Directory of INTERNATIONAL SALES AGENTS - Screen Australia
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Directory of INTERNATIONAL SALES AGENTS
INTRODUCTION
This directory of international feature film sales agents provides a snapshot of companies representing Australian films around the world.
Included within are details of each seller’s acquisition policy, which markets they attend, at what stage they prefer to be approached and whether they pay
advances. There’s also a list of the Australian films that agents have handled.
The directory was compiled through contact with sellers and information derived from Screen Australia’s market reports, forums and other activities since
2012.
This directory of sales agents is in no way a recommendation or endorsement from Screen Australia. Producers should ask around before signing up with an
agent to be sure they have found the right sales partner and to check previous business dealings have gone smoothly for all parties before proceeding with
any deals. When appointing a sales agent, producers of commercially attractive titles are encouraged to negotiate for beneficial terms.
Screen Australia regularly updates this directory following key markets.
Directory of International Sales Agents March 2019TOP TIPS FOR PRODUCERS
In December 2014, the sales agents in this directory were canvassed for their top tips for producers. Here’s what they had to say:
• Be social. Attend networking events, functions, co-production markets and • Limit the number of projects you pitch per meeting. Prioritise the project that
producer labs to get to know the international sales agents before you formally best fits the sales agent – pitch only one or two projects from your slate.
request meetings. At social events, don’t go into hard pitch mode. Just try to make • The elevator pitch works! Be succinct, you don’t need to explain every scene. With
a good impression. a good catch line and short synopsis you can grab attention and entice the agent
• Know your audience. For every film, you should have a good understanding of into reading the script. Know what is distinctive about your film. This could be the
your target audience. This should inform every step of your development and concept, story, cast, director – your sales agent needs to see how and why the film
marketing from inception to exhibition, including your pitch and pitch materials. will find its target audience.
• Ensure your project is ready to finance before arranging meetings. Sales agents • Be on point when pitching. If you have a great pitch reel, lead with that. Bring
cannot evaluate projects if they are pitched too early. Make sure your package is in printed materials with strong visuals that display an understanding of your
its best shape before introducing it to sales agents. A market-ready and developed audience. Bring a pitch summary with short synopsis, cast and crew, and finance
script, director, producer, realistic potential cast, budget, viable finance plan, information. If you’re a first-time feature making team, award-winning short films
timeline, target audience and hook should all be settled before you set up will help boost the sales agent’s confidence in your abilities. Create a standout first
meetings. impression of your team’s work through high-quality materials – remember you
• Have a water-tight finance plan. Sales agents need to know that the business are competing on an international scale in a crowded market.
points make sense before evaluating creative so make sure your budget is fully • Be passionate! It is infectious.
prepared and you have a clearly presented finance plan. Understand your finance • When citing comparable titles, be realistic and clear. Are you citing the comps as
plan especially in terms of realistic Gap vs Sales Agent Minimum Guarantee commercially successful examples or for creative reasons? Have an idea of the
requests. If you’re unsure seek advice from more experienced industry commercial success of those films. If citing as an example of the returns your film
professionals. might achieve, are the film budgets and level of cast and director a fair
• Be a market expert. Research companies before you set up meetings – check the comparison? When talking about potential cast, be realistic.
trades from previous markets, find out their latest acquisitions and sales activity, • Be open to feedback and contribution. If the sales agent has creative or business
and also watch their movies. Contact other producers who have had films with the suggestions: be open to them. They should feel like it will be their movie too if they
sales agents for advice and feedback on their experiences. become involved.
• Know what you want from the meeting. Establish what you are looking for before • Strike while the iron is hot. Be timely and considerate with your follow up after
you set up the meeting and be clear about the next steps for each party before the meeting. Don’t let weeks go by without contact. Polite persistence is
leaving the meeting. appreciated as are updates on developments on cast, finance and other
• Set up meetings well in advance. Reach out two or three weeks prior to major attachments of note. If you can, call instead of emailing, it is more personable. It
markets to set up meetings with sales agents that suit your film. takes time to commit and contract the deal so be aware and ahead of your
• Show interest in their company. When you meet the sales agents display interest deadlines. If your situation changes and you find better synergy with another sales
in their company and knowledge of their slate and recent activities. Be able to agent, inform those you have met and advise your reasons so lines of
explain why that sales agent is right for your film and vice versa. communication are left open for future collaborations.
Directory of International Sales Agents March 2019SALES AGENT CONTACT ACQUISITION POLICY TITLES
Alliance Media Partners Director, Global Sales & Acquisitions Genre: comedies; strong hook that can I Met A Girl
18 Finsbury Square James Norrie travel; not too parochial; drama needs
London, EC2A1AH, UK james@amp-film.com names; not too bleak
+44207 535 6714 Approach: debut producers only if solid work
www.amp-film.com Advances: yes, can assist with financing
info@amp-film.com Markets: AFM, Cannes, EFM, FILMART,
Toronto
Altitude Film Sales Managing Director, International Sales, Son of a Gun
34 Fouberts Place Mike Runagall Wyrmwood
London, W1F 7PX, UK MikeRunagall@altitudefilmsales.com
Tel: +44 207 612 0662
www.altitudefilment.com
info@altitudefilment.com
Directory of International Sales Agents March 2019SALES AGENT CONTACT ACQUISITION POLICY TITLES
Arclight Films, Darclight Head of Australian Operations and Worldwide Genre: all, but rarely acquires documentaries Arclight:
90/330 Wattle Street Acquisitions, Michelle Krumm or drama unless director or lead cast have 2:37; 33 Postcards; Around the Block;
Ultimo, NSW 2007, Australia michellek@arclightfilms.com high international profiles Beast, Burning Man; Dinosaur Island;
Tel: +61 2 8353 2440 Budget: anything, but generally over $1M A Few Best Men; A Few Less Men,
www.arclightfilms.com Managing Director, Gary Hamilton (Aus/LA) with majority in the $5–30M range Goldstone, Hating Alison Ashley; A
info@arclightfilms.com gary@arclightfilms.com Approach: with script and finance plan ready Heartbeat Away; The Honourable
for discussion; director and lead actors Wally Norman; Hotel Mumbai; The
Chief Creative Officer, Mike Gabrawy (LA) proposed for discussion; strong interest from Jammed; Jungle; Kings of Mykonos:
mike@arclightfilms.com an Australian distributor preferred The Wog Boy 2; Kokoda; Macbeth;
Advances: yes, depending on script, director, Mental; Mystery Road; Noise; Not
cast and level of advance sought. Can act as Suitable for Children; Paper Planes;
EP or producer Predestination; Red Hill; Romulus, My
Markets: AFM, Busan, Cannes, EFM, Father; September; Storm Surfers 3D;
FILMART, Sundance, Toronto Three Summers; The Wedding Party
Darclight:
7 Guardians of the Tomb, Acolytes;
Bad Girl; Bait 3D; Caught Inside;
Crawlspace; Deck Dogz; Dying Breed;
Fat Pizza; The Fear of Darkness, Lake
Mungo; Like Minds; Long Weekend;
The Loved Ones; Ned; Panic at Rock
Island; Redd Inc.; Storm Warning;
Subterano; Wolf Creek; Wolf Creek 2
Directory of International Sales Agents March 2019SALES AGENT CONTACT ACQUISITION POLICY TITLES
Bankside Films Co MD, Phil Hunt Genre: flexible, though dramas require cast Accidents Happen
Ashley House, 5th Flr phil@bankside-films.com and top director Backtrack
12 Great Portland St Budget: up to $15M Blessed
London, W1W 8QN, UK Director, Stephen Kelliher Approach: Bankside Films is looking at Bran Nue Dae
Tel: +44 207 636 6085 stephen@bankside-films.com material at an early stage and are Cargo
www.bankside-films.com developing/producing themselves too; early Coffin Rock
films@bankside-films.com stage scripts without attachments as well as High Ground
treatments where they can produce/co- Lou
produce. Some finance in place and good M4M
finance plan. Patrick
Advances: yes
Markets: AFM, Cannes, EFM, Toronto
Beta Cinema EVP – Acquisitions, Sales and Marketing, Genre: all Ali’s Wedding
Gruenwalder Weg 28D Thorsten Ritter Budget: all
Oberhaching, thorsten.ritter@betacinema.com Approach: with significant financing in place.
