The Narnia Arts Academy - where culture, history and landscape meet
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The Narnia Arts Academy Città di Narni where culture, history and landscape meet
Interna5onally
renowned
pianist
and
composer
Cris2ana
Pegoraro,
Ar5s5c
Director
of
Narnia
Arts
Academy
and
representa5ve
of
the
Umbrian
tourist
campaign
throughout
the
world,
and
the
Mayor
of
Narni
Stefano
Bigaroni
are
pleased
to
present
the
first
edi5on
of
NARNIA
FESTIVAL
and
INTERNATIONAL
SUMMER
TRAINING
PROGRAM
for
singers,
instrumentalists,
dancers
and
students
of
the
liberal
arts
in
the
beau5ful
city
of
Narni
-‐
Italy.
Young
ar5sts
come
together
in
the
heart
of
Umbria
for
a
three-‐week
program
(22
days,
21
nights
-‐
July
1st
to
22nd,
2012)
that
combines
musical
study
and
an
immersion
into
the
Italian
culture.
The
Narnia
Arts
Academy
easily
blends
a
variety
of
areas
(music,
art,
study,
tourism)
with
an
innova5ve
interdisciplinary
formula
des5ned
to
be
successful
not
just
among
young
people.
It
fits
very
well
with
the
other
cultural
events
representa5ve
of
the
area,
contribu5ng
to
strengthen
the
care
and
promo5on
of
the
architectural
and
ar5s5c
heritage
and
natural
charm
of
this
corner
of
Umbria
that
has
fascinated
in
past
centuries
travelers
and
pilgrims
of
the
grand
tour,
in
transit
to
and
from
Rome,
and
con5nues
to
charm
with
its
scenarios
imbued
with
magic
and
mystery
and
its
strong
spiritual
essence.
A
sincere
apprecia5on
is
in
order
for
the
great
insight
and
commitment
of
the
organizers
and,
in
par5cular,
Cris5ana
Pegoraro,
the
refined
pianist
from
Terni
who
has
established
herself
through
her
ability
and
sensibility
on
an
interna5onal
level.
For
all
this,
we
wish
the
Fes5val
a
successful
outcome,
we
send
our
best
wishes
to
the
par5cipants,
and
we
offer
the
warmest
welcome
on
behalf
of
the
Provincial
Administra5on
and
myself.
Feliciano
Polli
President
of
the
Province
of
Terni
Under
the
patronage
of
The
Narnia
Arts
Academy
is
the
brainchild
of
Cris5ana
Pegoraro
whose
goal
is
to
mix
music,
art,
study
and
tourism,
by
uni5ng
culture
and
geography
in
an
innova5ve
interdisciplinary
ini5a5ve
aimed
at
the
dissemina5on
and
comprehension
of
the
arts
and
understanding
of
the
architectural
and
historical
heritage,
combined
with
the
strong
spiritual
charge
of
the
Umbrian
region.
From
July
1st
to
22nd
the
Narnia
Arts
Academy
and
the
City
of
Narni
will
offer
the
first
edi5on
of
the
Narnia
Fes2val
and
Interna2onal
Summer
Training
Program,
with
the
par5cipa5on
of
world-‐renowned
ar5sts,
teachers
and
young
students
from
the
most
important
interna5onal
schools,
including
The
Juilliard
School
in
New
York,
Indiana
University,
Miami
University
and
the
Academy
of
the
Teatro
alla
Scala.
The
result
is
a
rich
program
of
events,
which
will
include
lessons,
workshops,
master
classes,
conferences,
exhibits,
guided
tours
and
concerts
and
shows
in
the
most
pres5gious
halls
and
in
the
most
sugges5ve
archaeological
sites
of
Narni.
The
Narnia
Fes2val
and
Interna2onal
Summer
Training
Program
were
founded
with
the
aim
of
providing
their
students
with
the
tools
that
will
lead
them
to
become
young
professional
ar5sts
under
the
guidance
of
highly
qualified,
interna5onally
renowned
teachers.
