WOODWIND GRADES: requirements and information - ABRSM
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WOODWIND GRADES: requirements and information T his section provides a summary of the most important points that teachers and candidates need to know when taking ABRSM graded woodwind exams. Further details, as well as administrative information relating to the exams, are given in ABRSM’s Information & Regulations (available at www.abrsm.org/examregulations) which should be read before an exam booking is made. Entering for an exam Eligibility: T here are eight grades of exam for each instrument (Descant Recorder, Grades 1–5 only) and candidates may be entered for any grade irrespective of age and without previously having taken any other grade on the same instrument. Candidates for a Grade 6, 7 or 8 exam must already have passed ABRSM Grade 5 (or above) in Music Theory, Practical Musicianship or a solo Jazz instrument; for full details, including a list of accepted alternatives, see Regulation 1d at www.abrsm.org/examregulations. Access: ABRSM endeavours to make its exams as accessible as possible to all candidates, regardless of sensory impairments, learning difficulties or particular physical needs. T here is a range of alternative tests and formats as well as sets of guidelines for candidates with particular access needs (see www.abrsm.org/specificneeds). Where a candidate’s needs are not covered by the guidelines, each case is considered on an individual basis. Further information is available from the Access Co-ordinator (accesscoordinator@abrsm.ac.uk). Exam booking: Details of exam dates, locations, fees and how to book an exam are available online at www.abrsm.org/exambooking. Instruments Recorder: T here are separate syllabuses for Descant (Soprano) and Treble (Alto) recorders. Descant Recorder exams are available at Grades 1–5 only. Related instrument option: Treble Recorder candidates at Grades 6–8 may play one of their three pieces on a Descant or Tenor recorder where indicated in the Lists. T here is no advantage to be gained over other candidates in taking this option, and all the other requirements must be played on a Treble recorder. Flute: In Grades 1–3, candidates may play an adapted flute (e.g. non-metal and/or with curved head-joint) sounding at concert pitch. Oboe: In Grades 1–3, candidates may play an adapted (junior) oboe. Clarinet: T he majority of the pieces in this syllabus are published for clarinet in Bb; certain pieces may be offered on a clarinet in A where the syllabus indicates a published edition for this instrument. In Grades 1–3, candidates may play a clarinet in Eb or C (including those that have been adapted for young beginners), provided the piano accompaniments are suitably transposed where necessary. Certain pieces at these grades are published with an accompaniment for clarinet in C and these are indicated in the repertoire lists. 8
Woodwind grades: requirements and information
Bassoon: In Grades 1–3, candidates may play a bassoon of reduced size (sounding a fourth or
fifth above concert pitch), provided the piano accompaniments are suitably transposed where
necessary. Certain pieces at these grades are published with transposed accompaniments and
these are indicated in the repertoire lists.
Saxophone: Candidates enter for an exam on Soprano, Alto, Tenor or Baritone saxophone. T here
are separate repertoire lists for the Eb and Bb instruments; all other requirements are common
to the four instruments.
Related instrument option: At all grades, candidates for any of the four saxophones (Soprano,
Alto, Tenor, Baritone) have the option of playing their List C piece on one of the other three.
T here is no advantage to be gained over other candidates in taking this option, and all the other
requirements must be played using the saxophone on which the candidate has entered.
Some pieces and/or books listed refer to a specific saxophone. T his information is included to
accurately reflect published titles and to give an indication of which instrument the piece was
originally intended for. However, all pieces set on the Alto or Baritone Saxophone in Eb lists may
be played on either of those instruments in the exam. Similarly, all pieces set on the Soprano or
Tenor Saxophone in Bb lists may be played on either of those instruments.
In Grades 1–3, candidates may play a non-metal saxophone.
Elements of the exam
All ABRSM graded woodwind exams comprise the following elements: three Pieces; Scales and
arpeggios; Sight-reading; and Aural tests. In all grades, marks are allocated as follows:
Pieces: 1 30
2 30
3 30
Scales and arpeggios 21
Sight-reading 21
Aural tests 18
Total 150
Marking scheme: 100 marks are required for a Pass, 120 for a Merit and 130 for a Distinction. A
Pass in each individual section is not required to pass overall. See pp. 146–147 for the marking
criteria used by examiners.
Pieces
Programme planning: Candidates must choose one piece from each of the three lists (A, B and
C) in each grade. In the exam, they should inform the examiner which pieces they are performing,
and they are welcome to use the form on p. 149 for this purpose.
Accompaniment: All pieces in Lists A and B must be performed with a live piano accompaniment,
whereas all pieces in List C must be performed solo. Candidates must provide their own accompanist,
who may remain in the exam room only while accompanying. The candidate’s teacher may act as
accompanist (examiners will not). If necessary, the accompanist may simplify any part of the piano
accompaniment, provided the result is musically satisfactory.
9Woodwind grades: requirements and information Exam music & editions: Wherever the syllabus includes an arrangement or transcription, the edition listed in the syllabus must be used in the exam; in all such cases the abbreviation ‘arr.’ or ‘trans.’ appears in the syllabus entry. For all other pieces, the editions quoted in the syllabus are given for guidance only and candidates may use any edition of their choice (in- or out-of-print or downloadable). Information on obtaining exam music is given on p. 13. Interpreting the score: Printed editorial suggestions such as fingering, phrasing, metronome marks, realization of ornaments etc. need not be strictly observed. Whether the piece contains musical indications or not, candidates are always encouraged to interpret the score in a stylistically appropriate manner. Ultimately, examiners’ marking will be determined by consideration of pitch, time, tone, shape and performance, and how control of these contributes to the overall musical outcome. Repeats: All da capo and dal segno indications should be observed but all other repeats (including first-time bars) should be omitted unless they are very brief (i.e. of a few bars) or unless the syllabus specifies otherwise. Cadenzas & tuttis: Cadenzas should not be played unless the syllabus specifies otherwise. Lengthy orchestral tutti sections should be cut. Performing from memory: Candidates are free to perform any of their pieces from memory; in such cases they must ensure that a copy of the music is available for the examiner to refer to if necessary. No additional marks are awarded for playing from memory. Page-turns: Examiners will be understanding if a page-turn causes a lack of continuity during a piece, and this will not affect the marking. A variety of solutions for awkward page-turns exists, including the use of an additional copy of the music or a photocopy of a section of the piece (but see ‘Photocopies’ below). In cases where candidates at Grades 6–8 believe there is no solution to a particularly awkward page-turn, they may bring a page-turner to the exam (prior permission is not required; the turner may be a candidate’s teacher). Similarly, an accompanist for a Grade 6–8 exam is permitted to bring a page-turner to assist with turns in the piano part. Examiners are unable to help with page-turning. Photocopies: Performing from unauthorized photocopies (or other kinds of copies) of copyright editions is not allowed. ABRSM may withhold the exam result where it has evidence of an illegal copy (or copies) being used. In the UK, copies may be used in certain limited circumstances – for full details, see the MPA’s Code of Fair Practice at www.mpaonline.org.uk. In all other cases, application should be made to the copyright holder before any copy is made, and evidence of permission received should be brought to the exam. 10
Woodwind grades: requirements and information
Scales and arpeggios
Examiners will usually ask for at least one of each type of scale/arpeggio etc. required at each
grade, as well as aiming to hear a balance of the specified articulations. When asking for
requirements, examiners will specify only:
• the key (including minor form – harmonic or melodic – in the Grade 6–8 scales) or the
starting note
• the articulation
All scales and arpeggios should:
• be played from memory
• be played in even notes
• be played from the lowest possible tonic/starting note unless the syllabus indicates
otherwise*
• ascend and descend according to the specified range (and pattern)
Slurred requirements should be legato throughout. The choice of breathing place is left to the
candidate’s discretion, maintaining the flow as much as possible.
Arpeggios and dominant sevenths are required in root position only. All dominant sevenths
should finish by resolving on the tonic.
For transposing instruments, the naming of scales applies to the fingering, not the concert pitch;
for example, D major for clarinet in Bb will sound in C, not D.
