BROADCAST LIVE FROM THE OLYMPIA THEATRE, DUBLIN SATURDAY 30 JANUARY 2021 - OLYMPIA THEATRE AND LANDMARK PRODUCTIONS
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HAPPY DAYS 1
OLYMPIA THEATRE AND LANDMARK PRODUCTIONS
BROADCAST LIVE FROM
THE OLYMPIA THEATRE, DUBLIN
SATURDAY 30 JANUARY 2021
HAPPY DAYS PROGRAMME NOTE 2
A NOTE FROM it 100% live from the stage of
THE GENERAL The Olympia tonight and send it
MANAGER directly to you. It is my hope that
OF THE OLYMPIA streaming this incredible piece of
THEATRE work directly into homes across
the world gives us the chance
I would like to begin by sending to promote the work of this Irish
our heartfelt thanks to the literary giant to an even wider
Minister of Tourism, Culture, audience than before. Maybe
Arts, Gaeltacht, Sport and Media it will open the door to a family
Catherine Martin for setting up member of yours to sit with you
the Live Performance Support and appreciate the mastery of
Scheme as a way of trying to Samuel Beckett at work in the
generate some much needed hands of this remarkably talented
employment in our sector. I would cast and crew. And hopefully it
also like to extend our gratitude will give you all a real feeling of
to the dedicated staff in the what live theatre is truly capable
Department who have shown of, even in the most difficult of
immense patience helping us circumstances.
navigate the process. This scheme
has given us the chance to bring And now, with no further ado,
some of our staff back to work at I invite you all to please take
a time when there are very little your seats. I encourage you to
opportunities within our industry. switch off all digital distractions
for the next few hours, turn
Initially this production of Samuel off all the lights and transport
Beckett’s iconic Happy Days yourself into the world of live
was set to be performed in theatre for a short while. We will
front of a reduced audience in all be all back in the wonderful
The Olympia Theatre but given surroundings of The Olympia
the current restrictions we are Theatre soon but until that Happy
unable to open our doors to the Day, please enjoy!
public. I am therefore delighted
that we are in the position to film John Johnston
HAPPY DAYS PROGRAMME NOTE 3
ANOTHER
HEAVENLY DAY
When Caitríona McLaughlin sustained them through several
told me a year ago that she and lockdowns.
Siobhán McSweeney had a
glimmer in their eye, I did what Along the way we were joined
all good producers do when by the brilliant Marty Rea, by an
they hear a brilliant idea, and ran extraordinarily talented creative
towards it. team, and by a production team
who have worked tirelessly
Then the pandemic hit, and to deliver a major production
the very thing that underpins under the most stringent Covid
everything we do – gathering protocols imaginable.
together in the same place, at
the same time, to rejoice in the We are hugely grateful to
power of shared stories that help our long-time collaborators
to make sense of our world – the Olympia Theatre for their
disappeared. partnership on this unique
project; to Seismic for the care
It seems extraordinary that this and expertise they have brought
play was written in 1961. Sixty to the filming and streaming;
years have passed, but Winnie’s and to the Beckett Estate for
endurance, and resilience, agreeing to this exceptional live
and sheer defiance against broadcast performance.
impossible odds, seem to speak
to us now, as never before. We cannot perform to a live
audience right now. But the
Although for many months it was time WILL come when the
not at all clear that we would be seats in the Olympia Theatre
able to bring the production to are thronged once again, and
the stage, Caitríona and Siobhán when that time comes the
met regularly via zoom, and those director, designers, actors, stage
regular creative explorations managers, production manager,
HAPPY DAYS PROGRAMME NOTE 4
technical manager, sound Sports and Media under the
technicians, lighting technicians, Pilot Live Performance Support
costume supervisors, Scheme, we are privileged to
wardrobe people, stage crew, be able to bring you this once-
photographer, graphic designer, off live broadcast of Samuel
countless other support Beckett’s masterpiece.
personnel – all the people who
make up a theatre production So this IS a happy day.
