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THE pitchpipemagazine.com | JANUARY 2019 | Volume 72 — No.3
T H E VO I C E O F S W E E T A D E L I N E S I NT E R NAT I O NA L
ClassRing
2019 International Champion Quartet
2018
Sweet Adelines International
SIRENS OF GOTHAM CHORUS
2019 Harmony Classic Division A Champion Chorus
REGION #15, New York, N.Y.
January 2019 • Volume 72 — No.3 THEPITCHPIPE
14 2018
Sweet Adelines International
Fe a t u r e s Headquarters Headlines
8 Building a Diversity Garden 7 IBOD Election Results
12 Getting to Know Deke Sharon 11 Song of Welcome
36 Voices from the Kansas City Risers 41 We Found What Was Right
40 Osteopathy for Singers 42 Bringing Barbershop Harmony
to the Classroom
44 Membership Recruitment Champs
St. Louis Recap In Every Issue
14 Wow, Did We Sing in St. Louis! 3 From Our President
16 Rising to a Championship 5 From Our CEO
18 Top 10 Quartets 50 Accolades/In Memory
20 Jumping for Joy
23 Top 10 Choruses
26 Harmony Classic
30 Chapter Longevity Awards On The Cover
31 Lifetime Achievement Award Congratulations to ClassRing who sang in St. Louis
all the way to 2019 Queens of Harmony! (L to R) Mary
32 The Coronet Club: Coming Home Duncan (bt); Heather Havens (l); Hailey Parks (bs);
35 50-and 60-Year Members Michaela Slamka-Johnston (t).
38 Bursting With Song! Winners Competition photos by Jon Read Photography.
JANUARY 2019 | T HE P IT C H P IP E 1
THEPITCHPIPE
JANUARY 2019 | Volume 72 — No.3 | www.pitchpipemagazine.com.
SWEET ADELINES INTERNATIONAL
A worldwide women's singing organization committed to advancing
the musical art form of barbershop harmony through opportunities in
education, performance and competition.
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FROM OURP R ES I D EN T
St. Louis
Stories
Celebrating with my family in St. Louis! (L to R) sister-in law Sweet Adelines sisters harmonizing during the
Criss Baker Nunamaker; Gina and husband Jeff Baker; World Singing Day Mass Sing in St. Louis.
yet another sister-in-law, Bonnie Baker.
I
wrote this issue’s President’s Message shortly after returning women who were backstage working and singing on the streets
from the International Convention and Competition in St. of St. Louis. Stories that we couldn’t hear, stories in the process of
Louis. I was still wrapped in my barbershop bubble, full of being written. Yet stories that we all know and feel. All of these
the powerful and profound feelings that come from a week of stories – of love, heartache, triumph, growth, trials, tribulation,
total musical and performance immersion, as well as a week of support and of joy – are universal life stories. We are drawn to
celebrating all that Sweet Adelines International brings to the them, on and off the stage. They show us our humanness, make
world of women’s barbershop. us feel, create a vulnerability in us that helps us build relationships
There was, of course, so much love for one another and so and trust.
much fun! There was immense camaraderie and joy – joy in just These stories inspire us and help us see what is possible. They
being there, doing what we love to do, joy in our successes, big allow us to escape our burdens, our own story, even if just for a
and small and in sharing the successes of others. moment. They let us feel and be a part of something, empowering
There was amazement at the creativity exhibited. I witnessed us to move outside of our singularity to something bigger than
it not only on the stage, but in the boardroom, in the classes and just ourselves. They help us learn we are not alone.
in the convention operations. Creativity that showed courage in This is why we love our conventions. Yes, the amazing singing
stretching and growing, taking risks and stepping beyond zones and performances enthrall and amaze us. But it’s the stories that
of comfort to offer something new, improved, exciting and more draw us there. We need the stories. For they strengthen and
impactful. There was an overarching feeling of solidarity that we sweeten our own.
are working and growing together through times of change and
growth. And then – there were the stories we shared. In harmony,
Everyone has a story and, oh, how those stories come alive at
our conventions and competitions. So many stories were told on
the stage in St. Louis – in the performances, in the celebrations of
our award winners, in our 50- and 60-year members and in the Patty Cobb Baker
presenters for the annual donations appeal. International President
Yet there were many other stories with us in St. Louis, off the
stage. They were the stories of the women in the arena seats,
JANUARY 2019 | T HEP IT C H P IP E 3
YO U R S E L F I N THE
IMMERSEF BARBERSHOP R U C T O R S
WO R L D O A D E L INE S I N S T
S W E E T
WITH TOP D• PAULA DAVIS
Y POZSGAY SRING
A R R O N • J U
SANDY M
E V E R • L O R I LYFORD • CLAS
LYNDA KE + D E K E S HAROTONR
PLUS MOR E ! T EDUCA
SPECIAL GUES
Y POZSG
• L O R I LY F O R D • CLASSRING
A KE EVER N
+ DELKGEUESSTHEDAURCAOTOR
SPECIA
IES 2019
Travel to Manchester, UK and immerse yourself in the
wonderful world of barbershop with some of the best Sweet
July 25-28, 2019 Adelines instructors, such as Sandy Marron, Judy Pozsgay,
Paula Davis, Lynda Keever, Lori Lyford and more. There will
Royal Northern be something for everyone – quartets, coaches, directors,
College of Music arrangers and anyone who just wants to learn more about
our art form. Plus the dynamic Deke Sharon will be on hand
Manchester, UK teaching classes on topics such as close harmony, blend and
performance presentation.
IES 2019 attendees will also have the opportunity to enjoy
RISSTIAN G the beautiful harmonies from some of the best up-and-
coming youth quartets during the 2019 Rising Star Quartet
RS
Contest
2019 Quartet Contest. Past winners of the Rising Star Quartet Contest
include ClassRing, our 2019 Queens of Harmony!
All this barbershop learning, socializing and singing will be
taking place in Manchester, UK – a city rich in history and
vitality. You will want to plan a few extra days to explore this
city, dubbed the “UK’s Music Capital.”
