SLEUTH - MCCARTER THEATRE CENTER
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A WICKEDLY FUN THRILLER
SLEUTH
1
APRIL AT McCARTER
T H U R S D AY, A P R I L 2
A BOWIE WELCOME
CELEBRATION Welcome to Anthony Shaffer’s Sleuth!
Having had the distinct pleasure of
The David Bowie alumni band performs
directing Ken Ludwig’s adaptation of
Diamond Dogs and Ziggy Stardust in entirety.
Agatha Christie’s Murder on the Orient
Express, I have a deep appreciation for
F R I D AY, A P R I L 3
THE HIT MEN
the heart thumping power of a good
mystery/thriller. Our audiences seem
Legendary Rock Supergroup to have a great appetite for this genre
as well! From Ken Ludwig’s Baskerville
to Agatha Christie’s The Mousetrap, our audiences have come out in force and cheered
S AT U R D AY, A P R I L 4
us on, asking for more.
S U N D AY, A P R I L 5
CIRQUE ÉLOIZE The person who first encouraged me to produce a mystery at McCarter is the director
Hotel
of tonight’s production, one of my most gifted protégés and an Artistic Director now
in his own right, Adam Immerwahr. In 2016, his production of Agatha Christie’s The
T U E S D AY, A P R I L 7 Mousetrap was so extraordinarily successful, I wanted him to return to McCarter to
DAVID SEDARIS direct a mystery during my legacy season. I am happy to say he passionately advocated
for Sleuth, one of the most original thrillers written in the English language. A wickedly
sly, fiendishly theatrical tour de force, I hope it keeps you glued to the edge of your
T H U R S D AY, A P R I L 9
DORRANCE DANCE
seat!
SOUNDSpace
And—I hope you come back to see The Refuge Plays, a beautiful new play written by
one of our rising stars. Playwright Nathan Alan Davis brings to life four generations of
S AT U R D AY, A P R I L 11 an African American family. Written with glorious musicality, poetry, humor, and love,
ZAKIR HUSSAIN TRIO the play brings us to a new understanding of the universal power of family and legacy.
I expect Nathan Alan Davis to make a major mark in the American theater. I could not
Jayanthi Kumaresh, veena
be prouder to close my final season with Nathan’s play.
Kala Ramnath, violin
Yours,
M O N D AY, A P R I L 1 3
MAX RAABE & PALAST
ORCHESTER Emily Mann
ARTISTIC DIRECTOR & RESIDENT PLAYWRIGHT
TICKETS START AT $25
M CCAR TER .OR G
Dance Series sponsored by Signature Series
Photo: David Sidaris 2 Robbins Foundation
Jerome sponsored by 3
M c C A RT E R T H E AT R E C E N T E R
THANK
YOU
Emily Mann Michael S. Rosenberg
ARTISTIC DIRECTOR & MANAGING DIRECTOR
RESIDENT PLAYWRIGHT
Dear McCarter Family:
SLEUTH
Welcome to the fourth play of our season—
thank you for joining us! McCarter has a
presents
wonderful tradition of producing smart,
witty murder mysteries which have thrilled
our audiences. In recent years we have
staged great mysteries from Agatha
Christie’s Murder on the Orient Express to
Arthur Conan Doyle’s Hound of the Baskerville.
This play represents another wonderful McCarter tradition. Adam Immerwahr, a former Written by ANTHONY SHAFFER
Directed by ADAM IMMERWAHR
McCarter Intern and our former Associate Artistic Director is returning to McCarter again.
Adam is also the director of McCarter’s iconic A Christmas Carol and has done a masterful
job directing Sleuth.
We are celebrating Artistic Director and Resident Playwright Emily Mann’s 30th and final
season at McCarter, and having Adam return to McCarter as the director showcases one of
the key tenants of Emily’s time here—our apprentice program for emerging leaders in the arts. featuring Derek Smith, John Tufts, Philip Farrar,
Harold K. Newman, Roger Purnell
Each season apprentices arrive at McCarter from across the country, living in shared housing
while working alongside their professional counterparts. The apprentice program has been
a vital educational stop for many of the country’s leading theatre professionals, as you can
see from these comments from two former apprentices (previously called interns): Set Design Alexander Dodge
“The McCarter Internship continues to impact my life today. The skills I gained Costume Design Ivania Stack
were invaluable. The theater that I was exposed to is like nothing else I have Lighting Design Nancy Schertler
ever experienced. Each young person should immerse themselves in this type of Sound Design Darron L West
environment post-graduation. The staff were extremely influential, helping me Wig and Makeup Design Carissa Thorlakson
understand the way in which not just a professional theater runs, but a professional
Fight Director J. Allen Suddeth
organization. The life experiences combined with the professional skills I learned will
make me forever grateful for the experience.” Dialect Coach Julie Foh
Casting Director Caparelliotis Casting
“Amazing learning experience to work with Broadway designers and theater
professionals. I had opportunities to work on my own design projects in New York
Production Stage Manager Cheryl Mintz
and on McCarter projects. Met lifelong friends and had life changing, life-defining
experiences.” Resident Producer Debbie Bisno
I would like to thank Emily Mann for her remarkable 30 year tenure at the helm of this Director of Production Dixie Uffelman
theater. Her drive and vision created one of the most respected apprenticeship programs
in the nation.
I am honored to be part of this theater.
in the Matthews Theatre
Enjoy the show!
MARCH 10 - 29, 2020
Robert J. Caruso
PRESIDENT, MCCARTER BOARD OF TRUSTEES
Sponsored by:
Made possible by funds from the
New Jersey State Council on the Arts, a partner
4 agency of the National Endowment of the Arts.
OUR MISSION CAST
(in order of appearance)
McCarter Theatre Center’s mission is to create world-class
theater and present the finest performing artists for the Role Andrew Wyke…………………………….…. Derek Smith
engagement, education, and entertainment of our community. Milo Tindle…………………………….…….. John Tufts
Inspector Doppler…………………………... Philip Farrar
We are committed to: Detective Sergeant Tarrant….……………... Harold K. Newman
• sharing stimulating, diverse, and provocative stories Police Constable Higgs……….……………. Roger Purnell
• working at the intersection of art and scholarship
• making the arts accessible to a broad range of audiences Setting Act One: Andrew Wyke’s country home in Wiltshire,
a summer evening
An independent, non-profit regional theater, we live in
Act Two: Two days later.
the heart of the new Princeton University Arts District
and provide programs all over Princeton, Trenton, and
There will be one 20 minute intermission
throughout central New Jersey.
Stage
Manager Alison Cote
All of this work and investment in our community is made
possible by you. Thank you.
Produced by special Arrangement with Samuel French, Inc.
For Sleuth
SOURCES OF REVENUE FY19 Emma Antenen Alison Cote Allwyn Baskin, Meg Ellis,
Associate Set Designer Fight Captain Lisette Weiland
Sign Language Interpreters
Ann Beyersdorfer Mitchell McCoy
Assistant Set Designer Assistant Fight Director Diane Woodside
46% Janet Dickson
Howard Dent Lew Gantwerk Audio Describers
SUBSCRIPTION & TICKET SALES
Assistant to the Lighting Designer Rehearsal Assistant
C2
32% Beth Lake Open Captioning
PHILANTHROPY Assistant Sound Designer
10%
ENDOWMENT DISTRIBUTIONS This theater operates under an agreement between the League of Resident Theatres and Actors’ Equity
Association, the Union of Professional Actors and Stage Managers in the United States.