Munich, 82041 Advances: yes
Germany Markets: AFM, Cannes, EFM, Sundance,
Tel: +49 896 734 698 28 Toronto, Venice, Ventana Sur
www.betacinema.com
beta@betacinema.com
CAT&Docs President, Catherine LeClef Genre: Documentary Blush of Fruit
18 rue Quincampoix cat@catndocs.com Budget: any Despite The Gods
Paris, F-75004, France Approach: when there is something to show Love Marriage in Kabul
Tel: +33 1 44 61 77 48 Advances: yes, but rarely
www.catndocs.com Markets: Cannes, EFM, Toronto
info@catndocs.com
Directory of International Sales Agents March 2019SALES AGENT CONTACT ACQUISITION POLICY TITLES
Celluloid Dreams/Nightmares Founder and President, Hengameh Panahi Celluloid Dreams has been involved in Dreams:
2, rue Turgot international sales, production and financing 1%
Paris, 75009, France Vice President, Charlotte Mickie of quality independent films for more than Babyteeth
Tel: +33 1 49 70 03 70 charlotte@celluloid-dreams.com 35 years. Electric Boogaloo: The Wild, Untold
www.celluloid-dreams.com Celluloid Nightmares was launched in 2010 Story of Cannon Films
info@celluloid-dreams.com as its genre division to curate commercial, Jindabyne
elevated genre films and discover talented Lucky Miles
young directors. Machete
Markets: AFM, Berlin, Busan, Cannes, Mao’s Last Dancer
Filmart, Locarno, Rome, San Sebastian, Satellite Boy
Toronto, Venice, Ventana Sur Razzle Dazzle
Red Obsession
Nightmares:
These Final Hours
X
Charades Co-founder, Carole Baraton Genre: Animation, romantic comedy, Buoyancy
4 Rue Manuel carole@charades.eu comedy, drama, documentary, musical
Paris, 75009, France documentary, war drama, court room thriller
www.facebook.com/charadesfilms Co-founder, Pierre Mazars Approach: Defy genre limitations and offer a
sales@charades.eu pierre@charades.eu non-autocratic, fresh experience and energy
at the service of the film slate
Co-founder, Yohann Comte
yohann@charades.eu
Co-founder, Constantin Briest
constantin@charades.eu
Cinephil Managing Director, Philippa Kowarsky Genre: Documentary features / TV films Gurrumul
18, Levontin St philippa@cinephil.co.il Advances: No Neon
Tel Aviv, 6511207, Israel Markets: Cannes, EFM, Toronto Ukraine is Not a Brothel
Tel: 972 3 566 4129 Sales and Acquisitions, Olivier Tournaud
www.cinephil.co.il olivier@cinephil.com
info@cinephil.co.il
Directory of International Sales Agents March 2019SALES AGENT CONTACT ACQUISITION POLICY TITLES
Content Media Corporation President , Film Genre: all Balibo
225 Arizona Ave, Suite #250 Jamie Carmichael Budget: $1M to $30M+ The Book of Revelation
Santa Monica, CA 90401, USA jamie.carmichael@contentmediacorp.com Approach: director attached and some Frackman
Tel: +1 310 576 1059 equity (soft money excl.) in place. Depending Jindabyne
www.contentmediacorp.com on director’s experience and genre, known Lantana
Head Office: cast can increase the project’s chance. Last Ride
Content Media Corporation Advances: yes, with the facility to bankroll Sirens
19 Heddon St pre-sales
W1B 4BG, London, UK Markets: AFM, Cannes, EFM, FILMART,
Tel: +44 20 7851 6500 Toronto
london@contentmediacorp.com
Cornerstone Films Co President, Alison Thompson Genre: Looking for all genres. First run, Animals
12 Sunray Avenue theatrical films which are pre-sellable in Dirt Music
London, SE24 9PY, UK Co President, Mark Gooder several territories (based on script with The Dry
Tel: +44 782 794 8675 director and cast). Judy and Punch
www.cornerstonefilm.com Director of International Sales, Budget: AUD$6M+
office@cornerstonefilm.com Carla Quarto Di Palo Approach: with script and director and
cq@cornerstonefilm.com preferably cast. Possibly interested in coming
on board earlier, but material would need to
have strong potential to attract high-level
director/cast. Occasionally look at finished
films.