Examples of scale/arpeggio etc. patterns specified in this syllabus are given on pp. 14–17.
Books of the requirements are published for all woodwind instruments by ABRSM.
T he following speeds are given as a general guide:
Grade / Speed
pattern 1 2 3 4 5 6 7 8
Scales (incl. chromatic,
iq q = 50 q = 56 q = 63 q = 72 q = 84 q = 96 q = 112 q = 132
extended-range & whole-tone)
Arpeggios
iiq e = 72 e = 84 e = 96 e = 108 e = 126 q. = 48 q. = 54 q. = 63
(excl. extended-range)
Dom. & Dim. 7ths;
iq q = 54 q = 63 q = 72 q = 80 q = 96
Extended-range arpeggios
Scales in 3rds iq q = 88 q = 100 q = 120
* Disregarding low B available to flutes with foot-joints.
11Woodwind grades: requirements and information Sight-reading Candidates will be asked to play a short unaccompanied piece of music which they have not previously seen. T hey will be given half a minute in which to look though and, if they wish, try out all or any part of the test before they are required to play it for assessment. T he tables on pp. 18–19 show the introduction of elements at each grade. For practice purposes, books of sample sight-reading tests are published for all woodwind instruments by ABRSM. Aural tests T he requirements are the same for all subjects. Full details of the Aural tests are given on pp. 134–139. In the exam Examiners: Generally, there will be one examiner in the exam room; however, for training and quality assurance purposes, a second examiner may sometimes be present. Examiners may ask to look at the music before or after the performance of a piece (a separate copy is not required: the candidate’s or accompanists’s copy will suffice). Examiners may stop the performance of a piece when they have heard enough to form a judgment. T hey will not issue or discuss a candidate’s result; instead, the mark form (and certificate for successful candidates) will be issued by ABRSM after the exam. Tuning: In Grades 1–5, the teacher or accompanist may help tune the candidate’s instrument before the exam begins. In Grades 6–8, candidates must tune their instruments themselves. Examiners are unable to help with tuning. Music stands: All ABRSM Centres provide a music stand, but candidates are welcome to bring their own if they prefer. T he examiner will be happy to help adjust the height or position of the stand. Order of the exam: T he individual sections of the exam may be taken in any order, at the candidate’s choice, although it is always preferable for accompanied pieces to be performed consecutively. Assessment T he tables on pp. 146–147 show the marking criteria used by examiners. In each element of the exam, ABRSM operates the principle of marking from the required pass mark positively or negatively, rather than awarding marks by deduction from the maximum or addition from zero. In awarding marks, examiners balance the extent to which the qualities and skills listed on pp. 146–147 (broadly categorized by pitch, time, tone, shape and performance) are demonstrated and contribute towards the overall musical outcome. 12
Woodwind grades: requirements and information
Obtaining exam music
Exam music is available from music retailers as well as online, including at the ABRSM music
shop: www.abrsm.org/shop. Every effort has been made to ensure that all the publications listed
will remain available for the duration of the syllabus. Candidates are advised to obtain their music
well in advance of the exam in case of any delays with items not kept in stock by retailers. Apart
from queries relating to exams, all enquiries about the music (e.g. editorial, availability) should
be addressed to the relevant publisher: contact details are listed at www.abrsm.org/publishers.
13SCALE AND ARPEGGIO PATTERNS
The examples on the following pages clarify patterns and ranges found in this syllabus. Reference
should be made to the appropriate syllabus pages for the full requirements for each instrument.
All instruments
SCALES AND ARPEGGIOS
one octave and down to the dominant (recorder only)
Vb œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ V b œ œ œ œ œ œ œ œ œ œ™
to a twelfth (and similarly, two and a half octaves)
bV œ œ œ œ œ œ œ œ œ œ œ œ œ etc. bV œ œ œ œ œ œ œ œ œ œ œ œ œ™
SCALES IN THIRDS
one octave (and similarly, two or three octaves) Bassoon: ending for B b major
VVbVbb bœœb œœœœœVœœœbbœ œ œ œ œœœœœœœœœœœœœœœœœœœœ œœ œ œ œ œ œœœœœœœœœœœœ œœœ œ œ œBBbBbb bœœb œœœœœBœœbœbœœ œœ œ œ œ œ
etc.
etc.etc. etc. etc.
etc.etc. etc.
to a twelfth
VV#V#œ#œœœœœœœœœœœ
œœœœœœœœœœœœœœœœœœœœœ
etc.
etc.
etc. etc.
etc.
etc. œœœœœœœœœœœœœœœ
CHROMATIC SCALES
to a twelfth (and similarly, two and a half octaves)
# #=
œœ œœ œœ œœ œœ
V œœb œœ= œœb œœ etc.
etc. etc.
etc.
DOMINANT SEVENTHS (resolving on tonic)
one octave (and similarly, two or three octaves)
V# œ œ œ œ œ œ œ œ œ
to a twelfth (and similarly, two and a half octaves)
bV b œ œ œ œ œ œ œ œ œ œ œ œ œ
DIMINISHED SEVENTHS
to a twelfth (and similarly, two and a half octaves)
b b bœ bœ bœ œ œ bœ bœ
Vœ œ œ œ œ
œ
14Scale and arpeggio patterns
Bassoon
EXTENDED-RANGE SCALES
E major
B#B######œœœœœœœœœ etc.
etc.
etc.
AAœœœœœœœœœœœœœœœ etc.
etc.
etc.
BB
œœœœœœœœœœœœœœœœœœœœœœœœœœœ
A b major
BBbbbBbbbœb bœb œœ œ œ A AœAœ œœ œ œœ œ œ B Bœ Bœ œœ œœ œ œ
etc.etc.etc. etc.etc.etc. œ œ
œ œ œœ œœ œœ œœ œœ œœ œœ œ œ œ
A harmonic minor
B Bœ œœœœ œ etc. etc.
A œA
œœœœœœœœ œ
etc. etc.
B œ#Bœœ# œ # #
œ œœœœœœ œœ œœœœœœœœœœœœœœ œ
œ œ
EXTENDED-RANGE ARPEGGIOS
A b major
B bbbb œ œ œ œ A œ œ œ œ œ œ œ œ B œ œ œ œ œœœ
œœ
A minor
B œ œ œ œ Aœ œ œ œ œ œ œ œB œ œ œ œ œœœ
œœ
Saxophone
EXTENDED-RANGE SCALES
E b major
VVbbbbbœœœœœœœœœ
œœœœœœœœœœœœœœœ
etc.
etc.
etc. etc.
etc.
etc.
œœœœœœœœœœœœœœœœœœœœœ
A b major
V bVbbb bbœb œœœœ œ
œ œœœœœœœœ œ
etc.
etc. etc. etc.
etc. etc. œ œœœœœœ œ œ œ
œ œœœœœœœœœœœœœœ œ
A harmonic minor
œ œœœœ œœœœ œ œ
V VœVœœœœ œ œ etc. etc.etc. etc. etc.etc. # ## # ##
œ œœ œœœœœ œœ œ œ œ œœœœ œœ œœœ œ œ
œ œ œœ œ œ
EXTENDED-RANGE ARPEGGIOS
A b major A minor
V bbbb œœœœœœ œ œ œ œ
œœœ œœ
œœœœ V œ œ
œ œ œ œ
œ œ œ œ
œ
17SIGHT-READING PARAMETERS
T he tables on pp. 18–19 show the introduction of elements at each grade. Please note that these
parameters are presented cumulatively, i.e. once introduced they apply for all subsequent
grades (albeit within a logical progression of difficulty). See also p. 12.