FACULTY
PIANO
VIOLIN
Cris5ana
Pegoraro
(USA)
-‐
Narnia
Arts
Academy
Federico
Agos5ni
(USA)
-‐
Indiana
University
Jacobs
School
of
Music
–
GUITAR
Bloomington
Tali
Roth
(Israel-‐USA)
-‐
The
Juilliard
School
Glenn
Basham
(USA)
-‐
Frost
School
of
Music
-‐
University
of
Miami
FLUTE
STRING
QUARTET
Carol
Wincenc
(USA)
-‐
The
Juilliard
School
QuarteZo
Prometeo
(Italy)
BASSOON
(Giulio
Rovighi,
violin,
Aldo
Campagnari,
violin,
Massimo
Piva,
viola
Gabriele
Screpis
(Italy)-‐
Accademia
del
Teatro
alla
Scala
Francesco
Dillon,
cello)
Principal
Bassoon
–
Teatro
alla
Scala
Orchestra
BRASS
QUINTET
ENSEMBLE
OBOE
Roma
Brass
Quintet
(Italy)
Marco
Salvatori
(Italy)
–
Maggio
Musicale
Fioren5no
TRUMPET
Orchestra
Ermanno
OZaviani
(Italy)
–
Accademia
Nazionale
di
Santa
Cecilia
Orchestra
VOICE
Massimo
Bartole_
(Italy)
–
Morlacchi
Conservatory
–
Perugia
Adriana
Cicogna
(Italy)
–Conservatory
-‐
Parma
TROMBONE
Romano
FrancescheZo
(Italy)
–
Vivaldi
Conservatory
-‐
Maurizio
Persia
(Italy)
–
Accademia
Nazionale
di
Santa
Cecilia
Orchestra
Alessandria
HORN
CHOIR
Marco
Venturi
(Italy)
–
Morlacchi
Conservatory
–
Perugia
Ricardo
Luna
(Austria)
-‐
Chorus
Master
TUBA
DIRECTION
and
ACTING
Augusto
Mentuccia
(Italy)
–
Banda
dell”Arma
dei
Carabinieri
Riccardo
Canessa
(Italy)
PIANO
JAZZ
SPANISH
DANCE
and
FLAMENCO
Danilo
Rea
(Italy)
–
Santa
Cecilia
Conservaroty
–
Rome
Silvia
Duran
(Israel)
-‐
Silvia
Duran
Spanish
Dance
Company
CLARINET,
TANGO,
VIOLA,
CELLO
teachers
to
be
announced.
At
the
age
of
16,
with
the
highest
grades
and
honors,
Italian
pianist
Cris5ana
Pegoraro
Piano
graduated
from
the
Conservatory
of
Terni,
her
birth
city.
She
con5nued
her
studies
with
Jörg
Demus
in
Vienna
and
Hans
Leygraf
at
the
Mozarteum
in
Salzburg
and
the
Hochschule
der
Künste
in
Berlin.
Subsequently,
she
has
con5nued
to
perfect
her
art
with
Nina
Svetlanova
at
Cris5ana
Pegoraro
the
ManhaZan
School
of
Music
in
New
York.
Cris5ana
has
performed
consistently
since
childhood
as
a
soloist
and
with
orchestras
for
some
(The
Narnia
of
the
most
important
organiza5ons
and
concert
halls
in
Europe,
the
US,
South
America,
the
Middle
East,
Asia
and
Australia,
including
Lincoln
Center,
Carnegie
Hall,
the
United
Na5ons,
Arts
Academy)
the
Guggenheim
Museum
(New
York);
the
Sydney
Opera
House;
Grosses
Saal,
Festspielhaus
(Salzburg);
Musikverein,
Palais
MeZernich,
Bösendorfer
Saal
(Vienna);
Centro
Cultural
de
Belem
(Lisbon);
Auditorium
Parco
della
Musica
-‐
Santa
Cecilia
Hall,
Sinopoli
Hall,
Petrassi
Hall,
www.cris5anapegoraro.com
Casa
del
Jazz
(Rome);
Serate
Musicali
(Milan);
Theatro
Municipal
(São
Paulo);
Theatro
Municipal
(Rio
de
Janeiro),
the
Opera
House
(Manaus),
Budapest
Spring
Fes5val,
Umbria
Jazz
Winter,
Sorrento
Jazz
Fes5val,
S.
Petersburg
Fes5val,
Edinburgh
Fes5val,
Klavierfes5val
Ruhr
–
Germany,
Shabyt
Fes5val
Astana
–
Kazakhstan,
2005
Aichi
World
Expo
–
Japan
and
2008
Saragoza
World
Expo
-‐
Spain).
Her
tours
in
the
Gulf
Countries
made
her
the
first
Italian
female
pianist
to
perform
classical
concerts
in
Bahrain,
Yemen
and
Oman.
In
2005,
she
played
for
the
President
of
Italy,
Carlo
Azeglio
Ciampi,
the
President
of
the
General
Assembly
of
the
United
Na5ons
and
the
Grand
Duchess
Maria
Teresa
of
Luxembourg.
In
2008,
she
was
the
only
European
representa5ve
at
the
Spring
Fes5val
at
the
United
Na5ons
in
New
York,
and
performed
in
the
hall
of
the
General
Assembly.
That
same
year,
she
debuted
at
the
Musikverein
in
Vienna
and
at
the
16th
edi5on
of
Umbria
Jazz
with
two
sold
out
concerts.
In
2009,
she
played
in
Moscow
in
the
presence
of
the
Italian
Minister
of
Economic
Development.
