DIPARTIMENTO DI STORIA ANTROPOLOGIA RELIGIONI ARTE SPETTACOLO (SARAS) DISPENSE CORSO DI LINGUA INGLESE 1 - CANALE P-Z CDL "ARTI E SCIENZE DELLO ...

Page created by Jeremy Harvey
 
CONTINUE READING
DIPARTIMENTO DI STORIA ANTROPOLOGIA RELIGIONI ARTE SPETTACOLO (SARAS) DISPENSE CORSO DI LINGUA INGLESE 1 - CANALE P-Z CDL "ARTI E SCIENZE DELLO ...
Dipartimento di Storia Antropologia Religioni Arte Spettacolo (SARAS)
          Dispense corso di Lingua Inglese 1 – canale P-Z
              CdL «Arti e Scienze dello Spettacolo» L-3
                            a.a. 2019/2020
                   Docente: dott. Fabio Ciambella

       Materiale didattico destinato ad esclusivo uso interno
                  Modulo A – Libro di riferimento:
                 D. Crystal, The English Language
DIPARTIMENTO DI STORIA ANTROPOLOGIA RELIGIONI ARTE SPETTACOLO (SARAS) DISPENSE CORSO DI LINGUA INGLESE 1 - CANALE P-Z CDL "ARTI E SCIENZE DELLO ...
Dr. Fabio Ciambella

Say It Right: English phonetics,
phonology and morphology

     Dr Fabio Ciambella
        a.y. 2019/2020
      SEAI Department
  Sapienza University (Rome)
DIPARTIMENTO DI STORIA ANTROPOLOGIA RELIGIONI ARTE SPETTACOLO (SARAS) DISPENSE CORSO DI LINGUA INGLESE 1 - CANALE P-Z CDL "ARTI E SCIENZE DELLO ...
Dr. Fabio Ciambella

  The history of English                                  https://www.youtube.com/watch?v=SfKhlJIAhew

                           1. Old English (449 – XII century) [Late Old English/Early Middle English (1066 – XII cent.)]
                                                                          2. Middle English (XII – XV century) [1476?]
3. Modern English (XV century – today): [Early Modern (XV – mid-XVII cent.), Late Modern (mid-XVII cent. onwards)]

                                                                                                                      3
DIPARTIMENTO DI STORIA ANTROPOLOGIA RELIGIONI ARTE SPETTACOLO (SARAS) DISPENSE CORSO DI LINGUA INGLESE 1 - CANALE P-Z CDL "ARTI E SCIENZE DELLO ...
Dr. Fabio Ciambella

Old English/Anglo-Saxon

 449 – Angles, Saxons and Jutes arrived in Britain;
 AD 1000: Angelcynn → Englalond (language: Englisc);
 Weird spelling: sounds that were not present in the Latin alphabet (thorn þ, eth ð and ash
  æ);
 Inflected language: declensions and cases (that’s why the Saxon genitive is still with us);
 Varied word order: verbs before the subject or at the end of a sentence (like Latin);
 7 groups of ‘strong’ verbs (which mainly correspond to our modern irregular verbs)

                                                                                                4
DIPARTIMENTO DI STORIA ANTROPOLOGIA RELIGIONI ARTE SPETTACOLO (SARAS) DISPENSE CORSO DI LINGUA INGLESE 1 - CANALE P-Z CDL "ARTI E SCIENZE DELLO ...
Dr. Fabio Ciambella

           Old English: Its story
   Celts from Iberia were the first ‘invaders’ of the British Isles during the Iron Age (600 BC – AD 50);
   Romans (Julius Caesar 55 BC, Emperor Claudius AD 43-47, Hadrian’s Wall AD 122) → Signs of Latin language: cities in –chester, words like ‘street’;
   V century: Anglo-Saxons arrived → Celts escaped to Cornwall, Wales, Cumbria and Scotland (where Gaelic languages are spoken today);
   A few Celtic words came into English (River Thames, Greenwich);
   Dark age between 449 and 597 (when St. Augustine of Canterbury christianized England);
   Latin MMS with lists of Old English glosses (AD 700 → inscriptions and short poems) – 450 Latin words in English vocabulary;
   Viking/Danes invasions (787 – XI cent.);
   Most important literary output in Old English: Beowulf (MS Cotton Vitellus);
   4 extant MSS: 1) Junius, 2) Exeter Book, 3) Vercelli Book and 4) Cotton Vitellus or Nowell Codex;
   Most of these MSS date back to the reign of Alfred the Great (849-899) of Wessex, the king who stopped the Viking invasion at Edington in 878, ordered the translation
    of Latin works (among which the most important is Venerable Bede’s Ecclesiatical History) and began the writing of The Anglo-Saxon Chronicle;
   991: Viking invasion, king Aethelred can’t stop it and Vikings reign in England for 25 years;
   Effects on language (1,800 words):
    1.   Names of cities ending in –by, -thorp, -thwaite and –toft;
    2.   Nouns with sk-;
    3.   Personal pronoun ‘they/them’ and possessive ‘their’;
    4.   ‘Are’;
    5.   Articles and prepositions (no more declensions and cases)                                                                                                      5
DIPARTIMENTO DI STORIA ANTROPOLOGIA RELIGIONI ARTE SPETTACOLO (SARAS) DISPENSE CORSO DI LINGUA INGLESE 1 - CANALE P-Z CDL "ARTI E SCIENZE DELLO ...
Dr. Fabio Ciambella

            Old English dialects

                        Where modern English
                        comes from because
                        of London

               Most MSS were written
               in West Saxon
               because of Alfred

     Have fun with Old English:
     https://www.youtube.com/watch?v=FbbpXLUP_qY   6
DIPARTIMENTO DI STORIA ANTROPOLOGIA RELIGIONI ARTE SPETTACOLO (SARAS) DISPENSE CORSO DI LINGUA INGLESE 1 - CANALE P-Z CDL "ARTI E SCIENZE DELLO ...
Dr. Fabio Ciambella

       Runes and Futhark
 Invented in the Rhine river area (modern Germany and the Netherlands) because of commercial
  contacts between Germanic tribes and the Romans (→ influence of Latin alphabet);
 Futhark (from the name of the first six letters of the Runic alphabet);
 Originally 24 letters, in Britain 31 to cover all the sounds of Old English;
 Mystical meaning and secret messages;
 Ruthwell Cross in Dumfriesshire, Scotland (VIII century)

                                                                                            7
DIPARTIMENTO DI STORIA ANTROPOLOGIA RELIGIONI ARTE SPETTACOLO (SARAS) DISPENSE CORSO DI LINGUA INGLESE 1 - CANALE P-Z CDL "ARTI E SCIENZE DELLO ...
Dr. Fabio Ciambella

Runes today: The Bluetooth

 Jim Kardach of Intel (1990s) and his passion for Vikings;
 King Harald Blåtand of Denmark (958-986) and the CONNECTION
  (unification) of Scandinavian people;
 The macabre warriors with blue teeth;

                                                                8
DIPARTIMENTO DI STORIA ANTROPOLOGIA RELIGIONI ARTE SPETTACOLO (SARAS) DISPENSE CORSO DI LINGUA INGLESE 1 - CANALE P-Z CDL "ARTI E SCIENZE DELLO ...
Dr. Fabio Ciambella

