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The Architect WA Community Edition S/S 20
ARCHITECT: Grieve Gillett Andersen
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IN THIS ISSUE...
Say hola to our new
30 34
Spanish Collection
The Australian Institute of Architects is the peak body for architecture
in Australia representing over 11,500 members globally, committed to
raising design standards and positively shaping the places where we live,
work and meet.
‘The Architect’ is the official publication of the Australian Institute of
Architects – WA Chapter. This Spring/Summer 2020 edition focuses on
the idea of Community, featuring a broad range of West Australian public
and commercial architecture projects.
THE ROCKS / TAYLOR ROBINSON CHANEY BRODERICK CURTIN BICYCLE HUB / CONIGLIO AINSWORTH Kedela wer kalyakoorl ngalak Wadjak boodjak yaak.
Today and always, we stand on the traditional land of the Whadjuk
Noongar people.
00
40 46
PROJECTS
34
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08
WILLING COFFEE CURTIN BICYCLE HUB
OHLO STUDIO CONIGLIO AINSWORTH
14 40
TBA
DILLY DALLY EZONE
BENSON STUDIO HASSELL
20 46
BOSTON BREWING 125 MURRAY STREET
DESIGN THEORY COX ARCHITECTURE
EZONE / HASSELL 125 MURRAY STREET / COX ARCHITECTURE
26 52
WANJU MARR WICKHAM COMMUNITY HUB
20 MJA STUDIO GRESLEY ABAS
30 58
THE ROCKS PINGELLY RECREATION
TAYLOR ROBINSON CHANEY AND CULTURAL CENTRE
BRODERICK IREDALE PEDERSON HOOK AND
ADVANCED TIMBER CONCEPTS
STUDIO
COMMUNITY / CULTURE 64
WA MUSEUM BOOLA BARDIP
COMMUNITY / FUTURE OF PERTH 72
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2 PROJECT TYPE CONTENTS 3
CREDITS FOREWORD
Publisher Warranty: Persons and/or organisations and their servants
Editorial Director
and agents or assigns upon lodging with the publisher for
Sandy Anghie Institute of Architects WA Chapter publication or authorising or approving the publication
33 Broadway of any advertising material indemnify the publisher, the
Managing Editor Nedlands WA 6009 editor, its servants and agents against all liability for, and
costs of, any claims or proceedings whatsoever arising
Beata Davey T: (08) 6324 3100 from such publication. Persons and/or organisations and
architecture.com.au their servants and agents and assigns warrant that the
Editorial Panel @architects_wa
advertising material lodged, authorised or approved for
publication complies with all relevant laws and regulations
Sandy Anghie
and that its publication will not give rise to any rights or
Beata Davey liabilities against the publisher, the editor, or its servants
Felicity McDonald and agents under common and/ or statute law and without
limiting the generality of the foregoing further warrant
Clare Ryan
Dion Robeson
Advertising Enquiries
wa@architecture.com.au
that nothing in the material is misleading or deceptive or
otherwise in breach of the Trade Practices Act 1974. From the State Manager From the President
Hayley Swift editor@thearchitectwa.com Important Disclaimer: The views expressed in this Australian Institute of Architects Australian Institute of Architects
publication are those of the individual authors and do
Assistant Editor not necessarily reflect the position of the Australian
Editorial Enquiries Institute of Architects. Material should also be seen as The role of West Australian architecture is at the forefront of this This edition of The Architect started life with a focus on commercial
Cassandra Simpson
editor@thearchitectwa.com general comment and not intended as advice on any
particular matter. No reader should act or fail to act on the Community edition of The Architect. Architecture is, after all, work, but quickly morphed into one that deals with community.
Plans + Drawing Preparation basis of any material contained herein. Readers should
Cover Image more than the walls around us. It’s the vessel for our lives and our The events of this year, defined by catastrophic bush fires and the
Lee Yang Yang consult professional advisors. The Australian Institute of
© Peter Bennetts, courtesy of Architects, its officers, the editor and authors expressly communities. Great architecture amplifies our sense of place and COVID-19 pandemic, have brought into focus the importance of
disclaim all and any liability to any persons whatsoever
Magazine Design Hassell + OMA in respect of anything done or omitted to be done by any empowers us and the communities in which we live. our community and how we all draw strength from the local – from
Felicity McDonald – Public Creative such persons in reliance whether in whole or in part upon family, colleagues, neighbours and the clubs we belong to.
any of the contents of this publication. All photographs are
Masthead Design by the respective contributor unless otherwise noted. From what has been a turbulent and uncertain year for many
Studio Field ISSN: 2652-905X (especially for our brothers and sisters in Melbourne), living in the From a built environment perspective, density remains a polarising
WA bubble has been a fortunate blessing – we continue to live our issue throughout the Perth community. We need more listening
Printing
lives, work and play. We have also been privileged with an influx of and a more nuanced approach to the introduction of new planning
Advance Press
stimulus programs allowing us to positively plan for our future and policies – and through our work as architects we need to be
reconnect to our homes, neighbours and our ‘WA local’. champions of the benefits of density including more green spaces,
greater amenity and walkable communities. The soon to
The ‘WA local’ occupies over 32 percent of the landmass of be released Medium Density Planning code and the Precinct
Australia (2,527,013sqm) – by far the largest, most diverse state Planning code are steps towards addressing some of the
– with architecture that responds accordingly, with resilience, community’s concerns.
flexibility and innovation. In this edition of The Architect we are
Shape your
pleased to feature projects located across WA – from Perth through But our involvement in these discussions shouldn’t be limited to
to Northam, Geraldton, Wickham and Pingelly. our work alone. We as architects should participate in forums and
debates. It’s wonderful that a number of our members have joined
As our border begins to open, let us not lose focus of our the democratic process and represent their communities on local
world
heightened sense of identity, interconnectivity and patriotism. council. In particular, shout out to Sandy Anghie, the editor of this
We need to celebrate our city and home and maintain an excited magazine, on being elected Deputy Lord Mayor of the City of Perth.
outlook for the future. We are, after all, in the lucky country.
As far as our own Institute community goes, it was wonderful
Thank you to our editor Sandy Anghie and the team of contributors that during the crisis this year we were able to provide financial
Shape your
for their hard work in leading the second publication in the new assistance to our members and to nimbly transition our CPD events
Join a global network of over format, with an expanded target audience. We also thank for and awards to online spaces. So congratulations to Beata Davey
11,500 professionals, committed their continued support our major patron, Fielders, and all of our and her team for doing such a wonderful job in creating meaningful
to raising design standards and publication advertisers: Rondo, Loam, Living Edge, Midland Brick online engagement.
profession
and Boral Concrete.
advocating on behalf of the
It has a been a difficult year, but we emerge from it stronger and
profession for all Australians.