In
2010,
in
Rome,
she
performed
for
the
President
of
the
Austrian
Senate.
Her
vast
discography
counts
22
CDs
recorded
for
Decision
Products,
Nuova
Era,
Dynamic
and
Diva.
It
includes
three
albums
with
her
original
composi5ons
(“A
Musical
Journey”,
“Ithaka”,
and
“La
mia
Umbria”),
numerous
recordings
of
classical
composers,
new
interpreta5ons
of
Astor
Piazzolla’s
tangos,
which
Pegoraro
arranged
for
solo
piano,
and
performances
of
Cuban
composer
Ernesto
Lecuona.
Cris5ana
regularly
presents
master
classes
at
universi5es
and
colleges
in
the
United
States
-‐
New
York
(The
Juilliard
School),
Pennsylvania,
New
Jersey,
California,
Texas,
Oklahoma,
Arkansas,
Oregon,
Washington,
North
Dakota,
South
Dakota,
as
well
as
in
Italy,
Portugal,
Kazakhstan,
Kuwait,
Bahrain
and
Oman.
Guitar
One
of
the
world
leading
guitarists,
Tali
Roth
is
chairman
of
the
Juilliard
School
Pre-‐College
Guitar
program
and
is
an
adjunct
professor
at
NYU.
She
has
presented
master
classes
throughout
the
world
and
taught
at
the
Aspen
music
fes5val.
Tali
Roth
Classical
Guitar
magazine
hailed
her
as
"an
extraordinary
solo
and
chamber
musician”
and
The
New
York
Times
as
“a
marvelous
classical
Guitarist”.
Her
recent
(The
Juilliard
School)
engagement
includes
recording
all
the
Classical
Guitar
sound
tracks
for
the
Woody
Allen
film
“You
Will
Meet
a
Tall
Dark
Stranger”
released
in
2010.
Since
her
Carnegie
Hall
debut
she
has
performed
as
a
soloist
throughout
the
www.taliroth.com
United
States,
Canada,
Europe,
La5n
America,
Japan
and
her
na5ve
Israel,
appearing
in
such
venues
as
Carnegie
Hall,
Lincoln
Center's
Alice
Tully
Hall
(with
violinist
Midori),
the
Alvin
Ailey
theatre
with
Douglas
Dunn
and
Dancers
in
the
92nd
St
Y
Harkness
Dance
fes5val,
Rose
Hall
home
of
Jazz
at
Lincoln
Center
with
Grammy
Nominee
flu5st
Carol
Wincenc,
the
Caramoor
Center,
the
Aspen
Music
Fes5val,
the
Tel
Aviv
Henry
Crown
Hall,
Teatro
Presidente
in
San
Salvador
with
El
Salvador
Philharmonic,
Teatro
Solis
in
Uruguay
with
Glamourtango,
Haiyuza
Theatre
in
Tokyo
with
Flamenco
Komatsubara
and
Silvia
Duran
dance
companies
and
Suzanne
Dellal
Center
with
Members
of
Israel
Philharmonic.
Ms.
Roth
has
performed
on
stage
in
the
New
York
Off-‐Broadway
musical
produc5on
of
Nobel
Prize
Laureate
Derek
WalcoZ
The
Odyssey
and
by
invita5on
for
the
U.N.
in
Washington
for
dignitaries
such
as
former
Prime
Minister
Shimon
Peres,
Prime
Minister
Ehud
Barak,
and
General
Colin
Powell.
She
has
won
Top
Prize
in
all
categories
at
the
Twenty-‐Third
Masterplayers
Music
and
Conductors
Compe55on
in
Switzerland
and
the
New
York
Ar5st
Interna5onal
Compe55on
Award.
Ms.Roth
holds
a
BM
from
the
Jerusalem
Rubin
Academy
and
a
MM
from
The
Juilliard
School.
Ms.
Roth
is
playing
a
Stephan
Connor
guitar
and
is
a
Savarez
Ar5st.
Carol
Wincenc
is
one
of
the
most
respected
and
acclaimed
flu5sts
performing
today.
She
appears
with
orchestras
worldwide
and
has
premiered
works
wriZen
for
her
by
numerous
prominent
composers.
Flute
She
is
the
recipient
of
the
2011
Na5onal
Flute
Associa5on
Life5me
Achievement
Award,
a
dis5nc5on
held
by
luminaries
such
as
Jean-‐Pierre
Rampal
and
James
Galway.
Ms.
Wincenc's
musicianship
is
matched
by
a
deep
commitment
to
expanding
the
flute
repertoire.
With
the
Detroit
Symphony,
she
gave
the
world
premiere
of
a
flute
concerto
wriZen
for
her
by
Pulitzer-‐Prize
winner
Christopher
Rouse.
Ms.
