HAS GREENWASHING STAGNATED SUSTAINABLE DESIGN? WOODS BAGOT: CREATING IMMENSE PROJECTS ON A HUMAN SCALE CAN DESIGN HELP CHANGE A WORKSPACE'S ...
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ISSUE 35
M AY 1 9
HAS GREENWASHING STAGNATED
SUSTAINABLE DESIGN?
WOODS BAGOT: CREATING IMMENSE
PROJECTS ON A HUMAN SCALE
CAN DESIGN HELP CHANGE A WORKSPACE'S
CULTURE? A LOOK AT DENTSU AEGIS NETWORK'S
WELLNESS-FOCUSED WORKSPACE
SC HI AVEL LO . CO M
P R O J E C T S P E O P L E D E S I G N K N O W L E D G E N E W S C U L T U R E
SCHIAVELLOFURNITURE.COM/AGILE-TABLE
Hello. Welcome to Details 35.
Since the beginnings of Schiavello over 50 years ago, we have always pushed boundaries, never
satisfied with merely meeting the status quo. In property development, construction and furniture,
we are constantly asking how we can do more, do better, and excel further than has previously been
achieved. This approach is perfectly encapsulated in our company motto, ‘Anything is possible.’
In this issue of the magazine, we explore this practice in a few different ways. On pg. 16, Sara Kirby
takes a critical look at greenwashing, how it has stagnated the design industry, and what the future
of sustainable design looks like. She explores how we can look past media spin and push to make our
future more environmentally sustainable, something that we as a company are deeply invested in.
In our profile section (pg. 12), Sandra Tan talks to Grant Boshard of Woods Bagot, a studio that needs
no introduction. Together the pair reveals how Woods Bagot has achieved such an enduring legacy –
with an answer that is, at least partially, to do with the practice’s open embracing of change and
constant questioning of how it can adapt and be better.
For Schiavello, we profile Dentsu Aegis Network (DAN) Perth, a project we took on right from the
beginning, all the way through to the moment the ribbon was cut on opening day. Via our early
engagement model, turn-key solution and use of our People and Culture consultants, the design
and build of DAN was able to push the envelope and become one of our most effective projects.
Read more about the excellence this office achieves on pg. 6.
We have also released a number of new products in the last year, including Agile Table, briefed by
our People and Culture Consulting team and designed in collaboration with Amanda Stanaway.
This table is built for agile, team-based working, redefining the ways people interact with space
by allowing them a choice in work modes (pg. 54).
Much has happened since we last saw each other – two of our departments have won awards
(read more about these on pg. 49), construction on M-City has taken off (pg. 51), we’ve walked,
shaved heads and abseiled to raise money for charity (pg. 48), and celebrated a longstanding
employee who has hung up his boots to enjoy retirement after a whopping 50 years of employment
with Schiavello (pg. 47). It’s been a busy and exciting time.
I hope you enjoy this issue of Details and it inspires you to also push boundaries and believe that
‘anything is possible.’
Warm Regards,
Peter Schiavello
Managing Director
CONTENTS ISSUE#35
KETI MALKOSKI
PRINCIPAL – SCHIAVELLO
PEOPLE AND CULTURE CONSULTING
As Principal of Schiavello’s People and
Culture Consulting offering, Keti Malkoski
assists clients through workspace
SARA KIRBY change. With a Bachelors and Honours in
EDITOR AND CONTENT CREATOR – Psychology and a Masters of Organisational
SCHIAVELLO INTERNATIONAL Psychology, her work and ongoing research
After completing a Bachelor in Media assist clients in optimising their future
and Communications, Sara has written workspace strategy to ultimately improve
for the architecture and design industry employee and business effectiveness. Keti
for a number of years. She was previously co-authored the Schiavello publication The
assistant editor of MEZZANINE magazine Power of Workspace for People & Business.
and Australian Design Review, and
has written for AR magazine and SARAH ZERELLA
Indesign Live. Sara is passionate CONSULTANT – SCHIAVELLO
about sustainable design. PEOPLE AND CULTURE CONSULTING
Sarah assists clients with workspace
RUBY SABER strategy and change. She has experience
COMMUNICATIONS EXECUTIVE – in leadership development, the design of
SCHIAVELLO CONSTRUCTION wellbeing programs, survey development
Growing up with her nose buried in books, and delivery, and personality and aptitude
Ruby quickly developed an intrigue for assessment. Her qualifications in
the power of words and language. After organisational psychology and published
graduating from RMIT with a Bachelor research paper on workspaces and
of Professional Communications, she organisational culture assist her in
began her career in marketing. With a understanding the impact of workspaces
background in media, journalism and public on employees’ attitudes and behaviours.
KEY CONTRIBUTORS relations, Ruby has since joined Schiavello
Construction where she aims to deliver SAMANTHA SIMPSON
PROJECTS TRENDS ANTON SCHIAVELLO
DIRECTOR – SCHIAVELLO INTERNATIONAL
logical thinking through a creative outlet. DATA ANALYST – SCHIAVELLO
PEOPLE AND CULTURE CONSULTING
DESIGN AND MARKETING JAN HENDERSON Samantha contributes to the success
Anton is committed to delivering the WRITER of Schiavello’s scientifically rigorous
006 044 Schiavello core vision and values. Tasked Jan Henderson established Henderson workspace strategy and change
Feature project – Dentsu Aegis Network. Get the look: red and blue. with leading marketing and new product Media Consultants in 2013 after leaving management projects. With a Bachelors
development, he displays passion and Architecture Media, where she had been in Behavioural Studies (Psychology),
029 integrity in everything he does. His wide associate publisher. As well as writing she applies statistical analysis skills to
area of experience includes business and consulting to the architecture and develop and deliver People and Culture
Project update. KNOWLEDGE strategy, client management, project design community, Jan is currently Consulting projects. Using knowledge of
management and cross-functional interiors editor for Architel.tv and human behavioural change, Samantha
team building. co-editor of inside magazine. assists clients in improving the
PEOPLE 042 effectiveness of workspace change for
Are modern workspaces providing enough space diversity? BELINDA SCHIAVELLO SANDRA TAN people and business outcomes.