company in full flow – will
breathe a sigh of relief. Anne Clarke
Producer
In the meantime, thanks to the Landmark Productions
support of the Department of
Tourism, Culture, Arts, Gaeltacht,
HAPPY DAYS DESIGN NOTES 5 DESIGN NOTES My early thoughts about the them, take away, reveal: how design were strongly influenced sometimes only traces of what by us wanting to show how the was there before are left in the mound has been created through sand when the tide goes out. layers accumulating over time, looking at cross sections of earth Add to this the context of Winnie where fossilisation has occurred, being held in an environment and how repeated evidence of within abstract black walls. These the past can be covered up or walls, tapering at the sides, revealed. We were interested connect with the confinement of in the feeling of endless tides Winnie’s corseted black dress; forming drifts of sand, and they evoke both an internal and what those tides bring in with external world, sand flowing PHOTO: DANNY HONES
HAPPY DAYS DESIGN NOTES 6 in through doorways, inspired the openings become narrower by the deserted houses on the and the environment, as well coast of Namibia, flooded by as Winnie, significantly more sand over time. confined. This in turn led to the creation Jamie Vartan of a wider environment of Set and Costume Designer other mounds, and the feeling that there have been endless recreations of the same event. For Act 2, we wanted to make it clear that the mound has grown around Winnie, rather than her sinking into it, as more tides have come in, so the gaps between
HAPPY DAYS CAST AND CREATIVES 7 CAST Winnie Siobhán McSweeney Willie Marty Rea Director Caitríona McLaughlin Set and Costume Design Jamie Vartan Lighting Design Paul Keogan Sound Design Sinéad Diskin Associate Director Aonghus Óg McAnally PRODUCTION Production Manager Eamonn Fox Stage Manager Sophie Flynn Assistant Stage Manager Dylan Farrell Hair and Make-up Val Sherlock Costume Supervisor Monica Ennis Costume Maker Denise Assas-Tynan Wardrobe Supervisor Nicola Burke Lighting Programmer Richard Lambert Chief LX Colm Robinson
HAPPY DAYS CAST AND CREATIVES 8
PRODUCTION
Crew Hugh Roberts
Pawel Nieworaj
Vincent Doherty
Florea Florin
Gus McDonagh
Lighting Crew Gráinne Farrell
Veronica Foo
Pyrotechnics Sé Purcell
Set Construction Theatre Production Services
Set Builders Paolo Foley
Pat Byrne
Matt Stevens
Scenic Artist Sandra Butler
Company Manager Tilly Taylor
Publicist Sinéad O’Doherty
Marketing Carla Rogers
Graphic Design Gareth Jones
Photography Patrick Redmond
Digital Graphic Design Sayonara Bittencourt
Producing Assistant Jack Farrell
Box Office Assistant Annie Duffy McMahon
HAPPY DAYS CAST AND CREATIVES 9 OLYMPIA THEATRE General Manager John Johnston Assistant Manager Frankie Brennan Stage/Production Manager Fearga O’Doherty House LX Dillon Keane Flyman Shane O’Farrell Sound Engineer John Chisolm Stage Door and Covid Compliance Officer Aaron Kennedy Maintenance Manager Stephen Smullen Maintenance Operative Thomas Walker Accounts Director Amanda O’Leary Management Accountant Donal Turley Cleaning Supervisor Anna Mutovkina Cleaning Contractors Ryans Cleaning LANDMARK PRODUCTIONS Producer Anne Clarke Associate Producer | Livestream Hugh Farrell Associate Producer Tilly Taylor Marketing | Landmark Live Sinéad McPhillips General Manager Pádraig Heneghan
HAPPY DAYS CAST AND CREATIVES 10
SEISMIC | BROADCAST STREAMING
Director Noel Vaughan
Camera Operators Martin Cavanagh
Katie Hughes
Audio Engineer Karl McGovern
Production Technician Conleth Stanley
Streaming Directors Willie Van Velzen
Matt Herlihy
Executive Producer Jessica FullerHAPPY DAYS CAST AND CREATIVES 11
CAITRÍONA
Opera work includes The
McLAUGHLIN
Abduction from the Seraglio and
DIRECTOR
This Hostel Life (Irish National
Caitríona is an Associate Opera); Riders to the Sea and
Director of The Abbey Theatre, Lennox Berkeley’s A Dinner
Ireland where she will next direct Engagement (Wexford Opera);
Marina Carr’s new play cycle The Banished, ll Ballo delle Ingrate
Boy. and Scipio’s Dream, (Royal Irish
Academy of Music).
Caitriona is from Donegal.
