Vienna International Dance Festival - 8:tension Michiel Vandevelde Andrade
←
→
Page content transcription
If your browser does not render page correctly, please read the page content below
[8:tension]
Michiel Vandevelde
Andrade
Vienna International Dance Festival
ImPulsTanz – Vienna International Dance Festival
dances on Harlequin Floors
Andrade
Schwingböden und PVC-Beläge für Tanz, Bühne & Event
SOLIDARITÄT
STATT PRIVILEGIEN.
ES GEHT UM ALLE.
Michiel Vandevelde (BE)
KUNST UND KULTUR
15. 7. 2019 21:00
BLEIBEN FREI.
17. 7. 2019 22:30
Österreichische Erstaufführung
ImPulsTanz – Vienna International Dance Festival
Schauspielhaus
Harlequin Deutschland GmbH BERLIN
Unterzeichner der Erklärung von DIE VIELEN
Melanchthonstraße 16 LONDON
10557 Berlin, Germany LUXEMBOURG
PARIS
MADRID
Tel: +49 30 340 441 600 LOS ANGELES
Fax: +49 30 340 441 649 PHILADELPHIA
FORT WORTH
dievielen.at
SYDNEY
www.harlequinfloors.com HONG KONG
anfrage@harlequinfloors.com TOKYO
Andrade
MICHIEL VANDEVELDE
bei ImPulsTanz
Performances
2019 Andrade (Choreographer)
Workshop Choreografie Michiel Vandevelde
Tanz und Kreation Bryana Fritz
2019 Opera Kostüm Lila John
Lichtdesign Michiel Vandevelde, Tom Bruwier
Technik Michiel Vandevelde, Tom Bruwier
Feedback Esther Severi, Kristof van Baarle,
BRYANA FRITZ Dries Douibi
bei ImPulsTanz Produktion Disagree vzw
Koproduktion Kaaitheater, Brüssel
Performances Financial Management Klein Verzet vzw
Internationale Distribution Something Great
2019 Michiel Vandevelde Mit Unterstützung von Vlaamse
Andrade (Performer) Gemeenschapscommissie
Residencies Kaaitheater (Brüssel),
2015 Sixteen Candles Pianofabriek (Brüssel, Vooruit, STUK (Löwen),
(Choreographer, Performer) PACT Zollverein Essen
Mit Dank an Karlien Vanhoonacker,
Workshop Maria Rossler, Julian Warner und das
Kaaitheater-Team
2019 Opera
Dauer 60 Min.
5
Über Andrade
About
birth of logic among us.’
– Oswald de Andrade
(Manifesto Antropófago)
‘But we never permitted the
DE EN
„Die Heiterheit ist die Neunerprobe“, schrieb “Joy is the proof of nines”, Brazilian writer
der brasilianische Schriftsteller Oswald de Oswald de Andrade wrote in 1928 in his
Andrade 1928 in seinem Anthropophagischen Anthropophagic Manifesto, the founding
Manifest, dem Gründungspapier einer document of a Brazilian cultural revolutionary
(Anthropophagisches Manifest)
„ Aber wir ließen nie die Geburt
brasilianischen kulturrevolutionären movement. It also states that “we are acting
Bewegung. Darin heißt es auch: „Pest der against this plague of supposedly cultured and
sogenannt kultivierten und christianisierten Christianized peoples”, referring to the habitu-
Völker. Gegen sie handeln wir.“ Andrade al stigmatising of indigenous peoples as canni-
bezog sich auf das gängige Brandmarken bals to reinforce colonial propaganda. Belgian
indigener Völker als Kannibalen, das der choreographer Michiel Vandevelde turns the
der Logik unter uns zu.“
Propaganda des Kolonialismus diente. European man-eater legend upside down in
Der belgische Choreograf Michiel Andrade’s sense and launches a performative
Oswald de Andrade
Vandevelde dreht jetzt die europäische invasion of Western culture in this stirring,
Menschenfresser_innen-Legende im Sinn science fiction-like, sombrely gleaming female
von Andrade um und startet in diesem solo, fragmented through alienation. The
sciencefictionhaft düster schillernden, durch brilliant Bryana Fritz dances a “cannibalised
Verfremdung zersplitterten und mitreißenden dance”, in which all references to its origins
Solo für die großartige Bryana Fritz eine have become indecipherable.
performative Invasion der westlichen Kultur:
als „kannibalisierten Tanz“, in dem alle
Verweise auf seine Ursprünge unkenntlich
gemacht sind.
6 7
Andrade
In 1928, Oswald de Andrade wrote his
Manifesto Antropófago, which advocated
the consumption, digestion, and excretion
in a new form of colonized cultures. With
Andrade’s manifesto in mind, Michiel
Vandevelde questions what we can consider
to be ‘invasive’ in public spaces in the West.
In an attempt to alter western culture,
he arms himself with video clips and
advertisement. The result is an intimate,
explosive solo. By adding all the dance and
music from his previous productions to the
mix, Vandevelde generates a synthesis of his
search for a hitherto undiscovered culture.
