TEATROVA PRESENTS ARTBIENTALIST PROJECT AMAZON REGION - (2020-2021) - UNESCO
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TEATROVA PRESENTS
ARTBIENTALIST PROJECT
AMAZON REGION
(2020-2021)
Teatro Casa Teatrova Calle 24 No 4ª–16. Bogotá D.C.
casateatrova@gmail.com (+57)3192148025 -
(+57)3362401
Programa Artbientalistas – Teatrova (2020-2021)
The Artbientalistas Amazon Region Project is formulated in accordance with Ordinary Session
024 of May 20, 2020. In compliance with the provisions of the program, the following format
is completed:
SEMI-TERM FORMAT OF TERRITORIAL INTENTION ARTBIENTALIST PROGRAM
No Sessión 024
Date and Time 20/03/2020 7:30 A.M. – 8:50 P.M.
JUAN SEBASTIAN MANRIQUE PINZON // 1030656192 BOGOTÁ D.C
GERENTE PROGRAMA ARTBIENTALISTAS
KADIR ABDEL RAHIM GARZON // 79378589 BOGOTÁ D.C
DIRECTOR TEATRO CASA TEATROVA
Members
JANETH CRISTINA ORTIZ MARTÍNEZ // 1013586684 BOGOTÁ D.C
PRODUCTORA TEATRO CASA TEATROVA
DANIEL FRANCISCO ROJAS BERNATE // 1030540638 BOGOTÁ D.C
LUNIMOTECNICO TEATRO CASA TEATROVA
"The Amazon is a region that represents the multiculturalism and biodiversity of Colombia, its
environmental conditions and its relationship with life manifestations, make its culture and artistic
representations reflect a deep ecology and a special sense of identity and belonging to the territory.
It is important for the Artbientalistas program to formulate a series of projects in this region given
the current difficult social, environmental and cultural conditions, in which business and political
conflicts of interest, deforestation, suspicious fires, irregularities in land use planning are reflected.
, persecution of environmental leaders, land accumulation, among other situations that affect the
conservation and development of the Colombian Amazon.
On the other hand, the effects of hyper culturality have gradually reached these communities; loss
of identity, history and sense of belonging to native cultures is a latent risk. The need for a healthy,
Proposal
inclusive, formative, tolerant, sustainable cultural artistic connection is vital for the protection of
general
communities and other living and cultural manifestations of the territory.
In this primary order of ideas, I propose to build a true sense of progress through the protection
of environmental and cultural wealth, the Program must be presented there to found the path of
this cultural and environmental movement in the construction of public opinion, inclusive and
diverse vis-à-vis the ordering of the territories, first recognizing the native peoples and the Great
Covenant of Good Living. The present formulation is also considered pertinent given the
circumstances of connection of the Amazon Region with Peru, Venezuela; Brazil and Peru and
their cultural wealth given these conditions. I propose that we continue to carry out a
departmental analysis of the region
JUAN SEBASTIAN MANRIQUE P.
Some concerns were raised regarding mobility by Daniel Rojas, on the other hand, the initiative
presented by the manager was supported. The theater producer Cristina Ortiz also expressed her
doubts about the project given the complex conditions of order and security of the territory. On
the other hand, the director of the Kadir Theater Abdel Rahim insisted on the need for the
implementation of this program in the Amazon because of the need to share experiences through
Partial contributions
workshops and dialogues of cultural fabric such as puppet plays and theater that can be a
transformative axis in these communities. It was also concluded that since this region is the largest
in the nation, it is possibly our most important training and cultural exchange project so far.
Analysis was continued.
Teatro Casa Teatrova
Calle 24 No 4ª–16. Bogotá D.C.
casateatrova@gmail.com
(+57)3192148025 - (+57)3362401
TERRITORIAL DEPARTMENTAL ANALYSIS
AMAZONÍA REGION
GUAVIARE http://www.guaviare.gov.co/tema/territorios DEPARTMENT
SAN JOSÉ DEL GUAVIARE – EL RETORNO – MIRAFLORES – CALAMAR ( 4 ) MUNICIPALITY
It has 12 ethnic groups and 14 indigenous reservations.
It is considered a multi-diverse and multi-ethnic department product of its immersed and immense natural wealth, its great artistic
potential is reflected in its crafts and dance samples that commemorate the origins and worldviews of the territory. http://inirida-
guainia.gov.co/Transparencia/BancoDocumentos/Informaci%C3%B3n%20Cultura.pdf
Indigenous artisans inhabit the Coco Viejo community who for millennia have transformed clay and natural fibers into beautiful TERMS
handicrafts, ovens, vases, vases, fruit bowls, vases and hot holders that they offer to their visitors. CULTURAL
https://www.elespectador.com/vivir/buen-viaje-vip/guainia-intercambio-cultural-en-un-tesoro-escondido-articulo-728411 . From August
16 to 19 of each year.
http://www.sinic.gov.co/SINIC/ColombiaCultural/ColCulturalBusca.aspx?AREID=3&SECID=8&IdDep=94&COLTEM=215
(+57)3192148025 - (+57)3362401
Calle 24 No 4ª–16. Bogotá D.C.
casateatrova@gmail.com
Teatro Casa Teatrova
Great conflicts and socio-environmental pressures as shown in the map http://siatac.co/web/guest/ano-2016 in the 4 municipalities in
the table expressed. A rich ecosystem biodiversity is found http://siatac.co/Ecosistemas100K/Mapas/Condicion_distritos_biomas.jpg and ENVIRONMENTAL
at http://siatac.co/Ecosistemas100K/Mapas/Eco2014v1_Carta.jpg. The ordering of the territory occurs mainly by the Interior. CONDITIONS
https://cda.gov.co/. environmental planning file: /// C: /Users/USUARIO%20FAMILIA/Downloads/Presentacion_PGAR_2011_2020.pdf
Programa Artbientalistas – Teatrova (2020-2021)
Despite having great potential for social and economic development, cultural policies and the development of cultural plans, programs
and projects that allow it to have an organized, systematized and continuous cultural projection have not been defined, thus causing
trauma and disarticulation. total of artistic and cultural processes. Reading is a problem that indicates governance and one of its cultural RISKS
objectives. There is also a lack of knowledge of cultural heritage. We can see their cultural problems and objectives in this document CULTURAL
http://inirida-guainia.gov.co/Transparencia/BancoDocumentos/Informaci%C3%B3n%20Cultura.pdf. The portal of the cultural indicators of
indigenous reservations fails http://siatac.co/web/guest/productos/territorios-ancestrales/resguardos-indigenas
According to these environmental indicators
https://sinchi.maps.arcgis.com/apps/opsdashboard/index.html#/df30d0db241544b9aaa8e9e32d730b90 There is evidence of a
RISKS
continuous loss of forests, 27 hectares a year, the transformation of natural ecosystems, conflicts over areas and agricultural borders and
ENVIRONMENTAL
forest burning. https://sinchi.maps.arcgis.com/apps/opsdashboard/index.html#/8231915cb08948f7ad93c0e2fbeed68e There are
some threatened species
The Project is believed to be viable, the connection to most municipalities is in good condition. In addition to being a cultural nucleus
that needs interaction, as expressed by its Government when expressing the need for cooperation in its cultural relations that, in addition
VIABILITY
to strengthening and visualizing them, protect and conserve them. We can donate 50 unpublished books of our environmental works to
answer your reading problems and objectives. Miraflores is the furthest from all.
