Professional Camcorder Family - XDCAM Handy Camcorders NXCAM Camcorders Accessories - pro.sony
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Professional
Camcorder
Family
XDCAM™ Handy Camcorders
NXCAM™ Camcorders
Accessories
*4K: 3840×2160pix
Connect this product to HDR (HLG) compatible TV via HDMI cable and turn to HDR (HLG) mode by
TV when displaying HDR (HLG) movie.
XDCAM™ Full Line-up
PXW-FS7M2/PXW-FS7M2K PXW-FS7 PXW-FS5M2/FS5M2K
Camera Section
Imaging Device (Type) Exmor Super35 CMOS Exmor Super35 CMOS Exmor Super35 CMOS
Approx. 8.3M 3840 (H) x 2160 (V) (16:9) Approx. 8.3M 3840 (H) x 2160 (V) (16:9) Approx. 8.3M 3840 (H) x 2160 (V) (16:9)
Effective Picture Elements (Video)
Approx. 8.4M 4096 (H) x 2160 (V) (17:9) Approx. 8.4M 4096 (H) x 2160 (V) (17:9) Approx. 8.4M 4096 (H) x 2160 (V) (17:9, at RAW output)
Built-in Optical Filters Clear, 1/4, 1/16, 1/64, Variable (1/4 to 1/128) Clear, 1/4, 1/16, 1/64 Clear, 1/4, 1/16, 1/64, Variable (1/4 to 1/128)
Slow & Quick Motion Function Yes
XAVC-I mode 1920x1080: 1 to 180 frames (59.94p, 29.97p, XAVC-I mode 1920x1080: 1 to 180 frames (59.94p, 29.97p, [60i] Frame rate selectable 120, 240, 480, 960 fps
Slow Motion
23.98p), 1 to 150 frames (50p, 25p) 23.98p), 1 to 150 frames (50p, 25p) [50i] Frame rate selectable 100, 200, 400, 800 fps
Gain -3, 0, 3, 6, 9, 12, 18 dB, AGC -3, 0, 3, 6, 9, 12, 18 dB, AGC 0, 3, 6, 9, 12, 15, 18, 24, 27, 30 dB, AGC
Gamma Curve Selectable
0.16 lux [60i] (IRIS F1.4, GAIN Auto, Shutter Speed 1/24)
Minimum Illumination 0.7 lx (+18dB, 23.98P, Shutter OFF, ND Clear, F1.4) 0.7 lx (+18 dB, 23.98p, Shutter OFF, ND Clear, F1.4)
0.18 lux [50i] (IRIS F1.4, GAIN Auto, Shutter Speed 1/25)
Lens
Lens Mount E MOUNT
Zoom Ratio
Focal Length
Iris
Filter Diameter
Input/Output
Audio Input XLR-type 3-pin (female) (x2) XLR-type 3-pin (female) (x2), line/mic/mic +48 V selectable
HDMI Output Type A (x1)
BNC type (x1), 3G/HD/SD selectable, FS RAW via SDI
SDI Output BNC (x2), 3G/HD/SD selectable BNC (x2), 3G/HD/SD selectable
connector
Composite Output No Integrated into Multi/Micro USB jack (x1)
GENLOCK-IN Option
Audio Output No Integrated into Multi/Micro USB jack (x1)
TC In/Out Option No
Remote Stereo mini-mini jack (ø2.5 mm) (x1)
MI Shoe Yes (x1)
Headphone Output Stereo mini jack (x1)
Wired LAN No RJ-45 (x1), 1000BASE-T, 100BASE-T, 10BASE-T
Monitoring / Built-in Microphone & LED
0.39 type OLED: Approx. 1.44M dots
Viewfinder / LCD 3.5 inch type: Approx. 1.56M dots 3.5 inch type: Approx. 1.56M dots
3.5 type: Approx. 1.56M dots
Built-in Microphone Omni-directional monaural electret condenser microphone Omni-directional electret condenser microphone Omni-directional stereo electret condenser microphone
Built-in LED Light No
Media
XQD Card slot (x2), SD Card slot (x1) for saving configuration XQD card slot (x2), SD card slot (x1) for saving Memory Stick Pro Duo™ and SD/SDHC/SDXC compatible
Internal Memory/Type
data configuration data (x1), SD/SDHC/SDXC (x1)
General
Battery-type BP-U
Approx. 6 hrs, 40 min. [60i] Approx. 6 hrs, 45 min. [50i]
Approx. 3 hrs with BP-U90 battery (while recording XAVC-I Approx. 3 hrs with BP-U90 battery
with BP-U90 battery
Battery Operating Time QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using (while recording XAVC-I QFHD 59.94p, SELP28135G Lens,
(While recording with LCD On, EVF Off when the external
external device) Viewfinder ON, not using external device)
device connector is not used.)
