Miart - international modern and contemporary art fair miart.it 5 - 7 april 2019 VIP preview: 4 april fieramilanocity, milan viale scarampo ...
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miart – international modern and
contemporary art fair
miart.it
5 – 7 april 2019
VIP preview: 4 april
fieramilanocity, milan
viale scarampo – pav. 3, gate 5
index
intro 3
galleries 2018 15
sections 18
miartalks 34
prizes 35
vip 40
partner 41
team 43
2
intro
miart is a fair conceived as a curated and eclectic
platform, focused on creating dialogues between
contemporary artistic positions, Post-War Masters,
emerging talents and collectable design.
The careful selection of international galleries
ensures that miart is the Italian fair that presents
to the public the widest chronology of works,
ranging from early 20th century art through to the
creations of the most recent generations, fostering
a continuous dialogue between past and present
creativity.
Seven different sections, a rich program of awards,
an ambitious series of talks, and exclusive VIP events
relive miart 2018 bring to Milan every Spring an international audience
of collectors, curators, museum directors, artists,
designers, art lovers and journalists.
The 24th edition of miart will once again be the
catalyst of the Milan Art Week, a weeklong series
of openings, events and performances, involving
the major public and private institutions in town, its
foundations and commercial galleries, non-profit
Deweer Gallery, Otegem
and artist-run spaces—all entities that make Milan a
3
Photocredit Paolo Valentini vibrant cultural destination.
C L E A R I N G, Brussels – Brooklyn – New York Photocredit Paolo Valentini
Cardi, Milan – London Photocredit Paolo Valentini
Gladstone Gallery, New York – Brussels
Copyright and Courtesy Gladstone Gallery, New York - Brussels
Courtesy Photo: Sebastiano Pellion di Persano
what they “miart is confirming its capacity for expan-
sion with a significant international pres-
“We’ve taken part in miart for the second
time. This edition proves the strength that
say about
ence that gives the fair great dynamism. I’m the fair has acquired in recent years as the
very happy with the results we’ve achieved, leading fair in Italy covering the Italian
this is certainly due to the effort made by market of modern and contemporary art.
us the galleries and a high-level audience has
been the reward.”
Alfonso Artiaco, Galleria Alfonso Artiaco,
Together with many interesting and high
quality exhibitions Milan offers during
miart, one feels a desire not to miss this
– galleries Naples (Established Contemporary section)
“miart is the new platform for contempo-
week in the future.”
Victor Gisler, MAI 36, Zurich (Established
Contemporary section)
rary and modern art in Italy. It’s the perfect
mix of curatory expertise and commercial “This is the first time we’ve exhibited at
strength.” miart and we’ll definitely be back next year!
Simone Battisti, Gladstone Gallery, New The quality of the art fair and the visitors
York – Brussels (Established Contemporary attending reflects the international and
section) highly dynamic character of the city itself
and offers great potential as far as visibility
“Milan has been experiencing a new Re- and sales is concerned."
naissance in recent years. It has become Yuli Karatsiki, Kalfayan Galleries, Athens
more attractive to Italians and the interna- – Thessaloniki (Established Contemporary
tional community, and as a result is becom- section)
ing increasingly cosmopolitan. Miart takes
place during a vibrant time for culture in “miart has become once and for all an inter-
the city, before Il Salone del Mobile, which national fair. The journey begun some years
has for many years attracted visitors from ago has turned out to be a winning choice:
around the world, and it has been a crucial we’ve had visits from the great Italian and
moment for the city’s art and design scene. European collectors and also from overseas
We work with a few active Italian collectors museum directors. It’s been a great suc-
and for us Miart is the perfect platform to cess!”
extend our network further. ” Marco Voena, Robilant + Voena, Milan
Almine Rech, Almine Rech Gallery, Paris – London – St. Moritz (Established Masters
– Brussels – London – New York (Estab- section)
lished Contemporary section)
7
“With all due respect to the other interna- “I’m very happy with this edition of miart.
tional destinations I prefer being in Milan; The whole team has done a great job. Sales
it’s a modern city, efficient and enjoyable, have been excellent and I’ve met some new
enlivened by a very varied network of muse- foreign collectors.”
ums and an excellent welcome. The fair is Ilaria Leoni, Ermes-Ermes, Vienna (Emer-
wonderful and it’s already the leading one in gent section)
Italy.”