CREATIVE DIRECTOR – DETAILS WRITER
043 GRAPHIC DESIGNER, FOUNDER OF As a writer, editor, and familiar voice in MICHAEL APPLEFORD
012 DESIGN CHRONICLES BY BELINDA the Australian design media, Sandra’s MARKETING AND COMMUNICATIONS –
Woods Bagot – a practice for the people. Blending logic and creativity in construction. Belinda gives her love of graphic design words appear on the printed and digital SCHIAVELLO CONSTRUCTION
and branding, along with her passion and pages of Indesign, Habitus, MEZZANINE, Michael is a creative marketing and
022 experience, to the creative design and inside, Australian Design Review and communications specialist who thrives
Destiny by design: the career of Helen Kontouris. NEWS direction of Details. She works on large
and small design projects with a focus
Architectural Review. She is happiest
hotdesking at cafés, crafting content
on crafting beautiful, intelligent content.
With 11 years’ experience, a background
on delivering the creative thinking and strategy for small businesses and in graphic design and a passion for
personality behind the brand story curating RICEMILK, an exciting new architecture, he brings a dynamic
047
FEATURES Details news.
for each of her clients. platform for creative people of colour. and unique approach to Schiavello.
CONNECT WITH US
016 054
Has greenwashing stagnated sustainable design? Product news.
The importance of releasing its grasp on our industry. 056 @schiavellogroup @schiavelloconstruction @schiavellofurniture
Social scene. —
026 MELBOURNE
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028 —
© 2019 Copyright Schiavello Group Pty Ltd (ABN 13 004 745 608)
Gioiello Estate's barrel tasting day.
All rights reserved. No parts of this publication may be reproduced, distributed or transmitted in any form or by any means, including photocopying, scanning or other electronic or
mechanical methods, without the prior written permission of the publisher. Published, printed and distributed in Melbourne, Australia by Schiavello Group.
007
Words Sara Kirby and Ruby Saber
FEATURE PROJECT
A turn-key
solution:
can design
help change
a workplace’s
culture?
PROJECTS : FEATURE PROJECT – DENTSU AEGIS NETWORK
Dentsu Aegis Network (DAN), a Japanese-owned, UK-based media and
digital marketing communications company, has offices all over the
world. In Australia and New Zealand, the company employs over 1900
people, and places 26% of all media spend along with 30% of all digital
advertising spend. For such a successful company, it is important that its
innovation and progressive nature are reflected throughout its offices.
In line with this, DAN decided its Perth wing needed a new occupancy;
DETAILS 35
one that would enhance employee and client relationships, collaboration
and wellness.
009
»
The new Perth tenancy has an air
of restrained elegance with pops of
playfulness, and is an urban space
that challenges the preconceived
notions of what an office should be.
»
Future proofing by forward planning “The strategy was able to inform the best design the eye: ‘Test Drive’. The statement playfully
Leaving its suburban office behind, DAN moved in outcomes for DAN. We engaged in a human-centred beckons clients to try out DAN’s software and
to an urban workspace with unmatched views of strategic briefing process that explored the current app developments on the various platforms that
Perth’s Swan River and Kings Park. The direction and future working needs of DAN, helping us to sit on the wall. Similarly, for the staff, the back of
of the new workspace was initiated by Schiavello’s understand the workspace experience we needed house is populated by reminders to take a break
dedicated National Projects team, and engaged to create for all stakeholders. from work and to move – including a Schiavello
under our early contractor engagement (ECE) manufactured ping pong table and a breakfast
“Taking this strategic and consultative approach
model. This model sees Schiavello Construction bar. These elements combine to solidify the
has a number of benefits – the client receives better
engage the client at the earliest opportunity in quality outcomes, and stakeholders feel that they importance placed on the arrival experience by
the project delivery cycle. It gives the client a have been involved in the process and outcome.” DAN’s executive team.
single point of contact for the entirety of the
Malkoski and DAN’s executive team also explored the These active gaming installations are a key
project from conception through to construction,
different kinds of client interactions and employee component of the design and aimed at promoting
resulting in a more cohesive project while also
relationships that occurred within DAN’s office, in wellness, movement and activity, reflecting DAN’s
affording the client more flexibility through
addition to analysing the arrival experience. The objective of balancing work spaces, ‘play’ spaces,
design and construction, opening up more options
team looked at how they could attract and retain and social spaces. “The gaming influence of this
for value engineering.
talent by balancing work spaces, ‘play’ spaces, space is a constant reminder for the team to have
Driving results from conception to completion fun and relax,” explains Tenille Teakle, Associate
and social spaces. This thorough research and
Schiavello Construction’s National Projects introspection allowed the finished fitout to not only at Woods Bagot, the interior designer behind
Director, Cale Halasa, and Design Manager, look beautiful, but also to be shaped by insight. the project.
Amanda Wright, worked closely with DAN from the
Engaging technology, innovation and movement Karo Ottomans provide playful yet professional
beginning to the very end of work on the new space.
DAN’s front of house brings tech to the forefront breakout seating. “The breakout area offers an
PROJECTS : FEATURE PROJECT – DENTSU AEGIS NETWORK
Serving as the agency between client, architect,
and creates an entertaining, informative and instantly relaxed space with the option of working
building owners and Schiavello State Delivery
interactive arrival experience for both staff and in a more casual environment at the breakfast
teams, our National Projects team managed and
clients. Employees can sign in through an iPad, bar,” says Teakle. This allows staff to take time
delivered all aspects of the project, including
and make coffee with the touch of a button via an out from their desks to have lunch, have some
developing an aspirational brief, engaging the
automated system. A video wall allows staff to play down time or collaborate with colleagues.
interior designer and engineers, and coordinating
the local Schiavello construction team and all other videos for formal presentations, but on a regular Even at their workstations, staff members are
stakeholders throughout construction, ensuring a day, it displays the company’s work for visitors presented with opportunities for movement and
successful and timely delivery. to see. wellness. Around 30 percent of the desks are
Meanwhile, Schiavello’s Principal of People and With a contemporary, industrial aesthetic, the Schiavello’s Krossi sit/stands, which allow the
Culture Consulting, Keti Malkoski, worked with reception area provides a designated spot for user to move their workstation from sitting to
DAN’s executive team to set the workspace change developing employee and client relationships. standing height throughout the day. It is through
objectives, quantifying what success looks like in Featuring a desk and lounge zone, it is a this considered focus on its staff and their
order for the design to support business and people sophisticated and welcoming space. Carefully wellness, happiness, and sense of daily balance,
outcomes. Looking internally and externally, the curated furniture adds an element of softness to that DAN has also opened up a new workplace
two stakeholder groups most relevant to DAN were the urban space. Schiavello Toro Stools in black culture for its staff – one focused on mental and
identified – the employees and clients. Malkoski sit comfortably around the waiting area high table, physical health, connection, and freedom.
collaborated with DAN to develop a workplace while Karo Ottomans add pops of pastel colour, Freedom of choice in an open plan office
strategy that identified both groups’ current needs complementing the simple yet dramatic surrounds.
