PPORTORT FOFO Ella Simeon Design 07746102672 - KLC School of Design
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PORT
Ella Simeon
Design
07746102672
FO
LIO
Concept/ Inspirational Images Rendered Plan, Hand Drawn Technical Drawing, rendered in Photoshop. Handed rendered Visual, using Sketch Up and Watercolour pencils
RESIDENTIAL DESIGN
Harbord Warehouse, Knight Frank.
Hand rendered Visual, using Sketch Up and Watercolour pencils
The brief asked to design a show apartment for Knight Franks, new development
Harbord Warehouse, located in Canary Wharf. The main aim of this project was
to design a flexible space which could easily be turned into a three-bedroom
apartment, if the buyer wanted. However, at the same time, the space as a whole
needed to be kept very open, so the buyer could really see the overall size of the
space they would be buying. Therefore, we have to resolve this by using non-
structural divides which helped zone the space.
I came up with my tagline ‘Fragmented Infusion’ because the meaning of infusion
is ‘the act of adding one thing to another to make it stronger or better” and for me
this represents Canary Wharf perfectly as its continuous development is making
the area thrive and become wealthier. Canary Wharf is quite separated because
of all canals/ channels splitting the area up as a whole and the bridges having to
connect the different areas again, therefore Fragmented seemed an appropriate
and relatable word to use within my tagline.
Hand rendered Visual, using Sketch Up and Watercolour pencils
Proposed Section, using AutoCAD and Photoshop Concept/ Inspirational Images Visual of seating within the Seating Area, using Sketch Up and Photoshop Proposed Floor Plan using AutoCAD and Photoshop
HOSPITALITY DESIGN
Countryside Hostel.
The brief asked to create a countryside
hostel. The main aim of this project was
to develop the awareness of atmospheres
within the overall design, through the
development of different spacial strategies
and forms.
Once settling on a centralised strategy, I
explored three different forms (sumtraction,
full volume and separation), in relation to
my tagline ‘Fuelled Tranquillity’.
‘Fuelled Tranquility’ seemed a relevant
tagline as I found through research that
it was important to create areas which
people can relax in, but also areas which
are buzzing with excitement and energy.
Achieving the perfect contrast between the
two atmospheres also makes the hostel
more appealing to a wider range of visitors.
Material Scheme
Concept/ Inspirational images Sketch Development Model Studies
EXHIBITION DESIGN
Beauty Pie.
This particular project brief was to create an exhibition space for the
make-up company Beauty Pie. When analysing the characterises of
a pie itself and linking them to the brand, I came up with the hashtag,
#a slice of pie. This hashtag linked to the idea of a slice being a part
of something bigger, which I believed related to the company, as
it’s a member’s club, and being a member means you are a part of
something bigger.
The structure of the ‘pie’ itself inspired a centralised spatial strategy.
The symmetrical layout represents the symmetrical proportion of the
features on a human face.
I captured a feeling of luxury and exclusivity in my design to be in
keeping with Beauty Pies ethos. Curves symbolise luxury and the
enclosed central space was positioned where it is because Beauty
Pies members are at the heart of everything they do. The sloping
pathways create a sense of hierarchy and guide visitors up to the
central area in an assessable manner.
Visual / Illustation of the Proposed Exhibition Stand, using Sketch Up and Photoshop.
PRODUCED BY AN AUTODESK STUDENT VERSION
70 Lacquered MDF frame with heavy duty clear
100 laquear finished coat. (width:70mm)
Polyurethane upholstered seat and back pads
on dense foam padding fixed to fabric covered
1640
1300
MDF panel
Painted square mild steel table leg (note this is
100 PRODUCED BY AN AUTODESK STUDENT VERSION different to the other table leg)
70
Matt solid colour plastic laminate on MDF tabletop
with visible underside painted and a solid colour
core laminate edge (square edge profile)
(thickness:50mm)
2110 610 2110 610 2110 610 2110 Pendant lamp hung central to table. Height from
PRODUCED BY AN AUTODESK STUDENT VERSION
200 table surface is 1000mm
200
Plan of Booths, using AutoCAD 10670
10670 Recessed Cornice, cladded with
Douglas Fir shiplap timber boarding
with a white oiled finish on 12mm
plywood.
320 320
1870 850 1870 850 1870 850 1870 Douglas Fir shiplap timber boarding
(145x 19mm - however 10mm is
hidden when the boards are layered
on top of each other and therefore
200 200 the widths appeals to only be
2110 610 2110 610 2110 610 2110 135mm)
Laquered MDF frame with heavy
PRODUCED BY AN AUTODESK STUDENT VERSIO
duty clear laquer finishing coat.
