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Fall 2020 Publications
Getty Publications 1
Fall 2020
1 FRONTLIST
18 COMPLETE BACKLIST Thoroughly researched
and beautifully
18 ANTIQUITIES
23 ANTIQUITIES REFERENCE
produced, this book
24 ARCHAEOLOGY is the first compre-
26 ARCHITECTURE hensive retrospective
28 ART EDUCATION of Imogen
28 ART HISTORY & CRITICISM Cunningham’s work in
37 ART REFERENCE
over thirty-five years
41 CHILDREN’S BOOKS
44 CONSERVATION: BUILDINGS & SITES
46 CONSERVATION: GENERAL
46 CONSERVATION: MATERIALS
50 CONSERVATION: MODERN & CONTEMPORARY ART
51 CONSERVATION: SCIENCE
52 COOKING
52 DECORATIVE ARTS
54 DRAWINGS
56 GETTY CENTER
57 GETTY VILLA
57 HISTORY
58 LOS ANGELES
58 MANUSCRIPTS
61 MODERN & CONTEMPORARY ART
63 MUSEOLOGY
64 PAINTINGS
68 PHOTOGRAPHY Imogen Cunningham
75 SCULPTURE
76 TECHNOLOGY REFERENCE
A Retrospective
Paul Martineau
77 INDEX
84 ORDERING INFORMATION
PAUL MARTINEAU has been Celebrated American artist Imogen Cunningham (1883–1976) enjoyed a long
85 BEST OF THE BACKLIST
a curator of photographs at
career as a photographer, creating a large and diverse body of work that under-
the J. Paul Getty Museum for
scored her unique vision, versatility, and commitment to the medium. An early
J. Paul Getty Museum To Order over fifteen years. Among the
many books he has authored feminist and inspiration to future generations, Cunningham intensely engaged
Getty Research Institute INDIVIDUALS BOOKSTORES
are Icons of Style: A Century
of Fashion Photography (2018),
with Pictorialism and Modernism; genres of portraiture, landscape, the nude,
still life, and street photography; and themes such as flora, dancers and music,
Getty Conservation Institute Visit your local bookstore or call: 800 621-2736 (US and Canada) Robert Mapplethorpe:
The Photographs (2016), Minor hands, and the elderly.
800 223-3431 (North America) (44) 020 7079 4900 (UK and Europe)
Getty Publications 310 440-7059 (International)
White: Manifestations of the
Spirit (2014), and Herb Ritts:
Organized chronologically, this volume explores the full range of the
shop.getty.edu artist’s life and career. It contains nearly two hundred color images of Cunning-
L.A. Style (2012), all from Getty
pubsinfo@getty.edu Publications. ham’s elegant, poignant, and groundbreaking photographs, both renowned and
lesser known, including several that have not been published previously. Essays
draw on primary sources at the Imogen Cunningham Trust, the Cunningham
Connect with Us EXHIBITION
papers at the Archives of American Art, and contributing author Susan Ehrens’s
J. Paul Getty Museum
getty.edu/publications For information about Getty Getty Center personal interviews with the artist’s associates, incorporating a selection of letters,
Publications and future titles, September 15, 2020– family albums, and other intimate materials to enrich readers’ understanding of
sign up for Art Bound, our monthly January 10, 2021
Cunningham’s motivations and work.
e-newsletter:
Seattle Art Museum
community.getty.edu Seattle, WA J. PAUL GETTY MUSEUM Related Titles
February 11–May 23, 2021 256 pages, 91/2 × 11 inches
199 color illustrations Minor White
AREA SALES RESTRICTIONS ISBN 978-1-60606-675-1, hardcover ISBN 978-1-60606-322-4, HC
OB E World rights except United Kingdom and Commonwealth US $50.00 / UK £40.00 Trade US $39.95 Trade, UK £30.00, 2014
C OB E Not for sale in Commonwealth except Canada Page 72
SEPTEMBER
C OB E E Not for sale in Commonwealth and Europe except Canada Eliot Porter
For sale in the United States and its dependencies only ISBN 978-1-60606-119-0, HC
USA
NAO For sale in North America only
Photography US $39.95 Trade, UK £30.00, 2012
Page 69
Herb Ritts
Front cover: Imogen Cunningham (American, 1883–1976), Hanya Holm, Mills College, 1936. Gelatin ISBN 978-1-60606-100-8, HC
silver print. J. Paul Getty Museum, 2006.25.6. © 2020 Imogen Cunningham Trust. From Imogen US $64.95 Trade, UK £50.00, 2012
Cunningham: A Retrospective by Paul Martineau, see page 1. Page 71
2 Getty Publications Getty Publications 3
Fall 2020 Fall 2020
The first study devoted An exploration of the
to classical art’s radical artists who
vital creative impact transformed the
on the work of ways art is conceived,
the Flemish master exhibited, and
Peter Paul Rubens collected, through the
Dada, Surrealist, and
Fluxus collections
of Jean and Leonard
Brown
Due to the postponement of Getty’s exhibition, publication of
Rubens: Picturing Antiquity is delayed until Fall 2021.
Rubens Fluxus Means Change
Picturing Antiquity Jean Brown’s Avant-Garde Archive
Edited by Davide Gasparotto, Jeffrey Spier, and Anne T. Woollett Marcia Reed
DAVIDE GASPAROTTO is For the great Peter Paul Rubens (1577–1640), the classical past afforded lifelong MARCIA REED is chief curator Throughout the 1960s, Jean and Leonard Brown used their radical tastes, prescient
senior curator of paintings at and associate director of
creative stimulus and the camaraderie of humanist friends. A formidable scholar, instincts, and friendships with artists to assemble an extensive archive of Dada
the J. Paul Getty Museum. the Getty Research Institute.
Rubens ingeniously transmitted the physical ideals of ancient sculptors, visualized and Surrealist publications and prints—including works by Marcel Duchamp,
JEFFREY SPIER is senior
the spectacle of imperial occasions, rendered the intricacies of mythological Man Ray, and Tristan Tzara. After Leonard’s death in 1970, Jean’s attention turned
curator of antiquities at the
J. Paul Getty Museum. tales, and delineated the character of gods and heroes in his drawings, paintings, EXHIBITION to Fluxus and other contemporary genres. Jean also established a site of alterna-
Getty Research Institute
ANNE T. WOOLLETT is
and designs for tapestries. His passion for antiquity profoundly informed every tive art production at her Shaker Seed House in Tyringham, Massachusetts, where
Getty Center
curator of paintings at the aspect of his art and life. November 17, 2020–April 4, 2021 she invited artists to engage with her collections.