       Middle English

 1066 – Battle of Hastings: William of Normandy conquered Britain;
 Not immediate effects of the French invasion (still texts in West Saxon dialect continued to
  be written until the mid-XII century);
 Peterborough Chronicle: first text in East Midland dialect, no French words;
 French barons and clergy members (influence of French language);
 3 languages spoken at the same time: English by the population, French by the Court and
  Latin by the Church;
 1204: King John lost Normandy → rise of English nationalism;
 1362: English used at Parliament for the first time

https://www.youtube.com/watch?v=LtGoBZ4D4_E
https://www.youtube.com/watch?v=ZJJbad0R1Q0
                                                                                                 9
DIPARTIMENTO DI STORIA ANTROPOLOGIA RELIGIONI ARTE SPETTACOLO (SARAS) DISPENSE CORSO DI LINGUA INGLESE 1 - CANALE P-Z CDL "ARTI E SCIENZE DELLO ...
Dr. Fabio Ciambella

Middle English vocabulary

 10,000 French words entered Middle English vocabulary;
 Law and administration, medicine, art and fashion (3/4 still used today);
 New French words substituted the Old English ones, but in most cases the two versions co-
  existed;
 XIV-XV century: new flux of Latin words (1348: John Wycliffe’s Bible) → sets of 3 words
  expressing the same concept (e.g. Old English ‘time’, French ‘age’, Latin ‘epoch’) with
  the Old English version being ‘popular’, the French one literary and the Latin one learned

                                                                                               10
Dr. Fabio Ciambella

Middle English grammar

 Declensions finally died away (except the possessive ‘s and some accusative forms of
  personal pronouns) → word order becomes strict;
 Verb endings remained the same ( present –s and past tense –ed simplification occurred
  after Middle English);
 Some irregular verbs became regular;
 –s was employed for most plural nouns

                                                                                           11
Dr. Fabio Ciambella

Middle English spelling and pronunciation

 Spelling changed a lot thanks to Norman scribes who didn’t understand Old English
  sounds (e.g. cw → qu; c → ch; thorn þ, eth ð and ash æ disappeared);
 Some words beginning with /h/ dropped the /h/ sound

                                                                                      12
Dr. Fabio Ciambella

      Literary output

   XIV century:
   1. Sir Gawayne an the Grene Knight (c. 1350);
   2. Langland’s Piers Plowman (c. 1360);
   3. Pearl (c. 1375);
   4. Wycliffe’s Bible (1382-1395);
   5. Chaucer’s The Canterbury Tales (most important
      achievement in Middle English) – 1387-1400
      (published 1476)

https://www.youtube.com/watch?v=e0ybnLRf3gU
                                                                   13
Dr. Fabio Ciambella

The Great Vowel Shift

 1400-1600: 7 long vowels of Middle English varied (higher and forward) very quickly →
  pronunciation changed;
 1476: Caxton brought printing in England → spelling was fixed;
 As a consequence, while pronunciation evolves even today, we use the same spelling Chaucer
  used!

                                                                                               14
Dr. Fabio Ciambella

        Middle English dialects:
      towards standard English

  East Midland dialect at the base of modern standard
   English (‘Golden triangle’: London, Oxford and
   Cambridge);
  Agricultural area and wool trade;
  Bridge between Northern and Southern dialects;
  Caxton set up his printing press in Westminster, London

                                                         15
Dr. Fabio Ciambella

      (Early) Modern English (1)

 XVI century: scholars begin to talk about language (Cheke
  proposed to eliminate all the silent letters in 1569, Bullokar
  proposed a new alphabet of 37 letters in 1560, and in 1604
  Cadrey published a first, rudimental modern English
  dictionary, A Table Alphabeticall);
 Standard English had to be defined if people wanted to
  understand what books contained;
 This process took 100 years (XVII century)

                                                                   16
Dr. Fabio Ciambella

(Early) Modern English (2): The Renaissance

 From Caxton (XV century) to mid-XVII century (Cromwell’s civil war);
 Interest for new publications and Latin and Greek classics;
 Double tendency: ‘inkhorn’ terms (new words from over 50 foreign languages come into
  English through affixation and conversion), Chaucerism (willingness to revive obsolete
  English words);
 Latin was used by scientists and in the XVII century by the Church (only Catholic)

                                                                                           17
Dr. Fabio Ciambella

(Early) Modern English (3): Shakespeare and the Bible

                                 Two main influences of the time
                                  (apart from Caxton’s printing press):
                                  works by William Shakespeare and
                                                                          https://www.youtube.com/w
                                  the Authorized Version of the Bible (or
                                                                          atch?v=4L9wh3-6wHM
                                  King James’s Bible, 1611);
                                 Shakespeare introduced a lot of https://www.youtube.com/w
                                  idioms (e.g. ‘It’s Greek to me’, ‘Make atch?v=qYiYd9RcK5M&t=25s
https://www.youtube.com/watch     a virtue of necessity’, etc.) – his
?v=TsPtb8pkAuY                    vocabulary was of about 20,000
                                  words;
                                 The language in King James’s Bible
                                  (and consequently in the Book of the
                                  Common Prayer, 1549 and 1662, this
                                  latter the version we still use today) is
                                  more conservative – 8,000 words, look
                                  backwards in grammar
                                                                                                 18
Dr. Fabio Ciambella

(Early) Modern English (4): Shakespeare vs. Bible

    Irregular verbs still have their old forms in the Bible (e.g. ‘spake’ for ‘spoke’ or ‘holpen’ for
     ‘helped’);
    Old words are still in use; no use of ‘do’ in questions or negative form (Shakespeare alternates);
    The northern form of the 3rd person’s –s is found sometimes in Shakespeare, but the Bible still
     always uses –eth;
    2nd person singular subject pronoun was thou, the object thee, the possessive adj. thy and the
     possessive pronoun thine;
    2nd person plural subject pronoun was ye, the object you, the possessive adj. your and the
     possessive pronoun yours;
    His was used also for its;
    Will was found only in informal context (so in Shakespeare), shall was used in formal contexts;
    Double superlatives (e.g. the most highest);
    Prepositions were used differently
                                                                                                          19
Dr. Fabio Ciambella

(Late) Modern English (5): The age of the
dictionary (The age of Johnson)

   1604: A Table Alphabeticall (dictionary of difficult words);
   1721: The Universal Etymological English Dictionary (N. Bailey);
   XVII-XVIII century: feeling of unease about the language (e.g. some added letters to
    words claiming that they were from Latin, but they weren’t: island and scissors);
   Proposal for an English Academy (following the example of the Italian Accademia della
    Crusca in 1583 or the Académie française in 1622)

                                                                                            20
Dr. Fabio Ciambella

(Late) Modern English (5): Johnson’s Dictionary

  1755: Definition of over 40,000 words (it influenced Lowth’s
   Short Introduction to English Grammar in 1762 or Murray’s
   English Grammar in 1794);
  Origin of some current grammar controversies;
  Shall vs. will;
  A sentence can’t finish with a preposition;
  Two negatives make an affirmative