Advances: case by case
Markets: AFM, Cannes, EFM, Toronto, Venice
and others as and when required
Covert Media President, International, Elizabeth Schwan Genre: any
9350 Wilshire Blvd, Suite 400, lschwan@covert-media.com Budget: $5-20M
Los Angeles, CA 90212, USA Approach: Script/before casting
Tel: +1 213 300-0517 SVP International Sales, Jim Harvey Advances: Open
www.covert-media.com jharvey@covert-media.com Markets: AFM, Cannes, EFM, Toronto
sales@covert-media.com
Directory of International Sales Agents March 2019SALES AGENT CONTACT ACQUISITION POLICY TITLES
Doc & Film International International Sales and Acquisitions Manager, Genre: Documentary and Fiction Feature Slam
13 rue Portefoin Clémence Lavigne Films
Paris, 75003, France c.lavigne@docandfilm.com Budget: From Small to Medium, depending
Tel: +33 1 42 77 56 87 on the project
www.docandfilm.com Approach: Any kind of film combining a
sales@docandfilm.com strong subject that matters and a unique
director’s vision
Advances: Depending on the project
Markets: Every major Film and TV market in
Americas, Europe and Asia
Dogwoof Head of Sales, Ana Vicente Genre: documentaries The Family
Ground Floor 19-23 Ironmonger Row ana@dogwoof.com Budget: any Have You Seen The Listers?
London, EC1V 3QN, UK Approach: development stage through to The Last Impresario
Tel: 44 207 253 6244 rough cut Mission Rubberman
www.dogwoof.com Advances: handles each acquisition Mountain
info@dogwoof.com individually and will structure each deal Only The Dead
accordingly
Markets: AFM, Busan, Cannes, EFM,
FILMART, Toronto, Ventana Sur
Eclipse Pictures Partner, Daniel Diamond Genre: Cast and filmmaker driven pictures Winchester
400 South Beverly Drive. Suite 210, eclipsepictures@icloud.com suitable for wide theatrical release in the US
Beverly Hills, CA 90212, USA Budget: US$10-25M
Tel: +1 310 246 0655 Partner, Benedict Carver
Approach: Script with preferably some
eclipsepictures@icloud.com
attachment (i.e. director and/or cast)
Advances: Minimum Guarantee, case by case
Markets: AFM, Cannes, EFM, Toronto
Directory of International Sales Agents March 2019SALES AGENT CONTACT ACQUISITION POLICY TITLES
Elle Driver Managing Director, Head of International Sales Genre: all; if arthouse, needs to have festival Samson & Delilah
66 rue Miromesnil & Acquisitions potential; if genre, needs to be edgy, crazy,
Paris, 75008, France Adeline Fontan Tessaur very conceptual; if mainstream, needs
Tel: +33 1 56 43 48 76 adeline@elledriver.eu established cast and director
www.elledriver.fr Budget: up to $20M
sales@elledriver.eu Approach: when director and most of cast
are attached and 50% of financing secured
Markets: AFM, Cannes, EFM, Toronto,
Ventana Sur
Embankment Partner, Tim Haslam Procures pre-sales, tax-credit facilities and Breath
Westbourne Studios, WE 020 th@embankmentfilms.com gap financing for quality and award-winning Down Under
242 Acklam Road projects with projects' targeted audiences in The Dressmaker
London, W10 5JJ, UK Partner, Hugo Grumbar mind. Ride Like A Girl
Tel: +44 207 183 4739 hg@embankmentfilms.com Markets: AFM, Busan, Cannes, EFM,
www.embankmentfilms.com FILMART, Sundance, Toronto, Ventana Sur
Fandango srl Head of International Sales, Raffaella Di Giulio Bad Boy Bubby
Viale Gorizio, 19 raffaella.digiulio@fandango.it He Died With a Felafel in His Hand
Rome, 00198, Italy The King Is Dead!
Tel: +39 06 85 21 85 The Quiet Room
www.fandango.it The Tracker
Film Mode Entertainment President, Clay Epstein Genres: commercial Ballerina (aka Ella)
324 S. Beverly Dr., suite 313, clay@filmmodeentertainment.com Budget: up to $10M Occupation
Beverly Hills, CA 90212, USA Approach: when packaged (director and /or
Tel 310 844 9174 cast, some finance in place) to completed
www.filmmodeentertainment.com Advances: No
info@filmmodeentertainment.com Markets: AFM, Cannes, EFM, FILMART, TIFF
The Film Sales Company President, Andrew Herwitz Genres: all Gillian Armstrong’s Love
165 Madison Ave, Suite 601 andrew.herwitz@filmsalescorp.com Approach: all types of material at various Highly Strung
New York, NY10016, USA stages Lust and Lies
Tel: +1 212 481 5020 A Donkey in Lahore
www.filmsalescorp.com For Every Jew a .22
Directory of International Sales Agents March 2019SALES AGENT CONTACT ACQUISITION POLICY TITLES
FilmNation Entertainment Glen Basner Life
150 West 22nd St, 9th Flr gbasner@wearefilmnation.com I Love You Too
New York, NY10011, USA The Nightingale
Tel: +1 917 484 8900 The Rover
www.filmnation.com
info@filmnation.com
Films Boutique Acquisitions, Gabor Greiner Genre: no restrictions Last Cab to Darwin
Köpenicker Strasse 184 gabor@filmsboutique.com Budget: flexible Top End Wedding
Berlin, 10997, Germany Approach: when director is attached
Tel: +49 30 69 53 78 50 Advances: possible
www.filmsboutique.com Markets: AFM, Cannes, EFM, FILMART,
info@filmsboutique.com Toronto, Ventana Sur
Films Distribution Partner, Francois Yon Genre: drama, comedy, mostly foreign Killing Ground
36 rue du Louvre fry@filmsdistribution.com language Scare Campaign
Paris, 75001, France Markets: AFM, Busan, Cannes, EFM,
Tel: +33 1 53 10 33 99 FILMART, Toronto, Ventana Sur
www.filmsdistribution.com
info@filmsdistribution.com
Finecut CEO, Youngjoo Suh Markets: AFM, Busan, Cannes, EFM, Lucky Miles
Patio House #102, cineinfo@finecut.co.kr FILMART, Toronto, Ventana Sur
22-14 Bongeunsa-ro 26-gil, Gangnam-gu,
Seoul, 135-907, Korea
T: +82 2 569 8777
www.finecut.co.kr
cineinfo@finecut.co.kr
Fortitude International VP International, Samantha Peel, Advances: varies Angel on Mine
15260 Ventura Blvd. samantha@fortitudeint.com Markets: AFM, Cannes, EFM, FILMART
Suite 1040
