REVIEW OF ACTIVITIES 1 JUNE 2019 - 31 MAY 2020 - David Howes, Co-Director Sociology and Anthropology Faculty of Arts and Science - Centre for ...
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REVIEW OF ACTIVITIES
1 JUNE 2019 – 31 MAY 2020
Prepared by
David Howes, Co-Director Jordan LeBel, Co-Director
Sociology and Anthropology Department of Marketing
Faculty of Arts and Science John Molson School of Business
EXECUTIVE SUMMARY 4
INTRODUCTION 4
ABOUT THE CENTRE 5
MISSION 5
LEADERSHIP 5
GOVERNANCE 6
RESEARCH ORIENTATIONS 6
AXIS 1: CULTURE AND THE SENSES. 6
AXIS 2: MULTISENSORY AESTHETICS. 6
AXIS 3: SENSORY DESIGN AND MARKETING. 6
AXIS 4: SENSORY ENGINEERING AND COMMUNICATION. 7
DEVELOPMENT PLAN (2020-2026) 8
Medium-Term Plan 8
INTERLUDE 9
MEMBERSHIP 10
ACHIEVEMENTS 11
STUDENT SUPERVISION 11
FUNDING 12
New Research Grants, 2019-2020 12
Ongoing Research Grants 12
Publications & Other Productions 13
Members 13
Students 13
INTERLUDE 13
Happenings 14
APPENDICES 16
APPENDIX A 17
CSS Membership by Category 17
Regular Members 17
Associate Members 17
Affiliate Members 17
Fellows 18
2
Visiting Professors, Professionals and Interns 18
Student Members 18
Graduates 18
Incoming Students 19
Ongoing Students 19
APPENDIX B 21
The CSS Organigramme of Research 21
APPENDIX C 22
List of Research Projects & Grant Applications in Development 22
APPENDIX D 25
New Grant Applications & Ongoing Research Grants 25
New Research Grants and Applications 25
Ongoing Research Grants 28
APPENDIX E 31
List of Publications, Exhibitions and Conference Presentations 31
Books and Special Issues (By Faculty and Fellows) 31
Journal Articles & Book Chapters 31
By Faculty and Fellows 31
By Student Members 35
Multimedia Installations & Exhibitions 36
By Faculty and Fellows 36
By Student Members 37
Conference Papers & Invited Talks 38
By Faculty and Fellows 38
By Student Members 43
APPENDIX F 45
Posters, Uncommon Senses III: The Future of the Senses 45
APPENDIX G 46
Posters, Public Lectures 46
APPENDIX H 47
Posters, Talking Sense Seminar 47
APPENDIX I 49
Troubling Law’s Sensorium 49
3
EXECUTIVE SUMMARY
In spite of recent circumstances, the CSS and its members have been particularly productive and
the centre maintained a full schedule of events. Collectively, members published 6 books and
special issues, including one single-authored book (Hillary Kaell), one book of poetry (Madelaine
Caritas Longman), two edited collections (John Potvin, Carolina Cambre) and two journal special
issues (Marc Lafrance, David Howes). In addition, members published 61 journal articles or book
chapters, organized 16 multi-media installations and exhibitions, and gave 94 conference
presentations and invited talks. The CSS also held many events and activities, including the annual
Sensory Studies Student Essay competition. The CSS also held 2 public lectures, and co-sponsored
1film screening, 2 exhibitions, and 2 conferences (in association with the Centre for Oral History
and Digital Storytelling and the Curating and Public Scholarship Lab). The international
interdisciplinary conference “Uncommon Senses III: The Future of the Senses” has been
postponed due to the COVID-19 pandemic but plan are moving forward to hold in May 2021,
with a slightly different subtitle: “Back to the Future of the Senses.” Membership is being
renewed actively with three new faculty members and seven new students. Centre members
singly and jointly secured a total of $1,798,340 in new research grants, bringing the total amount
of on-going funding for sense-based research initiatives to $3,452,298. Jordan LeBel is currently
being onboarded as the new co-director after Bianca Grohmann’s term came to an end. The CSS
is thus poised for continued success and leadership in the area of sensory studies with
development plans finalized and being implemented for 2020-2026.
4
INTRODUCTION
Much has happened at the CSS this past year. With the pandemic, some plans
had to be revised but in spite of circumstances, the CSS and its members have
been particularly productive. Indeed, the collaborations and collaborative
mindset established at the CSS are yielding dividends and creating numerous
ripple effects. Members published an impressive list of works across a wide
variety of disciplines, highlighting the CSS’ role as an effervescent catalyst for
innovative collaborations and groundbreaking research. The CSS also hosted
2 public lectures, and co-sponsored 1 film screening, 2 exhibitions, and 2
conferences (in association with the Centre for Oral History and Digital
Storytelling and the Curating and Public Scholarship Lab). The annual Sensory
Studies Student Essay First Prize was awarded to Rebecca van der Post for a
writing entitled “Yesterdayness: Capitalism, Ethnocide, and the Sensory
Structures of Accumulation”. After co-directors Grohmann and Howes led a
series of consultation sessions with members, mid- and long-term
development plans were put together. The mid-term plan envisions 10 new
projects which will be rolled out over the next 2-3 years and the ambitious but
feasible long-term plan involves advancing on 4 researches axes and 6
clusters. This report provides a top-level overview of activities with detailed
lists of members, publications, projects and grants available in appendices.
ABOUT THE CENTRE
The Centre for Sensory studies (CSS) was constituted as a faculty research
centre (Arts and Science) in January 2012. The CSS received recognition as a
university research centre (emergent category) in April 2016. The Senate
Research Committee recently approved the Centre’s renewal and promoted
it to the status of established (medium scale) university research centre. The
CSS now boasts an impressive list of members across Concordia faculties and
beyond, all engaging in ground-breaking collaborations.
MISSION
The CSS serves an interdisciplinary collaboration platform for research in the
social life and history of the senses, multisensory aesthetics, sensory design
and marketing, and the development of technologies for expanding the
sensorium in innovative and groundbreaking ways.
LEADERSHIP
5
The leadership of the CSS is assured by two co-directors, nominated for
a period of four years. Bianca Grohmann (Marketing, JMSB) stepped
down from her position as Co-Director of the Centre on May 30th.
Jordan Le Bel (Marketing, JMSB) was selected to replace her for a four-
year term, effective June 1. Co-Director David Howes (Sociology &
Anthropology) agreed to a three-year extension of his term.
On behalf of the CSS, David Howes expressed gratitude to Bianca
Grohmann for her leadership during the crucial first four years of the
Centre’s existence and how much we all look forward to Jordan LeBel’s
tenure, for all the new perspectives and energy he will bring to the CSS.
GOVERNANCE
An advisory committee provides input and guidance to the CSS’ co-
directors. At the moment, the advisors are:
o Michael Bull (Media and Film, Sussex)
o Fiona Candlin (Art History, Birkbeck)
o Richard Newhauser (English, Arizona State)
RESEARCH ORIENTATIONS
The research conducted at the CSS takes place around four main axes.
Additionally, 6 clusters represent emergent areas of research
concentration, where the interests of 3 or more Members coalesce.