It was important for DAN to enable privacy
and future workspace needs. This strategy would
Drawing guests from front of house to back is the among the open plan nature of its new office.
guide the design.
‘portal’, a tiled, train tunnel-like space. Walking Phone booths with high, acoustically paneled and
“A well-defined workspace strategy provides the through it is impressive, and somewhat of an quadruple insulated slab-to-slab walls serve as
client with a relevant and supportive workspace immersive transitional experience. Immediately spaces for private calls. Schiavello’s timber Toro
design that is future-proofed,” Malkoski says. out the other side of the portal, a neon sign catches Stools and Karo Ottomans provide comfortable
DETAILS 35
011
»
A well-defined workspace
strategy provides the client with a
relevant and supportive workspace
design that is future-proofed.
KETI MALKOSKI – PRINCIPAL OF PEOPLE AND CULTURE CONSULTING – SCHIAVELLO »
seating for short-term use in these private rooms. The high level of glass utilised throughout the
The thin lines of Toro’s design occupy minimal build reinforces the idea of DAN being open
physical and visual space, ensuring the rooms feel and transparent. The material is used as an
cosy but not cramped. architectural element to softly demarcate the lines
between work, communal and meeting spaces.
Continuing to meet DAN’s requirement for a
balance of spaces within the open plan environment Finding the solutions in early engagement
are group brainstorming areas. Populated by Schiavello’s early contractor engagement program
large whiteboards, the spaces are distanced and Woods Bagot’s design had a clear aim to
from the general work area, allowing groups maximise connectivity and comfort for DAN’s
to easily collaborate on a task together without employees and clients. The new Perth tenancy
distraction. Lounge seating is provided by Bomba has an air of restrained elegance with pops of
Sofas, which feature supportive cushioning and playfulness, and is an urban space that challenges
PROJECTS : FEATURE PROJECT – DENTSU AEGIS NETWORK
an upright posture for a perfect balance between the preconceived notions of what an office should
comfort and productivity. Alternatively, staff can be. “I’ve visited the office several times since
sit within Schiavello’s Kayt Quiet, a distinctive completion,” Teakle says. “The staff are now
booth-like lounge with high sides and back that energised; they’re happy and mobile and the
provides a cocoon-like space to focus or meet, feedback has been extremely positive.”
its walls buffering audio and visual distractions.
“Our early contractor engagement model allowed us
Such a broad selection of furniture provides DAN
to have a clear understanding of DAN’s aspirations
employees with ample choice when it comes to
and functional requirements,” adds Wright. “We
their workspace, allowing them to choose the
worked closely with Woods Bagot to ensure the
space they need for the task at hand.
workplace strategy was aligned with the design
For meetings, a number of spaces are available brief, resulting in a space tailored to DAN’s needs.”
– a main boardroom, small, medium and large
And Halasa agrees. “Despite challenges, the early
meeting rooms, as well as focus rooms. Within
engagement approach led to multiple high impact
the boardroom is a generous Schiavello custom
spaces reflective of Schiavello’s expertise and
boardroom table with integrated technology,
insistence for excellence.”
accompanied by the soft, sculptured lines of
Schiavello’s Palomino Chairs.
PROJECT SUMMARY : LOCATION : PERTH DURATION : 10 MONTHS AREA : 1000SQM PROJECT TYPE : CONSTRUCTION
DETAILS 35
/ DESIGN / FURNITURE / PEOPLE AND CULTURE CONSULTING PROJECT DIRECTOR : CALE HALASA DESIGN
MANAGER : AMANDA SWORDS ARCHITECT/DESIGNER : WOODS BAGOT
013
Words Sandra Tan
PEOPLE
It is staggering to consider that an architectural since the Perth studio is well-versed in aviation
practice established in Australia over 100 years design, if such a project arises in New York, Woods
ago continues to operate at the forefront of Bagot Perth will send staff with this specific skill
contemporary design, yet Woods Bagot has set over to work on it.
achieved just that. “We align the best talent with the projects and
The studio’s origin story began in 1860 when opportunity in a seamless way across the globe,”
architect Edward John Woods migrated from London Boshard says. “Our main principles are that we
to Port Adelaide. One of his most notable works was need to be everywhere, we need to be people-
a commission to redesign St. Peter's Cathedral in centric, we have to be globally conscious, we need
1869, upon which he became the sole supervising to be diverse, and we need to be consistent.”
architect. Then in 1905, Woods entered into a Boshard’s own path demonstrates a parallel with
partnership with another local architect, Walter these values. Raised in South Africa, he spent
Bagot. And the rest, as they say, is history. school holidays working on building sites with his
Woods Bagot’s enduring legacy speaks volumes father’s contracting company, sparking a lifelong
of its ability to continually embrace change fascination for structure and form.
and accommodate inventive modes of practice. “That was where the seed was planted. I don’t
Its current Superspace initiative, for example, know whether I should thank him or not!” laughs
integrates cutting-edge data collection, AI, Boshard. “From there, I also had a passion for art,
and behaviour analysis into the foundation of and the two blended together. It seemed a natural
its work, enabling more precise evidence-based choice to turn those passions to architecture.”
design outcomes.