Sherman Oaks, CA 91403 USA
Tel: +1 424 204 9330
www.fortitudeint.com
info@fortitudeint.com
Directory of International Sales Agents March 2019SALES AGENT CONTACT ACQUISITION POLICY TITLES
Fox Searchlight Bootmen
10201 W. Pico Blvd, Bldg 38, #214 Garage Days
Century City, CA 90064, USA Oscar & Lucinda
Tel: +1 310 369 1570
Fax: +1 310 969 1491
www.foxsearchlight.com
Galloping Films Managing Director, Carlos Alperin Genre: any, though prefers international Convict, Bad Bush, Force of Destiny,
9 Atthow Ave, Ashgrove carlos@gallopingfilms.com cast, amazing concept Gene X, The Makeover, Monkey
Brisbane, QLD 4060, Australia Budget: appropriate for cast and concept Puzzle, Nude Study, Ra Choi, The
Tel: +61 7 3040 2664 Approach: when part of the finance in place, Sunset Six, Tailgate, Words of the City
www.gallopingfilms.com ie Australian distribution and name cast
committed
Advances: no
Markets: AFM, Cannes, EFM, FILMART
Gaumont Head of International Operations, Adoration
30, Ave Charles de Gaulle Cecile Gaget
Neuilly Sur Seine, 92200, France cgaget@gaumont.fr
Tel: +33 1 46 43 21 80
www.gaumont.net
Guardian Entertainment President, Richard Guardian Genre: all, including documentaries The BBQ
6900 Castle Peak Drive, rsg@guardian-ent.com Budget: open
West Hills, CA 91307, USA Approach: preference is as developed as
Tel: +1 310 770 7472 possible, but script stage is acceptable if
rsg@guardian-ent.com there is a clear finance plan and there are at
least some creative attachments
Advances: yes, level is project dependent
Markets: AFM, Cannes, EFM, Toronto
Directory of International Sales Agents March 2019SALES AGENT CONTACT ACQUISITION POLICY TITLES
Global Screen Senior Sales & Acquisition Manager Theatrical, Genre: all, particularly arthouse films with an The Death and Life of Otto Bloom
Sonnenstraße 21 Alice Buquoy emotional core and a marketing hook, and Oddball
Munich, D-80331, Germany alice.buquoy@globalscreen.de rom coms Van Diemen’s Land
Tel: +49 89 244 1295 500
Markets: AFM (sometimes), Cannes, EFM,
www.globalscreen.de
info@globalscreen.de FILMART, Toronto, Ventana Sur
Goalpost Film Tristan Whalley Genre: any Holding the Man
54 Lynette Ave, Clapham South tristan@goalpostfilm.com Budget: up to $12M Closed for Winter
London, SW4 9HD, UK Approach: as early as possible Clubland
Tel: +44 207 585 3232 Advances: yes and can be involved as co- The Sapphires
www.goalpostfilm.com producer as well
Markets: Cannes, EFM, Toronto
Goldcrest Films International Managing Director, Pascal Degove Genre: All I Am You (aka In Her Skin)
1 Lexington Street Budget: above $5M
London, WIF 9AF, UK Approach: later development or when
director is attached (prefer pre-casting)
Tel: +44 207 437 8696
Advances: Yes, minimum guarantee, plus
www.goldcrestfilms.com
various forms of other financing. The
sales@goldcrestfilms.com
company has post-production facilities in
both NY and London
Markets: AFM, Cannes, EFM, Toronto
Good Universe Co-Founder, Joe Drake Genre: All 2:22
9777 Wilshire Boulevard Suite #400 Budget: Any
Beverly Hills, CA90212, USA Co-Founder, Nathan Kahane Approach: script, director and financing plan
Tel: +1 310 623 9840 in place
abernacchi@Good-Universe.com President of International, Helen Lee-Kim Advances: for consideration
Markets: AFM, Cannes, EFM, Filmart,
Sundance, Toronto
Directory of International Sales Agents March 2019SALES AGENT CONTACT ACQUISITION POLICY TITLES
H2O Motion Pictures Partner, Mark Horowitz Genre: no restriction. Key is quality of script Charlie & Boots
Third Fl., 23 Denmark St. mark@h2omotionpictures.com and project’s ability to reach audience. The Waiting City
London, WC2H 8NH, UK Budget: no restrictions
Tel: + 44 207 240 5656 Approach: prefer good percentage of
www.h2omotionpictures.com financing in place and some marketable
h2o@h2omotionpictures.com elements attached if commitment required.
Can approach at earlier stage with just script.
Advances: no, but can do pre-sales or bring
co-production monies, and provide gap
funding based on estimates, if the elements
are right
HanWay Head of Acquisitions, Matthew Baker Genre: no restrictions The Boys Are Back
24 Hanway St mb@recordedpicture.com Budget: flexible Dead Europe
London, W1T 1UH, UK Approach: when director is attached Rabbit-Proof Fence
Tel: +44 207 290 0750 Advances: no Two Fists, One Heart
www.hanwayfilms.com Markets: AFM, Cannes, EFM, FILMART, Tracks
info@hanwayfilms.com Toronto, Ventana Sur
Indigo Entertainment Director, Emma Collin Genre: All as long as it has international Last of the Great Apes
179 Wardour Street, emmacollin@indigoentertainment.media resonance. Ideally action, thriller and MAMIL
London, W1F 8WY, UK romance. Not really comedy.
www.indigoentertainment.media Budget: Varied
info@indigoentertainment.media Approach: All stages but helps to have scripts
and lookbook
Advances:
Markets: Cannes, EFM
Directory of International Sales Agents March 2019SALES AGENT CONTACT ACQUISITION POLICY TITLES
IM Global President, International Sales & Distribution, Genre: commercial action, thriller, horror, Hacksaw Ridge
The Beverly Quest Building Michael Rothstein drama, comedy. IM Global has various
8201 Beverly Blvd, 5th Floor distribution outlets: Opus – $15M + wide
Los Angeles, CA 90048, USA Creative Executive, JR Smith, release mainstream movies; Acclaim –
Tel: +1 310 777 3590 Jr_smith@imglobalfilm.com awards/review-driven films; Octane –
www.imglobalfilm.com commercially viable genre; Anthem high-
info@imglobalfilm.com International Acquisitions & Sales, Samuel Hall end foreign language; Apsara – rights for
samuel_hall@imglobalfilm.com territories in the South Asian and South
East Asian region.