These are described below and can be visualized in the CSS
Organigramme of Research in Appendix A.
AXIS 1: CULTURE AND THE SENSES.
The study of the social life of the senses in history and across cultures
and geographies. Involved members: Classen, Howes, LeBel, Lafrance,
Hammond, Stolow, Kaell, French, Halpern, Cambre, Unger, Potvin,
Dokumaci, Cucuzzella, Hsu.
AXIS 2: MULTISENSORY AESTHETICS.
The study of aesthetics in history and across cultures; the creation of
intermedia/multisensory artworks and environments. Involved
members: Salter, Classen, Hammond, Thompson, Vaughan, Cambre,
Unger, Potvin, Dokumaci, Hsu.
6
AXIS 3: SENSORY DESIGN AND MARKETING.
The study of the sensory turn in the design of objects and spaces and the
‘race to embrace the senses’ in contemporary marketing practice. Involved
members: Grohmann, Le Bel, Howes, Classen, Johnson, French, Salter,
Halpern, Potvin, Cucuzzella.
AXIS 4: SENSORY ENGINEERING AND COMMUNICATION.
The study of technologies as extensions of the senses; the development of
technologies for expanding the sensorium in innovative ways. Involved
members: Johnson, Salter, Howes, Stolow, French, Halpern, Dokumaci.
In addition to these axes the following six Clusters have emerged as areas of
research concentration, where the interests of 3 or more Members coalesce:
● Cluster A: Sensori-Legal Studies. Members include Howes, Lafrance,
Classen, French, Unger.
● Cluster B: Emplacement. Members include Hammond, Thompson,
Vaughan, Howes, Unger, Kaell, Hsu, Cucuzzella.
● Cluster C: Disability and the Senses. Members include Johnson, Classen,
Grohmann, Lafrance, Howes, Dokumaci, Hsu.
● Cluster D: Gender and the Senses. Members include Classen, Lafrance,
Hammond, Potvin.
● Cluster E: Materiality and Immateriality. Members include Stolow,
Thompson, Vaughan, Kaell, Unger, Hsu.
● Cluster F: Smartness, the Sensor Society and Sentient Ecologies.
Members include Halpern, Salter, Howes, French, Cucuzzella.
7
DEVELOPMENT PLAN (2020-2026)
During the Fall of 2019, Co-Directors Grohmann and Howes led a series of consultation sessions
at which members collectively reflected on the extant and emergent collaborations among
Centre members with respect to, among other things: the co-supervision of graduate students,
the co-authorship of books and journal articles, the co-creation of art installations, the co-
curation of exhibitions, the enlistment of affiliate members, and the preparation of grant
applications, most notably a Partnership Grant (PG) application to the SSHRC in two-to-three
years’ time.
Medium-Term Plan
The medium-term plan emerged out of this consultation. It envisions 10 new projects which will
be rolled out over the next 2-3 years.
Central to the proposed PG application is the establishment of a research network called the
Sensory Collaboratory where the main objective is to explore the actual and potential role of the
senses in education, exhibition (multimodal art and museology), design and urbanism and to
draw out the implications of a sense-based approach, such as we promote, for the enhancement
of existing techniques, practices and technologies in these four domains. Outcomes will include
a series of methodological treatises, case studies, exhibitions, websites, workshops, international
conferences, and summer schools for the training of the next generation of scholars attuned to
the senses. This PG application has four major focal areas (these represent areas of research
concentration within the four Axes, unlike the Clusters which cut across the Axes):
1. Sensory Education.
2. Exhibition (Multimodal Arts and Museology)
3. Sensory Design
4. Sensorial Urbanism
In order to lay the foundation for a successful PG application, we made a number of changes to
the membership and modus operandi of the Centre. Three new members were recruited with
expertise in design (Carmela Cucuzzella), disability and communication studies (Arseli Dokumaci)
and the literary representation of the senses and sense experience, especially smell (Hsuan Hsu).
These three fields figure centrally in the Centre’s midterm and longterm development plans. A
new category of “Affiliate Centre Member” was created. Affiliates are researchers based at other
institutions who collaborate actively with Concordia-based researchers. (Some prospective
collaborators are listed too). We see them as partners for purposes of the PG application. Finally,
8
we broke with our tradition of combining in twos or threes for purposes of grant applications.
Thus, one of the grant applications (§ 59) submitted in October 2019 involved 7 Centre Members
as co-applicants and 7 local and international collaborators. Much to our delight, this application
met with success.
The full list of current funded research projects and recent as well as planned future grant
applications can be found in Appendix B.
INTERLUDE
Le poids du soleil
by student member Gabriel Peña Tijerina, HUMA Ph.D.
Program
In 1953, Mathias Goeritz designed “El Eco” in Mexico City, as pure emotional
architecture. Goeritz's emotion alludes the pre-Hispanic monumentality and prehistoric
nature transformed into an alchemical process that makes use of color and gold. If emotion
as a constitutive element of architecture is not linked to the concrete, can we build
atmospheres of emotions from memories?
In the middle of a winter night, I remember the golden sun of Monterrey, and Alfonso
Reyes's poem becomes a golden atmosphere that moves me. If in Goeritz pieces we
perceive the nostalgic depth of the sun, in the poetry of Reyes we feel its depth. This
project is the atmospheric construction of Monterrey’s sun based on Alfonso Reyes's poem
“el Sol de Monterrey.”
9
MEMBERSHIP
The CSS has a very active membership, which falls into the categories listed below. For a full list
of members by category, please refer to Appendix C.
o 14 regular members, from 9 different departments across Concordia
o 5 associate members, from 5 different departments
o 41 student members
o 14 affiliate members spanning the globe
o 6 fellows
o 2 visiting professors, 1 from the University of Bristol (UK, Summer 2019), 1 from
Maynooth University (Ireland, Fall 2019)
Five student members graduated (2 Ph.D., 3 Master’s) and seven new students joined the Centre
(5 Ph.D., 2 Master’s).
The Centre welcomed Victoria Bates (University of Bristol as a visiting scholar for the Summer
term 2019 and Sharon Todd (Maynouth University, Ireland) as a visiting scholar for the Fall term
2019 (cross-appointed to the Centre for Interdisciplinary Studies in Society and Culture). The
Centre also hosted postdoctoral fellows Cristobal Barria and Leon Franzen during the Winter
term 2020.
10ACHIEVEMENTS
Centre member Matthew Unger was named Concordia University Research
Fellow (Category A) for 2019-2020 and Carolina Cambre has been named
Concordia University Research Fellow (Category A) for 2020-2021.
Our student members achieved spectacular results in the SSHRC and FRQSC
doctoral fellowship competitions. Laura Enriquez, Joe Thibodeau, Ika Peraic,
Paula Bath and Madelaine Caritas Longman all won doctoral fellowships.
This tally represents the highest per capita success rate of any research unit
in the University.
STUDENT SUPERVISION
Concordia already has a doctoral program in Sensory Studies. This research
area has been featured as one of the “Research Currents” within the
Individualized Programs (SIP) and the Humanities Doctoral Program (HUMA)
since the Fall of 2007.
http://www.concordia.ca/sgs/programs/individualized/research-
currents.html
It is possible to graduate with a concentration in sensory studies in other
doctoral programs as well, such as the Ph.D. in Marketing, the Ph.D. in
Communication Studies, and the Ph.D. in Social and Cultural Analysis.
