Lars Müller Publishers Autumn 2018 Architecture Design Photography Art Society
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Architecture 1 Lars Müller Publishers Autumn 2018 Architecture Design Photography Art Society
Architecture 2
Innovative solutions to overcome social challenges
Alejandro Aravena
ELEMENTAL
The Architect’s Studio
In collaboration with Louisiana Museum of Modern Art
Edited by Michael Juul Holm
Text by Alejandro Aravena
The ELEMENTAL studio, headed by artistic director Alejandro Aravena and based in the capital of
Chile, Santiago, is untraditionally composed of people with a variety of skills and abilities. Their
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analytical approach to architecture and urban planning has led them towards original solutions to
social challenges, such as the housing shortage in Santiago’s economically disadvantaged neigh-
bourhoods. Instead of designing cheap housing, ELEMENTAL builds “half houses” at the same cost
and enables buyers to build the other halves themselves. The combination of good design and
October the engagement of the buyers creates more sustainable housing areas. In the series The Architect’s
Studio the Louisiana Museum of Modern Art presents an exhibition on the ELEMENTAL studio,
Design: Camilla Jørgensen & curated by Mette Marie Kallehauge and Kjeld Kjeldsen. The richly illustrated publication will portray
Søren Damstedt, Trefold ELEMENTAL ’s working methods and work philosophy, as well as showing examples of their most
24 × 30 cm, 9½ × 11¾ in important projects.
240 pages
240 illustrations, hardcover Aravena was awarded the prestigious Pritzker Prize in 2016 and
ISBN 978-3-03778-572-0, English
approx. EUR 45.– GBP 40.– USD 50.– was the director of the Venice Architecture Biennale with the support
of the ELEMENTAL group
A richly illustrated book on ELEMENTAL, their methods, and philosophy
Accompanying an exhibition of the same name at Louisiana Museum
of Modern Art, Denmark, opening on October 11, 2018
Previously published books of the series The Architect’s Studio:
Wang Shu This publication examines the recent work of the Chinese architect
Amateur Architecture Studio Wang Shu, Pritzker Prize winner in 2012. At a time when China’s explosive
The Architect’s Studio urbanization is making inroads into rural areas and leaving the marks of
Design: Camilla Jørgensen &
cheap concrete construction everywhere, Wang Shu and Amateur Archi-
Søren Damstedt, Trefold tecture Studio are keen to work against this tendency by reusing materials
24 × 30 cm, 9½ × 11¾ in, 240 pages from the buildings that Chinese authorities are systematically tearing down
239 illustrations, hardcover
and rebuilding after western models. Wang Shu’s architecture reveals a
2017, ISBN 978-3-03778-531-7, English
EUR 45.– GBP 40.– USD 50.– thoughtful attitude toward both design and implementation, as well as the
ability to react flexibly to the surroundings and history of a particular site.
Architecture 3
A genealogy of self-reliant environments
Lydia Kallipoliti
The Architecture of Closed Worlds
Or, What is the Power of Shit?
In collaboration with Storefront for Art and Architecture
What do outer space capsules, submarines, and office buildings have in common? Each is con-
ceived as a closed system: a self-sustaining physical environment demarcated from its surroundings
by a boundary that does not allow for the transfer of matter or energy. Contemporary discussions
about global warming, recycling, and sustainability have emerged as direct conceptual constructs
related to the study and analysis of closed systems. From the space program to countercultural
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architectural groups experimenting with autonomous living, this publication documents a discipli-
nary transformation and the rise of a new environmental consensus in the form of a synthetic
naturalism. It presents an archive of 39 historical living prototypes from 1928 to the present that put
forth an unexplored genealogy of closed resource regeneration systems. Prototypes are presented
July through unique discursive narratives with historical images, and each includes new analysis in
the form of a feedback drawing that problematizes the language of environmental representation
Design: Pentagram by illustrating loss, derailment, and the production of new substances and atmospheres.
19.5 × 26.5 cm, 7¾× 10¾ in
approx. 352 pages LYDIA KALLIPOLITI is an architect, engineer, and scholar with a PhD from Princeton University
approx. 340 illustrations, paperback and a SMArchS from MIT. She is an Assistant Professor and the Co-Director of the Master of
ISBN 978-3-03778-580-5, English Science Program at Rensselaer Polytechnic Institute, as well as the principal of ANAcycle thinktank
approx. EUR 35.– GBP 30.– USD 40.– in Brooklyn, New York.
Closed systems identify and secure the cycling of materials necessary
for the sustenance of life
A counter history to optimize circular economies in material
conversions—by looking at shit, among other things
Previously published books on related topics:
Ecological Urbanism Embodied Energy and Design
Making Architecture between Metrics
This revised edition features over
and Narratives
40 new projects
Mohsen Mostafavi, Gareth Doherty (Eds.) David Benjamin (Ed.)
Design: Integral Lars Müller
Design: Integral Lars Müller
16.5 × 24 cm, 6 ½ × 9 ½ in, 656 pages
21 × 29.7 cm, 8¼ × 11¾ in, 232 pages
1600 illustrations, hardcover
217 illustrations, hardcover
2016, ISBN 978-3-03778-467-9, English
2017, ISBN 978-3-03778-525-6, English
EUR 50.– GBP 37.– USD 50.–
EUR 35.– GBP 32.– USD 39.–
Architecture 4
Testimony of a legendary cruise
Chris Blencowe and Judith Levine
Moholy’s Edit
CIAM 1933: The Avant-Garde at Sea
The Greek island sequence montaged by László Moholy-Nagy into his legendary documentary
Architects’ Congress can be interpreted, like his provocative photoplastiks, as a “message in
a bottle” thrown into the sea that “might take decades for someone to find and read.” Capturing the
incomparable Greek light, it presents a compelling glimpse of the four days and nights in August
1933 when the elite of the European architectural and artistic avant-garde—in Greece for the 4th Inter-
national Congress of Modern Architecture (CIAM)—took to the Aegean in a barely-seaworthy “nut
shell” that would bring them close to the brink of disaster. The “motley crew” included Le Corbusier,
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Fernand Léger, Amédée Ozenfant, Sigfried Giedion, Cor van Eesteren, and Otto Neurath. Crucial to
the success of the surreal odyssey were members of the Greek avant-garde. Drawing on previously
unpublished material—Moholy’s poetically ironic letter to his wife Sibyl, Ghika’s candid Memoirs of
Le Corbusier, and forensic examination of the architect’s sketchbooks—the authors reconstruct the
September epiphanies, debates, and, inevitably, estrangements at this critical moment in European history.
Design: Integral Lars Müller CHRIS BLENCOWE graduated from the AA in 1966 and JUDITH LEVINE graduated from
16.5 × 24 cm, 6½ × 9½ in Manchester University in 1961. They collaborated on schools competitions in Ticino with Livio Vacchini
approx. 200 pages and Luigi Snozzi, subsequently working together in a practice which combines architecture, art,
approx. 100 illustrations, paperback and photography, and teaching in Canada, Europe, and the UK.