Senior Coordinator, Production Budget: all
Joanne Lee Approach: when script, director and
Joanna_lee@imglobalfilm.com finance (at least 50%) is secured
Advance: depends on the package
Markets: AFM, Cannes, EFM, FILMART,
Sundance, Toronto, Ventana Sur
Independent MD, Film Sales, Andrew Orr Genre: drama, comedy
6 Hatton Place andrew@independentfilmcompany.com Markets: AFM, Cannes, EFM, FILMART,
London, EC1N 8R, UK Toronto
Tel: +44 207 257 8734
www.independentfilmcompany.com
mail@independentfilmcompany.com
Kaleidoscope Film Distribution Ltd Acquisitions & Development Manager, Michael Genre: Documentary, Drama, Action, Thriller,
6th Floor, 16 Dufours Place Chapman Horror, Comedy, Romance, Animation
London, W1F 7SP, UK michael@kaleidoscopehomeentertainment.com Budget: $250K-$15M
Tel: +44 20 3397 4410 Advances: yes
www.kaleidoscopefilmdistribution.com Approach: Script stage
sales@kaleidoscopefilmdistribution.com Markets: AFM, EFM, Cannes, TIFF
Kathy Morgan International President, Kathy Morgan Infini
12250 Sky Lane kathy@kmifilms.com Storm Boy
Los Angeles, CA 90049, USA
Tel: +1 310 472 6300
Directory of International Sales Agents March 2019SALES AGENT CONTACT ACQUISITION POLICY TITLES
Kew Media Distribution Manager, Non-Scripted TV & Feature Genre: All 2067
151 Shaftesbury Avenue Acquisitions, Distribution, Nik Bars Markets: AFM, Cannes, EFM, Toronto, Own the Sky
London, WCH2H 8AL, UK Nik.bars@kewmedia.com Sundance Suzi Q
Tel +44 207 851 6500
www.kewmedia.com Manager, Global Scripted Series, Michelle
info@kewmedia.com Goldfine
Michelle.goldfine@kewmedia.com
Lakeshore Entertainment COO, Eric Reid Budget: $15–65M Bliss
9268 West Third St Markets: AFM, Cannes, EFM, FILMART, Dead End Drive-In
Beverly Hills, CA 90210, USA VP International Sales, Jason Buckley Toronto I, Frankenstein
Tel: +1 310 867 8000
www.lakeshoreentertainment.com
contact@lakeshoreentertainment.com
LevelK CEO - Managing Director, Tine Klint Genre: works selectively within its four Backyard Ashes
Gl. Kongvej 137B, 3rd Flr tine.klint@levelk.dk labels: Future Classics, After Dark, TV The Butterfly Tree
1850 Frederiksberg C, Denmark Series/Docs, Family & Children Film Chasing Comets
Tel: +45 4844 3072 Director of Sales, Lauren Valmadre Budgets: up to US$15M Downriver
www.levelk.dk lauren@levelk.dk Advances: yes The Little Death
Approach: script stage when partly financed Lone Wolf
Markets: AFM, Cannes, EFM, FILMART, My Mistress
Toronto The Rocket
Spear
Sucker
Tin
The Turning
Wish You Were Here
Lightning Entertainment Head of Acquisitions, Bobby Rock Genre: Action, Thriller, Comedy, Drama Healing
11340 W. Olympic Blvd, Suite 140 brock@lightning-ent.com Budgets: $1–15M The Jungle
Burbank, CA 91505, USA Approach: at script stage with cast or Now Add Honey
www.lightning-ent.com director attached The Reckoning
info@lightning-ent.com Advances: Yes, MG’s depending on the film. The Reef
Markets: AFM, Cannes, EFM, Toronto Until She Came Along
Directory of International Sales Agents March 2019SALES AGENT CONTACT ACQUISITION POLICY TITLES
The Little Film Company Co-Founder, Ellen Little Genre: all. In addition to acting as sales Bad Blood
3940 Laurel Canyon Boulevard #807 ellen@thelittlefilmcompany.com agent, the company has executive produced The Clinic
Studio City, CA 91604, USA many films working with the creative The Eye of the Storm
Tel: +1 818 762 6999 producer to locate equity and structure the
www.thelittlefilmcompany.com finance, cast and production of the film.
info@thelittlefilmcompany.com Budget: any
Approach: preferably with director attached
but also only with developed screenplay
Advances: yes, but of course depending on
the film and attachments
Markets: AFM, Cannes, EFM, Toronto
Lionsgate EVP, International Sales Daybreakers
2700 Colorado Ave, #200 Wendy Reeds The Railway Man
Santa Monica, CA 90404, USA
Tel: + 1 310 449 9200 Coordinator, International Sales
www.lionsgate.com Ryan Bennett
rbennett@lionsgate.com
The Match Factory Managing Director, Michael Weber Genre: all; focus on originality, style
Balthasarstrasse 79–81 Markets: AFM, Cannes, EFM, FILMART,
Cologne, 50670 Germany Toronto, Ventana Sur
Tel: +49 22 15 39 70 90
www.the-match-factory.com
info@matchfactory.de
Media Luna New Films Managing Director, Ida Martins Genre: arthouse and commercial from Big Mamma’s Boy
Kaiser-Wilhelm-Ring 38, 6th Floor idamartins@medialuna.biz directors and producers with a unique My Tehran for Sale
Cologne, 50672, Germany signature on their work Blind Company
www.medialuna.biz Markets: AFM, Busan, Cannes, EFM,
info@medialuna.biz FILMART, Toronto, Ventana Sur
Directory of International Sales Agents March 2019SALES AGENT CONTACT ACQUISITION POLICY TITLES
Memento Films Intl President, Emilie Georges Genre: commercial and arthouse with Berlin Syndrome
9 Cité Paradis commercial potential, renowned directors Girl Asleep
Paris, 75010, France Head of International Sales & Acquisitions, Tanja Approach: script and some package in place The Darkside
Tel: +33 1 53 34 90 20 Meissner Advances: yes Lore
www.memento-films.com tanja@memento-films.com Markets: AFM, Busan, Cannes, EFM, Sweet Country
sales@memento-films.com FILMART, Toronto, Ventana Sur The Tree
Metro International Entertainment Partner/CEO, Will Machin Genre: will consider most genres. Looking for Goddess
16 Lincoln’s Inn Fields Holborn quality-driven, commercial projects with Salvation Creek
London, WC2A 3ED, UK Partner/Head of Sales, Natalie Brenner international appeal that will attract That Sugar Film
Tel: +44 207 396 5301 significant cast. Will also look at strong
www.metro-films.com Partner/Head of Production and Acquisitions, arthouse with cross-over potential. Good
sales@metro-films.com Sam Parker production and filmmaking credentials are
essential.
Budget: any up to around $25M
Advance: occasionally; Can provide co-
production support and financing depending
on requirements but essentially provide
presales, tax credit facilities and gap and may
consider providing other financing project
pending.
