED CRITIQUE
LARGE-FORMAT                                                                                         this daily practice, students become clearer
                                                  The Internet has changed the way we digest                                                            Sept 11–Nov 20 | Wed 10 AM–1 PM
Oct 22–Nov 19 | Tues 10 AM–1 PM                                                                      about when, why, and how to transform the
                                                  imagery and tell stories. How do we form                                                              Richard Rothman | 19FCEPV269
Richard Rothman | 19FCELF100                                                                         “decisive moments” of ordinary experience
                                                  intimate connections with people viewing                                                              $655 + $25 fee
$410                                                                                                 into photographs that truly “speak” to them
                                                  our work if we aren’t there in person? What
                                                                                                     and others.                                        This class is for photographers who are
The large-format camera has unique features       types of stories do we connect with the
                                                                                                                                                        looking to begin or advance long-term
that influence the photographic process and       most—and why? This class addresses visual
                                                                                                                                                        projects while working on enriching their
the quality of the resulting image. This course   intimacy in an overexposed world, including
                                                                                                                                                        overall photographic vocabularies. Students
investigates the technical and aesthetic          how using the Internet can be beneficial to
                                                                                                                                                        present project proposals and personal

8    FACULTY BIOS | icp.org/faculty
COURSES AND PROGRAMS FALL 2019 - INCLUDING JANUARY 2020 WORKSHOPS - International Center of ...
CONTINUING EDUCATION

                                                                                                                                                      MAKING WORK…NOW WHAT?
                                                                                                                                                      GETTING OUT INTO THE ART WORLD
                                                                                                                                                      Oct 5–6 | Sat & Sun 10 AM–5 PM
                                                                                                                                                      Alice S. Zimet | 19FCEMA006
                                                                                                                                                      $380 + $25 fee
                                                                                                                                                      This popular workshop goes “inside the
                                                                                                                                                      collector’s mind.” Participants learn to
                                                                                                                                                      better understand where collectors shop
                                                                                                                                                      and the difference between dealing with
                                                                                                                                                      auction houses and galleries. We also
                                                                                                                                                      cover pricing, editioning, and the questions
                                                                                                                                                      collectors always ask. The instructor offers
                                                                                                                                                      students tips on how to get their work seen,
                                                                                                                                                      present at a portfolio review, and brand
                                                                                                                                                      themselves. We then drill down to each
                                                                                                                                                      photographer’s own communication tools—
                                                                                                                                                      analyzing your business card and “elevator
                                                                                                                                                      speech”—because making work is not
                                                                                                                                                      enough. This course is non-vocational.