J. Paul Getty Museum. Including more than 150 color illustrations, this volume addresses the creative Fluxus works embraced the social and political critiques of earlier avant-garde
impact of Rubens’s remarkable knowledge of the art and literature of antiquity artists and questioned the authority of the increasingly powerful contemporary
EXHIBITION through the consideration of key themes. The book’s lively interpretive essays art world of critics, collectors, curators, and gallerists. This examination of artists
J. Paul Getty Museum explore the formal and thematic relationships between ancient sources and and their antiestablishment demands for change shows how their art was created,
Getty Villa performed, exhibited, and collected in new ways that intentionally challenged
Baroque expressions: the significance of neo-Stoic philosophy, the compositional
October 21, 2020–
January 11, 2021 and iconographic inspiration provided by exquisite carved gems, Rubens’s study traditional modes. By providing an expanded understanding of avant-garde and
of Roman marble sculpture, and his inventive translation of ancient sources into Fluxus artists through the lens of the Jean Brown Archive at the Getty Research
new subjects made vivid by his dynamic painting style. Institute, this volume demonstrates the profound influence these artists had on
contemporary art.
J. PAUL GETTY MUSEUM Related Titles
192 pages, 9 × 11 inches
168 color illustrations The Catholic Rubens
GETTY RESEARCH INSTITUTE Related Titles
144 pages, 10 × 10 inches
ISBN 978-1-60606-670-6, hardcover ISBN 978-1-60606-268-5, HC Artists and Their Books/
103 color illustrations
US $40.00 / UK £30.00 Academic Trade US $45.00 Academic Trade, Books and Their Artists
ISBN 978-1-60606-662-1, hardcover
UK £35.00, 2014 ISBN 978-1-60606-573-0, HC
NOVEMBER
US $50.00 / UK £40.00 Academic Trade
Page 29 US $49.95 Trade, UK £40.00, 2018
DECEMBER Page 28
Lives of Rubens
Antiquities / ISBN 978-1-60606-623-2, PA Man Ray: Writings on Art
Art History
US $10.95 Trade, NAO, 2019
Page 39
Art History / ISBN 978-1-60606-458-0, HC
US $50.00 Academic Trade,
Looking East Modern & NAO, 2016
ISBN 978-1-60606-131-2, PA
US $20.00 Academic Trade,
Contemporary Art Page 32
UK £14.99, 2013
Page 54
4 Getty Publications Getty Publications 5
Fall 2020 Fall 2020
This comprehensive
reconstruction and
interpretation of Louise
and Walter Arensberg’s
groundbreaking
collection of modern
and pre-Columbian art
takes readers room
by room, wall by wall,
object by object
through the couple’s
Los Angeles home
in which their collection
was displayed
Hollywood Arensberg
Avant-Garde Collecting in
Midcentury L.A.
Mark Nelson, William H. Sherman, and Ellen Hoobler
36. KARL BISSINGER. VIEW OF LOUISE AND WALTER ARENSBERG’S SUNROOM AT 7065 HILLSIDE AVENUE, LOS ANGELES, MARK NELSON is an author as Following the Armory Show of 1913, Louise and Walter Arensberg began assem-
P LAT E 3 7
MARCH 16,S TA
1950,I R SHOWING
WAY MARCEL DUCHAMP’S FIRST WORK ON GLASS, GLIDER CONTAINING A WATER MILL IN well as design director and
bling one of the most important private collections of art in the United States,
partner at the book design firm
PLAT E 4
NEIGHBORING
VIEWED FROM TH METALS.
E S E C O N D FKARL
L O O R BISSINGER ARCHIVE (MSS0682), SPECIAL COLLECTIONS, UNIVERSITY OF DELAWARE LIBRARY,
LIVING ROOM
as well as the world’s largest private library of works by and about the philosopher
W I T H V I E W S I N T O T H E D I N I N G R O O M T H R O U G H T H E N O R T H A N D S O U T H A R C H WAY S
NEWARK, BOX 19, F286A. © ESTATE OF KARL BISSINGER. SEE ALSO PLATES 24–26 McCall Associates in New York.
WILLIAM H. SHERMAN is direc-
Sir Francis Bacon. By the time Louise and Walter died—in 1953 and 1954, respec-
37. MARCEL DUCHAMP. THE BRIDE STRIPPED BARE BY HER BACHELORS, EVEN
tor of the Warburg (THE
Institute
LARGEin GLASS),tively—they had acquired some four thousand rare books and manuscripts and
1915–23. OIL, VARNISH, LEAD FOIL, LEAD WIRE, AND DUST
London. ON TWO GLASS PANELS, 9 FEET 1 4 INCHES × works
nearly one thousand
1 / of ×art,
70 INCHES 3 3 / 8including
INCHES world-class specimens of Cubism,
ELLEN HOOBLER is(277.5 × 177.8 × 8.6 Surrealism,
the William CM). PHILADELPHIAand MUSEUM
Primitivism, the
OF ART. bulk of
BEQUEST OF Marcel Duchamp’s oeuvre, and hundreds
in Paris in 1912, and had begun work on it soon after his arrival in New York in 1915. Laboring over its details B. Ziff, Jr., Associate Curator S. DREIER,
KATHERINE of pre-Columbian
1952-98-1 objects. These exceptional works filled nearly all available
of the Art of the Americas
intermittently for another eight years—first in the studio apartment owned by the Arensbergs, and later at DUCHAMP’S GLIDER space in every
CONTAINING roomMILL
A WATER of their house—including
IN NEIGHBORING METALS the bathrooms.
at the Walters Art Museum in
CAN BE SEEN HANGINGThe Arensbergs
ON THE WALL BEHIND have
THE long
LARGE had
GLASSa IN central
THIS role in the histories of Modernism
Dreier’s home after they had sold the work to her in 1921—Duchamp declared it “definitively unfinished” Baltimore.
INSTALLATION PHOTOGRAPH OF THE ARTWORKS IN THEIR PERMANENT HOME
PHOTOGRAPHER UNKNOWN (POSSIBLY FREDERICK RICHARD DAPPRICH), C . MID-1940 S 95
and collecting, but images of their collection in situ have never been assembled or
in 1923. The Arensbergs were devastated to learn, in 1931, that The Large Glass had shattered in its crate while AT THE PHILADELPHIA MUSEUM OF ART.
examined comprehensively until now. Presenting new research on how the
in transit to Dreier’s Connecticut home following its public exhibition at the Brooklyn Museum of Art.116 Arensbergs acquired pre-Columbian art and featuring never-before-seen images,
Unperturbed, Duchamp found the cracks to be a delightful finishing touch when he returned five years Hollywood Arensberg demonstrates the value of seeing the Arensbergs’ collection
38. LESLIE E. BOWMAN.as part of a DUCHAMP
MARCEL single vision, framed DREIER
AND KATHERINE by a unique
IN domestic space at the heart of
later to mend the broken glass and secure it behind new panes in an aluminum frame (fig. 38). KATHERINE DREIER’S LIVING ROOM, 1936. YALE UNIVERSITY ART GALLERY.