Approach: early, with script in good shape,
ideally with an idea of director and cast to be
approached
Markets: AFM, Cannes, EFM, FILMART,
Sundance, Toronto
Mister Smith CEO, David Garrett Genre: no specific genre, strong director I am Mother
77 Dean St driven films Song of Mumbai
London, W1D 3SH, UK Budget: $5M - $100M+ The Water Diviner
Tel: +44 207 494 1724 Approach: when script is ready, no
www.mistersmithent.com treatments
info@mistersmithent.com Advance: Yes
Markets: AFM, Cannes, EFM, Toronto
Directory of International Sales Agents March 2019SALES AGENT CONTACT ACQUISITION POLICY TITLES
Mongrel International Genre: very open but cast, director, The Daughter
1352 Dundas Street West provenance all important. If genre prefer Jasper Jones
Toronto, M6J1Y2, Canada 'elevated' genre. Undertow
Tel: 1 416 516 9775 Budget: $1.2-20M
www.mongrelmedia.com/international Approach: script stage with director secured,
international@mongrelmedia.com unless writer/producer package is very
strong
Markets: AFM, Cannes, EFM, Sundance,
Toronto, Berlin and others as appropriate
Moviehouse Entertainment MD/Head of Sales, Gary Phillips Genre: any commercial genres The Go-Betweens: Right Here
Black Hangar Studios, Lasham Airfield, gary.phillips@moviehouseent.com Budget: any The Illustrated Family Doctor
Alton, Hampshire, GU34 5SG, UK Advance: occasionally The Magician
Tel: +44 207 836 5536 MD/Head of Acquisitions, Mark Vennis Approach: script stage so that they can assist The Rage in Placid Lake
www.moviehouseent.com mark.vennis@moviehouseent.com with casting Rough Stuff
info@moviehouseent.com Markets: AFM, Cannes, EFM Swerve
MultiVisionnaire Pictures Managing Partner, Sean Haley Genre: No restriction. Both feature films and Birth Of A Warrior
3080 W. Valley Blvd. series. Actively looking for sci-fi, family, Dark Lurking
Ste B, Alhambra, adventure, and series, but open to all big Lone Wolves
CA 91803, USA concepts, good material with international One Less God
Tel: +1 626 737 8357 appeal. Sheborg
www.multivisionnaire.com Budget: No restriction, majority under $5m
acquisitions@multivisionnaire.com Advance: Case by case
Approach: From production stage (majority
financed, with confirmed talent and
production schedule) to completed
Markets: AFM, Cannes, EFM, Filmart,
Toronto, Ventana Sur
Directory of International Sales Agents March 2019SALES AGENT CONTACT ACQUISITION POLICY TITLES
Myriad Pictures President & CEO, Kirk D’Aimco Genre: all; small budget dramas though, Boys in the Trees
11845 West Olympic Blvd need names, debut directors not a priority Buen Camino
Suite 850W SVP, Distribution & Acquisitions, Scott Bendo Budget: above $5M The Chain Breakers
Los Angeles, CA 90064, USA Markets: AFM, Cannes, EFM, FILMART, The Cup
www.myriadpictures.com Toronto Death Defying Acts
info@myriadpictures.com Little Fish
Elephant Tales
Red Dog
RED DOG: True Blue
Odin’s Eye Entertainment CEO, Michael Favelle Genre: no specific genre. Strong concept, Arrowhead, Brothers’ Nest, Cage Dive
Level 2, 85 The Grand Parade michael@odinseyeent.com premise and cast-driven features with (AKA Open Water 3), Canopy, Crush,
PO Box 173 international appeal Fragment, The Heckler, The Legend of
Brighton Le Sands, Head of International Sales and Distribution, Budget: low–high Ben Hall, Little Deaths, Needle, Three
NSW 2216, Australia Martin Gallery Approach: when creative team in place and Blind Mice
Tel: +61 295 672 294 martin@odinseyeent.com script ready. Can get involved as producer
www.odinseyeent.com and matchmake with financiers Odin’s Eye Animation: Combat
info@odinseyeent.com EVP Development, Acquisitions, Festivals, Advances: modest but depending on project Wombat, The Wishmas Tree
Belinda Davis Markets: AFM, Busan, Cannes, EFM,
belinda@odinseyeent.com FILMART, Toronto Doco features: Autoluminescent, In
Bob We Trust, Salute
Paramount Genre: films that will work in the domestic Tomorrow, When the War Began
5555 Melrose Avenue US market
Hollywood, CA 90038, USA Approach: when some elements in place
Tel: +1 323 956 5000 Advances: yes
www.paramount.com
Participant Media CEO, Jeffrey Skoll Genre: films that inspire social change
331 Foothill Road Approach: no unsolicited materials; must go
3rd Floor President of Narrative Film & Television, through an agent
Beverly Hills, CA 90210, USA Jonathan King
www.participantmedia.com
Directory of International Sales Agents March 2019SALES AGENT CONTACT ACQUISITION POLICY TITLES
Pathé International Senior Vice President, International Sales, Genre: eclectic but with an international Better Than Sex
2 rue Lamennais Mayalen de Croisoeuil, focus; interested in low/medium-budget Bright Star
Paris, 75008, France mayalen.dc@pathe.com projects where the concept is the star rather The Square
Tel: +33 1 71 72 33 05 than cast; original or fresh interpretations
www.patheinternational.com Senior Vice President, International Sales, Budget: flexible
sales@patheinternational.com Agathe Theodore, Approach: when director is attached
agathe.theodore@pathe.com Advances: yes, but depends on project
Markets: AFM, Cannes, EFM, Toronto
Phoenix Worldwide Entertainment Joint CEO, Michael Cowan Genre: action, scfi, thrillers, drama Iron Sky
Suite 225, 91 Western Road, michael@phoenixworldent.com Budget: any, small or high The Riders
Brighton, BN1 2NW, UK Approach: script stage with director forward Watch The Sunset
Tel: 44 1273 329 200 CEO – Producer, Robbie Mofatt Advances: varies from nothing to what
www.phoenixworldent.com robbie@phoenixworldent.com makes sense
info@phoenixworldent.com Markets: AFM, Cannes, EFM, FILMART,
Head of Actions and Production Toronto
Emanuele Moretti
moretti@phoenixworldent.com
Protagonist Pictures CEO, Dave Bishop Genre: all, first features need body of work Little Monsters
42-48 Great Portland St dave@protagonistpictures.com Budget: any Partisan
London, W1W 7NB, UK Approach: when director is attached, Snowtown
Tel: +44 207 734 9000 possibly interested in coming on board Save Your Legs!