ISBN 978-3-03778-566-9, English
approx. EUR 30.– GBP 27.– USD 35.– A close study of a four-day cruise to the Aegean islands by the
European architectural and artistic avant-garde in 1933
Provides exclusive insights into the event and its significant impact by
means of historical documents
Previously published books on related topics:
int
Oliver A. I. Botar László Moholy-Nagy Repr
Sensing the Future: Telehor
Moholy-Nagy, The International Review New Vision
Media and the Arts 21 × 29.7 cm, 8¼ × 11¾ in, 138 pages
Design: Integral Lars Müller 69 illustrations, spiral binding (reprint)
21 × 29.7 cm, 8¼ × 11¾ in, 192 pages 21 × 29.7 cm, 8¼ × 11¾ in, 80 pages
415 illustrations, hardcover 34 illustrations paperback (commentary)
2014, ISBN 978-3-03778-433-4, English 2013, ISBN 978-3-03778-253-8, English / German / French /
2014, ISBN 978-3-03778-434-1, German Czech / Spanish / Mandarin / Russian / Hungarian
E G EUR 35.– GBP 28.– USD 39.– EUR 40.– GBP 35.– USD 45.–
Architecture 5
A manifesto of a modernist housing ideology
Sigfried Giedion
Befreites Wohnen (Liberated Dwelling)
Edited by Reto Geiser
Sigfried Giedion’s small but vocal manifesto Befreites Wohnen (1929) is an early manifestation of
modernist housing ideology and as such is key to the broader understanding of the ambitions of
the International Congresses of Modern Architecture (CIAM) and the debate on the industrialization
of construction processes and its impact on public housing at the beginning of the twentieth century.
An important step in Giedion’s rise as one of the foremost propagators of modern architecture,
this manifesto is based on the argumentative power of visual comparisons, and is the only book
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the art historian both authored and designed.
Along a facsimile edition in German, Giedion’s Befreites Wohnen is presented here for the first time
in English translation (by Reto Geiser and Rachel Julia Engler). It is completed with annotations and
September int
Repr
a scholarly essay that anchors the work in the context of its time and suggests the book’s relevance
for contemporary architectural discourse.
Design: Sigfried Giedion / Integral Lars Müller
12.5 × 19 cm, 5 × 7½ in RETO GEISER is an architect and scholar of modern architecture with a focus on the intersections
100 pages, 86 illustrations, hardcover (reprint), between architecture, pedagogy, and media. He is the Gus Wortham Assistant Professor at the
with commentary (approx. 64 pages) in Rice University School of Architecture where he teaches history, theory, and design.
transparent slipcase
ISBN 978-3-03778-568-3, English Facsimile edition with English translation and commentary
ISBN 978-3-03778-581-2, German
approx. EUR 35.– GBP 30.– USD 40.– A visual journey through modern housing at the beginning of
the twentieth century
E
G
Previously published books on related topics:
Max Bill’s View of Things SQM: The Quantified Home
Die gute Form: An Exhibition 1949 An exploration of the evolving identity of the
home, from utopian experiment to factory of data
Lars Müller in collaboration with
the Museum für Gestaltung Zürich (Eds.) Space Caviar (Joseph Grima,
Andrea Bagnato, Tamar Shafrir) (Ed.)
Design: Integral Lars Müller
21 × 29.7 cm, 8¼ × 11¾ in, 160 pages Design: Folder
106 illustrations, hardcover 17 × 24 cm, 6¾ × 9½ in, 304 pages
2014, ISBN 978-3-03778-372-6, English 140 illustrations, paperback
E G 2014, ISBN 978-3-03778-339-9, German 2014, ISBN 978-3-03778-453-2, English
EUR 39.– GBP 30.– USD 45.– EUR 35.– GBP 28.– USD 35.–
Architecture 6
A key work of architectural theory
and the analysis of form
Peter Eisenman
The Formal Basis of
Modern Architecture
In The Formal Basis of Modern Architecture the internationally acclaimed US-American architect
Peter Eisenman—world-famous for his Holocaust Memorial in Berlin (2005)—confronts historicism
with theory and the analysis of form, whose distinguishing features he regards as the foundation
of architectural composition. The architect illustrates his observations with numerous, extremely
precise hand drawings.
int
Repr
Eisenman wrote The Formal Basis of Modern Architecture, his dissertation, in 1963 at the University
July of Cambridge. The dissertation was first published as a facsimile edition by Lars Müller Publishers
in 2006. The original content of the publication is now available again—the book is reprinted in
Design: Integral Lars Müller a smaller format.
23 × 24 cm, 9 × 9½ in
384 pages “I knew what I wanted to write,” Eisenman says of the dissertation. “An analytic work that related
600 illustrations, hardcover what I had learned to see, from Palladio to Terragni, from Raphael to Guido Reni, into some
ISBN 978-3-03778-573-7, English theoretical construct that would bear on modern architecture, but from the point of view of a certain
approx. EUR 30.– GBP 27.– USD 35.– autonomy of form.” Hence the title of his research.
PETER EISENMAN is an internationally recognized architect and educator whose award-winning
large-scale housing and urban design projects, innovative facilities for educational institutions, and
series of inventive private houses attest to a career of excellence in design.
An analytic work based on the autonomy of form illustrated with
precise hand drawings
Reprint of Eisenman’s dissertation, 1963, first published in 2006
327
Previously published books by Peter Eisenman:
Peter Eisenman The idea of providing a memorial to the victims of the Holocaust dates
Holocaust Memorial Berlin from 1989. Since then plans have been made, designs sketched, and heat-
Photographs: Héléne Binet and ed discussions conducted. The memorial was handed over to the public
Lukas Wassmann
in May 2005. 2700 concrete blocks flow unassertively over the enormous
Design: Integral Lars Müller field and invite visitors to immerse themselves in them. The monument
24 × 30 cm, 8¼ × 11 in, 120 pages cannot be interpreted in any one specific way, it is not suitable for acts of
65 illustrations, hardcover
state, and does not follow the rules of ceremonial, which is what makes
2005, ISBN 978-3-03778-056-5, English
it so spectacular. Essays by Hanno Rauterberg and Peter Eisenman make
E G 2005, ISBN 978-3-03778-059-6, German
EUR 23.– GBP 20.– USD 30.– it possible to reflect about the building more deeply.
Photography 7
Chronicle and analysis of an interactive exhibition
Armin Linke and Peter Hanappe
Phenotypes/Limited Forms
In collaboration with ZKM and Sony Computer Science Laboratories
Texts by Estelle Blaschke, Wilfried Kühn, Vittorio Loreto, Doreen Mende, Peter Weibel
This book is an extension of the interactive installation Phenotypes/Limited Forms. The installation
encourages visitors to pick their favorite subjects out of a total of several hundreds of displayed
photographs, rearrange them, name their sequences, and print them in the form of a fanfold. The
publication analyzes the 30 000 sequences selected by the public. A detailed demonstration of
the applied algorithms helps us to understand the connection between the photographs, the number
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of times they were chosen by an individual visitor, and how the visitors named their personal
selection of images. The book traces the creative processes and the interaction of the visitors with
the material of the installation as a work of art highly dependent on the involvement of the audience.
Essays by curators and art historians discuss the subject on a theoretical level while examining
July the aspects of participation and emancipation as well as the question of the autonomy of images.
Design: Laure Giletti ARMIN LINKE was born in 1966 and lives in Berlin. As a photographer and filmmaker he analyzes
18 × 26.5 cm, 7 × 10½ in the formation, the “Gestaltung” of our natural, technological, and urban environment, perceived
approx. 384 pages as a diverse space of continuous interaction.
approx. 2700 illustrations, paperback PETER HANAPPE studied electronic engineering at the University of Ghent, Belgium. As a
ISBN 978-3-03778-575-1, English researcher at Sony Computer Science Laboratory in Paris he worked on new modes of content
approx. EUR 40.– GBP 35.– USD 45.– creation and distribution that involve the participation of (online) communities.