Over the last few years she has Earlier directing work includes
directed primarily in London, Luck Just Kissed You Hello
Dublin, and New York. Recent (Galway International Arts
productions include On Raftery’s Festival and Dublin Theatre
Hill (The Abbey) for which she Festival 2015 – ITTA nomination
won Best Director at the 2019 Best New Play), She Knit the
Irish Times Theatre Awards, Roof (Errigal Arts Festival,
Citysong (ITTA nomination Best Donegal), Killers and Other
New Play), Two Pints, Josephine Family (Rattlestick Playwrights
K and the Algorithms, Monsters Theatre, New York), Science
Dinosaurs Ghosts, Blood in the (Spark Opera), Crowns on the
Dirt (Landmark Productions), Wire (Verbal Arts Centre, national
Autumn Royal and Foyle Punt tour), Bunny’s Vendetta and The
(The Local Group). Recruiting Officer (Blue Eagle
Productions); The Factory Girls
(Millennium Forum Theatre and
Irish Tour), Irish Blood, English
Heart, (Union Theatre and West
End transfer to Trafalgar Studios,
London), Mozart at Freemasons
(Royal Irish Academy of Music,
Dublin, 2014), The Wild Duck
2012 and Judgement Day 2010
(Bard Summerscape NY).HAPPY DAYS CAST AND CREATIVES 12
SIOBHÁN
McSWEENEY
WINNIE
Siobhán is originally from Cork (Birmingham Rep) and The Flags
and trained at Central School of (Royal Exchange).
Speech & Drama, London and
Ecole Philippe Gaulier, Paris. Film credits include Nowhere
Special, Louis Wain, Extra
Theatre credits include Pity Ordinary, and Alice in
(Royal Court), Katie Roche Wonderland: Through the
(Abbey Theatre), Autumn Royal Looking Glass.
(Everyman Productions), The
Alchemist (RSC), As You Like Television credits include Derry
It, The Captain of Köpenick, Girls, Collateral, The Fall, No
The Kitchen, Mother Courage Offence and London Irish.
and Her Children, England She is the new host of The
People Very Nice (National Great Pottery Throwdown
Theatre), How to Hold Your starting this year.
Breath (Royal Court), Fathers
and Sons (Donmar Warehouse),
Uncle Vanya (Lyric Theatre,
Belfast), Translations (Curve
Theatre), Dancing at LughnasaHAPPY DAYS CAST AND CREATIVES 13
MARTY REA
WILLIE
Marty graduated from RADA Gatsby, Juno and the Paycock,
in 2002 with a BA degree in The Importance of Being
acting. He has won The Irish Earnest, The Caretaker, An Ideal
Times Theatre Awards Best Husband, My Cousin Rachel,
Actor for Hamlet (2011) and Little Women, Hay Fever,
DruidShakespeare (2016) and Salomé, Arcadia (Gate Theatre);
Best Supporting Actor for King 14 Voices From the Bloodied
of the Castle and The Great Field, Dear Ireland (an unreliable
Gatsby (2018). ex-lover suddenly writes), Thirst
(and other bits of Flann), Richard
Theatre includes DruidGregory, III, Othello, She Stoops To
The Cherry Orchard, The Conquer, The Hanging Gardens,
Beacon, Epiphany, Richard III, Major Barbara, John Gabriel
King of the Castle, The Beauty Borkman, The Rivals, Only an
Queen of Leenane, Waiting For Apple, The Big House, Saved,
Godot (Herald Angel Winner, The Importance of Being Earnest
Edinburgh Festival 2018), (Abbey Theatre); and Hamlet
DruidShakespeare, Brigit, Be (Second Age).
Infants in Evil, The Colleen
Bawn, DruidMurphy (Druid Film and television credits include
Theatre); The Glass Menagerie Strays (Arcade Film); Prisoners
(2019), Beginning, The Great of the Moon (Bandit Films);
Citizen Lane; Barbarians Rising!