Beata Davey with a greater sense of our future direction. Let’s carry our sense of
community forward and see where it can take us.
The knowledge, advocacy and
tools you need to shape your
Peter Hobbs
architecture.com.au Membership 2021 world.
4 PROJECT TYPE PROJECT TYPE 5
CONTRIBUTORS FROM THE EDITOR
Welcome to our Community edition of The Architect magazine.
This edition, my second as editor, marks a shift in direction for the
magazine – in both its content and its readership. In the following
Felicity McDonald Cassandra Simpson Lee Yang Yang Andrew Boyne Clare Ryan pages you will see the breadth of projects WA architects are involved
Felicity McDonald is a Cassandra Simpson is Lee Yang Yang is a Senior Andrew Boyne is an Clare Ryan has spent in across our State – from local cafes, restaurants and bars, through to
Graphic Designer and co- currently completing her Architect at Philip Stejskal architect at Andrew over 13 years as an volunteer and bicycle hubs, university buildings, community centres,
manages Public Creative Masters of Architecture at Architecture. He is also T Boyne Architect. editor, journalist and
with her husband Peter. the University of Western an artist, is active in stylist, working across
adaptive re-use projects and urban renewal – and, of course our new
Together they have been Australia. architectural competitions, a range of design and WA Museum Boola Bardip.
managing the design and is EmAGN subcommittee lifestyle markets. She is a
production of The Architect co-chair, and often teaches freelance contributor for
In this edition, we are also pleased to feature a series of interviews.
magazine since 2013. at Curtin University. various digital and print
publications. We hear from some of the key people behind the highly anticipated
new WA Museum Boola Bardip – including Hon David Templeman
Minister for Local Government, Heritage, Culture and the Arts; Alec
Coles, CEO of the WA Museum Boola Bardip; and architects Peter
Dean from Hassell and Paul Jones from OMA. There are interviews
with Marion Fulker, CEO of the Committee of Perth, and Sandra
The Projects we present in Brewer, Executive Director of the Property Council, as we gain their
insights on our City.
this Community edition of
The Architect celebrate the spirit As is the tradition with The Architect, the stories in the magazine have
been written by architects, kindly volunteering their time and talent
Domenic Trimboli
Domenic Trimboli is a
Dr Emil Jonescu
Dr Emil Jonescu is an
Ken Adam
Ken Adam is best known as
James French
James French is an
Jonathan Speer
Having first enjoyed a
of architecture in our Western to write about their colleagues. We were also fortunate to have two
registered architect, and a educator, researcher,
and registered architect
the author of the Residential
Design Codes and as
architect currently working career as an actor and a Australian community, from local experienced journalists contribute stories, and an architect edit the
PhD student and academic for Hillam Architects. writer in both Australia and
in the areas of architecture working on civic projects
and public infrastructure.
Chairman and spokesman
for the urban think-tank City
the UK, Jonathan Speer coffee shops through to regional plans for publication – all working on a voluntary basis. Thank you to
all of our volunteers. Thank you also to our graphic designer, Felicity
and urban planning at The retrained as an architect.
University of Melbourne. He has worked extensively
with semi-nomadic living
Vision. Now retired, Ken’s
extensive career started in
He now works with the recreation centres – bringing people McDonald, who again has worked tirelessly to reimagine the look of
team at MJA Studio.
cultures in Sarawak –
forming connections with
the Public Works and Town
Planning Departments of
together, across our great State. the magazine, and Studio Field who created our new masthead.
Australian Indigenous and WA, before he established At the time I took on the role of editor in 2019 the world was quite a
non-indigenous people. his own practice in 1974.
different place. Now, in the midst of a global pandemic, perhaps this
magazine is even more relevant – as we think about the importance
of our community and the many forms of architecture that brings us
together. We hope this “Community” edition of The Architect provides
you with inspiration and that you enjoy our stories, with their varied
styles and points of view.
Let us know what you think.
Write to me editor@thearchitectwa.com
Phil Griffiths Pip Smith Reinette Roux Sally Weerts Rachael Bernstone
Philip Griffiths studied Pip Smith is a Perth- Reinette Roux is a Sally Weerts is a registered Rachael Bernstone is
architecture at the based architect who has Graduate of Architecture Architect and one of the a journalist who writes Sandy Anghie
Polytechnic of the South practised throughout WA at Hames Sharley, and founding directors of for various publications.
Bank in London, returning for over 10 years. She is currently Co-Chairs EmAGN Arcadia Design Studio. She is also the founder
to Australia in 1983 to start passionate about unifying WA. She is passionate about Prior to establishing her of Sounds Like Design,
his own practice. He has all design professionals the future of architecture, as own practice, she gained a communications and
completed projects in for exceptional built seen through the lens of the broad-ranging experience business strategy agency
current emerging architects,
almost all typologies, with environment outcomes. at some of WA’s most well for Architects.
and what this might mean
a recent focus on heritage. known practices.
in working towards a
sustainable world.
6 CONTRIBUTORS FROM THE EDITOR 7
WILLING COFFEE
OHLO STUDIO
WORDS: CLARE RYAN
PHOTOGRAPHY: PATRICK SCHUTTLER
Although small, this 36 sqm interior packs a punch. Nestled in the historic
suburb of Guildford, Willing Coffee by OHLO Studio is unique to the area, yet
in harmony with its surrounds. It employs both masculine and feminine design
cues – to create a feeling of clarity and spaciousness on a tight footprint.
Willing Coffee is housed in a new residential development in While the space is small, the brief was big – to create a classic
Guildford, which uses dark brick and curved openings in a palette Italian inspired café, designed like a jewellery box, with an interior
that rests harmoniously in the neighbourhood. Jen Lowe of Ohlo that heavily referenced the client’s love for coffee and family history
Studio was tasked with completing the ground floor coffee shop in cycling.
interior.
“We wanted to avoid the very cliché’d cycle-café genre of bikes
“One thing Guildford has is a great old-fashioned feeling,” explains on a wall, so we opted to use references from cycle and coffee
Jen. “Many venues in the area have beautiful old existing shop machinery design instead. In this way, it was more about subtle
fronts using natural timbers. We wanted to create something of references combined with a great collection of cycling books on
quality that responded to this history and the building itself.” the shelves,” explains Jen.