Following a stint with prominent South African
“We are continuously questioning how we work, how firm SAOTA Architecture and Design, Boshard
we are structured, how we can be better, how we proceeded to work with a British practice in the
can adapt,” says Grant Boshard, Principal at Woods Middle East in the late ‘90s. A position at Woods
Bagot Perth. “The reason for that is it allows us to Bagot Dubai led to an opportunity to manage its
achieve the best architecture for our times.” Perth studio in 2009, where he has remained since.
Over the years, Woods Bagot’s standard of Boshard’s well-travelled career has led to a broad
excellence has earned worldwide acclaim and worldly outlook, with a focus on transformational,
abundant accolades. But it is the studio’s intimate memorable design.
understanding of space that remains with those that “The thing that inspires me most is making spaces
use and inhabit its buildings, long after the awards for people that positively impact on them and their
are given. lives, and crafting them as beautiful spaces and
“Every client is different. Part of what we do is listen pieces of architecture,” Grant says.
to what the client’s needs and desired outcomes are, Known for its sculptural profiles and considered
and then interpret that into great placemaking and inner workings, Woods Bagot’s most celebrated
architecture. A lot of what we pride ourselves on is buildings are often inspired by the natural world.
not trying to implement what we think they should This is embodied by its South Australian Health
have,” says Boshard. “You have to truly listen and and Medical Research Institute (SAHMRI) in
try to understand before you ever put pen to paper.” Adelaide. The building’s exterior is characterised
This attentive approach extends to myriad projects, by a multifaceted skin which emulates the surface
from enviable residences to world-class healthcare of a pinecone, made of panels responsive to the
facilities, schools that uplift students and staff movement of the sun. The building is a triumph of
alike, precincts that reshape communities – all salutogenic design, making the World Architecture
representing a unique creative process at the peak of Festival Awards shortlist in 2012 and earning five
architectural thinking. Yet despite the grand scale of
operations, Woods Bagot describes itself foremost
South Australian Architecture Awards in 2014.
Woods Bagot’s designs for an adjacent building
»
as a ‘people architecture company’, and places known as SAHMRI 2 have just been released, and Woods Bagot’s enduring
PEOPLE : WOODS BAGOT – A PRACTICE FOR THE PEOPLE
human connection at the core of each decision. are scheduled for completion in 2021. A highly legacy speaks volumes of
anticipated project, following the success of the
“Everything that we do and create is for the people,
first. Of course, with so many fascinating projects
its ability to continually
for their experiences,” says Boshard. “It’s about
what they want but it’s also about making an
in the works, it is impossible to play favourites. embrace change and
experience that impacts people’s lives, and how we “I would almost be reluctant to say that there’s accommodate inventive
»
can make those lives better.” one project that we are the proudest of. I would
rather say that they all have their own merits,”
modes of practice.
With 15 studios around the world, Woods Bagot
Boshard says.
excels at collaboration and enjoys a communicative
in-house culture across continents. “One thing What’s next for Woods Bagot? According to Boshard,
we pride ourselves on is absolute mobility and in the last few years, priorities have shifted.
Meet Grant Boshard, Principal at Woods Bagot interaction between countries. We don’t operate as Fittingly, for the ‘people architecture company’,
Perth, and discover how one of the world’s oldest different franchises; we are a global studio,” says its big-picture goal circles back to legacy and the
architectural practices creates immense projects Boshard. “We encourage people to take sabbaticals importance of the human experience.
Woods Bagot —
on a human scale. to work in other studios. And that also allows us
“We no longer want to be the biggest, but we
to have a 24-hour work cycle – if we’re working on
want to be the best,” says Grant. “It’s not about
something with New York, when our day ends, their
our ego, it’s not about Woods Bagot, but it’s about
day starts, and that gives us a big advantage.”
a practice for the people.
the people, urban spaces, the city, and how we
Another key to Woods Bagot’s unified approach as a company have impacted people’s lives
is the pooling of international resources to form through our architecture. Ideally, that’s how we’ll
diverse teams based on expertise. For instance, be remembered.”
DETAILS 35
A hypnotic hotel with PROJECT_OVOLO HOTEL,
BRISBANE
unexpected heritage.
Enter a world of curiosity where 88 years of history mingles with contemporary luxury.
Compliments of Schiavello Construction.
SCHIAVELLO.COM/CONSTRUCTION MELBOURNE SYDNE Y BRISBANE ADEL AIDE PERTH
017
Words Sara Kirby Photography Earl Carter and Junglefy
FEATURES In the 1980s, environmentalist using pictures of a pair of hands XXXXX
Jay Westerveld penned an essay holding the Earth, or a green tree
criticising the hotel industry’s habit frog in the rainforest. Despite
of placing placards in bathrooms appearing green, the companies
encouraging guests to re-use their generally had nothing to back up
towels in order to save water, when any kind of sustainable claims.
little to no environmental effort “They were just using the imagery so
was being made by the hotel itself. people were going, ‘Oh, look at that,
In his essay, Westerveld coined they must be green’,” Barnett says.
the word ‘greenwashing’ – the
Another disingenuous method
coordinated effort by companies to
Barnett noticed companies favour is
spruik environmental claims when,
to achieve an environmental label for
in reality, the company or product is
a single product and then host the
less than environmentally focused.
certification label on their homepage.
Despite being a favoured method of To the uninformed, it would appear
spin for advertisers even before the that the company’s whole practice
‘80s, greenwashing has reached a is environmentally certified, when in
new pinnacle in the past decade. reality, the certification only applies
“Organisations started to see to one product, and unless you do
that being ‘green’ or claiming a fact-check, you could easily be
sustainability was a key differentiator duped.
they could use to market themselves
Environmental activist (and designer)
against competitors,” says Suzie
Joost Bakker shares similar
Barnett, previous Executive Director
observations. Bakker has spent the
at the Green Building Council of
better part of his 45 years deep diving
Australia. “It was naivety that was
into our built environment, striving
Has greenwashing
driving it at first, but then in the later
for better practices. And there’s no
years it became deliberate, and that’s
guessing that he has witnessed his
where we now have a problem.”
fair share of green spin.