VAUPÉS http://www.vaupes.gov.co/
CARARÚ- MITÚ- TARAIRA – PAPANAUA -PACOUA – YAVARATÉ ( 6 )
In Vaupés, indigenous people celebrate most expressions of nature such as the raising of fish and the harvest of cultivated and wild fruits, among
others, through dance. In this way the Yuruparí dance, the dance with yarumo and plumage, the dance with maracas, the dance with mavaco are
important. Most dances are done in pairs, except for the Yuruparí, which is danced individually.
http://www.conservation.org.co/programas/Conservacion-para-el-desarrollo/http://www.conservation.org.co/programas/Conservacion-para-el-
desarrollo/ For 2019 there were high hopes for the different artistic stimulus programs,
https://www.mincultura.gov.co/prensa/noticias/Paginas/Vaup%C3%A9s-fortalece-sus-saberes-y-tradiciones-culturales.aspx however it is not known if
its implementation was successful. The Prayer and the Dabacury are activities of deep cultural importance in the
(+57)3192148025 - (+57)3362401
territory:https://cda.gov.co/es/noticias/recuperacion-de-tradiciones-culturales-en-vaupes
Calle 24 No 4ª–16. Bogotá D.C.
casateatrova@gmail.com
Teatro Casa Teatrova
E The terrain, in general, is flat. The tables of Bubiyí and Cararú are staked, and the hills of Japan, Camarao, Omudo and Tipicaca. The waterways are widely
used and the routes can be done through the Vaupés, Negro and Amazon rivers, which is why fishing and hunting are highly practiced. It is ideal for
ecological and adventure tourism. Most of the inhabitants are of indigenous ethnic groups and preserve their dialect and culture, the food is indigenous,
Programa Artbientalistas – Teatrova (2020-2021)
therefore, its tourist attraction. Secretary of Education and Culture http://www.vaupes.gov.co/directorio-institucional/secretaria-de-educacion-y-cultura.
The loss of the proto dances of the department is the most latent risk. The department only has roads or trails to communicate the populations and they
depend on the climate to be able to travel. Vapupes have been mentioned many times as the land of oblivion, even so the chicha, the casaba and its
gastronomy attract much attention from tourists https://www.eltiempo.com/archivo/documento/MAM-1685051 But enhancing this appeal is very difficult
due to its
remoteness.https://repository.urosario.edu.co/bitstream/handle/10336/13748/Vaupes%20German%20Duque.pdf;jsessionid=E34341EB8BE9B1576BC00E
5F28F79CDE?sequence=4
In the 1970s, fishing exploitation and crops were exchanged for exotic animals, due to the value and high demand from developed countries.
https://encolombia.com/educacion-cultura/geografia/departamentos/vaupes/ some illicit crops are part of the territory, the Bonanza coquera ends traditional
crops. Socio-environmental pressures are evident in 4 of the 6 municipalities in the department Forest burning is also a latent risk
The project is believed to be viable mainly because the municipalities are few and have connectivity between them, and these, with some indigenous
reservations and this can greatly enhance the program We can only reach Mitú by plane, the connection between their municipalities is by river.
AMAZONAS http://www.amazonas.gov.co/departamento/nuestro-departamento
PUERTO ALEGRÍA – LA CHORRERA – EL ENCANTO- PUERTO SANTANDER – PUERTO ARICA- MIRITÍ PARANÁ – LA VICTORIA- LA PEDRERA – TARAPACÁ – LETICIA – PUERTO
NARIÑO (11)
La s cultural traditions of the Amazon region of Colombia are linked to its history and ethnic origins as well as its natural environment, including their
ways of life, ancestral knowledge and their spirituality.https://www.lifeder.com/cultura-region-amazonica-colombia/ This part of the Region is a vital and
powerful cultural nucleus that cares for, protects its rites, its dances. This event, unique in the region, began in 1987 and takes place between July 15
and 20, every year. In 2002 she turned 15 years old, during which time the department of Amazonas and the municipality of Leticia have taken a
leading role in the regional festive celebrations of the participating countries.
http://www.sinic.gov.co/SINIC/ColombiaCultural/ColCulturalBusca.aspx?AREID=3&SECID=8&IdDep=91&COLTEM=215 We also rescued the youth parade
held on July 19 IMPORTANT DOCUMENT:http://www.corpoamazonia.gov.co/files/Planes/biodiversidad/diagnostico/AMAZONIA_C3.pdf
(+57)3192148025 - (+57)3362401
Calle 24 No 4ª–16. Bogotá D.C.
casateatrova@gmail.com
Teatro Casa Teatrova
Evidently the environmental conditions of this department are reflected in the immense biodiversity of the Amazon
http://siatac.co/web/guest/productos/catalogoespecies The environmental conditions of this department has broken records
https://wwf.panda.org/es/que_hacemos/sitios_prioritarios/amazonia/la_amazonia_naturaleza/. We found an environmental baseline in which all complex
environmental components are described http://siatac.co/c/document_library/get_file?uuid=dea85a4e-ddbe-44e9-93cb-58f826deab8a&groupId=762.
Programa Artbientalistas – Teatrova (2020-2021)
https://www.cepal.org/sites/default/files/news/files/folleto_amazonia_posible_y_sostenible.pdf Environmental regulation is of vital importance.
The use of native language is ending. https://sostenibilidad.semana.com/impacto/articulo/indigenas-al-rescate-del-amazonas-de-su-cultura-y-
territorio/36076 hyperculturality has meant in some of these communities the change of their customs adopting foreign activities. Loss of governance is
also a very large cultural risk, since participatory force is the structuring axis of these communities.
The relationship between man and fauna has taken unexpected turns, in this department there are high rates of commercialization of wildlife
https://sostenibilidad.semana.com/impacto/articulo/rescatan-en-tulua-a-cachorro-yaguarundi-domesticado/51239 The risks that also the construction of
highways affect the environmental and ecological communion of these territories immensely. According to the catalog of threatened species
http://siatac.co/web/guest/productos/especiesamenazadas
It is considered very pertinent to incorporate the department of the Amazon, given its environmental and cultural niche and as a strategy of
consolidation, training and circulation of art.