But his central question remains: who eats
and who gets eaten?
Bryana Fritz © Clara Hermans
9
A Duet of Dance and Light
You talk about Western and invasive, but with The performance has a kind of openness
Andrade it’s about elements that are intro- without being non-committal; you as spec-
duced in a culture that had nothing to do tator are given the opportunity to think for
Interview with Michiel Vandevelde with it at first: the culture of the occupier. You
then talk about the invasiveness of and within
yourself. Something else that is different from
the previous productions is that the dance
by dramaturge Esther Severi Western culture, to which we ourselves be-
long and which we create ourselves. How do
appeals to an almost visceral level, something
I find extremely interesting. I have gradual-
you bring these different contexts together? ly become interested in affect: that which
precedes language, in the split second before
At a certain moment I began to view these as you turn something into words. For Andrade,
Andrade is the last part of a tetralogy: Love others. During the intermission, the young separate. The manifesto was written within it was important in the first place to focus on
Songs (veldeke) (2013), Antithesis, the future people enjoyed themselves on music from the Latin American context and refers to affect, on the moment in which everything
of the image (2015), Our times (2016), and popular video clips that propagated a certain colonialism. We are dominated by a Western is still possible. Which is why I also work a
Andrade (2017). You named this last part form of physicality, movement and sexuality. culture that we ourselves produced, but in lot with darkness, black- out moments of full
after the writer and poet Oswald de Andrade, In the work process, reflection emerged on which I as a Westerner do not feel represent- potential in which your thoughts are free and
whose philosophy in fact has shaped the en- this kind of invasive, addictive aesthetic, ed. I myself am also consumed by the culture you can develop an affective relationship with
tire four-part series. Why the choice to make which led to an interesting friction with from which I descended. For me, the question that which develops on stage.
this explicit now? the philosophical material. In Love Songs is how you as an artist or activist should oper-
(veldeke), I developed a dance phrase from ate: from outside society or from within. With This way you create a completely different
In the Manifesto Antropófago from 1928, the movements appropriated from well-known The Political Party, the idea was to work from dancing body or character on stage. Because
Brazilian writer Oswald de Andrade describes video clips. I developed this phrase further the outside, and in my performative work, we are unable to immediately link this char-
how something invasive (in the Brazilian in Antithesis, the future of the image, Our such as the tetralogy, this takes place from acter to an ‘effect’, or to any recognisable or
context: the Western ruler) does not neces- times and Andrade. Until Our times, I always the inside. Many cultural products that have readable meanings, it seems in the first place
sarily have to be rejected, but how it can be contrasted this material to theoretical texts, been created within our Western context are dehumanised. What view of humanity do you
ingested, processed and excreted in a different always focusing on a specific question. In Love invasive due to and for ourselves, and then we wish to arrive at in this proposal for a new
form, so that a transformation takes place. I Songs (veldeke), this was politics and love; in can only propagate something different from aesthetic?
was working on the project The Political Party Antithesis, the future of the image, visual cul- within, without placing ourselves outside.
when I learned about the manifesto. I wanted ture, ideology and technology; in Our times, it For me, two concepts were important in
to start from scratch and create a new political was about the status of our thinking. Andrade In Andrade, the dance material acquires developing this work: alienation and science
structure, which proved impossible after a is actually a kind of wrap-up or endpoint, a new meaning and exists in a different fiction. We live in a time in which technol-
while. Inspired by Andrade, I asked myself where only the dance remains. I named the atmosphere, just because you completely and ogy increasingly plays a role in our view of
what would happen if you make the reverse production after a writer or thinker, but there finally rid yourself of the ‘effects’ or meanings humanity and in the type of this view that
movement: if you don’t start from scratch but is no longer a text – just an extreme rendition from which those movements originated. we project. What interests me is a concept of
rather ingest everything that already exists, of that same dance phrase. What is actually humanity that contains an ambiguity: that on
process this and excrete it in a different form. 5 minutes of dance, is stretched out over a Andrade was perhaps the first time I was the one hand is consumed by digital technol-
I asked myself what I consider invasive in much longer time. My aim here is to inject a able to truly break apart the dance material. ogy, but at the same time also tries to step
Western public space, especially in relation to certain atmosphere or aesthetics that for me By stretching it and consistently focusing over it and, in this alienation, to create a new
dance. I then started Love Songs (veldeke), a contains possibilities to visualise a different on it, associations are stimulated that make kind of humanity. For me, science fiction is a
project by fABULEUS with a group of young kind of culture – to finally break what I call you think about the 21st century Western projection of the kind of people we want to
people. We read texts about politics and love a 21st century aesthetics and thus to allow condition, where it can lead, both positive and become. I think that we’ll experience an ever
from Michael Hardt and Alain Badiou among something else to emerge. negative. stronger split between an extreme humanity
10 11
and an even more extreme consumption by again returns. The original idea was for two Press Excerpts
aesthetics and by the kind of spirit you need people to be on stage, to look for a different
to deal with the evolutions in digital technol- male-female relationship, but I moved away
ogy. How can you not only consider these from the stage at a certain moment. Bryana
two elements as two extremes, but also bring herself then pulled apart the dance phrase
them together again? This implies a proposal using various choreographic tools, and I began
for a new concept of humanity, dystopian for to technically manipulate what was happen-
Moving between people
some, but which might also carry a certain ing on stage by adding light and music, and by
utopia: constantly being overwhelmed by an deciding when something is visible and when
information flow, but also capable of coping not, in order to create different perception
with it, understanding the technology behind
it and being able to deal with it. Being alienat-
possibilities. For me it remains a duet, where
I, let’s say, have control, and also make this
and mechanics
ed by it, but also wanting to be alienated from
it. And through alienation, becoming more
direction visible.
