NOVEMBER 9-11, 2018 NEWFIELDS - Indianapolis LGBT Film Festival
←
→
Page content transcription
If your browser does not render page correctly, please read the page content below
NOVEMBER 9-11, 2018
NEWFIELDS
CONTENTS
2 Schedule
4 Welcome
5 Judges/Juried Prizes
FR I DAY
6 Premiere Night
Studio 54
w/ The Bag Ladies
S AT U R D AY
10 Gay Shorts
16 Dykes, Camera, Action!
18 1985
20 Lesbian Shorts
22 Lunatic from the Gracious Days:
An Evening with Ruth Dix
26 Anchor and Hope
28 Kill the Monsters
32 Shorts on the Edge
S U N DAY
36 Queer Shorts
40 Mapplethorpe
44 Postcards from London
01
November 9
THE TOBY
6:30 PRE-FILM COCKTAIL HOUR
7:30 STUDIO 54 Sponsored By
w/ THE BAG LADIES
TICKETS
$50
FULL-FESTIVAL PASS .........................................................................
$15
PREMIERE FILM TICKET (Friday Night) ...........................................
$10
INDIVIDUAL FILM TICKETS (Saturday + Sunday) ...........................
ADVANCE TICKETS AVAILABLE AT INDYLGBTFILMFEST.COM
Advance online ticket purchasers: Please visit our box office inside
Newfields to check in before going to the Toby or the Deboest theaters.
You will be unable to check in at the theater doors. This does not apply
to Full-Festival Pass holders—your lanyard is an all-access pass.
On-site tickets available Festival Weekend at the Box Office inside the IMA at Newfields, based on availability.
Seating for films guaranteed to Full-Festival Pass holders up to 15 minutes before showtime.
02
November 10 November 11
THE TOBY DEBOEST LECTURE HALL DEBOEST LECTURE HALL
2:00 GAY SHORTS 2:30 DYKES, CAMERA, ACTION! 12:15 QUEER SHORTS
TURN IT AROUND w/ RELEASE THE BATS ELECTRIC DIRT
ROUTINE FIRST DAY
ruok DANI BOI
SLEEP ON IT SOMETHING ABOUT ALEX
LUBER DIFFERENT
SODOM’S CAT THERE YOU ARE
LAST PICK-UP FOLLOW ME
FEMME
4:00 1985 4:00 LESBIAN SHORTS 2:00 MAPPLETHORPE
w/ SILVERLAKE AFTERNOON ERIN’S GUIDE TO KISSING GIRLS w/ A STRANGER TO MYSELF
I HOPE TO SEE YOU
FOXY TROT
KINDLING
Sponsored By
HEARTBEAT
THE PICK UP
MOMO
HEATHER HAS FOUR MOMS
GRACE AND BETTY
6:00 LUNATIC FROM THE GRACIOUS 6:00 ANCHOR AND HOPE 4:00 POSTCARDS FROM LONDON
DAYS: AN EVENING WITH w/ FEMALE CONNECTION w/ ZERO ONE
RUTH DIX
w/ MARABOU
7:45 KILL THE MONSTERS 8:30 SHORTS ON THE EDGE
w/ NIGHT SHIFT LA SIRENA
THE CREAM
MIMICRY
CIRCLE
THE FIX 4000 Michigan Rd, Indianapolis, IN 46208
ISLANDS discovernewfields.com
INDIANAPOLIS LGBT FILM FESTIVAL 2018 03
Welcome to the 18th Annual Indianapolis LGBT Film
Festival! We have an exciting array of features, shorts,
and documentaries chosen just for you.
We received a record number of entries this year, and we’re extremely proud of our lineup.