Join us to Sing and Celebrate at IES 2019! • IES 2019 registration opens Jan. 8, 2019
Rising Star Quartet Contest • July 27, 2019 • Contest entry opens Jan, 14, 2019
FROM O U R CEO
Reflections of
Convention
I
stated in the last edition of The Pitch Pipe that I would Another highlight – Ricky Peterson, the keyboardist for
highlight specific departments in each issue and I will get back Fleetwood Mac, Prince and David Sanborn, attended a portion
to that in April. of the chorus finals! He had been at a restaurant the night before,
But right now, I would like to reflect on the wonderful week we where Sweet Adelines sang to him and brought tears to his eyes.
experienced in St. Louis. We’re familiar with the Christmas classic, Joe Liles’ emotion was unforgettable when he was announced as
It’s The Most Wonderful Time Of The Year, and for Sweet Adelines, the winner of the songwriting contest and North Metro’s swan
convention and competition week is definitely one of the most song performance was beautiful and moving.
wonderful times of the year! By the end of the week, Queen Janell Paviolitis let me wear her
Congratulations to all competitors who crossed the stage. This crown (A girl can dream!) and a new staff member asked me after
is the first year that I’ve had the opportunity to sit in the audience chorus finals Saturday night, “Tammy, can I come to convention
and enjoy the music. My oh my – we are good! The talent on every year?” (Why yes, I think that can be arranged!)
that stage was amazing! Congratulations to Division A – Sirens of Finally, the hugs, love, support and words of encouragement you
Gotham; Division AA – Wellington City Chorus; International shared with me moved my heart.
Chorus Champions Scottsdale Chorus, and International Quartet Once again, as with all SA events, my takeaway is the amazing
winners, ClassRing! You all represent this amazing organization music and the community. You are a community of women
beautifully! encouraging, supporting and empowering one another. If we could
There were so many highlights for the week, but a few come bottle this, we could truly change the world.
to the top of my mind. As we began the week at regional leaders'
training, I listened to the amazing volunteer leaders who give
their time and talent to care for their region. On Tuesday, at the In appreciation,
Diversity Café, I listened to members share from their hearts
to help others understand different perspectives and shift their
perspective as a result. I had the privilege of joining the 50-60-year
member breakfast and honoring members who have given their
lives to this organization. The stories shared and hearing Lustre Tammy Talbot, CEO
serenade a member – priceless.
After a Sweet Adelines serenade, Fleetwood Mac keyboardist Tammy Talbot with members of the Young Singers Foundation
Ricky Peterson sat in on part of the chorus finals. Silent Auction Committee.
JANUARY 2019 | T HE P IT C H P IP E 5
A Brand New
Song & Dance
Sweet Adelines International
Directors’ &
Visual Leaders’
Seminar 2019
San Antonio, TX
Don't miss this lineup of classes planned to help directors and
visual leaders gain the skills they need to grow and foster a
culture of excellence in their choruses.
• Need some help with integrating choreography into your chorus’s performance?
Then you won’t want to miss “Voice and Dance Technique Integration: The Anatomy of Functional
Movement with Voice.”
• Have chorus members that span the spectrum in age?
“The Voice at All Ages” will help you teach them to care for their instrument no matter their age.
• Want to create a chorus environment rich in diversity – a place where everyone
feels welcomed?
“Fostering Diversity and Inclusion through Repertoire, Rehearsals and Chorus Culture” will give you
the tools you need to make this a reality in your chorus.
The Directors’ and Visual Leaders’ Seminar is a can’t-miss
training! Registrations are limited so reserve your spot!
Mark Your Calendar for
Aug. 8-10, 2019!
Registration opens Jan. 7, 2019*
*Open to frontline directors, assistant directors and visual leaders.
Visit www.sweetadelines.com/events for more information.
6 JANUARY 2019 | TH EP I TCH P I P E
2019 International
Board of Directors
Election Results
T
Joan Boutilier Patty Cobb Baker
he election to fill four expiring appointees are Thérèse Antonini, North
terms on the International Board Metro Chorus, Region 16 and Leslie
of Directors (IBOD) concluded Galbreath, Skyline Chorus, Region 8.
on November 28, 2018, at 3 p.m. CST Sweet Adelines International
(9 p.m. GMT). President Patty Cobb Baker said that
Elected to a three-year term were participation in the 2018 election stood
Joan Boutilier, River City Sound at 93.7 percent, lower than the 95.8
Chorus, Region 3, Patty Cobb Baker, percent participation recorded in the
Harborlites Chorus, Region 21, Jeanne 2017 election. This year, nine regions Jeanne d'Arc (JD) Crowe Jennifer Harris
d’Arc (JD) Crowe, Canadian Showtime achieved 100 percent chapter vote
Chorus, Region 16 and Jennifer participation: Border Lakes Region
Harris, Harbor City Music Company 2; Spirit of the Midwest Region
and Arundelair Choruses, Region 19. 5; Great Gulf Coast Region 10;
The term runs May 1, 2019, through Sequoia Pacifica Region 11; North by
April 30, 2022. Northwest Region 13; Heart of the
The Board also appointed two Blue Ridge Region 14; Greater NY/
members to serve one-year terms NJ Region 15; Southern Cross Region Thérèse Antonini Leslie Galbreath
beginning on the same day. The 34; and New Zealand Region 35.
Want to create cool items featuring the
Sweet Adelines logo?
There’s a procedure for that!
If you’re a region, quartet or chorus that wants
to produce merchandise or materials with the
name “Sweet Adelines International” or any of the
organization’s official logos, authorization must be
requested from SA Headquarters. Just follow these
simple steps.
1. Download the logo licensing application at
www.sweetadelines.com/resources/logolicensing.
2. Submit completed logo licensing application to
communications@sweetadelines.com.
3. Receive an email from HQ within 10 business days
notifying you of the status of your submission.
Logo Licensing Application • Internal Use Licensing • Fundraising Use Licensing
Sweet Adelines Graphic Standards • Active Logo Licensing Agreements
www.sweetadelines.com/resources/logolicensing
JANUARY 2019 | T HEP IT C H P IP E 7
Building a Differences,
similarities, an
Diversity appreciation
for both – all
Garden
grow together for
beautiful choruses.
A
t the St. Louis convention, the midst; it was also about figuring out how are faced with information that is new to
Diversity and Inclusivity Task to evolve and make changes once we you? According to Shankar Vedantam’s
Force hosted a Diversity Café - an understand an issue that impacts members, book The Hidden Brain, when we
“ideas session” - where attendees could talk audiences and potential members. encounter people and situations that are
freely about concerns, attitudes, reactions The following is a recap of the not familiar to us via our own experiences,
and solutions. The session included discussions held and stories shared at the our unconscious mind takes us to the fear
presentations by task force members Peggy session. or flight part of our brains. It’s important
Sutton and Valerie Clowes. to be aware of how unconscious bias may
There were many personal stories shared Creating a ‘Safe Zone’ Chorus be shaping our behavior, individually and
throughout the day related to diversity How many of us are in choruses that collectively.
and inclusion. The focus of the café was are safe zones? If you share something Chorus cultures that support open
not only to understand how we might important, do you fear it will be held dialogue create a safe place, where members
marginalize or offend individuals in our against you? How do you react when you are able to share information with the
8 JANUARY 2019 | TH EP I TCH P I P Eleadership team and chorus members without fear of judgment. Accepting New Ways of Doing Things
Finding ways to support open dialogue will help members to bridge All levels of SA, from the international to the chorus level,
differences and create a happier, healthier chorus. have a role in encouraging new approaches and shaping cultural
expectations.