Gian Enzo Sperone, Gian Enzo Sperone, “2018 has been our debut at miart and we’ve
Sent – New York (Established Masters and had a very good experience being here. The
Decades section) curation of our section Object has made it
one of the most interesting within the con-
“This edition of miart has been an excellent text of collectible design. The fair has its
chance to convey the spirit of the gallery. different sections under the same roof,
We’ve met an attentive and inquisitive audi- which is obviously a very strong model for a
ence and we’re happy to have forged new fair.”
relationships.” Martin Arno M. Feldt, Galleri Feldt, Copen-
Elsa Ravazzolo Botner, A Gentil Carioca, Rio hagen (Object section)
de Janeiro (Generations section)
8
Richard Saltoun, London Photocredit Paolo Valentini
what they
"Milan, the capital of art and design. The fair "The twenty-third edition of miart was a
as an expression of a city’s identity." great success in terms of both sales' and
Il Corriere della Sera, 13 April 2018 visitors' number, (...) confirming the event’s
say about "Business, visitors and selfies. miart is a sold
status as Italy’s most important trade fair
with the most complete chronology of art,
us
out event at the trade fair centre." registering a high level of appreciation
La Repubblica Milano, 15 April 2018 among collectors, dealers and the press."
ilgiornale.it, 17 April 2018
– press
"Art and the city of Milan go together. The
prestige the fair has accumulated in recent "Milan also boats an extraordinary modern
years (...) qualifies the event for inclusion in and contemporary art scene. The best peri-
the calendar of the world’s most important od to explore this vibrant and cultural aspect
contemporary art events" of the city is during Milan Art Week and
Il Sole 24 ore, 11 April 2018 miart, Italy's largest International Art Fair."
schonmagazine.com, 23 April 2018
"miart l'è un grand miart: the fair is consoli-
dated in both modern and historicised con- "On Thursday, only moments after miart’s
temporary art. And the result is a great opening, everyone took stock of the fair
success!”" and seemed to be in agreement that this
Il Giornale dell'Arte, 1 May 2018 year’s edition was a success. (...) It offered a
skillfully curated selection of modern and
"A top-level fair, well-organised and precise, contemporary works."
with some peaks of excellence and a good artforum.com, 7 May 2018
level of overall quality"
artribune.com, 13 April 2018 "miart is Italy’s best art fair right now. The
Milanese fair’s position in recent years has
"Why miart is starting to attract high-profile led modern and contemporary art gallery
exhibitors. Galleries, benefitting from Milan's operators to raise the level of quality of their
April buzz, are already reporting healthy works, exhibiting artists who can normally
sales" only be found abroad, at international art
theartnewspaper.com, 13 April 2018 fairs."
sole24ore.com, 17 April 2018
"the 2018 edition (...) gave form to a refined
project combining the different souls of the
art market (or rather, the arts)"
10 flashartonline.it, 18 April 2018Massimo De Carlo, Milan – London – Hong Kong
Photocredit Paolo Valentiniinsights 184 international galleries from 19 countries (Austria,
Belgium, Brazil, Canada, Denmark, France, Germany, Greece,
Hong Kong,Hungary, Israel, Japan, Romania, South Africa, Spain,
Switzerland, Turkey, United Kingdom, United States)
11.396 nternational VIP including collectors, art advisors, curators
and museum directors, private foundations from more than 20
countries (including Austria, Belgium, China, Denmark, France,
Germany, Israel, Japan, Netherlands, Russian Federeation, Spain,
Switzerland, United Kingdom, United States)
More than 250 international collectors hosted by the fairs
More than 60 professionals – including museum directors,
curators, collectors, artists, designers, and writers – as miartalks’
speakers and jury members
More than 1.500 journalists
More than 900 features among newspapers, magazines, Web, TV,
and radio
More than 33.300 followers Facebook and 54.659 users
involved in interactions via clicks or sharing
3.057.699 unique visitors viewed content on the miart
Facebook page
231.591 views of Instagram content during miart week
12Mazzoleni, London – Turin + Gagosian, New York – Los Angeles – San Francisco – London – Paris – Rome – Athens – Geneva – Hong Kong Photo by Sebastiano Pellion di Persano
Milano Art Week Every year miart organises Milano Art Week,
a packed calendar of openings and special
events involving the city’s many public and
private institutions: Fondazione Prada,
Fondazione Prada Osservatorio, Pirelli
HangarBicocca, la Triennale di Milano,
Fondazione Nicola Trussardi, Museo del
Novecento, Palazzo Reale, PAC - Padiglione
d’Arte Contemporanea, GAM - Galleria
d'Arte Moderna, Fondazione Carriero,
Fondazione Furla and FM - Centro per l’Arte
Contemporanea.