We have films from around the globe (nine different countries) and a few with local ties. Festival Steering Committee
Female Connection, a short directed by Adrienne Levy, is written by and stars Liz Baxter Pam Powell
from Indianapolis, based on a true-life situation. Lunatic from the Gracious Days, by Annie Zoll
Kent J. Henry, celebrates the wit and talent of Ruth Dix (Gary Ooley), the trailblazing drag Keishana White
performer—and Indianapolis original—who passed away earlier this year. Kat Hicks
Michael Barclay
We have typically shied away from mature content, but this year we’re trying something Mickey Rogers
different. Our Shorts On The Edge program on Saturday evening features a variety of films Ted Letherer
Catherine Crouch
that venture slightly over the invisible line that we have maintained. One of those films,
H.R. Jung
Islands by director Yann Gonzalez, just won the Queer Palm at the Cannes Film Festival.
Royce Cole Jr.
Joshua Cox
Though we’ve said it before, it bears repeating: please keep our beneficiary Indiana
Youth Group in mind. For over 30 years IYG has provided safe spaces and vital support Chairperson / Art Director
for thousands of LGBT youth in Indiana. To learn more, visit IndianaYouthGroup.org. Matthew Mutchmore
On behalf of everyone involved, from our hardworking steering committee to the Program Editors
filmmakers, our Premiere Night entertainers The Bag Ladies, Newfields, and all our Courtney Corcoran
wonderful sponsors, I want to sincerely thank you for coming to the Indianapolis LGBT Jami Stall
Film Festival. Enjoy the shows!
Website
Tracy Robbins Smith
Matthew Mutchmore Chairperson / Indianapolis LGBT Film Festival
facebook.com/IndianapolisLGBTFilmFestival
twitter.com/indylgbtflmfest
04
ERIN’S GUIDE TO KISSING GIRLS
Paula Katz
Executive Director of the Indianapolis
Museum of Contemporary
Art (iMOCA)
Steven Stolen
ISLANDS
JUDGES Vice President of Corporate Advancement
for the Indy Chamber, and host of
Stolen Moments on WFYI
These five films are
our nominees for the 2018 JJ Marie Gufreda
President of GEI, author, playwright, composer,
Best of Festival Awards.
performer, and frequent speaker on Diversity,
The winners are Business, and Political issues
selected by our panel
KILL THE MONSTERS
of judges and announced
Mark Harper
on Premiere Night. Teacher of film and literature at IUPUI, Comic Books
at the Herron School of Art and Design, and a former
Director of the Indianapolis LGBT Film Festival
Vanessa Enos + Lymari Quintana
Indiana Youth Group, married, moms,
dog moms, movie watchers,
LGBTQ+ proud
ANCHOR AND HOPE ELECTRIC DIRT
INDIANAPOLIS LGBT FILM FESTIVAL 2018 05
PREMIERE NIGHT
Sponsored By
06
THE TOBY / FRIDAY 7:30PM
This crowd-pleasing documentary takes us deep inside
the most famous disco of all time, with never-before-seen
images, rare footage of Hollywood’s A-List, and magnificent
music at every turn.
Opened in midtown Manhattan in 1977, Studio 54 was the place to be, defining an entire era. And then,
barely three years later, the party came to an abrupt and scandal-clouded end. Studio 54 focuses on the
club’s owners, Steve Rubell (who died in 1989 of complications from AIDS) and Ian Schrager, college friends
who transformed the cultural landscape in New York City. Fueled by interviews with Schrager, who has until
now kept silent about his time at Studio 54, the film paints a colorful portrait of a magical place. Gay and
straight disco lovers danced alongside celebrities like Cher, Grace Jones, and Elton John, to name a few.
Capturing the glitzy glamour and lurid drama inside this marvelous mecca of decadence, filmmaker Matt
Tyrnauer provides fascinating details of how the club became a haven for minorities and other ostracized
groups. We learn firsthand what the strict, ever-changing rules were to get inside, as well as how the IRS
barged in and took down an amazing—and often amazingly illegal—party. A cautionary tale about the
dysfunction of decadence and an inspirational account of a dynamic, diverse community, Studio 54 pulsates
with the energy of an era when people found love, connection, and their groove thing beneath the sparkle
of a spinning disco ball.