Discussing Music That Marginalizes One attendee described her experience singing with a chorus that
Do we understand the background and cultural references of the operated without a musical director. The singers felt out of place
songs we have in our repertoire? One attendee had this to say: – even snubbed – in the organization because they were not ‘like
“My chorus was doing a Dixie song, which was a huge issue everyone else.’ She explained, however, that the chorus follows the
for me. I understand that when you’re in a competitive chorus, rules, harmonizes the world and that this unique model works for
there is a lot to consider, including the concern that the song them.
works really well for the chorus, and so you’re faced with doing it. Another member shared that she was told she couldn’t be
I learned the song and competed with it, but my position was, ‘I involved in her region’s leadership until she had been a member for
can’t do that song again.’ We had a session to talk about it. I was 10 years. In a follow-up conversation with leaders, it appeared that
very emotional. Another member stood up and said, ‘We will find some leaders were fearful of losing their roles if they turned their
another song.’ It was hard because my chorus loved the personality leadership responsibilities over to others. The group agreed that
of the song, but they did it – they gave it up.” recognizing and talking about drivers behind exclusionary behavior
For more information on repertoire choices, refer to Elizabeth is important, particularly as governance changes are proposed for
Davies’ article on inclusion in the July 2018 Pitch Pipe, or dig the regional level.
further back to the April 2016 Pitch Pipe article by Corinna
Garriock on choosing inclusive music. Being Receptive to Change
How does change occur? How do we become a more diverse
Developing Make-Up Plans for Everyone and inclusive organization? Will it be driven from the top? Is it
Many choruses still labor under the mistaken impression that initiated at the bottom? Café attendees came to a general consensus
make-up must be uniform (i.e. that change can start with every
we all wear the same product) chorus. Support at the regional and
across the singing unit. In international level will be critical as
fact, the approach needs to be well.
unified in order to highlight We may feel confused about
facial features effectively, but change. Change can raise feelings
not necessarily uniform. It is of anger and fear as we let go of
impractical and ineffective to old traditions to make room for
expect many different skin tones new ones. We may retreat to “but
to wear the same foundation. we’ve always done it this way” in
One attendee shared how her our discomfort. How do we combat
chorus approached addressing negative feelings around change?
this issue: Participating in change is important.
“We invited a make-up Asking questions and raising
professional to our retreat. Everyone brought her own make-up, awareness is helpful. What can we do as individuals to contribute to
based on matching it to our costumes. Our professional made a change? Examine how you practice inclusion at the individual level.
presentation and after, we literally did our stage make-up onsite. What are you doing to set yourself apart, and what might you be
The best thing the make-up artist told me was, ‘You’re priming a assuming about others that causes you to set them apart?
canvas and then you’re making a painting.’ It was hard for some “Establishing a culture of ‘safety’ within the organization will free
but was a way to help those who may be challenged with make-up, up members to share their experience and their feelings,” Bridget
cosmetic shades and varying skin tones.” Barrett, a Diversity and Inclusion Task Force member, told café
attendees. “In my opinion, this would best be served by offering
Checking Your Unconscious Bias instruction in how to listen and how to share compassionately and
This member shared her experience when her two daughters responsibly. I’m a strong believer that the skills we develop and
both married men who were not of the same cultural background experiences we have here filter into the rest of our lives.”
as her family. As she got to know her sons-in-law and their families So true! We hope to see you at Diversity Café 2019. In the
better, she made the following observation: “I realized there was a meantime, look for more from the Diversity and Inclusion Task
lot I didn’t know.” She went on to say, “If we can stop being so sure Force as they continue their important work in support of Sweet
about what we know, then, as things come up, I can tell myself, Adelines International’s stated commitment to “build bridges with
‘I’ve not dealt with it, I don’t walk in their shoes. I don’t know what potential singers, regardless of race, religion, nationality, sexual
I don’t know.’ And then, most importantly, I say: ‘I’m going to find orientation, gender expression or physical abilities. Generally, café
out.’” attendees agreed.
Generally, café attendees agreed that we all have biases, whether
or not we are aware of them. One approach discussed was to This article was coordinated by Diversity Task Force chair, Thérèse
acknowledge this fact and strive to approach others with curiosity, Antonini, and task force members, including Peggy Sutton, with input
rather than with assumptions or judgement. from Corinna Garriock, SA Education Direction Committee.
JANUARY 2019 | T HEPIT C H P IP E 9Song of
Welcome
P
lease join us in welcoming our new chapter, One Voice! Petrucciani, Molly Huffman and Bev Miller. After years of
We’re thrilled to have you with us as we grow in the joy competing in choruses, they wanted to focus on their community,
of singing and friendship for many years to come. We are and the Open Division provided them an opportunity to practice
Sweet Adelines! musical excellence while keeping their repertoire fresh and fun.
Molly Huffman, One Voice’s director, explained: “We missed
that. It’s very refreshing to just perform from the heart.”
One Voice Chapter One Voice completed the chartering process in a little over a
year, thanks to the Steps Program and to the support of Region #4.
Harmony Heartland, Region #4 • Indianapolis, Ind. According to Lori, “The Steps Program was so simple and so
www.facebook.com/OneVoiceIndy easy to follow that it was basically a no-brainer for us to use. It’s
Charter Date: Sept. 14, 2018 definitely something that anyone who is forming a prospective
Team Leader: Lori Petrucciani chapter can use.” She also advised potential new choruses to
Director: Molly Huffman “lean on the experience within the region” as a guide.
What’s next for One Voice? Growth and education. “Our goals
What happens when a group of friends have one chorus vision? are to perform as much as possible, to learn as much fresh music
They come together to create one voice. as possible and to grow,” Molly said. The idea of community and
One Voice began as an idea between three friends: Lori togetherness is pivotal to One Voice, she added.
If you or a group of women you know are interested in forming a prospective chorus, please email
member@sweetadelines.com for more information.
JANUARY 2019 | T HEPIT C H P IP E 11A conversation with IES 2019 special guest educator, Deke Sharon
Getting to Know – or Know
More About – Deke Sharon
BY HILLARY PINNOCK, REGION #31 RMT (UK/THE NETHERLANDS)
W
ell, it’s a new year, with so much to look forward to, Deke: My first vocal harmony started in church choir, camp
including Sing and Celebrate, the 2019 International (around the campfire) and the San Francisco Boys Chorus. All
Education Symposium in Region #31 – the UK three were valuable in teaching me different skills and techniques
to be exact – in the wonderful eclectic city of Manchester in and I remain committed to creating music that spans differences
northwest England. and boundaries while reaching as many people from different walks
Region #31 is looking forward to welcoming Sweet Adelines of life as possible.
from all over the world to what will truly be a fabulous range of
workshops presented by an equally fabulous lineup of top Sweet Hillary: Who inspired you when you were younger and who
Adelines instructors, such as Judy Pozsgay, Lori Lyford, Sandy inspires you now?