How Linke’s photography is perceived by viewers, and its meaning
transformed through algorithms
Accompagnying Linke’s installation in the exhibition Open Codes—
Living in Digital Worlds at ZKM Karslruhe (20.10.2018–6.1.2019)
Photography 8
Of cities and humanity—a photographic itinerary
Beat Streuli
The Fabric of Reality
With his new artist’s book The Fabric of Reality, Beat Streuli for the first time lays a trail leading
through his oeuvre. Following Public Works (JRP Ringier, 2012), which delivered an overview of
Streuli’s installations from 1996–2011, the artist now links projects, photographs, and video stills from
the past seven years with early black-and-white works. Arranged in close succession and with
frequent superimposition, the works create a visual rhythm that conveys an impression of an oeuvre
marked by sober conceptual observation verging on documentary status. Essays on the themes
of urbanism and sociology, as well as on media theory and the theory of perception, embed Streuli’s
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work in a discursive context.
BEAT STREULI, born in Switzerland in 1957, attended the Schools of Design in Basel and Zurich
and the Hochschule der Künste in Berlin. Streuli is interested in the inhabitants of cities but also in
October the cities themselves as an urban and architectural concept and he has recently often worked
outside the global metropoles, in suburbs and smaller cities. Streuli develops large installations for
Design: Beat Streuli and Integral Lars Müller public space by integrating new technologies and produces works where still and moving pictures,
20 × 28 cm, 8¼ × 11 in billboards and immaterial images are combined.
approx. 480 pages
approx. 200 illustrations, paperback
ISBN 978-3-03778-576-8, English The result of juxtaposing Streuli’s recent work with his early
approx. EUR 35.– GBP 30.– USD 40.–
black-and-white photography
Documenting the artist’s journey around the globe and his
cross-disciplinary way of working
Zurich-Albisrieden, 2015 Kuala Lumpur, 2014 New York City, 1993
Tangier, 2013 Chiasso, 2014 Milan-Cinisello, 2011
Previously published books on related topics:
Ahmed Mater Andri Pol
Desert of Pharan Inside CERN
Unofficial Histories behind the European Organization for
Mass Expansion of Mecca Nuclear Research
Design: Integral Lars Müller Design: Andri Pol and Integral Lars Müller
20 × 26.4 cm, 7¾ × 10¼ in, 632 pages 20 × 27. 5 cm, 7¾ × 10¾ in, 432 pages
623 illustrations, paperback 295 illustrations, paperback
2016, ISBN 978-3-03778-485-3, English 2014, ISBN 978-3-03778-275-0, English
EUR 60.– GBP 45.– USD 60.– 2014, ISBN 978-3-03778-262-0, German
E G EUR 50.– GBP 40.– USD 55.–
Photography 9
Capturing the fading memory of the Holocaust
in 1078 polaroid images
Anton Kusters
One Thousand and Seventy-Eight
Blue Skies
Photographer Anston Kusters’ project consists of 1078 individual peel-apart polaroid images of blue
skies. At every known position of former Nazi concentration camps, over the course of five years,
a photograph was taken. Every polaroid image was then permanently tagged with the particular
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camp’s last known GPS coordinates and the—often estimated—number of victims.
The photographs are an exploration of an already fading memory, confronting us with the issues
of how we see and how we choose to remember. They continue examining the limits of representation
September of trauma and the Holocaust. The project addresses the ambivalence between the severity of
historical incidents and the poetic idea of reflecting on one of the most complex subjects in history.
Design: Teun van der Heijden
12 × 15.3 cm, 4¾ × 6 in Essays discussing the various forms of meaning inherent in this work accompany the photographs.
approx. 2200 pages
1078 illustrations, hardcover ANTON KUSTERS, born in Belgium in 1974, focuses on investigating ways of seeing, through visual
ISBN 978-3-03778-574-4, English representation and interpretation, the limits of memory and remembrance, and the significance
approx. EUR 30.– GBP 27.– USD 35.– of viewer placement and subject-position.
An artist’s book of how we see and how we choose to remember
Tracking down the location of every former Nazi concentration camp,
this artwork is a reminder of how close freedom and imprisonment are
Design 10
A must-have for all design enthusiasts
Karl Gerstner
Designing Programmes
Programme as Typeface, Typography, Picture, Method
Karl Gerstner’s work is a milestone in the history of design. Designing Programmes is one of his
most important works: in four essays, the author provides a basic introduction to his design method-
ology and suggests a model for design in the early days of the computer era. The book is especially
topical and exciting in the context of current developments in computational design. With many
examples from the worlds of graphic and product design, music, architecture, and art, it inspires the
reader to seize on the material, develop it further, and integrate it into his or her own work.
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Designing Programmes was first published in 1964; in 2007 Lars Müller Publishers launched a
re-designed version. This year’s release of Designing Programmes corresponds with the original
edition of the book, designed by Karl Gerstner.
August
rint
KARL GERSTNER (1930–2017, Basel, CH) studied design at the Allgemeine Gewerbeschule in Basel
Design: Karl Gerstner Rep under Emil Ruder. He set up his own studio in 1949. In 1963 Gerstner partnered with Markus Kutter,
19.5 × 25 cm, 7¾ × 9¾ in a copywriter and editor, to found the agency Gerstner + Kutter, which then turned into GGK with the
120 pages addition of architect Paul Gredinger and became one of the most successful advertising agencies
approx. 200 illustrations, hardcover in Switzerland. Gerstner has had a significant influence on typography as well as on the history and
ISBN 978-3-03778-578-2, English development of graphic design.
approx. EUR 35.– GBP 30.– USD 40.–
Facsimile edition corresponding to the original design of the book first
published in 1964
A practical introduction to the design methodology of Karl Gerstner
Previously published books on related topics:
t
Neue Grafik R eprin 100 Years of
New Graphic Design Swiss Graphic Design
Graphisme actuel, 1958 –1965 Museum für Gestaltung Zürich,
Facsimile edition of all 18 issues published, Christian Brändle, Karin Gimmi, Barbara Junod,
with commentary, Lars Müller (Ed.) Christina Reble, Bettina Richter (Eds.)
Design: Integral Lars Müller Design: NORM
25 × 28 cm, 9 ¾ × 11 in, 1184 pages (reprints), 21.6 × 32.4 cm, 8 ½ × 12 ¾ in, 352 pages
44 pages (commentary) 943 illustrations, hardcover
18 paperback volumes in a slipcase 2014, ISBN 978-3-03778-399-3, English
E G
2014, ISBN 978-3-03778-411-2, English /German / French 2014, ISBN 978-3-03778-352-8, German
EUR 250.– GBP 200.– USD 300.– EUR 55.– GBP 45.– USD 60.–Design 11
White is more than a color—White is a philosophy
Kenya Hara
100 Whites
White not only plays an important role in Japanese culture in general but also in the work of
designer Kenya Hara. In 100 Whites, Hara gives one hundred specific examples of white—such as
snow, Iceland, rice, and wax. On the basis of these examples he discusses the importance of
white in design—not only as a color but as a philosophy.