Director: Matt Tyrnauer, USA, 98 Minutes
Preceded by: A rousing, disco-themed perfomance by the Bag Ladies! www.bagladiesindy.org
INDIANAPOLIS LGBT FILM FESTIVAL 2018 07
mass ave. broad ripple
342 massachusetts ave, indianapolis, in 46204 908 e westfield blvd, indianapolis, in 46220
317.638.0321 317.737.2531
thegardentable.comMen like you like Gregs www.eatincarryout.com
SHORTS PROGRAM
It’s love at first sight for young Bram in Turn It Around. In Routine, a recently
out stand-up comedian discovers quite a bit about his new community.
Best friends fight, entirely via text message, when one sleeps with the other’s
First love. Elusive love. Identity and crush in ruok. An argument puts things into perspective for a young couple
in Sleep On It. In Luber, a businessman finds himself attracted to his hunky
self-expression. These topics and more are
driver. An orgy is used as a window into gay life and love in Sodom’s Cat. A
explored in funny and provocative ways fateful, first meeting is reminisced in Last Pick-Up. A young man embarks on
in this year’s Gay Shorts. a hilarious journey of self-examination in Femme.
10TURN IT AROUND LUBER
Director: Niels Bourgonje, Netherlands, 10 Minutes, Subtitled Director: Jeff Summer, USA, 11 Minutes
THE TOBY
SATURDAY ROUTINE SODOM’S CAT
Director: Wes Akwuobi , USA, 8 Minutes Director: Huang Ting-Chun, Taiwan, 30 Minutes, Subtitled
2:00PM
ruok LAST PICK-UP
Director: Jay Russell, USA, 13 Minutes Director: Matthew Bonifacio, USA, 4 Minutes
102 Minutes
SLEEP ON IT FEMME
Director: Benjamin Howard, USA, 8 Minutes Director: Alden Peters, USA, 18 Minutes
INDIANAPOLIS LGBT FILM FESTIVAL 2018 11Men like you like Gregs
We are working together with our entire Ohana — customers, partners, employees,
and the tech industry — to blaze a path toward equality for all.
Learn more at salesforce.com/equality.14
DEBOEST LECTURE HALL / SATURDAY 2:30PM
Lovers of lesbian film unite! Dykes, Camera, Action!
examines queer women’s cinema from the mid-twentieth
century through today. It’s a joyous trip down memory
lane for any film lover.
Academics like B. Ruby Rich and Sarah Schulman contextualize the history of queer women’s films, from the
1960s through the 1990s’ New Queer Cinema, and all the way to the lesbian pop froth of the 21st century.
The historical intersection of experimental film and queer film is examined, as well as the role of activism
in lesbian artist circles, and the never-ending battle against the male gaze and the patriarchy. But just as
importantly, filmmakers Barbara Hammer, Su Friedrich, Rose Troche, Yoruba Richen, Desiree Akhavan, Vicky
Du, Cheryl Dunye, Jenni Olson, and others discuss how they’ve expressed their queer identity through film,
revealing their personal experiences of looking for themselves on screen.
Featuring the ultimate array of filmmakers and thinkers from the past century, this documentary functions
as an updated—but much more modern and far less bleak—The Celluloid Closet. It’s a ton of fun to spend
time with the dozens of women who helped to create the cinema that has shaped so many lives, and, in the
process, learn how we all got here.
Director: Caroline Berler, USA, 58 Minutes
Preceded by: RELEASE THE BATS—Director: Michelle Tea, USA, 10 Minutes
INDIANAPOLIS LGBT FILM FESTIVAL 2018 15GAY FEATURE 18
THE TOBY / SATURDAY 4:00PM
1985 was the year of New Coke and “We Are the World.”
That year serves as both the title and setting for Yen Tan's
nostalgic and gorgeously realized new film.