Length Time Other features that may be included
(bars)
Grade 1 4 4/4 • h. h q iq note values; Œ rests
3/4 • notes tongued or with simple two-note slurs
• dynamics
6 2/4 recorders: mf only
° others: f and mf
°
Grade 2 8 Ó rests
• iiiq and q. e patterns; —
• tied notes
• staccato
• dynamics
recorders: as Grade 1
°others: mp and cresc. hairpin
°
Grade 3 3/8 • accidentals (within minor keys only)
• q. ; simple semiquaver patterns; ‰ rests
• accents
• dynamics
recorders: p
°others: p and dim. hairpin
°
Grade 4 c. 8 6/8 • chromatic notes
• anacrusis
• tenuto
• pause sign
• dynamics
recorders: f and mp
° others: as Grade 3
°
Grade 5 c. 8–16 • simple syncopation
• slowing of tempo at end
• dynamics
recorders: cresc. and dim. hairpins
°others: ff and pp
°
Grade 6 c. 12–16 9/8 • changes of time signature
5/8 • triplet patterns
• slowing of tempo followed by a tempo
5/4 • Flute, Clarinet & Saxophone: swung style
• Bassoon: tenor clef
Grade 7 c. 16–20 7/8
7/4
Grade 8 c. 16–24 12/8 • triplet crotchets
• acceleration of tempo
• simple ornaments
• Recorder: ff and pp
• Flute: 8va sign
18Sight-reading parameters
KEYS
Saxophone
Recorder
Recorder
Bassoon
Descant
Clarinet
Treble
Oboe
Flute
MAJORS
minors *
Grade 1 C, F F, Bb G, F G, F G, F G, F G, F
D C C C C C C
Grade 2
d g e d a e d
Grade 3 a d a a d a a
G G Bb D Bb D D
Grade 4
e a d e g d b
A, Bb D, Eb D, A, Eb A, Bb, Eb D, A, Eb A, Bb, Eb A, Bb, Eb
Grade 5
b, g e, b b, g b, g e, b b, g e, g
A E, Ab E, Ab E, Ab E, Ab E, Ab
Grade 6 —
f #, c f #, c f #, c f #, c f #, c f #, c
Grade 7 — E, Ab c#, f c#, f c#, f c#, f c#, f
Grade 8 — c#, f B, Db B, Db B, Db B, Db B, Db
* Minors – natural form at Grade 2, any form from Grade 3
RANGES †
Saxophone
Recorder
Recorder
Bassoon
Descant
Clarinet
Treble
Oboe
Flute
Grade 1 d′–d″ g′–g″ e′–f ″ d′–d″ a–a′ G–g f ′–g″
Grade 2 c′–f ″ f ′–bb″ e′–g″ d′–g″ f –bb′ E–b e′–a″
Grade 3 c′–a″ f ′–d ″′ d′–c ″′ d′–b″ f –g″ E–c′ d′–c ″′
Grade 4 c′–b″ f ′–e ″′ d′–f ″′ c′–c ″′ f –bb″ D–f ′ c′–c ″′
Grade 5 c′–b″ f ′–e ″′ c′–g ″′ c′–d ″′ e–d ″′ C–g′ c′–d ″′
Grade 6 — f ′–f ″′ c′–a ″′ b–e ″′ e–eb ″′ Bb′–a′ c′–eb ″′
f ′–g ″′
Grade 7 — c′–bb ″′ bb–e ″′ e–e ″′ Bb′–bb′ b–f ″′
(excl. f# ″′)
f ′–g ″′
Grade 8 — c′–b ″′ a#–f ″′ e–f ″′ Bb′–c″ a#–f ″′
(excl. f# ″′)
w
w w w
? w w
† Ranges are presented using
w w &
w
the Helmholtz system, i.e.:
w w
B′ C
B′ C B
B cc bb c′
c′ b′
b′ cc″″ b″ cc‴″′ b‴
b″ b ″′
19Saxophone
Saxophone 2018–2021 2018–2021
GRADE 1
For information on instruments (including a related-instrument option) see page 9.
THREE PIECES: one chosen by the candidate from each of the three Lists, A , B and C:
ALTO or BARITONE SAXOPHONE IN E -
COMPOSER PIECE / WORK / ARRANGER PUBLICATION (PUBLISHER)
A 1 Dowland Fine Knacks for Ladies (from The Second Booke Saxophone Exam Pieces 2018–2021, Grade 1 (ABRSM)
of Songs or Ayres), arr. Denley
2 Handel March (from Scipio, HWV 20), arr. Scott-Burt Saxophone Exam Pieces 2018–2021, Grade 1 (ABRSM)
3 Trad. Scottish Skye Boat Song, arr. Bullard Saxophone Exam Pieces 2018–2021, Grade 1 (ABRSM)
4 Brahms Cradle Song, arr. Scott Time Travels for Saxophone (Astute Music )
5 Trad. Russian Song of the Volga Boatmen, arr. Buckland Time Travels for Saxophone (Astute Music )
6 Glazunov Theme and Variations, arr. Harris & Calland First Repertoire for Alto Saxophone (Faber)
7 Schubert Entr’acte Music (from Rosamunde, D. 797), Repertoire Explorer for Alto Saxophone (Universal)
arr. Kolman
8 Philip Sparke A Victorian Ballad Skilful Solos for Alto Saxophone (Anglo Music)
9 Susato Les grands douleurs (Basse Dance No. 6 from Sounds Classical for Alto Saxophone (Anglo Music)
Danserye), arr. Sparke
10 Trad. Irish The Minstrel Boy, arr. Lawrance Winner Scores All for Saxophone (Brass Wind )
B 1 Brahms Sandmännchen (No. 4 from Volks-Kinderlieder, Saxophone Exam Pieces 2018–2021, Grade 1 (ABRSM)
WoO 31), arr. Litten
2 Ned Bennett Jazz Music for Beetles (from Jazz Club Saxophone Exam Pieces 2018–2021, Grade 1 (ABRSM)
Alto Saxophone, Grades 1–2)
3 James Rae On the Ball Saxophone Exam Pieces 2018–2021, Grade 1 (ABRSM)
4 Ned Bennett Open Window (from Jazz Club Alto Ned Bennett: Jazz Club Alto Saxophone, Grades 1–2
Saxophone, Grades 1–2) (IMP)
5 Rob Buckland Saxi-Taxi Time Travels for Saxophone (Astute Music )
6 James Rae Rumba Repertoire Explorer for Alto Saxophone (Universal)
7 R. & R. Truly Scrumptious (from Chitty Chitty Bang Winner Scores All for Saxophone (Brass Wind )
Sherman Bang), arr. Lawrance
8 Philip Sparke Nice to See You Again Skilful Solos for Alto Saxophone (Anglo Music)
9 Ros Stephen Guanabara Bay (No. 1 from E - Saxophone Ros Stephen: E - Saxophone Globetrotters (OUP)
Globetrotters)
10 Sullivan Ah, leave me not to pine (from The Pirates of Sounds Classical for Alto Saxophone (Anglo Music)
Penzance), arr. Sparke
C 1 Ian Morrison Swinging Circles (No. 4 from Blues for One, Saxophone Exam Pieces 2018–2021, Grade 1 (ABRSM)
Vol. 1)
2 Graham Salter Gossip (from 35 Melodic Studies for Saxophone) Saxophone Exam Pieces 2018–2021, Grade 1 (ABRSM)
3 Trad. English Sweet Nightingale, arr. Lewin Saxophone Exam Pieces 2018–2021, Grade 1 (ABRSM)
4 Alan Bullard Marching Sax or Sax Café (No. 3 or No. 5 from Alan Bullard: Sixty for Sax (ABRSM)
Sixty for Sax)
5 Garnier Study in C No. 11 from 80 Graded Studies for Saxophone, Book 1
(Faber)
6 Lazarus Study in C No. 4 from More Graded Studies for Saxophone, Book 1
(Faber)
7 Mike Mower Knock Knock (No. 6 from The Good-Tempered Mike Mower: The Good-Tempered Saxophone
Saxophone) (Itchy Fingers Publications)
8 Mark Logging On (No. 1 from Jazz@Etudes for Mark Nightingale: Jazz@Etudes for Saxophone
Nightingale Saxophone) (Warwick Music)
9 James Rae Blue Waltz (No. 2 from 36 More Modern Studies James Rae: 36 More Modern Studies for Solo Saxophone
for Solo Saxophone) (Universal)