Hollywood’s burgeoning artistic scene.
Today the subject of voluminous published research and competing theories, The Bride Stripped
Clockwise from top:
BEQUEST OF KATHERINE S. DREIER. 1953.6.204
Bare by Her Bachelors, Even is usually read (through interpretations of Duchamp’s enigmatic notes) as an
Photograph by Karl Bissinger, showing Marcel Duchamp’s Glider Containing a
Water Mill in Neighboring Metals. University of Delaware Library, Newark, Special
GETTY
SHORTLY AFTER THIS RESEARCHWAS
PHOTOGRAPH
448 pages,
INSTITUTE
TAKEN, DUCHAMP DEPARTED FOR Related Titles
LOS ANGELES, WHERE HE SAW9 THE
× 11 inches
ARENSBERGS FOR THE FIRST TIME IN
allegory for frustrated sexual desire, in which the “Bride” in her “Domain” (the upper pane) transmits
Collections, Karl Bissinger Archive (MSSo682). © The Estate of Karl Bissinger.
Art © Association Marcel Duchamp / ADAGP, Paris / Artists Rights Society (ARS),
103 color and 227 b/w illustrations
MORE THAN A DECADE.
More than One Picture
ISBN 978-1-60606-666-9, hardcover ISBN 978-1-60606-625-6, PA
commands that activate the operations of the “Bachelor Apparatus” in the lower pane.117 In his text on The
New York 2020.
US $65.00 / UK £50.00 Trade US $55.00 Short, UK £45.00, 2019
Photograph by Fred R. Dapprich, Philadelphia Museum of Art, Library and Page 33
Large Glass,
Archives, Arensberg“Modern Machines
Archives (PMA-WLA). fromBraque,
Art by Georges the Marcel
Virgin to the Widow,” David Joselit argues that “the Duchampian OCTOBER
Duchamp, Albert Gleizes, Francis Picabia, and Jacques Villon: © 2020 Artists The Artist and His Critic
machine, and
(ARS),the Dada machine
Paris. Art bymore generally,
© 2020 Artists operate as switching stations between the modern ratio- Stripped Bare
Art History /
Rights Society New York / ADAGP, Paul Klee:
Rights Society (ARS), New York. ISBN 978-1-60606-443-6, HC
nalization of the body and newly developing techniques of disciplining the mind—particularly through
Modern &
US $49.95 Academic Trade,
Spread from Hollywood Arensberg. Photograph by Leopold (Dick) Seyffert Jr.
UK £40.00, 2016
thePhiladelphia
colonization orLibrary
Museum of Art, commodification
FREDERICK RICHARD DAPPRICH, C . 1944
of desire.”118
and Archives, Seyffert Photograph
243
Collection, Permission courtesy of Robert Seyffert. Contemporary Art Page 28
6 Getty Publications Getty Publications 7
Fall 2020 Fall 2020
A gorgeous presenta- For the first time,
tion of intimate diaries the pioneering book
and journals that that launched the
captures the excite- study of art and
ment of the golden age curiosity cabinets
of Egyptology is available in English
Egyptologists’ Notebooks Art and Curiosity Cabinets
The Golden Age of Nile Exploration in of the Late Renaissance
Words, Pictures, Plans, and Letters A Contribution to the History of Collecting
Chris Naunton Julius von Schlosser
Edited by Thomas DaCosta Kaufmann
CHRIS NAUNTON is an For centuries, the ancient ruins of Egypt have provided an endless source of Translation by Jonathan Blower
Egyptologist and the author of
fascination for explorers, antiquarians, archaeologists, and the public. All, from
Searching for the Lost Tombs
of Egypt (2018). He studied the very earliest travelers, were entranced by the beauty of the landscape and the THOMAS DACOSTA KAUFMANN Julius von Schlosser’s Die Kunst- und Wunderkammern der Spätrenaissance (Art
is Frederick Marquand Professor
ancient history, archaeology, remains of tombs, temples, and cities consumed by drift sand. Early adventurers and Curiosity Cabinets of the Late Renaissance) is a seminal work in the history of
of Art and Archaeology at
and Egyptology at the were gripped by the urge to capture what they saw in writings, sketches, paintings, Princeton University. Author art and collecting. Originally published in German in 1908, it was the first study
University of Birmingham and
and photographs. and editor of numerous books, to interpret sixteenth- and seventeenth-century cabinets of wonder as precursors
Swansea University and has articles, and reviews, he has
presented many TV programs While it was always the Egyptologists who were in charge, they depended on to the modern museum, situating them within a history of collecting going back
received honorary doctorates
on Egypt, including The Man the assistance of architects, artists, engineers, and photographers. Yet when from universities in Brno and to Greco-Roman antiquity. In its comparative approach and broad geographical
Who Discovered Egypt (2012), scope, Schlosser’s book introduced an interdisciplinary and global perspective
we read about Flinders Petrie and Norman de Garis Davies, we rarely hear about Dresden, among other distinc-
Ancient Mysteries (2016), King tions. He is a fellow of the
Tut’s Treasure (2018), and their wives, Hilda and Nina, or how the work of Amelia Edwards helped to fund their to the study of art and material culture, laying the foundation for museum studies
Swedish, Flemish, and Polish
Egypt’s Lost Pyramid (2019). explorations. Only through diaries, letters, and other archival discoveries have and the history of collections. Schlosser was an Austrian professor, curator, muse-
Academies of Sciences and
He was director of the Egypt we come to realize how important these other partners were. Similarly, the contri- of the American Academies in um director, and leading figure of the Vienna School of art history whose work has
Exploration Society from 2012
butions of Egyptians, such as Hassan Effendi Hosni, are only now coming to light. Rome and Berlin. not achieved the prominence of his contemporaries until now.
to 2016.
Egyptologists’ Notebooks is a visual celebration of Egypt’s ancient past, JONATHAN BLOWER is a trans- This eloquent and informed translation is preceded by Thomas DaCosta
featuring evocative sketches, paintings, and photographs from pioneering explor- lator of German texts on the Kaufmann’s substantial introduction. Tracing Schlosser’s biography and intellectual
visual arts.
ers’ and archaeologists’ journals. Reproduced in their original form, they provide formation in Vienna at the turn of the twentieth century, it contextualizes his work
intimate, behind-the-scenes access to the archaeological discovery of Egypt. among that of his contemporaries, offering a wealth of insights along the way.