                                                                                                                                                      EDITING & SEQUENCING:
                                                                                                                                                      BUILDING A PORTFOLIO
                                                                                                                                                      Nov 16–17 & 23–24 | Sat & Sun
                                                                                                                                                      10 AM–5 PM
© Melissa Spitz                                                                                                                                       Jean Marie Casbarian | 19FCEPV316
                                                                                                                                                      $460
goals; critiques and edits of ongoing work         aging play as part of the imagemaking              two-day “boot camp.” Day 1 we spend in          As photographers, we all know the impor-
follow. Participants are required to bring         process. In a supportive environment,              the classroom, discussing the questions         tance of having a strong edit in our final
new work to each class, and to critique            students develop confidence with experi-           to ask, where to shop, pricing, stamps,         project portfolios. In this intensive work-
each other’s work. An atmosphere of                mentation and self-expression, and refine          signatures, editions, dealing with galleries,   shop, students build upon current bodies
sincerity, seriousness, and constructive           their personal approaches to the creative          buying at auction, and tons of insider          of work by examining the various linear and
criticism is encouraged. Discussions are           process, all while building a body of work.        tips. Housekeeping advice includes how          nonlinear ways in which to construct and
designed to clarify the intention, meaning,        Prerequisite: Photography I, Photography I:        to insure and appraise your photographs,        orchestrate their photographs, both on and
and significance of each individual’s              Digital, or portfolio review                       frame your work, and keep proper records.       off the wall. We also look at photographers
approach to photography.                                                                              Day 2 includes behind-the-scenes visits to      who carefully consider the composed
Prerequisite: Photography II or portfolio review   STRANGE ENCOUNTERS:                                galleries, where we meet dealers and look       installation of their images, oftentimes
Note: Students must have a body of work            PHOTOGRAPHING THE MYSTERIOUS,                      at photographs up close.                        creating a new form and deeper context for
                                                   THE WONDROUS, THE DREAMLIKE,                                                                       their concepts and exhibitions.
 NEW BREAKING THE ROUTINE:                         THE RANDOM                                                                                         Prerequisite: Students must have a current
10 LESSONS TO GENERATE NEW WORK                    Oct 17–Nov 14 | Thurs 6:30–9:30 PM                                                                 body of work and be open to experimentation;
                                                   Palmer Davis | 19FCEPV268                                                                          Photography II or portfolio review
Sept 11–Nov 20 | Wed 10 AM–1 PM
Catherine G. Talese | 19FCEPV286                   $410
$655 + $40 fee                                     Through weekly discussions, shooting
This class is designed to generate new             assignments, and critiques, students in
work through 10 intensive assignments              this class develop new ways of interpreting
that explore particular aspects of picture-        the everyday. We investigate the strange
making. We begin at home, photographing            encounters of photographers, such as Henri
our rooms and views of the world; then, like       Cartier-Bresson, Diane Arbus, and William
a tourist with astonished eyes, we increase        Eggleston, to incorporate their unique
the scope of our subject matter through            strategies and perspectives. By applying
a sequence of assignments, including the           photographer/writer Teju Cole’s Surrealist
descriptive space, the narrative sequence,         Elements—Analogy, Ambiguity, Irony, Incom-
and the complexity of humor. The instructor        pleteness, Aftermath, Anthropomorphism,
works with each student’s strengths in             and Storytelling—students expand their
selecting their subject, vantage point, and        conceptual and aesthetic practice. Partici-
approach to framing pictures.                      pants generate a compelling portfolio that
                                                   invites curiosity and asks more questions
Prerequisite: Photography II or portfolio review
                                                   than it answers.
 NEW PROCESS, PRACTICE, PLAY:                      Prerequisite: Photography II or portfolio review
PERSONAL APPROACHES TO THE
CREATIVE PROCESS                                   DO'S AND DON'TS OF
                                                   COLLECTING PHOTOGRAPHY:
Sept 12–Nov 14 | Thurs 6:30–9:30 PM                INSIDER TIPS AND
Janelle Lynch | 19FCEPV179                         BEHIND THE SCENES
$655 + $35 fee
                                                   Sept 13–14 | Fri 10 AM–5 PM &
While “play” may be defined as the engage-         Sat 11 AM–6 PM
ment in an activity for recreation rather          Alice S. Zimet | 19FCEPV072
than purpose, it is also an indispensable          $380 + $55 fee
part of the creative process. Play allows for
                                                   Kick-start your collection and increase
discovery and expression. It grows talent. It
                                                   your confidence with this fact-filled
reveals truth. This seminar focus on encour-
                                                                                                      © Richard Renaldi

                                                                                                                                                          REGISTER | icp.org/register                9
CONTINUING EDUCATION

ONLINE CLASSES
                                                                                                                                                    active online sessions, students acquire an
                                                                                                                                                    understanding of powerful Lightroom tools.
                                                                                                                                                    Prerequisite: Macintosh literacy, Photography I,
                                                                                                                                                    or portfolio review
                                                                                                                                                    note: Lightroom Classic is required for this
                                                                                                                                                    class. Please contact the Education Office for
                                                                                                                                                    more information 212.857.0001.

                                                                                                                                                    QUEER: EXPLORING IDENTITIES IN
                                                                                                                                                    THE PHOTOGRAPHIC PROJECT
                                                                                                                                                    Oct 15–Dec 17 | Tues 3–5 PM
                                                                                                                                                    Pablo Lerma | 19FOLPV009
                                                                                                                                                    $515
                                                                                                                                                    This online class explores the concept of
                                                                                                                                                    queer in relation to the human identity in the
                                                                                                                                                    photographic project. We revise the history
                                                                                                                                                    of the queer community through audiovi-
                                                                                                                                                    sual materials and readings of works by
                                                                                                                                                    Michel Foucault and Annamarie Jagose,
                                                                                                                                                    among others, and examine a wide range
                                                                                                                                                    of images. This class is open to individuals
                                                                                                                                                    who want to delve into the concepts of
                                                                                                                                                    identity and queerness with their cameras.
                                                                                                                                                    All are welcome, without restrictions of
                                                                                                                                                    gender, identity, race, and/or age.