CAQUETÁ http://www.caqueta.gov.co/
ALBANIA- BELEN- CARTAGENA – CURILLO- EL DONCELLO – EL PAUJIL – FLORENCIA – LA MONTAÑITA – MORELIA- PUERTO MILAN – PUERTO RICO – SAN JOSE DEL
FRAGUA- SAN VICENTE DEL CAGUAN – SOLANO – SOLITA – VALPARAISO (16 )
It is made up of 24 indigenous reservations. Its habitat was located between the Caquetá and Putumayo rivers. Their presence in the department of
Caquetá dates from the 17th century and they have occupied different places, as they have been evicted by the settlers, first on the banks of the Caquetá
river, near Solano; then they went up the Orteguaza, Yari and Caguán rivers.
http://sinic.gov.co/SINIC/ColombiaCultural/ColCulturalBusca.aspx?AREID=3&SECID=8&IdDep=18&COLTEM=216 Its capital is Florence, and these are
known as Florentines. This city is also known as the "Golden Gate of the Amazon" or the "Green Heart of Colombia" Festival of Performers and
Composers of Colombian Folk Music "The Golden
Settler"http://www.sinic.gov.co/SINIC/ColombiaCultural/ColCulturalBusca.aspx?AREID=3&SECID=8&IdDep=18&COLTEM=215 THE INDIGENOUS MEETING
IS HELD ON ALL AUGUST.
(+57)3192148025 - (+57)3362401
Calle 24 No 4ª–16. Bogotá D.C.
casateatrova@gmail.com
Teatro Casa Teatrova
Although it is surrounded by forests, it is considered the most important territory in the region for agricultural production activities. Its environmental
jurisdiction is Corpoamazonía http://www.corpoamazonia.gov.co/files/Documento_Caquet%C3%A1.pdf SIAC's environmental indicators also demonstrate
that it is an area of high biodiversity. The formalization of your PMA leads you to Family well-being
https://www.icbf.gov.co/sites/default/files/procesos/pl7.sa_plan_de_gestion_ambiental_regional_caqueta_v3.pdf Protection is directed by the Caquetá
Programa Artbientalistas – Teatrova (2020-2021)
protection network https://www.redcaquetapaz.org/ambiental/
We believe that the risks are represented by the pressures of the territories and the loss of identity due to other life activities.
Low support for music and dance. This territory is the most affected by socio-environmental pressures in the entire region, which is a more than latent
risk to culture and peace. There are examples of the poor implementation of culture policies in Caquetá. https://hsbnoticias.com/noticias/vida-
moderna/cultura/arte-y-cultura-nacionales-en-caqueta-258540 . The low strengthening of indigenous participation in democratic public opinion is
reflected https://pacifista.tv/notas/la-cruzada-de-los-indigenas-del-caqueta-para-preservar-su-cultura/
The departments of the municipality of Caquetá have deficiencies in terms of public services such as aqueduct and sewerage. There is also no light,
http://www.corpoamazonia.gov.co/files/Documento_Caquet%C3%A1.pdf. Mining is a latent and cruel risk for the rivers where indigenous communities
are established, the use of asphalt harms the soil, feldspar, mica, is currently developing oil exploitation activities which are also of concern to
communities and environmental leaders. Alert reporting
ANLAhttp://portal.anla.gov.co/sites/default/files/biblioteca_web_anla_pdf/reportalecaqueta-ver4_0.pdf
Access to Florence can be given by land or air. It is the department most affected by socio-environmental conflicts in the region
GUAINÍA http://www.guainia.gov.co/
BARRANCOMINAS – CACAHUAL – INIRIDA – LA GUADALUPE – MORICHAL NUEVO – PANA PANA – PUERTO COLOMBIA – SAN FELIPE ( 8 )
The hidden cultural exchange of the Guainía is a treasure that is found deep in the Amazon. Its richness in dances, scenic expressions and gastronomy are
of enormous importance for the territory.http://iiniridacultural.blogspot.com/, The workshops of the current government administration formulate
https://www.mincultura.gov.co/prensa/noticias/Paginas/Ministerio-de-Cultura-ratifica-su-compromiso-con-creadores-y-gestores-culturales-de-
Guain%C3%ADa.aspx On the occasion of the anniversary of the foundation and subsequent creation of the Municipality of Inírida, capital of the
department of Guainía, the Festival of Colonies and "Meeting of Three Cultures" was created, an event whose central axis is the integration of the various
colonies that inhabit Inírida, and that at the same time integrate and relate to indigenous cultures, to outline a new mestizo culture, which has been called
the third culture or new culture. http://www.sinic.gov.co/SINIC/ColombiaCultural/ColCulturalBusca.aspx?AREID=3&SECID=8&IdDep=94&COLTEM=215
(+57)3192148025 - (+57)3362401
IMFORMACION IMPORTANTE http://inirida-guainia.gov.co/Transparencia/BancoDocumentos/Informaci%C3%B3n%20Cultura.pdf
Calle 24 No 4ª–16. Bogotá D.C.
casateatrova@gmail.com
All its ecosystems, rivers, ravines, hills and natural reserves make it a treasure that locals and national and foreign tourists must discover..
Teatro Casa Teatrova
https://www.elespectador.com/vivir/buen-viaje-vip/guainia-intercambio-cultural-en-un-tesoro-escondido-articulo-728411 The Environmental Management
plan is directed by the Family Well-beingar
https://www.icbf.gov.co/sites/default/files/procesos/pl27.sa_plan_de_gestion_ambiental_regional_guainia_v2.pdf There the difficult conditions of public
Programa Artbientalistas – Teatrova (2020-2021)
services of the communities are established, however, the values and natural wealth of the territory are also rescued. Biodiversity http://inirida-
guainia.gov.co/Transparencia/BancoDocumentos/Informaci%C3%B3n%20Ambiente.pdf Documentación fiscal http://cdguainia.gov.co/centro-de-
According to the environmental and cultural leaders of the Guainía, the implementation of cultural agreements have drawbacks and delays
https://www.mincultura.gov.co/prensa/noticias/Paginas/Ministerio-de-Cultura-ratifica-su-compromiso-con-creadores-y-gestores-culturales-de-
Guain%C3%ADa.aspx In addition to its natural wealth, culture is one of its most representative characteristics. Indigenous communities with their
ancestral wisdom and natural knowledge allow a cultural exchange and unique days surrounded by nature, indigenous culture and new experiences that
will make all visitors fall in love conserving them is a deep commitment. The implementation of cultural programs is believed to be limited by the territorial
dispersion of communities. The integrity of its territory is limited https://trochandosinfronteras.info/guainia-riqueza-miseria-y-lucha/
The mining behavior of the area affects the soil and the structured biomes http://polux.unipiloto.edu.co:8080/00003688.pdf _ We can also show some
levels of socio-environmental pressure that concern the sustainable development of the area. Deforestation is the most relevant problem
https://sostenibilidad.semana.com/medio-ambiente/articulo/deforestacion-en-guainia-las-selvas-empiezan-a-sucumbir-ante-la-ganaderia/38923 , extensive
ranching also contributes to the loss of forest cover in the department
Access is limited, however, it is believed feasible to reach the department and formulate the project
PUTUMAYO https://www.putumayo.gov.co/
COLON- MOCOA – ORITO – PUERTO ASIS – PUERTO CAICEDO – PUERTO GUZMAN – PUERTO LEGUIZAMO- SAN FRANCISCO – SAN MIGUEL – SANTIAGO – SIBUNDOY – VALLE
DEL GUAMUEZ – VILLAGARZON ( 13 )
It is the largest Afro-Colombian population in the Amazon Region
http://www.corpoamazonia.gov.co/files/Planes/biodiversidad/diagnostico/AMAZONIA_C3.pdf
254/5000
Putumayo's indigenous population amounts to approximately 30,000 people. There are 126 councils and 39 reservations that correspond to the towns
began, inga, cofán, siona, murui, coreguaje, muinane, andoque, huitoto, nonuya, okaina, bora, emberá and paz.