Coming home for Christmas after a three-year absence, Adrian (Cory Michael Smith, Gotham, Carol)
struggles to reconcile his secret life in New York City with that of his religious, conservative family back
in Texas. It’s clear in the weighted silences that Adrian hasn’t kept in close touch. He stands tall over his
brusque father (Michael Chiklis, The Shield) at baggage claim, as they try to remember the last time he
was home. His mother (Virginia Madsen, Sideways) greets him warmly, though her pleading to call up
his estranged childhood friend Carly (Jamie Chung) clearly bothers him. His younger brother Andrew is
less forgiving, greeting him coldly before retreating to the comforts of his Walkman. But Andrew’s walls
quickly crumble, and soon the brothers are attending movies together.
Adrian begins to feel the emotional weight of the choice before him: to be honest with his family about
who he is and face the consequences, or to return to New York without revealing his truth. Shot on
exquisitely rendered black-and-white 16-mm film, it features standout performances by Smith, Madsen,
and Chung. Writer and director Yen Tan based the visually striking feature on his 2016 short of the same
name.
Director: Yen Tan, USA, 85 Minutes
Preceded by: SILVERLAKE AFTERNOON—Directors: Rebecca Holopter & Michael Osborne, USA, 11 Minutes
INDIANAPOLIS LGBT FILM FESTIVAL 2018 19SHORTS PROGRAM
LESBIAN SHORTS Erin crushes on the school’s coolest girl in Erin’s Guide To Kissing Girls. Cyra
examines her muddled past in I Hope To See You. Relationship woes wind up
in dance class during Foxy Trot. A couple unable to conceive find a baby in
Whether plotting a romance, dealing with Kindling. In the music video Hearbeat, (Jennifer) Corday shares the passion
and pain of toxic love. In Momo, Sohee gets the cat she once shared with her
relationship issues, or coming out to their family,
ex. In The Pick Up, Melanie chooses a new path. In Heather Has Four Moms,
the subjects of these spectacular stories stand up each has opinions. In Grace and Betty, Grace comes out to her grandmother,
and fight for the power of the queer female gaze. who has her own secret.
20ERIN’S GUIDE TO KISSING GIRLS KINDLING MOMO
Director: Julianna Notten, Canada, Director: Molly Beresford, UK, Director: Yun Joo Chang, Korea,
DEBOEST 15 Minutes 10 Minutes 16 Minutes, Subtitled
LECTURE HALL I HOPE TO SEE YOU HEARTBEAT HEATHER HAS FOUR MOMS
SATURDAY Director: Chelsea Muscat, USA, Director: Michelle Ehlen, USA, Director: Jeanette L. Buck, US/UK,
4:00PM 7 Minutes 5 Minutes 15 Minutes
106 Minutes FOXY TROT THE PICK UP GRACE AND BETTY
Director: Lisa Donato, USA, Director: Giovanna Chesler, USA, Director: Zoe Lubeck , USA,
15 Minutes 11 Minutes 12 Minutes
INDIANAPOLIS LGBT FILM FESTIVAL 2018 2122
Join us as we celebrate the incomparable Ruth Dix,
a fixture of Hoosier nightlife in the eighties and beyond. This
newly edited version of Kent J. Henry’s 2013 film shines a
spotlight on a unique, outrageous, and legendary performer.
This heartfelt, hilarious documentary showcases the journey of Indianapolis entertainer and entrepreneur,
Ruth Dix (Gary Ooley), who passed away in June 2018. The film includes interviews with Ruth and many
never-before-shown performances from the 1980s. Ruth shares a multitude of stories, from his birth in
Indianapolis, his first time performing, and many more—all told with his signature wit and humor. The
performances highlight his talent and reconfirm his legendary status.
Premiering in 2013, this was Kent J. Henry's third film at the Indianapolis LGBT Film Festival. In 2009
his film Union County was shown and in 2010, Talbott Street 1980-1986 won the Audience Award for
Best Documentary. The 2018 version of this film includes additional interviews and previously unseen
footage. Don’t miss the chance to experience (or re-experience) this loving portrait of a truly unforgettable
Indianapolis original. Rated "R" for Ruth!