Hara describes how he experiments with the different whites he mentions, what they mean in the
process of his work, and how they influence design today. 100 Whites is the extension of his
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previously published book White. The new publication explores the essence of white, which Hara
sees as symbolizing simplicity and subtlety.
KENYA HARA, born in 1958, is a Japanese graphic designer and professor at the Musashino Art
October University. Since 2002 he has been the art director for MUJI. He is interested in the circumstances
and conditions of design, and not the “things.” His interests have become crystallized through
Design: Kenya Hara various international exhibitions and he has been awarded many prizes, including the Japanese
13.5 × 19.5 cm, 5¼ × 7¾ in Cultural Design Award.
approx. 216 pages, hardcover
ISBN 978-3-03778-579-9, English
approx. EUR 25.– GBP 20.– USD 30.– Highlighting the universal importance of the color white in culture
An extension to the previously published bestseller White
Previously published books by Kenya Hara:
Kenya Hara Kenya Hara Kenya Hara
Ex-formation Designing Design White
Design: Kenya Hara Design: Kenya Hara Design: Kenya Hara
11. 8 × 16 cm, 4¾ × 6¼ in, 16.5 × 24 cm, 6 ½ × 9 ½ in, 13.5 × 19.5 cm, 5¼ × 7¾ in,
480 pages, 500 illus., 472 pages 80 pages, hardcover, 2009
paperback, 2015 389 illus., paperback, 2014 ISBN 978-3-03778-183-8, E
ISBN 978-3-03778-466-2, E ISBN 978-3-03778-450-1, E ISBN 978-3-03778-182-1, G
EUR 30.– GBP 22.– EUR 45.– GBP 35.– EUR 25.– GBP 20.–
USD 35.– USD 55.– USD 30.–
E GDesign 12
How design shapes social systems
Social Design
Participation and Empowerment
Edited by Angeli Sachs, Museum für Gestaltung Zürich
Texts by Claudia Banz, Michael Krohn, Angeli Sachs
Social design is design for society and with society. As social innovation and on the basis of
dialogue and participation, social design strives for a new networking of the individual, civil society,
government, and the economy. Social design is thus a response to a global growth economy
and its consequences for humans and the environment: The means of production and resources
are becoming scarcer, setting off discussions about the need to redesign social systems and
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living and working environments.
Architects and designers have always played a vital role in shaping this social culture. Social Design
thus presents a long-overdue survey of current international positions of interdisciplinary breadth,
October ranging from new infrastructures to the re-conquest of cities by their inhabitants.
Design: Integral Lars Müller Some twenty-seven projects in the areas of cityscape and countryside, housing, education and work,
16.5 × 24 cm, 6½ × 9½ in production, migration, networks, and the environment are framed by three research studies that
approx. 192 pages trace the historical roots and foundations of social design and look at today’s theoretical discourse
approx. 150 illustrations, paperback as well as future trends.
ISBN 978-3-03778-570-6, English
ISBN 978-3-03778-571-3, German Design — a problem solver to create social change by driving
approx. EUR 25.– GBP 20.– USD 30.–
innovation forward
E
27 projects and their impact— from urban development
to the future of education
G
Organization for Permanent Modernity, SOMA, Mixed-Use Market GRAFT, Solarkiosk Assemble, Granby Winter Garden
Cucula, Refugees Company for Crafts and Design Müller Sigrist, Wohn- und Gewerbesiedlung Kalkbreite Kéré Architecture, Lycée Schorge Secondary School
Previously published books on related topics:
Global Design This volume surveys the ways in which our globalized world has manifest-
International Perspectives and ed itself in design since 1970, and the ways in which design has evolved to
Individual Concepts
serve a globalized world. The point of departure is a conception of design
Angeli Sachs, Museum für Gestaltung Zürich (Ed.) which encompasses architecture, graphics, the media, fashion, product
and industrial design, as well as the shaping of the manmade environment
Design: Integral Lars Müller
and of production processes. Alongside the shipping container, an indis-
16.5 × 24 cm, 6 ½ × 9 ½ in, 320 pages
350 illustrations, paperback pensable element of globalization, the presentation provides insights into
2010, ISBN 978-3-03778-210-1, English cultural transfer both in the present day and historically, and presents
E G 2010, ISBN 978-3-03778-154-8, German
globalization in relationship to regionalism as well as to worldwide trends.
EUR 17.– GBP 17.– USD 25.–Design 13
She has revolutionized design
Aaron Betsky
Renny Ramakers
Rethinking Design—Curator of Change
Renny Ramakers is realizing projects that combine virtual technologies and social media with the
craft of design to develop new social relations. For more than three decades, the Dutch art historian,
critic, and curator has been changing the nature and purpose of design. As co-founder of the Droog
Design collective, she has championed the notion of furniture and industrial design as a rethinking
of today’s world. When Droog first exhibited at the Milan furniture fair in 1993, its assemblies of
found materials and witty forms instantly changed the landscape of design. Since then, Ramakers
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has worked with makers and creators to move beyond slick objects and towards critical projects
that open our eyes to our multifaceted realities while offering easy access and great joy to users.
Author Aaron Betsky describes the ways Renny Ramakers has emphasized the mix of high and low
September cultures, the reuse of images, the importance of wit, the necessity of user participation, the elegance
of the undressed object, and the possibility of design acting as a catalyst to create social change.
Design: Irma Boom This volume will survey the work Ramakers has done since 1980 as the author of countless articles
16.5 × 24 cm, 6½ × 9½ in and books on design, as the promotor of Droog, as project director and curator, and as thinker.
approx. 308 pages
approx. 400 illustrations, paperback RENNY RAMAKERS (born 1946, based in Amsterdam, NL) is co-founder and creative director of
ISBN 978-3-03778-569-0, English Amsterdam-based design company Droog, a curator, and a lecturer. Educated as an art historian
approx. EUR 30.– GBP 27.– USD 35.– Ramakers has long been interested in making history by stretching the borders of design thinking.
Eye-opening design projects emerge by mixing high and low cultures
and combining virtual technologies and traditional craft
A richly illustrated portrait of the Dutch pioneer and Droog Design’s
co-founder and her work
Open House, Levittown, 2011
Department of Design, Cape Town World Design Capital, 2014 Pioneers of Change, Governors Island, New York, 2009
Previously published books on design studios:
Thonik atelier oï
Why We Design How Life Unfolds
With texts by Gert Staal, Aaron Betsky, Design: Kommak – Matthieu Visentin
Adrian Shaughnessy, and Thonik 21 × 26 cm, 8 ¼ × 10 ¼ in, 384 pages
511 illustrations, paperback
Design: Thonik ISBN 978-3-03778-565-2, English
17 × 24 cm, 6 ¾ × 9½ in, approx. 320 pages EUR 39.– GBP 35.– USD 45.–
approx. 200 illustrations, paperback
ISBN 978-3-03778-556-0, English
EUR 35.– GBP 30.– USD 40.–Art 14
First monograph on the Swiss-Japanese artist
Shizuko Yoshikawa
Edited by Lars Müller
Texts by Gabrielle Schaad and Midori Yoshimoto
Shizuko Yoshikawa (born 1934 in Japan, based in Switzerland) was one of the first and few Japanese
students at the Ulm Hochschule für Gestaltung, known as the postwar “Bauhaus.” She later
married the renowned designer Josef Müller-Brockmann (1914–1996), a pioneer of Swiss Graphic
Design, and moved to Switzerland, where she became an artist and a member of the second
generation of concrete art. Amongst the very few women belonging to this art movement, she takes
a special position due to her Japanese origins and education. Her work combines the rational
concepts of European modern art with the poetry and ease of the intuitional Japanese Zen tradition.