Marron, Paula Davis, Linda Keever and more. ClassRing, the 2019
Queens of Harmony, will accompany them, as well as our special Deke: As a child? Mr. Rogers. As a teen? Bertrand Russell. As a
guest educator, the inimitable Deke Sharon. young adult? Nelson Mandela. And now? Mr. Rogers.
Many of you met Deke at IES 2017, but for those who’ve not yet
had the pleasure, we asked Deke to share a little about himself Hillary: Being from the U.S. West Coast, how soon in life
with us: were you aware of barbershop singing?
Hillary: Some refer to you as “the father of contemporary a Deke: Perhaps it’s a cliché but my first experience singing
cappella.” You must be pretty proud of that mantle? barbershop was as the lead in The Music Man freshman year in high
school. I loved it so much I kept it going all four years but wanted
Deke: Well, I’m proud that I’ve been able to get more people to branch out into other styles of a cappella and since so little was
singing, which was always my ultimate goal. The name is helpful available, I taught myself to arrange. First arrangement? When I’m
for publicity but the closer you get to my friends, the more it’s Sixty-Four. Biggest arrangement in high school? Bohemian Rhapsody
an albatross about which I’m perpetually teased, be it bandmates – which is everywhere now – but back in 1985 it was more of a
calling me “Padre” or cohorts thanking me for “inventing a “What does that kid think he’s doing?!” choice.
cappella.” And then if anything goes wrong or is the slightest bit
out of tune, they turn to me in a whisper and say: “You know, that’s Hillary: With arrangers like you adding to the repertoire,
all your fault!” barbershop is now becoming more modern in its look and sound.
Where would you like to see further change?
Hillary: Where did it all start, and did you always know music
was going to be your life? Deke: I would like to see more African-American involvement
and influence on the style (especially for historic reasons), including
taking more chances, letting the melody cut loose, lead on stage
with emotion instead of precision and not be afraid of harmonic
simplicity and so on. In this way, we can make barbershop
appealing to a much wider swath of singers and listeners, while
making amends for the past.
Hillary: You sing, act, produce,
arrange, direct, write songs, teach
and generally don't rest when it
comes to a cappella! What other
ambitions might you have in the
pipeline that you can tell us about?
Deke: I’m not long into my 50s
now and I have to say, I feel like I
already won the game. I did exactly
what I’d hoped to do – popularize
12 JANUARY 2019 | TH EP I TCH P I P Ea cappella – and while doing so I achieved a higher platform than I’d expected. Now
my mission remains as it always was: share the joy of harmony in hopes of healing
the world. I know, sounds corny, but it’s what I truly believe. People who sing
RISSTIAN G
together understand and respect different people more, know how to listen better,
and so many more things that everyone who is reading this already knows. (Sorry for
preaching to the choir – literally!)
Hillary: And you're joining forces with Sweet Adelines again this July in R
C ontest
2019 Quartet
Region #31. Tell us why.
Deke: I can’t wait! I had an amazing time at the last IES and made so many
new friends that, when asked, I jumped at the chance. One upside is that it’s in
Manchester, which I fell in love with recently while doing a new show for the BBC.
It’s an amazing city with an incredible history and there’s no better way to experience
it than with a bunch of harmonizing buddies from around the world. No doubt this
event will be a huge magnet for singers across Europe, which means we'll all leave Sweet Adelines International
with incredible memories and new friends galore! welcomes young women ages 25
and younger to compete in the 2019
Rising Star Quartet Contest! The
contest will be held on July 27, during
r?
heste
Sweet Adelines' 2019 International
anc
Education Symposium (IES) in
n M
IES i ay to
Manchester, UK.
t e r w bunch
et no b ith a
e re ' s a n w
Th c e it th e s from
r i e n d d i
expe
o n i z ing bu
rm ! Contest entry is open
of ha h e world Jan. 14 – May 31, 2019.
d t
aroun
Visit the Rising Star
Quartet Contest page at
www.RisingStarQuartetContest.com
to register.
Registration
opens Jan. 8,
for Sing and
Celebrate:
IES 2019,
July 25-28, in
Manchester, UK.2018
Wow, Did We
Sing in St. Louis!
Sweet Adelines International
For five exhilarating days in October,
St. Louis was the gateway to the greatest
barbershop show on earth – the 72nd Sweet
Adelines International Convention and
Competition. It was so magical that long
after all had gone home, many continued to
post about “convention withdrawal pains”
on social media. Marsha Fulton, Lifetime Achievement Award
recipient and Patty Cobb Baker
“This convention will be remembered for imbuing the
overarching feelings of joy and sisterhood in every day, every
rehearsal, every meeting and class and in every stellar performance,”
noted International President Patty Cobb Baker. “From delightfully
happy to captivated, enthralled, thrilled and moved beyond
imagination, I think everyone left even more harmoniously
connected than ever, with buckets-full of all the things our
wonderful musical sisterhood provides!”
The spectacular week drew 40 quartets and 40 choruses, totaling
3,200 barbershop singers representing Australia, Canada, England,
New Zealand, The Netherlands, Sweden and the United States. We
were thrilled to welcome members from Japan, too! Watching
along with the exuberant live crowd in St. Louis were thousands
more barbershop fans around the world, tuning in via the wildly Valerie Taylor receives the award and a warm
popular webcast. One social media post from New Zealand showed embrace from Ann Gooch
preschoolers watching the performances!
The first-ever songwriting contest brought cheers and tears; the
mass sing was dynamite; the Mixed Harmony chorus was a beautiful
sight, and sounded great, too. Classes drew SA “students” eager to
learn from leaders, experts and their fellow singers. Everyone was
immersed in the sheer fun of it – one group of Sweet Adelines, out
at a local restaurant, met and serenaded a Fleetwood Mac band
member who was in town for a concert. He was so impressed with
the music he attended part of the chorus finals the next day.
Congratulations to all international winners, who you’ll read more
about on the following pages. And thank you to every Sweet Adeline
who came to sing, cheer, volunteer, learn, laugh and celebrate the
powerful magic of women’s a cappella barbershop harmony. Mike Blakeslee and Patty Cobb Baker present
We hope to see you at Sweet Adelines events this year – IES NAfME Award to Jane Brown
2019 in Manchester, U.K.; the Directors’ and Visual Leaders’
Seminar in San Antonio; and once again, for our greatest gathering,
international convention and competition in the exotic, historic,
fascinating city of New Orleans!