Wincenc
also
gave
the
world
premiere
of
Henryk
Gorecki's
Concerto-‐Cantata
at
Carol
Wincenc
Amsterdam's
Concertgebouw
and
the
U.S.
premiere
with
the
Chicago
Symphony.
She
is
in
demand
for
her
interpreta5on
of
Lukas
Foss's
Renaissance
Concerto
for
Flute
and
Orchestra
–
a
work
wriZen
for
her,
and
has
(The
Juilliard
School)
premiered
concer5
by
Peter
Schickele,
Joan
Tower,
Paul
Schoenfield
and
Tobias
Picker,
who
composed
The
Rain
In
the
Trees,
a
double
concerto
for
her
and
soprano
Barbara
Hendricks
inspired
by
the
rainforest
poems
of
W.S.
Merwin.
www.sites.google.co Ms.
Wincenc
has
appeared
with
the
St.
Louis,
Atlanta,
and
SeaZle
Symphonies;
the
Los
Angeles
and
St.
Paul
Chamber
Orchestras;
and
at
the
Mostly
Mozart,
Santa
Fe,
Spoleto,
Caramoor,
Marlboro,
Sarasota,
and
Music
@
m/site/carolwincenc
Menlo
fes5vals.
Overseas,
Ms.
Wincenc
has
given
acclaimed
performances
with
the
London
Symphony,
the
English
Chamber
Orchestra,
and
at
the
Aldeburgh,
Budapest,
Tivoli
and
Frankfurt
interna5onal
music
fes5vals.
Equally
sought
aqer
as
a
chamber
musician,
Ms.
Wincenc
has
collaborated
with
the
Guarneri,
Emerson,
Tokyo
and
Cleveland
String
Quartets;
performed
with
sopranos
Jessye
Norman
and
Elly
Ameling;
pianist
Emanuel
Ax;
and
cellist
Yo-‐Yo
Ma.
A
prolific
recording
ar5st,
her
debut
solo
album
on
the
Music
Masters
label
was
in
collabora5on
with
pianist
Andras
Schiff,
and
cited
by
Stereo
Review
as
a
"Recording
of
Special
Merit.”
Carol
Wincenc
received
a
2005
Grammy
nomina5on
for
her
Naxos
recording
of
works
by
Yehudi
Wyner
with
Richard
Stoltzman
and
other
renowned
colleagues.
She
recorded
Christopher
Rouse’s
Flute
Concerto
for
Telarc
with
Christoph
Eschenbach
and
the
Houston
Symphony
winning
the
highly
coveted
Diapason
d'Or
prize.
She
has
recorded
the
complete
Mozart
flute
quartets
with
the
Emerson
String
Quartet
for
Deutsche
Gramophone.
Ms.
Wincenc
is
a
professor
of
flute
at
both
the
Juilliard
School
of
Music
and
Stony
Brook
University.
She
oqen
serves
as
a
judge
for
pres5gious
compe55ons,
including,
in
2009,
the
Walter
W.
Naumburg
Chamber
Music
Compe55on
and
the
Kobe
Interna5onal
Flute
Compe55on.
Lauren
Keiser
Music
Publishers
are
releasing
The
Carol
Wincenc
21st
Century
Series
for
Flute,
which
features
the
ar5st’s
favorite
flute
repertoire.
The
Carol
Wincenc
Signature
Edi5ons
compila5ons
are
published
by
Carl
Fischer.
Carol
Wincenc
is
a
na5ve
of
Buffalo,
New
York.
She
began
studies
on
the
violin
at
four
and
the
flute
at
age
nine.
As
a
teenager
she
studied
with
Italian
virtuoso
Severino
Gazzelloni
and
then
with
Robert
Willoughby
at
Oberlin.
She
also
studied
with
legendary
French
flute
master
Marcel
Moyse
at
the
Marlboro
Music
Fes5val.
Post-‐
graduate
studies
were
at
the
ManhaZan
School
of
Music
and
at
Juilliard
under
Arthur
Lora.
Ms.
Wincenc
was
First
Prize
Winner
of
the
Walter
W.
Naumburg
Solo
Flute
Compe55on
in
1978.
She
resides
in
New
York
City.
Federico
Agos5ni
is
a
violinist
renowned
as
a
soloist,
chamber
musician,
and
Violin
teacher.
Aqer
early
training
with
his
grandfather,
he
studied
violin
at
his
hometown's
conservatory
of
music
in
Trieste,
Italy,
then
in
Venice,
and
later
at
the
Accademia
Federico
Agos5ni
Chigiana
in
Siena.
Salvatore
Accardo
and
Franco
Gulli
were
among
his
teachers.
Agos5ni
made
his
debut
as
a
soloist
at
the
age
of
16,
playing
Mozart
under
the
(Indiana
University)
baton
of
the
late
Carlo
Zecchi.