http://www.sinic.gov.co/SINIC/ColombiaCultural/ColCulturalBusca.aspx?AREID=3&SECID=8&IdDep=86&COLTEM=216 The indigenous carnivals are
celebrated in Mocoa on the Sunday, Monday and Tuesday before Ash Wednesday. Their necks are adorned by both men and women with abundant multi-
colored necklaces, called beads, and they paint their faces with dots and lines of various colors, predominantly red. Putumayo can be traveled in a chalupa
(+57)3192148025 - (+57)3362401
https://sostenibilidad.semana.com/medio-ambiente/articulo/el-rio-putumayo-y-las-culturas-que-viven-a-lo-largo-de-su-ribera/38714
Calle 24 No 4ª–16. Bogotá D.C.
casateatrova@gmail.com
According to corpoamazonia, which is the regulatory body for the department's environmental policies
Teatro Casa Teatrova
http://www.corpoamazoniagov.co/files/Ordenamiento/Determinantes/Determinantes_Putumayo.pdf The territory is in a constant strengthening of natural park
policies, and has several flora and fauna sanctuaries. The environmental characterization is given below
http://www.corpoamazonia.gov.co/files/documento_putumayo.pdf in it the immense natural wealth is rescued. The Environmental Management plan is also
Programa Artbientalistas – Teatrova (2020-2021)
managed by the Colombian Institute of Family Welfare
https://www.icbf.gov.co/sites/default/files/procesos/pl31.sa_plan_de_gestion_ambiental_regional_putumayo_v2.pdf
Much of the cultural treasure is deposited in the force of the youth of the communities who are in charge of guarding and protecting customs.
http://revistasum.umanizales.edu.co/ojs/index.php/plumillaeducativa/article/view/841/2694 The indigenous people are in a constant social movement that
rescues their customs and constantly fight for the recognition of their knowledge. The sustainability of the Putumayo culture is an analyzed postulate
inhttp://www.mamacoca.org/docs_de_base/Cifras_cuadro_mamacoca/Indigenas_Putumayo_buscan_recuperar_su_cultura_2002.pdf Opening this department
extractive activities generates a cultural shock: https://revistas.udistrital.edu.co/index.php/colfor/article/view/3382/4919. We know that the Putumayo has
enormous artistic potential, in a way we can say that it is the cultural and artistic entrance to the region, this makes it even more fragile.
The dispute over territory and socio-environmental conflicts are the main concern in this regard. There are also many records of serious and irreversible
environmental damage from the oil spill. https://www.minambiente.gov.co/index.php/noticias-minambiente/1846-graves-e-irreversibles-danos-ambientales-
causo-derrame-de-crudo-en-putumayo-ministro-vallejo There is a complex situation and social and environmental order due to the militarization of the area
and the presence of various violent actors, water and natural resources are the most affecteds https://prensarural.org/spip/spip.php?article19229v Illegal
micro mining also greatly affects the territory, and is exponentially increasing https://www.elespectador.com/noticias/judicial/micromineria-ilegal-amenaza-
putumayo-articulo-669010-0
Putumayo is the cultural gateway to the Amazon Region, our presence as an Environmental Artistic Program in said area is more than viable. In addition, we
have contacts as artists and leaders who can contribute to the development of the activities that are formulated.
Programa Artbientalistas – Teatrova (2020-2021)
The information previously presented was searched and socialized by each of the project
participants during the session. Several points of opinion were made, where the low management
of the governments was rescued by the implementation of a solid and conscious cultural policy,
which cares about saving the lives of the territories in terms of identity, memory and rituals. Voices
of encouragement were also heard that encouraged and strengthened the project for its innovation
and justification; however, voices that doubted the accessibility and scope of the project also
emerged in a mission that engages isolated communities.
Kadir Abdel Rahin (director) supported the initiative by proposing that we start contacting artist
friends from Sibundoy (Putumayo), who attended as artists at the VII International Festival of
Mascara in Teatrova. Initiative that opens the artistic and cultural ties of the project since each of
the attendees in this session met the teacher Carlos Humberto Mutumbajoy Jakanamejoy and
received his artistic teachings.
SOCIALIZATION
Janeth Ortiz (Producer) supports the initiative as a professional proposing methodology from the
pedagogy of language, and artistic exercises for the formulation of deep, necessary activities
related to cultural conditions. She initially proposes that we develop a series of dialogues with an
environmental focus by Colombian authors such as our founder Carlos Parada Arango, and others
like Enrique Buenaventura given that they have a familiar aspect, however, she also insists on
bringing our most recognized work “The Colonized Gold ”, given that it is a work that identifies us
as an artistic organization and helps the exercise of recognition of communities in a deep and
popular way.
Sebastián Manrique (Manager) proposes to bring more than 200 original books printed by
Teatrova to libraries, schools, gardens, universities, theater groups of the territory as an exercise
in cultural strengthening of the region.
The Amazon Region of Colombia has 6 departments and 58 municipalities. The cultural information
of the project will be extracted from SINIC, while the environmental information will be determined
by SIAT-AC and the regional autonomous corporations, we also believe it pertinent to make use of
ICBF's environmental reports. The project routing will be formulated according to geographic
information from IGAC.
The project is believed to be very viable, and it is also an enormous necessity for the consolidation
of cultural and sustainable policies; Our project would be the first to be postulated as a
reconstructive and protective exercise of the scenic and plastic samples and other recognized
cultural principles in the Amazon.
OUR INITIAL PROPOSAL
CONCLUSION
Circulate theatrical dramaturgy books of our founder and playwright Carlos Parada as an exercise:
50 books
50 books
50 books
Formulate an environmental-cultural diagnosis of the communities and the departments that
includes a final report by regional and departmental. A documentary of the experience
impacts and results of the project. And the construction of a contact database for artists and
managers in the region.