This first monograph on Shizuko Yoshikawa’s work contains a major essay by art historian Gabrielle
Schaad and a contribution by Midori Yoshimoto, highlighting the life of the artist and interpreting
her oeuvre in the Japanese context. Inspired by this publication, an exhibition will take place in Tokyo
July and Zurich in 2018.
Design: Integral Lars Müller The concrete artist combines European modern art with the Japanese
25 × 28 cm, 9¾ × 11 in
248 pages Zen tradition
236 illustrations, hardcover
ISBN 978-3-03778-567-6
Richly illustrated with Yoshikawa’s artwork and documenting her
English /German /Japanese elaborate use of color
approx. EUR 58.– GBP 48.– USD 70.–
m685 my silk road—51, 2005
Poster designs by Shizuko Yoshikawa m488 kosmische gewebe—atmendes feld 1, 1997
Shizuko Yoshikawa in her studio z659 a roma–23, 1999 m789 lebenspuls 25, 2012–2013
Previously published books on related topics:
Lars Müller This illustrated essay traces the history of Shizuko Yoshikawa’s late
Josef Müller-Brockmann husband – one of the leading exponents of “Swiss Graphic Design” in
Pioneer of Swiss Graphic Design
the 1950s and 1960s. His posters are world-famous for their ability
Design: Integral Lars Müller to convey information with great visual tension and an extreme economy
264 pages, 396 illustrations, paperback of means. He created a body of work in which timeless principles of
2015, ISBN 978-3-03778-468-6, English visual communication are inscribed. In addition to the posters, this publi-
16.5 × 24 cm, 6½ × 9½ in
EUR 39.– GBP 29.– USD 39.– cation presents examples of logotypes, appearances, and exhibitions
2001, ISBN 978-3-907078-59-4, German as well as numerous lesser known works in chronological order.
E G 19 × 27 cm, 7 ½ × 10¾ in
EUR 29.– GBP 19.– CAD 29.–Previously announced 15
Mark Wasiuta Initially proposed for the US Pavilion at Expo 67 in Montreal, Buckminster
Information Fall-Out: Fuller’s World Game was played for the first time in 1969 in New York.
Across its different manifestations it remained focused on the goals
Buckminster Fuller’s of overcoming energy scarcity and altering conventional territorial politics
World Game through the redistribution of world resources. This anti-war game was
intended to discover the right conditions for perpetual ecological peace.
Design: Integral Lars Müller Mirroring Cold War command and control infrastructures, proposals for
16.5 × 24 cm, 6½ × 9½ in
World Game centres described a vast computerized network that could
approx. 240 pages
approx. 150 illustrations, paperback process, map, and visualize environmental information drawn from, among
ISBN 978-3-03778-553-9, English other sources, Russian and American spy satellites—making the World
approx. EUR 30.– GBP 27.– USD 35.– Game more topical then ever.
October
This book assembles and analyzes documents related to various instanc-
es of the World Game conceived, proposed, and played from 1969 to
provisional cover
1982. It examines the World Game as a system for environmental informa-
tion and as a process of resource administration.
Steven Holl Architects Nearing completion, New York’s Hunters Point Community Library is
Library, a Social situated along the banks of the East River in Long Island City. The result
of a seven-year effort, the library will bring community-devoted space
Condenser to the increasingly privatized Long Island City waterfront.
Hunter’s Point Community
Library Library, a Social Condenser traces the history of the library’s development
and the uncompromising fight to keep the realized structure true
Dimitra Tsachrelia (Ed.)
to its original conception—that of a social catalyst in the midst of dense,
Design: Integral Lars Müller high-rise structures. Through the collective commentary of individuals
16.5 × 24 cm, 6½ × 9½ in involved in or influenced by the project, the book provides insight into an
approx. 300 pages
approx. 200 illustrations, paperback individual and collective fight for the common good. At the same time
ISBN 978-3-03778-552-2, English it demonstrates for multiple audiences what can be accomplished when
approx. EUR 30.– GBP 27.– USD 35.– excellence in design and the commitment and persistence of government
officials and community leaders combine to protect and enhance
May 2019
provisional cover
public space.
Philippe Rahm architectes Beatriz Colomina
Architectural X-Ray Architecture
Climates Design: Integral Lars Müller
approx. 16.5 × 24 cm, 6½ × 9½ in
Design: NORM approx. 200 pages
16.5 × 24 cm, 6½ × 9½ in approx. 155 illustrations, hardcover
approx. 256 pages ISBN 978-3-03778-443-3, English
approx. 100 illustrations, hardcover approx. EUR 35.– GBP 30.– USD 40.–
ISBN 978-3-03778-555-3, English
approx. EUR 30.– GBP 27.– USD 35.–
October
October
provisional cover
provisional cover
Kazuo Shinohara Diaspora of the
On the Threshold Middle East
of Space-Making and North Africa
Seng Kuan (Ed.) Rashid and Ahmed Bin Shabib (Eds.)
Co-edited by Christian Kerez
Design: Moylin Yuan
provisional cover
Design: Integral Lars Müller 16.5 × 24 cm, 6½ × 9½ in
25 × 20.7 cm, 9¾ × 8¼ in, approx. 200 pages approx. 320 pages
approx. 150 illustrations, hardcover approx. 250 illustrations, paperback
ISBN 978-3-03778-533-1, English ISBN 978-3-03778-544-7, English
approx. EUR 45.– GBP 37.– USD 50.– EUR 35.– GBP 30.– USD 40.–
October September
provisional coverBacklist Architecture 16
Marcel Breuer Mark Wigley
Building Global Institutions Cutting Matta-Clark
The Anarchitecture Project
Barry Bergdoll and Jonathan Massey
(Eds.)
Design: Integral Lars Müller
Design: Integral Lars Müller 16.5 × 24 cm, 6½ × 9½ in, 528 pages
16.5 × 24 cm, 6½ × 9½ in, 368 pages 813 illustrations, paperback
345 illustrations, paperback 2018, ISBN 978-3-03778-427-3, English
2018, ISBN 978-3-03778-519-5, English EUR 35.– GBP 28.– USD 39.–
EUR 35.– GBP 29.– USD 40.–
Make New History Landscape of Faith Roberto Burle Marx Lectures Ethics of the Urban
The City and the Spaces
Chicago Architecture Biennial 2017 Interventions along the Mexican Landscape as Art and Urbanism
of the Political
Pilgrimage Route
Mark Lee, Sharon Johnston, Sarah Hearne, Gareth Doherty (Ed.)
Tatiana Bilbao Estudio (Ed.) Mohsen Mostafavi (Ed.)