10 Karen Street Easy P.C. Double Click!! for Solo Saxophone (Gumbles
Publications)
112 Piano accompaniment published separatelySaxophone 2018–2021 Grade 1
SOPRANO or TENOR SAXOPHONE IN B -
COMPOSER PIECE / WORK / ARRANGER PUBLICATION (PUBLISHER)
A 1 Dowland Fine Knacks for Ladies (from The Second Booke Saxophone Exam Pieces 2018–2021, Grade 1 (ABRSM)
of Songs or Ayres), arr. Denley
2 Handel March (from Scipio, HWV 20), arr. Scott-Burt Saxophone Exam Pieces 2018–2021, Grade 1 (ABRSM)
3 Trad. Scottish Skye Boat Song, arr. Bullard Saxophone Exam Pieces 2018–2021, Grade 1 (ABRSM)
4 Brahms Cradle Song, arr. Scott Time Travels for Saxophone (Astute Music )
5 Trad. Russian Song of the Volga Boatmen, arr. Buckland Time Travels for Saxophone (Astute Music )
6 Glazunov Theme and Variations, arr. Harris & Calland Selected Solos for Soprano/Tenor Saxophone,
Grades 1–3 (Faber)
7 Schubert Entr’acte Music (from Rosamunde, D. 797), Repertoire Explorer for Tenor Saxophone (Universal)
arr. Kolman
8 Philip Sparke A Victorian Ballad Skilful Solos for Tenor Saxophone (Anglo Music)
9 Susato Les grands douleurs (Basse Dance No. 6 from Sounds Classical for Tenor Saxophone (Anglo Music)
Danserye), arr. Sparke
10 Trad. Irish The Minstrel Boy, arr. Lawrance Winner Scores All for Saxophone (Brass Wind )
B 1 Brahms Sandmännchen (No. 4 from Volks-Kinderlieder, Saxophone Exam Pieces 2018–2021, Grade 1 (ABRSM)
WoO 31), arr. Litten
2 Ned Bennett Jazz Music for Beetles Saxophone Exam Pieces 2018–2021, Grade 1 (ABRSM)
3 James Rae On the Ball Saxophone Exam Pieces 2018–2021, Grade 1 (ABRSM)
4 Ned Bennett Open Window (from Jazz Club Tenor Ned Bennett: Jazz Club Tenor Saxophone, Grades 1–2
Saxophone, Grades 1–2) (IMP)
5 Rob Buckland Saxi-Taxi Time Travels for Saxophone (Astute Music )
6 James Rae Rumba Repertoire Explorer for Tenor Saxophone (Universal)
7 R. & R. Truly Scrumptious (from Chitty Chitty Bang Winner Scores All for Saxophone (Brass Wind )
Sherman Bang), arr. Lawrance
8 Philip Sparke Nice to See You Again Skilful Solos for Tenor Saxophone (Anglo Music)
9 Ros Stephen Guanabara Bay (No. 1 from B - Saxophone Ros Stephen: B - Saxophone Globetrotters (OUP)
Globetrotters)
10 Sullivan Ah, leave me not to pine (from The Pirates of Sounds Classical for Tenor Saxophone (Anglo Music)
Penzance), arr. Sparke
C as List C on page 112
SCALES AND ARPEGGIOS: from memory; for further details see page 11
RANGE ARTICULATION (chosen by the examiner)
SCALES
F, G majors
D minor (natural or harmonic or melodic, 1 oct. tongued / slurred
at candidate’s choice)
ARPEGGIOS
F, G majors
1 oct. tongued / slurred
D minor
SIGHT-READING: a short piece of previously unseen music; for further details see pages 12 & 18–19
AURAL TESTS: administered by the examiner from the piano; for further details see pages 134 & 135
113Saxophone 2018–2021
GRADE 2
For information on instruments (including a related-instrument option) see page 9.
THREE PIECES: one chosen by the candidate from each of the three Lists, A , B and C:
ALTO or BARITONE SAXOPHONE IN E -
COMPOSER PIECE / WORK / ARRANGER PUBLICATION (PUBLISHER)
A 1 C. P. E. Bach Allegretto (No. 6 from Kurze und leichte Saxophone Exam Pieces 2018–2021, Grade 2 (ABRSM)
Klavierstücke, H 198), arr. Blackwell
2 Glinka Polka, arr. Litten Saxophone Exam Pieces 2018–2021, Grade 2 (ABRSM)
3 Shield The Ploughboy, arr. Davies Saxophone Exam Pieces 2018–2021, Grade 2 (ABRSM)
4 Anon. Mr Scoolding’s Minuet, arr. Sparke Sounds Classical for Alto Saxophone (Anglo Music)
5 M. Corker On the Hills (from In Ireland), arr. Denley Time Pieces for E - Saxophone, Vol. 1 (ABRSM)
6 Gluck Aria (from Orfeo ed Euridice), arr. Lawrance Winner Scores All for Saxophone (Brass Wind )
7 Handel Trio (from Water Music), arr. Harris & Calland First Repertoire for Alto Saxophone (Faber)
8 Schubert Who is Sylvia?, arr. Scott Time Travels for Saxophone (Astute Music )
9 Tchaikovsky March of the Wooden Soldiers, arr. Buckland Time Travels for Saxophone (Astute Music )
10 Philip Sparke Trumpet Tune Skilful Solos for Alto Saxophone (Anglo Music)
B 1 Beswick Farewell for a Fox (No. 1 from Six for Sax) Saxophone Exam Pieces 2018–2021, Grade 2 (ABRSM)
2 Kabalevsky Waltz (No. 13 from 24 Easy Pieces, Op. 39), Saxophone Exam Pieces 2018–2021, Grade 2 (ABRSM)
arr. Bullard
3 Ros Stephen Greenmarket Square (No. 2 from E - Saxophone Saxophone Exam Pieces 2018–2021, Grade 2 (ABRSM)
Globetrotters)
4 Bart Food, Glorious Food! (from Oliver!), arr. Harris First Repertoire for Alto Saxophone (Faber)
& Calland
5 Ned Bennett Barbeque Blues (from Jazz Club Alto Ned Bennett: Jazz Club Alto Saxophone, Grades 1–2
Saxophone, Grades 1–2) (IMP)
6 Rob Buckland Paris Time Travels for Saxophone (Astute Music )
7 Alan Bullard Waltzing to Wembley Final Whistle! for E - Saxophone (Gumbles Publications)
8 Gilkyson The Bare Necessities (from The Jungle Book), Winner Scores All for Saxophone (Brass Wind )
arr. Lawrance
9 Alan Flying High (No. 2 from Rhythm & Rag for Alan Haughton: Rhythm & Rag for E - Saxophone
Haughton E - Saxophone) (ABRSM)
10 Philip Sparke Pony and Trap or Summer Siesta Skilful Solos for Alto Saxophone (Anglo Music)
C 1 Bizet Prelude (from L’Arlésienne, Suite No. 1), Saxophone Exam Pieces 2018–2021, Grade 2 (ABRSM)
arr. ABRSM
2 Pete Churchill Boston Blues Saxophone Exam Pieces 2018–2021, Grade 2 (ABRSM)
3 Mark New Document (No. 4 from Jazz@Etudes for Saxophone Exam Pieces 2018–2021, Grade 2 (ABRSM)
Nightingale Saxophone)
4 C. Baermann Study in C No. 12 from 80 Graded Studies for Saxophone, Book 1
(Faber)
5 Alan Bullard Grooving Sax or Sax Swings Out Alan Bullard: Sixty for Sax (ABRSM)
(No. 16 or No. 18 from Sixty for Sax)
6 Chris Mouse Drop-In Double Click!! for Solo Saxophone (Gumbles
Gumbley Publications)
7 Klosé Study in G No. 16 from More Graded Studies for Saxophone, Book 1