GETTY PUBLICATIONS Related Title GETTY RESEARCH INSTITUTE Related Title
264 pages, 81/8 × 103/4 inches Texts & Documents series
240 color illustrations Beyond the Nile 224 pages, 7 × 10 inches The First Treatise on Museums
ISBN 978-1-60606-676-8, hardcover ISBN 978-1-60606-551-8, HC 7 color and 103 b/w illustrations, 1 line drawing ISBN 978-1-60606-149-7, PA
US $40.00 Trade US $65.00 Academic Trade, ISBN 978-1-60606-665-2, paperback ISBN 978-1-60606-405-4, e-book
NAO UK £50.00, 2018 ISBN 978-1-60606-679-9, e-book US $30.00 Short, UK £25.00, 2013
Page 20 US $65.00 / UK £50.00 Short Page 64
OCTOBER
JANUARY
Archaeology
Art History
8 Getty Publications Getty Publications 9
Fall 2020 Fall 2020
Now back in print, An exploration of
“the ultimate book- how an official French
lover’s gift book” visual culture normal-
— Los Angeles Times ized France’s colonial
project and exposed
citizens and subjects to
racialized ideas
of life in the empire
2nd Mira Calligraphiae Monumenta Visualizing Empire
Edition A Sixteenth-Century Calligraphic Africa, Europe, and the Politics
Manuscript Inscribed by Georg Bocskay of Representation
and Illuminated by Joris Hoefnagel Edited by Rebecca Peabody, Steven Nelson, and Dominic Thomas
Lee Hendrix and Thea Vignau-Wilberg REBECCA PEABODY is head of By the end of World War I, having fortified its colonial holdings in the Caribbean,
Research Projects and Programs
Latin America, Africa, the Indian Ocean, and Asia, France had expanded its domin-
LEE HENDRIX retired in 2016 In 1561–62 the master calligrapher Georg Bocskay (died 1575), imperial secretary at the Getty Research Institute.
from her position as senior ion to the four corners of the earth. This volume examines how an official French
to the Holy Roman Emperor Ferdinand I, created Mira calligraphiae monumenta STEVEN NELSON is the incom-
curator and head of the
ing dean of the Center for
visual culture normalized the country’s colonial project and exposed citizens and
Department of Drawings at the (Model Book of Calligraphy) as a demonstration of his own preeminence among
Advanced Study in the Visual subjects alike to racialized ideas of life in the empire. Essays analyze aspects of
J. Paul Getty Museum. Her scribes. Some thirty years later, Ferdinand’s grandson, the Emperor Rudolf II, com-
numerous books include Nature
Arts at the National Gallery of colonialism through investigations into the art, popular literature, material culture,
missioned Europe’s last great manuscript illuminator, Joris Hoefnagel (1542–1601), Art in Washington, DC, begin-
Illuminated: Flora and Fauna film, and exhibitions that represented, celebrated, or were created for France’s
to embellish the work. The resulting book is at once a treasury of extraordinary ning July 2020. He was previ-
from the Court of the Emperor
ously professor of African and colonies across the seas.
Rudolf II (Getty Publications, beauty and a landmark in the cultural debate between word and image.
African American art history These studies draw from the rich documents and media—photographs,
1997) and The Art of the Pen: Bocskay assembled a vast selection of contemporary and historical scripts for at the University of California,
Calligraphy from the Court albums, postcards, maps, posters, advertisements, and children’s games—related
a work that summarized all that had been learned about writing to date—a testa- Los Angeles.
of the Emperor Rudolf II (Getty to the nineteenth- and twentieth-century French empire that are held in the
Publications, 2003), both ment to the universal power of the written word. Hoefnagel, desiring to prove the DOMINIC THOMAS is Madeleine
Getty Research Institute’s Association Connaissance de l’histoire de l’Afrique con-
coauthored with Thea Vignau- superiority of his art over Bocskay’s words, employed every resource of illusionism, L. Letessier Professor and
Wilberg. chair of the Department temporaine (ACHAC) collections. ACHAC is a consortium of scholars and research-
color, and form to devise all manner of brilliant grotesques, from flowers, fruit,
of European Languages and ers devoted to exploring and promoting discussions of race, iconography, and
THEA VIGNAU-WILBERG is the insects, and animals to monsters and masks. Transcultural Studies at the
retired curator of Netherlandish
the colonial and postcolonial periods of Africa and Europe.
Unavailable for nearly a decade, this gorgeous volume features over 180 color University of California, Los
prints and drawings at the
illustrations, as well as scholarly commentary and biographies of both artists, to Angeles.
GETTY RESEARCH INSTITUTE
Staatliche Graphische Samm- Related Titles
lung, Munich. She is the author inspire scholars, bibliophiles, graphic designers, typographers, and calligraphers. Issues & Debates series
200 pages, 7 × 10 inches Photography’s
of the catalogue raisonné Joris
88 color and 5 b/w illustrations Orientalism
and Jacob Hoefnagel: Art and J. PAUL GETTY MUSEUM ISBN 978-1-60606-668-3, paperback ISBN 978-1-60606-151-0, PA
Science around 1600, published 424 pages, 5 × 7 inches ISBN 978-1-60606-677-5, e-book ISBN 978-1-60606-267-8, e-book
in German and English in 2017. 183 color and 3 b/w illustrations Prepack Available US $55.00 / UK £45.00 Short US $35.00 Short, UK £27.50, 2013
ISBN 978-1-60606-658-4, Buy 5, get 1 free Page 73
hardcover, with slipcase ISBN 978-1-60606-678-2 JANUARY
US $85.00 / UK £65.00 Trade US $425.00 / UK £325.00 The Archaeology
of Colonialism
SEPTEMBER Art History ISBN 978-0-89236-635-4, PA
US $45.00 Academic Trade,
Manuscripts UK £35.00, 2002
Page 24
10 Getty Publications Getty Publications 11
Fall 2020 Fall 2020
Lives of the Artists Additional Books
in the Series
Anecdotes of
William Hogarth
William Hogarth
Lives of Rubens
Giovanni Baglione, Joachim von
Sandrart, and Roger de Piles
New titles in the Lives of the Artists series offer personal, revealing accounts 192 pages, 4½ × 5¾ inches 112 pages, 4½ × 5¾ inches
34 color illustrations
48 color and 1 b/w illustrations
of the lives and work of three respected artists ISBN 978-1-60606-644-7, PA ISBN 978-1-60606-623-2, PA
US $10.95 Trade, NAO, 2019
US $12.95 Trade, NAO, 2020
Auguste Rodin Lives of Tintoretto
Giorgio Vasari, Pietro Aretino, Andrea
Rainer Maria Rilke
Calmo, Veronica Franco, and Carlo
96 pages, 4½ × 5¾ inches Ridolfi
17 b/w illustrations
ISBN 978-1-60606-561-7, PA 268 pages, 4½ × 5¾ inches
US $10.95 Trade, NAO, 2018 64 color illustrations
ISBN 978-1-60606-600-3, PA
US $14.95 Trade, NAO, 2019
Julia Margaret Cameron
Virginia Woolf, Julia Margaret Cameron, Lives of Titian