A number of students at the Master’s level have also pursued research in
sensory studies, either through the M.A. program in Social and Cultural
Anthropology or the INDI M.A. program.
The benefits of student membership include: supervision for independent
studies courses related to degree requirements; participating in both large
and small research and research-creation projects (and the joint publications
and/or installations that result from these), access to funding in the form of
research assistantships; and, access to conference and research travel
support.
Research Assistantships take many different forms. For example, Laura
Enriquez (HUMA PhD) serves as the Coordinator of the Centre; Joe
Thibodeau (INDI Ph.D.) is the Editorial Assistant for The Senses and Society
journal; and, numerous student members are attached to diverse research
projects directed by faculty members of the Centre. All of these
opportunities provide vital training in the research methods and practices of
the expanding field of sensory studies.
11Student members of the Centre are also themselves contributing to
expanding the frontiers of sensory studies through their many
publications and conference presentations (see Appendix E).
FUNDING
Centre members singly and jointly secured a total of $1,654,255 in new
research grants, combined with $1,798,340 of ongoing research grants,
bringing the total amount of funding for sense-based research initiatives
to $3,452,595. The full list of current funded research projects and
recent as well as planned future grant applications can be found in
Appendix D.
o New Research Grants, 2019-2020
o Internal funding; internal PI $29,000
o External funding; internal PI $725,255
o External funding; external PI $900,000
o Ongoing Research Grants
o Internal funding; internal PI $8,500
o External funding; internal PI $1,371,843
o External funding; external PI $418,000
12Publications & Other Productions
As usual, CSS members have been very productive. In keeping with the multi-disciplinary nature of
the CSS, their works cover a wide variety of domains, methodological approaches, and media. Of
note, student members have contributed significantly to the visibility of the CSS through an
impressive list of publications and productions. Members’ output is summarized below, and a
detailed list of publications and other works can be found in Appendix E.
● Members
o Six (6) books and special issues, including one single-authored book (Hillary Kaell), one book
of poetry (Madelaine Caritas Longman), two edited collections (John Potvin, Carolina
Cambre) and two journal special issues (Marc Lafrance, David Howes)
o Forty-seven (47) Journal articles and book chapters
o Ten (10) multimedia installations & exhibitions
o Seventy-four (74) Conference papers & invited talks
● Students
o Fourteen (14) book chapters and articles
o Six (6) multimedia installations & exhibitions
o Twenty (20) conference papers & invited talks
INTERLUDE
21 Gun Salute by student member
Chélanie Beaudin-Quintin, HUMA Ph.D. Program
Since 2002 robots have been used on the battlefields and
assist soldiers in their most dangerous tasks. They help to
protect them by increasing their working distance and
keeping them away from potential sources of danger. By
maintaining a proximity with robots, soldiers forge close
bonds with their tools, which can lead to the adoption of
behavior normally reserved for humans. To illustrate these
new forms of sociality, 21 Gun Salute was inspired by the
holding of a full burial with 21 Gun Salute, following the
loss of a robot, this honor being normally reserved for the
commemoration of an individual or an event during official
ceremonies.
Composed of filmed and syntheses 360° images, 21 Gun
Salute explores the boundaries of virtual reality and video-
dance, human and technology.
13Happenings
The CSS was getting ready to host its major event of 20-19-2020, the third
iteration of its successful international interdisciplinary conference
“Uncommon Senses” when the pandemic forced a change of plans. The
conference, was originally scheduled to take place in May 2020 and was
entitled “Uncommon Senses III: The Future of the Senses.” Close to 150
abstracts had been accepted, a keynote speaker had been lined up (Ellen
Lupton of the Cooper Hewitt, Smithsonian Design Museum), posters drawn
up (See Appendix F), and the scheduled was all set when plans had to be
modified. The conference is now scheduled for May 2021, with a slightly
different subtitle: “Back to the Future of the Senses.”
The pandemic notwithstanding, in addition to the impressive list of
publications and other productions, the CSS delivered on a full schedule of
events, widely diversified in topics and formats. The CSS hosted 2 public
lectures, and co-sponsored 1 film screening, 2 exhibitions, and 2 conferences
(in association with the Centre for Oral History and Digital Storytelling and
the Curating and Public Scholarship Lab), in addition to the events and
activities listed below.
● The CSS held its annual Sensory Studies Student Essay Competition. The
First Prize was awarded to Rebecca van der Post for a writing entitled
“Yesterdayness: Capitalism, Ethnocide, and the Sensory Structures of
Accumulation,” and Joe Thibodeau was awarded the second Prize for an
essay co-authored with Ceyda Yolgörmez, entitled "Open-Source
Sentience: The Proof is in the Performance." The members of the
adjudication committee praised both awardees for the avant-garde and
provocative nature of their ideas and for the clear and accessible
presentation of their arguments.
● The CSS collaborated with the Centre for Interdisciplinary Studies in
Society and Culture (CISSC) to stage two public lectures (see Appendix
G for posters of these public lectures).
o “The Touch of the Present: Education, Becoming and Awakening”
by visiting scholar Sharon Todd (Maynooth University, Ireland)
held October 24, 2019.
o “The Gamblers” – a film on the re-manualization of mining in
South Africa’s abandoned goldmines by Rosalind Morris
(Anthropology, Columbia University) and local filmmaker Philippe
Leonard in the Winter term. The screening was followed by a Q&A.
This event was co-sponsored by McGill Anthropology. This was
held February 14, 2020.
14● There were four Talking Sense seminars over the course of the year
(see Appendix H for sample posters of these seminars):
o “Just Some Dead Birds in a Drawer: Choreographic Audiowalks,
Lifeliness, and More-than-Huma Relational Movement” by
Suzanne Schmitt held June 13, 2019.
o “Hearing Healthcare: Soundscapes of the Modern Hospital” by
visiting scholar Victoria Bates (July 2, 2019),
o “Book as Body: An Artist’s Book Workship” led by student
member Darian Goldin Stahl (February 6, 2020),
o “There is (No) Tactile Anthropology” by MITACS Fellow Maciej
Topolski as part of the “Tactless: Touching Holocaust
Memory”curatorial experiment and workshop co-sponsored
by the Curating and Public Scholarship (October 2019).
● The Centre teamed up with other Concordia research units on two
other occasions during the Fall term:
o first with the Textiles and Materiality Cluster of the Milieux
Institute to stage “TextilesTradeTime: A Symposium” (October
2019),
o and then with the Acts of Listening Lab (directed by Luis Sotelo
Castro) of the Centre for Oral History and Digital Storytelling to
present a practice-based research symposium on “Listening,
Performance and Conflict” (November 3019).
● “Troubling Law’s Sensorium: Explorations in Sensational
Jurisprudence” is a special issue of The Canadian Journal of Law and
Society edited by David Howes. It is comprised of papers that were
presented at the “Othered Senses” Workshop in April 2018 (see CSS
2017-2018 Annual Report - check). To mark the release of the
special issue, the Centre joined with the McGill Centre for Human
Rights and Legal Pluralism to put on a luncheon-seminar in
Thomson House. Sheryl Hamilton (Carleton), Charlene Elliott
(Calgary), and Christiane Wilke (Carleton) were on hand both to
present synopses of their articles in the CJLS and to celebrate. See
Appendix I for more details.