10000 (width: 70mm)
Pendant lamp hung central to table.
1000mm from the table surface
Matt solid colour plastic laminate on
MDF tabletop with visible underside
1920
painted and a solid colour core
2560
laminate edge (square edge profile
50mm)
Polyurethane upholstered seat and
back pads on dense foam padding
ESBS
GENERAL NOTES: Project name / Site address: fixed Drawing
to fabric
Title: covered MDF panel. Project no.: Date:
340 · Do not scale this drawing Project 6- Part C Group Plan Project 6C 04/12/19
· Verify all dimensions before commencing work Painted square mild steel table leg
100 and report suspected discrepancies or
omissions 100x 100mm Drawn by: Checked by:
· All dimensions are in millimeters Client: ESBS SAM
Ella Simeon Interiors Recessed Skirting, cladded with
15 Varna Road, KLC School of Design Scale: Revision:
SW6 7LB, Douglas Fir shiplap timber boarding
Elevation of Booths, using AutoCAD Fulahm, London T:_07746102672
Sheet Number:
001 1:50@A3 PRELIM
with a white oiled finish on 12mm
PRODUCED BY AN AUTODESK STUDENT VERSION plywood.
Notes:
Type_Notes
PRODUCED BY AN AUTODESK STUDENT VERSION
DETAILED DRAWINGS
recessed cornice, cladded with Douglas
100 Fir shiplap timber boarding (145x 19mm) This project was designed to make us think about how joinery is
250
80 with a white oiled finished on 12mm construction and the different detailed drawings which need to be drawn to
plywood backing with concealed fixing to
25 framing.
illustrate the construction process.
Laquered MDF frame with heavy duty
Through research into the materials, as well as working out, through
300
clear laquer finished coat. (width:70mm)
sketching, the different level changes and how the shadow gap is shown,
Pendant lamp hung central to table. provided me with a greater understanding of how elements within the
design are proper illustrated within technical drawings.
203
1000mm above the table surface
Fabric covered MDF panel (above seat
255
back and ceiling)
PRODUCED BY AN AUTODESK STUDENT VERSION
Polyurethane upholstered seat and back
pads on dense foam padding fixed to
2560
2263
fabric covered MDF panel.
600
Matt slid colour plastic laminate on MDF PRODUCED BY AN AUTODESK STUDENT VERSION
tabletop with visible underside painted
and a solid colour core laminate edge
1000 (square edge profile) (width:70mm)
250
75x 150mm anodised aluminium fliptop
power and data access point to sit flush
to table surface.
100
Painted square mild steel table leg (note
340
this is different to the other leg)
Cable circulation in this hollow lower leg.
Power and data cable from raised floor
187
1220
25
and accessed via 100mm diameter hole
56
PRODUCED BY AN AUTODESK STUDENT VERSION
under leg.
70
MDF with 2.5mm smooth rubber sheet Key:
finish (Floor and upstand)
100
Douglas Fir shiplap timber
boarding
Removable 200x 300mm rubber clad
67
Lacquered MDF frame with
heavy duty clear lacquer
aluminium access hatch sat adjacent to finished coat.
inside of this leg. 12
Section of Booth, using AutoCAD
12mm plywood backing
1364
50
50
MDF
69 70
70 67
25
262 600 262
70 88 100 100 88 70
Material junction Detailed Drawing, using AutoCAD
1640 100 19 38 19 140
12 24
Detailed section 1:2
01 131 69 70
material junction detail
ESBS
Notes: GENERAL NOTES: Project name / Site address: Drawing Title:
Type_Notes
· Do not scale this drawing Project 6- Part C material junction detail
· Verify all dimensions before commencing work
and report suspected discrepancies or drawing
omissions
ESBS
· All dimensions are in millimeters Client:
Ella Simeon Interiors
15 Varna Road, KLC School of Design
GENERAL NOTES: Project name / Site address: Drawing Title: Project no.: Date: SW6 7LB,
Fulahm, London T:_07746102672
Sheet Number:
007
· Do not scale this drawing Project 6- Part C Vertical section of booth Project 6C 04/12/19 PRODUCED BY AN AUTODESK STUDENT VERSION
· Verify all dimensions before commencing work
and report suspected discrepancies or Drawn by: Checked by:
omissions
· All dimensions are in millimeters Client: ESBS SAM
Ella Simeon Interiors
15 Varna Road, KLC School of Design Scale: Revision:
SW6 7LB,
Fulahm, London T:_07746102672
Sheet Number:
003 1:20@A3 PRELIM
PRODUCED BY AN AUTODESK STUDENT VERSION
Visual illustrating proposed cafe design, using Sketch Up and Photoshop Concept/ Inspirational Images Materials used within cafe Visual illustrating proposed cafe counter using AutoCAD and Photoshop
COMMERCIAL DESIGN
Fulham Palace Garden Centre.