                                                                                                                                                     NEW PHOTOSHOP MADE EASY
                                                                                                                                                    Nov 13–Dec 18 | Wed 1–3 PM
                                                                                                                                                    Christine Callahan | 19FOLPS200
                                                                                                                                                    $215
                                                                                                                                                    Do you find Photoshop overwhelming? Do
© Christine Callahan                                                                                                                                you want to learn simple editing methods to
                                                                                                                                                    make your images stronger? In this course,
                                                                                                                                                    we streamline the process and establish a
Join our creative community from anywhere in the world                                               LIGHTROOM FOR BEGINNERS
                                                                                                                                                    clear and efficient workflow. Participants
through our unique online education platform. Our live hands-                                        Oct 9–Nov 6 | Wed 1–3 PM                       learn how to use essential Photoshop tools
                                                                                                     Christine Callahan | 19FOLLR100                to enhance their images, including the crop
on courses offer students the opportunity to engage in group                                         $215                                           tool, the text tool, and adjustment layers
critiques and discussions with an international array of                                             Do you want to learn how to organize and       and masks. Through interactive online
                                                                                                     adjust your images? In this course, we         sessions, participants acquire the skills and
photographers in faculty-led sessions. Participants access                                           establish a simple and efficient workflow      techniques needed to bring their work to
course material, shoot and upload assignments to a class                                             using Adobe Lightroom. Participants learn      the next level.
                                                                                                     professional practices for importing, orga-    Prerequisite: Photography II or portfolio review
website, and meet weekly for intimate two-hour sessions via                                          nizing, editing, and exporting to JPEG, PSD,   note: No class, Wednesday, November 27.
interactive video conferencing.                                                                      TIFF, and PDF file formats. Through inter-

To learn more about our online courses or to register for a class,
please call 212.857.0001 or visit us at icp.org/classes/online.

INTRODUCTION TO                                   NARRATIVE PHOTOGRAPHY
STREET PHOTOGRAPHY:
                                                  Oct 3–Dec 12 | Thurs 1–3 PM
CAPTURING THE FLEETING MOMENT
                                                  Richard Rothman | 19FOLPV211
Sept 10–Nov 19 | Tues 10 AM–12 PM                 $515
Natan Dvir | 19FOLCEPJ109
                                                  This class is for photographers who would
$515
                                                  like to develop narrative-based photo-
In this course, students explore approaches       graphic projects. We explore various ways
to photographing people on the street, as         that visual narratives are constructed,
they learn to identify photographic oppor-        including brief photographic essays and
tunities and capture candid moments in a          long-form book projects. The class is open
dynamic environment. Weekly critiques and         to a full range of storytelling forms, with an
lectures focus on topics such as technical        emphasis on communicating effectively
considerations, lens selection, creative use      and poetically, while expressing oneself
of available light, portraiture and cultural      creatively. Participants should come to the
sensitivities. We also discuss photographs        first class with a written proposal for a new
and projects of master photographers, as          project, or a project description of work
well as personal styles and contemporary          they have already begun.
street photography.                               Prerequisite: Photography II or portfolio review
Prerequisite: Photography I or portfolio review
                                                                                                     © Gregg Delman

10     FACULTY BIOS | icp.org/faculty
CONTINUING EDUCATION

STRATEGIES FOR THE PHOTOGRAPHER
                                                                                                                                                     of work by examining the various linear and
                                                                                                                                                     nonlinear ways in which to construct and
                                                                                                                                                     orchestrate their photographs, both on and
                                                                                                                                                     off the wall. We also look at photographers
                                                                                                                                                     who carefully consider the composed
                                                                                                                                                     installation of their images, oftentimes
                                                                                                                                                     creating a new form and deeper context for
                                                                                                                                                     their concepts and exhibitions.
                                                                                                                                                     Prerequisite: Students must have a current
                                                                                                                                                     body of work and be open to experimentation;
                                                                                                                                                     Photography II or portfolio review