Wireless functions Wi-Fi remote control Streaming/FTP/Wi-Fi remote control and monitoring
NFC NFC Forum Type 3 Tag compliant
GPS Yes
Weight Approx. 2.0 kg (Approx. 4 lb 6.5 oz) (body only) Approx. 2.0 kg (Approx. 4 lb 6.5 oz) (body only) Approx. 830 g (Approx. 1 lb 13.2 oz) (body only)
Approx. 158.9 x 245.2 x 247 mm Approx. 156 × 239 × 247 mm Approx. 111.3 x 128.7 x 172.4 mm
Dimension (W × H × D) (Approx. 6 3/8 × 9 3/4 × 9 3/4 inches) (body without (Approx. 6 1/4 × 9 1/2 × 9 3/4 inches) (Approx. 4 1/2 x 5 1/8 x 6 7/8 inches)
protrusions) (body without protrusions) (body only including the projecting parts)
2
PXW-FS5 PXW-Z280 PXW-Z190
Camera Section
Imaging Device (Type) Exmor Super35 CMOS 1/2 type back-illuminated Exmor R 3CMOS sensor 1/3 type back-illuminated Exmor R 3CMOS sensor
Approx. 8.3M 3840 (H) x 2160 (V) (16:9)
Effective Picture Elements (Video) Approx. 8.4M 4096 (H) x 2160 (V) (17:9, at RAW output) 3840 (H) x 2160 (V) (16:9)
*Required Option CBKZ-FS5RIF
Built-in Optical Filters Clear, 1/4, 1/16, 1/64, Variable (1/4 to 1/128)
Slow & Quick Motion Function Yes
[60i] Frame rate selectable 120, 240, 480, 960 fps [60i]1 to 60fps (1fps units)
Slow Motion
[50i] Frame rate selectable 100, 200, 400, 800 fps [50i]1 to 50fps (1fps units)
Gain 0, 3, 6, 9, 12, 15, 18, 24, 27, 30 dB, AGC -3, 0, 3, 6, 9, 12, 15, 18 dB, 42 dB (Turbo Gain ON), AGC -3, 0, 3, 6, 9, 12, 15, 18 dB, 30dB (Turbo Gain ON), AGC
Gamma Curve Selectable
0.16 lux [60i] (IRIS F1.4, GAIN Auto, Shutter Speed 1/24)
0.18 lux [50i] (IRIS F1.4, GAIN Auto, Shutter Speed 1/25) 0.0013 lx (typical) (1920 x 1080/59.94i mode, F1.9, +42 dB 0.01 lx (typical) (1920 x 1080/59.94i mode, F1.6, +30 dB gain,
Minimum Illumination
1.28 lux [60i] (IRIS F4.0, GAIN Auto, Shutter Speed 1/24) gain, High Sensitivity Mode, with 64 frame accumulation) High Sensitivity Mode, with 64 frame accumulation)
1.40 lux [50i] (IRIS F4.0, GAIN Auto, Shutter Speed 1/25)
Lens
Lens Mount E MOUNT Fixed
Zoom Ratio 17x (optical), servo/manual 25x (optical), servo/manual