The thoughtful interior by Ohlo Studio acknowledges the local Inspired by early industrial designs from the 50s and 60s, Jen
charms and quirks of Guildford by effectively combining traditional combined textures and rich materials to create a contemporary
and contemporary materials and forms to create a unique interior café experience that gives a nod to a period gone by.
that is modern, warm and inviting.
WILLING COFFEE / OHLO STUDIO 11
SECTION SECTION
0 1 2 3 4 5
m m m m m m
“I wouldn’t call it a classic Italian interior,” says Jen. “The interior At the time of design, Jen and her team were inspired by the post-
takes cues from diners and classic Italian espresso equipment of war design period. This era was influenced by space travel and the WILLING COFFEE SUPPLIERS
the post war period and uses these in a contemporary way. While vast growth in technology that introduced household equipment to
ARCHITECT Floors
some detailing such as the parquetry floor has a traditional feel to suburban homes. Design was both tech and feminine, to appeal to
Ohlo Studio Planet Timbers Euroboard oak
it, much of the detailing, especially the combination of materials the suburban housewife. This balance of masculine and feminine is
jen@ohlostudio.com parquetry
and details is contemporary. We sought to capture the texture and evident in the design.
www.ohlostudio.com
intimacy of a local Italian bar without actually mimicking it.” Lighting
The curved bar detailing is Jen’s favourite design feature of DESIGN TEAM Living Edge Rich Brilliant and Willine
A striking Persian Red Travertine counter is the key feature in the Willing Coffee. Jen Lowe ‘Queue Direct’ lamp; Radiant Lighting
intimate space. The colour and texture of this remarkable stone Josh Hills Faze Side wall lamps; Vintage
creates a warm and inviting atmosphere and is combined with a “The forms of the design, such as the curve on the bar and the ‘staff’ pendant from Angelucci in
minimal palette of stainless steel and European Oak. shelving unit were not rounded for decorative purposes, they BUILDER Melbourne
respond to the language of the existing building, as well as Willing Homes; completed
Jen says the minimal palette is the perfect balance of warmth the detailing in the espresso and cycling equipment we were August 2018 Stone
and coolness. referencing,” explains Jen. Persian Red Travertine from Bernini
SITE FLOOR PLAN 00m 1m 2m 3m 4m 5 5m
M
110 Terrace Rd, Guildford, Western Stools
“Often less is more, especially since there are so many working “The most important sustainability feature is our response to the
Australia; 36 sqm interior, 12 sqm R4 R6 stools from Rigmarole Design
elements in a café. When the people, food, equipment and books existing neighbourhood. It’s such a beautiful heritage suburb that
exterior
are all crammed into a tiny space there is already so much life,” she anything that felt cookie cutter or chain-store-like would sit really
explains. poorly in the neighbourhood.”
The brief called for beautiful, customer facing storage to house The Willing Coffee interior design is a nod to Italian culture and
cycling paraphernalia, as well as a collection of books, magazines cycling history, while still boasting a timeless contemporary
and papers for customers to peruse. aesthetic that will stand the test of time.
12 WILLING COFFEE / OHLO STUDIO WILLING COFFEE / OHLO STUDIO 13
DILLY DALLY 14 PROJECT TYPE PROJECT TYPE BENSON STUDIO 15
WORDS: PIP SMITH
PHOTOGRAPHY: JESSICA WYLD
When approached by the new owner of this landmark site,
Benson Studio saw the site and the moment in time for
Subiaco as a unique opportunity to connect with the past
and embrace the future.
Comparing the hospitality precinct of Subiaco to the diurnal cycle, crew (general manager Patrick Ryan and sommelier Jeremy Prus)
with the pre-GFC days of long business lunches and Subiaco Oval recognised the chance to increase the diversity of offering in
as the mecca for 40,000 hungry and thirsty footy fans now things Subiaco and to be a part of its evolution.
of the past, many might mistake Subiaco for being at dusk, with
the long night ahead. But transformation is starting, and it seems Michael’s design intent for the refurbishment comprised two strong
Subiaco is in the early hours of a brand-new morning. yet seemingly opposed themes: transformation and familiarity,
with the resultant form walking the tightrope between the two.
Both the iconic Subiaco Markets and Oval sites have been razed
with new landmark developments on the way, the Subi Hotel is The transformation of the space is exquisite: the new façade
under new ownership with a refurbishment planned, and Juanita’s, creates a bold yet playful street presence with bright terracotta
Lulu La Delizia and Fenway are just a few of the exciting prospects colours soaking the front elevation and splashed throughout
the area has to offer. And, of course, succeeding the old Witch’s the interior. Lighting is a subtle yet intimate mix of floor lamps,
Cauldron restaurant: Dilly Dally. recessed LED strips, wall-mounts and festoon lights. The furniture
is a similarly charming blend of matching and mis-matching
By getting involved in the refurbishment of the building which secondhand pieces, offering seating options from long high bar
housed a cultural cornerstone, just as the precinct was starting tables to secluded corners for two.
to find its new feet, architect Michael Benson and the Dilly Dally
16 PROJECT TYPE DILLY DALLY / BENSON STUDIO 17BENSON
BENSON
DILLY DALLY
ARCHITECT
Benson Studio
www.bensonstudio.com.au
info@bensonstudio.com.au
@studio_benson
DESIGN TEAM
Michael Benson
Rab Al Hanbali
Olivia Peel
CONSULTANTS
Structural Engineering: Talisman
Consulting
Lighting Design: Benson Studio
Art Consultant: David Spencer
Balanced against these changes is a respectful connection not only The artwork for the project is a carefully curated mix of over 50
to the building’s preceding use, but to Subiaco itself – its heritage commissioned pieces, including a mural by local Aboriginal artist BUILDER
and community. Michael researched the original structure and Jade Dolman depicting the Noongar significance of the area, and 3 Assemble Building Co; completed 2019
façade during design, and deliberately ensured the new insertions artworks created in a collaboration between Michael Benson and
remained respectful of what was there previously: the height of David Spencer which are “all found objects from the demolition of SITE
the new front windows replicate the old shop front; deep reveals in the site”. Some of the old restaurant’s brass wall lights remain, with 87 Rokeby Road, Subiaco, Western
the windows (which can double as window seats) reference in plan bare globes replacing the opaque lamps; and thick black marks GROUND FLOOR PLAN SECTION Australia;
the old planter boxes which used to sit on the street front; plaster have deliberately been left over one wall where the original kitchen 590 sqm site; 1,500 sqm build
has been pulled away to reveal the original brickwork; the original cooker would have been. GROUND FLOOR PLAN SECTION
timber boards and concrete floors have been stripped back and
partially sanded, but not sealed or polished; and some parts of the While the space is still evolving, like Subiaco itself, the design SUPPLIERS
kitchen and restrooms haven’t been touched by the refurbishment, has certainly achieved a balance between transformation and
Furniture
still in impressive condition from decades of careful maintenance. familiarity with this charming, delightful insertion. As Michael
Furniture Options
summarised: “The space isn’t the same, it’s totally different. But the FIRST FLOOR PLAN 0 10 M
Nurturing connections to what was there previously also enabled connection to everything that went before is strong.” Tiling
another design goal to be achieved – the budget. Michael has been Original Ceramics
delightfully thrifty, with clever consideration of what the structure,
FIRST FLOOR PLAN 0 10 M
infrastructure and finishes needed to bring about the feeling of Paint
change. Painted plywood is embedded where original floorboards Dulux
were damaged, load-bearing walls have been retained where
possible, and much of the extensive kitchen and bar infrastructure Timber Panelling
has been re-used. Careful decisions and compromises both during Porta Timber
design and construction have enabled a cost-effective realisation
of the design intent.