Gilles Michiels
human towards one another. The presence of an apparatus around Bryana
is indeed very tangible. We see a character De Standaard, 11. 1. 2018
The symposium on accelerationism that you on stage that seems to move and exist thanks
organised together with Kaaitheater in 2016 to technology. Her gaze is constantly directed
was – among other things – about: how the frontally to a point in the distance, as if she A dancer, piercing light and a trashy
technological evolution in the future will give is not live in front of an audience but is com- soundmix: Michiel Vandevelde does not
us more time to be more human again. municating from behind a screen, focused need more elements in Andrade to create an
on one indeterminate person. Or on the alientating sciencefiction-like atmosphere.
Technology in any case is taking over many director, the person who controls the time
aspects of our lives, but what is lacking now in which she exists. The one who can wipe
is our understanding of how that works, how out her entire existence through a simple
algorithms function. I see it as necessary to black-out.
develop an extreme awareness concerning
this. With digital technology, we participate I am indeed looking for an approach to the
in the total detachedness of the world, also in
taking distance from nature, but at the same
black box as a black-out machine. There is a
huge potential for me in the black-out, as I Radical Recycling
time we also find space to enter into relation- said before, but also in darkness, almost blind-
ships that are more human. ness. When you experience a black-out in the Fransien van der Putt
theater, there is that short moment when the
What has that idea now become for you in
the production?
spotlight goes out and you still see the body
disappearing. This versus a black- out/cut
Theaterkrant, 12. 12. 2018
in film, in which the image immediately disap-
On the one hand, the body on stage is a kind pears completely. In the theater, that moment
of puppet, an almost virtual, created char- is also an image, is also movement. I find
acter, but at the same time it also contains these interesting tools to use in the choreog- In a certain way Andrade makes one think
a kind of ‘agency’. In the second part of raphy. The duet in this production is mainly a about the work of Giselle Vienne or Ian
the performance, the material changes and duet between dance and light. Kaler, but in a more disintegrated form. (...)
becomes sketches, so that a kind of humanity Andrade is in that sense ghost-like.
12 13
Biografien
Biographies
DE EN DE EN
MICHIEL VANDEVELDE MICHIEL VANDEVELDE BRYANA FRITZ BRYANA FRITZ
studierte Tanz und Choreografie an der
P.A.R.T.S., Brüssel. Er arbeitet als Choreograf, studied dance and choreography at P.A.R.T.S., ist Tänzerin und Choreografin und lebt in is a dancer and choreographer based in
Kurator, Autor und Herausgeber. 2017 bis Brussels. He is active as a choreographer, cura- Brüssel. Ihre Arbeit befindet sich an der Brussels. Her work situates itself at the
2019 ist er Mitglied des Künstlerteams der tor, writer and editor. He is a member of the Schnittstelle von Poesie und Performance intersection between poetry and perfor-
Kunsthal Extra City (zusammen mit Antonia artistic team of Kunsthal Extra City (together im Duett mit der Benutzeroberfläche von mance in duet with the user interface of
Alampi und iLiana Fokianaki, Antwerpen, BE) with Antonia Alampi and iLiana Fokianaki, OS X. Unter dem Titel Indispensible Blue OS X. I ndispensible Blue (offline) is a title
und Bâtard (Festival for emerging artists and from 2017 till 2019, Antwerp, BE) and Bâtard (offline) befasste sie sich in unterschiedlichen which hosted multiple iterations of this
thinkers, Brüssel, BE), des Redaktionsteams (a festival for emerging artists and thinkers, Formaten mit der Poetik von Userhip – in inquiry - performance, screenshot recordings,
von Etcetera (Zeitschrift für darstellende Brussels, BE), of the editorial team of Etcetera Performances, als Screenshot-Aufzeichnungen and publications - addressing the poetics of us-
Künste) und am Disagree.magazine beteiligt. (a performing arts magazine) and involved in und in Publikationen. Submission Submission ership. Submission Submission re-situates this
Von 2017 bis 2021 ist Michiel Vandevelde the Disagree.magazine. From 2017 to 2021 versetzt dieses Duett (mit OS X) in eine duet (with OS X) by occupying the position
Artist in Residence am Kaaitheater (Brüssel, Michiel Vandevelde is artist in residence at neue Situation, indem sie die Position of amateur hagiographer, portraiting the sub-
BE). In seiner Arbeit erforscht er Elemente, Kaaitheater (Brussels, BE). In his work he einer Amateur-Hagiographin einnimmt versive strategies of Medieval women saints.