(Faber)
8 Mike Mower Flat Feet (No. 8 from The Good-Tempered Mike Mower: The Good-Tempered Saxophone
Saxophone) (Itchy Fingers Publications)
9 James Rae March of the Chipolatas or Crystal Waltz James Rae: 36 More Modern Studies for Solo Saxophone
(No. 4 or No. 6 from 36 More Modern Studies (Universal)
for Solo Saxophone)
10 Graham Salter Blown Away (from 35 Melodic Studies for Graham Salter: 35 Melodic Studies for Saxophone
Saxophone) (Emerson)
114 Piano accompaniment published separatelySaxophone 2018–2021 Grade 2
SOPRANO or TENOR SAXOPHONE IN B -
COMPOSER PIECE / WORK / ARRANGER PUBLICATION (PUBLISHER)
A 1 C. P. E. Bach Allegretto (No. 6 from Kurze und leichte Saxophone Exam Pieces 2018–2021, Grade 2 (ABRSM)
Klavierstücke, H 198), arr. Blackwell
2 Glinka Polka, arr. Litten Saxophone Exam Pieces 2018–2021, Grade 2 (ABRSM)
3 Shield The Ploughboy, arr. Davies Saxophone Exam Pieces 2018–2021, Grade 2 (ABRSM)
4 Anon. Mr Scoolding’s Minuet, arr. Sparke Sounds Classical for Tenor Saxophone (Anglo Music)
5 M. Corker On the Hills (from In Ireland), arr. Denley Time Pieces for B - Saxophone, Vol. 1 (ABRSM)
6 Gluck Aria (from Orfeo ed Euridice), arr. Lawrance Winner Scores All for Saxophone (Brass Wind )
7 Handel Trio (from Water Music), arr. Harris & Calland Selected Solos for Soprano/Tenor Saxophone,
Grades 1–3 (Faber)
8 Schubert Who is Sylvia?, arr. Scott Time Travels for Saxophone (Astute Music )
9 Tchaikovsky March of the Wooden Soldiers, arr. Buckland Time Travels for Saxophone (Astute Music )
10 Philip Sparke Trumpet Tune Skilful Solos for Tenor Saxophone (Anglo Music)
B 1 Beswick Farewell for a Fox Saxophone Exam Pieces 2018–2021, Grade 2 (ABRSM)
2 Kabalevsky Waltz (No. 13 from 24 Easy Pieces, Op. 39), Saxophone Exam Pieces 2018–2021, Grade 2 (ABRSM)
arr. Bullard
3 Ros Stephen Greenmarket Square (No. 2 from B - Saxophone Saxophone Exam Pieces 2018–2021, Grade 2 (ABRSM)
Globetrotters)
4 Ned Bennett Missed Chances (from Jazz Club Tenor Ned Bennett: Jazz Club Tenor Saxophone, Grades 1–2
Saxophone, Grades 1–2) (IMP)
5 Rob Buckland Paris Time Travels for Saxophone (Astute Music )
6 Alan Bullard Waltzing to Wembley Final Whistle! for B - Saxophone (Gumbles Publications)
7 Gilkyson The Bare Necessities (from The Jungle Book), Winner Scores All for Saxophone (Brass Wind )
arr. Lawrance
8 Alan Flying High (No. 2 from Rhythm & Rag for Alan Haughton: Rhythm & Rag for B - Saxophone
Haughton B - Saxophone) (ABRSM)
9 Philip Sparke Pony and Trap or Summer Siesta Skilful Solos for Tenor Saxophone (Anglo Music)
10 Pam Chinese Take It Away Selected Solos for Soprano/Tenor Saxophone,
Wedgwood Grades 1–3 (Faber)
C as List C on page 114
SCALES AND ARPEGGIOS: from memory; for further details (including examples) see pages 11 & 14
RANGE ARTICULATION (chosen by the examiner)
SCALES
C major starting an octave above lowest tonic 1 oct.
D, F majors a 12th
A minor (natural or harmonic or melodic, 1 oct. tongued / slurred
at candidate’s choice)
D minor (natural or harmonic or melodic, a 12th
at candidate’s choice)
ARPEGGIOS
C major starting an octave above lowest tonic 1 oct.
D, F majors a 12th
tongued / slurred
A minor 1 oct.
D minor a 12th
SIGHT-READING: a short piece of previously unseen music; for further details see pages 12 & 18–19
AURAL TESTS: administered by the examiner from the piano; for further details see pages 134 & 135
115Saxophone 2018–2021
GRADE 3
For information on instruments (including a related-instrument option) see page 9.
THREE PIECES: one chosen by the candidate from each of the three Lists, A , B and C:
ALTO or BARITONE SAXOPHONE IN E -
COMPOSER PIECE / WORK / ARRANGER PUBLICATION (PUBLISHER)
A 1 Delibes Flower Duet (from Lakmé), arr. Bullard Saxophone Exam Pieces 2018–2021, Grade 3 (ABRSM)
2 G. Farnaby Tower Hill, arr. Blackwell Saxophone Exam Pieces 2018–2021, Grade 3 (ABRSM)
3 attrib. Caro mio ben, arr. Sutton-Anderson Saxophone Exam Pieces 2018–2021, Grade 3 (ABRSM)
Giordani
4 Byrd Lord Willobies Welcome Home, arr. Sparke Sounds Classical for Alto Saxophone (Anglo Music)
5 Grieg Morning (from Peer Gynt Suite), arr. Lanning The Classic Experience for Alto Saxophone (Cramer)
6 Jacob A Christmas Tune, arr. Denley Time Pieces for E - Saxophone, Vol. 1 (ABRSM)
7 MacDowell To a Wild Rose, Op. 51 No. 1, arr. Buckland Time Travels for Saxophone (Astute Music )
8 Philip Sparke Waltz with Variations Skilful Solos for Alto Saxophone (Anglo Music)
9 Trad. English The Miller of the Dee or The trees they do grow Folk Roots for Alto Saxophone (Boosey & Hawkes)
so high, arr. Davies
10 Vivaldi Cantabile (from Il Cordellino), arr. Harris & First Repertoire for Alto Saxophone (Faber)
Calland
B 1 Paul Harris Foxtrot (No. 7 from Seven Easy Dances for Saxophone Exam Pieces 2018–2021, Grade 3 (ABRSM)
Alto Saxophone)
2 Alan Nocturne (No. 5 from Rhythm & Rag for Saxophone Exam Pieces 2018–2021, Grade 3 (ABRSM)
Haughton E - Saxophone)
3 Dixon & Bye Bye Blackbird, arr. Bennett Saxophone Exam Pieces 2018–2021, Grade 3 (ABRSM)
Henderson
4 Coward My Horse has Cast a Shoe (from Pacific 1860), Time Pieces for E - Saxophone, Vol. 1 (ABRSM)
arr. Denley
5 Chris Goalmouth Scramble Final Whistle! for E - Saxophone (Gumbles Publications)
Gumbley
6 Paul Harris Round the Bend! First Repertoire for Alto Saxophone (Faber)
7 Andrew Lloyd The Music of the Night (from Phantom of the Winner Scores All for Saxophone (Brass Wind )
Webber Opera), arr. Lawrance
8 Andy Scott Castanet Time Travels for Saxophone (Astute Music )
9 Philip Sparke Alladale Aria Skilful Solos for Alto Saxophone (Anglo Music)
10 Ros Stephen Roda de Choro (No. 11 from E - Saxophone Ros Stephen: E - Saxophone Globetrotters (OUP)
Globetrotters)
C 1 Alan Bullard Driving Sax (No. 26 from Sixty for Sax) Saxophone Exam Pieces 2018–2021, Grade 3 (ABRSM)