                                                                  21
Dr. Fabio Ciambella

(Late) Modern English (6): from the Industrial
Revolution to today

    Thousands of new words especially in Science and Technology;
    Pronunciation and grammar have had little changes;
    Three main events characterized the development/enrichment of (Late) Modern English
     vocabulary:
   1. Industrial Revolution (e.g. ‘railway’, ‘train’, ‘engine’, but also scientific words from Latin
      and Greek, like ‘oxygen’, ‘caffeine’, ‘bacteria’, ‘biology’, etc.);
   2. Rise of the British Empire and the successive development of the USA after 1776 (e.g.
      ‘boomerang’, ‘kangaroo’ from Australia, ‘jungle’, ‘pyjamas’, ‘shampoo’ from India,
      ‘tomato’, ‘potato’ from North America);
   3. New technologies and internet (e.g. ‘to text’, ‘to google’, etc.)
      https://theconversation.com/what-will-the-english-language-be-like-in-100-years-50284
                                                                                                       22
Dr. Fabio Ciambella

                                                                   Mutual
                                                                   agreement
                                                                   among
                                                                   authonomous
                                                                   states (the
                                                                   King/Queen of
                                                                   the UK is only a
                                                                   representative
                                                                   head of State)
Different nations
governed by one
single emperor
(same set of laws,
etc.)

                     https://www.youtube.com/watch?v=BsvL8uv4A_I

                                                                                 23
Dr. Fabio Ciambella

                                 English today (1)

                               Accents and dialects underline both
                                regional and social diversification;
                               ‘Americanization’ of world culture
                                (above all thanks to pop, dance, rap
https://en.oxforddictionari
                                music and TV series);
es.com/definition/americ       Main influence of English → vocabulary
anization
                                (loans);
                               Mixed languages → Franglais, Japlish,
                                but above all Spanglish (Tex-Mex)

                                                           https://www.youtube.com/watch?v=eMQJVtrpG4Y
                                                                                                     24
Dr. Fabio Ciambella

English today (2): Social identity

                   Age, occupation and sex
                   Vocabulary (1. what happened to words like
                    ‘postman’? → sexually neutral language, 2.
                    New words like ‘transgender’, ‘bromance’);
                   Grammar/written language → (s)he or they or
                    change sentence;

                                                                  25
Dr. Fabio Ciambella

English today (3): Gender issues

                                        26
Dr. Fabio Ciambella

Vocabulary

 500,000 – 2,000,000 words;
 Counting from written English (→ standard forms which sound educated);
 Core vocabulary → half a mln words;
 Creating new words:
    1. Borrowings (loans);
    2. Affixes (morphemes attached to a word to create new words): prefixes, infixes, suffixes;
    3. Conversion (change of grammatical function; e.g. ‘water’);
    4. Compounds;
    5. Abbreviations, contractions, blendings, acronyms, initialisms;
    6. Repetition (e.g. zigzag);
 English has a wider core vocabulary than any other language in the world → foreign influences,
  flexibility;
 Objections for words that are changing (e.g. gay, verbs in –ize);
 Passive vocabulary richer than active                                                            27
Dr. Fabio Ciambella

Spelling (1): The origin of irregularities

Irregularities are due to:
 Roman missionaries who didn’t understand some sounds of Old English (not enogh Latin letters
  to reproduce Old English sounds→ Runes; e.g. th → ð). Some graphemes could reproduce
  different sounds (e.g. the grapheme ‘g’ for /ʤ/ and /g/);
 French scribes (after 1066) replaced some Old English spelling because they didn’t understand
  it (1. ‘cw’ became ‘qu’; 2. ‘gh’ instead of ‘h’ as in ‘night’; 3. ‘ch’ instead of ‘c’ as in ‘chair’; 4.
  ‘ou’ instead of ‘u’ as in ‘neighbour’; 5. when ‘u’ was next to ‘v’, ‘n’ or ‘m’ it was replaced by ‘o’
  because they were written similarly as in ‘one’);
 1476 William Caxton introduced the printing in England. Necessity to adopt a ‘standardized’
  spelling and made it stable. Unfortunately, in those centuries, while spelling was becoming
  stable, pronunciation began to change (see ‘Great vowel shift’). So, our spelling is the same of
  Chaucer’s time, but pronunciation keep changing.
 XVI century: showing etymology in spelling (e.g. they added a ‘b’ in ‘debt’ to underline its Latin
  origin from ‘deBitum’) and attempts to amalgamate some spelling forms (e.g. ‘gh’ was added
  in ‘delight’ because ‘light’ was spelled with ’gh’ );
 XVII century: loans (French, Latin, Greek, Spanish, Italian, Portuguese, etc.)
                                                                                                            28
Dr. Fabio Ciambella

 Spelling (2): Reform attempts

   1876: Spelling Reform Association (USA)
   1908: British Simplified Spelling Society (UK)

1949: Nue Spelling (NS)                                           1980s: International English
presented to Parliament                                               Spelling (Interspel)
                                                                    By V. Hule at Harvard
                              Pros                                     Cons
             • Language would be easier to            • Practical introduction;
               learn (for children and                • Acceptance by everyone;
               foreigners);                           • Gradual or neat change
             • Writing would become quicker;
                                                                                                 29
Dr. Fabio Ciambella

       Uses of English: Language variety

 Tendency to refer to ‘English languages’ or new ‘Englishes’
 Accent (way of pronouncing which identifies the speaker’s place of origin; except RP speakers who are
  simply identified as British. Mixed accents are fashionable today) vs. dialect (includes not only
  pronunciation, but also variations in grammar, vocabulary and spelling). Dialects is mostly used in
  informal context (colloquial speech or vernacular literature)
 Speech (inexplicit, spontaneous, informal and domestic vocabulary, manoeuvring strategies, tone of
  voice) vs writing (explicit, structurally intricate, precise vocabulary, organization, graphic features);
 Social groups’ slang (especially religious and legal English)

                                                           "I, ___, take thee, ___, to be my wedded husband/wife, to have and
                                                           to hold, from this day forward, for better, for worse, for richer, for
                                                           poorer, in sickness and in health, to love and to cherish, till death do
https://www.youtube.com/watch?v=oD0XUcJ9stM                us part, according to God's holy ordinance; and thereto I pledge
                                                           thee my faith [or] pledge myself to you."
                                                                                                                                30
Dr. Fabio Ciambella

       Technology (1)

 Netspeak (Internet as a medium of linguistic communication)
1. E-mails
2. WWW
3. Synchronous and asynchronous chatgroups (MSN)
4. Virtual worlds (Second Life)
5. Social media
 No traditional speaking or writing;
 ‘Written speech’:
 Writing → typing
 Speech → quickness, segmental properties, but no intonation,
  stress, rhythm (emoticons)
                                                                   31
Dr. Fabio Ciambella

       Technology (2): Netspeak future(s)