welche die aktuelle Öffentlichkeit ausmachen investigates the elements that constitute or und die subversiven Strategien weiblicher Bryana has also worked as a performer for
oder behindern. Er untersucht, welche obstruct the contemporary public sphere. Heiligengestalten des Mittelalters ins Bild Anne Teresa de Keersmaeker, Xavier le Roy,
sozialen, wirtschaftlichen und kulturellen He explores which other social, economic setzt. Bryana ist als Performerin u. a. für and Michiel Vandevelde. And since 2016, she
Alternativen wir uns vorstellen können, um and cultural alternatives we can imagine in Anne Teresa de Keersmaeker, Xavier le Roy collaborates with Henry Andersen under the
dominante Logiken und Organisationsweisen order to question, challenge and transform und Michiel Vandevelde tätig. Seit 2016 moniker Slow Reading Club, a semi-fictional
in Frage zu stellen, herauszufordern und zu dominant logics and ways of organizing. He arbeitet sie mit Henry Andersen unter dem reading group that deals in choreographed
transformieren. Michiel Vandevelde hat eine has been developing a variety of projects Namen Slow Reading Club zusammen, situations for collective reading.
Vielzahl von Projekten sowohl im öffentlichen both in public space and in (performing) arts einer semi-fiktiven Lesegruppe, die sich mit
Raum als auch in unterschiedlichen institutions. choreografierten Situationen für kollektives
Kunstinstitutionen entwickelt. Lesen befasst.
14 15
Spielplan / Schedule Zusatzvorstellung
Tanztheater Wuppertal
Research Project Showing
Elio Gervasi
21. 7. / So
Pina Bausch The Choreographic Engine
Masurca Fogo 17:00, Probebühne Diskussion
21:00, Burgtheater, Kat A Volksoper, Kat O Jérôme Bel
11. 7. / Do 14. 7. / So Dimitri Chamblas & [8:tension] Mette Ingvartsen
Think Tank: Dance
and Ecology
Boris Charmatz / Terrain Michiel Vandevelde 7 Pleasures 13:00, Arsenal, Kat Z
FESTIVALERÖFFNUNG Workshop Opening Lecture À bras-le-corps Andrade 19:00, Akademietheater, Kat D
Johann Kresnik | Gottfried «impressions’19» 19:30, Leopold Museum, 22:30, Schauspielhaus, Kat M Musikvideoprogramm
Helnwein | Kurt Schwertsik 16:00, Arsenal Kat M Open House Synthesize the Real
& TANZLIN.Z Eintritt frei Miller, Hill, Weber, 16:00, Leopold Museum
Macbeth Tanztheater Wuppertal 18. 7. / Do Martinez & Guests Auditorium, Kat R
21:00, Volkstheater, Kat B Mette Ingvartsen Pina Bausch Unstable Nights
69 positions Masurca Fogo 19:00, mumok Hofstallung, [8:tension]
Filmvorführung
18:30, Kasino am 21:00, Burgtheater, Kat K + Q Michelle Moura
12. 7. / Fr Schwarzenbergplatz, Kat J Kat A
César Vayssié
Les Disparates BLINK – mini unison
Tanztheater Wuppertal intense lamentation
Boris Charmatz &
Doris Uhlich Pina Bausch
Doris Uhlich
TANK
TANK 17. 7. / Mi César Vayssié
Masurca Fogo
19:00, Kasino am
Schwarzenbergplatz, Kat M
Levée
19:00, Odeon, Kat I 21:00, Burgtheater, Kat A
19:00, Odeon, Kat I 18:00, Leopold Museum
Filmvorführung Ali Moini
Michael Laub / Remote Auditorium, Kat R
Michael Laub / Remote César Vayssié ImPulsTanz Party My Paradoxical Knives
Control Productions Les Disparates A-Side 20:15, mumok, Kat P
Control Productions Open House
Rolling Boris Charmatz & 22:00, Kasino am
Rolling Miller, Hill, Weber,
21:00, Akademietheater, Kat D César Vayssié Schwarzenbergplatz Mette Ingvartsen
21:00, Akademietheater, Martinez & Guests
Kat D Levée 7 Pleasures
Unstable Nights
Filmvorführung
15. 7. / Mo 17:30, Leopold Museum
Auditorium, Kat R
19:00, mumok Hofstallung, 20. 7. / Sa
21:00, Akademietheater, Kat D
Kat K + Q Zusatzvorstellung
Wim Wenders
PINA Annie Dorsen Zusatzvorstellung Diskussion Steven Cohen
Dimitri Chamblas &
21:30, Kino wie noch nie Spokaoke Dimitri Chamblas & Jérôme Bel put your heart under
Boris Charmatz / Terrain
19:00, Festival Lounge im Boris Charmatz / Terrain Think Tank: Dance your feet ... and walk!