9%
RENTALS & OTHER INCOME
The scenic, costume, lighting, and sound designers in LORT Theatres are represented by United Scenic Artists,
3% Local USA-829 of the IATSE.
PRINCETON UNIVERSITY DONATION
The Director is a member of the Stage Directors and Choreographers Society, an independent national
3%
labor union.
SUMMER CAMPS & CLASSES McCarter Theatre Center is a constituent member of Theatre Communications Group; the League of Resident Theatres;
ArtPride New Jersey; and the New Jersey Theatre Alliance.
6 7
BIOS
Derek Smith* Meditation (2003 Humana Festival).
(Andrew Wyke) Chicago: Goodman Theater: Bernhardt/
Broadway: The Green Hamlet; Chicago Shakespeare Theater:
Bird (Tony nomination), Nell Gwynn, Tug of War. Off-Broadway:
The Government Inspec- Primary Stages: Pride and Prejudice;
tor, Timon of Athens, Ensemble Studio Theater: Virtual
Jackie, Getting and Meditation; Mint Theatre: Fashions for
Spending, Ring Around Men. Film/Television: Bad Teacher,
the Moon, and several years as Scar in Fashions for Men (PBS), Dangers of a
The Lion King. Off Broadway: Original Broken Car, BAQ-132. Awards: Lucille
cast of Sylvia, The Green Bird (Obie Lortel Nominations for Fashions for Men
award), King John (Derwint Award), Tis and Pride and Prejudice; Arthur Kennedy
Pity She’s a Whore, Dance of Death, The Award for Acting; Indy Award for I Am My
Witch of Edmonton (Calloway Award), Own Wife; Wall St. Journal Best of 2016
Dark Rapture, Ten by Tennessee, Desire, for Tug Of War. Training: B.F.A., Carnegie
Hyde in Hollywood, Incident at Vichy, Mellon University. www.john-tufts.com
School for Scandal, The White Devil,
Heartbreak House. Regional: Old
Globe, La Jolla, Pittsburgh Playhouse, Phillip Farrar
ART in Cambridge, and affiliated artist (Inspector Doppler)
at The Shakespeare Theatre in Wash. is an L.A.–based actor,
D.C. McCarter: Mirandolina, The Barber designer, and co-founder
Princeton Community welcomes its only Board Certified Periodontist of Seville, The Marriage of Figaro; (all of Didymus Theatre
M. Ilhan Uzel, D.M.D., D.Sc directed by Stephen Wadsworth). TV: Company. Regional:
The Good Wife, The Equalizer, Internal The Comedy of Errors
Affairs, Ryan’s Hope. Alumnus of Juilliard and Twelfth Night (Mesa
With 26 years of experience, 11 years of
and The Acting Company. Rosa Shakespeare Festival). Film/TV:
teaching background at Boston University and Various credited and uncredited roles
at PENN, and more than 10,000 successful in Gemini Man, Adaptation, The Parent
procedures performed, Dr M. Ilhan Uzel is now John Tufts* Trap, Man in the Iron Mask, The Prince
(Milo Tindle) McCarter and the Pauper (BBC), Twin Peaks, Jack
serving Princeton Community.
Theatre Debut. Regional and Jill, Stuck on You, The Prestige,
Theatre: 12 seasons with Flowers in the Attic. Harold’s greatest
SOME of the procedures done at our practice are: Oregon Shakespeare role is “father” to his two beloved
Dental Implants, Bone Grafting, Sinus Lift, Scaling and Root Festival: Henry V, Romeo children Thomas and Victoria. Education:
Planing (deep cleaning), Gum Surgery for Gum Disease and Juliet, A Midsummer University of Minnesota-Twin Cities.
Night’s Dream, The
Cocoanuts, Animal Crackers, Into the
Woods, Equivocation (also at Arena Harold K. Newman
Stage, Seattle Rep.), The Belle’s (Detective Sergeant
Stratagem, and more. The Guthrie Tarrant) is proud to
Theater: The Cocoanuts; Ensemble make his return to the
Theater Company: I Am My Own Wife. stage after spending the
Actors Theatre of Louisville: Virtual previous fifteen years in
the world of television.
*Member of Actors’ Equity Association, the Union of
Professional Actors and Stage Managers in the United States.
8 9
BIOS BIOS
Credits include: Law and Order, Law and Frenzy (1972), The Wicker Man (1973), Guide to Love and Murder, Present & pony dc, an ensemble of artists who
Order: SVU, Law and Order: CI, Law and Sommersby (1993), and three Agatha Laughter, Old Acquaintance, Butley, devise innovative productions, including:
Order: True Crime, Law and Order: Trial Christie adaptations, Death on the Nile Hedda Gabler. West End: All New A Killing Game, Separated at Birth,
By Jury, Law and Order: LA, LA Law, NCIS, (1978), Evil Under the Sun (1983), and People. Off-Broadway: Whisper House Mother Courage and Her Children and
NCIS: Miami, NCIS: Los Angeles, JAG, Appointment with Death (1988). Shaffer (59E59 & The Civilians), Harry Clarke Beertown (nominated for a 2012 Helen
The Good Wife, CSI, CSI: Miami, CSI: also wrote novels in collaboration with his (Vineyard & Minetta Lane); Ripcord Hayes award for best new play).
New York, Hack, Chicago Hope, Chicago twin brother, Sir Peter Shaffer, playwright (MTC); Lips Together Teeth Apart
PD, Chicago Med, ER, and The Golden of Five Finger Exercise, Equus, Royal (Second Stage); Rapture Blister Burn
Girls. Awards: two Daytime Emmy Awards Hunt of the Sun, and Amadeus. (Playwright’s). Regional: Disney’s The Darron L West
for his work playing brothers Turk and Dr. Hunchback of Notre Dame, La Jolla (Sound Design) McCarter: The Gods of
Drake Buffington on Destiny Cove (ABC). and Paper Mill Playhouses as well as Comedy; A Christmas Carol (2016-19);
Germany and Japan. Opera: Samson et Murder On The Orient Express; Bathing
Adam Immerwahr In Moonlight; Hoodwinked; Baby Doll;
Dalila (Metropolitan Opera); Thirteenth
(Director) is the former Associate Artistic
Roger Purnell Director at McCarter (credits include
Child (Santa Fe); Ghosts of Versailles (L.A. Into The Woods; The Convert; Fetch
(Police Constable Opera); Il trittico (Deutsche Oper Berlin); Clay/Make Man; Me Myself & I; Stick Fly;
The Understudy, The Mousetrap and
Higgins) is proud to Lohengrin. (Budapest). Awards: 2 Tony, Miss Witherspoon; Hamlet; The Bells;
A Christmas Carol) and the former
make his McCarter debut 1 Drama Desk, 2 Outer Critics Circle and Crowns (2002). He is a Tony and Obie
Resident Director at Passage Theater. He
in Sleuth. Regional/local: Nominations. Winner of a Lucille Lortel, award winning sound designer whose
is currently Artistic Director of Theater J,
Cloud Nine, Beyond 2 Elliot Nortons, 3 Craig Noel, LA Critics, work for dance and theater has been
the nation’s largest and most prominent
Therapy, The Constant 3 CT Critics Circle, and 3 IRNE Awards. heard in over 600 productions in the
Jewish theater (located in Washington,
Wife, and The Wild Training: Yale. alexanderdodgedesign.com, U.S. and Internationally in 14 countries.