                                                                                                                                                     Book Design and Production
                                                                                                                                                     FALLING IN LOVE WITH PHOTOBOOKS:
                                                                                                                                                     AN INTRODUCTION TO COLLECTING,
                                                                                                                                                     CURATING, AND FINDING YOUR
                                                                                                                                                     INSPIRATION
                                                                                                                                                     Oct 5* | Sat 10 AM–5 PM
                                                                                                                                                     Andrew French | 19FCEPV095
                                                                                                                                                     $120 + $50 fee
                                                                                                                                                     In this course, we explore an intimate
                                                                                                                                                     history of photobooks, from the classics
                                                                                                                                                     that have stood the test of time and
© Natan Dvir                                                                                                                                         inspired great photographers to the recent
                                                                                                                                                     wave of photobook appreciation. Held
                                                                                                                                                     in the instructor’s photography studio,
Whether your interest is in gaining concrete information for                                      HOW I LOOK AT PHOTOGRAPHS
                                                                                                                                                     home to his library of more than 1,200
marketing and editing your work, exploring a new direction,                                       Oct 26 | Sat 10 AM–5 PM                            photobooks, students learn how collecting
                                                                                                  W. M. Hunt | 19FCEPV005                            photobooks can inspire their vision and
learning good practices to protect your rights, or how to enter                                   $125                                               expand their knowledge of photography. We
the world of photography, these courses are designed to                                           This workshop is about looking at photo-           also cover how to start, curate, and care for
                                                                                                  graphs—considering them, thinking about            your own collection, and get tips from guest
provide you with a myriad of ways to engage with the                                              them, and reacting to them—taught by               experts.
photographic community.                                                                           someone who has been doing that for many           *NOTE: Classes take place in the instructor’s
                                                                                                  years. Students should come with open              studio located in NYC
                                                                                                  minds, patience, and nerve. The instructor
                                                learn how to approach, find, and work with a                                                         PUBLISHING AS PRACTICE:
Best Practices                                  gallery, which includes connecting with the
                                                                                                  will do a great deal of talking and show lots
                                                                                                  of visuals in the first part of the workshop. In   CREATIVE APPROACHES TO
                                                right partner, building trust, communicating      the second half, students will do the talking.     PHOTOBOOK DESIGN
DO'S AND DON'TS OF                              well, and drawing up financial agreements.        Students will be asked to bring printouts of       Oct 22–Nov 19 | Tues 6:30–9:30 PM
COLLECTING PHOTOGRAPHY:                         We also cover the strategies to effectively       three images that they did not photograph,
INSIDER TIPS AND BEHIND THE SCENES                                                                                                                   Christina Labey | 19FCEID103
                                                maintain a healthy relationship with a            but that they admire.                              $410 + $25 fee
Sept 13–14 | Fri 10 AM–5 PM &                   gallery. The instructors review and edit
Sat 11 AM–6 PM                                  your work, as you get one step closer to           NEW HOW TO GET WHAT YOU WANT!                     The photobook is a useful tool for commu-
Alice S. Zimet | 19FCEPV072                     becoming a professional artist.                                                                      nicating with a broad audience. From the
                                                                                                  Nov 16–17 | Sat & Sun 10 AM–5 PM                   editorial and design process to the produc-
$380 + $55 fee
                                                THE PHOTO EDITOR/PHOTOGRAPHER                     W. M. Hunt & Cig Harvey | 19FCEPV097               tion of the physical book, many details are
Kick-start your collection and increase                                                           $380                                               involved. This class provides an introduc-
                                                COLLABORATION: THE EDITORIAL
your confidence with this fact-filled                                                                                                                tion to photobook design from concep-
                                                ASSIGNMENT                                        Led by well-known champions of photog-
two-day “boot camp.” Day 1 we spend in                                                                                                               tual, creative, and practical standpoints.
                                                Oct 5–6 | Sat & Sun 10 AM–5 PM                    raphy—Cig is a photographer and educator;
the classroom, discussing the questions                                                                                                              We explore methods for the editing and
                                                Elinor Carucci & Justin O’Neill | 19FCEPV315      Bill is a collector, dealer, and writer—this
to ask, where to shop, pricing, stamps,                                                                                                              sequencing process, as well as alternative
                                                $380 + $45 fee                                    new two-day hands-on workshop covers
signatures, editions, dealing with galleries,                                                                                                        approaches to layout, design, and materials.
                                                                                                  how to engage with photographs, problem
buying at auction, and tons of insider          This two-day course is for students who wish                                                         Students develop a publishing proposal and
                                                                                                  solve, and, ultimately, get what you want.
tips. Housekeeping advice includes how          to learn, understand, and improve their ability                                                      receive a book dummy printed and bound at
                                                                                                  Students work through a series of provoca-
to insure and appraise your photographs,        to photograph for magazines. Focusing on                                                             Conveyor Studio.
                                                                                                  tive exercises designed for photographers
frame your work, and keep proper records.       editorial photography, the instructors cover      who want to clarify their approach to a life       Note: Students must have a project ready to
Day 2 includes behind-the-scenes visits to      various aspects of the processes photogra-                                                           develop into a publication. InDesign and Photo-
                                                                                                  in photography: how they think and talk
galleries, where we meet dealers and look       phers employ with publications; review and                                                           shop experience are highly recommended.
                                                                                                  about their work, how they edit and present
at photographs up close.                        edit students’ work; and help participants        it, and how they build a network.
                                                get one step closer to becoming informed
 NEW THE GALLERIST/ARTIST                       storytellers. This class covers how to create
RELATIONSHIP: THE PERFECT MATCH                                                                   EDITING & SEQUENCING:
                                                an effective portfolio; approach, meet, and
                                                                                                  BUILDING A PORTFOLIO
Sept 21–22 | Sat & Sun 10 AM–5 PM               get to know a magazine; and get the right
                                                assignments.?We also discuss what goes            Nov 16–17 & 23–24 | Sat & Sun 10 AM–5 PM
Michael B. Foley & Elinor Carucci |
                                                into executing successful shoots.                 Jean Marie Casbarian | 19FCEPV316
19FCEPV096
                                                Prerequisite: Advanced or intermediate level,     $460
$430
                                                or portfolio review; participants must have a     As photographers, we all know the impor-
The courtship between artist and gallerist      portfolio
                                                                                                  tance of having a strong edit in our final
is not unlike the path to a significant rela-
                                                                                                  project portfolios. In this intensive work-
tionship. In this two-day workshop, students
                                                                                                  shop, students build upon current bodies