and Roger Fry Giorgio Vasari, Pietro Aretino, Ludovico
192 pages, 4½ × 5¾ inches Dolce, Francesco Priscianese, and
71 color illustrations Sperone Speroni
ISBN 978-1-60606-580-8, PA
176 pages, 4½ × 5¾ inches
US $12.95 Trade, NAO, 2018
58 color and 1 b/w illustrations
ISBN 978-1-60606-587-7, PA
The Life of Michelangelo US $12.95 Trade, NAO, 2019
Giorgio Vasari
Lives of Artemisia Lives of William Blake Lives of Gainsborough 256 pages, 4½ × 5¾ inches
Lives of Velázquez
Gentileschi Henry Crabb Robinson, John Philip Thicknesse, William Jackson,
49 color and 5 b/w illustrations Francisco Pacheco and Antonio Palomino
ISBN 978-1-60606-565-5, PA
192 pages, 4½ × 5¾ inches
Artemisia Gentileschi, Orazio Thomas Smith, and Alexander and Sir Joshua Reynolds US $14.95 Trade, NAO, 2018
52 color illustrations
Gentileschi, Cristofano Bronzini, Gilchrist ISBN 978-1-60606-588-4, PA
The Life of Raphael US $12.95 Trade, NAO, 2018
Sir Théodore Turquet de Mayerne, Thomas Gainsborough (1727–1788)
Giorgio Vasari
and Filippo Baldinucci William Blake (1757–1827) was a was a leading English landscape Looking at Manet
128 pages, 4½ × 5¾ inches
British painter, printmaker, poet, and portrait painter, draftsman, 43 color and 1 b/w illustrations Émile Zola
Artemisia Gentileschi (1593–after and mystical thinker who became and printmaker who is now consid- ISBN 978-1-60606-563-1, PA
144 pages, 4½ × 5¾ inches
US $10.95 Trade, NAO, 2018
1654) was a prominent painter one of the leading figures of ered one of the most important 41 color illustrations
ISBN 978-1-60606-566-2, PA
in the Italian Baroque style and Romanticism. This volume pre- British artists of the eighteenth Lives of Caravaggio US $12.95 Trade, NAO, 2018
the most influential female artist of sents the earliest critical essay century. This volume illuminates Giulio Mancini, Giovanni Baglione,
her day. Gentileschi is known for on his art by journalist and diarist his life, career, personality, and and Giovanni Pietro Bellori A Memoir of Samuel Palmer
Samuel Palmer, A. H. Palmer,
spreading Caravaggio’s popular Henry Crabb Robinson, repro- passions through three diverse 112 pages, 4½ × 5¾ inches
40 color and 1 b/w illustrations and F. G. Stephens
dramatic style throughout Italy and duced here in full for the first time character sketches by Philip Thick- ISBN 978-1-60606-622-5, PA 96 pages, 4½ × 5¾ inches
expanding what the world thought in English, as well as illuminating nesse, an eccentric British adven- US $10.95 Trade, NAO, 2019 22 color and 5 b/w illustrations
possible of female artists. She biographical texts by painter turer, businessman, and writer; ISBN 978-1-60606-643-0, PA
Lives of Giovanni Bellini US $10.95 Trade, NAO, 2020
notably represented women as John Thomas Smith and writer William Jackson, an artist and close
Giorgio Vasari, Carlo Ridolfi,
powerful and courageous, subvert- Alexander Gilchrist. An introduc- friend to Gainsborough; and Sir Marco Boschini, and Isabella d’Este A Memoir of
ing contemporary stereotypes tion by Martin Myrone, lead curator Joshua Reynolds, an English por- Vincent van Gogh
160 pages, 4½ × 5¾ inches
of feminine weakness and timidity. of British art to 1800 at Tate, con- trait painter and the first president 39 color illustrations Jo van Gogh-Bonger
This volume presents texts textualizes these writings, which of the Royal Academy of Arts. ISBN 978-1-60606-564-8, PA 192 pages, 4½ × 5¾ inches
US $12.95 Trade, NAO, 2018 64 color illustrations
illuminating Gentileschi’s life and provide a rich, nuanced view of An obituary published shortly after
ISBN 978-1-60606-560-0, PA
career, from excerpts of testimo- the life and inventive work of both Gainsborough’s death lends insight Lives of Leonardo da Vinci US $12.95 Trade, NAO, 2018
nies from her 1612 rape trial, to let- “the historical Blake” and “the into the artist’s impact. An intro- Giorgio Vasari, Matteo Bandello, Paolo
Giovio, Leonardo da Vinci, Sabba di Memories of Degas
ters she wrote to prominent friends invented Blake”—the artist who duction by Anthony Mould, a
Castiglione, and anonymous authors George Moore and Walter Sickert
and acquaintances like Galileo, to today occupies a revered place in British art dealer and independent
166 pages, 4½ × 5¾ inches 112 pages, 4½ × 5¾ inches
contemporary biographies. These the pantheon of visionary artists. scholar, offers an overview of 59 color and 1 b/w illustrations 36 color and 5 b/w illustrations
writings provide a fascinating Gainsborough’s life and career. ISBN 978-1-60606-621-8, PA ISBN 978-1-60606-609-6, PA
192 pages, 41/2 × 53/4 inches US $12.95 Trade, NAO, 2019 US $10.95 Trade, NAO, 2019
look at the artist who remains a 60 color illustrations
160 pages, 41/2 × 53/4 inches
key figure in feminist art histories. ISBN 978-1-60606-661-4, paperback
51 color illustrations Lives of Rembrandt Recollections of
US $12.95 Trade
ISBN 978-1-60606-664-5, paperback
Joachim von Sandrart, Filippo Henri Rousseau
160 pages, 41/2 × 53/4 inches SEPTEMBER US $12.95 Trade
45 color illustrations Baldinucci, and Arnold Houbraken Wilhelm Uhde
SEPTEMBER
ISBN 978-1-60606-663-8, paperback 112 pages, 4½ × 5¾ inches 96 pages, 4½ × 5¾ inches
US $12.95 Trade 48 color illustrations 30 color illustrations
J. PAUL GETTY MUSEUM
SEPTEMBER NAO ISBN 978-1-60606-562-4, PA ISBN 978-1-60606-567-9, PA
US $10.95 Trade, NAO, 2018 US $10.95 Trade, NAO, 2018
Art History
12 Getty Publications Getty Publications 13
Fall 2020 Fall 2020
A unique seventeenth-
century account
Open Access
of painting as it was
practiced, taught, and
Print and Digital Editions
discussed during a
period of extraordinary
artistic and intellectual The first comprehen-
ferment in the sive catalogue of
Netherlands the Getty Museum’s
significant collection
of French Rococo
ébénisterie furniture
Samuel van Hoogstraten’s French Rococo Ébénisterie in
Introduction to the Academy of the J. Paul Getty Museum
Painting; or, The Visible World Gillian Wilson and Arlen Heginbotham
Edited and with an introduction by Anne-Lise Desmas
Samuel van Hoogstraten
Edited by Celeste Brusati GILLIAN WILSON was curator This catalogue focuses on French ébénisterie furniture in the Rococo style dating
Translation by Jaap Jacobs of decorative arts at the J. Paul
from 1735 to 1760. These splendid objects directly reflect the tastes of the
Getty Museum from 1971 to
2002. Museum’s founder, J. Paul Getty, who started collecting in this area in 1938 and
CELESTE BRUSATI is a The only comprehensive work on painting written by a Dutch artist in the later continued until his death in 1976.