15APPENDICES
A CSS Membership by Category
B CSS Organigramme of Research
C List of Research Projects & Grant Applications in Development
D New Grant Applications & Ongoing Research Grants
E List of Publications, Exhibitions and Conference Presentations
F Posters, Uncommon Senses III
G Posters, Public Lectures
H Posters, Talking Sense Seminars
I Poster, Troubling Law’s Sensorium
16APPENDIX A
CSS Membership by Category
o Regular Members
o Carolina Cambre (Education)
o Carmela Cucuzzella (Design and Computation Arts)
o Arseli Dokumaci (Communication Studies)
o Martin French (Sociology and Anthropology)
o Bianca Grohmann (Marketing)
o D. Howes (Sociology and Anthropology)
o Hsuan L. Hsu (English)
o Aaron Johnson (Psychology)
o Hillary Kaell (Religion)
o Marc Lafrance (Sociology and Anthropology)
o Jordan Le Bel (Marketing)
o John Potvin (Art History)
o Jeremy Stolow (Communication Studies)
o Matthew P. Unger (Sociology & Anthropology)
o Associate Members
o Orit Halpern (Sociology & Anthropology)
o Cynthia Hammond (Art History)
o C.topher Salter (Design Arts)
o Kelly Thompson (Studio Arts)
o Kathleen Vaughan (Art Education)
o Affiliate Members
o Victoria Bates Department of History (Historical Studies), University of Bristol, Bristol, UK
o Jennifer Biddle National Institute for Experimental Arts (NIEA), University of New South
Wales Art & Design, Sydney, Australia
o Lori Burns Faculty of Arts, University of Ottawa, Ottawa, Canada
o Natalie Doonan, Département de communication, Université de Montréal, Montreal,
Canada
o Charlene Elliott Department of Communication, Media and Film, University of Calgary,
Calgary, Canada
o Anna Harris Technology & Society Studies, Faculty of Arts and Social Sciences,
Maastricht University, Maastricht, The Netherlands
o Annamma Joy Faculty of Management, University of British Columbia, Vancouver,
Canada
o Jean-Sebastien Marcoux Department of Marketing, HEC Montréal, Montreal, Canada
17o Ali Motamedi Département de génie de la construction, École de technologie supérieure
(ÉTS), Montreal, Canada
o Ingemar Pettersson Department of Economic History, Science and Technology Studies
Center, Uppsala University, Uppsala, Sweden
o Sally M. Promey Professor of Religion and Visual Culture; Director, Center for the Study
of Material and Visual Cultures of Religion (MAVCOR), Yale Divinity School, New Haven,
USA
o Herman Roodenburg Royal Netherlands Academy of Arts and Sciences (KNAW),
Amsterdam, The Netherlands
o Charles Spence Department of Experimental Psychology, Crossmodal Research
Laboratory, University of Oxford, Oxford, UK
o Jean-Paul Thibaud École National Supérieure D’Architecture de Grenoble; Founder of
the International Ambiances Network
o Fellows
o Constance Classen, Senior Fellow
o Erin Lynch Senior Fellow (2020- )
o Natalie Doonan, Senior Fellow (2018-2020 )
o Cristóbal F. Barria Bignotti, Postdoctoral Fellow (2020)
o Léon Franzen Postdoctoral Fellow (2019- )
o Gabrielle Desgagné Junior Fellow (2019- )
o Visiting Professors, Professionals and Interns
o Victoria Bates, University of Bristol, Bristol, UK (Summer term, 2019)
o Sharon Todd, Maynooth University, Maynooth, Ireland (Fall term, 2019)
o Student Members
o Graduates
Years Active Name Program Supervisor Co-supervisor(s)
2014-20 Erin Lynch SOAN PhD D. Howes K. Neves, B. Simon
D. Howes, V. de
2011-20 Margaret Campbell SOAN PhD A. Synnott
Courville Nicol
2016-19 Agnieszka Bill-Duda SOAN MA D. Howes V. de Courville Nicol
2016-19 Gabrielle Desgagné SOAN MA V. de Courville Nicol M. Watson, D. Howes
S. Reuter, V. de
2015-19 John Bryans SOAN MA M. Lafrance
Courville Nicol
18o Incoming Students
Year Name Program Supervisor Co-supervisor(s)
2019 Karine Elalouf Psych PhD A. Johnson B. Grohmann
2019 Emilie O’Brien Art Ed MA K. Vaughan D. Howes
2019 Paula Bath SOAN PhD D. Howes A. Dokumaci
Chélanie Beaudin-
2019 HUMA PhD D. Howes A. Wilkie, O. Asselin
Quintin
2019 Marc-André Cosette INDI PhD C. Salter D. Howes, L. Hughes
2019 Jamilah Dei-Sharpe SOAN PhD M. Lafrance T. Rudland, O. Jasor
2019 Ariana Seferiades SOAN MA D. Howes
o Ongoing Students
Year Name Program Supervisor Co-supervisor(s)
2019 Haley Baird SOAN MA D. Howes
Madelaine Caritas J. Potvin, D. Howes,
2018 HUMA PhD S. Bolster
Longman M. Park (McGill)
S. Stowell, D. Morris,
2018 Laura Enriquez HUMA PhD D. Howes A. Vanhaelen
(McGill)
K. Lynes, O.
018 Nik Forrest HUMA PhD I. Bachman
Chapman
A. Willkie, MJ
2018 Kelly Keenan INDI MA D. Howes
Thompson
L. Allemano, C.
2018 Aristofanis Soulikias INDI PhD C. Cucuzzella
Hammond
M. Montanaro, S.
2018 Joseph Thibodeau INDI PhD D. Howes Bhagwati, V.
Penhune
I. Bachmann, K.
2017 Darian Stahl HUMA PhD K. Sawchuk
Vaughan
Rebecca Van der
2017 HUMA PhD M. Fritsch D. Howes
Post
M. Montanaro, S.
2017 Garnet Willis INDI PhD C. Salter
Bhagwati
Arianna Garcia- S. High
2016 PhD Art Ed K. Vaughan
Fialdini L. Blair
K. Thompson, D.
2016 Kelly Grant HUMA PhD J. Potvin
Howes
19B. Simon, V. de
2016 Roseline Lambert SOAN PhD D. Howes
Courville Nicol
N. Pezolet, Carmela
2016 Gabriel Peña HUMA PhD D. Howes
Cucuzzella
C. Salter, N. Loveless
2016 Ika Periac HUMA PhD D. Howes
(U Alberta)
2016 Carmen Ruschiensky HUMA PhD S. Simon JP Warren, S. High
2016 Alexandre Saunier INDI PhD C. Salter D. Howes, L. Hughes
D. Howes, A.
2016 Melanie Schnidrig HUMA PhD N. Pezolet
Johnson
2016 Laura Shine HUMA PhD C. Jourdan J. LeBel, D. Howes
2015 Sara Breitkreutz SOAN PhD M. Watson G. Nielson, D. Howes
PhD
Felicity Tsering O. van Wyck, L.