14 JANUARY 2019 | TH EP I TCH P I P ESpecial Awards
Congratulations to these individuals for their
The Ladies – International Novice Quartet significant contributions to the organization and the
Award winners barbershop art form in the arenas of leadership,
musical excellence and education.
Lifetime Achievement Award:
Marsha Fulton, CAL, #26
Each year, SA’s international president chooses and
presents this award, which honors a lifetime of
leadership, love and service to the organization.
Ann Gooch Award:
Valerie Taylor, Vocal Dimension Chorus, #31
This award recognizes a non-North American
Sweet Adeline for significant efforts to promote
barbershop singing worldwide.
Joe Liles, Bursting with Song! songwriting contest
grand prize winner and Patty Cobb Baker National Association for
Music Education (NAfME) Award:
Jane Brown, Pride of Baltimore Chorus, #19
Presented by Mike Blakeslee, NAfME executive direc-
tor/CEO, this award recognizes excellence in the
education field and, in particular, furthering
barbershop education in the schools.
International Novice Quartet:
The Ladies
This award recognizes the highest scoring semifinals
uartet in which two or more members have never
competed in international semifinals or finals. It’s
sponsored by the 19 International Champion
Mass Sing on the Old Post Office Plaza in St. Louis Quartet, the Hurricane Honeys.
Bursting with Song!
Songwriting Contest Award:
Joe Liles • Grand Prize Winner
Contestable Full Arrangements
Mixed Harmony Family Chorus
JANUARY 2019 | T HEPIT C H P IP E 15Meet ClassRing
From Rising Star Winners to
International Champion Quartet and
2019 Joni Bescos Trophy Honorees
Michaela Slamka-Johnston (tenor), Spirit of the Gulf Chorus, #9
Heather Havens (lead), Chapter-at-Large #19
Mary Duncan (baritone), Kansas City Chorus, #5
Hailey Parks (bass), Chapter-at-Large #4
SCORE: 2769
SEMIFINALS SONGS: A Wonderful Day Like Today/
Nothing Can Stop Me Now medley (C. Hine);
Blame It On My Youth (B. Graham)
FINALS SONGS: Seize The Day (A. Bock); Sweet Adeline (J. Giallombardo);
Shamey, Shamey, Shame (M. Parks); You’ll Never Walk Alone (A. Bock)
S
ince the day ClassRing began as an idea on a Hawaiian they’d reached the pinnacle of their success. However, the love
beach during the 2013 SA convention, the young quartet and support of the Sweet Adelines family inspired them to stick
has been on the rise. together and set higher goals. As it turned out, the decision was the
After forming a foursome via barbershop connections, easy part – the reality involved late Friday night flights after a week
friendships and a social media search, they met for a handful of of school, weekends jam-packed with rehearsals and coaching, late
rehearsals before winning the 2014 Rising Star quartet contest. Sunday night flights – and the occasional break for Mexican food.
Since then, they have performed on the international stage every “We had to make every minute count,” bass Hailey Parks
year since a 2015 wildcard invitation, always placing as a Top 10 remembered. “Sharing a common goal and our friendships made
finalist. it easier. For any of you out there looking into a long-distance
Their barbershop-to-the-core talent is not surprising, considering quartet, it’s achievable!”
their musical roots and family ties to some of the world’s best
female and male barbershop singers. For example:
Michaela is a fourth generation barbershopper on her father’s
side. (See Fun Facts) She also shares her love of the genre with her
husband, Nathan, and friends Ravi and Blair, singing in the two-
time world mixed champion quartet, Double Date.
Mary, a third-generation barbershopper by way of both parents,
followed her mother and grandmother to the Kansas City Chorus.
Her love of quartetting was a lock, especially after seeing her
mother, Michelle Hunget, become a queen with 2010 international
champion quartet, Zing!
Heather’s three-generation connection led her to join her first
chorus at age 10. Her father is also a BHS champion with Old
School. Fittingly, Heather married a barbershop singer and she
and her husband can’t wait to share their hobby with their young
daughter.
From a young age, Hailey sang with her family but not in the
barbershop style. That changed in high school, when an enthusiatic
Sweet Adeline and long-time YWIH advocate named Jen Cooke
came to school weekly to teach girls about a cappella barbershop
harmony. Hailey also married a barbershopper, so it’s possible she
may start yet another generational barbershop legacy.
After Rising Star, ClassRing planned to disband, thinking
16 JANUARY 2019 | TH EP I TCH P I P EBy the time the 2018 international competition began, the quartet was inspired to
sing from their hearts about a near-lifetime of transformative barbershop experiences and
friendships, noted baritone Mary Duncan.
“We’ve felt so blessed to have had such strong support from our families and our fellow
Sweet Adelines – we really wanted to convey that in our performances this year,” she
explained.
The quartet’s finals package, most of which was arranged specifically for them, “was
especially significant,” Hailey added. Their last song, You'll Never Walk Alone, was an anthem Heather Havens, 28:
to their global barbershop family. Attended University of Missouri-St.
“Through our four years as a quartet, we’ve gone through breakups, losing family Louis, where she studied early childhood
members, high school and college graduation, new jobs, three marriages, a baby, and more,” education. She lives in Aldie, Va., with
Heather explained. “We’ve walked together on this journey, along with our families and our her husband and is a stay-at-home mom
Sweet Adelines family.” to their adorable daughter, Riley.
Added Michaela: “Give your all to everything you do. You’ll have so many amazing people
to share it with because with a family as big as ours, you’ll never truly be alone.”
Michaela Slamka-Johnston, 26:
A MU-St. Louis graduate with bachelor’s
degrees in music education/music
competition and theory. She lives in Ft.
Myers, Fla., with husband Nathan and
fur baby, Tag. She and her husband are
Behind the harmony: ClassRing and family. music educators.
Fun Facts ClassRing Shout Outs
• The quartet found their bass after “To our parents, siblings,
posting a search on Facebook and grandparents, in-laws and most
members of Region #23 (never forget!) importantly, our significant others,
recommended Hailey. The #1 question Matt, Clara, Nathan, Andrew and baby
ClassRing is now asked: “How does such Riley – thank you for allowing us long Mary Duncan, 21:
a big bass voice come out of such a weekends away, for running to Starbucks University of Kansas (KU) student in
tiny body?” early on contest day and for cheering chemistry; plans to further her studies in
loudly, even though it’s the 100th time the KU master’s program for biomolecular
• The four met officially at their you’ve heard us sing that song. engineering. She currently lives in Lawrence,
first Rising Star rehearsal in St. Louis Kan., with her girlfriend, Clara.