www.protagonistpictures.com earlier
info@protagonistpictures.com Advances: yes
Markets: AFM, Cannes, EFM, Toronto
Pyramide International President, Eric Lagesse Markets: Busan, Cannes, EFM, FILMART, Early Winter
5 rue du Chevalier de Saint-George elagesse@pyramidefilms.com Toronto, Ventana Sur
Paris, 75008, France
Tel: +33 1 42 96 02 20 Head of Sales, Agathe Valentin
www.pyramidefilms.com avalentin@pyramidefilms.com
sales@pyramidefilms.com
Directory of International Sales Agents March 2019SALES AGENT CONTACT ACQUISITION POLICY TITLES
Radiant Films International Acquisitions and Distribution Executive, Kill Me Three Times
655 W. Sunset Blvd. Suite 860 Mike Dougherty
Hollywood, CA 90028, USA mike@radiant-films.com
Tel: +1 310 601 2726
www.radiant-films.com
Reel Suspects CEO, Matteo Lovadina Genre: Features only, with an edge, a twist, Ruin
42 Rue René Boulanger crossovers between genres. First features
Paris, 75010, France are welcome. Cinematic photography
Tel: +33 1 58 51 42 95 essential.
www.reelsuspects.com Budget: $1–5M euros/dollars
info@reelsuspects.com Approach: when visual material is ready (eg
location photography, storyboards, other
pre-vis elements)
Advance: yes
Markets: AFM, Busan, Cannes, EFM,
FILMART, Sundance, Toronto, Ventana Sur
Rocket Science Managing Director, Thorsten Schumacher
5th Floor, 140 Wardour Street
London, W1F 8ZT, UK
Tel: +44 203 196 0048
www.rocket-science.net
info@rocket-science.net
Saboteur Media President of Distribution, Mark Lindsay Genre: all Danger Close: The Battle of Long Tan
799 Washington Street mlindsay@saboteurmedia.com Budget: any
New York, NY 10014, USA Approach: script stage
Tel: +1 (212) 897-3922 Markets: AFM, Cannes, EFM, Toronto,
www.saboteurmedia.com Sundance
sales@saboteurmedia.com
Directory of International Sales Agents March 2019SALES AGENT CONTACT ACQUISITION POLICY TITLES
SC Films International CEO, Simon Crowe Genre: commercial theatrical; looking for Uninhabited
1st Flr, 56 Brewer Street simon@scfilmsinternational.com films with an international hook – director,
London, W1F 9TJ, UK cast or universal story of the script. Can help
Tel: +44 207 287 1900 with finance on very commercial projects
www.scfilmsinternational.com Budget: $1–30M
info@scfilmsinternational.com Markets: AFM, Cannes, EFM, Toronto
Seville International SVP, International Sales, Anick Poirier Genre: theatrical features in all genres; focus Animal Kingdom
455 St-Antoine West, Suite 300 anickp@filmsseville.com on larger more commercial films with strong The Babadook
Montreal, Quebec, H2Z 1J1, Canada cast and hotly sought-after filmmakers. Beautiful
Tel: + 1 514 878 2282 Strong arthouse films possible with festival Below
sevilleinternational.eonefilms.com and awards potential. Producer and Cut Snake
sevilleinternational@filmsseville.com filmmaking team track records important. Galore
Budget: minimum $3M, no maximum The Hunter
Approach: script and director in place, with 'I Used to be Normal': A Boyband
an idea of cast Fangirl Story
Advances: when there is cast and package Mad Bastards
pre-saleable The Mule
Markets: AFM, Cannes, EFM, Palm Beach
Sundance, Toronto, Ventana Sur Sleeping Beauty
South Solitary
Summer Coda
Sierra/Affinity Senior Vice President Business Development & Genre: Theatrical release targeted feature Nekrotronic
9378 Wilshire Blvd, Suite 210 Film Finance, Gavin Levinson films that have cast with an international
Beverly Hills, CA 90212, USA gavin@sierra-affinity.com profile and subject matter that appeals to
Tel: +1 424 253 1060 international markets and US audiences.
www.sierra-affinity.com Commercial and strong character driven
info@sierra-affinity.com films. Action, drama, thriller, horror.
Budget: $5M+
Approach: Focus on pre-sales: script, director
and lead cast in place, but will look at
completed films as well.
Markets: AFM, Cannes, EFM, Sundance, TIFF
Directory of International Sales Agents March 2019SALES AGENT CONTACT ACQUISITION POLICY TITLES
Sony Pictures Worldwide Acquisitions SVP, Acquisitions, Joe Matukewicz Markets: AFM, Cannes, EFM, Toronto Gabriel
10202 West Washington Blvd acquisitions@spe.sony.com Ladies in Black
Culver City, CA 90232, USA Predestination
Tel: +1 (310) 244-4000 Executive Vice President, Michael Helfand Spin Out
www.sonypicturesworldwideacquisitions.c acquisitions@spe.sony.com
om
Starline Entertainment Director of Acquisitions, Piers Nightingale Genre: all, but particularly family/children, 6 Plots
Studio 2.26, The Old Town Hall youth, thriller, horror, romantic comedy and 48 Shades
213 Haverstock Hill crime drama, and also takes on docs Aim High in Creation!
London, NW3 4QP, UK Budget: $100K–$10M Blame
Tel: +44 (0)20 7998 6270 Approach: director, cast and ideally local Cedar Boys
www.starlinecontent.com distributor attached and a finance plan Drown
info@starlineentertainment.co.uk Advances: yes, but depends on international Last Dance
profile of director and cast Storage
Markets: Cannes, EFM, FILMART, Toronto
Stray Dogs Founder, Nathan Fischer Genre: edgy, international, director-driven
15 rue Chevert nathan@stray-dogs.com films with cult potential, Arthouse genre
Paris, 75007, France Budget: up to US$4M
Tel: +33 1 71 27 48 53 Approach: Post-production, pre-production
www.stray-dogs.biz Advances: depends on the project
sales@stray-dogs.com Markets: Cannes, EFM, Toronto
Studio 100 Film Director Business Operations Production, Genre: Animation, children’s and family 100% Wolf
Neumarkter Straße 18-20 Thorsten Wegener movies Blinky Bill - The Movie
Munich, 81673, Germany thorsten.wegener@studio100.tv Budget: up to US$20M Maya the Bee – First Flight
Tel: +49 89 960 550 Approach: upon finished script and trailer Maya the Bee – The Honey Games
www.studio100film.com Advances: to be negotiated
info@studio100film.com Markets: AFM, Cannes, EFM
Directory of International Sales Agents March 2019SALES AGENT CONTACT ACQUISITION POLICY TITLES
Studiocanal International Studiocanal is particularly focusing on the
1, Place du Spectacle acquisition of (1) films with a strong music
Issy Les Moulineaux, 92130, France component, (2) family titles, preferably with
Tel: 33 1 71 35 35 35 strong pre-existing brand awareness, and (3)
www.studiocanal.com prestige titles from filmmaking teams with a
festival or critical pedigree.