professor emerita of art and the ARLEN HEGINBOTHAM is
seventeenth century, Samuel van Hoogstraten’s Inleyding tot de hooge schoole The Museum’s collection is particularly rich in examples created by the most
history of art at the University conservator of decorative arts
of Michigan. She has published der schilderkonst, anders de zichtbaere werelt (Introduction to the Academy at the J. Paul Getty Museum. talented cabinet masters then active in Paris, including Bernard van Risenburgh II
articles and books on still-life of Painting; or, The Visible World, 1678) has long served as a source of valuable (after 1696–ca. 1766), Jacques Dubois (1694–1763), and Jean-François Oeben
ANNE-LISE DESMAS is senior
painting, perspective, trompe insights on a range of topics, from firsthand reports of training in Rembrandt’s curator of sculpture and (1721–1763). Working for members of the French royal family and aristocracy, these
l’oeil illusionism, and the rela-
studio to contemporary engagements with perspective, optics, experimental decorative arts at the J. Paul
craftsmen excelled at producing veneered and marquetried pieces of furniture
tion between visual and textual
philosophy, the economics of art, and more. Getty Museum.
discourses on art in the (tables, cabinets, and chests of drawers) fashionable for their lavish surfaces,
Netherlands. Van Hoogstraten’s magnum opus—here available in an English print edition for refined gilt-bronze mounts, and elaborate design. These objects were renowned
JAAP JACOBS is an honorary the first time—brings textual sources into dialogue with the author’s own experi- throughout Europe at a time when Paris was considered the capital of good taste.
reader at the University of ence garnered during a multifaceted career. Presenting novel twists on traditional The entry on each work comprises both a curatorial section, with description
St Andrews. He has published
topics, he makes a distinctive case for the status of painting as a universal disci- and commentary, and a conservation report, with construction diagrams. An
widely on the history of the
Dutch Republic and its colonies pline basic to all the liberal arts. Van Hoogstraten’s arguments for the authority introduction by Anne-Lise Desmas traces the collection’s acquisition history, and
during the early modern period. of what painters know about nature and art speak to contemporary notions of two technical essays by Arlen Heginbotham present methodologies and findings
expertise and to the unsettled relations between theory and practice, making this on the analysis of gilt-bronze mounts and lacquer.
book a valuable document of the intertwined histories of art and knowledge in
the seventeenth century. www.getty.edu/publications/rococo
J. PAUL GETTY MUSEUM
GETTY RESEARCH INSTITUTE
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Open Access
Print and Digital Editions
Featuring high-resolution zoomable images, interactive maps, linked notes and glossaries, and 360-degree
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Collections of the J. Paul Getty Museum Monographs and Proceedings
Ancient Carved Ancient Lamps Ancient Terracottas Roman Mosaics Mummy Portraits Values in Heritage Keep It Moving? Artistry in Bronze
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ISBN 978-1-60606-513-6, PA US $70.00 Short, UK £55.00 US $35.00 Short, UK £27.50 149 color illustrations 424 pages, 8½ × 11 inches
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US $130.00 Short, UK £100.00 ISBN 978-1-60606-485-6, e-book ISBN 978-1-60606-498-6, e-book ISBN 978-1-60606-538-9, PA 375 color and 48 b/w illustrations,
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see page 22 see page 26 see page 55 see page 63 see page 42 see page 4218 Getty Publications Getty Publications 19
Fall 2020 Fall 2020
Complete Ancient Terracottas from Bacchus
Backlist
South Italy and Sicily in A Biography
the J. Paul Getty Museum Andrew Dalby
Maria Lucia Ferruzza This creative biography of the god
With Claire L. Lyons of wine weaves together myths and epi-
In the ancient world, terracotta sculpture sodes found in writings from antiquity.
was ubiquitous. Readily available and 168 pages, 57/8 × 9 inches
economical, clay allowed artisans to craft 18 color illustrations
figures of remarkable variety and expres- ISBN 978-0-89236-742-9, PA
siveness. US $22.00 Academic Trade, NAO, 2004
250 pages, 8½ × 11 inches
72 color illustrations, 1 map
The Berthouville Silver
Treasure and Roman Luxury
Antiquities
18 ANTIQUITIES ISBN 978-1-60606-486-3, PA
US $70.00 Short, UK £55.00, 2016
23 ANTIQUITIES REFERENCE Edited by Kenneth Lapatin
Artistry in Bronze
24 ARCHAEOLOGY With contributions by Mathilde Avisseau-
The Greeks and Their Legacy
26 ARCHITECTURE Broustet, Cécile Colonna, Isabelle
XIXth International Congress Fauduet, Gaëlle Gautier, Susan Lansing
28 ART EDUCATION Amber and the Ancient World Maish, Ruth Leader-Newby, and Eduardo
on Ancient Bronzes
28 ART HISTORY & CRITICISM Faya Causey Sánchez
Edited by Jens M. Daehner, Kenneth
37 ART REFERENCE
Full of fascinating facts and stories, this Lapatin, and Ambra Spinelli In 1830 a farmer in the north of France
41 CHILDREN’S BOOKS book discusses the uses of amber in the made a remarkable discovery: a trove of
Resulting from the proceedings of the
44 CONSERVATION: BUILDINGS & SITES ancient world and showcases beautiful ancient Roman silver objects. This volume
nineteenth International Bronze Congress,
46 CONSERVATION: GENERAL examples of carved ambers. unveils this ancient treasure to modern-
this book presents analyses of materials,
46 CONSERVATION: MATERIALS day readers and considers the colorful
144 pages, 6½ × 8½ inches processes, and techniques, as well as
63 color illustrations history behind its creation.