Organised in partnership with the City of
Milan, art week is yet another piece in the
puzzle that is transforming the city into an
essential cultural destination.
Milano Art Week included more than 40
events in 2018.
Matt Mullican
Exhibition view, Le Magasin, Grenoble, 1990
Courtesy of the artist and Mai 36 Galerie, Zurigo
14 Photo: Georg Resteiger, Genevagalleries ESTABLISHED CONTEMPORARY
A Arte Invernizzi, Milan | Rolando Anselmi, Berlin - Rome | Apalazzogallery, Brescia | Art Bärtschi & Cie, Geneva
- Carouge/Acacias | Alfonso Artiaco, Naples | Galerie Isabella Bortolozzi, Berlin | Thomas Brambilla, Bergamo |
2018 C+N Canepaneri, Milan – Genoa | Campoli Presti, London – Paris | CLEARING, Brussels – New York – Brooklyn
| Galleria Continua, San Gimignano – Beijing – Les Moulins – Havana | Raffaella Cortese, Milan | Riccardo
Crespi, Milan | Monica De Cardenas, Milan – Lugano – Zuoz | Massimo De Carlo, Milan – London – Hong
Kong | Deweer Gallery, Otegem | Tiziana Di Caro, Naples | Dvir Gallery, Tel Aviv – Brussels | Edel Assanti,
London | Emalin, London | Ex Elettrofonica, Rome | Renata Fabbri, Milan | FuoriCampo, Siena | Galleria Gentili,
Florence | Gladstone Gallery, New York – Brussels | Grieder Contemporary, Zurich | Studio Guenzani, Milan
| Hagiwara Projects, Tokyo | Éric Hussenot, Paris | Rodolphe Janssen, Brussels | Kalfayan Galleries, Athens –
Thessaloniki | kaufmann repetto, Milan – New York | Peter Kilchmann, Zurich | Andrew Kreps Gallery, New
York | Lange + Pult, Zurich – Auvernier | Galerie Lelong, Paris – New York | Antoine Levi, Paris | Loom, Milan |
Federico Luger, Milan | Magazzino, Rome | MAI 36, Zurich | Edouard Malingue, Hong Kong – Shanghai | Norma
Mangione, Turin | Gió Marconi, Milan | Primo Marella Gallery, Milan | Meyer Riegger, Berlin – Karlsruhe |
Francesca Minini, Milan | Massimo Minini, Brescia | Monitor, Rome – Lisbon | Otto Zoo, Milan | P420, Bologna
| Galleria Pack, Milan | Francesco Pantaleone, Palermo – Milan | Galerija Gregor Podnar, Berlin | Berthold Pott,
Cologne | ProjectB, Milan | Prometeogallery, Milan | Almine Rech, Paris – Brussels – London – New York |
Anthony Reynolds Gallery, London | Rizzutogallery, Palermo | Rodeo, London | Lia Rumma, Milan – Naples |
Federica Schiavo Gallery, Milan – Rome | Mimmo Scognamiglio, Milan | SMAC, Cape Town – Johannesburg
– Stellenbosch | SpazioA, Pistoia | Sprovieri, London | Studio Dabbeni, Lugano | Studio SALES di Norberto
Ruggeri, Rome | T293, Rome | Studio Trisorio, Naples | Tyburn Gallery, London | Rita Urso, Milan | Federico
Vavassori, Milan | Vistamare / Vistamare studio, Pescara – Milan | VNH Gallery, Paris | Amanda Wilkinson,
London | Z2o Sara Zanin, Rome | Zero…, Milan
ESTABLISHED MASTERS
10 A.M. Art, Milan | Enrico Astuni, Bologna | Giovanni Bonelli, Milan | Ca’ di Fra’, Milan | Cardelli & Fontana,
Sarzana | Cardi, Milan – London | Galleria d’Arte Contini, Venice – Cortina d’Ampezzo | Cortesi, Lugano –
London – Milan | Galleria de’ Foscherari, Bologna | Dep Art, Milan | Eidos Immagini Contemporanee, Asti |
Frediano Farsetti, Florence | Frittelli, Florence | Galleria Fumagalli, Milan | Gariboldi, Milan | Grossetti Arte,
Milan | Studio Guastalla, Milan | Ernst Hilger, Vienna | Matteo Lampertico, Milan | Lorenzelli Arte, Milan |
MAAB, Milan | Galleria d’Arte Maggiore G.A.M., Bologna – Paris | Mazzoleni, London – Turin | Montrasio Arte,
Milan – Monza | Niccoli, Parma | Noire, Turin | Open Art, Prato | Osart, Milan | Otto Gallery, Bologna | Poggiali,
Florence – Milan | Claudio Poleschi, Lucca | Il Ponte, Florence | Progettoarte Elm, Milan | Erica Ravenna, Rome
| RCM Galerie, Paris | Repetto Gallery, London | Michela Rizzo, Venice | Robilant + Voena, Milan – London – St.