À bras-le-corps
Burgtheater Vestibül, Kat O À bras-le-corps and Ecology 21:00, Odeon, Kat I
13. 7. / Sa 18:30, Leopold Museum,
19:30, Leopold Museum,
Kat M ab 13:00, Arsenal, Kat Z
[8:tension]
Michiel Vandevelde
Kat M
Annie Dorsen Open House
22. 7. / Mo
Annie Dorsen
Andrade Ali Moini Spokaoke Miller, Hill, Weber,
Spokaoke
21:00, Schauspielhaus, Kat M My Paradoxical Knives 20:30, Leopold Museum, Martinez & Guests [8:tension]
17:00, Arsenal, Kat O
19:00, mumok, Kat P Kat O Unstable Nights Tobias Koch, Thibault
Lac & Tore Wallert
Johann Kresnik | Gottfried
Helnwein | Kurt Schwertsik
16. 7. / Di Open House Tanztheater Wuppertal
19:00, mumok Hofstallung,
Kat K + Q Such Sweet Thunder
& TANZLIN.Z Miller, Hill, Weber, Pina Bausch 19:00, Leopold Museum,
Macbeth Vernissage Martinez & Guests Masurca Fogo [8:tension] Kat M
19:30, Volkstheater, Kat B Karolina Miernik & Emilia Unstable Nights 21:00, Burgtheater, Kat A Tobias Koch, Thibault
Milewska / yako.one 19:30, mumok Hofstallung, Lac & Tore Wallert Filmvorführung
Kat K + Q Such Sweet Thunder Jérôme Bel
Filmvorführung
Wim Wenders
Come on! Dance with me
18:00, OstLicht.
19. 7. / Fr 19:00, Leopold Museum, Retrospective
PINA Mette Ingvartsen Kat M 19:00, Akademietheater, Kat P
Gallery for
20:30, METRO 69 positions
Photography, Kat Z Dance of Urgency, Q21
Kinokulturhaus 20:30, Kasino am Steven Cohen Langheinrich & Hentschläger
Frédéric Gies
Mette Ingvartsen Schwarzenbergplatz, put your heart under / Granular Synthesis
Good Girls Go To Heaven,
Mette Ingvartsen 69 positions Kat J your feet ... and walk! MODELL 5
Bad Girls Go Everywhere
69 positions 18:30, Kasino am 21:00, Odeon, Kat I 20:30, Odeon, Kat N
Steven Cohen 14:30–18:08, frei_raum
22:00, Kasino am Schwarzenbergplatz, Q21, Kat Z
Schwarzenbergplatz, Kat J put your heart under Juliana F. May Juliana F. May
Kat J
your feet ... and walk! Folk Incest Folk Incest
21:00, Odeon, Kat I 22:30, Volx/Margareten, Kat K 21:00, Volx/Margareten, Kat K
Mette Ingvartsen
to come (extended)
Lenio Kaklea
Practical Encyclopaedia,
26. 7. / Fr [ImPulsTanz Classic]
Akemi Takeya
Steven Cohen
Taste
Lisbeth Gruwez / Voetvolk
The Sea Within
21:30, Volkstheater, Kat C Chosen Portraits ZZremix 20:15, Leopold Museum, Kat O 21:00, Akademietheater, Kat F
20:30, mumok, Kat M Open House Neuinszenierung
[8:tension] Miller, Hill, Weber, 21:00, Odeon, Kat I Lisbeth Gruwez / Voetvolk Zusatzvorstellung
Eric Arnal-Burtschy Claire Croizé & Matteo Martinez & Guests The Sea Within [8:tension]
Why We Fightt Fargion / ECCE vzw Unstable Nights [8:tension] 21:00, Akademietheater, Kat F Teresa Vittucci
23:00, Schauspielhaus, Kat M Flowers (we are) 18:00, mumok Hofstallung, Mira Kandathil & Annina HATE ME, TENDER
20:30, Akademietheater, Kat F Kat K + Q Machaz / Follow us Zusatzvorstellung 21:00, Volx/Margareten,
Ask the oracle [8:tension] Kat M
23. 7. / Di Zusatzvorstellung Lenio Kaklea – the future is now – Maria Metsalu
Ismael Ivo / Balé da Practical Encyclopaedia, 22:30, Kasino am Mademoiselle x
Open House Cidade de São Paulo & Chosen Portraits Schwarzenbergplatz, Kat M 21:00, mumok Hofstallung, 1. 8. / Do
Miller, Hill, Weber, Morena Nascimento 18:00, mumok, Kat M Kat M
Um Jeito de Corpo
Martinez & Guests
Unstable Nights 21:00, Burgtheater, Kat B Ian Kaler & Planningtorock 28. 7. / So Book Presentation
Philipp Gehmacher
It is a balancing act to live
o.T. | RAW PRACTICE Mårten Spångberg Hg.