Ever
since,
he
has
performed
throughout
the
world
as
a
recitalist,
soloist
with
orchestra,
and
as
concertmaster
of
the
legendary
Italian
ensemble
I
Musici.
http://newsinfo.iu.edu/asset/
page/normal/1034.html He
has
appeared
in
various
interna5onal
music
fes5vals
in
Europe,
the
United
States,
and
Japan
and
has
performed
chamber
music
with
many
dis5nguished
ar5sts,
including
Bruno
Giuranna,
Jaime
Laredo,
Joseph
Silverstein,
and
Janos
Starker
as
well
as
with
members
of
the
American,
Emerson,
Fine
Arts,
Tokyo,
and
Guarneri
quartets.
Together
with
violinist
Yosuke
Kawasaki
(currently
concertmaster
of
NACO,
OZawa),
James
Creitz
(former
violist
of
the
Academica
Quartet),
and
Sadao
Harada
(former
cellist
and
founder
of
the
Tokyo
String
Quartet),
Agos5ni
founded
the
D'Amici
String
Quartet,
which
began
its
ac5vi5es
in
2004.
Mr.
Agos5ni
performs
sonata
repertoire
with
French
pianist
Claude
Cymerman.
Agos5ni's
Philips
recordings
comprise
Bach
and
Vivaldi's
violin
concertos,
including
The
Four
Seasons,
which
was
filmed
on
loca5on
in
Venice
and
is
available
on
DVD.
Other
recordings
include
the
Faure's
Piano
Quartets
produced
by
Claves
and,
more
recently,
a
selec5on
of
favorite
virtuoso
violin
pieces
published
by
Live
Notes
in
Japan.
Mr.
Agos5ni
maintains
a
very
busy
schedule
as
a
teacher.
He
has
given
classes
at
music
universi5es
in
the
U.S.
and
Mexico
as
well
as
in
Italy,
Germany,
Denmark,
Sweden,
Japan,
and
Australia.
He
has
served
as
a
faculty
member
at
the
Orford
Art
Center,
Canada,
and
at
Round
Top
Fes5val
Hill
Ins5tute,
Texas.
Violin
Glenn
Basham
has
been
a
member
of
the
ar5st
faculty
at
the
Frost
School
of
Music
at
the
University
of
Miami
since
1992
and
the
concertmaster
of
the
Naples
Philharmonic
Orchestra
since
1994.
He
also
serves
as
the
first
violinist
in
the
Bergonzi
String
Quartet,
which
is
the
quartet-‐in-‐residence
at
Glenn
Basham
the
Frost
School
of
Music.
(Frost
School
of
Music
Glenn
Basham
is
a
na5ve
of
Washington
D.C.,
has
a
B.M.
degree
from
the
North
Carolina
School
of
the
Arts
and
an
M.M.
degree
from
Indiana
at
Miami
University)
University.
Previously,
he
played
with
the
Detroit
Symphony
under
Antal
Dora5
and
was
a
member
of
the
Chester
String
Quartet.
He
has
served
as
Concertmaster
at
music
fes5vals
na5onwide,
including
the
www.glennbasham.com
Grand
Teton
Music
Fes5val
in
Wyoming,
the
Colorado
Music
Fes5val,
the
Hot
Springs
Music
Fes5val,
and
the
Pine
Mountain
Music
Fes5val.
He
has
appeared
as
soloist
with
the
Ft.
Wayne
Philharmonic,
the
Lansing
Symphony,
the
Plymouth
Symphony,
the
Oak
Park
Symphony,
the
North
Carolina
School
of
the
Arts
Fes5val
Orchestra,
the
Blue
Lake
Fes5val
Orchestra,
the
Manchester
Symphony,
the
Marion
Philharmonic,
the
Palm
Beach
Symphony,
the
Miami
City
Ballet,
the
Pine
Mountain
Music
Fes5val
Symphony
orchestra
and
the
Naples
Philharmonic
Orchestra.
As
a
jazz
musician,
Glenn
has
performed
with
Ira
Sullivan,
Simon
Salz,
and
John
Blake,
and
is
featured
on
the
Miami
Saxophone
Quartet's
recordings,“Four
More
Giant
Steps”
and
on
Skitch
Henderson's
"Swinging
with
Strings"
on
the
Arbors
jazz
label.
He
has
produced
two
jazz
CDs,
"Blue
Moon"
and
"Blue
Bossa,"
from
a
live
concert
given
back
in
2005
with
Guitarist
Simon
Salz.
Winner
of
the
50th
«Prague
Spring
Interna5onal
Music
Compe55on»,
the
QuarteZo
Prometeo
was
String
Quartet
awarded
at
the
same
5me
the
«Special
Bärenreiter
prize
for
best
performance
of
Mozart’s
Quartet
K
590
according
with
the
original
score»,
the
«City
of
Prague»
prize
as
best
quartet
and
the
«Pro
Harmonia
Mundi»
prize.