Letizia Carzoli (Eds.) Photographs by Iwan Baan
Design: Integral Lars Müller
Design: Integral Lars Müller
Design: Zak Group Design: Integral Lars Müller 15 × 20 cm, 6 × 7¾ in, 288 pages
16.5 × 24 cm, 6½ × 9½ in, 332 pages
20 × 27 cm, 7¾ × 10½ in, 344 pages 16.5 × 24 cm, 6½ × 9½ in, 320 pages 73 illustrations, paperback
138 illustrations, paperback
300 illustrations, paperback 202 illustration, paperback 2018, ISBN 978-3-03778-379-5, English
2017, ISBN 978-3-03778-381-8, English
2017, ISBN 978-3-03778-535-5, English 2017, ISBN 978-3-03778-499-0, Engl./Spanish EUR 30.– GBP 25.– USD 30.–
EUR 35.– GBP 30.– USD 35.–
EUR 40.– GBP 35.– USD 45.– EUR 30.– GBP 25.– USD 35.–
Emilio Ambasz What Is a Museum Now? Positions on Emancipation Future Cities Laboratory
Emerging Nature Snøhetta and the Architecture between Aesthetics
Indicia 01
Precursor of Architecture and Design San Francisco Museum and Politics
of Modern Art
Design: Studio Joost Grootens
Design: Integral Lars Müller Florian Hertweck (Ed.)
17 × 24 cm, 6 ¾ × 9½ in, 240 pages
21 × 29.7 cm, 8¼ × 11¾ in, 312 pages Design: Snøhetta with
115 illustrations, paperback
160 illustrations, paperback Integral Lars Müller Design: Thomas Mayfried
2017, ISBN 978-3-03778-545-4, English
2017, ISBN 978-3-03778-526-3, English 22 × 28 cm, 8¾ × 11 in, 288 pages 14 × 20 cm, 5 ½ × 8 in, 264 pages
EUR 30.– GBP 25.– USD 30.–
EUR 35.– GBP 32.– USD 39.– 315 illustrations, hardcover 48 illustrations, paperback
2017, ISBN 978-3-03778-507-2, English 2017, ISBN 978-3-03778-551-5, English Distribution in East and Southeast Asia
EUR 45.– GBP 40.– USD 49.– EUR 25.– GBP 22.– USD 28.– by NUS Press
Mark C. Fishman Florian Idenburg, Jing Liu,
Power/Architecture Portman’s America LAB Ilias Papageorgiou
& Other Speculations
Jorge Carvalho, Ricardo Carvalho, and Building a Home for Scientists Solid Objectives:
Pedro Bandeira (Eds.)
In collaboration with Casa da Arquitectura
Mohsen Mostafavi (Ed.)
Design: Integral Lars Müller
Order, Edge, Aura
17 × 24 cm, 6 ¾ × 9½ in, 364 pages
Design: Studio Dobra Design: Integral Lars Müller Design: Geoff Han
244 illustrations, hardcover
17 × 24 cm, 6 ¾ × 9½ in, 260 pages 16.5 × 24 cm, 6½ × 9½ in 17 × 23 cm, 6 ¾ × 9 in, 484 pages
2017, ISBN 978-3-03778-497-6, English
581 illustrations, paperback 356 pages, 396 illustrations, paperback 365 illustrations, paperback
EUR 45.– GBP 35.– USD 49.–
2017, ISBN 978-3-03778-546-1, English 2017, ISBN 978-3-03778-532-4, English 2017, ISBN 978-3-03778-501-0, English
EUR 29.– GBP 26.– USD 35.– EUR 35.– GBP 28.– USD 35.– EUR 40.– GBP 35.– USD 40.–Backlist Architecture 17
Richard Plunz OfficeUS Manual David Adjaye Architecture and Plurality
City Riffs David Adjaye Aga Khan Award for Architecture 2016
Urbanism, Ecology, Place Eva Franch i Gilabert, Ana Miljački, Constructed Narratives
Carlos Mínguez Carrasco, Jacob Reidel, Mohsen Mostafavi (Ed.)
Design: Integral Lars Müller Ashley Schafer (Eds.) Peter Allison (Ed.)
15 × 24 cm, 6 × 9½ in Design: Integral Lars Müller
Design: Pentagram Design: Integral Lars Müller
160 pages, 30 illustrations, paperback 16 × 24 cm, 6 ¼ × 9 ½ in, 344 pages
16 × 24 cm, 6 ¼ × 9 ½ in, 288 pages 16.5 × 24 cm, 6½ × 9½ in, 320 pages
2017, ISBN 978-3-03778-500-3, English 215 illustrations, paperback
461 illustrations, paperback 361 illustrations, paperback
EUR 25.– GBP 20.– USD 29.– 2016, ISBN 978-3-03778-523-2, English
2017, ISBN 978-3-03778-439-6, English 2017, ISBN 978-3-03778-517-1, English EUR 30.– GBP 25.– USD 35.–
EUR 20.– GBP 17.– USD 25.– EUR 45.– GBP 35.– USD 49.–
The Building Climates: Architecture Experimental Preservation Tabula Plena
and the Planetary Imaginary Forms of Urban Preservation
José Aragüez (Ed.) Jorge Otero-Pailos, Erik Fenstad
James Graham (Ed.) Langdalen, Thordis Arrhenius (Eds.) Bryony Roberts (Ed.)
Design: Luke Bulman—Office
17 × 24 cm, 6 ¾ × 9½ in, 416 pages Design: Neil Donnelly, Sean Yendrys Design: Intergral Lars Müller Design: Still Room
244 illustrations, hardcover 16.5 × 24 cm, 6½ × 9½ in, 384 pages 16.5 × 24 cm, 6½ × 9½ in, 192 pages 16.5 × 23 cm, 6½ × 9 in, 256 pages
2016, ISBN 978-3-03778-498-3, English 246 illustrations, paperback 130 illustrations, paperback 149 illustrations, paperback
EUR 45.– GBP 35.– USD 49.– 2016, ISBN 978-3-03778-494-5, English 2016, ISBN 978-3-03778-492-1, English 2016, ISBN 978-3-03778-491-4, English
EUR 35.– GBP 28.– USD 39.– EUR 30.– GBP 25.– USD 35.– EUR 40.– GBP 30.– USD 45.–
Leonardo Finotti Louisa Hutton and Matthias Sauerbruch
Adolf Loos Kiyonori Kikutake
Das Andere (The Other) A Collection of Sauerbruch Hutton
Between Land and Sea Latin American Archive 2
Beatriz Colomina with Kimberli Meyer (Eds.)