18:00, mumok Hofstallung, without your attention
Mette Ingvartsen 19:00, Leopold Museum, Movement Research
Kat K + Q Musikvideoprogramm Theaterversion
21 pornographies Kat M 22:30, Volkstheater –
B-E-H-A-V-E 19:00, Odeon, Kat I
Jérôme Bel 22:00, Volkstheater, Kat E Rote Bar, Kat Z
16:00, Leopold Museum
Lecture on nothing Work in Progress Presentation mit Mårten Spångberg [8:tension]
Auditorium, Kat R
Peter Stamer & Frank Willens und Anne Juren
19:00, Schauspielhaus, Kat L 25. 7. / Do In the Penal Colony [8:tension]
Ellen Furey & Malik
Nashad Sharpe
19:00, mumok, Kat O
Ismael Ivo / Balé da
Cidade de São Paulo & Lenio Kaklea
Teresa Vittucci
HATE ME, TENDER
30. 7. / Di SOFTLAMP.autonomies
21:00, Schauspielhaus, Kat M
Morena Nascimento Practical Encyclopaedia, Zusatzvorstellung
18:00, Volx/Margareten,
Um Jeito de Corpo Lecture demonstration Ismael Ivo / Balé da [8:tension] Liquid Loft / Chris Haring
Kat M
21:00, Burgtheater, Kat B 18:00, mumok, Kat M Cidade de São Paulo & Maria Metsalu Stand-Alones
Morena Nascimento [8:tension] Mademoiselle x ( polyphony )
[8:tension] Open House Um Jeito de Corpo Samuel Feldhandler 19:00, mumok Hofstallung, 21:00, Leopold Museum, Kat K
Michelle Moura Miller, Hill, Weber, 21:00, Burgtheater, ’d he meant vary a shin’s Kat M
BLINK – mini unison Martinez & Guests Kat B 19:30, Schauspielhaus, Kat M Frank Willens
intense lamentation Unstable Nights Frank Willens Radiant Optimism
22:30, Kasino am 18:00, mumok Hofstallung, Trajal Harrell Frédéric Gies Radiant Optimism 23:00, Kasino am
Schwarzenbergplatz, Kat M Kat K + Q Dancer of the Year walk + talk 20:15, Kasino am Schwarzenbergplatz, Kat K
21:00, Akademietheater, 19:30, mumok, Kat M Schwarzenbergplatz, Kat K
[ImPulsTanz Classic] Kat G
24. 7. / Mi Akemi Takeya Lisi Estaras & Ido Batash / Philipp Gehmacher 2. 8. / Fr
ZZremix [8:tension] MonkeyMind Company It is a balancing act to live
Neuinszenierung Samuel Feldhandler The Jewish Connection Project without your attention
Open House ’d he meant vary a shin’s Symposium & Performance
Miller, Hill, Weber, 19:30, Odeon, Kat I 21:00, Volkstheater, Kat E Theaterversion Chateau Rouge & Red Edition
22:30, Schauspielhaus, 21:30, Odeon, Kat I
Martinez & Guests Kat M Salon Souterrain:
Ismael Ivo / Balé da [8:tension]
Unstable Nights Art & Prostitution
Cidade de São Paulo & Maria Metsalu [8:tension]
18:00, mumok Hofstallung, 19.00–21:30, Volkstheater –
Kat K + Q
Morena Nascimento
Um Jeito de Corpo
27. 7. / Sa Mademoiselle x
22:30, mumok Hofstallung,
Teresa Vittucci
HATE ME, TENDER
Rote Bar, Kat M
Ian Kaler & Planningtorock 21:00, Burgtheater, Kat B Kat M 23:00, Volx/Margareten, Amanda Piña /
o.T. | RAW PRACTICE IDOCDE Symposium Kat M nadaproductions
[8:tension] Tracing Forwards
19:00, Leopold Museum,
Mira Kandathil & Annina 27. Juli, 12:00 bis 28. Juli, 29. 7. / Mo Danza y Frontera
Kat M
Machaz / Follow us 13:00, Arsenal 31. 7. / Mi (Museum Version)
19:00, mumok, Kat K
[8:tension] Ask the oracle Work in Progress Presentation
Eric Arnal-Burtschy – the future is now – Steven Cohen Peter Stamer & Frank Willens Amanda Piña / Alleyne Dance
Why we fight 22:30, Kasino am Taste In the Penal Colony nadaproductions A Night’s Game
19:00, Schauspielhaus, Kat M Schwarzenbergplatz, Kat M 19:00, Leopold Museum, 19:00, mumok, Kat O Danza y Frontera 20:30, Odeon, Kat I
Kat O (Museum Version)
19:00, mumok, Kat KZusatzvorstellung
Liquid Loft / Chris Haring
Musikvideoprogramm
Collapse
Wim Vandekeybus
/ Ultima Vez
Wim Vandekeybus
/ Ultima Vez
9. 8. / Fr Zusatzvorstellung
[8:tension]
Stand-Alones 17:00, mumok kino, Kat S Go Figure Out Yourself Go Figure Out Yourself nasa4nasa
( polyphony ) 22:30, mumok Hofstallung, 19:00, mumok Hofstallung, [ImPulsTanz Classic] SUASH
20:30, Leopold Museum, Zusatzvorstellung Kat K Kat K Ivo Dimchev 19:30, mumok, Kat M
Kat K Agudo Dance Company The Selfie Concert
Silk Road Jonathan Burrows 18:00, Leopold Museum, Simone Aughterlony,
Planningtorock 21:00, Akademietheater, 6. 8. / Di Rewriting Kat K Petra Hrašćanec & Saša Božić