It
was
also
awarded
the
«Thomas5k
Infeld»
prize
at
the
Interna5onale
Sommer
Akademie
Prag-‐Wien-‐Budapest-‐1999
for
«outstanding
performance
of
a
chamber
music
work»
and
the
second
prize
at
the
Concours
Interna5onal
de
Quatuors
in
Bordeaux.
In
2000
the
QuarteZo
Prometeo
QuarteZo
Prometeo
was
awarded
the
Special
Bärenreiter
Prize
at
the
ARD
Münich
Compe55on.
(Giulio Rovighi, violin, The
quartet
was
the
recepient
of
several
scholarships
from
Scuola
di
Musica
in
Fiesole
and
from
Aldo Campagnari, violin Accademia
Chigiana
in
Siena,
where
in
August
1995
it
received
the
pres5gious
diploma
of
honour.
Massimo Piva, viola In
1998
it
was
quartet-‐in-‐residence
at
the
BriZen
Pears
Academy
in
Aldeburgh.
The
QuarteZo
Prometeo’s
brilliant
interna5onal
career
include
performances
at
Concertgebouw,
Francesco Dillon, cello)
Musikverein,
Wigmore
Hall,
Aldeburgh
Fes5val,
Wexford
Fes5val,
Prague
Spring
Fes5val,
www.quarteZoprometeo.com
Accademia
di
Santa
Cecilia
in
Roma
(world
premieres
of
Salvatore
Sciarrino’s
Esercizi
di
tre
s5li
and
UvieZa’s
Numi
both
dedicated
to
the
Prometeo),
Società
del
QuarteZo
di
Milano
(world
premiere
of
Ivan
Fedele’s
Târ),
Mecklenburg
Vorpommern
Fes5val,
Orlando
Fes5val,
Fes5val
“Die
Lange
Nacht
der
Elektronischen
Klange
2000”
in
Berlin,
Waterfront
Hall
in
Belfast
for
the
BBC,
Grand
Théâtre
in
Bordeaux,
Founda5on
Royaumont
(world
premiere
of
Stefano
Gervasoni’s
Strada
non
presa
dedicated
to
the
Prometeo),
Auditorium
Musée
d'Orsay
in
Paris,
Boswil
Fes5val,
Schloss-‐
Elmau
Kammermusikfest,
Würzburg
Mozartnacht,
Le
Printemps
Musical
de
Saint-‐Cosme
(2001,
2002
&
2003),
Engadiner
Festwochen,
Kammermusikfest
di
Saarbrücken
(Nono’s
Fragmente-‐s5lle
an
Dio5m),
Rencontres
Musicales
de
Fontainebleau,
Colmar
Fes5val
(world
premiere
of
Jacques
Lenot’s
new
string
quartet),
Sanssouci
Fes5val
in
Potsdam,
as
well
as
tours
worldwide.
One
of
the
characteris5cs
of
the
Prometeo
is
the
constant
research
in
pu_ng
together
the
classical
repertoire
and
the
new
musical
expressions
of
our
5me.
Its
close
collabora5on
with
Salvatore
Sciarrino
made
the
acclaimed
composer
dedicate
to
the
Prometeo
his
Esercizi
di
tre
s5li
and
the
latest
QuarteZo
n.8
commissioned
by
Società
del
QuarteZo
Milan,
MaerzMusik
Fes5val
Berlin,
Ul5ma
Fes5val
Oslo,
Aldeburgh
Fes5val,
and
recently
recorded
for
the
label
Kairos,
together
with
his
latest
works
for
string
quartet.
Aqer
having
performed
the
Italian
premiere
of
Târ,
QuarteZo
Prometeo
con5nues
the
collabora5on
with
Ivan
Fedele
who
is
wri5ng
for
the
Prometeo
his
new
work
for
string
quartet
and
voice
commissioned
by
Accademia
Filarmonica
Romana.
New
releases:
works
by
Brahms,
Beethoven
and
Verdi
for
LimenMusic.
The
QuarteZo
Prometeo
recorded
for
the
German
ARD,
Saarländischer
Rundfunk
and
Bayerishe
Rundfunk,
the
English
BBC,
Radio
France,
the
Austrian
ORF,
and
regularly
for
the
Italian
RAI
Radio
3.
Bassoon
Gabriele
Screpis
completed
his
musical
studies
at
the
Conservatory
“Niccolò
Paganini”
of
Genova,
Italy,
gradua5ng
with
magna
cum
laudae.
He
won
several
Gabriele
Screpis
interna5onal
audi5ons
which
brought
him
to
cooperate
with
some
of
the
most
important
Italian
Orchestras.
He
is
currently
Solo
Bassoon
of
the
Teatro
alla
(Principal
Bassoon
–
Scala
Orchestra
and
its
Philharmonic.