D.C.). Adam’s NYC directing credits: The
Party. TV: Are You Smarter than a Fifth @alexanderdodgedesign His accolades include the Drama Desk,
Public, Theater Row (both for Summer
Grader?, MTV’s Road Rules: Cabo Wabo Lortel, Audelco and Princess Grace
Play Festival), Ensemble Studio Theatre,
Edition (airing later in 2020). Huge thanks Foundation Statue Awards among many
The Wild Project, and NYU’s Studio Tisch.
to Adam Immerwahr for this opportunity. Internationally, he directed the African Ivania Stack others.
Education: ADMA. premiere of The Convert (nominated (Costume Design) creates for D.C. area
for Zimbabwe’s National Arts Medal). and regional theatres including: Woolly
Regionally, Adam has directed for Walnut Mammoth Theatre Company (Company Carissa Thorlakson
Anthony Shaffer Street Theatre, Woolly Mammoth, Member), Arena Stage, Center Stage, (Wig Design) is a New Jersey-based wig
(Playwright, 1926 – 2001) delighted Cleveland Play House, Theater J, Everyman Theatre, The Contemporary and makeup designer. Off-Broadway:
audiences with his ingenious comic Passage, Lyric Theatre of Oklahoma, American Theatre Festival, Kennedy Grand Hotel and Little Rock. In her 7th
thriller Sleuth, which played 2,359 Adventure Theater, Luna Stage, Hangar Center Family Theatre, Imagination season with McCarter, her design work
performances in London’s West End Theatre, Bristol Riverside, Premiere Stage, Berkshire Theatre Festival, Round includes Gloria: A Life, A Christmas Carol
and more than 2,000 performances Stages, PlayPenn, and many others. House Theatre, Signature Theatre, (2013-2019), The Gods of Comedy,
on Broadway, where it won the Tony Graduate of Brown University. Drama Imagination Stage, Olney Theatre Simpatico, The Mousetrap, and All the
Award for Best Play of 1971. He went League Directing Fellow (2008). Center (Associate Artist), Studio Theatre, Days. She has also designed for The Old
on to write the screenplay for the 1972 www.AdamImmerwahr.com Theatre J, Constellation Theatre, Globe, Temple University, Olney Theatre
Oscar-nominated film version. Shaffer Synetic Theatre, Forum Theatre, Theatre Center, The University of Delaware
devised several additional plays, notably Alliance, Rorschach Theatre, The Karski Resident Ensemble Players, The Princeton
Project, Metro Stage, and Gala Hispanic Festival, and American Repertory Ballet.
Murderer (1975). He had far greater Alexander Dodge Theatre. Ivania is currently the Ringleader She has served as a wig and makeup artist
success, however, with his many other (Scenic Design) McCarter: Mousetrap.
screenplays, including Alfred Hitchcock’s for Audience Integration (Artistic Director at Santa Fe Opera, Sarasota Opera, The
Broadway: Anastasia, A Gentleman’s
for Original, Interactive Work) for dog Kennedy Center, Shakespeare Theatre
10 11
BIOS
Company, Signature Theatre, and Round Charley’s Aunt and Shakespeare in Love six Broadway shows to her credit, 16 Dixie Uffelman
House Theatre. Carissa also creates (Shakespeare Theatre of NJ), Eurydice years as an Executive Board Member of (Director of Production) is in her second
custom medical wigs, cosplay wigs, and and An Ideal Husband (American Players the Stage Managers’ Association, is a season at McCarter, after working in
teaches classes in wigs and makeup. You Theatre), and others. She is an Associate Director-at-Large and the current Chair Chicago, IL for fifteen years. Most
can find her at www.CThorwigs.com and Teacher of Fitzmaurice Voicework® and of the Del Hughes Awards and event in recently she was the Production Manager
@wigician. a Certified Teacher of Knight-Thompson NYC, and is a contributor to the book of the Wirtz Center for Performing Arts
Speechwork and is currently on faculty Sound and Music for the Theatre; The Art at Northwestern University. While at
at the University of Connecticut and the & Technique of Design. Cheryl currently Northwestern, she managed dozens
J. Allen Suddeth National Theater Institute. teaches at Mason Gross School of the of productions, including the world
(Fight Director) has worked professionally Arts, conducts master classes for the Yale premieres of David Catlin’s Moby Dick
for the past 35 years out of the New School of Drama, and named a SUNY and Laura Schellhardt’s Ever in the Glades,
York area. Allen is a Broadway veteran Caparelliotis Casting Notable Alumni in the Arts. MFA: Yale a production which then travelled to the
of twelve shows, ranging in style (Casting) Select Broadway: King Lear, School of Drama. Cheryl joins the SMA, Kennedy Center. Before Northwestern,
from Angels In America, to Disney’s Hillary and Clinton, Ink, The Waverly AEA, and USITT in celebrating the Year of Uffelman was the Associate Production
Aladdin, and Newsies. Further, he Gallery, The Boys in the Band, Edward the Stage Manager 2020! Manager of Steppenwolf Theatre
has staged action for over 150 Off- Albee’s Three Tall Women, Meteor Company, the Production Manager of
Broadway shows, and hundreds more Shower, A Doll’s House, Part 2, Jitney, the House Theatre of Chicago, and the
Regional Theater shows from Seattle to The Little Foxes, The Glass Menagerie, Alison Cote* Program Director of Barrel of Monkeys.