Moritz | Galleria Spazia, Bologna | Gian Enzo Sperone, Sent – New York | Studio Marconi, Milan | Tega, Milan
| Galleria Tonelli, Milan | Tornabuoni Arte, Florence – London – Milan – Paris | Michael Werner, New York –
London
15GENERATIONS EMERGENT
Alberto Burri, Mazzoleni, London – Turin + Sterling Acappella, Naples | Clima, Milan | Dittrich &
Ruby, Gagosian, New York – Los Angeles – San Schlechtriem, Berlin | Doppelgaenger, Bari |
Francisco – London – Paris – Rome – Athens – Eastwards Prospectus promoted by the Romanian
Geneva – Hong Kong Cultural Institute, Bucarest | Ermes – Ermes, Vienna
Lisetta Carmi, Martini & Ronchetti, Genoa + Birgit | Antoine Ertaskiran, Montreal | Gallleriapiù,
Megerle, Galerie Emanuel Layr, Vienna – Rome Bologna | Horizont, Budapest | L’Inconnue, Montreal
Alicja Kwade, König Galerie, Berlin – London + Luisa | LevyDelval, Brussels | Gianni Manhattan, Vienna |
Lambri, Thomas Dane Gallery, London – Naples Öktem Aykut, Istanbul | Pact, Paris | Bonny Poon, Paris
Jochen Lempert, ProjecteSD, Barcelona + Linda Fregni | Ribot, Milan | Stems Gallery, Brussels – Luxembourg
Nagler, Monica De Cardenas, Milan – Lugano – | Sophie Tappeiner, Vienna | TG, Nottingham | VEDA,
Zuoz / Vistamare, Pescara Florence
Jarbas Lopes, A Gentil Carioca, Rio de Janeiro +
Tomás Saraceno, Andersen’s, Copenhagen
Claudio Parmiggiani, Bortolami, New York + Cornelia OBJECT
Parker, Art Bärtschi & Cie, Geneva – Carouge/ Ammann Gallery, Cologne | Atelier Jespers,
Acacias Brussels | Elisabetta Cipriani Wearable Art, London
Achille Perilli, Tega, Milan + Joseph Montgomery, Car | Luciano Colantonio, Brescia | Galleria Rossella
Drde, Bologna Colombari, Milan | Galleria Luisa Delle Piane, Milan |
William T. Wiley, Parker Gallery, Los Angeles + Kasia Dimoregallery, Milan | Erastudio Apartment Gallery,
Fudakowski, ChertLüdde, Berlin Milan | Galleri Feldt, Nordhavn | Matter of Stuff,
London | Nero Design Gallery, Arezzo | Officine
Saffi, Milan | Portuondo, London | Galleria Raffaele
DECADES Verolino, Modena
1910 La Grande Guerra, Galleria Gomiero, Milan
1920 Käthe Kollwitz, Copetti Antiquari, Udine
1930 Oscar Ghiglia e i maestri italiani del Novecento, ON DEMAND
Società di Belle Arti, Viareggio Francesco Arena, Raffaella Cortese, Milan
1940 Enrico Prampolini, Gian Enzo Sperone, Sent – Giles Round, Emalin, London
New York Ciprian Muresa, Éric Hussenot, Paris
1950 Afro, Galleria dello Scudo, Verona Teresa Margolles, Peter Kilchmann, Zurich
1960 Giulio Turcato, Galleria Spazia, Bologna Eva Kot´átková, Meyer Riegger, Berlin
1970 William Anastasi, Galerie Jocelyn Wolff, Paris Hiwa K, Prometeogallery, Milan
1980 Jonas Mekas, Apalazzogallery, Brescia Christodoulos Panayiotou, Rodeo, London
1990 Jo Spence, Richard Saltoun, London Tobias Zielony, Lia Rumma, Milan – Naples
Giulia Cenci, SpazioA, Pistoia
Admire Kamudzengerere, Tyburn Gallery, London
Johannes Wald, Rita Urso, Milan
Kaspar Müller, Federico Vavassori, Milan
Emily Jones, VEDA, Florence
16Peter Kilchmann, Zurigo Robilant + Voena, Milan – London – St. Moritz Photocredit Paolo Valentini
sections MIART 2019: SECTIONS AND RATES
Opening date of online application process 10 JULY 2018
Closing date of online application process 9 NOVEMBER 2018
Application fee* 400€
SELECTION COMMITTEE
ESTABLISHED CONTEMPORARY:
Ludovica Barbieri, Massimo De Carlo, Milan – London – Hong Kong