This
role
has
given
him
the
opportunity
to
Orchestra
of
Teatro
alla
work
with
the
most
important
interna5onal
conductors
and
soloists.
In
addi5on
to
the
Orchestra’s
ac5vity,
he
holds
his
solo
carreer
which
includes
Chamber
Scala
–
Academy
of
Music.
Teatro
alla
Scala) He
is
a
chairman
for
the
Teatro
alla
Scala
Academy
and
frequently
holds
masterclasses.
Among
his
most
relevant
recordings,
there
are
those
with
“I
Cameris5
di
Roma”,
with
“
L’OZeZo
Italiano”
and
with
“I
Solis5
della
Scala”.
With
the
last
one
he
has
recorded
two
CDs
featuring
music
by
Stravinskij
and
Mercadante
published
by
Amadeus
Magazine.
Oboe
Marco
Salvatori
has
studied
the
oboe
with
Augusto
Loppi
gradua5ng
in
1989
at
the
Conservatorio
S.
Cecilia
in
Rome.
He
later
studied
with
H.
Schellenberger
at
the
Accademia
Chigiana
in
Siena,
M.
Bourgue
and
T.
Indermühle
in
the
School
Marco
Salvatori
for
Advanced
Musical
Studies
of
Saluzzo.
Discovering
at
an
early
age
the
beauty
of
playing
in
the
orchestra,
he
dedicated
himself
to
this
ac5vity
with
great
(Principal
oboe
–
passion,
working
as
soloist
principal
oboe
with
major
Italian
and
foreign
Maggio
Musicale
orchestras
such
as
the
Orchestra
dell’
Accademia
Nazionale
di
Santa
Cecilia,
La
Scala
Philharmonic,
the
Orchestra
Sinfonica
Nazionale
della
RAI,
the
Israel
Fioren5no
Orchestra) Philharmonic
Orchestra
and
the
Orchestra
del
Maggio
Musicale
Fioren5no,
conducted
among
others
by
R.
Mu5,
Z.
Mehta,
S.
Ozawa,
V.
Gergiev,
R.
Chailly,
G.
Dudamel.
Very
intense
is
his
ac5vity
as
a
soloist,
which
has
taken
him
to
pres5gious
Italian
and
European
stages
including
the
Musikverein
in
Vienna
and
the
Alte
Oper
in
Frankfurt,
with
Zubin
Mehta
on
the
podium.
At
the
same
5me,
in
order
to
expand
his
repertoire,
he
has
par5cipated
in
compe55ons
dedicated
to
the
oboe,
winning
the
first
prize
at
the
“Premio
SeZembre
Musica
1990”
in
Turin
and
at
the
“Giuseppe
Tomassini”
in
Petritoli
in
1995.
In
1999
he
won
the
posi5on
as
Principal
Oboe
in
the
Orchestra
of
the
Teatro
Carlo
Felice
in
Genoa
and
a
few
months
later,
the
same
posi5on,
which
he
s5ll
holds,
at
the
Orchestra
del
Maggio
Musicale
Fioren5no.
He
constantly
dedicates
himself
to
chamber
music
preferring
small
groups
with
whom
he
has
performed
in
pres5gious
concert
venues
in
Italy
and
abroad.
The
italian
mezzo
Adriana
Cicogna
was
born
in
a
family
devoted
to
music
for
three
genera5ons.
Since
childhood
she
studied
Voice
ballet
for
several
years
and
she
began
studying
music
at
the
age
of
nine,
in
par5cular
Harp
and
Piano
in
Padua's
Conservatory,
where
she
later
graduated
with
a
degree
in
Voice
under
the
guidance
of
Adriana
Rognoni.
She
also
aZended
master
classes
under
the
tutelage
of
EZore
Campogalliani,
Gina
Cigna,
Luis
Alva,
Iris
Adami
Corrade_.
Finalist
in
the
RAI
radio
contest
in
1979
and
in
the
Maria
Callas
Compe55on
in
1983
she
gained
the
aZen5on
of
cri5cs,
press
and
public.
Her
flexible
and
expressive
voice
ranged
over
a
wide
repertoire,
excelling
in
the
coloratura
roles
of
the
Baroque
and
Bel
Canto,
in
addi5on
to
music
from
the
Roman5c
and
Contemporary
periods.
Mrs.
Cicogna
made
her
professional
debut
in
the
Pavaro_
Adriana
Cicogna
Theater
in
Modena
in
1983
singing
L'Italiana
in
Algeri
under
the
baton
of
B.
Campanella.