Ken Tadashi Oshima (Ed.) Modern Architecture
Reprint Design: Heimann und Schwantes
21 × 24 cm, 8 ¼ × 9 ½ in, 2 × 16 pages Design: Integral Lars Müller 24 × 30 cm, 9½ × 11¾ in, 424 pages
Design: Integral Lars Müller
(facsimiles of magazine) with commentary 30 × 24 cm, 11¾ × 9½ in, 160 pages 1216 illustrations, hardcover
25 × 20.7 cm, 9 ¾ × 8 ¼ in, 216 pages
(48 pages) in transparent slipcase 103 illustrations, hardcover 2016, ISBN 978-3-03778-389-4
209 illustrations, hardcover
2016, ISBN 978-3-03778-481-5, English/Ger. 2016, ISBN 978-3-03778-503-4, English English/German
2016, ISBN 978-3-03778-432-7, English
EUR 35.– GBP 25.– USD 38.– EUR 40.– GBP 30.– USD 45.– EUR 60.– GBP 43.– USD 66.–
EUR 45.– GBP 37.– USD 50.–
André Tavares Kenneth Frampton Operating Manual Giulia Foscari
The Anatomy of A Genealogy of Modern for Spaceship Earth Elements of Venice
the Architectural Book Architecture Jamie Snyder (Ed.) With a foreword written by Rem Koolhaas
Design: Drop / João Faria Ashley Simone (Ed.) Design: Integral Lars Müller
16.5 × 24 cm, 6 ½ × 9 ½ in, 384 pages Reprint, Original 1969 Design: Giulia Foscari and
346 illustrations, hardcover Design: Integral Lars Müller 12 × 19 cm, 4¾ × 7½ in, 152 pages Integral Lars Müller
2016, ISBN 978-3-03778-473-0, English 24 × 17.3 cm, 9 ½ × 6 ¾ in, 304 pages 7 illustrations in black and white 12 × 16.7 cm, 4 ¾ × 6 ½ in, 696 pages
EUR 40.– GBP 29.– USD 49.– 692 illustrations, hardcover paperback 1200 illustrations, paperback
2016, ISBN 978-3-03778-369-6, English 2017, ISBN 978-3-03778-126-5, English 2014, ISBN 978-3-03778-429-7, English
EUR 40.– GBP 29.– USD 40.– EUR 15.– GBP 15.– USD 20.– EUR 29.– GBP 24.– USD 36.–Backlist Design 18
Carolien Niebling Poster Collection 30
The Sausage Self-Promotion
of the Future Bettina Richter, Museum für Gestaltung
Zürich (Ed.)
ECAL /Ecole cantonale d’art de Lausanne
(Ed.) Design: Integral Lars Müller
16.5 × 24 cm, 6½ × 9½ in, 192 pages
Design: Carolien Niebling, Helge Hjorth 323 illustrations, paperback
Bentsen, Olli Hirvonen 2018, ISBN 978-3-03778-558-4
21 × 28 cm, 8 ¼ × 11 in, 156 pages English/German
174 illustrations, paperback EUR 25.– GBP 22.– USD 30.–
2017, ISBN 978-3-03778-548-5, English
EUR 28.– GBP 25.– USD 30.–
IDEA No. 333 Theo Deutinger
30 Years of Swiss Typographic Handbook of Beatriz Colomina and Mark Wigley
Ruder Typography Are We Human?
Ruder Philosophy Discourse in the Typografische Tyranny
Notes on an Archaeology of Design
Helmut Schmid (Ed.) Monatsblätter
TM RSI SGM 1960–90 Design: Theo Deutinger Design: Okay Karadayılar
Design: Helmut Schmid and Nicole Schmid 21 × 29.7 cm, 8¼ × 11¾ in, 160 pages 11 × 18 cm, 4¼ × 7 in, 288 pages
23 × 30 cm, 9 × 11¾ in, 226 pages Design: Louise Paradis 987 illustrations, hardcover 181 illustrations, paperback
310 illustrations, hardcover 21.5 × 31.5 cm, 8½ × 12½ in 2017, ISBN 978-3-03778-534-8, English 2016, ISBN 978-3-03778-511-9, English
2017, ISBN 978-3-03778-541-6 276 pages, 472 illustrations, hardcover EUR 30.– GBP 25.– USD 30.– EUR 19.– GBP 15.– USD 20.–
English/Japanese ISBN 978-3-03778-538-6, English
EUR 50.– GBP 40.– USD 55.– EUR 50.– GBP 40.– USD 55.–
E G
Takahiro Kurashima Takahiro Kurashima Takahiro Kurashima
Dafi Kühne
Poemotion 1 Poemotion 2 Poemotion 3 True Print
Design: Takahiro Kurashima, Junji Hata Design: Takahiro Kurashima Design: Takahiro Kurashima Reto Caduff (Ed.)
17 × 23 cm, 6 ¾ × 9 in, 64 pages 17 × 23 cm, 6 ¾ × 9 in, 64 pages 17 × 23 cm, 6 ¾ × 9 in, 64 pages
Design: Dafi Kühne
30 illustrations, hardcover with moiré film 30 illustrations, hardcover with moiré film 30 illustrations, hardcover with moiré film
24 × 30 cm, 9½ × 11¾ in, 152 pages
2013, ISBN 978-3-03778-407-5, English 2013, ISBN 978-3-03778-351-1, English 2016, ISBN 978-3-03778-513-3
182 illustrations, hardcover
EUR 20.– GBP 15.– USD 25.– EUR 20.– GBP 15.– USD 25.– English/Japanese
2017, ISBN 978-3-03778-509-6, English
EUR 20.– GBP 15.– USD 25.–
2017, ISBN 978-3-03778-508-9, German
EUR 45.– GBP 35.– USD 49.–
E G
Jasper Morrison Naoto Fukasawa, Jasper Morrison Massimo Vignelli
Jasper Morrison
The Hard Life A Book of Things Super Normal The Vignelli Canon
Sensations of the Ordinary
Design: Jasper Morrison and Design: Massimo Vignelli
Design: Jasper Morrison and
Integral Lars Müller Design: Lars Müller 14.8 × 21 cm, 5 ¾ × 8 ¼ in, 112 pages
Integral Lars Müller
20 × 27 cm, 7¾ × 10½ in, 312 pages 14.8 × 20 cm, 5 ¾ × 7 ¾ in, 128 pages 142 illustrations, paperback
22 × 30 cm, 8½ × 11¾ in, 208 pages
375 illustrations, hardcover 264 illustrations, paperback 2015, ISBN 978-3-03778-225-5, English
188 illustrations, hardcover
2015, ISBN 978-3-03778-463-1, English 2007, ISBN 978-3-03778-106-7, English EUR 20.– GBP 15.– USD/CAD 20.–
2017, ISBN 978-3-03778-514-0, English
EUR 59.– GBP 43.– USD 59.– EUR 25.– GBP 22.– USD 25.– 2012, ISBN 978-3-03778-268-2, German
EUR 45.– GBP 35.– USD 49.–
EUR 14.– GBP 20.– USD/CAD 35.–Backlist Photography/Art/Society 19
Michael Webb Protest.
Two Journeys The Aesthetics of Resistance
Basil Rogger, Jonas Voegeli and
Ashley Simone (Ed.) Ruedi Widmer, Museum für Gestaltung
Zürich (Eds.)
Design: Integral Lars Müller
21 × 28 cm, 8¼ × 11 in, 206 pages Design: Meret Fischli, Anna Marchini
284 illustrations, hardcover Camia, Silvan Possa
2018, ISBN 978-3-03778-554-6, English 16 × 24 cm, 9¾ × 8¼ in, 448 pages
EUR 45.– GBP 37.– USD 50.– 199 illustrations, softcover
2018, ISBN 978-3-03778-560-7, English
2018, ISBN 978-3-03778-559-1, German
EUR 25.– GBP 22.– USD 29.–
E
G
E D
Allan Wexler Julius von Bismarck, Julian Charrière,
Unfamiliar Familiarities— From Anselm to Zilla Eric Ellingsen
Absurd Thinking Outside Views on Switzerland The Peter and Elisabeth Bosshard Collec-
Between Art and Design tion of the Stiftung Kunst(Zeug)Haus
Some Pigeons Are
Peter Pfrunder, Lars Willumeit, Tatyana More Equal Than Others
Ashley Simone (Ed.) Franck (Eds.)