Barnett spent eight years at the
“FSC certified classifications are the
Green Building Council in the 2000s,
stagnated sustainable
perfect example of greenwashing,”
where she helped launch the Green
he says. “Students are told at
Star rating system – Australia’s first
university that using timber is great
environmental rating system. After
because when it’s growing it absorbs
leaving the company in 2012, she
carbon, so it’s a cleaner alternative
design?
spent 12 months researching the
to steel or concrete. However, in my
building supply chain. “I delved quite
opinion, timber and the promotion
deeply into every supply chain group,
of its use through FSC certification
whether it was carpet or lighting
has been an absolute environmental
or plants, and I went in search
The importance
disaster. We assume that it’s fine
of organisations that met certain
because the forests are going to get
criteria to show that they were
replanted, but what people don’t
authentic in their environmental
realise is that they’re being rebuilt
claims,” she recalls. “And I got a
as a single species. So a massive
of releasing its grasp
rude awakening because I found that
ecosystem is being wiped out and
not many companies were actually
replaced with a monoculture. I’ve
doing what they said, or implied, they
FEATURES : HAS GREENWASHING STAGNATED SUSTAINABLE DESIGN?
walked through plantation forests
were doing.”
all over the world – Brazil, China,
on our industry.
The most prevalent method of Europe, South America, Australia
greenwashing that Barnett observed and New Zealand – and you don’t see
was the use of imagery implying a any wildlife. You don’t even see any
sustainable approach – companies birds in most plantations.”
» Greenwash [noun]:
Disinformation
disseminated by
an organisation so
as to present an
environmentally
responsible
public image.
OXFORD DICTIONARY
»
DETAILS 35019
It’s not far-reaching to say that especially if it’s a new approach. This page : Suzie
greenwashing has caused sustainable
design to enter stagnation. How can
Wading through the mud of
greenwash is the first step. And being
Barnett has worked
across sustainability in
the architecture and design
»
we expect suppliers to be pushed to
be better when buyers are lulled into
misguided contentment via a stock
informed is obviously key. But even
before that, we must remember that
industry for over a decade.
She is currently the
General Manager of
In my opinion, timber and the
promotion of its use through FSC certification has
at this point in time, finding a product Junglefy and Board
image of a frog or a single tick of or company that does everything right Director of the Living
approval from a third party? Future Institute of
is virtually impossible, and trying to
been an absolute environmental disaster.
»
Australia.
Perhaps not enough people care, or do so will only leave us with our
—
maybe we aren’t adequately educated heads in our hands.
Opposite page : Junglefy's
about the tricks of sustainable
Barnett recommends the way living green wall at JOOST BAKKER
advertising. I think it may be a touch 485 La Trobe Street,
forward is to decide on what is the
of both, but mostly I think it’s all just Melbourne.
most important thing to you – is it to
a little too overwhelming. Talking
reduce impact from an environmental
to Bakker, I find myself feeling a
perspective? Or is it health and
sense of irritation at the way things
wellbeing? Understand exactly what
are, and an acute desire to make
you’re looking for and then research
my own better choices, but also an
how to identify claims surrounding
unfortunate sense of defeat. Bakker
that area. Be informed about what
admits he often experiences the
sort of validation is going to ensure
same. “Sometimes I just feel that the
you aren’t falling for greenwashing,
problems that need to be solved and
whether it be a transparency label,
the scale of issues is so massive that
or third-party scientific research and
it seems impossible to tackle. It’s like
evidence that confirms claims. She
you’re trying to shift the Titanic,” he
says to break it down, and you will
says.
eventually find a handful of partners
In 2017, Bakker was involved in ABC’s who meet those core goals that you’re
programme War on Waste. In episode looking for.
three, host Craig Reucassel filled a
The responsibility of pushing
tram with 50,000 take away coffee
sustainability in the built environment
cups – the amount that’s sent to
lies in the hands of everyone. And if we
landfill every 30 minutes in Australia.
do keep pushing, there is a brighter,
“The year before War on Waste,
healthier and greener future ahead.
Australia threw away 1 billion coffee
cups,” says Bakker. “The show was “Biophilic buildings and buildings
a huge success and everybody was as complete ecosystems is the only
talking about it; despite that, a friend sustainable way forward,” Bakker
of mine who works in recycling told explains. “The benefits of having
me that in 2017, that number went plants around us has been proven
up to 1.3 billion. We grew the number time and time again. It’s an incredibly
of cups we use by nearly 30%, even exciting prospect because there
though everyone is talking about how are so many benefits – think of the
successful this show is. Things like reduction in energy and materials if
that make it hard to not feel defeated we started growing food where we
sometimes.” live. Nobody actually trusts anyone
who is growing food anymore, so what
For architects, designers and builders
better way than taking it into your
FEATURES : HAS GREENWASHING STAGNATED SUSTAINABLE DESIGN?
who specify hundreds upon thousands
own hands?”
of tonnes of product a year, the path
ahead towards truly sustainable work “True biophilia is the whole building
can be just as overwhelming – but it’s becoming an ecosystem, which is
terrain that can be overcome with the what every building could be,” he
right approach. says.
“Keep looking for solutions, because Bakker has long worked on designs
they are out there,” advises Bakker. for buildings that embrace greenery
“Architects are inspired by innovating and are completely self-sufficient in
and in the face of a challenge is where terms of food. In 2008, his pop-up
the best innovation can happen. Don’t restaurant, Greenhouse by Joost,
follow; create your own solutions!” took over Melbourne’s Federation
With many hurdles to face including Square with its waste-free operation,
the client’s brief, costs, time and straw walls and edible garden, and
practicality, researching a product’s since then, he has completed a
‘green’ claims can add an extra variety of buildings with the same
demand to an already tough list of ethos. “Biophilia isn’t a trend, it’s a
boxes to tick, however as Bakker says, necessity,” he says.
it’s extremely rewarding when you Imagining the millions of houses in
do find that truly sustainable result, Australia growing enough food to
DETAILS 35021
sustain the people who live within This level of transparency will leave
them is an incredible future to us with suppliers who do better and
strive towards. “I’m also proposing buildings that are more restorative
growing food inside,” Bakker adds. in the future, paving way for truly
» “Having a part of homes being a
glazed atrium, so that you can grow
things like tomatoes and cucumbers
sustainable specification in the built
environment.