She
sang
dozens
of
leading
roles
in
many
pres5gious
theaters
in
Italy
and
abroad
including
Teatro
alla
Scala
Milano,
Teatro
(Conservatorio
“A.
del
Maggio
Musicale
Firenze,
Gran
Teatro
La
Fenice
Venezia,
Arena
di
Verona,
Teatro
di
San
Carlo
Napoli,
Teatro
Fes5val
Puccini
Torre
del
Lago,
Teatro
Comunale
Bologna,
Teatro
Massimo
Palermo,
Teatro
Regio
Torino,
Teatro
Petruzzelli
Bari,
Tel
Boito”
-‐
Parma) Aviv,
Jerusalem,
Haifa,
Athens,
La
ValleZa,
Mannheim,
Ludwigshafen
am
Rhein,
Köln,
Basel
etc.
Among
her
most
important
roles
are
Angelina
in
Rossini's
Cenerentola,
Rosina
in
Barbiere
di
Siviglia,
Sinaide
in
Mosè,
Zulma
and
Isabella
in
L'Italiana
in
Algeri
and
Enrico
in
ElisabeLa
regina
d'Inghilterra,
Messaggera
Silvia
in
Monteverdi's
Orfeo,
Enea
in
Jommelli's
Didone
abbandonata,
Re
Metalce
in
Pergolesi's
Il
prigionier
superbo,
Fidalma
in
Cimarosa's
Matrimonio
segreto,
Dorabella
in
Mozart's
Così
fan
tuLe,
Cherubino
in
Le
nozze
di
Figaro
and
DriZe
Dame
in
Die
Zauberflöte,
IsoleZa
in
Bellini's
La
Straniera,
Smeton
in
Donize_'s
Anna
Bolena
and
Garcia
in
La
Sancia
di
Cas5glia,
Meg
in
Verdi's
Falstaff,
Maddalena
in
RigoleLo
and
Ulrica
in
Un
ballo
in
maschera,
Mercedes
and
Carmen
in
Bizet's
Carmen,
Siebel
in
Gounod's
Faust,
CharloZe
in
Massenet's
Werther,
Tigrana
in
Puccini's
Edgar,
Suzuki
in
Madama
BuLerfly
and
Frugola
in
Tabarro,
Desideria
in
Meno_'s
La
Santa
di
Bleecker
Street,
Pizze_'s
Fedra
,
Zandonai's
Francesca
da
Rimini,
LaZuada's
Le
preziose
ridicole.
In
1995
Adriana
Cicogna
was
awarded
the
1st
Puccini
Prize
in
Torre
del
Lago
Puccini
as
the
best
interpreter
of
the
role
of
Suzuki
in
Madame
BuLerfly.
She
performed
under
the
direc5on
of
C.
Rizzi,
Z.
Mehta,
L.
Berio,
M.
Arena,
R.
Abbado,
R.
Giovanine_,
Z.
Pesko,
D.
Renze_,
A.
Lombard,
A.
Guingal,
B.
Aprea,
A.
Campori,
M.
De
Bernardt,
R.
Rizzi-‐Brignoli,
M.
Carmina5,
R.
Saccani,
V.
Sutej.
She
worked
with
outstanding
directors
such
as
M.
Bolognini,
B.
De
Tomasi,
G.
Meno_,
M.
Monicelli,
V.
Puecher,
G.
Mauri,
A.
LaZuada,
F.
Crivelli,
P.L.
Pizzi,
A.
Fassini,
P.
Maestrini,
A.
Madau
Diaz,
W.
Herzog,
K.M.
Grüber,
P.
Selem,
G.
De
Bosio,
L.
Mariani,
S
.Vizioli.
Mrs.
Cicogna
sang
many
important
sacred
works
like
Vivaldi's
Juditha
Triumphans
and
Gloria,
many
Bach
Cantatas,
Pergolesi's
Stabat
Mater,
Rossini's
Pe5te
Messe
Solemnelle
and
Stabat
Mater,
several
Mozart's
Masses,
Verdi's
Requiem
etc.
Symphonic
and
chamber
repertoire
plays
a
large
role
in
this
mezzo's
career
with
the
works
of
Beethoven
(Ninth
Symphony),
Mozart,
Brahms,
Schumann,
Mahler,
Wolf,
Tchaikovsky,
Rachmaninoff,
Liszt,
Faurè,
De
Falla,
Respighi,
Stravinsky,
Barber
and
Berg
featuring
prominently:
Maggio
Musicale
Fioren5no,
Fes5val
dei
Due
Mondi
Spoleto,
Fes5val
Internazionale
di
Ravello,
RTV
Switzerland
Lugano,
RAI
italian
radio
television.
She
recorded
operas
of
Donize_,
Rossini,
Pacini,
Salieri,
Cimarosa
e
Puccini
for
Opera
Rara,
Bongiovanni,
Nuova
Era,
and
other
recording
labels.
Adriana
Cicogna
is
Professor
of
Singing
at
the
Conservatory
“A.
Boito”
in
Parma.
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