 New words created an inserted in everyday English vocabulary (e.g. selfie);
 Compounds:
   1. Repetition (e.g. mouse, mousepad; web, webcam);
   2. Cyber- & hyper-;
   3. At (@);
   4. Blends (e.g. internaut);
   5. Replacing a word-element by a similar sound item (e.g. ‘dot’);
   6. Acronyms (e.g. HTML, FAQ, URL)
 Graphology (different use of capital letters; e.g. capitals in emails or text
  messages)
 Spelling (American more common than British; e.g. plural in –z)
 Minimal punctuation
                                                                                  32
Dr. Fabio Ciambella

 Technology (3): Texting

Smaller screens + smaller keypads → more abbreviated language (e.g. 2day, CUl8r, RUOk?, ASAP)

                                                                                                33
Dr. Fabio Ciambella

‘Standard’ English (1)

https://www.youtube.com/watch?v=d_IBM8xeduc                  34
Dr. Fabio Ciambella

‘Standard’ English (2)

 It’s a social convention (3-5% of the English population – almost 2 mln people);
 Process of ‘standardization’: selection, codification (its use has been described in
  grammar books and dictionaries) and stabilization;
 The role of the Royal Court in London (pre-standard English) → mixed dialect, since people
  who spoke it were from different areas of the south f England around London;
 Grammatical peculiarities:
   1. No distinction between the forms of ‘do’ when it is auxiliary or main verb;
   2. No double negative (no negative concord);
   3. Irregular reflexive pronouns (e.g. ‘myself’ from the adj., ‘himself’ from the pronoun)
   4. Past tense of ‘to be’ distinguished ‘was’ from ‘were’;
   5. In many forms, Standard English distinguishes between past tense and past participle.

                                                                                               35
Dr. Fabio Ciambella

World Standard English

 Language which is universally intelligible;
 USA first world country;
 Plain English → trend in contemporary language (official) above all for companies (UK’s Golden
  Bull awards for the organizations that produce the clearest documents; Double-speak award in
  the USA);
 Plain English involves economy, health and safety;
 Plain English vademecum (some points are from Orwell’s Politics and the English Language,
  1947):
1. Short words, sentences and paragraphs
2. Concrete words
3. Avoid passive voice
4. Never use a metaphor
5. Cut a word if not necessary
6. Never use a foreign word/phrase, a scientific word or a jargon word if there’s a plain English
   equivalent
                                                                                                    36
Dr. Fabio Ciambella

  Current situation of the English language

  Kachru’s 3-circle model of World Englishes (1992):
   ENL (English as a Native Language) – 400 mln speakers (about 250 mln Americans, the rest
    is made up of British, Irish, Australians, New Zealanders, Canadians, South Africans);
   ESL (English as a Second Language) – c. 400 mln, 70 countries (English is somehow
    recognised as an ‘official’ language). Especially in African and Asian countries where their
    native languages are 1) inadequate for communication and/or 2) it is completely arbitrary
    to choose one single language among the them (on the same footing). Population grows
    quickly;
   EFL (English as a Foreign Language) – c. 700 mln. The rest of the world learn English at
    school.

1.5 bln people speak English                                                STANDARD
                                                                                                   37
Dr. Fabio Ciambella

Kachru’s 3-circle model (1992)

                     ENL
                     ESL
                     EFL
                                       38
Dr. Fabio Ciambella

      ENL                    Crystal’s iceberg (1988)

ESL         EFL

                                                    39
Dipartimento di Storia Antropologia Religioni Arte Spettacolo (SARAS)
           Dispense corso di Lingua Inglese 1 – canale P-Z
               CdL «Arti e Scienze dello Spettacolo» L-3
                             a.a. 2019/2020
                    Docente: dott. Fabio Ciambella

        Materiale didattico destinato ad esclusivo uso interno
                     Modulo B – Libro di riferimento:
P. Skandera e P. Burleigh, A Manual of English Phonetics and Phonology
Dr. Fabio Ciambella

     The structure of the English language

1. Phonetics/phonology = pronunciation

2. Morphology = structure of words
                                        Morphosyntax=grammar
3. Syntax = sentence patterns

4. Lexicology and semantics = vocabulary

                                                               41
Dr. Fabio Ciambella

Phonetics/phonology

 Aural competence: We hear, then we learn to speak, and then to read and write;
 Learn about writing first, then about speaking (thinking about speaking in terms of writing);
 Phonetics: study of how sounds             are     produced,      transmitted   and   perceived   =   parole   (de
  Saussure)/performance (Chomsky):
     1. Articulatory: how vocal organs are used to produce sounds;
     2. Acoustic: how air vibrates when sounds are produced;
     3. Auditory: how sounds are perceived ad decodified from the ear to the brain;
 Phonology: study of the speakers’ knowledge of a sound system of a language = langue
  (Saussure)/competence (Chomsky):
     1. Segmental: individual speech sounds and how they combine;
     2. Suprasegmental (prosody): stress, rhythm and intonation (or pitch)

             Speaker’s brain                                 Phonology
             Speaker’s mouth                                 Articulatory phonetics
             Transmission of sound through air               Acoustic phonetics
             Listener’s ear                                  Auditory phonetics
             Listener’s brain                                Phonology
                                                                                                                       42
Dr. Fabio Ciambella

A matter of…standard

 Standard = variety of language associated with well educated people;
 Standard British English (UK) – King’s/Queen’s English, BBC English, Oxford English, etc.;
 General American (US);
 A standard has a fixed grammar and vocabulary, but its pronunciation can change;<
  according to different accents;
 The most prestigious accent in a standard variety of language becomes the model on
  which pronunciation is taught (e.g. RP in the UK or Network Standard/English in the US);
 RP is spoken by 3-4%;
 Most educated British people talk something called modified or near RP.

                                                                                               43
Dr. Fabio Ciambella

Describing speech sounds

 There are 9 parameters:
1. Loudness – Amplitude of the vibration of the vocal cords;
2. Pitch – Frequency of the vibration of the vocal cords;
3. Tone of voice (timbre) – Variation in the pitch;
4. Duration (phonetics) & length (phonology); e.g. No vs Noooooo
5. Air-stream mechanism – All sounds of English are produced through an egressive (=outwards)
   pulmonic air-stream mechanism;
6. Voicing – It depends on the state of the glottis (the space between the vocal cords). If the
   space is narrow, the cords vibrate and the sound is voiced, vice versa the sound is voiceless. A
   third possibility is when the glottis is completely closed: the «sound» produced is called glottal
   stop as in many varieties of English around the world;
7. Intensity of articulation – lenis vs fortis articulation (it depends on the breath force);
8. Place of articulation – the place in the pharynx where the sound is obstructed;
9. Manner of articulation – how much speech organs are closed
                                                                                                        44
Dr. Fabio Ciambella

The International Phonetic Alphabet (IPA)