Powerhouse Kat F 20:00, Leopold Museum, Kat M Compass
22:00, Halle E, Kat H Showing [8:tension] 21:00, Kasino am
Philipp Gehmacher toxic dreams & WTKB nasa4nasa Schwarzenbergplatz, Kat K
ATLAS – create your
It is a balancing act to live The Deadpan Dynamite SUASH
3. 8. / Sa without your attention
dance trails
– The Art of the Gag 19:30, mumok, Kat M
Museumsversion
16:00, Arsenal, Kat Z
21:00, Schauspielhaus, Kat L 11. 8. / So
[8:tension] 19:00, mumok, Kat K Musikvideoprogramm God’s Entertainment
Anne Juren TARZAN
Ellen Furey & Malik B-E-H-A-V-E Zusatzvorstellung
Alleyne Dance 42 20:00, Zacherlfabrik, Kat K
Nashad Sharpe Synthesize the Real [8:tension]
A Night’s Game 21:00, Odeon, Kat I
SOFTLAMP.autonomies 16:00, Leopold Museum Marissa Perel
21:00, Odeon, Kat I ImPulsTanz Party
19:00, Schauspielhaus, Auditorium, Kat R Pain Threshold
Wim Vandekeybus B-Side
Kat M 16:00, Leopold Museum,
[ImPulsTanz Classic] / Ultima Vez 22:00, Kasino am
Philipp Gehmacher
DD Dorvillier / human Go Figure Out Yourself Schwarzenbergplatz
Liquid Loft / Chris Haring It is a balancing act to live Kat M
future dance corps 22:30, mumok Hofstallung,
Stand-Alones without your attention
No Change, or “freedom is a Kat K [8:tension] Musikvideoprogramm
( polyphony ) Museumsversion
psycho-kinetic Skill” (2005) Tatiana Chizhikova Collapse
19:00, Leopold Museum, 19:00, mumok, Kat K
22:00, Kasino am & Roman Kutnov
Kat K
Schwarzenbergplatz, Kat K God’s Entertainment
8. 8. / Do Time to Time
16:30, mumok kino,
Kat. S
Dance Contest TARZAN 23:00, Schauspielhaus, Kat M
Rhythm is a Dancer 5. 8. / Mo 20:00, Zacherlfabrik, Kat K [8:tension] [ImPulsTanz Classic]
Hosted by Storm
20:00, Arsenal, Kat Z Jonathan Burrows
Marissa Perel
Pain Threshold
10. 8. / Sa Ivo Dimchev
The Selfie Concert
Wim Vandekeybus Rewriting 19:00, Leopold Museum, 18:00, Leopold Museum,
Agudo Dance Company / Ultima Vez 20:15, Leopold Museum, Kat M Kat M Final Workshop Showing Kat K
Silk Road Go Figure Out Yourself «expressions’19»
21:00, Akademietheater, 19:00, mumok Zusatzvorstellung Filmvorführung 16:00, Arsenal, Kat Z [8:tension]
Kat F Hofstallung, Kat K toxic dreams & WTKB César Vayssié Tatiana Chizhikova
The Deadpan Dynamites Ne travaille pas (1968–2018) CieLaroque/Helene Weinzierl & Roman Kutnov
Zusatzvorstellung Jonathan Burrows – The Art of the Gag 19:00, mumok kino, Kat Q AS FAR AS WE ARE Time to Time
Alleyne Dance Rewriting 21:00, Schauspielhaus, Kat L 18:00, Arsenal, Kat M 19:30, Schauspielhaus,
A Night’s Game 20:00, Leopold Museum, God’s Entertainment Kat M
22:30, Odeon, Kat I Kat M Wim Vandekeybus TARZAN [8:tension]
/ Ultima Vez 20:00, Zacherlfabrik, Marissa Perel Zusatzvorstellung
Agudo Dance Company Go Figure Out Yourself Kat K Pain Threshold Dana Michel
4. 8. / So Silk Road 21:00, mumok Hofstallung, 18:00, Leopold CUTLASS SPRING
21:00, Akademietheater, Kat K Zusatzvorstellung Museum, Kat M 19:30, Odeon, Kat K
Kat F Jonathan Burrows
Symposium – Summer
Rewriting Dana Michel Konzert
Barbecue Performance
Party Remix
toxic dreams & WTKB 7. 8. / Mi 21:00, Leopold Museum, CUTLASS SPRING Hahn Rowe
The Deadpan Dynamites Kat M 19:30, Odeon, Kat K Hahn Rowe in Concert
Future Clinic for Critical Care
– The Art of the Gag [8:tension] 22:30, Kasino am
FCCC’ing ImpulsTanz Book Presentation &
21:00, Schauspielhaus, Kat L Simone Aughterlony, Schwarzenbergplatz,
The Musical: A Past nasa4nasa
Petra Hrašćanec & Saša Božić Musical Improvisation Kat M
Present Future Clinic SUASH
Jonathan Burrows Compass Johannes Odenthal,
Hosted by Jeremy Wade & Nina 19:00, mumok, Kat M
Rewriting 21:00, Kasino am Koffi Kôkô, Manos Tsangaris
Mühlemann & Tanja Erhart Passagen
21:00, Leopold Museum, Schwarzenbergplatz, Programmänderungen vorbehalten
12:00–18:00, Arsenal, 19:30, Schauspielhaus, Kat Z
Kat M Kat K / Programme subject to change
Kat MImPulsTanz – Vienna International Dance Festival
dances on Harlequin Floors
Schwingböden und PVC-Beläge für Tanz, Bühne & Event
SOLIDARITÄT
STATT PRIVILEGIEN.