Focal Length 5.6 - 95.2 mm (35 mm equivalent: 30.3 - 515 mm) 3.7 - 92.5 mm (35 mm equivalent: 28.8 - 720 mm)
Iris F1.9 - F16 and close auto/manual selectable F1.6 - F11 and close auto/manual swichable
Filter Diameter M77 mm, pitch 0.75mm M 82 mm, pitch 0.75 mm
Input/Output
Audio Input XLR-type 3-pin (female) (x2) XLR-type 3-pin (female) (x2), line/mic/mic +48 V selectable
HDMI Output Type A (x1)
SDI Output BNC type (x1), 3G/HD/SD selectable BNC (x1), 12G/3G/HD/SD selectable BNC (x1), 3G/HD/SD selectable
Composite Output Integrated into Multi/Micro USB jack (x1) Yes (switchable to GENLOCK IN)
GENLOCK-IN NO BNC (x1) (switchable to Video out) 1.0 Vp-p, 75Ω NO
Audio Output Integrated into Multi/Micro USB jack (x1)
TC In/Out No BNC (x1)
Remote Stereo mini-mini jack (ø2.5 mm) (x1)
MI Shoe Yes (x1) Yes (x2)
Headphone Output Stereo mini jack (x1)
Wired LAN RJ-45 (x1), 1000BASE-T, 100BASE-T, 10BASE-T
Monitoring / Built-in Microphone & LED
0.39 type OLED: Approx. 1.44M dots 0.5 type OLED: Approx 2.36M dots 0.39 type OLED: Approx 2.36M dots
Viewfinder / LCD
3.5 type: Approx. 1.56M dots 3.5 type: Approx. 1.56M dots 3.5 type: Approx. 1.56M dots
Built-in Microphone Omni-directional stereo electret condenser microphone
Built-in LED Light No
Media
Memory Stick Pro Duo™ and SD/SDHC/SDXC compatible
Memory Stick Pro Duo™ and SD/SDHC/SDXC compatible ExpressCard/34 slot (x2) (for XAVC/MPEG2/AVCHD,DV)
Internal Memory/Type (x1) (for XAVC/MPEG2/AVCHD, DV), SD/SDHC/SDXC (x1) (for
(x1), SD/SDHC/SDXC (x1) SD/SDHC(x1) (for Proxy, Utility)
XAVC/MPEG2/AVCHD, DV), SD/SDHC)(x1)(for Proxy, Utility)
General
Battery-type BP-U
Approx. 6 hrs, 40 min. [60i] Approx. 6 hrs, 45 min. [50i] with
Approx. 3 hrs, 15 min. with BP-U90 battery Approx. 3 hrs, 15 min. with BP-U90 battery
BP-U90 battery
Battery Operating Time (While recording with LCD Off, EVF On when the external (While recording with LCD Off, EVF On when the external
(While recording with LCD On, EVF Off when the external
device connector is not used.) device connector is not used.)
device connector is not used.)