50 CONSERVATION: MODERN & how the restoration history of bronzes has
ISBN 978-1-60606-082-7, HC Ancient Herbs established itself as a distinct area of 224 pages, 9 × 11 inches
CONTEMPORARY ART US $25.00 Short, UK £18.99, 2012
Marina Heilmeyer investigation. 98 color and 21 b/w illustrations
51 CONSERVATION: SCIENCE
ISBN 978-1-60606-420-7, HC
52 COOKING Delightfully illustrated with drawings 424 pages, 8½ × 11 inches US $50.00 Academic Trade, UK £40.00, 2014
52 DECORATIVE ARTS
from early nineteenth-century botanical 375 color and 48 b/w illustrations,
publications, this book presents the forty Antiquities in Motion 42 line drawings, 44 charts/tables
54 DRAWINGS ISBN 978-1-60606-541-9, PA
most important plants used for culinary, From Excavation Sites
US $99.00 Short, UK £75.00, 2017
56 GETTY CENTER medicinal, and religious purposes in to Renaissance Collections
57 GETTY VILLA classical antiquity. Barbara Furlotti
57 HISTORY 108 pages, 8 × 9 inches In her dynamic interpretation of the early
58 LOS ANGELES 55 color illustrations
modern market for antiquities in Rome,
ISBN 978-0-89236-884-6, HC
58 MANUSCRIPTS Barbara Furlotti reconstructs the journey
US $19.95 Trade, UK £14.99, 2007
61 MODERN & CONTEMPORARY ART of these objects from discovery to dis-
play, examining the changes in economic
63 MUSEOLOGY Ancient Lamps in the
value, meaning, and appearance that they
64 PAINTINGS J. Paul Getty Museum underwent along the way.
68 PHOTOGRAPHY Jean Bussière and Birgitta Lindros Wohl
292 pages, 8 × 10 inches
75 SCULPTURE Ancient Carved Ambers In the collection of the J. Paul Getty 140 color and 7 b/w illustrations
76 TECHNOLOGY REFERENCE in the J. Paul Getty Museum Museum are more than six hundred ISBN 978-1-60606-591-4, HC
US $80.00 Short, UK £60.00, 2019
Faya Causey ancient lamps that span from the sixth Beyond Boundaries
century BCE to the seventh century CE,
This online catalogue opens with a The Art of Ancient Connecting Visual Cultures in the
most from the Roman Imperial period, Provinces of Ancient Rome
general introduction to amber in the Greek Theater
and largely created in Asia Minor or Assyrian Palace Sculptures
ancient world and presents fifty-six Edited by Susan E. Alcock, Mariana Egri,
North Africa. Edited by Mary Louise Hart
Etruscan, Greek, and Italic carved ambers Paul Collins, with photographs by and James F. D. Frakes
in the J. Paul Getty Museum. 510 pages, 8½ × 11 inches The origins of tragedy and comedy, as Lisa Baylis and Sandra Marshall
632 color illustrations, 56 line drawings, 1 map In this remarkable work of scholarship, a
well as evidence of many plays that have
306 pages, 8½ × 11 inches ISBN 978-1-60606-513-6, PA A visual introduction to the extraordinary group of international scholars has come
124 color illustrations, 10 charts been lost to history, are revealed through
US $130.00 Short, UK £100.00, 2017 sculptures that decorated palaces with together to find alternative ways to dis-
ISBN 978-1-60606-051-3 classical Greek painting and sculpture.
depictions of warfare, rituals, mythology, cuss the nature and development of the
US $75.00 Short, UK £60.00
Ancient Rome 176 pages, 9½ × 11 inches and other aspects of Assyrian life. art and archaeology of the Roman prov-
Art, Architecture, and History 75 color and 67 b/w illustrations inces.
Ancient Greece ISBN 978-1-60606-037-7, HC
144 pages, 10 x 10 inches
Ada Gabucci 130 color illustrations 404 pages, 7 × 10 inches
Art, Architecture, and History US $50.00 Academic Trade, UK £40.00, 2010
ISBN 978-1-60606-648-5, HC
Edited by Stefano Peccatori and 106 color and 78 b/w illustrations, 7 maps
Marina Belozerskaya US $40.00 Trade, NAO, 2020 ISBN 978-1-60606-471-9, HC
Stefano Zuffi
and Kenneth Lapatin US $69.95 Short, UK £55.00, 2016
Translated by T. M. Hartmann
This volume traces the development and
Athenian Vase Construction
144 pages, 53/8 × 8½ inches
spread of Greek culture from the third A Potter’s Analysis
200 color illustrations
millennium to the first century BCE. ISBN 978-0-89236-656-9, PA Toby Schreiber
US $19.95 Trade, NAO, 2002
144 pages, 53/8 × 8½ inches 312 pages, 11 × 10 inches
282 color and 28 b/w illustrations, 1 map 542 b/w illustrations, 440 line drawings
ISBN 978-0-89236-695-8, PA ISBN 978-0-89236-466-4, PA
US $19.95 Trade, NAO, 2004 US $40.00 Academic Trade, UK £32.50, 1999
Antiquities Antiquities20 Complete Backlist Getty Publications Getty Publications 21
Fall 2020
Classical Love Poetry Cuneiform A Garden of Greek Verse Greek Gold from Houses and Monuments
Edited and introduction by Ancient Scripts 80 pages, 45/8 × 73/8 inches Hellenistic Egypt of Pompeii
Jonathan Williams 30 color illustrations The Work of Fausto and Felice Niccolini
Irving Finkel and Jonathan Taylor Michael Pfrommer
ISBN 978-0-89236-609-5, HC
Contributions by Clive Cheesman Preface by Stefano de Caro
Cuneiform is the oldest form of writing in US $21.95 Trade, NAO, 2001 96 pages, 7½ × 9¼ inches
96 pages, 5 7⁄8 × 7¼ inches the world. This volume offers a concise 34 color and 41 b/w illustrations, Essays and commentaries by Roberto
40 color illustrations
and accessible introduction to these The Getty Kouros 2 drawings, 1 map, 1 foldout Cassanelli, Pier Luigi Ciapparelli,
ISBN 978-0-89236-786-3, HC ISBN 978-0-89236-633-0, PA Enrico Colle, and Massimiliano David
US $21.95 Trade, NAO, 2005
ancient scripts, providing a vivid glimpse Colloquium US $24.95 Trade, UK £18.99, 2001
into the political, economic, and religious 68 pages, 7 × 9½ inches 224 pages, 10½ × 14¼ inches, boxed
Cult Statue of a Goddess institutions of the ancient Near Eastern 18 b/w illustrations 270 color illustrations
societies that used them. ISBN 978-0-89236-263-9, PA ISBN 978-0-89236-684-2, HC
Edited by Karol Wight US $15.00 Short, USA, 1993 US $75.00 Academic Trade, UK £60.00, 2002
112 pages, 5¾ × 8¼ inches
The papers included here examine the 30 color illustrations
statue’s style and compare it to similar ISBN 978-1-60606-447-4, PA
sculptures from the Mediterranean US $18.95 Academic Trade, NAO, 2015
basin and analyze pollen remains and
Beyond the Nile soil residue found on the statue upon its Dangerous Perfection
Egypt and the Classical World arrival at the Getty. Ancient Funerary Vases
from Southern Italy
Edited by Jeffrey Spier, Timothy Potts, ISBN 978-0-89236-928-7
and Sara E. Cole OPEN ACCESS Edited by Ursula Kästner and David
www.getty.edu/museum/research Saunders
The history of the ancient world is not
In the early nineteenth century, a set of
simply the stories of Egypt, Greece, and Cultural Identity in the
Rome as separate cultures, but an inter- richly decorated vases was found in
Ancient Mediterranean Ceglie, near Bari, Italy. This volume gives
woven narrative of aesthetic and techno-
logical exchange, hybridization, and col- Edited by Erich S. Gruen a full account of the vases from their The Greek Vase
laboration. This milestone publication is discovery up through current conserva- Art of the Storyteller
A slippery and elusive concept, cultural
the first to offer a comprehensive account identity in the classical world is explored tion efforts. John H. Oakley
of these vicissitudes of cultural exchange. from a variety of angles in this book. 216 pages, 9 × 11 inches A beautifully illustrated account of ancient Latin Inscriptions
160 color and 10 b/w illustrations
360 pages, 91/2 × 111/2 inches Greek vases illuminates their role in Ancient Scripts
328 color and 19 b/w illustrations, 1 table
544 pages, 7 × 10 inches
ISBN 978-1-60606-476-4, HC Golden Kingdoms
99 b/w illustrations, 13 line drawings
US $60.00 Short, UK £45.00, 2016
human culture. Dirk Booms
ISBN 978-1-60606-551-8, HC ISBN 978-0-89236-969-0, PA Luxury Arts in the Ancient Americas
US $65.00 Academic Trade, UK £50.00, 2018 114 pages, 10 × 10½ inches
US $65.00 Short, UK £50.00, 2011 Edited by Joanne Pillsbury, Timothy Potts, In this concise guide, Dirk Booms teaches
Dilettanti 130 color illustrations
readers—even those with no knowledge
and Kim N. Richter ISBN 978-1-60606-147-3, HC
The Antic and the Antique in of Latin—how to decipher these ancient
This catalogue features over three hun- US $29.95 Trade, NAO, 2013
Eighteenth-Century England messages.