– the same city in which they won the “A huge shout out to our dream team
international championship. coaches: Jean Barford, Carole Persinger,
Betty Clipman, Peggy Gram, Michelle
• Michaela’s 2019 SA championship Hunget and Mike Slamka — especially
makes her the first-ever third generation Mike who has been our mentor from the
quartet champion. Growing up, she very beginning. Also, to Cindy Hansen,
watched her grandfather, uncle, cousin, Clay and Becki Hine, thank you so
and dad become BHS international much for taking the time to work with
quartet champions with Power Play, and us as well!
then saw her dad win the title for the Hailey Parks, 25:
second time with Crossroads. “Joey Minshall, Patrick McAlexander, University of Tennessee-Knoxville
Clay Hine, Matt Parks and Adam Bock graduate with a music education
• ClassRing has performed at Carnegie – you are geniuses. Thank you for your degree. She and her husband Matt,
Hall in New York City and on live time and talent in helping us bring our both music educators, live in Knoxville
network TV at Fox and Friends. musical visions to life!” with fur babies, Ruby and Ranger.TOP 10 QUARTETS
2018
Sweet Adelines International
Viva! • 2nd Place
Patty Cobb Baker (t), Harborlites Chorus
Gina Baker (l), Toast of Tampa Show Chorus
Chris DeRosa (bt), Toast of Tampa Show Chorus
Peggy Jones (bs), Carolina Harmony Chorus
REGION: #9, Wesley Chapel, Fla. SCORE: 2767
SEMIFINALS SONGS: Put Your Arms Around Me Honey (A. Dale);
How Deep Is The Ocean? (R. Hopkins)
FINALS SONGS: Boogie Woogie Bugle Boy (D. Wright); Billy A Dick (J. Arns); Stuff Like
That There (S. Kitzmiller); No One Is Alone/Not While I’m Around (S.Tramack)
Titanium • 3rd Place and
Most Entertaining Quartet Award
Connie Light (t), Rich-Tone Chorus
Melody White (l), Rich-Tone Chorus
Holly Stuart (bt), Rich-Tone Chorus
Lindsay Chartier-Holdeman (bs), CAL #25
REGION: #25, Lake Dallas, Texas SCORE: 2700
SEMIFINALS SONGS: Cuddle Up A Little Closer (C. Hine); Next Time I Love (L. Wright)
FINALS SONGS: I Love Being Here With You (A. Dale); The Moment I Heard Your Eyes
parody ( J. Liles); Love In Any Language (D. Briner, updates by J. Rutherford);
Come On, Get Happy (A. Dale)
Windsor • 4th Place
Ashley Espinoza (t), CAL #9
Jenny Allen (l), CAL #9
Mary Sarah Johnson (bt), CAL #9
Lexi Moroni (bs), CAL #5
REGION: #9, St. Peters, Mo. SCORE: 2683
SEMIFINALS SONGS: Somebody Loves Me (C. Hine); What’ll I Do? (E. Waesche)
FINALS SONGS: Wonder Why (A. Bock); Can’t Help Lovin’ That Man Of Mine (B. Beck);
Haven’t Met You Yet (A. Dale); All I Do Is Dream (C. Hine)
Tenacious • 5th Place
Shannon Lange (t), Scioto Valley Chorus
Chelsea Selvaggio (l), Scioto Valley Chorus
Tracy Marcarello (bt), Scioto Valley Chorus
Connie Brant (bs), Scioto Valley Chorus
REGION: #4, Powell, Ohio SCORE: 2612
SEMIFINALS SONGS: Next Time I Love (L. Wright);
Wherever There’s Me, There’s You (T. Gentry)
FINALS SONGS: Help! (G. Partington); Blackbird (D. Runswick);
We Can Work It Out (C. Schmidt); I Will (D. Wright)
18 JANUARY 2019 | TH EP I TCH P I P ESpritzer • 6th Place
Joan Boutilier (t), River City Sound Chorus
Susann McKinley (l), North Metro Chorus
Hannah Barton (bt), Ontario Heartland Chorus
Sharon Demy (bs), North Metro Chorus
REGION: #16, Mississauga, Ontario, Canada SCORE: 2601
SEMIFINALS SONGS: Roses Of Yesterday (N. Bergman); How Many Hearts Have You Broken? (J. Arns)
FINALS SONGS: Who Will Buy parody (J. Dale); Big Spender parody (B. Sellers);
You Turned The Tables On Me parody (N. Bergman); When I See An Elephant Fly (A. Dale)
Glamour • 7th Place
Stacey St. John (t), CAL #4
Deidra Ekins (l), CAL #4
Dominque Parsons (bt), Scioto Valley Chorus
Gretchen Holloway (bs), Scioto Valley Chorus
REGION: #4, Columbus, Ohio SCORE: 2593
SEMIFINALS SONGS: Get Me To The Church On Time (A. Dale); All The Way (T. Gentry)
FINALS SONGS: Glamour Girls (L. Wright); I Love Jazz medley (D. Wright);
Be My Baby Tonight (A. Dale); Go The Distance (A. Dale)
Renegade • 8th Place
Rachel Pack (t), CAL #13
Alena Hemingway (l), CAL #13
Holly Davis (bt), a cappella Joy Chorus
Bethany Frerichs (bs), Jet Cities Chorus
REGION: #13, Tacoma, Wash. SCORE: 2582
SEMIFINALS SONGS: Next Time I Love (L. Wright); I Got Rhythm (D. Wright)
FINALS SONGS: Too Darn Hot (R. Krigström); Stormy Weather (A. Dale); Beautiful Girl (M. Menafee);
Live It Up (A. Dale)
The Ladies • 9th Place and 2019 International Novice Quartet Award
Quincie Smith (t), CAL #10
Caroline Hunt (l), CAL #1
Kimberly Newcomb (bt), Capital City Chorus
Ashley Brockman (bs), CAL #10
REGION: #10, Fort Worth, Texas SCORE: 2563
SEMIFINALS SONGS: Something’s Gotta Give (P. Alexander); May I Never Love (R. Craig)
FINALS SONGS: Luck Be A Lady Tonight (M. Hine); Cuddle Up A Little Closer (C. Hine);
When Sunny Gets Blue (K. Kitzmiller); Nice Work If You Can Get It (K. Kitzmiller)
Sparkle! • 10th Place
Barbara Graham (t), CAL #6
Julie Hagstrom (l), CAL #13
Lisa Kvigne Case (bt), City of Lakes Chorus
Marcia Starnes (bs), City of Lakes Chorus
REGION: #6, Minneapolis, Minn. SCORE: 2471
SEMIFINALS SONGS: If Ever I Would Leave You (C. Hine); Fit As A Fiddle (D. Wright)
FINALS SONGS: Blue Skies (C. Hine); Painting This Old Town Blue ( D. Briner);
Eight Days A Week (D. Harrington); Who’s Sorry Now? (E. Moon)
JANUARY 2019 | T HEPIT C H P IP E 19JUMPING
FOR JOY
Scottsdale Chorus
2019 International Champion Chorus • Most Entertaining Chorus Award
REGION: #21, Scottsdale, Ariz., Lori Lyford, director SCORE: 2982
SEMIFINALS SONGS: He Was There (N. Bergman); Mardi Gras March (A. Dale)
FINALS SONGS: Top Of The World medley (D. Wright); The Jumpin’ Jive (A. Dale); I Will (D. Wright); Jump medley (A. Dale)
T
he Scottsdale Chorus is “jumping for joy” to be your 2019
International Champion Chorus! Winning the gold is such
an honor and privilege.