Wireless Functions Streaming/FTP/Wi-Fi remote control and monitoring
NFC NFC Forum Type 3 Tag compliant
GPS Yes
Weight Approx. 830 g (Approx. 1 lb 13.2 oz) (Body only) Approx. 2.6 kg (Approx 5 lb 11.7 oz) (body only) Approx. 2.3 kg (Approx. 5 lb 1.1 oz) (body only)
Approx. 178.4 × 202.0 × 426.3 mm Approx. 190.0 × 202.0 × 419.7 mm
Approx. 111.3 × 128.7 × 172.4 mm
(Approx. 7 1/8 x 8 x 16 7/8 inches) (With the accessories (Approx. 7 1/2 x 8 x 16 5/8 inches) (With the accessories
Dimension (W × H × D) (Approx. 4 1/2 × 5 1/8 × 6 7/8 inches)
(lens hood, eyecup), excluding the grip belt and including (lens hood, eyecup), excluding the grip belt and including
(body only including the projecting parts) the projecting parts) the projecting parts)
3
PXW-Z150 PXW-Z90 PXW-X70
Camera Section
Imaging Device (Type) 1.0-type Exmor RS CMOS 1.0-type Exmor RS CMOS 1.0-type Exmor R CMOS
Effective Picture Elements (Video) Approx. 14.2M 3840 (H) x 2160 (V) (16:9) Approx.14.2M 3840 (H) x 2160 (V) (16:9) Approx. 14.2M 3840 (H) x 2160 (V) (16:9)
Built-in Optical Filters Clear, 1/4, 1/16, 1/64 Clear, 1/4, 1/16, 1/64 Clear, 1/4, 1/16, 1/64
Slow & Quick Motion Function Yes
[60i]: 1080p: Frame rate selectable 240,480,960fps
Slow Motion [60i]: XAVC HD: 120 fps [50i]: XAVC HD: 100 fps No
[50i]: 1080p: Frame rate selectable 250,500,1000fps
Gain -3, 0, 3, 6, 9, 12,15, 18, 21, B6, 27, 30, 33 dB, AGC -3, 0, 3, 6, 9, 12,15, 18, 21, 24, 27, 30, 33 dB, AGC -3, 0, 3, 6, 9, 12,15, 18, 21, 24, 27, 30, 33 dB, AGC
Gamma Curve Selectable
Minimum Illumination 1.7 lux (LOW LUX mode) 1.7 lux (LOW LUX mode) 1.7 lux (LOW LUX mode)
Lens
Lens Mount FIXED
12x (optical), servo 12x (optical), servo 12x (optical), servo
Zoom Ratio [HD] 24x Clear image zoom, [HD] 24x Clear image zoom, [HD] 24x Clear image zoom,
[4K] 18x Clear image zoom [4K] 18x Clear image zoom [4K] 18x Clear image zoom (with CBKZ-X70FX)
Focal Length f = 9.3 - 111.6 mm (35 mm equivalent: 29.0 - 348 mm) (16:9) f=9.3 - 111.6 mm (35 mm equivalent: 29.0 - 348 mm) (16:9) f=9.3 - 111.6 mm (35 mm equivalent: 29.0 - 348 mm) (16:9)
Iris F2.8 - F4.5 auto/manual selectable F2.8 - F4.5 auto/manual selectable F2.8 - F4.5 auto/manual selectable
Filter Diameter M62 mm M62 mm M62 mm
Input/Output
Audio Input XLR-type 3-pin (female) (x2) XLR-type 3-pin (female) (x2) XLR-type 3-pin (female) (x2)
HDMI Output Type A (x1)
SDI Output BNC (x1), 3G/HD/SD selectable BNC (x1), 3G/HD/SD selectable BNC (x1), 3G/HD/SD selectable
Composite Output Integrated into Multi/Micro USB jack (×1), Composite 1.0Vp-p, 75Ω No Integrated into Multi/Micro USB jack (×1), Composite 1.0Vp-p, 75Ω
GENLOCK-IN No
Audio Output Integrated into Multi/Micro USB jack (x1), RCA pin (Monaural) (x1) Integrated into Multi/Micro USB jack Integrated into Multi/Micro USB jack
TC In/Out No
Integrated into Multi/Micro USB jack, Stereo mini-mini jack Integrated into Multi/Micro USB jack, Stereo mini-mini jack
Remote Stereo mini mini jack ø2.5mm (x1)
(ø2.5mm) (o2.5mm)
MI Shoe Yes (x1)
Headphone Output Stereo mini jack (x1)
Wired LAN Use with VMC-UAM2 and CBK-NA1. Both sold separately. Use with VMC-UAM2 and CBK-NA1. Both sold separately. Use with VMC-UAM2 and CBK-NA1. Both sold separately.
Monitoring / Built-in Microphone & LED
0.39 type OLED: Approx. 1.44M dots 0.39 type OLED: Approx. 2.36M dots 0.39 type OLED: Approx. 1.44M dots
Viewfinder / LCD
3.5 type LCD monitor: Approx. 1.56M dots 3.5 type: Approx. 1.56M dots. 3.5 type LCD monitor: Approx. 1.56M dots
Built-in Microphone Omni-directional stereo electret condenser microphone.