Director: Kent J. Henry, USA, 45 Minutes
Preceded by: Marabou—Director: Tiffany Johnson, USA, 20 Minutes
INDIANAPOLIS LGBT FILM FESTIVAL 2018 23with
26
DEBEOST LECTURE HALL / SATURDAY 6:00PM
Eva and Kat’s carefree world is turned upside down when
Eva presents Kat with an ultimatum: she wants a child. Is their
unconventional lifestyle possible with a baby? This charmingly
different comedy explores the intricacies of love, relationships,
and what it means to be a family.
Kat and her girlfriend Eva live in bohemian bliss on their London barge, floating to a new mooring every
couple of weeks. Kat (Natalia Tena, Game of Thrones, The L Word) is content with the status quo, but Eva
(Oona Chaplin, Game of Thrones) wants a baby. The fortuitous arrival of Kat’s straight pal Roger, in addition
to too much tequila, conquers Kat’s doubts—at least momentarily.
Anchor and Hope starts as a raucous, ribald comedy of manners and becomes more thoughtful without
ever losing its deft touch. The writing is sharp and the performances are stellar. Chaplin gives a layered
performance as a woman working hard to ignore the rifts in her relationship, and Chaplin’s real-life
mother, Geraldine, is an added bonus as Eva’s ex-hippie mom, Germaine. Award-winning director Carlos
Marques-Marcet makes fine use of London’s canals in this not-for-tourists view of the city. The gritty but
romantic setting is the final touch on an ideal romcom: funny, sweet, and sad, with a trio of characters
like real people (only cuter, hipper, and having more sex).
Director: Carlos Marques-Marcet, Spain, 111 Minutes
Preceded by: FEMALE CONNECTION—Director: Adrienne Levy, USA, 4 Minutes
INDIANAPOLIS LGBT FILM FESTIVAL 2018 2728
THE TOBY / SATURDAY 7:45PM
Dynamic trio Frankie, Patrick, and Sutton put their
relationship to the test in Kill the Monsters, a comedic
American allegory that will appeal to U.S. history buffs and
to fans of hunky guys in three-way relationships.
When young, pretty, and charmingly aloof Frankie (Jack Ball) falls mysteriously ill, his older and
wiser partners—overthinking, practical Patrick (Ryan Lonergan) and impulsive, fiery Sutton (Garrett
McKechnie)—agree that it’s time to head west, begin new adventures, and seek holistic treatment. From
here, the highs and lows of the trio’s journey mirror key points in United States history, from hot sex in
their luxurious New York City apartment, to a road trip that results in a civil war and possible breakup, to
an all-out (poker) war involving scheming, sophisticated, and calculating German and Russian lesbians.
Director, writer, and star Ryan Lonergan’s ambitious concept works beautifully here, with a script that
deftly utilizes the woes of debt, condo boards, and trust issues to hilariously and poignantly examine both
modern-day relationships and well-known historical turning points. With a bold score that ties it all together
and gorgeous black-and-white cinematography that highlights urban, rural, and body landscapes, Kill the
Monsters is a striking and promising feature and the perfect date-night film.
Director: Ryan Lonergan, USA, 80 Minutes
Preceded by: NIGHT SHIFT—Director: Chris Phillips, USA, 13 Minutes
INDIANAPOLIS LGBT FILM FESTIVAL 2018 29www.bradleyphifer.com www.barktutor.com
SHORTS PROGRAM
SHORTS ON THE EDGE Mia surrenders to her darkest urges after discovering a mysterious woman
washed up on the shore in La Sirena. In The Cream, Gilbert is left confused
and aroused by an encounter with a speedy athlete. MimiCry follows Mimi
Not for the faint of heart, this collection on her quest to find love in a unique facet of today's queer spectrum. Circle
shows a different perspective on love and loss. The Fix introduces a fast
of extreme shorts explores many facets of gay
food worker who goes to extreme measures to curb his appetites. Islands
sexuality. From fairy tales to orgies to art porn, this blurs the lines between dream and nightmare as a macabre, erotic stage
is an experience that you won’t soon forget. performance sends a ripple of lustful desires through its audience and
performers.