2015 Comm J. Stolow
Chödron Hamer Grenier (UdeM)
Studies
Marie-Josée L. Orr, u. Neuerberg-
2014 HUMA PhD D. Howes
Blanchard Denzer
2014 Sylvain Lavoie HUMA PhD P. Leroux D. Howes, C. Sethna
2014 Ida Toft INDI PhD L. Hughes C. Salter, B. Simon
D. deGuerre, D.
2012 Karen Messer INDI PhD W. Linds
Howes
2012 Morgan Rauscher INDI PhD B. Vorn L. Hughes, C. Salter
C. Hammond, R.
2010 Sheryl Boyle HUMA PhD D. Howes
Park (Carleton)
2010 Florencia Marchetti HUMA PhD E. Lehrer C. Salter, D. Howes
2010 Olga Zikrata HUMA PhD D. Howes M. Unger
20APPENDIX B
The CSS Organigramme of Research
21APPENDIX C
List of Research Projects & Grant Applications in Development
§ 110. “The New Sensorium: Sentience and Intelligence in the Digital Age.”
[SSHRC Insight, PI: TBD, for submission in October 2023]
[Cluster F]
This project will probe the technologization of sentience and intelligence in the digital age, an age
in which sensors have supplanted sense organs and computation has taken over from cogitation.
Concordia co-applicants potentially include: Halpern, Salter, Howes, French, Cucuzzella, Cambre
§ 109. “Multimodal Art and Museology.”
[FRQSC soutien aux équipes, PI: TBD, for submission in October 2023]
[Focus 2]
This project capitalizes on a string of previous projects centring on the sensory history of the
museum and art gallery and the design of “performative sensory environments.” Concordia
applicants potentially include: Classen, Salter, Howes, and Hammond. We plan to involve diverse
local museums, such as the McCord Museum and Montreal Museum of Fine Arts and design studios
such as Moment Factory as research partners.
§ 108. “Sensorial Urbanism: Charting the Urban Sensorium.”
[SSHRC Insight, PI: TBD, for submission in October 2022]
[Focus 4]
Centre members have a long history of collaboration with the Canadian Centre for Architecture
(CCA). Howes and Classen consulted on the design of the 2005 “Sense of the City/Sensations
urbaines” exhibition and contributed essays to the eponymous exhibition catalogue. Hammond,
Salter, and Halpern have also collaborated with the CCA at different times in different ways. In
addition to partnering with the CCA, we plan to involve the Institute for Urban Futures and also
liaise with the Canada Excellence Research Chair in Smart, Sustainable and Resilient Communities
and Cities for this project. Concordia applicants potentially include: Halpern, Howes, Classen,
Hammond.
§ 107 “For an Aesthetics of the ‘Other’ Senses: Smell, Taste, Touch, Movement.”
[SSHRC Partnership Development, PI: Hsuan Hsu, for submission in October 2022]
[Axis 2 + Focus 2] **
This project builds on the Insight grant application which was submitted by Hsuan Hsu to the
SSHRC in October 2019 – and met with success. Concordia co-applicants potentially include LeBel
for his expertise in gustation, Classen for her expertise on touch, and Michael Montanaro for his
expertise in movement. We will involve some local and diverse international museums (e.g. Marres
House, the Netherlands; Institute for Art and Olfaction, Los Angeles) and artists (e.g. Bernard Raux,
Sissel Tolaas)
22§ 106 Sensing the Atmosphere
[SSHRC Insight, PI: Hillary Kaell, for submission in October 2022]
[Cluster F + Focus 4] **
The atmosphere or climate and peoples’ sensitivities to the seasonal cycle, extreme weather
events, and climate catastrophe (never mind climate change) are all issues that have emerged as
important foci in the work of Kaell, Unger, Cucuzzella, Dokumaci and Howes. Kaell has initiated a
conversation among these Centre members with a view to holding a series of exploratory
workshops and preparing a team grant application for October 2022.
§ 105 “Exploring the Multimodal Transmedia Storyworlds of Popular Music.”
[SSHRC Insight, PI: Lori Brown (UOttawa), for submission in October 2021]
[Axis 2 + Focus 2] ***
This project grows out of the longstanding collaboration between Lori Brown (Music, UOttawa)
and Marc Lafrance (see § 1, 26, 58). Other Concordia co-applicants include Unger and Howes. In the
new millennium, many metal artists have espoused progressive rock aesthetics in elaborate,
concept-driven transmedia works that include books, artwork, theatrical staging, and films. The
project will work toward the development of an interpretive model for understanding these
contemporary works while creating an immersive platform for spectators to experience and
understand the materials and the implications of the storyworlds.
§ 104 “Sensory Curriculum Theory & Practice 2.0: Unsettling Knowledge Hierarchies.”
[SSHRC Partnership Development, PI: Carolina Cambre, for submission in October 2021] [Focus 1] **
This project is a sequel to the grant application which Carolina Cambre submitted to the SSHRC in
October 2019 (which did not meet with success, unfortunately). Concordia co-applicants include:
Howes and Classen. Other co-applicants include: Carey Jewitt (Knowledge Lab, University of
London), Fiona Macdonald (UBC Okanagan), Melissa Park (Occupational Therapy, McGill).
§ 103 “Feeling Lucky: Sensory Ethnography of Gambling Casinos and Gaming Apps.”
[SSHRC Insight, PI: Martin French, for submission in October 2021]
[Focus 3] **
This project builds on a pilot project (§ 29 - jointly funded by Martin French’s chercheur-boursier
grant and the CSS) and also complements § 54 (where the Montreal Casino figures as one of three
field sites). Concordia co-applicants include Howes.
§ 102 “Rethinking the Theory of Affordances.”
[SSHRC Insight, PI: Dokumaci, for submission in October 2020]
[Focus 3] ***
This project grows out of Arseli Dokumaci’s critique of conventional affordance theory from the
standpoint of Critical Disability Studies. It complements § 59 where Dokumaci’s theory has already
been incorporated into the research methodology of the project – namely, sensory ethnography.
Concordia co-applicants include Howes and possibly Johnson.
23§ 101. « L’impact de la perception et l’attention visuelle sur le traitement de l’information,
l’évaluation et les choix des consommateurs. »
[Renewal of § 21 FQRSC soutien aux équipes de recherche, PI: Bianca Grohmann, for submission in
October 2020]
[Focus 3]. **
This application will support research on the effects of product-based and environmental visual cues
on consumers’ attention and information processing in a marketing context. This investigation will
have implications for the design of products and environments that better serve consumers with
age-related visual impairments, consumers with multiple sensory impairments, and consumers with
dyslexia. Other team members include: Johnson, Walter Wittich (Optometrie, UdeM), Onur Bodur
(Marketing, Concordia).