Teatro Casa Teatrova
Calle 24 No 4ª–16. Bogotá D.C.
casateatrova@gmail.com
(+57)3192148025 - (+57)3362401
Programa Artbientalistas – Teatrova (2020-2021)
DATABASES FOR PROJECT FORMULATION
GOVERNMENTS
http://www.guaviare.gov.co/
http://www.vaupes.gov.co/
http://www.amazonas.gov.co/
http://www.caqueta.gov.co/
http://www.guainia.gov.co/
https://www.putumayo.gov.co/
CULTURAL INFORMATION
http://www.sinic.gov.co/sinic/
ENVIRONMENTAL INFORMATION (Amazonas, Caquetá, Putumayo)
http://www.corpoamazonia.gov.co/
ENVIRONMENTAL INFORMATION (Vaupés, Guainía, Guaviare)
OBSERVATIONS
https://cda.gov.co/
ROUTES, MAPS AND ACCESS
https://igac.gov.co/
POSSIBLE PARTNERS
https://fcds.org.co/quienes-somos-fcds/
http://www.otca-oficial.info/about/member_countries/3
http://www.conservation.org.co/programas/Conservacion-para-el-desarrollo/
https://amazoniacolombiana.fiu.edu/diversidad-cultural/
https://wwf.panda.org/es/que_hacemos/sitios_prioritarios/amazonia/la_amazonia_naturaleza/
Firms:
SEBASTIAN MANRIQUE JANETH ORTIZ
KADIR ABDEL RAHIM
Teatro Casa Teatrova
Calle 24 No 4ª–16. Bogotá D.C.
casateatrova@gmail.com
(+57)3192148025 - (+57)3362401Programa Artbientalistas – Teatrova (2020-2021)
INTENTION PHASE
1. GENERAL TERRITORIAL INTENTION FORMAT PROJECT ARTBIENTALISTAS REGION
AMAZONICA
Once the territory has been selected and partially analyzed, the basic and necessary
information for the development of the proposal is integrated.
GENERAL FORMAT OF TERRITORIAL INTENTION ARTBIENTALIST PROJECT AMAZON REGION
Artbientalientas Amazonia is a project of artistic cooperation, training, and protection;
based on the objective of reaching the 6 departments of the Amazon region of Colombia.
We want to consolidate the first artistic project of a recognized organization in the country
in the Amazon.
Carry more than 200 books of unpublished works by our author Carlos Parada Arango to
promote the exercise of reading and the performing arts, works that also rescue a sense of
Description
democratic and popular opinion on environmental problems and the Spanish conquest,
General
accompanied exercise of their respective medium format presentation. Accompanied by a
series of dialogues, workshops, and interviews with an environmental sense for the
consolidation of a cultural artistic documentary bearing the name "Las Flores del Sur"
Finally, it is desired to deliver a series of environmental-cultural reports from the region to
each of the departments involved in the project in order to strengthen the cultural, social,
environmental, intercultural, and intercultural ties that may be related.
DEPARTMENT OF THE AMAZON
Leticia (9 days) Air Access
CAQUETÁ DEPARTMENT
Florence (3 days) Land and Air Access
Puerto Rico (3 days) Land Access
San Vicente del Caguán (3 days) Land Access
GUAINÍA DEPARTMENT
Inírida (3 days) Air Access
Places times and Cumaral (3 days) Fluvial Access
accesses Cacahual (3 days) Fluvial Access
GUAVIARE DEPARTMENT
San José del Guaviare (3days) Land and Air Access
The Return (3 days) Land Access
Squid (3 days) Land Access
PUTUMAYO DEPARTMENT
Mocoa (3 days) Land and Air Access
Sibundoy (3 days) Land Access
Colon (3 days) Land Access
Teatro Casa Teatrova
Calle 24 No 4ª–16. Bogotá D.C.
casateatrova@gmail.com
(+57)3192148025 - (+57)3362401Programa Artbientalistas – Teatrova (2020-2021)
VAUPES DEPARTMENT
Mitú (9 days) Air Access
An invitation is made to be an active part of the project to:
1. KADIR ABDERL RAHIM (DIRECTOR Y ACTOR)
2. JANETH CRISTINA ORTIZ (PRODUCTORA Y ACTRIZ)
3. DANIEL FRANCISCO ROJAS (LUMINITÉCNICO Y ESCENOGRAFO)
Miembers
4. LAURA CAMILA POVEDA (PUBLICISTA Y MEDIOS AUDIOVISUALES)
5. IVAN NOSSA (MUSICO)
6. CRISTIAN LUNA (PERCUSIONISTA)
7. IVAN ESLAVA (GESTOR AMBIENTAL)
Firm
JUAN SEBASTIAN MANRIQUE
MANAGER OF THE ARTBIENTALIST PROGRAM
Teatro Casa Teatrova
Calle 24 No 4ª–16. Bogotá D.C.
casateatrova@gmail.com
(+57)3192148025 - (+57)3362401Programa Artbientalistas – Teatrova (2020-2021)
2. INTENTION SOCIALIZATION FORMAT FOR THE ARTBIENTALIST PROJECT IN THE AMAZON
REGION
This document describes in a more grounded way the reason why the operation of the project
is objective and necessary.
INTENTION SOCIALIZATION FORMAT ARTBIENTALIST PROJECT AMAZON REGION
Date 20/05/2020
Project partial name ARTBIENTALIST PROJECT AMAZON REGION
1. JUAN SEBASTIAN MANRIQUE (MANAGER)
2. KADIR ABDERL RAHIM (DIRECTOR AND ACTOR)
3. JANETH CRISTINA ORTIZ (PRODUCER AND ACTRESS)
4. DARINEL ALHUCEMA (CINEMATÓGRAFO Y ACTOR)
5. DANIEL FRANCISCO ROJAS (LIGHTING AND SCENOGRAPHER)
Members
6. LAURA CAMILA POVEDA (PUBLICIST AND AUDIOVISUAL MEDIA)
7. IVAN NOSSA (MUSICIAN)
8. CRISTIAN LUNA (PERCUSIONIST)
9. IAN ESLAVA (ENVIRONMENTAL MANAGER)
• Sow a culture that promotes reading and recognition of the performing arts
with a sustainable identity: Carrying more than 300 unpublished drama
books, Teatrova, Colombian works that promote reading, protect the
environment and rescue the identity of indigenous communities. Those
books are "El Dorado Colonizado" "Rumba Ambiental" and "La Fabulosa
Carrera" Works that will be carried and socialized by our cultural managers
in schools, universities, houses of culture.
• Make the cultural and environmental wealth of the Amazon visible: Through
two strategies. The consolidation of a good format documentary where the
experience of cultural and environmental training around artistic expressions
is captured. And the consolidation of an artistic and environmental platform
that can make visible, promote, increase their capacities and also their needs
Objectives
regarding art and the environment, is a blog of constant opinion that seeks
to establish cultural relations with the official and independent organizations
of the territory to view them.
•Create a circular and organic cultural experience: Presenting different
artistic puppet shows and theater in each of the communities, relating
these experiences to conversations and dialogues with which possible
connections and existing cultural strengths are analyzed. Finally, Teatrova
agrees to bring an artistic and cultural exponent of the Amazon Region to
the next International Mask Festival where the final results of the project
will be shared.