18 DILLY DALLY / BENSON STUDIO DILLY DALLY / BENSON STUDIO 19BOSTON BREWING DESIGN THEORY
WORDS: JAMES FRENCH
PHOTOGRAPHY: DION ROBESON
Occupying a ground-floor tenancy in a Victoria Park offered a logical location for the first metropolitan
outpost of this popular brewery, with the family behind Boston
new mixed use multi-residential building Brewery having strong ties to the area. The new venue’s situation
in Victoria Park, the space presented also offered a serendipitous connection to their flagship Denmark
brewery, with the Albany Highway address marking the beginning of
a blank canvas and a unique set of a journey to the South Coast.
challenges for the creation of a brewery
The project brief required the new venue to honour the core values
by Design Theory. of the Boston brand – that of artisan craft with a focus on the
handmade. With the Denmark brewery functioning as a working
venue, its utilitarian character was to be translated into a simple,
no-fuss design for the new venue, one that could stand alone and
develop its own character and identity whilst still belonging to the
Boston family.
The considered application of materiality throughout the project
is key to its success, with materials used to build character
and atmosphere – a common thread in Design Theory’s work.
Burnished brickwork and bespoke metalwork afford a patina that
speaks to the artisan craftsmanship found in the production of
Boston’s beer. Tiles, recycled hardwood and leather nostalgically
reference the pubs of old. Pops of vivid colour along with layering
of textures and materials create depth, while picture rails, dados
22 BOSTON BREWING / DESIGN THEORYand skirting add further to the overall character and atmosphere of
the venue – successfully compensating for the lack of existing built
fabric the designers had to build upon.
The judicious selection of furniture throughout the project adds to
the welcoming and familiar character of the space. Staples of pub
dining rooms like banquets and half rounds finished in plywood
and leather instill a sense of comfort. The furniture pieces selected
throughout are generous and forgiving, from the use of handmade
leather seatpads on plywood boxes to robust picnic benches in
the alfresco area. The specification of the classic Sebel Hobnob
chair in dark blue within the dining room achieves a subconscious
familiarity that would remind many visitors of their school days.
Fundamental to the spatial articulation of the tenancy is a feature
fireplace which serves as the centre-point of the venue - a key axis
around which the planning is structured. The fireplace punctuates
the space and offers visitors the option to turn left towards the BOSTON BREWING SUPPLIERS
dining area, right to a casual bar, or upstairs to the mezzanine level,
DESIGNER Art
thereby subtly delineating spaces with different functionalities, and
Design Theory Liam Gnaden
allowing the venue to cater to a broad and varied audience while
www.designtheory.com.au
working as a cohesive whole. Furniture
hello@designtheory.com.au
@design_theory_perth Koskela
On the ground floor the bar commands a strong visual presence Sebel
from the entry, taking cues from traditional pub configurations. DESIGN TEAM District
Upstairs the mezzanine level provides additional floor area and Evan Reeves Living Edge
introduces a more intimate space with its own mood and energy. Lisa Reeves
The deep blue colour palette, highly tactile finishes and separate Daniella Catalano Decorative lighting
bar create an area that stands alone yet remains connected to the Plumen
wider venue. The mezzanine also serves to punctuate the double CONSULTANTS DCW Editions
height volume of the tenancy and establishes a juxtaposition of Structural Engineering: Stantec Barn Light
space by dropping the ceiling height over the casual bar area.
BUILDER
Aurora Project Group; completed December 2019
Design Theory’s response to the brief has resulted in an interior
that is sophisticated yet welcoming, with a depth of materiality SITE
that skillfully belies the venue’s age. The space pays homage to 660 Albany Highway, Victoria Park, Western
the traditional Australian pub, referencing the vernacular of Australia; 486 sqm site; 566 sqm tenancy
numerous local watering holes in the area to create a venue that is
warm and familiar.
24 BOSTON BREWING / DESIGN THEORY BOSTON BREWING / DESIGN THEORY 25WANJU MARR
MJA STUDIO
26 PROJECT TYPE PROJECT TYPE 270 4M SECTION
WORDS: DOMENIC TRIMBOLI
0 20 M SITE PLAN
PHOTOGRAPHY: DION ROBESON
0 20 M SITE PLAN
garden designs to the south, part of the post widths introduce an added layer of WANJU MARR 0 20 M SITE PLAN
success of the building is due to the fact syncopated voids in an eventual dissolution
that legislation restricts the clearing of of form as the jarrah portico opens up to ARCHITECT
native vegetation within the park. This the south. MJA_studio
limited the placement of the building, as www.mjastudio.net/
The galvanised sliding screens in front admin@mjastudio.net
Mark explained, “to the west of the Quarters
of the BBQ area bring a delightful touch Instagram @mjastudio
within an existing clearing elongated along
of whimsy and animation to the façade,
the east-west axis.”
functioning as wind and privacy screening, DESIGN TEAM
This elongated plan allows for a varied controlling southern views towards James Thompson, Mark Ciesielski,
WORDS: JONATHAN SPEER
program of two externally accessed the Memorial Park and heightening the Prudence Hancock, Kuei-Jyun Mao,
PHOTOGRAPHY: DION ROBESON workshops, buffering the minor western transparency of this outdoor space. Ash Blackwell, Sandra Reynders
exposure, centrally located amenities, two
The beautiful outcome of Wanju Marr, CONSULTANTS
separate offices and a large kitchen and
which also employs an impressive array Project Manager: Plan E
internal meeting room. Bridging Wanju Marr
Designed by MJA_studio, Kaarta Gar-up, or Kings Park, has a special
significance in our collective consciousness.