24APPENDIX D
New Grant Applications & Ongoing Research Grants
The following list does not reflect all of the grant activity of Centre members. It only lists those
research projects which fall within the domain of sensory studies.
o The gaps in the enumeration are due either to a project having come to an end or a grant
application not being successful.
o In the case of grants or grant applications § 74, §71, and § 70, only those amounts which accrue
to a Centre member will be included in the final tally (as in the case of § 53). § 69 has also been
excluded from the tally on account of the unique nature of this award.
o For the titles of the Axes and Clusters referred to below please see the “Research Orientations”
section of this report (below)
o The titles of the four Foci (new) are as follows:
o Focus 1: Sensory Education
o Focus 2: Exhibition (Multimodal Arts and Museology)
o Focus 3: Sensory Design
o Focus 4: Sensorial Urbanism
New Research Grants and Applications
Internal * [ internal funding; internal PI ] $29,000
External – Internal PI ** [ external funding; internal PI ] $725,255
External – External PI *** [ external funding; external PI ] $900,000
§ 74. “Beyond the Decibel: Harmonizing Environmental Noise Management across Disciplines and
Sectors.” Social Sciences and Humanities Research Council (SSHRC) New Frontiers in Research.
Principal Investigator: Catherine Guastavino (Information Studies, McGill). Co-applicants: David
Howes and numerous others.
[2020 competition pending] [Focus 3 + 4] ***.
§ 73. “Sensing Atmospheres.” CISSC Working Group program. Principal investigator: Hillary Kaell.
Co-applicants: Carmela Cucuzzella, Matt Unger. $1,500.
[2020-2021] [Cluster F] *
§ 72. “Colonial, Racial and Indigenous Ecologies.” CISSC Working Group program. Principal
investigator: Hsuan Hsu. $1,500.
[2020-2021] [Axis 1] *
25§ 71. “Axis of Research and Reflexivity on Excellence in Architecture (ARREA).” SSHRC Partnership.
Principal Investigator: Jean-Pierre Chupin (UMontreal). Co-applicants: Carmela Cucuzzella, David
Howes and numerous others. $ ___.
[2020 competition – pending] [FOCUS 3 + 4] ***
§ 70. “RE-CREATE: Research-Creation as Culture and Practice.” SSHRC Partnership. Principal
Investigator: Chris Salter. Co-applicants: David Howes and numerous others. $___.
[2020 competition – passed LOI stage] [FOCUS 2] **
§ 69. “Renewal of ‘Responsible Gambling in the Digital Era’.” Fonds de Recherche du Québec -
Société et Culture (FRQSC) chercheur-boursier. Principal Investigator: Martin French. $393,433.
[2020-2024] [FOCUS 3] **
§ 68. “The Spaces of Restorative and Transitional Justice: Architecture, Oral History, and Design.”
Concordia University, Team Start-Up funding. $20,000. Principal Investigator: Cynthia Hammond.
Co-applicants: Luis Sotelo Castro, Carmela Cucuzzella
[2020-2022] [FOCUS 3] *
§ 67. “Disability and Climate Justice Conference.” CISSC Happening funding. Principal Investigator:
Arseli Dokumaci. $600.
[2020-2021][Cluster C + F] *
§ 66. “Transgressive Sounds and Atmospheres Curation and Workshop.” Concordia University, Aid
to Research Related Events (ARRE). Principal Investigator: Matthew Unger. $4,500
[2020-2021] [Cluster A + FOCUS 3] * [resubmission of § 56]
§ 65. “Transgressive Sounds and Atmospheres Curation and Workshop.” CISSC Happening funding.
Principal Investigator: Matthew Unger. $900.
[2020-2021][Cluster A + FOCUS 3] *
§ 64. “Deco Dandy: Designing Masculinity in 1920s Paris.” Design History Society (DHS) Research
Publication Grant. Principal Investigator: John Potvin. £1,000 or $1,800
[2020] [FOCUS 3] **
§ 63. “Christian Globalism at Home.” Columbia University, Scoff Book Award (research publication
grant). Principal Investigator: Hillary Kaell. $1500 USD or $1,800
[2020] [Cluster E]
§ 62. “EcoSix: L’élevage d’insectes comestibles en économie circulaire urbaine pour lutter contre le
gaspillage alimentaire et les changements climatiques.” MITACS. Co-Principal Investigators: Jordan
LeBel, R. Hausler (ETS), G. Vandenberg (U. Laval). $200,000 earmarked for circular economy project
by doctoral candidate Didier Marquis (INDI).
[2019-2022][Axis 1] **
26§ 61. “Olfactory Aesthetics and Racial Atmospheres.” SSHRC Insight. Principal Investigator: Hsuan
Hsu. $98,655.
[2020-2025] [Axis 1] **
§ 60. “Sensuous Governance and Perceptions of Justice.” SSHRC Insight. Principal Investigator:
Sheryl Hamilton (Law, Carleton). Co-applicants: Matthew Unger, David Howes, Michael Mopas
(Sociology, Carleton), Charlene Elliott (Communication, Calgary).
[2019 competition – not successful] [Cluster A]
§ 59. “Explorations in Sensory Design.” SSHRC Insight. Principal Investigator: David Howes. Co-
applicants: Constance Classen, Carmela Cucuzzella, Arseli Dokumaci, Bianca Grohmann, Aaron
Johnson, Jordan LeBel. Collaborators: Thomas Bastien (Montreal Museum of Fine Arts), Martine
Lizotte (ITHQ), Suzanne Sauvage (McCord Museum), Henning Schmidgen (Bauhaus University),
Charles Spence (Oxford), Stephanie Singer (BitterSuite, London), Ellen Lupton (Cooper-Hewitt
Smithsonian Design Museum). $297,000
[2020-2024] [FOCUS 3] **
§ 58. “Expressive Masculinities: Heterosexual Men and Emotional Expression in Popular Music.”
SSHRC Insight. Principal Investigator: Marc Lafrance. Co-applicant: Lori Burns (Music, Ottawa).
Collaborators: Matthew Unger and 1 other. {$278,452}.
[2019 competition – not successful] [Cluster D] ***
§ 57. “Sensory Literacies: Alternative Pedagogical Paradigms & Practices.” SSHRC New Frontiers.
Principal Investigator: Carolina Cambre. Co-applicants: Constance Classen, David Howes, Nathalie
Doonan (Communication, UdeM). Collaborators: Kathy Mills (Brisbane), Porterfield (University of
Wisconsin-Whitewater).
[2019 competition – passed LOI stage – not successful] [FOCUS 1] **
§ 56. “Transgressive Sounds and Atmospheres Curation and Workshop.” Aid to Research Related
Events (ARRE), Concordia. Principal Investigator: Matthew Unger. Co-applicant: Hillary Kaell.
[2019 competition – not successful] [Cluster A + FOCUS 3] *
§ 55. “Reclaiming the Planet.” Fonds de Recherche du Québec - Société et Culture (FRQSC) Audace
LOI. Principal Investigator: Orit Halpern. Co-PI: Mostaffa Benzaazou (Université du Québec Abitibi).
Co-investigator: Alessandra Ponte (Université de Montréal) $126,000
[2020-2022] [Cluster B + F] **
§ 54. « Développer une méthodologie pour l'analyse et l'amélioration de l'ambiance sensorielle de
l'hôtel, du casino et du centre d'information touristique. » FRQSC soutien aux équipes. Principal
Investigator: David Howes. Co-applicants: Martin French, Jordan LeBel, John Potvin, Pauline
Fernandez (ExperiSens, ITHQ). {$160,328}.