32LA SIRENA CIRCLE
Director: Rosita Lama Muvdi, Columbia, 25 Minutes Director: Kai Stänicke, Germany, 3 Minutes
DEBOEST
LECTURE HALL THE CREAM THE FIX
Director: Director: Jean-Marie Villeneuve, France, 8 Minutes Director: Ed Hancox, USA, 10 Minutes
SATURDAY
8:30PM MIMICRY ISLANDS
Director: Jennifer Von Schuckmann, Germany, Director: Yann Gonzalez, France, 23 Minutes,
95 Minutes
26 Minutes, Subtitled Subtitled
INDIANAPOLIS LGBT FILM FESTIVAL 2018 33THE
HOTEL REINTERPRETED.
Nestled in the heart of downtown Indianapolis, The Alexander features outstanding business amenities,
157 stunning guest rooms, 52 extended stay suites, and an emphasis on art and design.
PROUD SPONSOR OF THE INDIANAPOLIS LGBT FILM FESTIVAL
3 3 3 S o u t h D e l a wa re St re et , I n d i a n a p o l i s , I N 4 6 2 0 4 ( 3 1 7 ) 6 2 4 - 8 2 0 0
t h ea l exa n de r.co mSHORTS PROGRAM
QUEER SHORTS Electric Dirt takes viewers into the heart of Southern and Appalachian
communities to witness queer-identified residents from all walks of life.
First Day introduces us to a young trans student’s new school environment.
Each of these exceptional stories expand our Dani Boi is a non-binary 'dragtivist' living in San Francisco and challenging
gender norms. A troubled and isolated teenager must confront what is truly
limited definition of gender and breathe
troubling him in Something About Alex. Trans women are in focus, dealing
authenticity back onto the screen, with difficult family situations in Different, with daily struggles in There You
embracing truth over fear. Are, and with successes in Follow Me.
36ELECTRIC DIRT DIFFERENT
Director: Xander Stewart, USA, 5 Minutes Director: Ben Lemaire, France, 3 Minutes, Subtitled
DEBOEST
LECTURE HALL FIRST DAY THERE YOU ARE
Director: Julie Kalceff, Australia, 18 Minutes Director: Lisa Donato, USA, 16 Minutes
SUNDAY
DANI BOI FOLLOW ME
12:15PM Director: Logan Mucha, Australia, 6 Minutes Director: Michelle Danner, USA, 21 Minutes
88 Minutes
SOMETHING ABOUT ALEX
Director: Reinout Hellenthal, Netherlands, 19 Minutes, Subtitled
INDIANAPOLIS LGBT FILM FESTIVAL 2018 37THE IYG LICENSE PLATE. NOW AVAILABLE AT THE INDIANA BMV.
Supporting LGBTQ Youth
Building Caring Communities
IndianaYouthGroup.org
(317) 541-8726A passionate commitment to great local ingredients
and unconventionally creative morning fare.
534 Virginia Avenue, Indianapolis, IN 46203 • 317.986.5131
milktoothindy.comSponsored By 40
DEBOEST LECTURE HALL / SUNDAY 2:00PM
Mapplethorpe dramatizes the artist’s meteoric journey,
from the beginning of his friendship with punk poet laureate
Patti Smith, to his success as a provocateur, to his ultimate
struggle with AIDS.
, ,
Set in the gay leather communities and highbrow galleries of New York City in the 70s and 80s, Ondi Timoner’s
biopic is an unflinching look at the life and career of the icon made famous for his striking imagery. This film
takes a chronological look at the influences and practices that captured male homoerotic desire so poignantly
in the face of the devastating toll of the AIDS crisis. Mapplethorpe’s first commercial success came in 1977 with
twin shows in New York: one featured safe portraits of subjects like David Hockney, and the other featured
work from his X Portfolio, including photographs of fisting and watersports among other confrontational
images. The film also explores the complicated relationship between Mapplethorpe and his lesser-known
younger brother, Edward. When the two were invited to exhibit at the same show, Mapplethorpe insisted that
Edward use their mother's maiden name, saying that there could only be one Mapplethorpe.