The building, as Mark Ciesielski, MJA_Studio
Project Director, describes, “was conceived
and the Garden Staff Quarters is another
of sustainability measures befitting its Structural and Civil: BPA Engineering
context, was recognised in the 2020 AIA WA Electrical: CDEP
Wanju Marr, Whadjuk for It has been a significant gathering place for as a building of simple forms expressed
large outdoor BBQ area, also an outdoor
meeting space, which serves as an area
Chapter Awards, Small Project Architecture, Lighting: JSB Lighting
“welcome hand”, was built the Whadjuk people, and enjoyed by all in our through devices of joining and separation
where volunteers, staff and the general
with a Commendation. Hydraulic: TJ Peach
community across generations and cultures. to itself and the adjacent Garden Staff Mechanical and ESD: ND Engineering
to accommodate the wide- Quarters.”
public, accessing the adjacent walking In a place so deeply loved, the Kings Park BCA: Code Group
An important ingredient of the rich diversity track, might co-mingle.
ranging activities of the and love of this special place is the over The adjacent Staff Quarters, a Donaldson
volunteers provide an invaluable service,
sharing their love of nature and our place in
QS: Construction Cost Management
With a simple material palette of jarrah, Australia
Kings Park volunteers. 500 regular volunteers from four volunteer and Warn design from circa 2001, with its
steel and glass, the building is rigorously
it. In providing this dedicated space, Patrick Bushfire Management Plan: Bushfire
groups: the Friends of Kings Park, Kings simple form and refined details provided Gorman MP distilled this notion well when
detailed to produce a refined and Prone Planning
Park Volunteer Guides, Kings Park Volunteer design cues for Wanju Marr. “Our approach he said, at the opening event for Wanju Marr
thoughtful result with elements such as
Master Gardeners and the Honour Avenues in relating the two buildings is one of that “by investing in our volunteers, we are BUILDER
concealed fasteners ensuring the purity of
Group. companionship”, Mark explains. “The investing in the future of Kings Park and the Western Projects; completed August 2019
the form.
buildings work together with the existing Western Australian community.”
The Friends of Kings Park, in recognition of gable and truss forms of the Staff Quarters, SITE
There is real warmth in the jarrah cladding
the incredibly important and passionate providing a common reference where the Lovekin Drive Kings Park, Western
boards wrapping the southern façade of
work of these volunteers, has provided a buildings function together not competing on Australia; 288m2 sqm build
the building. The modulated rhythm of this
beautiful addition to the built form of Kings scale or embellishment.” elevation is, as Mark describes, “defined Funded by a $2.4 million grant provided
Park through Wanju Marr – providing offices,
by vertical shadow lines that frame the by Lotterywest to the Friends of Kings
workshops, internal/ external meeting Nestled on the demarcation of the native
uniqueness of each board. This module Park under the Botanic Gardens and
places, BBQ’s, parking and landscaping. bushland to the north and the more formal
continues to the jarrah flitch posts.” The Parks Authority
28 WANJU MARR / MJA STUDIO WANJU MARR / MJA STUDIO 29THE ROCKS
30 PROJECT TYPE
TAYLOR ROBINSON CHANEY BRODERICK
PROJECT TYPE 310 10 M PLAN
A city literally built on coastal dunes, Geraldton has The old derelict laneway has been painted with a riot THE ROCKS
traditionally turned its back to the sea and focused of pink, black, white and yellow – floor, walls and just
inward towards its more urban streetscapes. Marine about everything else – designed by Trevor Richards LANEWAY
Terrace, the city’s primary shopping strip, runs to echo the famous Geraldton wildflowers. The
ARCHITECT
parallel to the sea less than 200m from the water’s pattern bleeds up Marine Terrace and flows through
Taylor Robinson Chaney
edge but reveals little of its unique location in either The Rocks building, tying the whole composition
Broderick
views or forms. together.
www.trcb.com.au
Contemporary development of the Geraldton Perhaps the most intriguing component of the reception@trcb.com.au
foreshore, including new playgrounds, park space, project is a skeletal structure that stands on the Instagram @trcb_architects
community facilities and hospitality venues, corner of the laneway and Marine Terrace. In a
DESIGN TEAM
successfully embrace the coastal qualities of previously forgotten pocket park, Taylor Robinson
Fred Chaney
Geraldton and provide great amenities. However the Chaney Broderick have installed a ghost office that
Josh Mangan
development did not engage with the existing town approximates the proportions of the original post
Ashleigh O’Neill
fabric, and resulted in a townscape with two distinct, office that once stood on the site, incorporating lost
and disconnected emphases. history to give the streetscape cultural depth. CONSULTANTS
Landscape: UDLA
To connect the foreshore and Marine Terrace, the City This layering of meaning through superficial and
Structural Engineering: Arup
of Greater Geraldton proposed the redevelopment of light-touch initiatives is incredibly economical. The
Electrical: ETC
an existing newsagency building called “The Rocks”. design team has created a rich, practical, meaningful
Intended to create a link between While the initial brief called for the renovation of space, one which contributes to local identity, to
Public Art: Trevor Richards
Geraldton’s main street and the building, the project expanded via a successful community unity, and significantly improves the BUILDER
collaboration between the City, urban and landscape urban fabric – all without wastefully deploying Geraldton Building Services
foreshore, The Rocks Laneway designers UDLA, architects Taylor Robinson Chaney unnecessary materials, labour or cost. When & Cabinets; completed
by Taylor Robinson Chaney Broderick and artist Trevor Richards, resulting in combined with proactive community programming September 2019
a vibrant new pedestrian spine running from the managed by the City of Greater Geraldton, this space
Broderick Architects successfully foreshore, across Marine Terrace and to Chapman presents a very high value outcome for a relatively SITE
stitches together disparate parts Road via a previously derelict laneway. modest investment. Marine Terrace, Geraldton,
Western Australia; 630 sqm
of the town with a procession of The most remarkable achievement of the project is We should take note of what has been achieved
site; 630 sqm build
that it accomplishes a valuable urban design outcome here. Genuine discussions about sustainable design
overlapping and varied community with almost no new built fabric. It is a project of shouldn’t just be focused on solar panels and water KEY SUPPLIERS
spaces – providing a new emphasis subtraction – the removal of impediments that were collection, but should explore how we can do more Exterior cladding –
breaking up the urban vibrancy, and the introduction from less, and contribute to the community for Mortlock Timber
for the centre of the City of Greater of superficial treatments that layer history, identity generations to come. The creation of rich, layered,
Geraldton. and meaning over what is left. and loved spaces, that get well used for many years
ensures maximum benefit from limited resources.