Teatro Casa Teatrova
Calle 24 No 4ª–16. Bogotá D.C.
casateatrova@gmail.com
(+57)3192148025 - (+57)3362401Programa Artbientalistas – Teatrova (2020-2021)
FOR THE CULTURE OF THE AMAZON
And for establishing healthy and respectful artistic ties that allow the region to develop
its culture with other actors in the exercise of understanding, sustainable development,
consolidation of strategies of democratic, inclusive and diverse public opinion. For
visualizing and magnifying their ethnic groups and customs to the world and sharing
new exercises of cultural communion.
FOR THE BIODIVERSITY OF THE AMAZON
And contribute to the development of a protective, critical and objective vision against
Justificatión
the planning of its territory and use of natural resources.
FOR THE PEACE OF COLOMBIA
And the defense of environmental and social leaders, who, in many ways, are the
protective base of cultures and expressions, by visualizing them and their communities
BY TEATROVA
And to be the first recognized theater group in Colombia to carry out a program of
cultural exchanges with a sustainable approach
Contact with Governors April 2021
Contact with mayors May 2021
Formalization of Partners June 2021
Partial dates Team Preparation June 2021
Operation Phase Jun 2021 - Aug 2021
Dec 2021 – Jan2022
Environmental Publications Mar 2022
Cultural publications April 2022
The members of the project were in accordance with the present initial formulation,
documents of the biannual format of intention were presented which were of vital
importance to explain the reasons for the present project. Our producer Janeth Ortiz
Contributions
suggested that the date of operation be reformulated to December 2021, however,
it was concluded that it is on the dates of July and August that the most cultural
activities are carried out in the region and therefore it was believed more timely.
SEBASTIAN MANRIQUE JANETH ORTIZ
KADIR ABDEL RAHIM
Teatro Casa Teatrova
Calle 24 No 4ª–16. Bogotá D.C.
casateatrova@gmail.com
(+57)3192148025 - (+57)3362401Programa Artbientalistas – Teatrova (2020-2021)
3. INITIAL LETTERS OF THE ARTBIENTALIST PROTECTION OF THE AMAZON REGION
It is important to make the progress of the Project visible, so a series of presentation-intention
letters were sent to the different research organizations, with which it is desired to formulate a
reliable basis for the final formulation of the project.
The following letters were forwarded, requesting a response.
● The research groups that are part of the program are:
COMMITTEE ON RESEARCH BIOETICS CBI-UD / UNIVERSIDAD DISTRITAL
RESEARCH GROUP ON ENVIRONMENTAL STUDIES UD. G.E.A. / DISTRICT UNIVERSITY
● The organizations that are part of the program are
ONIC NATIONAL INDIGENOUS ORGANIZATION OF COLOMBIA
Teatro Casa Teatrova
Calle 24 No 4ª–16. Bogotá D.C.
casateatrova@gmail.com
(+57)3192148025 - (+57)3362401Bogotá, 23 de mayo de 2020
Señores,
COMITÉ DE BIOÉTICA DE INVESTIGACIONES CBI -UD
UNIVERSIDAD DISTRITAL FRANCISCO JOSE DE CALDAS
Asunto: Presentación e intención de formulación Proyecto Artbientalistas Región
Amazonía
Reciban un cálido y artístico saludo por parte de la Asociación Cultural Casa Teatrova,
extendemos nuestra empatía hacia su organización, hacia sus integrantes y representantes.
El motivo de la presente recae en la motivación que tiene Teatrova para afianzar nuestras
fuerzas y alianzas (artísticas, sociales, académicas) con el fin de cumplir el objetivo
compartido del redescubrimiento del bien vivir y la protección del medio ambiente través
de las ciencias ambientales y las artes escénicas.
Deseamos compartir con ustedes nuestros nuevos compromisos territoriales descritos en
la fase de intención del Programa Artbientalistas Región Amazonía que anexamos. Allí
deseamos justificarles nuestra intención de formular un proyecto territorial en la zona de
los seis departamentos de la Región Amazónica de Colombia
Estamos abiertos a los aportes, comentarios y dudas.
Teatrova agradece el compromiso y el interés por el arte y el repensamiento de los
territorios, esperamos seguir fortaleciendo la lucha que nos une y construir juntos
ciudadanías democráticas, artísticas y ambientalistas.
Cordialmente
KADIR ABDEL RAHIM
Director Teatrova
SEBASTIAN MANRIQUE PINZON
Gerente Programa Artbientalistas
ASOCION CULTURAL TEATROVA
NIT 800.098.091-3
CALLE 24 # 4A – 16 Bogotá / 3362401
Teatrova.com.coBogotá, 23 de mayo de 2020
Señores,
GRUPO DE ESTUDIOS AMBIENTALES UD – GEA
UNIVERSIDAD DISTRITAL FRANCISCO JOSE DE CALDAS
Asunto: Presentación e intención de formulación Proyecto Artbientalistas Región
Amazonía
Reciban un cálido y artístico saludo por parte de la Asociación Cultural Casa Teatrova,
extendemos nuestra empatía hacia su organización, hacia sus integrantes y representantes.
El motivo de la presente recae en la motivación que tiene Teatrova para afianzar nuestras
fuerzas y alianzas (artísticas, sociales, académicas) con el fin de cumplir el objetivo
compartido del redescubrimiento del bien vivir y la protección del medio ambiente través
de las ciencias ambientales y las artes escénicas.
Deseamos compartir con ustedes nuestros nuevos compromisos territoriales descritos en
la fase de intención del Programa Artbientalistas Región Amazonía que anexamos. Allí
deseamos justificarles nuestra intención de formular un proyecto territorial en la zona de
los seis departamentos de la Región Amazónica de Colombia
Estamos abiertos a los aportes, comentarios y dudas.
Teatrova agradece el compromiso y el interés por el arte y el repensamiento de los
territorios, esperamos seguir fortaleciendo la lucha que nos une y construir juntos
ciudadanías democráticas, artísticas y ambientalistas.
Cordialmente
KADIR ABDEL RAHIM
Director Teatrova
SEBASTIAN MANRIQUE PINZON
Gerente Programa Artbientalistas
ASOCION CULTURAL TEATROVA
NIT 800.098.091-3
CALLE 24 # 4A – 16 Bogotá / 3362401
Teatrova.com.coBogotá, 23 de mayo de 2020
Señores,
ORGANIZACIÓN NACIONAL INDIGENA DE COLOMBIA - ONIC
Asunto: Presentación e intención de formulación Proyecto Artbientalistas Región
Amazonía
Reciban un cálido y artístico saludo por parte de la Asociación Cultural Casa Teatrova,
extendemos nuestra empatía hacia su organización, hacia sus integrantes y representantes.