We extend our sincere congratulations to all the competitors and
in this extremely close contest, to our dear friends in Golden West
Region #21, the amazing Harborlites Chorus. Each competition has
its unique flavor and we believe that this run-up to St. Louis was a
clear illustration of the true spirit of Sweet Adelines.
Dale Syverson has coached Scottsdale for 20 years and has had a
huge impact on who we are today as a chorus. Our director, Lori,
coached Rich-Tone, whose performances thrilled the audience yet
again. Dale is also one of Harborlites’ fine coaches. All three of these
choruses, plus many other competitors in St. Louis, share directors
20 JANUARY 2019 | TH EP I TC H P I P Eand coaches, whose ultimate goal is to help one another become of the Melodeers, has been coaching us since before Las Vegas
the best examples of our individual style of female barbershop! 2015, and we have grown through his multifaceted approach to
When we started the challenge of finding music that suited our coaching, using the four judging categories.
chorus personality for St. Louis, we explored what defines that In addition to singing exciting and passionate arrangements,
musical personality. We love to sing uplifting songs with positive, we continue to build our stamina so we can perform with the
hopeful lyrics. We crave the intricacies of challenging rhythms, and energy required to make all of it fun, and a real, three-dimensional
we thrive on performing with lots of energy, fun and joyfulness. experience for our singers and audience alike. Our in-house
We also love to dig deeply into the lyrics and delivery of beautiful choreographer, Becky Eisenberg, created and taught the visual
ad lib ballads. This year we were fortunate to sing arrangements by plans for all of our new music. We are so lucky to have her!
Nancy Bergman, David Wright and Aaron Dale. We would like to acknowledge and thank the engine behind the
Aaron Dale has shared his brilliance with Scottsdale for years as “Good Ship Scottsdale,” our management team! From rehearsal
an arranger and more recently as our coach. Aaron joined us in Las setup to coaching hosts to fundraisers, it takes a village and we
Vegas 2015 for rehearsal coaching sessions, and he did the same salute the group that leads those endeavors.
this year in St. Louis. He knows what challenges us and he gives us See you all in New Orleans!
opportunities for musical and personal growth. Jim Arns, director
JANUARY 2019 | T HEP IT C H P IP E 21SCOTTSDALE
CHORUS
MEMBERS ON STAGE
Myrna Ackrish Lee Ann Fellows Arline Lonon Judy Reynolds
Linda Allen Jacqueline Fernandez Jenny Lucier Kelly Roberts
Lauren Altiere Eileen Fernstrom Lori Lyford Shirley Rose
Donna Bailloux Patricia Fleck Dorinda MacLean Melinda Rowe
Cynthia Baker Katie Frederick Theresa Mahar Patricia Sampson
Rosemary Baltensberger Lily Gannon Linda Mallon Marsha Shaw
Melanie Barker Debbie Geiger Carol Mayka Debbie Shipman
Connie Beil Molly Gerbi Caitlin McAndrew Sue Shoaf
Janice Blake Laura Giese Julie McBain Mary Slade-Branham
Kathy Blodgett Marie Green Amy McIntosh Sarah Slade-Branham
Deb Bloomquist Christine Gustoff Lynda Merrer Bethie Smith
Lisa Bonine Jana Gutenson Krista Moller Ginny Sprigings
Janet Bourbouse Leila Haggard Linda Myer Shayna Steeves
Kaleena Bowers Kathleen Hillebrandt Sherry Nealy Alma Stewart
Ginny Browne Judy Huffman Linda Nelson Meredith Swank
Diane Bullock Darren Hurst Lisa Norton Mary Beth Szabo
Erin Cardin Darla Jackson Jody Oakley Theresa Tate
Rosemary Carpenter Jamie Lynn Jacobs Donna Odegaard Theresa Trollinger
Elaine Cooper Janine Jenson Elly Palmer Connie Vila
Maggie Crick Christina Jette Fran Pearson Cyndee Walters
Tamara Crichlow Caroline Jones Rhonda Pellerin Dianna Wells
Trish Cruz Pamela Kafer Christina Petroski Linda Wells
Taylor Daniels Caitlin Klemballa Evelyn Pidgeon Ruth Whitfeldt
Barb Davis Denise Koehnlein Claudia Plotnick Lauren Williamson
Della Davis Riki Lankford Carol Pool Deborah Zoerner
Joyce Deyo Kate Larson Rebekah Poston Adelina Zottola
Mary Dobel Becky Larson Pamela Preston
Rebecca Eisenberg Cathy Longman Sheilah Rendon
22 JANUARY 2019 | TH EP I TCH P I P ETOP 10 CHORUSES
2018
Sweet Adelines International
Harborlites Chorus • 2nd Place
REGION: #21, Huntington Beach, Calif. • Pamela Pieson, director SCORE: 2977
SEMIFINALS SONGS: A Bundle Of Old Love Letters (J. Bescos); The Trolley Song (D. Wright)
FINALS SONGS: This Can’t Be Love (D. Wright); I Wish You Love (D. Wright); Let’s Do It/Let’s Fall In Love (J. Brockman); Great Day (G. Lewis)
Rich-Tone Chorus • 3rd Place
REGION: #25, Farmers Branch, Texas • Dale Syverson, director SCORE: 2959
SEMIFINALS SONGS: On My Own (G. Lloyd, J. Minshall); South Rampart Street/That’s A Plenty (C. Hine)
FINALS SONGS: Dancin’ Feeling Part 1 (Better When I’m Dancing/Can’t Stop The Feeling) (A. Bartholomew); Masquerade (E. Waesche, J. Bescos, J. Minshall);
Time And Tide (A. Nystrom); Dancin’ Part 2 (A. Bartholomew); This Is Me (K. Kitzmiller)