Biophilic buildings and buildings
“I liken this situation to how we
year round.” have evolved with our purchasing of
FEATURES : HAS GREENWASHING STAGNATED SUSTAINABLE DESIGN?
Anyone who has spent a day in an old food,” says Barnett. “Think about a
as complete ecosystems are the only growth forest won’t argue against
the effects of biophilia; the relaxation
decade ago, when you went to the
supermarket, you didn’t know what
sustainable way forward.
»
that you feel being surrounded by was in anything and you chose things
nature is unmatched. So imagine based off how good the packaging was
living within it. or what you felt like eating. Then things
JOOST BAKKER like the Heart Foundation Tick rose up,
Improved and more transparent
and food had that label that said, ‘We
labelling is also something that is
think this is good for you.’ But now
creeping over the horizon. In 2017,
what we have is basically complete
The International Living Future
transparency. We can now pick up food
Institute launched its Declare label
and see what the ingredients are, what
programme in Australia. The labels
percentage of fat or sugar is in it, and
allow for full transparency and
where it came from.
have already experienced success
Left : Joost Bakker is a overseas. Just like a nutritional “In the built environment, we’re still
fifth-generation tulip making decisions based off a tick or
farmer and environmental label, the Declare label tells you
visionary. He is known for basically everything you need to a label. Which is a step forward from
his celebrated plant- know in order to make an informed where we were when we knew nothing,
based installations and
purchasing decision – but it’s for the but where I think we are heading is
waste-free restaurants, towards complete transparency so we
Greenhouse by Joost and materials marketplace. With end-
Silo. He also designed of-life options, ingredients that are can make informed decisions.”
Schiavello’s Vertical colour coded for restrictedness and Looking back to the past, we have come
Garden.
toxicity, VOC information and an a long way in terms of sustainability in
—
indication of whether the product architecture and design. But there’s
Above : Joost Bakker's
complies with the Living Building certainly room to do a lot better…
Greenhouse by Joost
2012 iteration beside Challenge Red List, the Declare label And seeing beyond the greenwash is
Melbourne's Yarra River. is the assailant to greenwash. the first step.
DETAILS 35023
Words Jan Henderson
PEOPLE
Destiny by design:
the career of
Helen Kontouris
As far as designers go, they don’t discovery of her mother’s private Have I mentioned Helen’s determ-
come better than Australia’s Helen paintings at age eight was a great ination? Well just to reinforce the fact,
Kontouris. Not only has she achieved influence and she began to draw. It as a young interior design graduate of
great success at home but her star
also shines bright on the global
is the style of Helen’s drawing that
is most interesting, however, never
19, with limited practical experience,
she decided to establish her own
»
stage of product design. removing the tip of the pencil from practice (which was not so successful), You don’t know what you don’t know, and the more you push and give
We first met in Milan several years
ago during Salone del Mobile and
the paper, thereby creating a fluid
form and layers of lines – the style,
a precursor to the fluency of her
but then decided to do it all again a few
years later. Helen recalls, “I had a lot
of confidence and thought I would give
people a vision, the more breakthroughs you have.
»
HELEN KONTOURIS
I was immediately taken by her it a go but also learnt so much when
designs today. Of course, the young
PEOPLE : DESTINY BY DESIGN: THE CAREER OF HELEN KONTOURIS
charm and warmth – not to mention they [the two practices] were not as
Helen was also interested in how
her design prowess as she was successful as I had hoped.”
things worked, taking objects and
launching a product at the fair.
furniture apart and putting them
Since that time, I have watched her As in all good tales, it was third time
back together. This inquisitiveness
spectacular rise with pleasure but lucky, and finally, Migg Design was
has stood her in good stead as she
no surprise. In a constantly changing established with Dion Hall. Now
world, she has kept her resolve and now creates seemingly impossible success was at hand and the duo
explored her talent and, if awards objects and discovers how they worked together gathering clients and
and accolades are anything to go will work. making a name for themselves. Helen
by, Helen has rooms filled with As a 12-year-old, she decided to describes their style as “contemporary
trophies and certificates that attest become an interior designer and so with architectural elements, as every
to her skill. She also possesses step of a project was developed to
conducted detailed research into her
wonderful character traits. She is be unique and bespoke.” After three
desired profession-to-be. This led to
bold, relentless in her pursuit of intense years, Helen was exhausted
a change of schools, moving to Box
what she wants, and with a solid and, while on a family holiday to
Hill Technical School and combining
and unshakeable belief in herself. Greece, came to the realisation that
her formal education with hands-
That’s not to say she is egocentric, her passion lay in the designing
on making in order to generate a
for she is small, gentle and almost and making of objects, and so upon
portfolio of projects to be exhibited.
shy, but there is a steely resolve returning home in 2001, the Helen
Serendipitously, the inimitable
about her – she has no fear of doing Kontouris studio was established and
Judith Augustine noticed Helen’s
things her way, which generally concurrently the idea for the iconic 101
designs, and the student began work
means going it alone. Chair was conceived.
experience with the noted interior
Unlike many designers, Helen’s designer. Following this, she studied So how did Helen create this modern
journey to product design luminary a two-year arts, interior decoration masterpiece? By deconstructing the
was by a circuitous route. Design and design course at RMIT, after form of a chair and then re-building it
was not a family trait, although the which the real work began. into a sculptural object, she explains.
DETAILS 35Right : The flowing
lines of the 101 Chair.
Below : Helen Kontouris'
101 Chair, manufactured
by Schiavello.
Bottom : The La La
Lamp and Stool.
“The idea of a chair is to incorporate (both manufactured by Schiavello),
a seat and a backrest while the while overseas, manufacturers such
design is in finding the fluid form as De Padova, Celda, Ritzenhoff, and
and negative space and building Alessi were contracting her designs.
around that.”