El motivo de la presente recae en la motivación que tiene Teatrova para afianzar nuestras
fuerzas y alianzas (artísticas, sociales, académicas) con el fin de cumplir el objetivo
compartido del redescubrimiento del bien vivir y la protección del medio ambiente través
de las ciencias ambientales y las artes escénicas.
Deseamos compartir con ustedes nuestros nuevos compromisos territoriales descritos en
la fase de intención del Programa Artbientalistas Región Amazonía que anexamos. Allí
deseamos justificarles nuestra intención de formular un proyecto territorial en la zona de
los seis departamentos de la Región Amazónica de Colombia
Estamos abiertos a los aportes, comentarios y dudas.
Teatrova agradece el compromiso y el interés por el arte y el repensamiento de los
territorios, esperamos seguir fortaleciendo la lucha que nos une y construir juntos
ciudadanías democráticas, artísticas y ambientalistas.
Cordialmente
KADIR ABDEL RAHIM
Director Teatrova
SEBASTIAN MANRIQUE PINZON
Gerente Programa Artbientalistas
ASOCION CULTURAL TEATROVA
NIT 800.098.091-3
CALLE 24 # 4A – 16 Bogotá / 3362401
Teatrova.com.coPrograma Artbientalistas – Teatrova (2020-2021)
FORMULATION PHASE
1. FORMULATION OF THE ARTBIENTALISTAS PROJECT IN THE AMAZON REGION
The territorial project was formulated considering the following format:
ARTBIENTALISTAS PROJECT FORMULATION AMAZON REGION
BASICS DATES
Project's name PROYECTO ARTBIENTALISTAS REGIÓN AMAZÓNICA
It is a Project of cultural strengthening of the Amazon Region, whose purpose is
to promote democratic, inclusive, and diverse opinion regarding the cultural and
General description environmental organization of the territory. While executing strategies that make
visible the cultural and environmental wealth of the región.
• Sow a culture that promotes reading and recognition of the performing
arts with a sustainable identity: Carrying more than 300 unpublished
drama books, Teatrova, Colombian works that promote reading, protect
the environment and rescue the identity of indigenous communities.
Those books are "El Dorado Colonizado" "Rumba Ambiental" and "La
Fabulosa Carrera" Works that will be carried and socialized by our
cultural managers in schools, universities, houses of culture.
• Make the cultural and environmental wealth of the Amazon visible:
Through two strategies. The consolidation of a good format
documentary where the experience of cultural and environmental
training around artistic expressions is captured. And the consolidation
of an artistic and environmental platform that can make visible, promote,
increase their capacities and also their needs regarding art and the
Objectives environment, is a blog of constant opinion that seeks to establish
cultural relations with the official and independent organizations of the
territory to view them.
• Create a circular and organic cultural experience: Presenting different
artistic puppet shows and theater in each of the communities, relating
these experiences to conversations and dialogues with which possible
connections and existing cultural strengths are analyzed. Finally,
Teatrova agrees to bring an artistic and cultural exponent of the Amazon
Region to the next International Mask Festival where the final results of
the project will be shared
Teatro Casa Teatrova
Calle 24 No 4ª–16. Bogotá D.C.
casateatrova@gmail.com
(+57)3192148025 - (+57)3362401Programa Artbientalistas – Teatrova (2020-2021)
The Amazon region is very rich in ethnic groups, while most of its population are
people who preserve their customs, their language, their culture and also their
traditions. They have always been living in harmony with their environment,
working hard on preserving the Amazon. We can mention that there are the
nukaks (they are nomads), the Ticunas, the Tucanos, the Camás, the Huitotos, the
Yaguas and the Ingas. Most of the Amazon culture practices some form of
animism. This belief system sees the jungle as the home of spiritual life, with all
Environmental and the flowers, plants, animals ... and they all have their own spirit.
cultural background The Amazon region occupies almost 40% of the territory of Colombia, it is also
the least populated area in the country. Its territory is flat with jungles, it has a
huge part known as the Amazon 'foothills', because it is located right next to the
eastern mountain range. Their food is obtained by native agriculture and they fish
with special methods. In the Amazon region there are some exotic fruits such as
the copoazú, the arazá and the caimarón. Within this region are the Andes, in
addition, Colombia has 9 incredible parks to preserve the richness of biodiversity
and to create a sanctuary for different species of plants and animals that live in
the parks and are respected.
Municipality Coordinates Means of access
70°24'22.86" O
MITU 0°58'20.6” N AER /TER
1°36′51″ N,
FLORENCIA AER /TER
75°36′42″ W
1°54′27″ N,
PUERTO RICO TER
75°9′30″ W
2°6′55″ N,
SAN VICENTE DEL CAGUAN TER
74°46′12″ W
3°52′15″ N,
INIRIDA AER
67°55′16″ W
3°31′31″ N,
CACAHUAL FLU
67°24′57″ W
Spaces 3°31′31″ N,
CUMARAL FLU
67°24′57″ W
2°33′55″ N,
SAN JOSÉ DEL GUAVIARE AER /TER
72°38′19″ W
2°19′50″N
EL RETORNO TER
72°37′40″O
1°57′40″ N,
CALAMAR TER
72°39′10″ W
1°8′57″ N,
MOCOA AER /TER
76°38′47″ W
1°12′12″ N,
SIBUNDOY TER
76°55′9″ W
1°11′25″ N,
COLON TER
76°58′26″ W
Contact with Governors January 2021
Contact with mayors February 2021
Formalization of Partners March 2021
Times Team Preparation April 2021
Operation Phase Jul 2021 - Aug 2021
Environmental Publications Nov 2021
Cultural publications Dec 2021
Teatro Casa Teatrova
Calle 24 No 4ª–16. Bogotá D.C.
casateatrova@gmail.com
(+57)3192148025 - (+57)3362401Programa Artbientalistas – Teatrova (2020-2021)
FOR THE CULTURE OF THE AMAZON
And for establishing healthy and respectful artistic ties that allow the region to
develop its culture with other actors in the exercise of understanding, sustainable
development, consolidation of strategies of democratic, inclusive and diverse
public opinion. For visualizing and magnifying their ethnic groups and customs
to the world and sharing new exercises of cultural communion.
FOR THE BIODIVERSITY OF THE AMAZON
And contribute to the development of a protective, critical and objective vision
against the planning of its territory and use of natural resources.