Michiel Vandevelde © Danny Willems
ES GEHT UM ALLE.
Änderungen vorbehalten
Medieninhaber und Herausgeber:
Preis: € 2,80
ImPulsTanz – Vienna International Dance Festival; Museumstraße 5/21, 1070 Wien, Austria
T +43.1.523 55 58/F +43.1.523 55 58-9; info@impulstanz.com/impulstanz.com
KUNST UND KULTUR
Intendant: Karl Regensburger; Künstlerische Beratung: Ismael Ivo; Künstlerische Leitung Workshops & Research: Rio Rutzinger,
Marina Losin; Künstlerische Leitung [8:tension]: Christine Standfest, Michael Stolhofer; Dramaturgie & Programm mumok-
Kooperation: Christine Standfest; ImPulsTanz soçial Programm: Hanna Bauer; Finanzen: Gabriele Parapatits, Katharina Binder;
Kaufmännische Beratung: Andreas Barth – Castellio Consulting GmbH; Festivalorganisation: Gabriel Schmidinger, Alissa
BLEIBEN FREI.
Horngacher; Künstlerisches Betriebsbüro: Yasamin Nikseresht, Maiko Sakurai, Laura Fischer; Produktionsassistenz: Oihana
Azpillaga Camio; Produktionsleitung: Johannes Maile; IT: Hannes Zellinger, Zimmel + Partner; Presse & PR: Theresa Pointner, Almud
Krejza, Zorah Zellinger; Marketing: Theresa Pointner; New Media: Maja Preckel; Online Redaktion: Maja Preckel, Marina Losin;
Förderungen & Kooperationen: Hanna Bauer; EU Project Life Long Burning & danceWEB Scholarship; Programme: Hanna Bauer,
Katharina Binder, Rio Rutzinger; Sponsoring: Andreas Barth, Hanna Bauer, Wolfgang Mayr – mayr & more; ImPulsBringer – Freunde
des ImPulsTanz Festivals: Präsident Josef Ostermayer, Organisation Laura Fischer; Workshop Office: Carine Carvalho Barbosa
& Team Koordination; danceWEB & ATLAS: Gabri Einsiedl; Technische Leitung Performances: Andreas Grundhoff & Team; Chiefs
of Ticketing: Ralf - I. Jonas, Gabriel Schmidinger; Publikumsdienst: Gabriel Schmidinger, Alissa Horngacher & Team; Koordination
der Künstler_innenwohnungen: Joseph Rudolf & Team; Gästekarten: Isabelle Nisanyan & Timothy Gundacker; Infoservice: Anna
Korenitsch, Martina Dähne; Spielstättengestaltung: Maximilian Pramatarov, Nestor Kovachev; Technische Leitung Workshops:
Hannes Zellinger & Team; Musikvideo-Programm: Christoph Etzlsdorfer (VIS Vienna Shorts), Theresa Pointner; Fotografie: Karolina
Miernik, Emilia Milewska; Video: Maximilian Pramatarov
Redaktion Abendprogramme: Christine Standfest & Stefanie Gunzy; Satz (Kern): Valerie Eccli; Coverdesign, Introseiten & Art
Direction: CIN CIN,
Harlequin ViennaGmbH
Deutschland – StephanBERLIN
Göschl, Gerhard Jordan, Annika Perktold & Jasmin Roth; Print: Druckerei Walla.
ImPulsTanz – Vienna International Dance Festival
Unterzeichner der Erklärung von DIE VIELEN
Melanchthonstraße 16 LONDON
10557 Berlin, Germany LUXEMBOURG
Bild am Cover: Bryana Fritz © ClaraPARIS
Hermans
MADRID
Tel: +49 30 340 441 600 LOS ANGELES
Fax: +49 30 340 441 649 PHILADELPHIA
FORT WORTH
dievielen.at
SYDNEY
www.harlequinfloors.com HONG KONG
anfrage@harlequinfloors.com TOKYO 22IM M E R
WI D E R
BR AV !
c h e M e i n u n g en
K r it i s
n d K o m m e n t are.
u
J e d e Wo c h e .You can also read