2 Soussmann Andante in B minor (from Practische Saxophone Exam Pieces 2018–2021, Grade 3 (ABRSM)
Flötenschule, Op. 53)
3 Karen Street Phish and Chips Saxophone Exam Pieces 2018–2021, Grade 3 (ABRSM)
4 Lazarus Study in G No. 22 from More Graded Studies for Saxophone, Book 1
(Faber)
5 Ian Morrison Swampy Blues (No. 13 from Blues for One, Vol. 1) Ian Morrison: Blues for One, Vol. 1 (Warwick Music)
6 Mike Mower Out of Plaice (No. 7 from The Good-Tempered Mike Mower: The Good-Tempered Saxophone
Saxophone) (Itchy Fingers Publications)
7 Mark Of Mice and Keys (No. 12 from Jazz@Etudes for Mark Nightingale: Jazz@Etudes for Saxophone
Nightingale Saxophone) (Warwick Music)
8 James Rae Spinnaker Jig or Pot Luck (No. 9 or No. 13 from James Rae: 36 More Modern Studies for Solo Saxophone
36 More Modern Studies for Solo Saxophone) (Universal)
9 Graham Salter Skippy (from 35 Melodic Studies for Saxophone) Graham Salter: 35 Melodic Studies for Saxophone
(Emerson)
10 Karen Street Domain Reason Double Click!! for Solo Saxophone (Gumbles
Publications)
116 Piano accompaniment published separatelySaxophone 2018–2021 Grade 3
SOPRANO or TENOR SAXOPHONE IN B -
COMPOSER PIECE / WORK / ARRANGER PUBLICATION (PUBLISHER)
A 1 Delibes Flower Duet (from Lakmé), arr. Bullard Saxophone Exam Pieces 2018–2021, Grade 3 (ABRSM)
2 G. Farnaby Tower Hill, arr. Blackwell Saxophone Exam Pieces 2018–2021, Grade 3 (ABRSM)
3 attrib. Caro mio ben, arr. Sutton-Anderson Saxophone Exam Pieces 2018–2021, Grade 3 (ABRSM)
Giordani
4 Byrd Lord Willobies Welcome Home, arr. Sparke Sounds Classical for Tenor Saxophone (Anglo Music)
5 Grieg Morning (from Peer Gynt Suite), arr. Lanning Classic Experience Collection for Tenor Saxophone
(Cramer)
6 Jacob A Christmas Tune, arr. Denley Time Pieces for B - Saxophone, Vol. 1 (ABRSM)
7 MacDowell To a Wild Rose, Op. 51 No. 1, arr. Buckland Time Travels for Saxophone (Astute Music )
8 Musorgsky Promenade (from Pictures at an Exhibition), Selected Solos for Soprano/Tenor Saxophone,
arr. Harris & Calland Grades 1–3 (Faber)
9 Philip Sparke Waltz with Variations Skilful Solos for Tenor Saxophone (Anglo Music)
10 Trad. English The Miller of the Dee or The trees they do grow Folk Roots for Tenor Saxophone (Boosey & Hawkes)
so high, arr. Davies
B 1 Paul Harris Foxtrot Saxophone Exam Pieces 2018–2021, Grade 3 (ABRSM)
2 Alan Nocturne (No. 5 from Rhythm & Rag for Saxophone Exam Pieces 2018–2021, Grade 3 (ABRSM)
Haughton B - Saxophone)
3 Dixon & Bye Bye Blackbird, arr. Bennett Saxophone Exam Pieces 2018–2021, Grade 3 (ABRSM)
Henderson
4 Coward My Horse has Cast a Shoe (from Pacific 1860), Time Pieces for B - Saxophone, Vol. 1 (ABRSM)
arr. Denley
5 Chris Goalmouth Scramble Final Whistle! for B - Saxophone (Gumbles Publications)
Gumbley
6 Andrew Lloyd The Music of the Night (from Phantom of the Winner Scores All for Saxophone (Brass Wind )
Webber Opera), arr. Lawrance
7 Andy Scott Castanet Time Travels for Saxophone (Astute Music )
8 Philip Sparke Alladale Aria Skilful Solos for Tenor Saxophone (Anglo Music)
9 Ros Stephen Roda de Choro (No. 11 from B - Saxophone Ros Stephen: B - Saxophone Globetrotters (OUP)
Globetrotters)
10 Pam Survivor (from After Hours for Tenor Pam Wedgwood: After Hours for Tenor Saxophone
Wedgwood Saxophone) (Faber)
C as List C on page 116
Grade 3 continues overleaf
117Saxophone 2018–2021 Grade 3
SCALES AND ARPEGGIOS: from memory; for further details (including examples) see pages 11 & 14
RANGE ARTICULATION (chosen by the examiner)
SCALES
B - major starting an octave above lowest tonic 1 oct.
G major a 12th
C, D majors 2 oct.
B minor starting an octave above lowest tonic 1 oct.
(harmonic or melodic, at candidate’s choice) tongued / slurred
G minor a 12th
(harmonic or melodic, at candidate’s choice)
D minor 2 oct.
(harmonic or melodic, at candidate’s choice)
CHROMATIC SCALE
starting on G 1 oct. tongued / slurred
ARPEGGIOS
B - major starting an octave above lowest tonic 1 oct.
G major a 12th
C, D majors 2 oct.
tongued / slurred
B minor starting an octave above lowest tonic 1 oct.
G minor a 12th
D minor 2 oct.
SIGHT-READING: a short piece of previously unseen music; for further details see pages 12 & 18–19
AURAL TESTS: administered by the examiner from the piano; for further details see pages 134 & 136
118Saxophone 2018–2021
GRADE 4
For information on instruments (including a related-instrument option) see page 9.
THREE PIECES: one chosen by the candidate from each of the three Lists, A , B and C:
ALTO or BARITONE SAXOPHONE IN E -
COMPOSER PIECE / WORK / ARRANGER PUBLICATION (PUBLISHER)
A 1 Schumann Träumerei (No. 7 from Kinderscenen, Op. 15), Saxophone Exam Pieces 2018–2021, Grade 4 (ABRSM)
arr. Salter & Litten
2 Singelée Allegro vivace (3rd movt from Premier Quatuor, Saxophone Exam Pieces 2018–2021, Grade 4 (ABRSM)
Op. 53), arr. Harris & Calland
3 Purcell Rondeau and Dance for the Haymakers (from Saxophone Exam Pieces 2018–2021, Grade 4 (ABRSM)
The Fairy Queen, Z. 629), arr. Denley
4 Hywel Davies Hornpipe Folk Roots for Alto Saxophone (Boosey & Hawkes)
5 Elgar Chanson de Matin, arr. Lanning The Classic Experience for Alto Saxophone (Cramer)
6 Mozart Turkish Rondo (from Piano Sonata in A), The Classic Experience for Alto Saxophone (Cramer)
arr. Lanning
7 Prokofiev Two Themes (from Peter and the Wolf, Op. 67), Classic Experience Encores for Alto Saxophone
arr. Lanning (Cramer)
8 Schubert Marche militaire, arr. Sparke Skilful Solos for Alto Saxophone (Anglo Music)
9 Vivaldi Largo (from Winter), arr. Sparke Skilful Solos for Alto Saxophone (Anglo Music)
10 Vivaldi Allegro (from Flute Sonata), arr. Sparke Sounds Classical for Alto Saxophone (Anglo Music)
B 1 Steven Edis Foxglove Swing Saxophone Exam Pieces 2018–2021, Grade 4 (ABRSM)
2 Graham Lyons Bee Line Saxophone Exam Pieces 2018–2021, Grade 4 (ABRSM)