Helen’s design journey has been
The 101 Chair was undoubtedly ahead meteoric and is still rising but what
of its time and the major challenge differentiates her work from others
was finding a manufacturer who is a sculptural aesthetic, a delicate
shared her vision. There were many touch, and a lightness to design
who said the design couldn’t be that translates perhaps to a ‘certain
done but, as Helen remarks, “You femininity’. “The products take their
don’t know what you don’t know, and scale from interior design but are
the more you push and give people influenced by sculpture,” she says.
a vision, the more breakthroughs
Creating and designing is air and water
you have.” The 101 prototype was
to Helen. It is in her blood and the
made from fiberglass, worked and
objects ‘come to her’ in many ways,
re-worked until finally in 2002, it
sometimes as “a Butterfly Moment,
was presented in Japan at Tokyo
when I can’t sleep and the adrenalin
Designer Block’s Hybrid Objects
is rising in my body and an idea is
exhibition, and then in 2003 at
percolating. It’s then that I reach for
Milan, where Helen was a solo
the pencil and paper by my bed or the
exhibitor. The press reports were
iPad to draw,” she explains.
excellent, however no tangible
contract was signed. At any time there are some 50 ideas on
the drawing board at the studio and as
Returning to Milan to exhibit the
prolific as her work is, it is something
following year, Helen showcased
of a marvel that Helen has received no
the La La Lamp and Minka Chair
formal industrial or product training,
and Chaise, and this time renowned
instead gathering her knowledge
Italian lighting manufacturer,
through aptitude and determination.
Kundalini, agreed to produce her
La La Lamp. However, it was back Life is busy for Helen, running a studio
in Australia that a chance meeting of five, balancing work, home and
with Peter Schiavello changed creating, however there are accolades
Helen’s destiny. Impressed with on the horizon with a current exhibition
the designer and her 101 Chair, at the NGV in which the designer is
Peter commissioned the piece’s recognised along with 19 of her peers
production, thus assuring its place in Designing Women (Sep 2018–Mar
as a modern-day icon that now 2019). But for now it’s a short holiday
resides in the permanent collection with her family and time to relax, and
of the National Gallery of Victoria then with batteries recharged, it’s back
(NGV). to the drawing board to create the next
new icon.
With projects in production, Helen’s
design output grew exponentially.
The La La Stool was developed in
2006, followed by the Chubby Sofa027
FEATURES The Canvas. Tucked away in Melbourne’s Royal the Gardens House refresh. The challenge? Turn draw the eye out to the surrounding gardens. Pink
Botanic Gardens landscape, on Birdwood Avenue Gardens House around in a fortnight. With such hues continue here from the Garnet Room, working
you’ll reach a place that tells a tale of the past – time constraints, seeing the property before the to open up the elongated room.
Gardens House. Originally a residence and office, designs were made was simply not an option.
the Victorian property, built in 1854, has remained The Terrace. Also residing on the second floor, the
mostly unchanged until its refurbishment in 2016. The Refresh. The cottage exterior effortlessly Terrace truly encapsulates the breathtaking view.
Heritage listed and centrally located, Gardens invites guests to experience Gardens House’s Overlooking the surrounds of the private gardens
true charm. Preserved carefully, the façade and beyond, the terrace spans the width of the
House was a historical beauty craving much needed
is cut from the page of a history book. Upon home. Lush greenery, meticulously manicured
attention.
entering the double-storey property, the first of plants and the open air provide a setting that easily
Operating as an event and function space for many statements is the original hardwood floors, charms guests.
decades, the venue was due for tender renewal. which span the entire home. The main corridor is
The Occasions. Versatile in its potential, Gardens
With the hopes of injecting life back into this hidden complemented by unique white architraves that
House easily accommodates the most extravagant of
gem, Atlantic Group CEO Hatem Saleh saw potential frame the lead up to the home’s staircase. occasions as well as more intimate soirees. Across
that would set in motion the transformation of the
The Palm Lounge. Upon entry, to the left, is the the home, the hosting possibilities are endless, from
Melbourne homestead. Complete with a lush private
Palm Lounge. The lounge is a space for retreat formal seated dining, black tie cocktail, to alfresco
garden, the promise of Gardens House’s potential
by the fireplace. Illuminated with natural daylight entertaining. The natural beauty of Gardens House
was too great not to pursue. Awarded to Atlantic
delivers an enviable backdrop to your next occasion.
Group in 2016 after a successful competitive tender, from the front aspect windows, serenity is created
the process began to cultivate the raw splendor of by a palm wallpaper feature and soft green walls. The Hospitality. No Atlantic Group venue would be
the property. Ideal for hosting intimate gatherings, the Palm complete without world-class catering. Carefully
Lounge is only the beginning of the journey through curated, the Group’s culinary offering exceeds
The Brief. It was simple: maintain the integrity of Gardens House. expectations and elevates events. Innovation and
the heritage house. Quaint yet charming, traditional attention to detail sets the experience apart from
yet contemporary, intimate yet welcoming. Focus on The Garnet Room. Adjacent to the lounge you’ll
the generic. Designed to complement the specific
the existing features to enhance its charm and the find the Garnet Room, the most intimate of the occasion, seasonal produce and excelled chefs
present-day appeal. The restrictions? External and spaces. Named for its wall’s resemblance to the create an experience that will leave guests nothing
internal structure could not be modified under any precious stone, the Garnet Room is for wining short of delighted.
circumstance. The natural beauty of Gardens House and dining. Contrasting the green palette of the
needed to remain intact. Palm Lounge, soft pinks frame the room’s central Alfresco. Amidst the private garden, alfresco
feature, the sponge-painted wall. With varying soft soirees create an ambience ideal for a wedding
The Designers. Atlantic Group recognised the pinks and the introduction of purple, the wall is ceremony or festivity enjoyed under the night
calibre of Design Group Eleven’s expertise and simultaneously eye-catching and tranquil while it stars. For those seeking an opportunity to further
commissioned the studio for the project. Well-versed overlooks the dark wood dining table. stun guests, marquees provide marvel from all
specialists in hospitality, retail and residential vantage points upon Gardens House’s expansive
design, the Amsterdam-based duo, Aleksandra The Garden View Room. Upstairs on the second green lawns. Whether it be a bohemian rope tent
Adamczyk and Egija Krisjane, is known for creating floor, the Garden View Room is the largest in the setup, or an architectural wonder like the atrium
perfect interior design harmony. It was without any home. Facing the green wonderland of the Royal marquee, this feature showcases the flexibility
hesitation that their services were procured for Botanic Gardens, three Victorian arched windows of the private gardens.