(October Films); The Devils Pool
(Vico Films); The Man Inside
(Broken Pictures Ltd.).HAPPY DAYS CAST AND CREATIVES 14 AONGHUS ÓG McANALLY ASSOCIATE DIRECTOR Aonghus is a graduate of (productions include Major the Samuel Beckett Centre, Barbara, The House, Burial Trinity College Dublin and also at Thebes and The Plough trained with Anne Bogart’s and the Stars), Rough Magic, SITI Company in New York. He Corcadorca, Performance founded Rise Productions in Corporation and many more as 2010 and in the past decade well as numerous screen and has produced a huge range of radio appearances on both Irish award-winning theatre in venues and international productions. across Ireland (including his His screen appearances include own multi-award winning one Penny Dreadful (Showtime), man show Fight Night) as well Vikings (History/MGM), P.S. I as numerous acclaimed audio Love You, John Boorman’s The and video productions. Directing Tigers Tail and Jim Sheridan’s credits include Weekend The Secret Scripture. He Warrior, Kicking all the Boxes, most recently appeared in Big The Good Father, Tear Down Telly’s immersive Zoom-based the Walls, Mad Forest, Murder performances of Macbeth for of Crows and Normal. Aonghus the Belfast Festival and Creation has appeared in many theatre Theatre in late 2020. productions for the Abbey
HAPPY DAYS CAST AND CREATIVES 15
JAMIE VARTAN
SET AND COSTUME
DESIGNER
Jamie Vartan has worked Design, Evening Standard Best
extensively as a designer in Set Design Nomination).
theatre and opera in Ireland,
the UK and Europe, with Other designs for theatre include
representations at Prague Ravens (Hampstead Theatre);
Quadrennials 1999, 2007 and several productions at the Abbey
2011, and World Stage Design Theatre, Dublin, including The
2013 (WSD 2013 Best Set Playboy of the Western World
Design award). and Mrs Warren’s Profession;
Knives in Hens and The
Designs for theatre include Pale Importance of Being Earnest
Sister (Gate Theatre, Dublin), (Perth Theatre); Bondagers
Grief is the Thing with Feathers (Edinburgh Lyceum); Khandan
(O’Reilly Theatre, Dublin, New (Royal Court); Mass Observation
York and Barbican), Arlington (Almeida) and The Lost Child
(Landmark Productions and Trilogy (David Glass Ensemble),
Galway International Arts Festival, with residencies in Vietnam,
Abbey Theatre, Dublin, St Ann’s Indonesia, China, the Philippines
Warehouse, New York), Woyzeck and Colombia, and a number
in Winter (Landmark Productions, of productions at Nottingham
Galway and Barbican), Ballyturk Playhouse.
(Landmark Productions and
Galway International Arts Designs for opera include The
Festival, Olympia Theatre, Dublin, Second Violinist, Landmark
Lyttleton, National Theatre) and INO (Galway, Barbican,
and Misterman (Landmark Amsterdam, NYC), Hansel and
Productions and Galway Gretel (INO tour), The Last Hotel
International Arts Festival, St for Landmark and Wide Open
Ann’s Warehouse, New York, Opera (Lyceum, Edinburgh
Lyttleton, National Theatre - Irish International Festival/O’Reilly
Times Theatre Awards Best Set Theatre, Dublin Theatre Festival,HAPPY DAYS CAST AND CREATIVES 16 Linbury Studio, ROH, St Onegin (Strasbourg Opera) and Ann’s Warehouse, New York, Ariadne auf Naxos (La Scala, Luxembourg); Bluebeard’s Milan). Other designs include Castle, INO (Gaiety Theatre); productions at Teatro Lirico Cristina di Svezia (Wexford di Cagliari, Teatro San Carlo, Festival Opera); A Village Romeo Naples, Florence, Parma, ROH and Juliet (Wexford Festival and Scottish Opera. Opera, Irish Times Theatre Awards Best Set Design); La Design for dance with Traviata (Malmö); Ariadne auf choreographer Darshan Singh Naxos (Salzburg Festspielhaus); Bhuller includes Requiem Il Pirata (Marseille); Carmen (Phoenix Dance Company, (Lisbon); The Queen of Spades Sadlers Wells) and Recall (La Scala, Milan); Eugene (Linbury Studio, ROH).