3 Weill & Brecht Tango–Ballade (from Die Dreigroschenoper), Saxophone Exam Pieces 2018–2021, Grade 4 (ABRSM)
arr. Denley
4 Alan Bullard Final Whistle! Final Whistle! for E - Saxophone (Gumbles Publications)
5 Gershwin Summertime (from Porgy and Bess), The Jazz Sax Collection for Alto or Baritone Saxophone
arr. Bennett (Faber)
6 Alan Valse-Barcarolle or Cakewalk (No. 8 or No. 9 Alan Haughton: Rhythm & Rag for E - Saxophone
Haughton from Rhythm & Rag for E - Saxophone) (ABRSM)
7 Richard Lengthening Shadows or End of a Perfect Day Richard Kershaw: Latin Nights for Alto Saxophone
Kershaw (from Latin Nights for Alto Saxophone) (Hunt Edition)
8 Christopher Dixie or I Saw Three Ships (No. 5 or No. 10 from The Christopher Norton Concert Collection for Alto
Norton The Christopher Norton Concert Collection for Saxophone (Boosey & Hawkes)
Alto Saxophone)
9 Philip Sparke Scales of Justice Skilful Solos for Alto Saxophone (Anglo Music)
10 Ros Stephen A Nacht in Nyu York (No. 5 from E - Saxophone Ros Stephen: E - Saxophone Globetrotters (OUP)
Globetrotters)
C 1 J. S. Bach Gavotte (from French Suite No. 5, BWV 816), Saxophone Exam Pieces 2018–2021, Grade 4 (ABRSM)
arr. Lewin
2 Rob Buckland The Jazz Detectives Saxophone Exam Pieces 2018–2021, Grade 4 (ABRSM)
3 James Rae February March (No. 19 from 36 More Modern Saxophone Exam Pieces 2018–2021, Grade 4 (ABRSM)
Studies for Solo Saxophone)
4 Alan Bullard Show-Stopping Sax or Melodious Sax Alan Bullard: Sixty for Sax (ABRSM)
(No. 32 or No. 34 from Sixty for Sax)
5 Mike Mower Drifting Off (No. 14 from The Good-Tempered Mike Mower: The Good-Tempered Saxophone
Saxophone) (Itchy Fingers Publications)
6 Mark Ram and Spam Blues (No. 22 from Jazz@Etudes Mark Nightingale: Jazz@Etudes for Saxophone
Nightingale for Saxophone) (Warwick Music)
7 László Nitski Study in G minor No. 26 from More Graded Studies for Saxophone, Book 1
(Faber)
Grade 4 continues overleaf
119Saxophone 2018–2021 Grade 4
COMPOSER PIECE / WORK / ARRANGER PUBLICATION (PUBLISHER)
8 Verroust Study in B - No. 29 from More Graded Studies for Saxophone, Book 1
(Faber)
9 Graham Salter Summer Meadow (from 35 Melodic Studies for Graham Salter: 35 Melodic Studies for Saxophone
Saxophone) (Emerson)
10 Karen Street Standby for Action! Double Click!! for Solo Saxophone (Gumbles
Publications)
SOPRANO or TENOR SAXOPHONE IN B -
COMPOSER PIECE / WORK / ARRANGER PUBLICATION (PUBLISHER)
A 1 Schumann Träumerei (No. 7 from Kinderscenen, Op. 15), Saxophone Exam Pieces 2018–2021, Grade 4 (ABRSM)
arr. Salter & Litten
2 Singelée Allegro vivace (3rd movt from Premier Quatuor, Saxophone Exam Pieces 2018–2021, Grade 4 (ABRSM)
Op. 53), arr. Harris & Calland
3 Purcell Rondeau and Dance for the Haymakers (from Saxophone Exam Pieces 2018–2021, Grade 4 (ABRSM)
The Fairy Queen, Z. 629), arr. Denley
4 Hywel Davies Hornpipe Folk Roots for Tenor Saxophone (Boosey & Hawkes)
5 Elgar Chanson de Matin, arr. Lanning Classic Experience Collection for Tenor Saxophone
(Cramer)
6 Mozart Turkish Rondo (from Piano Sonata in A), Classic Experience Collection for Tenor Saxophone
arr. Lanning (Cramer)
7 Prokofiev Two Themes (from Peter and the Wolf, Op. 67), Classic Experience Collection for Tenor Saxophone
arr. Lanning (Cramer)
8 Schubert Marche militaire, arr. Sparke Skilful Solos for Tenor Saxophone (Anglo Music)
9 Vivaldi Largo (from Winter), arr. Sparke Skilful Solos for Tenor Saxophone (Anglo Music)
10 Vivaldi Allegro (from Flute Sonata), arr. Sparke Sounds Classical for Tenor Saxophone (Anglo Music)
B 1 Steven Edis Foxglove Swing Saxophone Exam Pieces 2018–2021, Grade 4 (ABRSM)
2 Graham Lyons Bee Line Saxophone Exam Pieces 2018–2021, Grade 4 (ABRSM)
3 Weill & Brecht Tango–Ballade (from Die Dreigroschenoper), Saxophone Exam Pieces 2018–2021, Grade 4 (ABRSM)
arr. Denley
4 Alan Bullard Final Whistle! Final Whistle! for B - Saxophone (Gumbles Publications)
5 Gershwin Summertime (from Porgy and Bess), The Jazz Sax Collection for Tenor or Soprano Saxophone
arr. Bennett (Faber)
6 Alan Valse-Barcarolle or Cakewalk (No. 8 or No. 9 Alan Haughton: Rhythm & Rag for B - Saxophone
Haughton from Rhythm & Rag for B - Saxophone) (ABRSM)
7 Richard Lengthening Shadows or End of a Perfect Day Richard Kershaw: Latin Nights for Tenor Saxophone
Kershaw (from Latin Nights for Tenor Saxophone) (Hunt Edition)
8 Christopher Dixie or I Saw Three Ships (No. 5 or No. 10 from The Christopher Norton Concert Collection for Tenor
Norton The Christopher Norton Concert Collection for Saxophone (Boosey & Hawkes)
Tenor Saxophone)
9 Philip Sparke Scales of Justice Skilful Solos for Tenor Saxophone (Anglo Music)
10 Ros Stephen A Nacht in Nyu York (No. 5 from B - Saxophone Ros Stephen: B - Saxophone Globetrotters (OUP)
Globetrotters)
C as List C on pages 119–20
120Saxophone 2018–2021 Grade 4
SCALES AND ARPEGGIOS: from memory; for further details (including examples) see pages 11 & 14
RANGE ARTICULATION (chosen by the examiner)
SCALES
A major 1 oct.
E, G majors a 12th
D, E - majors 2 oct.
F + minor 1 oct.
(harmonic or melodic, at candidate’s choice) tongued / slurred
E, F minors a 12th
(harmonic or melodic, at candidate’s choice)
C minor 2 oct.
(harmonic or melodic, at candidate’s choice)
CHROMATIC SCALE
starting on G a 12th tongued / slurred
ARPEGGIOS
A major 1 oct.
E, G majors a 12th
D, E - majors 2 oct.
tongued / slurred
F + minor 1 oct.
E, F minors a 12th
C minor 2 oct.
DOMINANT SEVENTH (resolving on tonic)
in the key of F 2 oct. tongued / slurred
SIGHT-READING: a short piece of previously unseen music; for further details see pages 12 & 18–19
AURAL TESTS: administered by the examiner from the piano; for further details see pages 134 & 136
121Saxophone 2018–2021
GRADE 5
For information on instruments (including a related-instrument option) see page 9.