Skyline Chorus • 4th Place
REGION: #8, Denver, Colo. • Vickie Maybury, director SCORE: 2801
SEMIFINALS SONGS: The Nearness Of You (A. Reimnitz); Strike Up The Band (D. Wright)
FINALS SONGS: Come On, Get Happy (A. Dale); Honey I’m Home (C. Garriock); Three Little Words (A. Reimnitz);
William Tell Overture (J. Giallombardo)
JANUARY 2019 | T HEPIT C H P IP E 23TOP 10 CHORUSES
2018
Sweet Adelines International
Pearls of the Sound Chorus • 5th Place
REGION: #32, Helsingborg, Sweden • Rasmus Krigström and Anna Rosenberg, directors SCORE: 2697
SEMIFINAL SONGS: Love Letters (S. Delehanty, R. Krigström); This Can’t Be Love (D. Wright, R. Krigström)
FINALS SONGS: Show Me How You Burlesque (R. Krigström); Faith (R. Krigström); Come What May (R. Krigström); I Wish You Love (D. Wright, E. Goglia);
Lady Marmalade (R. Krigström); Show Me How You Burlesque (R. Krigström)
Song of Atlanta Chorus • 6th Place
REGION #14, Roswell, Ga. • Becki Hine, director SCORE: 2687
SEMIFINALS SONGS: Baby, Won’t You Please Come Home (C. Hine); Next Time I Love (L. Wright)
FINALS SONGS: Diamonds Are A Girl’s Best Friend/I Never Knew medley (C. Schmidt); Nature Boy (M. Hine);
Come What May (K. Keller); The CanCan (C. Hine); Because We Can (M.Hine)
Pride of Portland Chorus • 7th Place
REGION: #13, Portland, Ore. • Ryan Heller, director SCORE: 2686
SEMIFINALS SONGS: There Is No Greater Love (N. Bergman, J. Minshall, R. Heller); Strike Up The Band/Everybody Step medley (A. Dale)
FINALS SONGS: Hello Dolly (C. Schmidt, R. Heller); It Only Takes A Moment (D. Wright); Before The Parade Passes By (C. Schmidt)
24 JANUARY 2019 | TH EP I TC H P I P ECity of Lakes Chorus • 8th Place
REGION: #6, Richfield, Minn. • Scott Kvigne, director SCORE: 2605
SEMIFINALS SONGS: He Was There/Mardi Gras (N. Bergman); Hot Time In The Old Town (R. Craig)
FINALS SONGS: South Rampart Street Parade (B. Beck); Come In From The Rain (B. Oliver);
Seasons Of Love (J. Minshall); As Long As I’m Singing (L. Wright)
Metro Nashville Chorus • 9th Place
REGION: #4, Brentwood, Tenn. • Kim Wonders, director SCORE: 2604
SEMIFINALS SONGS: If Ever I Would Leave You (C. Hine); Oh, Look At Me Now (A. Dale)
FINALS SONGS: Opening For A Princess (J. Minshall); Time After Time (J. Arns); Brave (J. Starr); Song Of Love (J. Minshall)
Buffalo Gateway Chorus • 10th Place
REGION: #16, Bowmansville, N.Y. • Diane Porsch, director SCORE: 2528
SEMIFINALS SONGS: Smile, Darn Ya, Smile/Powder Your Face With Sunshine medley (C. Hine); You’re The Flower Of My Heart, Sweet Adeline (J. Minshall)
FINALS SONGS: Buffalo Gals (M. Rowland); In The Wee Small Hours Of The Morning (J. Arns);
Somewhere Out There (J. MInshall); Buffalo Gals Reprise (M. Rowland)
JANUARY 2019 | T HEPI T C H P IP E 252018 HARMONY CLASSIC
DIVISION A
Sweet Adelines International
(FEATURING CHORUSES WITH 30 OR FEWER SINGERS)
Sirens of Gotham Chorus • Division A Champion Chorus
REGION: #15, New York, N.Y. • Mira Taferner & Kari Francis, directors SCORE: 1232
SONGS: Astonishing (A. Tramack); Everybody Says Don’t (A. Bock); If I Ruled The World (R. Rund); This Is Me (K. Francis)
Carolina Harmony Chorus • 2nd Place
REGION: #14, Raleigh, N.C. • Susie Smith, director SCORE: 1202
SONGS: Octopus’s Garden (L. Rochefort); Big Bad Bill Is Sweet William Now (J. Arns); I Have Dreamed (D. Briner); Come Sail Away (L. Rochefort)
26 JANUARY 2019 | TH EP I TCH P I P ECircular Keys Chorus • 3rd Place
REGION: #34, Baulkham Hills, New South Wales, Australia • Vicki Dwyer, director SCORE: 1187
SONGS: Deadly Animals Song (N. Schurmann); The Moment I Thought I’d Die (J. Liles); Make ‘Em Fall In Love (G. Lloyd); DNN Fanfare (G. Lloyd);
Oh, Look At Me Now (A. Dale); Change The World (D. Sharon, D. Wright)
Vocal Motion! Chorus • 4th Place
REGION: #26, Calgary, Alberta, Canada • Caroline Richards, director SCORE: 1171
SONGS: Popular (S. Tramack); Believe (M. Terefe, G. Scott, G. Warburton); Once Upon A Time (J. Dale); Girl On Fire (J. Minshall); Flashlight (D. Sharon)
Bella A Cappella Chorus • 5th Place
REGION: #35, Kerikeri, New Zealand • Patti Cooke, director SCORE: 1081
SONGS: Haere Mai (G. Lloyd); I Can’t Begin To Tell You (C. Schmidt); Jazz Me Blues (A. Minihane); Love In Any Language (D. Briner)
JANUARY 2019 | T HEPIT C H P IP E 272018 HARMONY CLASSIC
DIVISION AA
Sweet Adelines International
(FEATURING CHORUSES WITH 31-60 SINGERS)
Wellington City Chorus • Division AA Champion Chorus
REGION: #35, Wellington City, New Zealand • David Brooks & Henrietta Hunkin-Tagaloa, directors SCORE: 1229
SONGS: The Old Master (D. Brooks); Boogie Woogie Bugle Boy (D. Wright); Soon (D. Brooks);
Acquarius/Let The Sun Shine In medley (L. Wright); Blame It On The Boogie (J. Bremer);
I Will Survive/I’m A Survivor (L. Wright); Daft Punk medley (B. Beck)
Mission Valley Chorus • 2nd Place
REGION: #12, Los Gatos, Calif. • Angela Suraci, director SCORE: 1177
SONGS: Sing, Sing, Sing, Deed I Do medley, Pure Imagination, Defying Gravity (L. Wright)
28 JANUARY 2019 | TH EP I TC H P I P EYou can also read