The original Rocks building was gutted and The Rocks Laneway is a demonstration of this
stripped back to the rafters, roof sheet and raw approach. It is truly sustainable design.
brick. It now provides a throughfare along the
WORDS: ANDREW BOYNE
laneway axis, and also a covered community space The Rocks Laneway was awarded the John Septimus
PHOTOGRAPHY: SCOTT LANG / GRAEME GIBBONS
for concerts and events. Roe Award for Urban Design at the 2020 Western
Australian Architecture Awards.
32 THE ROCKS / TAYLOR ROBINSON CHANEY BRODERICK THE ROCKS / TAYLOR ROBINSON CHANEY BRODERICK 33CURTIN BICYCLE HUB
CONIGLIO AINSWORTH
34 PROJECT TYPE PROJECT TYPE 35CURTIN BICYCLE CLUB
CONIGLIO AINSWORTH
WORDS: DR EMIL JONESCU
PHOTOGRAPHY: DION ROBESON / SAMUEL HESKETH
In its unwavering commitment to maximising impact beyond
its inherent function, the Curtin Bicycle Hub designed by Place
Laboratory and Coniglio Ainsworth Architects, in conjunction
with Curtin University, delivers in spades.
Through the provision of highly integrated, inclusive, and functional allowing the design team to meet the functional brief for the Bicycle
architecture, the built form narrative of the Curtin Bicycle Hub Hub, and to determine an appropriate physical site within the new
seamlessly integrates into the fabric of the Creative Quarter locale. Andrew notes that intra-and-inter-precinct infrastructure
of Curtin University’s Bentley campus – adjacent to the arts, were analysed to ensure a balanced dialogue between the new and
humanities, and engineering disciplines. The Bicycle Hub forms existing broader context.
a critical component of the Creative Quarter’s new facilities and
The green roof terrace landscape over the Bicycle Hub and its
amenities, providing opportunities for extended activation for
intersection at the ground plane provides a functional insertion
students, staff and visitors.
and a meaningful way to activate and connect the space physically,
Director of Coniglio Ainsworth Architects, Andrew Ainsworth, visually and socially – and also provides excellent insulating
reflects on the close collaboration with Place Laboratory, who properties for the ‘semi-subterranean’ building. Andrew explained
worked with Curtin University and AMR & Associates to establish that “this adaptive, flexible design allows for outdoor lectures
the master plan for the new precinct. In 2015 Coniglio Ainsworth and movie screenings and, given its elevated stature, is a nexus
Architects were invited to work together with Place Laboratory on for natural interaction with pedestrian foot traffic, gameplay, and
the design of the Bicycle Hub and adjunct facilities. serves as an informal seating area for functions in the precinct”.
The project required extensive work and stakeholder engagement The Bicycle Hub delivers far more than its specific user function
across the University to establish the framework for the project, of secure storage and end-of-trip facilities. “The design aimed
36 CURTIN BICYCLE HUB / CONIGLIO AINSWORTH LITTLE RIVER RESIDENCE / PTX ARCHITECTS 37to create a seamless transition, with a strong counterpoint
to where it was located”, said Andrew. The sublime curvature CURTIN BICYCLE HUB SUPPLIERS
achieves this juxtaposition with ease – its lines emanating from
ARCHITECT Mechanical Engineering: Steens Gray & Kelly Civil & Concrete Works: Westcon Contracting
and intersecting with Sir Charles Court Promenade (South), and
Coniglio Ainsworth Architects and Place Pty Ltd Earthworks: Allday Construction
transitions through to the extended roof plane. Andrew affirmed
Laboratory with Curtin University Quantity Surveyor: Altus Page Kirkland Electrical: Shamrock Electrics
that “we felt the visual connection from the taller buildings
www.coniglioainsworth.com.au Project Management: AMR & Associates Mechanical: Jako Industries
surrounding the precinct that would look down upon the
admin@coniglioainsworth.com.au Hydraulics: Cooper & Jones
terraced landscape was as important a factor to consider as the Lift Engineering: Elevator Direction Structural Steelwork: Ital Steel
spatial relationships at the ground interface for visual amenity. DESIGN TEAM Irrigation Consultant: Hydroplan Waterproofing Installation: Polyseal
We didn’t want to create just another roof to look down on from Coniglio Ainsworth – Andrew Ainsworth Materials Scientist: Zedcon Scientific Services
the buildings above.” Waterproofing Supply: Ardex
(Project Director), Matthew Coniglio (In-House Irrigation: Waterlink
Verification), Jonathan Scull (Project Support), BUILDER
The Bicycle Hub’s contours inspire connections at varying levels Landscape: LD Total
Frederick Chan (Project Support) National Projects WA; completed March 2018
due to the accentuated relationships it forms with surrounding Ceilings & Partitions: Profix Projects
buildings, both at the terrace level and as it intersects pathways SITE Toilet Partitions: Rynat
Place Laboratory – Anna Chauvel (Project
and vegetation at the ground interface. The smooth concrete Curtin University, Kent Street, Bentley, Painting: Mill Sign & Painting Service
Design Director), Shlomit Strum (Project
curves of the single external column draw sensuous lines Western Australia; 860 sqm build (320 sqm Signage: Kingman Signage
Delivery Director)
that connect the ground plane to the sustainable, insulating ground floor, 540 sqm roof terrace) Lifts: City Lifts
terrace above – a design attribute that exceeds performance CONSULTANTS Tiling: Crosby Supply & Fix
expectations. Structural & Civil Engineering: Terpkos Lockers: Schiavello Systems
The Curtin Bicycle Hub was awarded The Jeffrey Howlett Engineering Pty Ltd Bike Racks: Velopa
Award for Public Architecture at the 2020 Western Australian Electrical Consultant: BEST Consultants Bike Repair Stand: ALL4CYCLING Pty Ltd
Architecture Awards. It also garnered significant local recognition Hydraulic Consultant: Hutchinson and Glazing & Glazed Doors: Metro Glass
as an exemplar for future state government infrastructure, and Associates Imaging Glass: Cooling Brothers Glass
has drawn international distinction. Andrew said “the project Signage & Public Art Design: Fuel Creative Company
was selected for the 2019–2020 Amsterdam Bicycle Architecture Building Surveyor: JMG Building Surveyors Paving Installation: Lightning Brick Pavers
Biennale, and we were invited to Amsterdam to present the
project in person, which was well received.”