Denver to Baltimore and Atlanta. For The Front Page, Blackbird, Fish in the (Stage Manager/Fight Captain) is in
television, Allen stunt coordinated over Dark, It’s Only a Play, Disgraced, The her 24th season at McCarter. Recent
750 episodes, on sound stages in New Trip to Bountiful, Fences. Also Signature highlights include Goodnight Nobody; Debbie Bisno
York, and on locations such as Jamaica, Theatre, Atlantic Theater Company, Gloria: A Life; Detroit ’67; Ken Ludwig’s (Resident Producer) joined McCarter in
Arizona, and Buenos Aires. Allen is the Ars Nova, The Old Globe, Goodman Baskerville; The Understudy, directed 2016. Her experience spans Broadway,
author of Fight Directing For The Theatre Theatre, Arena Stage. Television: New by Adam Immerwahr; The White Snake, Off-Broadway, West End, regional and
and holds Fight Master rank in the Society Amsterdam (NBC), American Odyssey directed by Mary Zimmerman; Danai nonprofit theater. Broadway highlights
of American Fight Directors. He also has (NBC), How to Get Away with Murder Gurira’s The Convert, directed by Emily include the recent production of Terrence
taught stage combat at Juilliard, Rutgers, pilot (ABC), Ironside pilot (NBC), Steel Mann; A Midsummer Night’s Dream, McNally’s Frankie and Johnny in the
SUNY Purchase, and The Lee Strasberg Magnolias (Lifetime). directed by Tina Landau; Christopher Clair de Lune starring Audra McDonald
Institute. Durang’s Miss Witherspoon; Sorrows and and Michael Shannon. Other Broadway:
Rejoicings, directed by Athol Fugard; and Grace, War Horse, HAIR, Merchant of
Cheryl Mintz* Stephen Wadsworth’s adaptations of The Venice, Annie, Priscilla Queen of the
Julie Foh (Production Stage Manager) is in Figaro Plays. Other credits include Edward Desert. Off-Broadway and London:
(Dialect Coach) is a CT-based voice, her 29th season, 25th as Resident Albee’s Me, Myself & I at Playwrights Ingmar Bergman’s Through a Glass Darkly
speech, and dialect specialist. Previous Production Stage Manager, with over Horizons; Tarell Alvin McCraney’s The starring Carey Mulligan, Passion Play,
credits include Mlima’s Tale (Westport 100 productions for McCarter Theatre Brother/ Sister Plays at The Public and Merrily We Roll Along. Debbie was
Country Playhouse), As You Like It and and 35 productions with Artistic Director Theater; Second Stage; Old Globe; Founder and Producing Artistic Director
King Charles III (Colorado Shakespeare Emily Mann. Cheryl has enjoyed 13 Goodman Theatre; Philadelphia Theatre of Chicago’s Roadworks Productions
Festival), Sherwood (Cleveland Play collaborations with Maestro Gian Carlo Company; Santa Cruz Shakespeare; with residencies at Steppenwolf and
House), Pygmalion (BEDLAM), Familiar Menotti and the Spoleto Festival USA Paper Mill; Kennedy Center; Long Wharf; Victory Gardens theaters, producing
(Woolly Mammoth Theatre Company), and Italy, and has stage managed 40 Center Theatre Group; Berkeley Rep; over 20 Midwest and World Premieres
Trans Scripts and Cardenio (American operas and musicals, three tours, and Bard Summerscape; Pittsburgh Public; by playwrights including Mike Leigh,
Repertory Theater), The Tallest Tree in three PBS telecasts for New York City Williamstown; The Shakespeare Theatre Kenneth Lonergan, Chuck Mee, Eric
the Forest (Tectonic Theater Project), Opera at Lincoln Center. Cheryl has of New Jersey. Bogosian, Phyllis Nagy, and more.
*Member of Actors’ Equity Association, the Union of *Member of Actors’ Equity Association, the Union of
Professional Actors and Stage Managers in the United States. Professional Actors and Stage Managers in the United States.
12 13
BIOS
She’s an Advisory Member of NYC’s Islamism). Adaptations: Baby Doll, build the capacity to sustain community Rosenberg, and Special Programming
Playwrights Realm and on the Board of Scenes from a Marriage, Uncle Vanya, arts programs at off-site locations. Director William W. Lockwood,
FASPE (Fellowships at Auschwitz for the The Cherry Orchard, A Seagull in the Previously, Mike was Co-Founder and McCarter’s mission is to create world-
Study of Professional Ethics.) Debbie Hamptons, The House of Bernarda Alba, Executive Director of Drama Dept., a class theater and present the finest artists
lives with her husband David and their and Antigone. Currently in development: New York nonprofit theater collective, for the engagement, education, and
Portuguese Water Dog, Bernice. The Pianist. Her newest play Gloria: A where for fourteen years he produced entertainment of the community. Winner
Life about the legacy of Gloria Steinem new works by the likes of Douglas Carter of the 1994 Tony Award® for Outstanding
opened McCarter’s season this year Beane, Warren Leight, Isaac Mizrahi, Paul Regional Theatre, world premieres
Emily Mann after a successful run in New York Rudnick, and David & Amy Sedaris. He is include Christopher Durang’s Vanya and
(Artistic Director and Resident Playwright) at The Daryl Roth Theater. Awards: on the Board of Cubing USA, the Twisty Sonia and Masha and Spike (2013 Tony®
is a multi-award–winning playwright and Peabody, Hull Warriner, NAACP, 7 Obies, Puzzle Speed Solving Non-profit, and the –Best Play); Tarell Alvin McCraney’s The
director in her 30th and final season as Guggenheim; Tony, Drama Desk, Outer 2nd Assistant Coach of the U14 Ironmen Brother/Sister Plays; Emily Mann’s Having
Artistic Director and Resident Playwright. Critics Circle nominations; a Princeton FC. Follow him on Twitter: Our Say; and Danai Gurira’s The Convert.
During her tenure, Emily wrote 15 University Honorary Doctorate of Arts, a @MrMikeRosenberg. McCarter brings artists from around the
new plays and adaptations, directed Helen Merrill Distinguished Playwrights’ world to Princeton, New Jersey including
over 50 productions, produced nearly Award, the Margo Jones Award given Gregory Porter, Isaac Mizrahi, Rosanne
180 plays and musicals, supported to a “citizen-of-the-theater who has McCarter Theatre Center Cash, and more. Education and outreach
the work of emerging and legendary demonstrated a lifetime commitment to Under the leadership of award-winning efforts serve tens of thousands through
playwrights, received the Tony Award® the encouragement of the living theater playwright and Artistic Director Emily student matinees, in-school residencies,
for Outstanding Regional Theater, everywhere”. This past June, she was Mann, Managing Director Michael S. and adult classes. More at mccarter.org.
commissioned the Tony Award®–winning awarded the TCG Visionary Leadership
play Vanya & Sonia & Masha & Spike Award. In November, Ms. Mann was
by Christopher Durang, and opened inducted into the American Theater Hall
the beautiful Roger S. Berlind Theatre. of Fame.
McCarter directing credits include:
acclaimed productions by Shakespeare,
Chekhov, Ibsen, and Williams and the Michael S. Rosenberg
world premieres of Christopher Durang’s (Managing Director) is in his second
Turning Off the Morning News and Miss season at McCarter. Prior to returning
Witherspoon; Agatha Christie’s Murder to the east coast, he was the Managing
Share your
on the Orient Express; Rachel Bonds’ Director of La Jolla Playhouse in San
Five Mile Lake; Danai Gurira’s The Diego for nine years where he helped
Convert; Sarah Treem’s The How and the develop and produce new work by Ayad
story
Why; and Edward Albee’s Me, Myself & Akhtar, Trey Anastasio, Amanda Green,
I. Broadway: A Streetcar Named Desire, Kirsten Greenidge, Quiara Alegría Hudes,
Anna in the Tropics, Execution of Justice, John Leguizamo, Basil Twist, Doug
and Having Our Say. Plays: Having Our Wright, and The Flaming Lips. During
Say, adapted from the book by Sarah L. his tenure, the Playhouse was awarded
Delany and A. Elizabeth Delany with Amy multi-million dollar grants from the NEA #McCarterTheatre
Hill Hearth; Execution of Justice; Still Life; and the Wallace and Irvine Foundations
Annulla, An Autobiography; Greensboro to accelerate experiments meant to
#SleuthMcCarter
(A Requiem); Meshugah; Mrs. Packard, develop multi-ethnic projects, expand
and Hoodwinked (a Primer on Radical opportunities for family engagement, and
*Member of Actors’ Equity Association, the Union of
Professional Actors and Stage Managers in the United States.
14 15
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LET’S PLAY A
LITTLE GAME
Senat: One of the earliest known board games, Senat originated in Egypt.
It dates back as far as 3500 BCE! You can still play Senat, although the
rules now used to play the game are based on snippets of text that span
over a thousand years, so it’s unlikely that they reflect the actual game-
play in ancient Egypt.