Materials used around the
Retail Sales Point.
Sketch illustrating the retail sales point
The brief was to reconfigure the Fulham Palace Road entrance,
so it provided flexible and appropriate access to both parts of
the business, The Palace Gardener and Glasshouse Café.
As commercial designs main focus is to influence human
behaviour and experience, my initial interpretation was to
create a space which had a strong link between the retail space
and the cafe, by ensuring there was a natural flow from one
zone to the other. Additionally, whilst providing a secure flexible
solution, which allowed the zones their own entity.
My intention for the space was to celebrate the existing
structure and enhance the visitor interaction of the surrounding
environment.
Taking inspiration from the Surrounding area, the cells and
leave of a Plane tree, the local tree, provided an appropriate
visual representation of how the community both celebrates
individuality and the value of working together, this influenced
my tagline ‘balanced unity’.
Proposed Plan for The Palace Gardener and Glasshouse Cafe, using AutoCADConcept/ Inspirational Images
Rendered Plan, using Auto CAD and Photoshop, Completed by another member of my team. Visual, of propose Main Area, using Sketch Up and Photoshop. Completed by myself
and another team member.COMMERCIAL DESIGN
Neuro Kinex. (Group Project)
Our intention with this project was to propose a creative but budget-
conscious design that responds to the needs of staff and visitors
and creatively communicates and represents the needs, values
and aspirations of the clients, in this case children with paralysis.
Therefore, it is crucial that the design was adaptable and suitable
for the physiotherapeutic exercises that would be carried out in the
space. Some of the brief ’s specifications included a breakout space
for additional portable rehabilitation, an area for family and friends to
sit when the children are in their session, a flexible meeting room and
added storage for equipment.
From extensive research into sensory experiences, we were able to
focus on creating an immersive and dynamic experience for children
of all ages coming to Neurokinex. Our inspiration came from our
desire to combine dynamic structures with linear forms to create a
sense of security and divide spaces.
Channelled vitality, our tagline, expresses the notion of bravery and
perseverance of the patients of Neurokinex. To heal physically, one
must first recover mentally: therefore, our concept expresses the
integral interlinking and relationship
between body and mind.
Being able to bounce ideas of one another and communicating
cohesively as a team on this project allowed our final proposed
design to be more thought through because of the varied inputs in
the early stages of the design development. This resulted in a more
defined and developed final design proposal. Being able to bounce
ideas of one another and communicating cohesively as a team.
Visual, of proposed Paediatric Area, using Sketch Up and Photoshop. Completed by myself
and another team memberConcept/ Inspirational images Visual, illustrating proposed bar, using Sketch up and Photoshop Sketch development
HOSPITALITY DESIGN
Carousel, London
The focus of this brief was based on how
living, working and communication has
transformed in recent years and is expected
to change further in the future. Within
our ever-changing world, flexibility within
design is crucial, as things are constantly
evolving.
With the client, Carousel, being a culinary
creative hub with an ever-changing line-
up of international guest chefs providing
breakfast, lunch and dinner. As well as
offering a variety of cooking and creative
master classes. No two days are ever the
same. Therefore, the question that needed
answering and resolving was ‘How can
a design proposal reflect a consistently
Rendered Section AA, using Auto CAD and Photoshop changing atmosphere?’
When regarding foodservice as a theatrical
performance it encourages restaurants to
use staff (actors), and physical evidence
(props and sets) to enhance the customer
experience. If, however, the customer is
seen as a participant in the show, then the
restaurants’ role becomes one of providing
the space in which the experience is co‐
created; a stage on which the customer is
the star, and the staff, the supporting cast.
With all this in mind my concept evolved
with the idea that bringing theatre and
drama to the meal through all elements of
the experience, creates an excitement and
originality. This seemed appropriate when
thinking about the word ‘Carousel’ and how
it’s an element of a funfair which in itself are
quite theatrical and exciting. Additionally,
a theatre is constantly revolving and
changing, much like Carousal and the
world.
Rendered Section BB, using Auto CAD and PhotoshopElla Simeon Design
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