                                                                                                                                                        REGISTER | icp.org/register                    11
JANUARY 2020 WORKSHOPS                                                                                                                            participants also learn advanced tech-
                                                                                                                                                  niques for converting images to black-and-
                                                                                                                                                  white.
                                                                                                                                                  Prerequisite: Photography I: Digital, Adobe
                                                                                                                                                  Lightroom for beginners or portfolio review

                                                                                                                                                  MACINTOSH BASICS
                                                                                                                                                  Jan 5 | Sunday 10 AM–1 PM
                                                                                                                                                  Lavonne Hall | 20JCEMB000
                                                                                                                                                  $100
                                                                                                                                                  This workshop provides an introduction to
                                                                                                                                                  computers in general and the Macintosh
                                                                                                                                                  system in particular. Students learn all the
                                                                                                                                                  basic features necessary to use a Macin-
                                                                                                                                                  tosh computer for digital photography.
                                                                                                                                                  Through hands-on instruction, they become
                                                                                                                                                  familiar with the computer’s components—
                                                                                                                                                  the desktop, its contents, and removable
                                                                                                                                                  media, such as CD-ROMs and DVD disk
                                                                                                                                                  drives—and learn to create, save, open, and
                                                                                                                                                  retrieve documents; use folders; and work
                                                                                                                                                  efficiently. Upon completion, students may
                                                                                                                                                  advance to more demanding applications.