HAPPY DAYS CAST AND CREATIVES 17 PAUL KEOGAN LIGHTING DESIGNER Theatre credits include Blood (Trafalgar Studios, London). in the Dirt, Postcards from The Opera and Dance credits Ledge, The Walworth Farce include: 20 Shots of Opera (Landmark, Dublin); The Great (Irish National Opera Film); Hunger, Last Orders at the The Marriage of Figaro (Irish Dockside, Citysong, On Raftery’s National Opera); The Return Hill (Abbey Theatre, Dublin); of Ulysses (Opera Collective, The Snapper, Hamlet, The Red Ireland); Falstaff (Vienna Shoes, Molly Sweeney (Gate Staatsoper); Dialogues des Theatre Dublin); Love, Love, Love Carmelites (Grange Park (Lyric Hammersmith); I Think We Opera UK); Powder her Face Are Alone (Frantic Assembly, (Teatro Arriaga, Bilbao); The UK Tour); Shirley Valentine, Fairy Queen (RIAM Dublin); Double Cross (Lyric Theatre, Maria de Buenos Aires (Cork Belfast); Lady Windermere’s Opera House); Wake (Nationale Fan (West End); A Streetcar Reisopera, Netherlands); Lost Named Desire, Twelfth Night (Ballet Ireland); Sama & Flight and The Hudsucker Proxy (Rambert, London); No Man’s (Liverpool Everyman and Land (English National Ballet); Playhouse); Cyprus Avenue Cassandra, Hansel and Gretel (Abbey, Dublin/Royal Court/ (Royal Ballet, London). Public, NYC); Harvest (Royal Court); The Caretaker (Bristol Old Vic); Incantata, Trad, The Matchbox (Galway International Arts Festival); Far Away, Sacrifice at Easter (Corcadorca, Cork); The Gaul (Hull Truck Theatre); Blue/Orange, Tribes (Crucible, Sheffield); Born Bad (Hampstead); Novecento
HAPPY DAYS CAST AND CREATIVES 18
SINÉAD DISKIN
SOUND DESIGNER
Sinéad Diskin is a sound (Abbey Theatre); The Anvil
designer, composer and song (ANU Productions, Manchester
writer based in Dublin, Ireland. International Festival); The
She is a graduate of the SEEDS Snapper (Gate Theatre,
programme with Rough Magic Dublin); The Glass Menagerie
Theatre Company, Dublin and a (Gate Theatre, Dublin); The
recipient of the Next Generation Phlebotomist (Hampstead
Artists Award 2019 from the Arts Theatre, London); Torch (ANU
Council of Ireland. Productions); Mr. Burns: A Post
Electric Play (Rough Magic
Recent theatre credits include SEEDS Showcase); Rapids
Pale Sister (Gate Theatre, (Dublin Theatre Festival 2017)
Dublin); Blood in the Dirt and as assistant sound designer/
(Landmark Productions); composer: Three Tall Women
Faultline (ANU Productions); (Broadway); The Train (Rough
Incantata (Galway International Magic); Danse, Morob (The
Arts Festival; Irish Rep Theatre, Emergency Room), and Death
New York; Gate Theatre, at Intervals (The Emergency
Dublin); Ask Too Much of Me Room).HAPPY DAYS OLYMPIA THEATRE 19
OLYMPIA
THEATRE
The Olympia Theatre is a Guerrilla Days in Ireland, A
beautifully preserved theatre in Skull in Connemara to name but
the heart of Dublin City, and one a few! We’ve been privileged
of Dublin’s most loved venues. to host such uniquely talented
It first opened its doors in 1879 actors as Brian Dennehy, Cillian
as Dan Lowrey’s Star of Erin Murphy, Stephen Rea, Brendan
Music Hall and has since hosted Gleeson, Brian Gleeson,
a wide range of events every year Domhnall Gleeson, Tom
including live music, comedy and Vaughan-Lawlor and Pat Shortt.
theatre shows.
The stellar reputation of the
Over its formative years many theatre is proved time and time
world famous names in the again when world famous acts
theatre and film world have request intimate shows here for
appeared on the stage in the their Irish fans. The Olympia’s
Olympia. These include Charlie stage has been graced by some
Chaplin, Laurel and Hardy, Harry of the biggest names in music
Lauder, Tyrone Power, Noel such as David Bowie, James
Coward, Alec Guinness, John Brown, Adele, REM, Blur, Snow
Gielgud, Dame Edith Evans, Patrol, Bryan Adams, Muse, Foo
The Lunts, Jean Vilar and his Fighters, Radiohead, Morrissey,
world famous company Theatre Arcade Fire, Hozier to name a few.