“I love this piece. Adam was familiar with the game and excited that
we could have one in the show. Even just as a piece of furniture, it is a
gorgeous object.”
Nine Men’s Morris: Nine Men’s Morris is a strategy board game dating all
the way back to the Roman Empire. It is a “solved game”– that is, there
is an optimal strategy, and, with a perfect play from both sides, the game
will always end in a draw.
Scenic Design for Sleuth by Alexander Dodge
“I actually played this game as a child. I always admired its deceptive
simplicity and great design. I am happy to be able to feature one on
Alexander Dodge is an award-winning Sleuth, Dodge and the design team con-
stage.”
designer, who has created stunning sets ducted painstakingly nuanced research,
for musicals, operas, dance, and plays. leading to the creation of some of the
Fans of McCarter’s theatrical thrillers creepiest set pieces ever to grace the Laughing Sailor: The “Laughing Sailor” is a coin-operated amusement
will remember Dodge’s beautiful work McCarter stage! On these pages, you’ll arcade machine, which was popular around the 1950’s. When a coin is
in designing the set of Agatha Christie’s find just a few of these items. See if you inserted, the sailor moves around and laughs.
The Mousetrap. For this production of can spot them during the production! “By far the creepiest prop I have ever had on a stage. If you peer di-
rectly into his eyes, he will take your soul. We custom built our little
guy. During construction the props department made sure that no one
was ever left in the room alone with him. No joke.”
“A set like Sleuth is actually one of the more challenging things to design. There are
so many seemingly minor details that are essential for the various special effects
and stunts. Things have to be placed and positioned in just the right way for the Swansea Puzzle Jug: In the 18th and 19th centuries, a new type of puzzle
action and some of the bits to work and be effective. The challenge is making it was popularized – a puzzle in the form of a jug. People were challenged
to drink from the jug, which had holes in the spout, without spilling the
look lived–in and natural. It was such a pleasure bringing this one to fruition.”
liquid inside. Typically, the trick was a secret spout that went up the han-
–Alexander Dodge dle that allowed the drinker to sip like a straw. The puzzle jug mentioned
in Sleuth comes from Swansea, a city in Wales.
“This may be a spoiler. This jug has to get replaced from show to show,
Look up! Can you spot these props on the actual set? so without giving too much away, we are not using a real antique.”
Norman Manor House: The set you’ll see today is designed to resemble
the inside of a Norman manor house in Wiltshire, England. Many of Mashie Niblick: A mashie niblick was an early form of golf club, most
the houses built in this style were meant to look like castles from the equivalent to the contemporary 9-iron wedge. “Niblick” is derived from
outside, and had towers and sometimes even a moat! One manor Scottish Gaelic, and roughly translates to “short nosed,” a name that
house in Wiltshire is thought to have been home to Sir John Falstaff, makes sense given the small size of the club.
who was immortalized by Shakespeare in Henry IV and The Merry
Wives of Windsor.
“Adam [the director of Sleuth] and I were intrigued by the idea
of this game hoarders paradise. Having a room that was mostly
just shelves of books, games and various tchotchkes seemed like a
great playground for the characters.”
18 19COMING UP:
THE REFUGE Davis participated in a
collaboration between
The Refuge Plays shed light on these
unanswerable and existential questions
PLAYS
McCarter and Princeton through a unique lens and mystical world
University where he was crafted by Davis, who has an “uncanny
commissioned to write gift for allegory and language” (The Paris
a short play as a part of Review). McCarter audiences will have
MAY 8 – JUNE 7 The Princeton and Slavery the unique opportunity to see a play
Project in the fall of 2017. with four years of developmental support
By Miranda Cornell, That same semester, Davis from the artistic home where it began.
Directing / Producing Apprentice became a Lecturer at the Join us as we close out the 2019-2020
Lewis Center for the Arts. Season with this mystical, compassionate,
He currently teaches play- life-affirming world premiere.
writing and was recently
named a Roger S. Berlind
’52 Playwright-in-Residence.
Princeton University and
McCarter have become
the artistic home for Davis
and his trilogy.
As a playwright and director, McCar- Staff attended a reading of Davis’ The It is fitting that The Refuge Plays is about
ter’s Artistic Director Emily Mann knows Refuge Plays, a trilogy he was beginning searching for and finding a home. Davis
the value that readings, developmental while a student at Juilliard. shared that the title of the trilogy comes
workshops, and artist retreats have in the from “the need to create a space for
McCarter began to track his plays and
creative process. The McCarter LAB is a yourself, someplace safe for you and your
Mann instantly fell in love with Davis’
creative incubator, providing artistic and children that is what you want it to be.
work. From that point on, he has been
financial support, allowing McCarter to Questions arise when you deal with a so-
a part of each season in some capacity.
take artistic risks in the interest of identifying ciety that doesn’t support that particular
From participating in developmental pro-
and nurturing promising talent and new dream.”
grams such as “In the Writer’s Voice” to
work for its stages. It allows freelance art- When asked about the impetus for
attending the Sallie B. Goodman Artists
ists to work all around the country while writing the plays, he recalls his first few
Retreat, snippets of The Refuge Plays have
knowing that they have a creative home back years in New York City: “A few years ago
come to life around McCarter’s tables and
here in Princeton. Nathan Alan Davis, author I moved to New York with my wife and
rehearsal halls.
of the upcoming The Refuge Plays, is one three daughters. We were living in this
of those artists. one bedroom apartment, and living in
Davis’ relationship with McCarter began in “Nathan has an close quarters can definitely set you to
thinking about ‘what do I tell my kids, and
uncanny gift
the summer of 2015, when he was com-
missioned by the theatre’s Education De- what do I not tell them?’ ‘How do I help
them navigate their lives in a world which
for allegory and
partment to write a short play in collabo-
ration with local high school students as a is so chaotic and so unfriendly and can
way to integrate theater into the teaching be so violent?’ These are questions that
of science and mathematics. That same
year, a member of McCarter’s Artistic
language.” most parents and teachers face, in terms
of ‘what do we teach our children?’”
–The Paris Review
Photo: Jocelyn Bloh in the 2018 McCarter LAB Spotlight production of Nathan
Alan Davis’ In the Beautiful Place. Photo: Tom Miller.
20 21The Emily Mann
Legacy Fundraising $250 +
Campaign Mary and Charles Ascher
Helena and Peter Bienstock
Louise Gross
Iona and Maurice Harding
Christopher Romney
Barbara Schafer
Peter Cziffra Pamela and James Hill Margaret Griffin and Scott Sillars
We gratefully acknowledge the following individuals Patricia and Jon Hlafter Maureen Spittlehouse
Sara and Russ Davis
who have generously made a gift in honor of Emily Helge Deaton Sally Hodder Susan and David Thompson
Mann’s incredible 30 years of leadership and her Susan and Alan Elko LaTonya and Lance Liverman Elizabeth and William Wolfe
Jeanne and James Elliott Diane and John Parks Lisa Wright
commitment to the art, artists, and our community
Frances and David Ertel Elizabeth and Joseph Pepek
as well as to the mentorship, education, and Charles C. Phillips
Vincent Gaeta
engagement of future artists, artistic leaders, Dorothy and Charles Plohn, Jr.
Elizabeth and Robert Garver
and arts patrons.