                                                                                                                                                  Digital Workflow
                                                                                                                                                  LIGHTROOM INTENSIVE FROM A TO Z
                                                                                                                                                  Jan 13–17 | Mon–Fri 10 AM–5 PM
                                                                                                                                                  Jade Doskow | 20JCELR003
© Lynn Saville                                                                                                                                    $820 + $40 fee
                                                                                                                                                  This course introduces students to all of
January Workshops are designed to provide both the                                                iPHONE PHOTOGRAPHY 101                          Adobe Lightroom’s possibilities—from
                                                                                                                                                  importing and organizing to making
newcomer and the advanced practitioner an opportunity to                                          Jan 12 | Sun 10 AM–5 PM
                                                                                                                                                  global and local corrections. Students will
                                                                                                  Clinton Weldon | 20JCEDP011A
refine and shape his/her photographic skills in an intense                                                                                        begin by creating a Lightroom catalogue
                                                                                                  Jan 25 | Saturday 10 AM–5 PM
                                                                                                                                                  and arranging their digital files within it.
and accelerated environment. Our January classes will be                                          Clinton Weldon | 20JCEDP011B
                                                                                                                                                  They will then delve into creative image
held at our new location at Essex Crossing on the Lower                                           $120                                            processing in the Develop module, learning
                                                                                                                                                  about intensive color work, creative
East Side. More entry information will be available soon.                                         Your iPhone is capable of more than
                                                                                                                                                  black-and-white conversions, perspective
                                                                                                  just vacation photos and food pics. It’s
                                                                                                                                                  correction, and even Photomerge and HDR.
                                                                                                  a photographic tool that can be used
                                                                                                                                                  Participants must bring an external hard
                                                  contemporary artwork explore creative           to capture and share your vision of the
Digital Photography                               approaches to photography, and assign-          world around you. In this hands-on class,
                                                                                                  students discover how to create frame-
                                                                                                                                                  drive from which to work.
                                                                                                                                                  Prerequisite: Macintosh literacy, Macintosh
                                                  ments build photographic skill sets.                                                            Basics, or portfolio review
PHOTOGRAPHY I                                     For beginners                                   worthy images with an iPhone. Participants
                                                  Prerequisite: Macintosh literacy or Macintosh   will learn the basic techniques of image
Jan 6–10 | Mon–Fri 6–10 PM
                                                  Basics (free of charge)                         composition, tips on shooting portraits, and
Michele I. Arazi | 20JCEDP000A
$675 + $40 fee                                    Note: A DSLR camera capable of shooting RAW
                                                  files is required.
                                                                                                  the camera apps and editing tools that can
                                                                                                  elevate a photograph from a casual snap-
                                                                                                                                                  Printing
Jan 13–17 | Mon–Fri 10 AM–5 PM                                                                    shot to a thoughtful and personal image.        FINE ART DIGITAL PRINTING I
Claudia Sohrens | 20JCEDP000B                     HOW TO USE YOUR DIGITAL SLR OR
$820 + $40 fee                                                                                                                                    Jan 6–10 | Mon–Fri 10 AM–5 PM
                                                  MIRRORLESS CAMERA                               PHOTOGRAPHY II                                  Ben Gest | 20JCEPR100
Jan 11–12 & 18–19 | Sat & Sun                     Jan 12 | Sun 10 AM–5 PM                         Jan 13–17 | Mon–Fri 6–10 PM                     $820 + $70 fee
10 AM–5 PM                                        Robert Meyer | 20JCEDP001                       Clinton Weldon | 20JCEDP100
Kate Izor | 20JCEDP000C                                                                                                                           This hands-on course covers the funda-
                                                  $290                                            $675 + $40 fee
$770 + $40 fee                                                                                                                                    mentals of image editing, including RAW
                                                  This workshop demystifies the digital           In this intermediate course, students           conversion, localized adjustments, and
This course introduces beginners to the           single-lens reflex (DSLR). As students prac-    improve their creative and technical skills     color to black-and-white conversions, as
creative and technical possibilities of digital   tice taking digital photographs, they learn     and, through lectures and assignments,          well as printer profiles, driver settings, and
photography. Through demonstrations               how to use all the settings and functions       explore the aesthetic and compositional         soft-proofing. With an introduction to basic
and hands-on sessions, students learn the         of their cameras. Topics include auto white     aspects of photography. Presentations on        elements of process control, students
basics of using cameras and imaging soft-         balance, color space, color temperature,        historical and contemporary artwork intro-      learn how to approach troubleshooting
ware to produce digital photographs. Topics       formatting, correct exposure for digital        duce various photographic genres, such as       options efficiently. By continuously applying
include camera operation, shutter speed,          images, and the advantages of shooting in       portraiture, landscape, and documentary.        these techniques and concepts to their
aperture, focal length, RAW file formats,         different file formats. Participants explore    Using Adobe Lightroom, students develop         own images, participants also hone the
white balance, and composition. Using             the many functions that a DSLR shares with      effective workflows for sorting and editing     skills necessary to ensure that their prints
Adobe Lightroom, participants also delve          a traditional film camera, and discover how     images, refine image adjustment skills, and     accurately reflect both the technical and
into file management, image enhancement,          to use them to create the best possible         perfect printing ability. As they work toward   aesthetic qualities of their digital images.
and printing. Lectures on historical and          image.                                          developing a personal visual language,          Prerequisite: Photoshop I or portfolio review

12     FACULTY BIOS | icp.org/faculty
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