[2019 competition – not successful] [FOCUS 3] **
27§ 53. “Design and the Management of Uncertainty.” Swiss National Science Foundation - Sinergia.
Principal Investigator: Claudia Mareis (IXDM, Basel). Co-applicants: Orit Halpern, Chris Salter and
others. 2,397,335 CHF or $3,321,387. Concordia share: ca. $900,000.
[2020-2024] [FOCUS 3] *** [resubmission of § 43]
Ongoing Research Grants
Internal * [ internal funding; internal PI ] $8,500
External – Internal PI ** [ external funding; internal PI ] $1,371,843
External – External PI *** [ external funding; external PI ] $418,000
§ 52. “Cognition and Environmental Design Workshop.” SSHRC Connection. Principal Investigator:
Pierre Poirier (Philosophie, UQAM). Co-applicant: David Howes.
[2019 competition – not successful] [Cluster F + FOCUS 3] ***
§ 51. “Material Religion Initiative.” CISSC Working Group. Principal Investigator: Jeremy Stolow.
Co-applicants: Hillary Kaell, Nicolas Pezolet. $1,500.
[2019-2020] [Cluster E] *
§ 50. « Haptic API/SDK for Full Bodied Distributed Haptics.” Principal Investigator: Chris Salter.
MITACS, $15,000
[2019-2021] [Axis 4] **
§ 49. « Les humanités juridiques et les mondes de droit. » FRQSC soutien aux équipes de
recherche. Principal Investigator: Mark Antaki (Law, McGill). Co-applicants (chercheurs
universitaires): Matthew Unger and others. Collaborator: David Howes and others. $100,000
[2019-2023] [Cluster A] ***
§ 48. “Smart Cities.” Graham Foundation Fellowship, Toronto. Principal Investigator: Orit Halpern.
$10,000
[2019-2020] [Cluster F] **
§ 47. « Base de données d'images rétiniennes chez les malvoyants: Drusen et dégénérescence
maculaire liée à l’âge. » Vision Health Research Network / Fonds de la recherche du Québec – Santé
(FRQS). Principal Investigator: Aaron Johnson. $20,000
[2019-2020] [Cluster C] **
§ 46. “Impact of fixation stability training on balance in a low vision sample.” Centre for
Interdisciplinary Research in Rehabilitation Operating Support. Principal Investigator: Aaron
Johnson. $20,000
[2019-2020] [Cluster C] **
§ 45. “Health, Gender, Sexuality and Interior Design in the UK and US: From Exhibition to Crisis.”
Concordia University, Individual Seed. Principal Investigator: John Potvin. $7,000.
[2019-2020] [Axis 3] *
28§ 44. “Sensory Governance: Further Explorations in Sensori-legal Studies.” Social Sciences and
Humanities Research Council (SSHRC) Insight. Principal Invesigator: David Howes. Co-applicants:
Matthew Unger, Sheryl Hamilton (Law, Carleton), Michael Mopas (Sociology, Carleton), Jonas-
Sebastien Beaudry (Law, McGill), Charlene Elliott (Communication, Calgary),
[2018 competition – not successful] [Cluster A] **
§ 43. “Design and the Management of Uncertainty.” Swiss National Science Foundation. Principal
Investigator: Claudia Mareis (Basel). Co-applicants: Orit Halpern, Chris Salter
[2018 competition – not successful] [Axis 3] ***
§ 42. “SenseFACTORY.” Principal Investigator: Chris Salter. Bundeskulturstiftung – Bauhaus 2018
cultural funds (Germany). 160,000 euros or $232,000
[2018-2020] [Axis 2] **
§ 40. « Identités organisées - Selfies et ambivalence en ligne. » Fonds de Recherche du Québec –
Société et Culture (FRQSC) soutien en recherche pour la relève professorale. Principal Investigator:
Carolina Cambre. $52,897.
[2018-2020] [Axis 4] **
§ 39. “Dynamic Light.” FRQSC recherche-création. Principal Investigator: Chris Salter. Co-
applicants: David Howes, Marcello Wanderley (Music, McGill), and others. $192,000.
[2018-2020] [Axis 2 + 4] **
§ 32. “Sensory Analysis, Terroir, and the Development of Taste Cultures in the Wine Industry of the
Okanagan Valley of British Columbia.” SSHRC Insight. Principal Investigator: Annamma Joy (UBC at
Okanagan). Co-applicant: Bianca Grohmann. $118,000.
[2017-2021] [Axis 3] ***
§ 31. “The Cultural Sensorium: An Indigenous Ethnography of the Senses.” Australian Research
Council (ARC). Principal Investigator: Jennifer Biddle (University of New South Wales). Co-applicants:
Chris Salter, David Howes, and others. $200,000.
[2017-2021] [Axis 1] ***
§ 21. « L'impact de la perception et l'attention visuelle sur le traitement de l'information,
l’évaluation des alternatives et les choix des consommateurs, » FRQSC Soutien aux équipes de
recherche. Principal Investigator: Bianca Grohmann. Co-applicants: Aaron Johnson, H. Onur Bodur
(Marketing); Walter Wittich (Optometrie, UdeM). $206,188.
[2016–2020] [Axis 3] **
§ 12. “Law and the Regulation of the Senses: Explorations in Sensori-Legal Studies.” SSHRC Insight
Grant. Principal Investigator: David Howes. Co-applicants: Marc Lafrance, Charlene Elliott
(Communications, Calgary), Sheryl Hamilton (Law, Carleton), Christiane Wilke (Law, Carleton).
Collaborator: Constance Classen. $178,000.
[2015–2020] [Cluster A] **
29§ 4. “Sensory Entanglements: New Cross-Cultural and Cross-Disciplinary Directions in the Creation
and Evaluation of Multi-Sensorial Environments,” SSHRC Standard. Principal Investigator: Chris
Salter. Co-applicants: David Howes, Marcelo Wanderley (Music, McGill), Jennifer Biddle (UNSW).
Consultant: Constance Classen. $445,758
[2014–2021] [Axis 1 + 2] **
30APPENDIX E
List of Publications, Exhibitions and Conference Presentations
Books and Special Issues (By Faculty and Fellows)
Kathleen Vaughan, You Are Here ⁕ Vous êtes ici. Montreal: Visual Arts Centre-McClure Gallery,
2020
Hillary Kaell, Christian Globalism at Home: Child Sponsorship in the United States, Princeton
University Press, 2020.
John Potvin and Marie-Ève Marchand (eds.) Design & Agency: Critical Perspectives on Identities,
Histories and Practices. London and New York: Bloomsbury, 2020.
Katie Warfield, Crystal Abidin and Carolina Cambre (eds.) Mediated Interfaces: The Body on Social
Media. London and New York: Bloomsbury, 2020.
Jeremy Stolow and Birgit Meyer (eds.) “Light Mediations.” Special issue of Material Religion: The
Journal of Objects, Art, and Belief, Vol.16, No.1, 2020.
David Howes (ed.) “Troubling Law’s Sensorium: Explorations in Sensational Jurisprudence.” Special
issue of the . 34(2) Canadian Journal of Law and Society, Vol. 34, No. 2, 2019.