 Phonetic transcription: visual representation of speech sounds through phonetic symbols. A set of phonetic
  symbols creates a phonetic alphabet;
 It is based on the phonographic relationship (correspondence between speech and writing), given the
  highly fluctuating spelling of English;
 1886-1888 by a group of French and British linguists led by Passy who formed the International Phonetic
  Association;
 IPA → alphabetic system of phonetic notation to standardize the representation of the sounds of any
  language;
 Slashes / / signal a broad (phonemic or phonological) transcription → it indicates only a general, abstract
  transcription of the most noticeable phonetic characteristic of an utterance (langue/competence);
 Square brackets [ ] signal a narrow (phonetic) transcription, concrete utterances (parole/performance);
    NB.: For pedagogical reasons, an inbetween transciption is adopted (referred to as broad phonetic
    transcription, in square brackets, which is a phonemic transcription with some of the details of phonetic
    transcription)
 Pointed brackets  or single quotation marks ‘’ signal ordinary written letters;
    E.g. /k/ represent an abstract sound, the sound how it should be pronounced according to the standard;
    [k] represent a concrete sound, a sound produced by a speaker;
     is the letter ‘k’ as in the word “kite”                                                                45
Dr. Fabio Ciambella

Phonemes and phones

 Phoneme: abstract concept corresponding to the smallest unit in the sound system of a
  language (phonology) – e.g. /a:/;
 Phone: concrete realisation of a phoneme by speakers (phonetics) – e.g. [a:];
 To understand how many phonemes are there in a language, linguists contrast pairs of
  words (called ‘minimal pairs’) in which a change of phoneme corresponds to a change in
  meaning (e.g. time vs rhyme) and they find the phonemic inventory of a language;

                                                                                           46
Dr. Fabio Ciambella

The
phonemic
chart

                                 47
Dr. Fabio Ciambella

       Consonant sounds: classification

        Consonant: obstruction of the air-stream in the pharynx or in the vocal tract;
        VPM label: classification of the consonants according to:
        Voicing – are vocal chords used?;
        Place of articulation (13) – where the air is obstructed;
        Manner of articulation – nature of the air obstruction
Voicing                              Place of articulation                Manner of articulation
Voiced;                              Bilabial (p, b, m);                  Plosive or stop (p, t, k, b, d, g);
Voiceless                            Labio-dental (f, v);                 Fricative(f, v, θ, ð, s, z, ʃ, ʒ, h);
                                     (Inter)dental (θ, ð);                Affricate (tʃ, dʒ);
                                     Alveolar (t, d, s, z, n, l);         Nasal (m, n, ŋ);
                                     Postalveolar (r);                    Lateral or liquid (l);
                                     Palato-alveolar (ʃ, ʒ, tʃ, dʒ);      Approximant or glide (r, j, w)
                                     Palatal (j);
                                     Velar (k, g, ŋ);                                                             48
Dr. Fabio Ciambella

       Places of articulation

 Bilabial: lips are brought together;
 Labio-dental: upper teeth touch;
 Intradental: the tip of the tongue is between upper
  and lower teeth;
 Alveolar: tip of the tongue touches the alveolar ridge;
 Palato-alveolar: blade of the tongue touches the
  area between the alveolar ridge and the hard palate;
 Palatal: blade of the tongue touches the hard palate;
 Velar: back of the tongue touches the soft
  palate/velum;
 Glottal: the air passes through the vocal chords and it
  is narrowed
                                                                        49
Dr. Fabio Ciambella

Manner of articulation

 Plosives (or stops): Complete closure in the mouth. The air is blocked for a while and then
  released with a plosion;
 Fricatives: Non-complete closure. The obstruction provokes a friction;
 Affricates: Combination of plosives and fricatives – initial complete closure and then a
  release that moves backwards;
 Nasals: Complete closure in the mouth but the air goes through the nose;
 Laterals: The ait goes through the sides of the tongue;
 Approximants: the tongue doesn’t touch anywhere, it approaches the roof of the mouth
  but there’s no obstruction

                                                                                                50
Dr. Fabio Ciambella

      The consonant table

21 graphemes vs. 24 consonant sounds

        =Fortis                        =Lenis                         51
Dr. Fabio Ciambella

Semi-vowels

         Consonants                             Vowels
         1. Obstruction of the air;             1. No obstruction of the air;
         2. They occur at the margins of        2. They occur in the middle of
            syllables                              syllables

 Glides (/w/ and /j/) are considered semi-vowels (or semi-consonants) because the occur
  at the margins of syllables like consonants, but they are produced without any obstraction
  of the air-stream like vowels.

                                                                                               52
Dr. Fabio Ciambella

          The vowel chart
https://www.tolearnenglish.com/exercises/exercise-                                https://agendaweb.org/phonetic-intermediate
english-2/exercise-english-20336.php
5 graphemes (a, e, i, o ,u, + 2 semi-vowels: w, y) vs. 20 vowel sounds (12 monophthongs [7 short and 5 long ] + 8 diphthongs)
                                                                                 The shwa sound is the sound that occurs in unstressed syllables in
                                                                                  English (that’s the reason why it is the most widespread sound in
1. Closeness/openness (tongue            Vowel quadrilateral   (by D. Jones)         the English language). Some linguists call it ‘neutral vowel’ or
height) – distance between the
tongue and the palate:                                                                                                             ‘reduced vowel’.
•    Close,
•    Mid-close
•    In the middle,
•    Mid-open                       Mid-close
•    Open
2. Frontness/backness – which part of
the tongue is raised highest?
•    front,
•    centre,                              Mid-open
•    Back
3. Shape of the lips (not distinctive in
English)

   https://www.youtube.com/watch?v=72M770xTvaU https://www.youtube.com/watch?v=d1HZPx8DuDw
                                                                                                                                                        53
Dr. Fabio Ciambella

              Citation form vs. Connected speech
Ex. 1: Would you like a piece of cake? /wʊd juː laɪk ə piːs ɒv keɪk/ → CITATION FORM
Ex. 2: Would you like a piece of cake? [wəʤʊ’laɪkə’piːsəv’keɪk] → CONNECTED SPEECH

What happened?
     Liaison/Catenation/Linking (unifying two sounds without anything happening)
      Particular examples are the linking r (meaning the pronunciation of the /r/ sound when it shouldn’t, at least in the majority of non-rhotic accents, e.g. ‘far’ /fa:/ vs ‘far away’ /fa:r əweɪ/) and the intrusive r (the
      letter  is not even present in the two or more words, but the sound is inserted because the previous words ends with a vowel and the following word begins with another vowel, e.g. law and order /lɔ:r ən ɔ:də/
     Assimilation (the articulation of one sound influences its neighbouring sound)
      There are four categories of assimilation:
      1.Contiguous (contact) assimilation (ex. That book → [ðæp bʊk]) vs non-contiguous (distant) assimilation;
      2.Progressive assimilation (influence of a preceding sound, e.g. asked → [æskt]), regressive assimilation (influence of a following sound, e.g. have to → [hæf tʊ]) and mutual assimilation (both sounds influence
      each other, e.g. don’t you → [dəʊntʃu]). When /t, d, s, z/ merge with /j/ and form /tʃ, dʒ, ʃ, ʒ/ this is called yod coalescence;
      3.Assimilation of intensity (voiceless sounds influence voiced sounds and vice versa, e.g. have to), of place (regressive and affects alveolars, e.g. that book) and of manner (e.g. in the → ɪnnə);
      4.Partial assimilation (the two sounds remain distinguishable even if they change one of their features, e.g. “have to”, where the sound /v/ changes only its voicing, but not place or manner of articulation) vs
      total assimilation (one of the two sounds becomes identical with the following (e.g. Good boy → [gʊbbɔɪ]
     Elision (dropping of sounds)
      There are two categories of elision:
      1.Elision based on the kind of sound omitted: elision of consonants, above all in consonant clusters (e.g. next please → [neks pli:z]), elision of vowels (e.g. evening → [ɪvnɪŋ]), elision of whole syllables (e.g.
      particularly → [pətɪkjəlɪ]);
      2.Elision based on the position of the sounds omitted: apheresis, at the beginning of a word (e.g. knife, lone. When entire parts of words are omitted at the beginning, this is called clipping, e.g. ‘bus’ from
      ‘omnibus’), syncope, in the middle of a word (e.g. listen, often, etc.), apocope, at the end of a word (e.g. tomb, dumb, etc. When entire parts of words are elided at the end, this is called back-clipping, e.g.
      hippo, lab, etc.);
     Intrusion (adding sounds that are not represented in the spelling; see ‘intrusive r’ in RP)