Design: Integral Lars Müller
Design: Integral Lars Müller Design: Pilar Rojo 24 × 30 cm, 9½ × 11¾ in, 320 pages Design: Heimann und Schwantes
21 × 28 cm, 8¼ × 11 in, 296 pages 16.5 × 23 cm, 6½ × 9 in, 312 pages 390 illustrations, hardcover 21 × 24.7 cm, 8 ¼ × 9 ¾ in, 176 pages
427 illustrations, hardcover 200 illustrations, 6 booklets in a slipcase 2017, ISBN 978-3-03778-547-8, English 78 illustrations, hardcover
2017, ISBN 978-3-03778-516-4, English 2017, ISBN 978-3-03778-510-2 2017, ISBN 978-3-03778-539-3, German 2015, ISBN 978-3-03778-465-5, English
EUR 45.– GBP 39.– USD 50.– English/French/German EUR 40.– GBP 35.– USD 45.– EUR 50.– GBP 37.– USD 50.–
EUR 40.– GBP 37.– USD 45.–
E G
Lukas Felzmann Balthasar Burkhard, Markus Jakob Annelies Štrba Andreas Seibert
Gull Juju “Click”, said the camera. Noonday The Colors of Growth
Photographs from the Farallon Islands China’s Huai River
Design: Integral Lars Müller Lars Müller (Ed.)
Design: Lukas Felzmann and 24 × 17 cm, 9 ½ × 6¾ in, 42 pages Design: Integral Lars Müller
Integral Lars Müller 22 photographs, ring binder Design: Integral Lars Müller 26 × 19 cm, 10¼ × 7½ in, 272 pages
16.7 × 25,4 cm, 6½ × 10 in, 168 pages 2017, ISBN 978-3-03778-550-8, English 17. 3 × 24 cm, 6¾ × 9½ in, 336 pages 191 illustrations, hardcover
137 illustrations, hardcover 2017, ISBN 978-3-03778-549-2, German 295 illustrations, hardcover 2012, ISBN 978-3-03778-295-8, English
2015, ISBN 978-3-03778-449-5, English EUR 20.– GBP 18.– USD 25.– 2015, ISBN 978-3-03778-388-7 EUR 35.– GBP 30.– USD 35.–
EUR 39.– GBP 29.– USD 39.– English/German
EUR 40.– GBP 30.– USD 45.–
E G E G E G E G
The Face of Human Rights Who Owns the Water ? For Climate’s Sake! Faith Is.
A Visual Reader of Climate Change The Quest for Spirituality and Religion
Walter Kälin, Judith Wyttenbach, Lars Müller, Klaus Lanz, Christian Rentsch,
Lars Müller (Eds.) René Schwarzenbach (Eds.) René Schwarzenbach, Lars Müller,
Lukas Niederberger and Lars Müller (Eds.)
Christian Rentsch, Klaus Lanz (Eds.)
Design: Integral Lars Müller Design: Integral Lars Müller
16.5 × 24 cm, 6½ × 9½ in, 720 pages 16.5 × 24 cm, 6½ × 9½ in, 536 pages Design: Integral Lars Müller Design: Integral Lars Müller
500 illustrations 301 illustrations, hardcover 16.5 × 24 cm, 6½ × 9½ in, 576 pages 16.5 × 24 cm, 6 ½ × 9 ½ in, 396 pages
2004, ISBN 978-3-03778-017-6, E (hardcover) 2006, ISBN 978-3-03778-018-3, English 307 illustrations, hardcover 159 illustrations, hardcover
EUR 45.– GBP 38.– USD 50.– 2006, ISBN 978-3-03778-015-2, German 2012, ISBN 978-3-03778-245-3, English 2009, ISBN 978-3-03778-144-9, English
2008, ISBN 978-3-03778-114-2, G (paperback) EUR 45.– GBP 38.– USD 50.– 2011, ISBN 978-3-03778-244-6, German 2009, ISBN 978-3-03778-143-2, German
EUR 30.– GBP 25.– USD 35.– EUR 45.– GBP 38.– USD 50.– EUR 30.– GBP 25.– USD 35.–Lars Müller Publishers Lars Müller Publishers GmbH +41 ( 0 )44 274 37 40
Lars Müller Publishers is supported by the Federal Office of Culture with a structural contribution for the years 2016–2020.
Pfingstweidstrasse 6 sales@lars-muller.ch
Autumn 2018 CH-8005 Zurich www.lars-mueller-publishers.com
Distribution
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UK Office Lime Grove, West Clandon Phone +91 11 41016413
Prestel Publishing Limited Surrey GU4 7UH Mobile +91 99 58683821 Middle East, Israel,
14–17 Wells Street Phone +44 (0)798 0568967 tapasdutta65@gmail.com Central Asia, North Africa
London W1T 3PD colin.edwards862@gmail.com and Eastern Mediterranean
Phone +44 (0)20 7323 5004 China, Hong Kong, Korea, Taiwan Richard Ward
Fax +44 (0)20 7323 0271 Midlands, North, North Wales, Edward Summerson Ward International (Book Export) Ltd
sales@prestel-uk.co.uk Scotland Asia Publishers Services Unit 3, Ground Floor Taylor’s Yard
Jim Sheehan Units B&D 67 Alderbrook Road
Oliver Barter – Sales Director Signature Book R epresentation 17th Floor Gee Chang Hong Centre London SW12 8AD, UK
obarter@prestel-uk.co.uk 20 Castlegate 65 Wong Chuk Hang Road Phone +44 (0)20 8672 1171
Will Westall – Sales Executive York YO1 9RP Aberdeen, Hong Kong richard@wibx.co.uk
wwestall@prestel-uk.co.uk Phone +44 (0)845 862 1730 Phone +852 2553 9289
Fax +44 (0)161 683 5270 Fax +852 2554 2912
Distribution Mobile +44 (0)7970 700505 edward_summerson@asiapubs.com.hk
Grantham Book Services (GBS) jim@signaturebooksuk.com aps_hk@asiapubs.com.hk
Trent Road, Grantham
Lincolnshire NG31 7XQ Ireland South East Asia
Phone +44 (0)1476 541080 Gabrielle Redmond Chris Ashdown
(UK Customer Services) 93 Longwood Park Publishers International Marketing
Phone +44 (0)1476 541082 Rathfarnham, Dublin 14 I Monkton Close, Dorset BH22 9LL, UK
(Export Customer Services) Republic of Ireland Phone/Fax +44 (0)1202 8962100
Fax +44 (0)1476 541061 Phone +353 (0)1 493 6043 chris@pim-uk.com
(UK Customer Services) gabrielle.redmond@gmail.com
Fax +44 (0)1476 541068 Pakistan All prices and title details are subject
(Export Customer Services) Australia Anwar Iqbal to change without notice. All prices
orders@gbs.tbs-ltd.co.uk Peribo Book Bird Publishers Representatives are excluded VAT and do not include
(UK Customer Services) 58 Beaumont Road Mian Chambers, 3, Temple Road any sales taxes.
export@gbs.tbs-ltd.co.uk Mount Kuring-gai GPO Box 518, Lahore
(Export Customer Services) NSW 2080 Phone +92 (0)42 6367275
www.granthambookservices.co.uk Phone +61 (0)2 9457 0011 Fax +92 (0)42 6361370
Fax +61 (0)2 9457 0022 anwer.bookbird@brain.net.pk
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