Emanuela Campoli, Campoli Presti, London – Paris
Claudia Ciaccio, Zero…, Milan
Alice Conconi, Andrew Kreps, New York
Florian Lüdde, ChertLüdde, Berlin
ESTABLISHED MASTERS:
Michele Casamonti, Tornabuoni, Florence – London – Milan – Paris
Davide Mazzoleni, Mazzoleni, Turin – London
Ruggero Montrasio, Montrasio Arte, Milan – Monza
*(refundable upon selection)
18mappa
map LEGEND
CONTEMPORARY
MASTERS
DECADES
GENERATIONS
EMERGENT
OBJECT
reception
vip lounge
miartalks
19sections ESTABLISHED
ESTABLISHED ESTABLISHED ESTABLISHED
MASTERS CONTEMPORARY FIRST STEP
A category for galleries A category for primary A category devoted to
that show artworks made market galleries that focus galleries that participated
before the year 1999, in on contemporary in the past in the Emergent
a selection that ranges languages, from current section and are now
from the masters of classics to new and recent passing to the Established
modern art to artists being productions. Contemporary section.
rediscovered today.
This section cannot display
artworks dated after 1999,
with the exception of
recent works by historical
artists.
Price: 273€/mq* Price: 273€/mq* Price: 247€/mq*
Registration fee: 1.500€* Registration fee: 1.000€* Registration fee: 0€
Insurance: 100€* Insurance: 100€* Insurance: 100€*
Size: Size: Size:
from 48 to 112 sqm from 32 to 96 sqm 24 sqm
* All prices are + VAT when applicable
(NOTE: non-Italian galleries with a VAT number and / or TAX code must declare it when filling in the
20 application form in order to be VAT exempt)Cardi, Milan – London Photocredit Paolo Valentini
Almine Rech, London – Paris – Brussels – New York Photocredit Paolo Valentini
sections GENERATIONS
Invitational section in which two galleries are invited to create
a dialogue between two artists belonging to two different
generations.
The two galleries will share the same stand and will collaborate
on a single exhibition project.
Curated by:
Anthony Reynolds, Anthony Reynolds Gallery, London
Chris Sharp, Writer, Independent Curator and Co-director of
Lulu, Mexico City
Price: 273€/sqm*
Registration fee: not provided
Insurance: 100€*
Size: 50 sqm
* All prices are + VAT when applicable
(NOTE: non-Italian galleries with a VAT number and / or TAX code must declare it when filling in the
23 application form in order to be VAT exempt)indice A Gentil Carioca, Rio de Janeiro + Andersen’s, Copenhagen 24 Photocredit Paolo Valentini
A Gentil Carioca, Rio de Janeiro + Andersen’s, Copenhagen Photocredit Paolo Valentini
sections DECADES
A section that explores the history of the 20th century, divided
by decades. Each booth, through a monographic or thematic
exhibition, presents a key moment of the period in question, in a
succession of projects dating from the 1910s to the 1990s.
Curated by
Alberto Salvadori, Director OAC Fondazione CR Firenze,
Florence
Price: 273€/sqm*
Registration fee: 1.000€*
Insurance: 100€*
Size: from 36 to 64 sqm
* All prices are + VAT when applicable
(NOTE: non-Italian galleries with a VAT number and / or TAX code must declare it when filling in the
26 application form in order to be VAT exempt)indice Galleria dello Scudo, Verona Courtesy Galleria dello Scudo, Verona 27 Photocredit Bruno Bani
sections EMERGENT
A section for young galleries whose programming focuses on the
latest generations.