In connected speech content words tend not to alter their pronunciation, while function words are reduced.
                                                                                                                                                                                                                             54
Dr. Fabio Ciambella

Rhoticity: rhotic vs. non-rhotic accents

 Distinction coined by Wells;
 Rhotic (r-pronouncing/r-full) accents: /r/ sound is pronunced whenever is ortographically
  present;
 Non-rhotic (non-r-pronouncing/r-less) accents: /r/ is pronounced only in two positions:
1. Syllable-initial;
                                 Rhotic accents                      Non-rhotic accents
2. Intervocalically;
                       CanEng                                 AfEng
                       IndEng                                 AusEng
                       IrEng                                  EngEng
                       South-western EngEng                   NZEng
                       ScotEng                                SAfEng
                       Northern USEng (apart from Boston      Southern USEng
                       area of New England and New            WEng
                       York)                                  WInEng in the Caribbean         55
Dr. Fabio Ciambella

Rhythm:
Stress-timed vs. syllable-timed languages

 Isochrony: Branch of phonology that studies the rhythmic division of time into portions;
 Stress-timed languages (e.g. Standard English): regular intervals between two stresses. The
  interval between a stress and the last syllable before the next stress is called foot. In stress-timed
  languages one foot can contain an indefinite number of syllables (this is called compression).
  The more syllables there are in one foot, the more vowels will be reduced and weak forms used;
 Syllable-timed languages (e.g. Italian): regular intervals between syllables. No syllables are
  pronounced faster than the others (so no compression or reduction of vowel sounds);
 Why is English so difficult to understand?
 Stress-timed language → All the unstressed syllables between two accents, NO MATTER HOW
  MANY THEY ARE, have to be squeezed to fit the beat of the stress. That’s why function words,
  especially in informal connected speech, are unstressed in a sentence. They are not necessary
  to the entire meaning of a sentence (given by content words), so they are squeezed together
  (think about rap!);
 Example: Bob        is                a       doctor.
              Bob    Is    a      good          doctor.
              Bob     is a very good            doctor.
              Bob    is certainly a very good   doctor.                                                    56
Dr. Fabio Ciambella

Content vs. function words

 Content or lexical words: they carry the meaning (mainly nouns, lexical verbs, adjectives,
  most adverbs). They are an open class because the number of content words is
  potentially infinite;
 Function or grammatical words: they connect or qualify content words (prepositions,
  pronouns, auxiliary verbs, conjunctions, articles). They are a closed class because the
  number of function words is finite, limited.

                                                                                               57
Dr. Fabio Ciambella

               Intonation (=pitch movement)
     In all languages, intonation has the following characteristics:
      1. All languages have intonation;
      2. It is the variation of pitch and prominence;
      3. It has 4 functions: 1) Structural (it signals the grammatical role of an utterance), 2) Accentual (it helps focusing on certain words in connected speech), 3) Attitudinal (speakers’ orientation towards what they
      say), 4) Discursive (it regulates turn-taking in conversation);
      4. Intonation patterns are limited and determined;
      5. To analyse it, continuous speech can broken into smaller units
     Pitch: frequency of vibration of the vocal cords (faster vibration=higher pitch). It is the fundamental frequency of the voice (F0) measured in hertz (120 for males and 210 for females)
     Tone: pitch movement of accents (auditory sensation perceived by the hearer);
     Connected speech can be divided into utterances (a unit that begins and ends with a pause). Utterances can be divided into tone units, smaller units where a single pitch movement occur;
     A tone unit is generally divided into four components: 1. The tonic syllable TS or nucleus (the last prominent syllable of the unit); 2. The head H, from the first prominent syllable to the syllable preceding the nucleus;
      3. The pre-head PH, meaning all the non-prominent syllables before the head; 4. the tail T, from the nucleus to the end of the unit
                                                                                                       I | saw an amazing|mo | vie.
                                                                                                     PH            H           TS     T
     Two kinds of tones (falling and rising) which can also be combined into five intonation patterns with the following functions:
1.    Fall: English unmarked (= default, general, habitual) intonation is falling, from high pitch to low pitch. After the nucleus the intonation stays low. Falling intonation is used for statements (e.g. I’m from China),
      commands (e.g. Just sit down!), exclamations (e.g. What a lovely day!), second part of alternative questions (e.g. Do you prefer kebab or pizza?), wh-word questions (e.g. Where are you from?);
2.    Rise: Rising intonation is used for general yes/no questions that begin with an auxiliary verb (e.g. Can you ski?), introductory clauses (e.g. When I graduate, I’ll go and find a job in Tasmania), first part of alternative
      questions (e.g. Do you prefer kebab or pizza?), initial vocatives (e.g. Ben, where are you?), lists (e.g. Can you buy some milk, biscuits, and chocolate?);
3.    Fall-rise: It is used to confirm an equal participation in the discourse → shared information (e.g. We’re on time, aren’t we?), confirming information (e.g. No, we can’t, it’s too late), ask for permission (e.g. May I go
      to the toilet, please?) , reassure (e.g. Everything’s gonna be all right);
4.    Rise-fall: it is used for personal impressions → strong positive attitude (e.g. it’s a beautiful day!), surprise (e.g. I can’t believe it!);
5.    High key: the pitch stays high → strong disagreement or agreement (e.g. You’re definitely wrong/right!)
NB: Tag-questions: 1) If the expected answer is yes, intonation is falling (e.g. You’re a vet, aren’t you?); 2) If I’m not sure about the answer, intonation is rising (e.g. You’re ok, aren’t you?)
                                                                                                                                                                                                                                58
Dipartimento di Storia Antropologia Religioni Arte Spettacolo (SARAS)
          Dispense corso di Lingua Inglese 1 – canale P-Z
              CdL «Arti e Scienze dello Spettacolo» L-3
                            a.a. 2019/2020
                   Docente: dott. Fabio Ciambella

       Materiale didattico destinato ad esclusivo uso interno
                  Modulo C – Libro di riferimento:
   A. Carstairs-McCarthy, An Introduction to English Morphology
Dr. Fabio Ciambella

        Morphology (Grammar and vocabulary)