38 CURTIN BICYCLE HUB / CONIGLIO AINSWORTH CURTIN BICYCLE HUB / CONIGLIO AINSWORTH 39EZONE
HASSEL
40 PROJECT TYPE PROJECT TYPE 41WORDS: REINETTE ROUX
PHOTOGRAPHY: DOUGLAS MARK BLACK
The UWA Ezone Student Hub by When we reminisce about our University experience, we often refer
to a collection of memories we’ve curated over the years – those
Hassell is designed to connect of afternoons spent languidly lying on the grass, dappled sunlight
people and learning. It integrates cast over our faces as it flickers through the trees, accompanied
by discussions on new ideas, the people in our circle and our plans
new and existing built forms while for the future. We think of time spent dragging our feet between
developing a new western gateway classes with friends, enthusiastically leaving those classes, or even
into the Crawley Campus through an stealing a moment of solitude.
activated space, where the outside Rarely do we recall the hours spent inside attending classes – and
is welcomed in and the inside is if you were an engineering student at UWA in years gone by, the
hours lost inside closed and disconnected buildings with limited
expressed outwardly. natural light. So for the team at Hassell the task at hand was this:
how do we connect an existing building, with seemingly little life
left, to a new building in a way that is unanticipated yet obvious?
Their solution was simple: you bring the outside in and draw the
inside out.
The UWA campus is known for its grand northern entrance with the
iconic Winthrop Hall welcoming students to the next chapter of their
life and acting as a backdrop for countless graduation ceremonies.
42 PROJECT TYPE EZONE / HASSELL 43EZONE
By contrast, UWA’s eastern entrance acts as a soft transition from the The façade, with its interlocking geometry tied into the primary ARCHITECT
banks of Matilda Bay, offering a more inconspicuous arrival. However, building structure, references nature, mathematics and the Hassell
there has never been a real welcome at the western edge of the engineering being taught within. This feature, which can only be www.hassellstudio.com
campus – until now. described as a magnetic performance piece, draws on the memory dgulland@hassellstudio.com
of dappled sunlight using an ancient sun-symbol imprinted in Instagram: @hassell_studio
From the refurbishment of the existing building through to the concrete walls across campus. Sunlight and views filter through
DESIGN TEAM
introduction of the learning steps, we see the inception of flexible gold anodised ‘petals’ fixed at different angles to manage heat and
Catherine Lindsay, David Gulland, Felix Oefelein,
learning spaces and what have been defined as ‘pause points’ – glare, optimising the building’s performance.
John O’Brien, Natalie Busch, Sam Travers, Reuben Bourke,
breaks in the vertical circulation of the new building that encourage
Richard Marton, Samantha Bosward
serendipitous conversations, as well as providing an opportunity for UWA Ezone pays homage to nature as muse with the organic nature
the outside to sneak its way in. of the veil acting as the perfect final act to a well-considered, well- KEY CONSULTANTS
designed space that embodies the concept of any time, any place Structural/ Civil Engineering: Pritchard Francis
The clever use of landscape in this project taps into memories learning – and proves that architecture itself can be a textbook for ESD: Full Circle Design Services
of afternoons spent lazing outside between classes. It works to the learners within. Hydraulic/ Mechanical/ Electrical Engineering: Stantec
redefine the transition space from class to casual and blurs the Landscape: Hassell
lines between inside and outside. While the landscaped spaces
encourage activation beyond classrooms, the envelope of glazing BUILDER
draws people in. Students and passers-by are enticed by what lies Perkins; completed April 2020
within the building, with the impressive research equipment used
SITE
by the engineering faculty on full display. This draws interest from
Fairway, Crawley, Western Australia; 10,659 sqm build
those observing externally and, at the same time, creates a light
and dynamic space for students using the equipment, encouraging
curiosity and collaboration from a broader learning and research
community.
44 EZONE / HASSELL EZONE / HASSELL 45125 MURRAY STREET
COX ARCHITECTURE
46 PROJECT TYPE PROJECT TYPE 47WORDS: SALLY WEERTS
PHOTOGRAPHY: ROB FRITH
For the renovation of 125 Murray Street, the design team at
Cox Architects was committed to the notion of expressing the
honesty of materials and rejuvenating the existing building to
create a distinct and memorable form in its city context.
Heritage has become popular in recent Perth projects, city workplace design. While dragging in natural light was a high
reacquainting us with areas of the city that previously sat in priority, they were also committed to the notion of expressing the
the shadows. This resurgence in reclaiming the city’s heritage is honesty of the materials and rejuvenating the existing building to
evident in projects and organisations like the ‘Historic Heart’ that become distinct and memorable in its city context.
look to the east of our city for greater connection, both physically
and metaphorically, to the stories and buildings of our past. This pursuit was well aligned with the design team at Cox
Architects. Project Director, Bret White, is well accustomed to the
Located near the entrance to Perth’s culturally significant east end, endeavour of uncovering a building’s story, which is palpable in his
the existing building at 125 Murray Street wasn’t afforded the same description of the project and more broadly in his clear passion
endearing characteristics and charm as some of its neighbours. when it comes to discussing heritage and our city. He describes
Suffering many of the hallmark features of a late 70’s low rise their design process as almost archaeological in its nature; a
office tower, the building’s thick curved cream brick facade and rigorous study that required unpicking the architecture brick-by-
deep set slot-windows appeared almost impervious to the city, brick to “understand the DNA of the building”. In Perth, bringing in
much less the sky. The client had clear aspirations for the project, the wrecking ball is quite often the default approach, however this
seeking a fresh, unconventional approach to the typology of inner project sought a more sustainable outcome with the design team
48 125 MURRAY STREET / COX ARCHITECTURE PROJECT TYPE 490 0 10 M PLAN
10 M PLAN
0 10 M PLAN
125 MURRAY STREET SUPPLIERS
undertaking a meticulous process of unveiling the building’s layers building’s key issues with intensity, rather than “trying to do too
in order to “extrapolate its essence and bring it into 2020”. much and spread too thinly”. ARCHITECT Electrical, Comms, Security, Lifts: BEST Stone Supply
COX Architecture Consultants Absolute Stone, CDK, Marble & Cement
A crucial step towards understanding the existing building began Among its most noteworthy successes, this project demonstrates www.cox.com.au Hydraulic Consultant: Ionic Design Australia
pippa.hurst@cox.com.au Ceramic Tile Supply
with a study of the laneway linking Murray Street with Hay Street. a true commitment to the notion of rejuvenation with a resiliency Wet Fire Services: North Point Consulting
Instagram: @coxarchitecture Myaree Ceramics, Original Ceramics
This vehicle passage provided an informal link through the city and, to the common pressures and limitations of budget, brief and ESD, Nabers, Section J: Full Circle Design
in its rejuvenation, Cox have offered greater permeability between program; all familiar challenges in the task of transforming a city Services Polished Plaster
DESIGN TEAM
building and street while reinforcing the connection through to building-by-building, project-by-project. Acoustic Consultant: Herring Storer Acoustics Polished Plaster Co.