Nationale Populaire, and the
incomparable Marcel Marceau. www.olympia.ie
The Olympia has continued
to play host to some world
renowned theatre productions
such as The Field, The Walworth
Farce, Howie the Rookie,
Ballyturk, Once, Jersey Nights,HAPPY DAYS LANDMARK PRODUCTIONS 20
LANDMARK
PRODUCTIONS
Landmark Productions is one 66-seat New Theatre to the
of Ireland’s leading theatre 1,254-seat Olympia. It co-
producers. It produces wide- produces regularly with a number
ranging work in Ireland, of partners, including, most
and shares that work with significantly, Galway International
international audiences. Arts Festival and Irish National
Opera. Its 18 world premieres
It recently launched Landmark include new plays by major Irish
Live, a new online streaming writers such as Enda Walsh
platform to enable the company and Mark O’Rowe, featuring a
to bring its productions to roll-call of Ireland’s finest actors,
audiences around the world. The directors and designers.
first production to be streamed
was Mark O’Rowe’s riveting Numerous awards include the
play The Approach, of which Judges’ Special Award at The
the New York Times said ‘even Irish Times Irish Theatre Awards,
through our computer screens, a in recognition of ‘sustained
production on a real stage with excellence in programming
acting this fine is balm for the and for developing imaginative
soul’. partnerships to bring quality
theatre to the Irish and
Led by Anne Clarke since the international stage’; and a Special
company’s foundation in 2003, Tribute Award for Anne Clarke, for
Landmark’s productions have her work as ‘a producer of world-
received multiple awards and class theatre in the independent
have been seen in leading sector in Ireland’.
theatres in London, New York
and beyond. It produces a wide www.landmarkproductions.ie
range of ambitious work –
plays, operas and musicals –
in theatres ranging from theHAPPY DAYS SEISMIC EVENTS 21
SEISMIC
EVENTS
Streaming and webcast events Clients include Landmark
experts Seismic connect Productions, Primark Global,
companies online live and on- RTÉ NSO, LinkedIn, the
demand to audiences on any National Concert Hall, the GAA,
device worldwide. Wexford Opera Festival, Irish
Baroque Orchestra, Royal Irish
Seismic is trusted to deliver Academy of Music, St. Patricks
high quality secure streaming Cathedral, the Irish Times, Body
and audio-visual services + Soul Festival, IDL Jameson,
by companies in theatre, Co-operation Ireland, Dept. of
music, opera and the broader Foreign Affairs.
entertainment industry, the
financial sector, professional Seismic services are delivered by
services and by government a team of experienced and expert
agencies. technical specialists; broadcast
content producers and event
Recent work includes The production crew for traditional
Approach by Mark O’ Rowe and digital audiences.
produced by Landmark
Productions in association with Contact Seismic to talk about
the Project Arts Centre, Dublin streaming your event today
and St. Ann’s Warehouse, New www.seismicevents.ie
York, The Irish Times Innovation
Awards 2021, The Irish Times Willie Van Velzen
Winter Nights Festival 2021, + 353 87 2675563
The Irish Times Sports Awards Jessica Fuller
for Individual Productions, Irish + 353 87 4097394
Distillers Jameson for Nine Yards,
the National Concert Hall Series
and the RTÉ National Symphony
Livestream Series.HAPPY DAYS 22
COPYRIGHT
NOTICE
The underlying rights are No part of this recording may be
owned by The Estate of copied, broadcast, downloaded,
Samuel Beckett. stored (in any medium),
transmitted, shown or played
in public, adapted or changed
in any way. If any unauthorised
acts are carried out in relation
to this recording, a civil claim for
damages may be made and/or a
criminal prosecution may result.HAPPY DAYS FUNDING 23 FUNDING ACKNOWLEDGEMENTS The Olympia Theatre and Landmark Productions would like to thank Minister Catherine Martin, TD, and the Department of Tourism, Culture, Arts, Gaeltacht, Sport and Media for making this production possible through the Pilot Live Performance Support Scheme. All government public health guidelines relating to safe working practices under Covid-19 have been followed in the making of Happy Days. Thank you to all our artists, creative teams and production teams for their resilience and innovation in the most challenging of circumstances, and for working so hard to create live theatre in extraordinary times.
HAPPY DAYS JOIN THE CONVERSATION 24 JOIN THE CONVERSATION Thank you for joining us to watch the live broadcast of Happy Days by Samuel Beckett. Join the conversation online using the hashtag #HappyDaysOlympia @olympiatheatre @landmarkIreland We’d love to hear your thoughts. Should you have any other comments that you’d like to share with us please email happydays@olympia.ie
HAPPY DAYS JOIN THE CONVERSATION 25
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