Charismatic English actor Matt Smith (Doctor Who, The Crown) tackles the title role in a performance that is
both physically and emotionally naked. Mapplethorpe features the photographer’s original art and was made
with the support of The Robert Mapplethorpe Foundation.
Director: Ondi Timoner, USA, 94 Minutes
Preceded by: A STRANGER TO MYSELF—Director: Jannik Gensler, Germany, 12 Minutes, Subtitled
INDIANAPOLIS LGBT FILM FESTIVAL 2018 41FOLLOW THE BAG LADIES! facebook.com/indybagladies twitter.com/indybagladies
44
Broke and beautiful, Joe chases his big-city dreams to
London and lands in the company of the Raconteurs.
An elite gang of escorts, they mix sex work with an
encyclopedic knowledge of art history.
On his first night out in London after escaping his provincial hometown, Jim is robbed and left with nothing,
alone on the neon-lit streets of Soho. The Raconteurs, a coterie of dapper young hustlers, are immediately
taken with Jim’s ethereal beauty and charming naïveté, and they adopt him as one of their own. The merry
band of escorts is soon schooling Jim in the sexy delights of their specialty: using their compendious
knowledge of art history to bring to life the homoerotic paintings of Caravaggio, Botticelli, and Michelangelo.
As Jim becomes more comfortable in his skin, under the tutelage of the Raconteurs, he finds himself
submerged in the world of art. He becomes a muse to his patrons and customers, even while discovering that
he suffers from an overwhelming sensitivity to beauty—the legendary Stendhal syndrome.
Theatrical, stylish, and visually playful, Postcards from London is a love letter to the vibrant Soho of the
past, paying homage to the likes of Rainer Werner Fassbinder, James Bidgood, and Derek Jarman with its
hyper-stylized, dreamy aesthetic. As Jim, the captivating Harris Dickinson has a face that’s a joy to watch,
transporting the viewer to the hypnotic underworld of this imaginary Soho.
Director: Steve McLean , UK, 88 Minutes
Preceded by: ZERO ONE—Director: Nick Neon, USA, 24 Minutes
INDIANAPOLIS LGBT FILM FESTIVAL 2018 45MASSAVEPUB.COM
DOWNTOWN
427 Mass Ave.
CASTLETON
Castleton Square Mall
CARMEL
111 West Main St.
catering@subzeroicecream.comFOODSERVICE EQUIPMENT AND SUPPLY
DESIGN SUPPLY INSTALL SERVICE
ZESCO.COM PROUDLY SERVES ALL COMMERCIAL AND RESIDENTIAL CHEFS
facebook.com/ZescoProducts twitter.com/ZescoProducts instagram.com/ZescoProductsMORE GAY TITLES THAN NETFLIX, AMAZON PRIME OR HERE TV
YOUR DESTINATION
HAS ARRIVED
707 Massachusetts Ave.
DAILY DRINK SPECIALS!
Pool - Darts - TouchTunes Bringing Drag Back to Mass Ave With P3 Productions
Open at 8PM Every Day! Friday—Main Floor: 9PM Tuesdays and Thursdays
DJs + Dancing: Friday & Saturday 11PM-3AM Drag Brunch—Second Sunday Each Month 10PM-2AM
NEVER A COVER! • 21+ ONLY MON-FRI 3PM-3AM • SAT-SUN NOON-3AM METRO-INDY.COMA legend in reliability can look just as brilliant. The Civic, in both
sporty 2-door Coupe and sleek 4-door Sedan, is a quick way
to garner attention, and envy, on the road.
TERESA “T.K.” KING
Office—317.887.0800 Cell—317.432.1907
tkkinghonda@gmail.com
8455 US 31 South, Indianapolis, IN 46227
INDYHONDA.COMYou can also read