dred highly valued works made of jade,
Bruce Redford
gold, delicate shell, and other materials, Hellenistic Art 112 pages, 5¾ × 8¼ inches
236 pages, 8¼ × 10¼ inches that traveled great distances across From Alexander the Great to Augustus 30 line drawings
103 color and 45 b/w illustrations ISBN 978-1-60606-466-5, PA
space and time, revealing connections Lucilla Burn
ISBN 978-0-89236-924-9, HC US $18.95 Academic Trade, NAO, 2016
between regions and challenging our
US $50.00 Academic Trade, UK £40.00, 2008 192 pages, 7½ × 95/8 inches
sense of bounded traditions.
82 color and 26 b/w illustrations Life, Myth, and Art
Etruscan Civilization 328 pages, 95/8 × 113/4 inches ISBN 978-0-89236-776-4, PA
in Ancient Greece
433 color illustrations, 4 maps US $35.00 Academic Trade, NAO, 2005
A Cultural History
ISBN 978-1-60606-548-8, HC Emma J. Stafford
Sybille Haynes US $59.95 Academic Trade, UK £50.00, 2017 Herculaneum This superbly illustrated guide covers
452 pages, 7½ × 10¼ inches Italy’s Buried Treasure the ideas, beliefs, and achievements of
84 color and 193 b/w illustrations, The Greek Body ancient Greek culture.
53 line drawings
Joseph Jay Deiss
Ian Jenkins and Victoria Turner
ISBN 978-0-89236-600-2, PA 222 pages, 6 × 9 inches 144 pages, 10 × 10 inches
Buried by Vesuvius Cultural Memories in US $50.00 Academic Trade, UK £40.00, 2005 From idealized beauty to highly individual- 108 b/w illustrations 110 color illustrations
ized portraits, the diverse sculptures ISBN 978-0-89236-773-3, PA
the Roman Empire ISBN 978-0-89236-164-9, PA
The Villa dei Papiri at Herculaneum The Etruscans featured in this exquisite volume demon- US $22.95 Trade, UK £17.99, 1989 US $24.95 Trade, NAO, 2004
Edited by Karl Galinsky
Edited by Kenneth Lapatin Outside Etruria strate the incredible skills of six centuries
and Kenneth Lapatin
of Greek artists. Household Gods Life, Myth, and Art
Buried by the eruption of Mount Vesuvius, Edited by Giovannangelo Camporeale
With contributions by Susan Alcock, Private Devotion in Ancient Greece in Ancient Rome
the Villa dei Papiri is one of the world’s Jas’ Elsner, Alicia Jiménez, Zena Kamash, This lavishly illustrated volume focuses 144 pages, 10 × 10¼ inches
and Rome
earliest systematically investigated 132 color illustrations Tony Allan
Rachel Kousser, Elizabeth Marlowe, Carlos on the commercial and cultural impact of
archaeological sites. Presenting the latest Noreña, Felipe Rojas, C. Brian Rose, Steven
ISBN 978-1-60606-002-5, HC Alexandra Sofroniew This book introduces a fascinating and
the little-known Etruscans beyond Etruria. US $29.95 Academic Trade, NAO, 2010
research, this publication reveals the story Rutledge, John Weisweiler, Tim Whitmarsh, This volume provides an intimate look at paradoxical civilization and its art and
of the Villa dei Papiri’s ancient inhabitants Greg Woolf, and Ann Marie Yasin 317 pages, 8¾ × 10½ inches architecture.
these religious objects of ancient Greece
and modern explorers to provide the first 240 color illustrations Greek Funerary Sculpture
This volume is the first to address the ISBN 978-0-89236-767-2, HC
and Rome and repositions our under- 144 pages, 10 × 10 inches
truly comprehensive look at all aspects Catalogue of the Collections
cultural artifacts of Rome through the lens US $50.00 Academic Trade, UK £40.00, 2004 standing of religious practice within the 150 color illustrations
of the site. at the Getty Villa
of memory studies, crafting a deep and domestic sphere. ISBN 978-0-89236-821-1, PA
Janet Burnett Grossman US $24.95 Trade, NAO, 2005
276 pages, 9 × 11 inches poignant understanding of this ancient 160 pages, 7 × 9 inches
187 color and 16 b/w illustrations, civilization. 160 pages, 9¼ × 12¼ inches 65 color and 2 b/w illustrations, 1 line drawing
1 illustrated gatefold map 125 duotone illustrations, 1 map ISBN 978-1-60606-456-6, HC
ISBN 978-1-60606-592-1, HC 376 pages, 7¾ × 11 inches ISBN 978-0-89236-612-5, HC US $25.00 Academic Trade, UK £18.99, 2016
US $65.00 Academic Trade, UK £50.00, 2019 53 color and 85 b/w illustrations US $75.00 Short, UK £60.00, 2001
ISBN 978-1-60606-462-7, PA
US $85.00 Short, UK £65.00, 2016
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