THREE PIECES: one chosen by the candidate from each of the three Lists, A , B and C:
ALTO or BARITONE SAXOPHONE IN E -
COMPOSER PIECE / WORK / ARRANGER PUBLICATION (PUBLISHER)
A 1 Alain Crépin Céline Mandarine Saxophone Exam Pieces 2018–2021, Grade 5 (ABRSM)
2 Handel La Paix and La Réjouissance (3rd and Saxophone Exam Pieces 2018–2021, Grade 5 (ABRSM)
4th movts from Music for the Royal Fireworks,
HWV 351), arr. Bullard
3 Fauré Après un rêve (No. 1 from Trois mélodies, Op. 7), Saxophone Exam Pieces 2018–2021, Grade 5 (ABRSM)
arr. Blackwell
4 J. S. Bach Sinfonia (from Cantata No. 156), arr. Denley Time Pieces for E - Saxophone, Vol. 2 (ABRSM)
5 Dvořák In a Ring! or Grandpa Dances with Grandma Time Pieces for E - Saxophone, Vol. 2 (ABRSM)
(No. 1 or No. 2 from Two Little Pearls),
arr. Denley
6 Beethoven Romanze (from Sonatina No. 1), arr. Sparke Sounds Classical for Alto Saxophone (Anglo Music)
7 Mozart Adagio, K. Anh. 94, K. 580a, arr. Sparke Sounds Classical for Alto Saxophone (Anglo Music)
8 Bizet Chanson bohème (from Carmen), arr. Lanning The Classic Experience for Alto Saxophone (Cramer)
9 Glinka Danse, arr. Ivanov Six pièces russes, Vol. 1, for Alto Saxophone (Lemoine)
10 Tchaikovsky Waltz (from The Sleeping Beauty, Op. 66), Classic Experience Encores for Alto Saxophone
arr. Lanning (Cramer)
B 1 Jim Parker Bright Young Things Saxophone Exam Pieces 2018–2021, Grade 5 (ABRSM)
2 H. Mancini The Pink Panther, arr. Iles Saxophone Exam Pieces 2018–2021, Grade 5 (ABRSM)
3 Richard Tango Till You Drop! (from Latin Nights for Saxophone Exam Pieces 2018–2021, Grade 5 (ABRSM)
Kershaw Alto Saxophone)
4 Appermont Hymn & Dance playing 8va in bb. 41–52 Appermont: Hymn & Dance for Alto Saxophone
(Beriato Music)
5 József Balogh Palotás and Friss observing printed cadenza The Light Touch for Alto Saxophone, Book 1
(Stainer & Bell)
6 Ned Bennett An Urge to Splurge The Jazz Sax Collection for Alto or Baritone Saxophone
(Faber)
7 Gershwin But Not for Me, arr. Bennett The Jazz Sax Collection for Alto or Baritone Saxophone
(Faber)
8 Chris Extra Time Final Whistle! for E - Saxophone (Gumbles Publications)
Gumbley
9 Christopher Turkey in the Straw (No. 1 from The Christopher The Christopher Norton Concert Collection for Alto
Norton Norton Concert Collection for Alto Saxophone) Saxophone (Boosey & Hawkes)
10 Ros Stephen Transylvanian Stick Dance (No. 12 from Ros Stephen: E - Saxophone Globetrotters (OUP)
E - Saxophone Globetrotters)
C 1 Alan Bullard Saxophone Stomp (No. 39 from Sixty for Sax) Saxophone Exam Pieces 2018–2021, Grade 5 (ABRSM)
2 Rossini Aria (from Il barbiere di Siviglia), arr. Lewin
Saxophone Exam Pieces 2018–2021, Grade 5 (ABRSM)
3 Karen Street Paradise Ballroom (from Streetworks) Saxophone Exam Pieces 2018–2021, Grade 5 (ABRSM)
4 Blémant Study in G No. 41 from More Graded Studies for Saxophone, Book 1
(Faber)
5 Ferling Study in A minor No. 42 from More Graded Studies for Saxophone, Book 1
(Faber)
6 Alan Bullard Samba Sax (No. 41 from Sixty for Sax) Alan Bullard: Sixty for Sax (ABRSM)
7 Chris Icon See Clearly Now Double Click!! for Solo Saxophone (Gumbles
Gumbley Publications)
8 Mike Mower Small Town Swing or Bucolic Bounce (No. 15 or Mike Mower: The Good-Tempered Saxophone
No. 17 from The Good-Tempered Saxophone) (Itchy Fingers Publications)
122Saxophone 2018–2021 Grade 5
COMPOSER PIECE / WORK / ARRANGER PUBLICATION (PUBLISHER)
9 James Rae One O’clock Shuffle or Beth’s Bossa (No. 21 James Rae: 36 More Modern Studies for Solo Saxophone
or No. 25 from 36 More Modern Studies for (Universal)
Solo Saxophone)
10 Jeffery Wilson Pres (No. 1 from Jazz Paraphrase for Jeffery Wilson: Jazz Paraphrase for Saxophone
Saxophone) (Camden Music)
SOPRANO or TENOR SAXOPHONE IN B -
COMPOSER PIECE / WORK / ARRANGER PUBLICATION (PUBLISHER)
A 1 Alain Crépin Céline Mandarine Saxophone Exam Pieces 2018–2021, Grade 5 (ABRSM)
2 Handel La Paix and La Réjouissance (3rd and Saxophone Exam Pieces 2018–2021, Grade 5 (ABRSM)
4th movts from Music for the Royal Fireworks,
HWV 351), arr. Bullard
3 Fauré Après un rêve (No. 1 from Trois mélodies, Op. 7), Saxophone Exam Pieces 2018–2021, Grade 5 (ABRSM)
arr. Blackwell
4 Anon. Spanish Love Song, arr. Calland & Harris Selected Solos for Soprano/Tenor Saxophone,
Grades 4–6 (Faber)
5 J. S. Bach Sinfonia (from Cantata No. 156), arr. Denley Time Pieces for B - Saxophone, Vol. 2 (ABRSM)
6 Dvořák In a Ring! or Grandpa Dances with Grandma Time Pieces for B - Saxophone, Vol. 2 (ABRSM)
(No. 1 or No. 2 from Two Little Pearls),
arr. Denley
7 Beethoven Romanze (from Sonatina No. 1), arr. Sparke Sounds Classical for Tenor Saxophone (Anglo Music)
8 Mozart Adagio, K. Anh. 94, K. 580a, arr. Sparke Sounds Classical for Tenor Saxophone (Anglo Music)
9 Bizet Farandole (from L’arlésienne, Suite No. 2), Classic Experience Collection for Tenor Saxophone
arr. Lanning (Cramer)
10 Musorgsky Larme, arr. Ivanov Six pièces russes, Vol. 2, for Tenor or Soprano Saxophone
(Lemoine)
B 1 Jim Parker Bright Young Things Saxophone Exam Pieces 2018–2021, Grade 5 (ABRSM)
2 H. Mancini The Pink Panther, arr. Iles Saxophone Exam Pieces 2018–2021, Grade 5 (ABRSM)
3 Richard Tango Till You Drop! (from Latin Nights for Saxophone Exam Pieces 2018–2021, Grade 5 (ABRSM)
Kershaw Tenor Saxophone)
4 Appermont Hymn & Dance Appermont: Hymn & Dance for B - Soprano Saxophone
(Beriato Music)
5 Ned Bennett An Urge to Splurge The Jazz Sax Collection for Tenor or Soprano Saxophone
(Faber)
6 Gershwin But Not for Me, arr. Bennett The Jazz Sax Collection for Tenor or Soprano Saxophone
(Faber)
7 Chris Extra Time Final Whistle! for B - Saxophone (Gumbles Publications)
Gumbley
8 Paul Harris Saxsequential Selected Solos for Soprano/Tenor Saxophone,
Grades 4–6 (Faber)
9 Christopher Turkey in the Straw (No. 1 from The Christopher The Christopher Norton Concert Collection for Tenor
Norton Norton Concert Collection for Tenor Saxophone) Saxophone (Boosey & Hawkes)
10 Ros Stephen Transylvanian Stick Dance (No. 12 from Ros Stephen: B - Saxophone Globetrotters (OUP)
B - Saxophone Globetrotters)
C as List C on pages 122–3
Grade 5 continues overleaf
123Saxophone 2018–2021 Grade 5
SCALES AND ARPEGGIOS: from memory; for further details (including examples) see pages 11 & 14
RANGE ARTICULATION (chosen by the examiner)
SCALES
A -, A majors a 12th
B -, E -, E majors 2 oct.
F, F + minors a 12th tongued / slurred
(harmonic or melodic, at candidate’s choice)
B, C +, E minors 2 oct.
(harmonic or melodic, at candidate’s choice)
CHROMATIC SCALES
starting on A - a 12th
tongued / slurred
starting on D 2 oct.
ARPEGGIOS
A -, A majors a 12th
B -, E -, E majors 2 oct.
tongued / slurred
F, F + minors a 12th
B, C +, E minors 2 oct.
DOMINANT SEVENTHS (resolving on tonic)
in the key of C a 12th
tongued / slurred
in the key of A - 2 oct.
DIMINISHED SEVENTH
starting on C + 2 oct. tongued / slurred
SIGHT-READING: a short piece of previously unseen music; for further details see pages 12 & 18–19
AURAL TESTS: administered by the examiner from the piano; for further details see pages 134 & 137
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