 Morphology: study of the structure of words and the relationships among them;
 Morpheme: minimal unit of morphology. Words may be monomorphemic (only one morpheme, e.g.
  Read!) or polymorphemic (2+ morphemes, e.g. dis|respect|ful). In polymorphemic words there is a
  morpheme which carries the main meaning of the word and it is called stem or root (e.g. in ‘disrespectful’,
  the morpheme ‘respect’ is the stem);
 According to the way morphemes connect with each other, there are two kinds of morphemes: free
  (which can stand on their own as words, e.g. respect, mainly of German origin)and bound (which have no
  full meaning alone, e.g. appl-, generally of Latin/French origin)
 Two branches of morphology (according to the way new words are formed):
1. Inflectional (inflected forms of words);
2. Derivational (affixation)

                                                                                                           60
Dr. Fabio Ciambella

Inflectional morphology

 It concerns changing, modifying the shape of words according to the grammatical context
  they are inserted in.
 In English the maximum number of inflections is small and the affect:
1. Nouns (2 inflectional morphemes, e.g. pen, pens);
2. Verbs (maximum of 5, e.g. drive, drives, driving, drove, driven);
3. Adjectives and adverbs (3, e.g. hard, harder, hardest)
 So, generally speaking, the regular endings (inflectional morphemes) in English are:
1. -(‘)s (plural, 3rd person present tense, Saxon genitive);
2. -ed (past tense, past participle);
3. -ing                                 + irregular plurals
4. -n’t (negative form)                 + irregular comparatives and superlatives
                                        + 300 irregular verbs
5. -er
6. -est
                                                                                            61
Dr. Fabio Ciambella

Inflectional morphology: number

 The regular inflection to mark the plural in English is –s;
 Irregular inflections include:
1. –i (e.g. fungus – fungi);
2. -ae (e.g. alga – algae);                            Borrowings from Latin and Greek
3. -a (e.g. aquarium – aquaria)
4. -(r)en (e.g. child – children, ox – oxen)
 Some nouns change their root to mark the plural (e.g. man – men)
 Some nouns do not display any change when forming the plural (e.g. fish, sheep, deer,
  trout, etc.);
 Some nouns are pluralia tantum (e.g. trousers, scissors, etc.)

                                                                                          62
Dr. Fabio Ciambella

Inflectional morphology: case

 The only inflection which denotes and contrasts cases in English concerns personal
  pronouns (subj. and obj.), possessive adj. and pronouns (he, she, it – him, her, it – his, her, its
  – his, hers, its)

                                                                                                        63
Dr. Fabio Ciambella

         Inflectional morphology: tenses

 Maximum five distinct forms:
1. Base form
2. 3rd person singular –s;
3. Irregular past tense;
4. Irregular past participle (different from the past tense);
5.   -ing form;
 The verb ‘to be’ is an exceptional verb since it has 8 forms (‘be’ is the base form, ‘am/are/is’ form for the
  present tense, ‘was/were’ for the past tense, ‘been’ for the past participle, and the –ing form ‘being’);
 Some verbs have four forms (regular verbs at the past tense, or irregular verbs which have the same past tense
  and past participle forms, e.g. start, burn, etc.). When two forms are identical, but have two different functions,
  they are syncretised;
 Some verbs have three forms (irregular verbs whose base form, past tense and past participle are identical
  (e.g. cut, cost, etc.);
 A few verbs (mainly modals) have only two forms (e.g. the verb ‘can’ has only a base form and a past tense
  form, since it doesn’t add –s at the 3rd person singular of the present tense, has no –ing form and its past
  participle is the periphrastic form ‘been able to’)                                                       64
Dr. Fabio Ciambella

Derivational morphology

 New words are formed through affixes (prefixes – before the root – and suffixes – after the
  root);
 Some derived words can be formed in some non-affixal way:
   1. Stress change with noun/verb homographs (e.g. noun ‘suspect’, verb ‘suspect’);
   2. Final consonant change (e.g. noun ‘advice/practice’, verb ‘advise/practise’);
   3. Vowel change or addition (magic ‘e’) (e.g. noun ‘song’, verb ‘sing’; noun ‘unit’, verb
      ‘unite’);
   4. Conversion (zero derivation) (e.g. noun ‘drink’, verb ‘drink’);
 Not all adverbs are formed simply adding –ly to the adjectival root (e.g. free → freely). In
  fact there are:
   1. Monomorphemic adverbs (e.g. adverbs of frequency);
   2. Polymorphemic adverbs without –ly (e.g. somewhere, nowadays);
   3. Adverbs formed by conversion (e.g. fast, hard)
                                                                                                 65
Dr. Fabio Ciambella

  Most
common
 affixes

                      66
Dr. Fabio Ciambella

Other ways to form new words

 Compound: new words are created combining two roots (e.g. football, pianoforte);
Compounds can be:
1. Verbs (VV-testdrive, NV-babysit, AV-doubleclick, PV-overcome)
2. Adjectives (NA-groundbreaking, AA-English-speaking, PA-understudied)
3. Nouns (VN-swearwords, NN-hairdrier, AN-whiteboard, PN-income)
 Phrasal words: they have the internal structure of phrases but function as words (e.j. jack-in-the-
  box)
 Blend: one of the two or both components of a compound is/are partially reduced (e.g.
  Complete blend: smog; partial blend: cheeseburger);
 Acronym: words of a long locution are reduced to just one letter, usually the first and letters are
  pronounced as a new word (e.g. NATO);
 Abbreviation/initialism: an acronym pronounced letter by letter (e.g. UK, USA)

                                                                                                        67
Dipartimento di Storia Antropologia Religioni Arte Spettacolo (SARAS)
            Dispense corso di Lingua Inglese 1 – canale P-Z
                CdL «Arti e Scienze dello Spettacolo» L-3
                              a.a. 2019/2020
                     Docente: dott. Fabio Ciambella

Materiale didattico destinato ad esclusivo uso interno – Libro di riferimento:
      L. Pinnavaia, Introduzione alla linguistica inglese (capp. 4 e 5)
Dr. Fabio Ciambella

Sintassi

 Studia il modo in cui le parole si combinano fra di loro (ordine delle parole – word order) in
  tre modi:
1. Frase (sentence)
2. Proposizione (clause)
3. Sintagma (phrase)

                                                                                                   69
Dr. Fabio Ciambella

La frase (sentence)

    Definita da Crystal nel 2003 come «unità che esprime un pensiero completo». Due caratteristiche generali:
1.   Sono costituite da un sistema di regole
2.   Sono costrutti che hanno senso da soli

    Sono costituite da due tipologie principali:
1.   Major sentences – frasi regolari, divisibili in uno schema di elementi precisi e prevedibili. Sono formate da
     proposizioni. Se una frase = una sola proposizione, allora si chiamano simple sentences (frasi semplici); se una frase =
     più proposizioni, esse possono essere legate fra loro in modo coordinativo (le frasi hanno la stessa importanza) o
     subordinativo (c’è una proposizione principale che è più importante e le sue subordinate che dipendono da lei)
2.   Minor sentences – irregolari: interazioni emotive o funzionali (e.g. What?!), proverbi e idioms (e.g. Speak of the
     devil…), espressioni abbreviate (e.g. And now?), esclamazioni, domande e comandi (e.g. Sshh!)