The exhibition project can include at most 3 artists.
Curated by:
Attilia Fattori Franchini, Independent Curator, London
Price: 189€/sqm*
Registration fee: 450€*
Insurance: 100€*
Size: 20 sqm
* All prices are + VAT when applicable
(NOTE: non-Italian galleries with a VAT number and / or TAX code must declare it when filling in the
28 application form in order to be VAT exempt)Dittrich & Schlechtriem, Berlin Photocredit Paolo Valentini
sections OBJECT
Section on galleries active in the promotion of experimental
design, limited editions and collectible design, whose exhibition
activities are rooted in a close collaboration with the designers.
Curated by:
Hugo Macdonald, Design Critic and Journalist, London
Price: 263€*/sqm*
Registration fee: 450€*
Insurance: 100€*
Size: from 24 to 48 sqm
* All prices are + VAT when applicable
(NOTE: non-Italian galleries with a VAT number and / or TAX code must declare it when filling in the
30 application form in order to be VAT exempt)Galleri Feldt, Nordhavn Photocredit Paolo Valentini
sections ON DEMAND
Regardless of the section, the galleries are invited to exhibit
context-based, site-specific or interactive works within their
stand.
This means installations, wall paintings and wall drawings,
projects to be executed, specific commissions, performances and
contract work. The focus of these works is to develop a direct
relationship with the public and/or the collector.
On Demand is a crosscutting section within the show. Eligible
projects for the On Demand section should be specified on the
application form after selecting the section in which you want
to take part, whether Established Masters, Established
Contemporary, First Step, Emergent or Object, and providing a
description of same.
Curated by:
Oda Albera, Exhibitors Liaison e Progetti Speciali, miart, Milan
32Peter Kilchmann, Zurich Photocredit Paolo Valentini
Hans Ulrich Obrist Fatos Üstek
miartalks
miartalks is a platform for round tables,
Christian Marclay Jeremy Deller
conversations and interviews led by
prestigious international speakers. An intense
program of discussions that every year bring
together over forty artists, museum directors,
curators, writers, collectors, and designers.
For the fourth consecutive year, miartalks will
be realized in collaboration with In
Between Art Film, the production company
founded by Beatrice Bulgari to support Chus Martinez Kasper König
artist’s films and experimental videos.
34prizes FONDAZIONE FIERA MILANO
ACQUISITION FUND
Acquisition fund to purchase artworks to further enhance the collection
of Fiera Milano Foundation with a budget of 100,000€.
HERNO PRIZE
Developed as a partnership between miart and Herno SpA, the prize of
10,000€ will be awarded to the booth with the best design.
FIDENZA VILLAGE PRIZE
FOR GENERATIONS
The prize of 10,000€, developed as a partnership between miart and
Fidenza Village, one of the Collection of Villages by Value Retail, will be
awarded to the best dialogue within the section Generations.
ON DEMAND PRIZE
BY SNAPORAZVEREIN
Developed as a partnership between miart and the association for ex-
perimental productions Snaporazverein, the prize of 10,000€ will be
assigned to the best presentation within the section On Demand. The
prize will support a project by the awarded artist to be realized in the
future.
35LCA PRIZE
FOR EMERGENT
The prize of 4,000€, developed as a partnership between miart and
LCA Studio Legale, will be assigned to the best presentation within the
section Emergent.
CEDIT PRIZE
FOR OBJECT
This acquisition prize, developed as a partnership between miart and
CEDIT - Ceramiche d'Italia, will be awarded to an Italian designer,
whose work will be presented within the section Object and that will be
donated to the collection of the Triennale Design Museum, Milan.
ROTARY CLUB MILANO BRERA PRIZE FOR
CONTEMPORARY ART AND YOUNG ARTISTS
The XI edition of the prize leads the acquisition of a work by an
emerging artist. The work will be donated to a Milanese art institution.