Journal Articles & Book Chapters
By Faculty and Fellows
Cambre C. (2020) “Visual Sociology” In Krešimir Purgar (Ed.) The Palgrave Handbook of Image
Studies. Palgrave MacMillan.
Cambre C. & Lavrence C. (2019) “How else would you take a photo?” #SelfieAmbivalence.” Cultural
Sociology. 13:4 pp. 503-524.
Abdul Ghani M. & Cambre C. (2020) “Ethan’s Golden YouTube Play Button: The evolution of a child
influencer” in K. Warfield K, C. Abidin and C. Cambre (eds) Mediated Interfaces: The Body on Social
Media. London: Bloomsbury Publishing. 83-108.
Classen C. & Howes D. (2020) “The Cultural Life of the Senses in Modernity” in Alessandro
Arcangeli, Jörg Rogge and Hannu Salmi, eds., The Routledge Companion to Cultural History in the
Western World. London: Routledge.
Classen C. (2020) “The Senses at the National Gallery: Art as Sensory Recreation and Regulation in
Victorian England,” The Senses and Society, 15(1): 85-97.
31Cucuzzella C. & Hammond C. (2019) “On Didacticism in Architecture: Politics, Poetics, Paradoxes/
Du didactisme en architecture: politique, poétique, paradoxes”, in On the Potential of Didacticism in
Architecture/Du potentiel du didactisme en architecture, Carmela Cucuzzella, Cynthia Hammond,
Sherif Goubran, Chanelle Lalonde (eds.), LEAP Research Notebooks, Potential Architecture Books,
Vol 3.
Cucuzzella C. (2019) “The Eco-Didactic Turn in Architecture and Art for the Public Realm”, in On the
Potential of Didacticism in Architecture/Du potentiel du didactisme en architecture, Carmela
Cucuzzella, Cynthia Hammond, Sherif Goubran, Chanelle Lalonde (editors), LEAP Research
Notebooks, Potential Architecture Books, Vol 3.
Cucuzzella C. (2019) “Eco-Didactic Design in the Public Realm”, Ecology and the Environment: The
Sustainable City XIII, (eds) S. Mambretti and J. L. Miralles i Garcia, Vol 238, pp. 283-290.
Cucuzzella C. (2019) “The Normative Turn in Environmental Architecture”, Journal of Cleaner
Production 219: 552-565.
Desgagné G. (2019) Belonging as Capacity: Strengthening Bonds in the Era of Neoliberal
Governmentality. Journal of Interdisciplinary Theory, 4 (1). pp. 1-28.
(https://spectrum.library.concordia.ca/985316/).
Dokumaci A. (2020) “People as affordances: Building disability worlds through care intimacy,”
Cultural Anthropology. 61(suppl. 21):SXXX–SXXX.
Dokumaci A. (2019) “A Theory of Micro-activist Affordances: Disability, Improvisation and
Disorienting Affordances,” The South Atlantic Quarterly 118 (3): 491-519.
Doonan N. (2019) “A Lower North Shore Story: Containers for feminist place-making in Québec,
Canada,” Gender, Place & Culture: A Journal of Feminist Geography.
https://doi.org/10.1080/0966369X.2019.1620700.
Franzen L., Lacombe, C., Gagné, N., Bodur, O., Grohmann B. and Johnson A.P. (2020) “The Effects of
Product Images and Working Memory Load on Eye Movements,” 2020 Vision Sciences Society (VSS)
Annual Meeting, St. Pete Beach, Florida.
Howes D. (2019) “Digging Up the Sensorium: On the Sensory Revolution in Archaeology” in Robin
Skeates and Jo Day, eds., The Routledge Handbook of Sensory Archaeology, pp. 21-34. London:
Routledge, 2019.
Howes D. “Immersion and Transcendence: Some Notes on the Construction of Performative
Sensory Envionments.” In Isabelle Choinière, Enrico Pitozzi and Andrea Davidson, eds. Through the
prism of the senses: New “realities” of the body in contemporary performance Technologies,
cognition and research-creation methodologies, pp. 329-340. Quebec: Presses des Universités du
Québec, 2019.
32Howes D. “Prólogo” in Olga Sabido Ramos, ed. Los sentidos del cuerpo: un giro sensorial en la
investigación social y los estudios de género, pp. 9-16. Mexico: Universidad Nacional Autónoma de
México, 2019.
Howes D. & Salter C. (2019) “The Performance of Sensation: Dramaturgies, Technologies and
Ethnographies in the Design and Evaluation of Performative Sensory Environments.” In Mateusz
Borowski, Mateusz Chaberski and Małgorzata Sugiera, (eds.) Emerging Affinities: Possible Futures of
Performative Arts. Bielefeld, Germany: Transcript Publishing House.
Howes D. “Prologue: Introduction to Sensori-Legal Studies” (2019) The Canadian Journal of Law and
Society 34(2): 173-90.
Sharma A., Grohmann B., Johnson A. and Bodur, O. (2020), “Emotive Appeals in Charitable
Advertisements: Investigating Visual Attention and Donation Intentions,” Proceedings of the 49th
European Marketing Academy (EMAC) Conference, Budapest, Hungary.
Halpern O. & Aslanishvili T. (2020) “Scenes from a Reclamation” E-Flux Architecture (February 10)
Special Issue New Silk Roads. https://www.e-flux.com/architecture/new-silk-roads/313102/scenes-
from-a-reclamation/.
Halpern O. (2020) “Repeating: Cybernetic Intelligence” in Design Technics: Archaeologies of
Architectural Practice. Z. Celik, A. and J. May (eds). Minneapolis: University of Minnesota Press.
Halpern O. (2019) “A History of the MIT Media Lab Shows Why the Epstein Scandal is No Surprise,”
Art in America (November 21). https://www.artnews.com/art-in-america/features/mit-media-lab-
jeffrey-epstein-joi-ito-nicholas-negroponte-1202668520/.
Hsu H. (2019) “Boris Raux and the Smell of Narcissus,” The Senses & Society 14:1: 15-30.
Hsu H. (2019) “Paleo-Narratives and White Atavism, 1898-2015,” ISLE: Interdisciplinary Studies in
Literature and Environment 26:2: 296-323.
Hsu H. (2019) “Apocalyptic Geographies and Structural Appropriation.” Co-authored with Bryan
Yazell. Invited contribution to the Routledge Companion to Transnational American Studies, eds.
Nina Morgan, Alfred Hornung, and Takayuki Tatsumi (Routledge, 2019) 347-56. Reprinted by
invitation in Journal of Transnational American Studies 10:2 (Winter/Spring 2019-20), Foreward
section.
Sharp A., Turgeon C., Johnson A.P., Pannasch S, Champoux F & Ellemberg D (2020) “Congenital
Deafness Leads to Altered Overt Oculomotor Behaviors.” Frontiers in Neuroscience. 14:273. doi:
10.3389/fnins.2020.00273
Kaell H. “Renamed: The Living, the Dead, and the Global in Nineteenth-Century U.S. Christianity,”
American Historical Review 125(3) 2020: 815-839.
Kaell H. “Save Us for We Perish: On My Relationship with a Woodcut Image,” American Religion 1(1)
2019: 88-108.
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