Justification
FOR THE PEACE OF COLOMBIA
And the defense of environmental and social leaders, who, in many ways, are the
protective base of cultures and expressions, by visualizing them and their
communities
BY TEATROVA
And to be the first recognized theater group in Colombia to carry out a
program of cultural exchanges with a sustainable approach
1. JUAN SEBASTIAN MANRIQUE (MANAGER)
2. KADIR ABDERL RAHIM (DIRECTOR AND ACTOR)
3. JANETH CRISTINA ORTIZ (PRODUCER AND ACTRESS)
4. DARINEL ALHUCEMA (CINEMATÓGRAFO Y ACTOR)
5. DANIEL FRANCISCO ROJAS (LIGHTING AND SCENOGRAPHER)
Members 6. LAURA CAMILA POVEDA (PUBLICIST AND AUDIOVISUAL MEDIA)
7. IVAN NOSSA (MUSICIAN)
8. CRISTIAN LUNA (PERCUSIONIST)
9. IAN ESLAVA (ENVIRONMENTAL MANAGER
GOBERNATIONS
http://www.guaviare.gov.co/
http://www.vaupes.gov.co/
http://www.amazonas.gov.co/
http://www.caqueta.gov.co/
http://www.guainia.gov.co/
https://www.putumayo.gov.co/
CULTURAL INFORMATION
http://www.sinic.gov.co/sinic/
Important documents AMBIENTAL INFORMATION (Amazonas, Caquetá, Putumayo)
http://www.corpoamazonia.gov.co/
AMBIENTAL INFORMATION (Vaupés, Guainía, Guaviare)
https://cda.gov.co/
RUTAS, MAPAS Y ACCESOS
https://igac.gov.co/
POSIBLES SOCIOS
https://fcds.org.co/quienes-somos-fcds/
http://www.otca-oficial.info/about/member_countries/3
http://www.conservation.org.co/programas/Conservacion-para-el-desarrollo/
https://amazoniacolombiana.fiu.edu/diversidad-cultural/
https://wwf.panda.org/es/que_hacemos/sitios_prioritarios/amazonia/la_amazoni
a_naturaleza/
Teatro Casa Teatrova
Calle 24 No 4ª–16. Bogotá D.C.
casateatrova@gmail.com
(+57)3192148025 - (+57)3362401Programa Artbientalistas – Teatrova (2020-2021)
Peace Agreements
The Artbientalistas Amazon Region Project contributes to the formalization and
consolidation of the Peace Accords of Colombia signed in 2012, opening the possibility of
opening dialogues around culture, the rescue of knowledge and the protection of the
environment, factors that are direct victims of the armed conflicts in Colombia.
SUPPLEMENTARY INFORMATION OF THE REGION
Coca, corn and Yaheé are natural manifestations of the spiritual
Memories and and ancestral power of his animism. They are very fragile and old
ancestralities memories that can be heard among the malokas of the original
communities.
In the southern region of the Colombian Amazon, the diversity of the
environment has been accompanied by multiple cultural forms that
have not only developed special expressions of adaptation, but also
different means of intervention and environmental modification,
through cumulative and complex knowledge and practices.
It is a region where the human variety, represented in the diversity of
habits, customs, worldview of the world, beliefs, rites and local
histories of its inhabitants, has been carved through thousands of
years of adaptation to the natural environment and it is possible to
distinguish as ethnic-cultural groups, peasants, Afro-Colombians and
indigenous people.
Folklore is closer to folklore from neighboring countries Brazil and
Identity
Peru. In the Amazonian departments of Caquetá and Putumayo, the
so-called Andean Merengue has been created. It is Andean because it
was developed based on Andean peasant rhythms from the Andean
Putumayense region
Working raw material by hand has been an ancient activity of the
Amazonian peoples. Weaving baskets, making traps, fishing and
hunting instruments, clay pots, clothing and ceremonial ornaments, or
tools for preparing cassava products.
Teatro Casa Teatrova
Calle 24 No 4ª–16. Bogotá D.C.
casateatrova@gmail.com
(+57)3192148025 - (+57)3362401DEPARTMENTS OF CAQUETÁ AND PUTUMAYO
PROBLEMS CAUSES CONSEQUENCES SOLUTIONS ACTIONS RESOURCES COSTS COMPLIANCE
HUMANS
(1) CULTURAL
MANAGER
The violence of the Communities must adapt to
HUMANS
department on behalf new lifestyles, abandoning Encourage dialogue COP 800000 C /U
(1) CULTURAL
of organized criminal traditions and other acts that in the face of cultural
MANAGER
organizations, the highlight their territorial organization around a
(1) (1) ENVIRONMENTAL
National Army, identity, since their fragile sense of peace and
Respectful formulation of ENVIRONMENTAL MANAGER
guerrilla groups and connection with their care for all forms of UNESCO
(3) dialogues of cultural MANAGER
drug trafficking environment is continuously life manifested.
interaction, around the (1) ADVERTISER COP 8000000
networks. broken. CONVENTION ON THE
construction of a society PROTECTION AND
for peace and (1) ADVERTISER PROMOTION OF THE
reconciliation. 800000 DIVERSITY OF CULTURAL
Deterioration in EXPRESSIONS (2005)
the cultural
The attention of the
identity and life Generate a critical
Negative and harmful communities focuses on how A. protect and promote the
habits of the sense of the TECHNOLOGICAL
intercultural, to adapt to the new ways of diversity of cultural
original usefulness and (1) VIDEO BEAM
technological and life brought from the West and expressions.
CULTUREE
communities of relevance of (1) COMPUTER
human dynamic neglect the preservation of
Caquetá. technology in (1) USB TECHNOLOGICAL
interactions. their identity and ways of E. promote respect for the
communities. (1) COP 1,350,000
learning and developing in life. diversity of cultural
TRANSPORT (1) COP 1,600,000
Forced displacement Conflicts are generated (2) TRIP GO AND (1) ALREADY HAS expressions and raise
of the original between communities, RETURN CAQUETA TRANSPOSET awareness of their value at
communities, product affecting harmony and the Implementation (5) AND TWO MORE COP 800,000 the local, national and
Promote the international levels.
of socio- willingness of its members to territorial cultural MUNICIPALITIES WATERTIGHT AND
development of a
environmental form an environment around management workshops FOOD
culture of good living,
pressures. peace that contribute to WATERTIGHT AND COP 800,000
where a democratic
generating opinion in the FOOD ADVERTISING
sense is integrated
community through a 3 days COP 800,000
Absence of the State Power passes to other against the cultural
democratic exercise of
to generate organizations, social and organization of the
diverse and inclusive ADVERTISING
participation cultural control and balance is territory.
interaction. (1)
mechanisms. subject to private interests
The incursion into the
Exercise healthy and Artistic representation (3) HUMANS
commercial, industrial The communities abandon F. Reaffirm the importance of
organic cultural of the play "El Dorado (2) ACTOR COP
and extractive sectors their worldview to a certain HUMANS the link between culture and
Loss of knowledge exchange Colonizado" inviting 800,000 C / U
into the territory and extent when carrying out (2) ACTOR development for all
and indigenous mechanisms that reflection on the (1) DIRECTOR
therefore the new practices that generate (1) DIRECTOR countries, especially
worldview respect the barriers appropriation of the COP 800,000
economic models that environmental impacts, (2) MUSICIANS developing countries, and
of autonomy and territory and care for its (2) MUSICIANS
affect customs and breaking the integral bond support activities carried out
identity. cultural conditions COP 8,000,000
worldviews. that unites them to the jungle. at the national andYou can also read