ADDITIONAL SUPPORT
$500,000+ $100,000+ Renee and Ted Altman Naomi and Michael Goldin Patrizia Perugia
Irene M. Amarel June Ballinger and Sharon and Bob Powell
Betty Wold Johnson Edward E. Matthews Betina and Robert Bandel Michael Goldstein Joan Raffiani
Kathleen and Tim Nolan Mary and Thomas Barber Christine Gravelle Anne P. and Scott A. Reines
Katherine Benesch Kathy and Bill Hackett Steve Runk
$50,000+ $25,000+ Paul Bergen Joan Poole and Randy Haviland Barbara Ryan
Vicky and Richard Bergman Judy Herdman Maria and Charles Ryan
Ashley and George Aitken-Davies Andrea and John Forbes Barbara J. Blackwell Robert Jackson and Chris Hoyler Margo and Shawki Salem
Debby and Peter Burt Nancy and Robert Humes Deborah Herrington and
Timothy M. Andrews Happy and Jack Wallace
Danuta Buzdygan-Stys Marybeth and Sander Kelman Doug Sawyer
Michelle and Robert Caruso Frank Campo, MD Mary Jo and Paul Kenny Mary Schedl
Liza and Schuyler Morehouse Mary Ellen Carson Lois and Rodger Kopf Elizabeth and
Brad and Anne Clifton Sarah Roberts and Donald Schoenewolf
$10,000+ $5,000+ Charlotte H. Comosky Lawrence Koplik Anne and Mitchell Seltzer
Anup and Meena Dam Linda and Raymond Krukovsky Fran and Marty Siederer
Joan Girgus and Alan Chimacoff Ellis B. Anderson Ruth and Robert Davidson Barbara Oberg and Perry Leavell Rosalind Silberman
Lynne and Van Davis Maurice DuPont Lee, Jr. Hazel S. Stix
Debra and John Haines Sarah and Landon Jones
Boel Denne-Hinnov Meg Leone Helen Sullivan
Lynn and Robert Johnston Louise and Launny Steffens Denise and Alfred DiCarlo Jill Feldman and Robert Lerner Leslie Tuttle
Cynthia and Robert Hendrickson Susan Wilson Leo Donner Christina J. Limbach Valerie Cheh and Angie Urbaniak
Nancy and Burt Malkiel Brian Zack and Ginger August Kathy and Michael Dulin Melissa Lane and Andrew Lovett Rhoda K. Wagman
Harold Shapiro Louise Dunham Gil Lugossy Jeff Weingrad
Sonja Eilenberger Judy Mann Cornelia M. Williams
$1,000+ Anne Fahey Henry R. Martin Hildreth York
Suzann and Don Fallon Susan and John McCaskie Kathy and Robert Zatta
Laura and Len Berlik Harris Richter and Cheryl Mintz Nancy and John Fischer Lorraine McDade Kate and Stephen Zimmerbaum
Deborah Sands Gartenberg Daryl Roth Emily Forbes Maureen Merrill Anonymous (shah)
and Gary Gartenberg Lisette and Hank Siegel Jill and Jeff Friedman Cheryl Moran
Valerie and David Gladfelter Karen and Andy Schmitt Florence Gellman Rosa and James Mullen
Kate and Ben Hammond Lisa Skeete Tatum and Mark Tatum Stefan W. Goff Linda and Don Nuzzio
John Lithgow Joan and Ralph Widner Judith and John Golden Tasha O’Neill
Leah and Brian McDonald F. Helmut and Caroline S. Weymar
Hella and Scott McVay 22
Photo by Matt PilsnerMcCARTER BOARD
OF TRUSTEES
PRESIDENT MEMBERS
Robert J. Caruso Leonard J. Berlik Jim Huang
Daniela Bonafede-Chhabra Duncan MacMillan
VICE PRESIDENT Reginald M. Browne Tamera Matteo
Ashley Aitken-Davies Harvey Butler Elizabeth McNeilly
Michael Cadden Rhonda Medina
VICE PRESIDENT
Douglas K. Chia Arslan Mian
W. Rochelle Calhoun
Brent Colburn Robert A. Mintz
Paul T. Decker C. Schuyler Morehouse
VICE PRESIDENT
John G. Forbes, Jr. Sharon Dietrich Kathleen Nolan
Peter M. Dodds Wilma Nurse
TREASURER Jill Dolan Aquatia L. Owens
Anne M. VanLent Jay Dominick Douglas H. Palmer
Sandy Ewell Hilary A. Parker
SECRETARY Joan S. Girgus Ramona E. Romero
Timothy M. Andrews Cheryl Goldman Bill E. Sappington
Debora Haines Karen Schmitt
IMMEDIATE PAST
Ben Hammond James Christen Steward
PRESIDENT
Jamie Herring Lisa Skeete Tatum
Leslie Kuenne
Daniel Herscovici Ronald S. Ward
HONORARY TRUSTEES
Carol L. Beske Robert T. Keck Linda M. Swain
Martin Chooljian Samuel W. Lambert, III Martha Vaughn
Liz Fillo Phyllis Marchand Peter J. Ventimiglia
William M. Green, MD Edward Matthews Jack Wallace
John P. Hall, Jr. Joann Mitchell Van Zandt Williams, Jr.