    4 tipi di funzioni:
1.   Affermazione (esporre e trasmettere info. Es.: I really like Moscow Mule)
2.   Domanda (1. polari: risposta yes o no; 2. aperte; 3. a coda: che finiscono con una tag question; 4. disgiuntive:
     o…o…)
3.   Comando
4.   Esclamazione                                                                                                               70
Dr. Fabio Ciambella

La proposizione (clause)

    Strutture principali che compongono una frase. Ogni sentence ha almeno una clause.
    Hanno 5 elementi sintattici: 1. soggetto, 2. verbo (mai omesso, tranne che in alcune minor sentences), 3. oggetto, 4. complemento (dà maggiori info
     sul soggetto o sull’oggetto), 5. avverbiale (di predicato, e.g. Tomorrow it will rain; o di frase, e.g. this is obviuosly correct)
    Gli elementi sintattici di una proposizione possono combinarsi in 7 modi diversi (kernel sentences – enunciati nucleari):
1.   S+V (es.: I ate.)
2.   S+V+dir O (es.: I ate pasta)
3.   S+V+ind O+dir O (es.: I gave him his book)
4.   S+V+compl del soggetto (dà info sul soggetto. Es.: You look amazing!)
5.   S+V+dir O+compl dell’oggetto (dà info sull’oggetto. Es.: They consider your attitude very rude)
6.   S+V+Avv (Es.: I ran fast)
7.   S+V+dir O+Avv (Es. I ate spaghetti quickly)

Sei tipi di proposizioni subordinative:
1.   Nominali (sogg. o ogg. di una principale, introdotte da that o da pronomi relativi o interrogativi)
2.   Avverbiale (temporali, causali, finali, concessive, consecutive, ipotetiche)
3.   Relativa (defining e non-defining)
4.   Comparativa (as…as…, …than)
5.   Infinitiva (infinito, gerundio o participio passato)
6.   Priva di verbo (e.g. Once alone, I cried)
                                                                                                                                                           71
Dr. Fabio Ciambella

I sintagmi (phrase)

 Strutture sintattiche che compongono una proposizione
 Hanno una testa (head) che serve a classificare il sintagma più modificatori (pre- o post-
  modifiers) che danno informazioni sulla testa che precedono (pre-modificatori) o seguono
  (post-modificatori):
1. Sintagmi nominali (NP)
2. Sintagmi aggettivali (AP)
3. Sintagmi verbali (VP) – verbo lessicale, verbo ausiliare+lessicale, phrasal verb, prepositional
   verb
4. Sintagmi avverbiali (AdvP)
5. Sintagmi preposizionali (PP)
6. Sintagmi pronominali (PrP)
                                                                                                     72
Dr. Fabio Ciambella

Semantica

 Studio del significato. Due campi di indagine:
1. Linguistica semantica – studio del significato dal punto di vista linguistico (cioè studia le
   relazioni fra le parole in relazione agli oggetti che rappresentano). Si divide in: 1.
   Semantica lessicale (studio delle content words, o parole categorematiche, cioè che
   hanno un senso se prese in isolamento) e 2. Semantica grammaticale (studio delle
   function words, o parole sincategorematiche, cioè che non hanno un senso se prese in
   isolamento)
2. Linguistica pragmatica – studio del significato in rapporto a come si comporta il parlante

                                                                                                   73
Dr. Fabio Ciambella

Semantica lessicale

    Studio del significato dei lessemi. Tre questioni principali:
      1. Diversa tipologia di significato che un lessema può avere a seconda del contesto
      2. Diversa tipologia di rapporto tra questi diversi significati
      3. Modalità con la quale il significato di un lessema può cambiare nel tempo

    Diversi significati un lessema:
1.   Denotativo (di base)
2.   Concettuale
      1. Connotativo (determinato da comportamenti sociali e culturali. Ex. This place is a desert)
      2. Affettivo (influenza la carica emotiva del lessema)
      3. Stilistico (grado di formalità)
      4. Collocativo (emerge dall’uso del lessema nel cotesto. Es.: It’s raining cats and dogs.)
      5. Riflesso (quando si utilizza un lessema che ha più significati denotativi: polisemia. Es.: fire)

                                                                                                            74
Dr. Fabio Ciambella

Semantica grammaticale

 Relazione fra elementi grammaticali e loro significato:
1. Ordine delle parole (e.g. esso distingue, per esempio, un’affermazione da una domanda)
2. I morfemi grammaticali legati (bound morphemes) cambiano il significato del morfema
   lessicale al quale si legano
3. Il numero caratterizza grammaticalmente un significato
4. Il tempo e l’aspetto cambiano il significato di un verbo
5. La modalità esprime l’atteggiamento di un parlante (es.: I go vs I can go vs I must go)

                                                                                             75
Dr. Fabio Ciambella

Pragmatica

 Studia come si esplica a livello linguistico l’interazione fra parlanti e di come l’ascoltatore
  capisca le intenzioni del parlante
 Atto linguistico (speech act): Secondo Austin e Searle ci sono 3 tipi di atto linguistico:
1. Locutori (locutionary) – stringa di parole pronunciate da un parlante
2. Illocutori (illocutionary) – intenzioni del parlante
3. Perlocutori (perlocutionary) – effetto sull’ascoltatore

A seconda del contesto, gli atti linguistici possono essere diretti (se l’atto locutorio
corrisponde perfettamente con l’atto illocutorio) o indiretti (se l’atto illocutorio vuole
aggiungere una sfumatura in più rispetto all’atto locutorio)

                                                                                                    76
Dr. Fabio Ciambella

Teorie pragmatiche: Grice

 Grice (1975): Principio di cooperazione (CP: cooperative principle) – emittente e
  destinatario collaborano alla buona riuscita della conversazione e lo fanno attraverso 4
  massime:
1. Quantità (non dare più informazioni di quelle necessarie)
2. Qualità (dì solo quello di cui sei sicuro)
3. Relazione (sii pertinente a ciò di cui si sta parlando)
4. Modo (sii chiaro e conciso)

                                                                                             77
Dr. Fabio Ciambella

Teorie pragmatiche: Leech (1983)

 Leech studia la cortesia (politeness), ossia come far sì che gli scambi conversazionali siano
  fruttuosi ed equilibrati. Egli individua 7 massime:
1. Tact
2. Generosity
3. Appreciation
4. Modesty
5. Agreement
6. Sympathy
7. Consideration

                                                                                                  78
Dr. Fabio Ciambella

Teorie pragmatiche: Goffman (1967) e
Brown & Levinson (1978/1987)

 Per Goffman la cortesia si basa sul principio di salvaguardare la propria «faccia», intesa
  come la maschera sociale che ognuno di noi indossa quando interagisce con gli altri
 Brown e Levinsonon affermano che la faccia può essere positiva (quando vogliamo
  essere apprezzati dagli altri per quel che diciamo) o negativa (quando non vogliamo che
  gli altri ci ostacolino)
 Faccia positiva e negativa possono essere minacciate dai cosiddetti face threatening
  acts (FTAs), atti linguistici volti a mettere in crisi la maschera sociale di un parlante (come
  disapprovazione, accusa, ordini, ecc.)

                                                                                                    79
You can also read