The
natural
beauty
FEATURES : THE NATURAL BEAUTY
DETAILS 35029
FEATURES The Gioiello Estate vineyard is set upon the rolling PROJECT UPDATE
hills of the Schiavello family farm in central Victoria.
The land gently rises and falls as far as the eye can
see. Different varieties of grapes are grown within
this unique Australian landscape and terroir. Enjoy a selection of our latest
The 2017 growing season was pleasant, without too and most exciting projects.
much heat or cold and no significant weather events,
which brought about stable growing conditions
across the vineyard. This means the vines produced
even, healthy and flavoursome bunches of grapes.
FURN ITURE
GRAY PUKSAND OFFICES,
Throughout the year, we regularly taste the maturing MELBOURNE
wines from the barrels. Then after approximately 18
months in barrel (so usually each July), we create/ When Gray Puksand, one of Australia’s leading architecture and
craft the final blend for bottling in September. This design practices, created its Melbourne office 12 years ago, it was one
means sitting down with our wine maker, Scott of the first open plan workspaces around. And while the space aged
McCarthy, to taste every barrel of Merlot and every
well, after over a decade of use, the studio decided it was ready to
barrel of Syrah. We rate each barrel out of five and
then start creating a blend – balancing flavour, take it to the next level and try some new things.
structure, tannin, acid and mouthfeel – and then “It was no longer reflective of who we are,” says Heidi Smith, Partner
we taste some more until we are satisfied. Often and Workspace Lead at Gray Puksand. “We wanted a space that was
this process is challenging as we are also tasting more experimental; we wanted to walk the talk. We can’t suggest
for the future and what the wine will become after clients make dramatic changes in their work styles unless we are
some bottle age. This is a very exciting process
doing the same thing, and showing that it works.”
and one where you really get to taste the vintage,
including what happened that year and what you And so with that, Gray Puksand took on the role of both client and
have produced after all of the hard work in the designer in order to bring new life to the office and to experiment with
vineyard. Our vineyard team works hard every day to some researched workplace methods.
ensure each vine is tended to appropriately and, for
us, this means everything is done by hand to provide
With a pared-back palette of raw timber, polished concrete and steel,
the best end result, which is wine that we love to the aesthetic is contemporary and understated. It also pushes the
drink and share. boundaries of what a workspace should be, with a design focused on
agile working, catering to a broad range of working styles and
The 2017 Merlot has particularly good structure but educated experimentation.
also a luscious mouth feel. The tannins are balanced
and not too drying. “You experience aromatics of The main experiment within the project was the Splat Table, a huge
crisp autumn leaves and cherries,” says Natalie 5x5m table in an unconventional ‘splattered’ shape. Custom designed
Schiavello of Gioiello Estate. “Then on the palate, and manufactured by Schiavello, the table seats up to 16 people and
July 2018 barrel tasting notes:
there is a generous savoury taste followed by gentle is optimised for flexible and collaborative working. One section of the
red fruit notes including hints of mulberry.” table accommodates fixed seating, while another features permanent
Gioiello Estate 2017 Merlot
Our 2017 Syrah is elegant, refined and more computer screens that agile workers can plug a laptop or tablet
into. Meanwhile, one wing is left completely bare – this is catered to
Harvested on March 4
structured than the more typical Australian Shiraz
that people know. This is mainly due to the cool meetings, collaborative work, or agile workers.
14% alcohol
climate of our region. This Syrah features divine The sculptural table is a marked departure from the norm of
hints of pepper, mulberries, cloves and savoury rectilinear, sectioned-off workspaces and allows team members
Aromatics: crushed autumn leaves, cherries.
spice as well as a tight tannin structure. French oak
working on a common project to cluster together and share drawings
barrels enhance this flavour and structure profile
Palate: structured. Balanced flavours of savoury
and don’t add too much to the delicate nature of the and ideas with ease.
black olive, mulberries and toasty oak.
wine. “We select very specific coopers who produce Adding variance to agility, the space also includes regular fixed desking
barrels that suit our wine style and complement via Schiavello’s Krossi sit/stand desks, and retreat spaces for quiet or
—
the flavours,” says Natalie. “American oak gives a solo time. “From our experience, we know that open environments
more robust and sweeter flavour profile compared
Gioiello Estate 2017 Syrah
have a vibrancy about them, and while that’s a good thing, you also
to French oak. While we generally have a preference
need spaces where people are able to retreat and to have quiet time
for French oak across all of our wines, this year we
Harvested on March 4
did introduce some American oak to our reds to to focus,” Smith explains. To cater to this is the ‘hideout’ – a little
enhance and broaden the flavour profile. found space where you can be removed from the action without being
13.7% alcohol
completely locked in a room, as well as the ‘king’s view’, which caters
The Gioiello 2016 Old Hill Chardonnay,
Aromatics: mulberries, savoury spice and toasty oak.
perfectly to agile workers, and a selection of cocooning solo booths.
2014 Old House Merlot, 2014 Mount Concord
Syrah, 2018 Estate Chardonnay, 2016 Estate “Everything has come up really successful,” Smith says, and it hasn’t
Palate: red berries, savoury spice and
Syrah and 2014 Estate Cabernet Sauvignon are only benefited the Gray Puksand staff, but also their future clients. Due
oak characteristics.
now available. These wines can be consumed to the success of the Splat Table, Smith explains that Gray Puksand
at The Atlantic Restaurant (Melbourne, Vic), would have no hesitation in specifying something similar in its future
Red White & Amber (Hawthorn, Vic), The Press projects. “It's exciting to still be testing new ways of working, from
Cellars (Warragul, Vic) or online through Nicks which we can report back to our clients. It assists in us helping them
Wine Merchants. Older vintage wines can be make more informed decisions down the track.”
Gioiello
purchased directly through Gioiello –
email howard@gioiello.com.au Every element of the new office is built around supporting the
methodologies espoused by Gray Puksand. This is a workplace by
designers, for designers, and it’s already proven a dream workspace
Estate’s
for the Melbourne team.
barrel
tasting dayYou can also read