Budget: All
Approach: Once a financing package is in
place, including director, cast and budget
Advances: Yes
Markets: AFM, Cannes, EFM, Toronto
TF1 International CEO, Benoit Louvet Advances: yes Drift
6, Place Abel Gance, Markets: AFM, Cannes, EFM, Toronto, Muriel’s Wedding
Boulougne Billancourt, 92100, France Deputy Head of Acquisitions, Colombe De Cerf Ventana Sur The Piano
Tel: +33 1 41 41 21 68 cdecerf@tf1.fr
www.tf1international.com
sales@tf1.fr
Twentieth Century Fox Intl Australia
PO Box 900, The Flip Side
Beverly Hills, CA 90213, USA
www.foxmovies.com.au
Universal Pictures Sanctum
100 Universal City Plaza
Universal City, CA 91608, USA
www.universalpicturesinternational.com
Urban Distribution International (U.D.I.) Managing Director, Frederic Corvez Genre: international arthouse films Hearts and Bones
14 rue du 18 Août frederic@urbandistribution.fr Approach: either at script stage or when a Hounds of Love
Montreuil, 93100, France rough cut is available for viewing Joe Cinque’s Consolation
Tel: +33 1 48 70 46 55 Advances: yes, depending on the project Little Sparrows
www.urbandistrib.com Markets: AFM, Busan, Cannes, FILMART,
contact@urbandistrib.com Toronto, Ventana Sur
Directory of International Sales Agents March 2019SALES AGENT CONTACT ACQUISITION POLICY TITLES
Visit Films President, Ryan Kampe Genre: all, but essentially looking for movies 52 Tuesdays
173 Richardson St rk@visitfilms.com they like Alice
Brooklyn, NY 10003, USA Budget: typically under $5M Beneath Clouds
Tel: +1 718 312 8210 Acquisitions, James Lickfield Approach: if director is well known, at script Charlie’s Country
www.visitfilms.com jkl@visitfilms.com stage, otherwise some financing and cast in Jirga
info@visitfilms.com place is ideal A Month of Sundays
Advances: yes, depends on the project Sam Klemke’s Time Machine
Markets: Cannes, EFM, FILMART, Ventana Toomelah
Sur Tanna
Voltage Pictures VP of Acquisitions, Babacar Diene Genre: looking for elevated high concept
116 N Robertson Blvd., Suite 200 babacar@voltagepictures.com thrillers, sci-fi, action; contained Genre,
Los Angeles, CA 90048, USA Prestige Dramas; high concept Female
Tel: + 1 323 606 7630 Comedies
www.voltagepictures.com Budget: range from $500K to $60M
sales@voltagepictures.com Approach: when producers have some
elements on board ie. director and cast as
well if possible
Markets: AFM, Busan, Cannes, EFM,
FILMART, Toronto
Warner Bros Happy Feet
4000 Warner Blvd Happy Feet Two
Burbank, CA 91522, USA Mad Max franchise
Tel: +1 818 954 6000 The Great Gatsby
www.warnerbros.com
WestEnd Films Head of Acquisitions and Development, Toby Hill Genre: all genres, but must be quality, Falling For Figaro
Shepherds Centrail toby@westendfilms.com theatrical and pre-saleable Flammable Children/Swinging Safari
Charecroft Way, Budget: any Rams
London, W140EE, UK Director of Sales, Sofia Neves Approach: script stage, with director
Tel: +44 207 494 8300 sofia@westendfilms.com attached
www.westendfilms.com Advances: yes
info@westendfilms.com Markets: AFM, Cannes, EFM, Toronto
Directory of International Sales Agents March 2019SALES AGENT CONTACT ACQUISITION POLICY TITLES
Wide Management Head of Wide House (documentary sales), Anais Markets: AFM, Cannes, EFM, FILMART, Being Venice
9, rue Bleue Clanet Toronto, Ventana Sur
Paris, 75009, France ac@widemanagement.com
Tel: +33 1 53 95 04 64
www.widemanagement.com Head of Fiction Sales, Loïc Magneron
infos@widemanagement.com lm@widemanagement.com
Wild Bunch Head of Sales, Eva Diederix Genre: all Alexandra’s Project
65 rue de Dunkergue Budget: up to $15M Strangerland
Paris, 75009, France Head of Acquisitions, Marie-Pierre Valle Approach: when director and cast in place Ten Canoes
Tel: + 33 1 43 13 21 34 and a portion of the financing is in place
www.wildbunch.biz Advances: yes
obarbier@wildbunch.eu Markets: Busan, Cannes, EFM, FILMART,
Toronto, Ventana Sur
The Works International Genre: has to be theatrical feature, debut Beautiful Kate
5th Flr, Fairgate House directors more difficult A Man’s Gotta Do
78 New Oxford St Advances: yes, but conditional on pre-selling My Year Without Sex
London, WC1A 1HB, UK Markets: AFM, Cannes, EFM, Toronto The Proposition
Tel: +44 20 7612 1080 100 Bloody Acres
www.theworksfilmgroup.com
international@theworksfilmgroup.com
XYZ Films Partner Sales, Nate Bolotin Genre: Elevated genre. Crime, thriller, action, Better Watch Out
3101-B, S. La Cienega Blvd nate@xyzfilms.com horror, sci-fi, black comedy. Infini
Los Angeles, CA 90016, USA Budget: $1M–$20M The Osiris Child
Tel: +1 310 956 1550 Partner Acquisitions, Todd Brown
Approach: Director attached, cast attached. Storm Surfers 3D
www.xyzfilms.com todd@xyzfilms.com
info@xyzfilms.com Advances: yes, project-by-project Wyrmwood
Australian Executive, Simon de Bruyn Markets: AFM, Busan, Cannes, EFM,
simon@xyzfilms.com FILMART, Sundance, Toronto
Directory of International Sales Agents March 2019SALES AGENT CONTACT ACQUISITION POLICY TITLES The Yellow Affair CEO, Karoliina Dwyer Genre: Thriller, Drama, Suspense, Comedy, Fell Götgatan 9, 1tr karoliina@yellowaffair.com Romance, Horror, Action/Adventure, Sci-Fi, unINDIAN Stockholm, 11646, Sweden Family Tel: + 46 86 451 212 Head of Sales & Business Development, Budget:
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