Steve Woodland (Principle Director), Greg
Cathedral Square. In its transformation the laneway has become Surveyor: RM Surveys
Howlett (Project Director), Bret White (Design
a popular meeting place for local car clubs as well as a conduit for For Bret and his team, practising design with an acute awareness Waste Management: Encycle Painting
Director), John Lee (Project Architect),
the city wanderer. What began as an exercise in careful restraint of the social, urban and economic impacts of each and every DULUX
Jonathon Chong (Architect), Edwin Tee BUILDER
in architectural intervention has yielded urban spaces that are intervention is a responsibility taken on with every project. In this
(Architect), Dominique Tiller (Interior BUILT; completed January 2020 Lighting feature to lobby
generous and make deliberate connections to the city. sense, 125 Murray Street has begun to define ‘heritage’ in Perth
Designer) Mondoluce
as something that is much more than architecture categorised by SITE
Transforming the building to become more permeable was a type or period, and rather as the value found in every building’s CONSULTANTS 125 Murray Street Perth, Western Australia; Timber decking
carefully interrogated in section as well as plan. Across all nine story, its contribution to place and the shared collective memories Project Manager: Savilles Australia 6,200 sqm refurbishment Austim
levels the interior spaces that were once dimly lit and inward facing it holds. Town Planner: PTS Town Planning
are now accentuated with natural light and framed views. The Building Surveyor and Fire Engineering: JMG Bathrooms
priority given to connecting to the exterior at each level has really 125 Murray Street was awarded The Ross Chisholm and Gil Nicol Structural, Façade, Civil Engineering: ARUP Reece, Sussex Taps
paid off. The sense of volume and light makes it difficult to recall Award for Commercial Architecture at the 2020 Western Australian Engineers
Door hardware supply
the once dark and condensed interiors, something Bret attributes Architecture Awards. Mechanical Engineering: Geoff Hesford
Parker Black
to a “nimble” approach to the design process, responding to the Engineering
50 125 MURRAY STREET / COX ARCHITECTURE 125 MURRAY STREET / COX ARCHITECTURE 51WICKHAM COMMUNITY HUB
GRESLEY ABAS
52 PROJECT TYPE PROJECT TYPE 53As beautiful as it is harsh, the Pilbara is a striking land of
colours, textures and contrasts. The Wickham Community
Hub, designed by Gresley Abas, is a deliberate response to
this rugged landscape.
WORDS: CASSANDRA SIMPSON
PHOTOGRAPHY: ROB FRITH
Located approximately 30 km north of Karratha, the Pilbara The new building acts as a catalyst creating stronger engagement
town of Wickham was originally established by Cliffs Robe River in the town. It has been integrated with the existing facilities in the
Iron Associates as a closed company mining town in 1970 to broader sporting precinct adjacent to the site and, as part of the
house company employees and their families. In 2012, Rio Tinto project, Gresley Abas refurbished the adjacent squash centre and
commenced a major town expansion of Wickham to support the existing town hall to further accommodate the various community
expansion of the Cape Lambert port and rail facilities and the town groups throughout the town.
is now a diverse community jointly administered by the City of
Karratha and Rio Tinto. The innovative and sustainable built form sits lightly on the
landscape and is integrated with it as much as possible. Gresley
The design, documentation and delivery of the Wickham Abas has delivered a low lying, single storey, horizontal structure
Community Hub was, from the very start, inclusive of the local that respects the horizontal contouring indicative of the
community, the City of Karratha and Rio Tinto to ensure that the surrounding landscape. It has been designed as a strong, hard
services and facilities it provides have a strong focus on community carapace that protects and insulates a soft underbelly of user areas.
integration and complement the surrounding precinct. The thoroughfares and pathways follow the interconnected swales
that dominate the region and the colours of the underbelly reflect
A representative group was formed from each stakeholder and aspects of the surrounding landscape. “We drew inspiration from
user group to facilitate a democratic community consultation the colours found in a local creek bed,” says Philip, “the red dirt, the
process. “This provided the grassroots connectivity with the soft greens and golds of the vegetation.”
community,” says Philip Gresley, co-founding director of Gresley
Abas, “so that we could make sure that we were listening to, and The building design responds to the harsh, hot and humid climate
taking account of, the needs of the various groups who would of the area and the understanding that comfortable external spaces
ultimately use the facility.” promote community activation. Due to the sometimes extreme
heat, the services and non-habitable functions are situated along
In response to the community’s requirements, Gresley Abas has the northern elevation. The habitable, useable spaces are located
created a unique contemporary community facility in the heart of on the south of the building, opening up into a series of connected,
Wickham that brings together a diverse range of people and uses shaded areas. A series of flexible and adaptable spaces are linked
under a single roof. The modern and efficient community hub by an open weave of external pathways throughout the hub that
provides flexible, multi-use facilities to connect and activate the capture the breeze and direct function and flow. These legible
community, particularly those with families and children. It houses pathways and entry points encourage incidental community
the Wickham Library, The Base (a dedicated youth space for 11-25 interaction whilst being shaded from the hot Pilbara sun and
year olds), an external youth space with shaded skate park and cooled by captured breezes.
associated seating / activity area, an early learning centre and a
variety of multi-purpose rooms available for hire for community or
commercial purposes.
54 PROJECT TYPE WICKHAM COMMUNITY HUB / GRESLEY ABAS 55You can also read