36Galerie Jocelyn Wolff, Paris Photocredit Paolo Valentini
juries JURORS 2018:
Silvana Annicchiarico, Director, Triennale Design Museum, Milan
Gabriella Belli, Director, Fondazione Musei Civici di Venezia, Venice
Ben Borthwick, Artistic Director, Plymouth Arts Centre, Plymouth
Laura Cherubini, Curator and Professor of Contemporary Art History, Accademia di Belle
Arti di Brera, Milan
Martin Clark, Director, Camden Arts Centre, London
Michael Darling, James W. Alsdorf Chief Curator, Museum of Contemporary Art, Chicago
Pedro Gadanho, Director, MAAT | Museum of Art, Architecture and Technology, Lisbon
Marta Gili, Director, Jeu de Paume, Paris
Lorenzo Giusti, Director, GAMeC, Bergamo
Giovanni Gorno Tempini, President, Fondazione Fiera Milano, Milan
Zoë Gray, Chief Curator, WIELS, Contemporary Art Centre, Brussels
Hou Hanru, Artistic Director, MAXXI | Museo Nazionale delle Arti del XXI secolo, Rome
Valérie Knoll, Director, Kunsthalle Bern, Bern
Christian Marinotti, Publisher, Professor of Contemporary Art History, School of
Architecture, Politecnico di Milano and creator of the prize, Milan
Paola Nicolin, Domus Editor at Large, Curator and Professor of Art History, Università
Bocconi, Milan
Mats Stjernstedt, Director, Malmö Konsthall, Malmö
Roberta Tenconi, Curator, Pirelli HangarBicocca, Milan
Stefano Torrenti, CEO Florim Ceramiche S.p.A.
Christopher Turner, Keeper of Design, Architecture and Digital, Victoria and Albert
Museum, London
Eva Wittocx, Curator & Head of Contemporary Art, M – Museum Leuven, Leuven
Lydia Yee, Cief Curator, Whitechapel Gallery, London
Nina Zimmer, Director, Kunstmuseum Bern - Zentrum Paul Klee, Bern
38Sophie Tappeiner, Vienna Photocredit Paolo Valentini
VIP VIP PROGRAM
Every year, miart is pleased to welcome over 11,000 VIP cardholders,
including Top Collectors, institutional figures, curators and museum
directors.
The VIP card entitles the holder to exclusive benefits:
- Preview and vernissage
- Access to the Ruinart VIP Lounge
- Access to the VIP Restaurant Da Vittorio (3 Michelin stars)
- Access to the VIP Program, which includes visits to important
Milanese institutions, including Triennale di Milano, Museo del
Novecento, Palazzo Reale and Fondazione Prada
In addition, miart has developed a VIP Plus Program dedicated to
over 250 international collectors, which includes accommodation in
a first class hotel, transfers, visits to private collections and ad hoc
appointments.
HONOR COMMITTEE Angela Missoni
Francesca e Marco Assetto Martina Mondadori
Fabio Agovino Stefania Morellato
Beatrice Bulgari Valeria Napoleone
Francesco Dalla Rovere Lorenzo Paini ed Enea Righi
Tiziana Fausti Andrea Succo
40partnership
and sponsorship
main partner
under the patronage of partners
sponsors miartalks powered by
media partners international media partner
official guide online exclusively on
Mai 36, Zurigo
Courtesy Mai 36 Galerie, ZurigoP420, Bologna Photocredit Alessio Anastasi
team
MANAGEMENT FIERA MILANO SPA SECRETARIAT OFFICE
Strada Statale del Sempione 28 Alessandra Costenaro
20017 Rho (MI) alessandra.costenaro@fieramilano.it
+39 02 4997 1 +39 02 4997 7337
miart@fieramilano.it
Elisa Panico Cristofoli
EXHIBITION MANAGER elisa.panico@fieramilano.it
Emanuela Forlin +39 02 4997 7786
emanuela.forlin@fieramilano.it
ARTISTIC DIRECTOR
Alessandro Rabottini
alessandro.rabottini@consulenti.fieramilano.it
EXHIBITOR LIASION AND SPECIAL PROJECT
Oda Albera
oda.albera@consulenti.fieramilano.it
CURATOR ESTABLISHED MASTERS AND
DECADES
Alberto Salvadori
alberto.salvadori@consulenti.fieramilano.it
CURATORS GENERATIONS
Anthony Reynolds
Chris Sharp
CURATOR EMERGENT
Attilia Fattor Franchini PRESS OFFICE MIART
Lara Facco
CURATOR OBJECT press@larafacco.com
Hugo Macdonald
PRESS OFFICE FIERA MILANO
HEAD OF VIP RELATIONS Rosy Mazzanti
Jasmine Spezie rosy.mazzanti@fieramilano.it
VIP RELATIONS MANAGER Elena Brambilla
Lorena Stamo elena.brambilla@fieramilano.it
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