J. Robert Hillier Jacqueline O. Phares Ruth Wilson
J. Seward Johnson, Jr. Judith McCartin Scheide Thomas H. Wright
Lynn D. Johnston W.S. Gerald Skey
24 25THE DIRECTOR’S CIRCLE
Thank you to the following individuals who supported our theatre in the last twelve The Fred and Gael Gardner Tamera and Joe Matteo
months. Fund of the PACF* Joann Mitchell
Cheryl and Richard Goldman Georgeanne and Peter Moss
GRAND IMPRESARIOS ($50,000+) The Griffin-Cole Fund Hilary A. Parker
Janice Bush and Eric Hagestad Arti and Samir Patel
Michelle and Robert Caruso Edward E. Matthews
Debora and John Haines Lynn and Meyer Sapoff
Betty Wold Johnson Kathleen and Tim Nolan
Linda and Bucky Hayes Judith McCartin Scheide
The Highland-Mills Foundation Karen and Andy Schmitt
IMPRESARIOS ($25,000-$49,999) Lisa and Gregory Hopper Deborah and Stephen Shepherd
Ashley and George Aitken-Davies Nancy and Duncan MacMillan Jim Huang / Kai Yue Foundation Jonathan Marc Sherman
Lori Martin and Christopher Eisgruber Jacquie and Woody Phares Sarah and Landon Jones Louise and Launny Steffens
Andrea and John Forbes Sonya and Bill Sappington Geri and Andrew Krassowski Judy and Ed Stier
Mary E. Hardesty Vicki and Neil Weisfeld Cathy Cutright and Randall Larrimore Leanne and Dave Trent
Kathy and Jamie Herring Anonymous Nancy and Burton Malkiel Anne VanLent Fund of the PACF*
The Kuenne Family Peter Martin Robert N. Wilson
Anastasia Marty
GUARANTORS ($15,000-$24,999)
Ellen Gould Baber Liza and Schuyler Morehouse
Audrey Gould Nancy and Will Robins
Cynthia and Bob Hendrickson Anonymous DIRECTORS ($3,000-$4,999)
Meg and Jim McLaughlin Alice G. Barfield / Snowden Foundation Phyllis and Sy Marchand
Leigh and John Bartlett Marni Fechter and David McComas
GRAND SPONSORS ($10,000-$14,999) Akira Bell Betsy and Bernie McNeilly
The Katherine Hatton and Richard Bilotti Rhonda and Derek Medina
Timothy M. Andrews Sally and Bob Huxley
Fund of the PACF* Tari Pantaleo and Douglas Miller
Susan and Mark Brennan Anthony A. Lombardi
Liz Fillo and Chris Coucill Janice and Bob Mintz
Sheila Broderick Foundation Leah and Brian McDonald
Aliya and Reginald Browne Christiana Foglio-Palmer and Amy and Paul Decker Music Theatre International
Lena Chang Douglas Palmer Janet Zoubek Dickson and Peter Dickson Kerry Perretta
Roberta and Shawn Ellsworth Katherine Snider Carolyn and Graham Dillaway Beth and Venkat Reddy
Barbara and Gerald Essig Marissa and Jesse Treu Betty and Jay Dominick Sarah Ringer
Carol and Andrew Golden Happy and Jack Wallace Sheila Mahoney and Gordon Douglas Priscilla and Bill Russel
Joan and Jack Hall Kiki Jamieson and William Dove Carolyn and George Sanderson
Michele Koenig, MD and Yves Dzialowski Dina and Michael Shaw
ANGELS ($7,500-$9,999) David M. Fenster Lisa Skeete Tatum and Mark Tatum
The David R. and Patricia D. Atkinson Karen Winterfield Dodds and Lindsey and Stephen Forden Fiona and Viv Tyndall
Foundation Peter M. Dodds Amar Gautam Dimitra and Thomas Varouhakis
Laura and Len Berlik Rita and John McGrath Debbie Bisno and David Goldman Ellie and Peter Ventimiglia
Wilma Nurse and David Blue Nanette Meyer Aquatia Owens and Jim Gorman Everett Kline and David Wald
Marian and Ken Disken Orphanides & Associates LLC Diane Ruble and William Green, M.D. F. Helmut and Caroline S. Weymar
Janice and Harold Stone Kate and Ben Hammond Fund of the PACF*
Carol and Jim Herring Myra and Van Zandt Williams
PRODUCERS ($5,000-$7,499) Laurie and Daniel Herscovici Ginny Mason and Robert Willig
Laurie Smaldone Alsup and James Alsup Jessica and Doug Chia Betsy and Darma Ie Ruth and Nick Wilson
Carol and Grant Beske Melanie and John Clarke Vinita and Raman Kapur Jill Dolan and Stacy Wolf
Carol Cesareo and Christopher Boerum Sharon D’Agostino Casey and Sam Lambert Pamela Goodwin and Alan Zetterberg
Judy and Robert Levine
Marcia E. Bossart Gay and Bob Easton
Nancy Lifland
Jason Robert Brown Audrey and David Egger Fund at the Jewish
jpl
Daniela Bonafede-Chhabra and Community Foundation of Greater Mercer
Emily Mann and Gary Mailman
Ashvin Chhabra
*PACF denotes the Princeton Area Community Foundation
*PACF denotes the Princeton Area Community Foundation
26 27THE ARTIST’S CIRCLE Jean Tom and
Richard Register
Reichelderfer-Blair
Catherine and Andrew
Sidamon-Eristoff Fund of
NY Community Trust
Sharon Underberg-Davis, MD
Aspasia and
Sotirios Vahaviolos
Fund of the PACF* Fran and Marty Siederer Meredith and
DESIGNERS ($1,000-$2,999) The Rice Family Margaret Griffin and Henry von Kohorn
Alexander and H&R Feinberg Family Helene and Russell Kulsrud Katherine Roeder Scott Sillars Huiqun Wang
Helen Ackley Foundation Rita and Joseph Lamendola Katherine Kay and Ros Westlake and Teddi and Fong Wei
Ellis B. Anderson Ken and Caryl Field Martha and Bill Lashbrook Robert N. Roop Steve Smotrich Joan and Tom Weidner
Michael Cadden and Fund of the PACF* Clara Li Diane Drobnis and Hazel S. Stix Weingart Family Fund of the
Drake Baer Marlaine Lockheed and Catherine and Leon Rosenberg Rachel Gray and Community Foundation of
Katherine Benesch Steve Frakt David Loevner Margo and Shawki Salem Joel Studebaker New Jersey
Charitable Fund of Bobbi and Barry Freedman Janet Lonney Rita Seplowitz Saltz Caren Sturges The Karen Wells Family
the PACF* Vincent Gaeta Melissa Lane and Beverly A. Sanford Trish and Stephen Tatrai Fund of the PACF*
Paul Bergen Tasha and Mark Gajewski Andrew Lovett Ramona Romero and Jean and Joan and Ralph Widner
Vicky and Richard Bergman Deborah Sands Gartenberg Matthew H. Lubart Blaise Santianni Kenneth Telljohann Lesley and Ross Wishnick
Marie Rotunno and and Gary Gartenberg Rochelle Calhoun and Marilyn and W. Bryce Thompson Jane and David Yarian
Arthur Bertelsen Sandra Gillette Robert Lussier Irvin W. Schorsch, III Foundation Kathy and Robert Zatta
Elisabeth A. Bish Stephanie Gittleman Karen and Michael Mardy Bonnie and Peter Schorsch Annabel and Peter Tierney Marylu Simon and
Jacqueline K. Bodin Gladfelter Family Donor Catherine and Christopher Sandra C. Sussman and Joe and Donna Tully Judy Zimmerman
Shefali Shah and Advised Fund of Marsh-Bourdon Ronald N. Schnur Teri and Ron Tuosto Advah and Joshua Zinder
Christopher Boerner the Jewish Community Ann and Douglas Matthews Inez and Richard Scribner Jim Uffelman Anonymous
Emmy Zuckerman and Foundation Cecilia and
Ed Bonfield Meg and Tom Gorrie Michael Mathews
Susan and Doug Breen Jean and Gene Grossman Brad Matthews
PROMOTERS ($750-$999)
Janice and Greg Ammon Norman R. Harvey Parish and Dudley Ryan
Judith and Albert V. Hamm Maurice Rohrbach Fund for
Roderick Anderson Lynn and Bob Johnston Carol and David Sanzalone
Anthony Brickman Iona and Maurice Harding Swiss-American Cultural
Debra Baseman Linda and Kenneth Kelly Karen and
Tracey and Harvey Butler Mary Louise Hartman Exchange
Nancy H. Becker Beverly Kestenis Ronald Schotland
Danuta Buzdygan-Stys Carolyn and John Healey Nolan McCarty
Robin and Stefan Birkel Robert Kirby Valerie Smith
Campbell Family Lara and Mark Heimann Heather McDonald
Mary Jo and Meg Leone Penny and Ted Thomas
Foundation Barbara and Bob Hillier Susan McMahon
Jeffrey Buckwalter Jill Feldman and Fund of the PACF
Ron Casty Barbara Fant and Russell L. McTaque
Debby and Peter Burt Robert Lerner Susan D. Ultan
Girgus/Chimacoff Family Douglas R. Horne The Hella and Scott McVay
Marcia and John Cooper Kathryn Stokel and Susan and George
Fund of the PACF* Sue Howard Fund of the PACF*
Denise E. Dalton Peter Ligeti Vanderbeek
Elaine and Robert Ciatto Paul Jacobson Linda and Arthur Meisel
Debbie and Mickey Faigen Bruce Lowenhaupt Marue E. Walizer
Elliot Cohen Holly and Louis Jerome Jennifer Mermans
Ruth Fath Susan Fiske and Charlotte Ann Wingate
Carol Condon The Cecelia Joyce Asima and Arslan Mian
Janet Gruschow and Douglas Massey Anonymous (2)
Peter Cziffra and Seward Johnson Maureen and
John C. Francisco Marsha and Peter Morin
Sara and Russ Davis Foundation William O’Connor
Nancy Freudenthal Maria and John Palmer
Janis Davis Nancy and Stephen Jusick Reba K. Orszag
Mary M. Furlong Rhona and Allen Porter
Catherine M. Knight and Florence and Steven Kahn Patricia and John Ott
Elyse Pivnick and Phyllis G. Reilly
Donald Denny Jr. of the Jewish Community Kelly and Matthew Owens
Norman Glickman Cheryl Mintz and
Eileen Kelley and Brian Dilts Foundation of Greater Margaret Palen
Stephanie and Bob Harris Harris Richter
Elizabeth Hock and Mercer Lois P. Pauley
Peter Dougherty Laura and Robert Kaster James Christen Steward
Denise Mauzerall and Peg and John Kemmerer and Jay Pekala
Ken Duell Elaine and Jamie Phares SPONSORS ($500-$749)
Robert K. Durkee Vassilis Keramidas Jennifer and Joseph Pilaro Irene M. Amarel Victor M. Bearg Catherine and
Peter Jewell and Christine and Richard Kitto Carol and Mark Pollard Nancy and James Amick Mary and Bob Benner Tucker Brown
Fred Eisinger Diane Zompa and Vince Poor Robert J. Aresty Merill Biancosino Ilene and
Terri and Jon Epstein David Knowlton Daryl and Willard Potter Mary and Charles Ascher Ron Blake Edward Bulanowski
Darlene de la Cruz and Maura Nolan and Theresa and Paul Price Arnold C. Ashcraft Amy Pruitt and Barbara Talbi and
Sandra L. Ewell Charles J. Kohaut Louise and Mike Profit Elaine Athanassiades Andrew Bodnar David Campo
Perla and Richard Kuhn Pat and Bob Prutzman Vesna and Zlatko Bacic Shirley Higgins Bowers Frank Campo, MD
Betina and Robert Bandel Beth and Victor Brombert JoAnn and Philip Carchman
*PACF denotes the Princeton Area Community Foundation Nancy and Martin Barbour Catherine Brown Stephanie and Mark Carey
Listing as of January 17, 2020. Simon Bateson Mona and William Carli
28 *PACF denotes the Princeton Area Community Foundation 29Pamela S. Carringer Deborah Dubois Jones and Martha and Martin Rossman
Barbara M. Elkins and Debbi and Mort Gasner LaTonya and Lance Liverman
Julie Denny Clark Randall Jones Jan Foldes and Ken Rotter
Timothy B. Brown Kimberly and Charles Kelb Gil Lugossy
Heong and John Compson Michele and John Killeen Andre Rupp Katrin Bruschi Patricia Koch and Carolyn and Frank Lumia
Kerri and Geoffrey Cook Mindy and Phil Kirstein Randy Gosney and Helene and Howard Buckwald Gene Gelernter Terri and Michael Madia
Erika D’Andrea Anna Rosa and Robert Saldarini Patricia and John Buckwalter Mary Furey and Paul Gerard Jean Mahoney
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Pierre Deligne Terri Riendeau and Dr. and Mrs. C.E. Schutt Judith and William Burks Juliana and Terry Gilheany Frank Mahood
Anna Drago Shelley Krause Ruth and David Scott Fund of the PACF* Marisa and Michael Gilmore Aarti and Sharad Malik
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Collleen Exter and Richard Levine Drs. Deborah and Ann and Tom Chapman Sanober and Masood Haider Sharon and Herbert Mayo
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Nancee Ford David Lieberman Marilyn and Barry Steiner Amrah and Nauman Chughtai Aline and Bill Haynes Colleen McKee and Family
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Charles Gear Verena Stocker and Deborah and David Corbishley Carol and Herb Horowitz Ruth and Bernie Miller
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Louise Gross Fund of the PACF* Leo van den Blink Boel Denne-Hinnov Kathleen Hutchins Nancy and Marc Ogan
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Jeanne M. Duff J&M Marketing John Orloff
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Nancy and Rick Henkel George Philip Stephanie and Kristin and John Epstein Edmund Keeley Charles C. Phillips
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Nancy L. Hodges Charles Plohn, Jr. Daniel Weiss Anne Fahey Pamela Kerr Donna and
Carol and Plough-Valentine Family Louise and Susan and Michael Falcon Paul D. Kessler Albert W. Pitman, Sr.
John Wellemeyer The Falzon Family Lena Khatcherian Karen and Stewart Prager
Michael Hollander Fund of the PACF*
Roy D. Farmer Elisabeth and Donald King Carol and Michael Pungello
Barbara and Richard Honig Sharon and Bob Powell Susan N. Wilson
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Lucy and Paul Israel Elizabeth and Mitsuru Yasuhara Marion and Randall Finken Liz Cutler and Tom Kreutz Paul Reider
Marilyn and Stephen Jardin Joseph M. Reardon Ellen Sorrin and David York Mari Molenaar and Jonathan Lang Louise and Kenneth Reilly
Akshay and Swati Javeri Belinda and Ferrill Roll Brian Zack and Warren Fioretti Rachelle Marie Bin and Marcia Renney
Melissa Hager and Susan R. Roop Ginger August Barbara Kirsh and Pablo Lapuerta Sharon and Martin Rexroad
Anonymous (2) Arthur Firestone Tracy and James Leahy Robichaud Fund of the PACF*
Curtis Johnson Miles Dumont and
Nancy and John Fischer Carol and Robert Lerner Hope Corman and
Llewellyn Ross
Joanne Fishbane Patty and Mark Leuchten Hugh Rockoff
Robert Fomalont M.D. Marsha Levin-Rojer Christopher Romney
BENEFACTORS ($250 - $499) Angela and Michael Francis Clnton Lewis Dawn Rosso
Carol and Frank Accetta Carleen Baily Barbara Birdsall Dorothy C. Fullam Anne Brener Kahn and Leslie and Clancy Rowley
Teresa and Paul Adair Anu Paul Sheila Bodine Susan and Robert Fuller Edward Linky Christina and David Rowntree
Deborah Prentice and Margaret Sieck and Susan Liwak and Deborah and Charles Furst Bobette and Dan Lister Harriette Rubinstein
Jeremy Adelman Bob Baldwin, Jr. Mike Borovicka Bev and Jack Gallagher Irwin and Barbara Litt Celia D. Ryan
Huldah and Catherine Schaeder Batterman Henry and Barbara Broad Elizabeth and Robert Garver Cate and James Litvack
Wyndham Anderson and Eric Batterman Fund of the PACF*
Louise and Joe Bachelder Paul Benacerraf *PACF denotes the Princeton Area Community Foundation
30 31
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