Built-in LED Light No
Media
Memory Stick Pro Duo™ and SD/SDHC/SDXC compatible (x1), Memory Stick Pro Duo™ and SD/SDHC/SDXC compatible (x1), Memory Stick Pro Duo™ and SD/SDHC/SDXC compatible (x1),
Internal Memory/Type
SD/SDHC/SDXC (x1) SD/SDHC/SDXC x1 SD/SDHC/SDXC (x1)
General
Battery-type InfoLITHIUM L InfoLITHIUM V InfoLITHIUM V
Approx. 260 min. with NP-F770 battery (while recording with
Approx. 140 min. with NP-FV70A battery (while recording with Approx. 120 min. with NP-FV70 battery
Battery Operating Time LCD, XAVC 1080/60i, 50 Mbps) Approx. 400 min. with NP-F970
LCD, XAVC QFHD 2160/30p, 60Mbps) (while recording with LCD, XAVC 1080/60i, 50 Mbps)
battery (while recording with LCD, XAVC 1080/60i, 50 Mbps)
Wireless Functions QoS Streaming/Streaming/FTP/Wi-Fi remote control and monitoring QoS Streaming/Streaming/FTP/Wi-Fi remote control and monitoring QoS Streaming/Streaming/FTP/Wi-Fi remote control and monitoring
NFC Yes
GPS No
Approx. 1895 g (Approx. 4 lbs 3 oz) (body only)
Weight Approx. 2270 g (Approx. 5 lbs (with lens hood, eyecup, NP-F770 Approx. 1020 g (Approx. 2 lb 4.0 oz) (with lens hood,eyecup) Approx. 900 g (Approx. 1 lb 15 oz) (body only)
battery)
121.0 mm × 104.0 mm × 274.5 mm Approx. 120.7 × 103.5 × 274.3 mm
171.3 × 187.8 × 371.3 mm (6 3/4 × 7 3/8 × 14 5/8 inches)
(4 7/8 × 4 1/8 × 10 7/8 inches) (Approx. 4 7/8 × 4 1/8 × 10 7/8 inches)
Dimension (W × H × D) (With the accessories (lens hood, large eyecup), excluding the
(With the accessories (lens hood, large eyecup) ,excluding the (With the accessories (lens hood, large eyecup), excluding the
grip belt and including the projecting parts)
grip belt and including the projecting parts) grip belt and including the projecting parts)
4
NXCAM™ Full Line-up
HXR-NX80 HXR-NX200 HXR-NX100 HXR-NX5R HXR-MC2500
Camera Section
1.0-type back-illuminated Exmor R 3-chips 1/2.8 type Exmor CMOS
Imaging Device (Type) 1.0 type Exmor RS CMOS 1.0-type Exmor R CMOS 1/3.95 type Exmor R CMOS
CMOS sensor Sensor
Effective Picture Elements (Video) Approx.14.2M (16:9) Approx. 14.2 M (16:9) Approx. 14.2 M (16:9) Approx. 2.07M Approx. 6.14M (16:9)
Built-in Optical Filters Clear, 1/4, 1/16, 1/64 Clear, 1/4, 1/16, 1/64 Clear, 1/4, 1/16, 1/64 Clear, 1/4, 1/16, 1/64 No
Slow & Quick Motion Function Yes No
[60i]: 1080p: Frame rate selectable
[50i]: 1080p: Frame rate
240, 480, 960f ps
Slow Motion selectable No
[50i]: 1080p: Frame rate selectable
1.2.3.6.12.25, 50 fps
250, 500, 1000 fps
Gain -3, 0, 3, 6, 9, 12,15, 18, 21, 24, 27, 30, 33 dB, AGC -3, 0, 3, 6, 9, 12,15, 18, 21, 24, 27, 30, 33 dB, AGC -3, 0, 3, 6, 9, 12,15, 18, 21, 24, 27, 30, 33 dB, AGC -6, -3, 0, 3, 6, 9, 12, 15, 18, 21, 24, 27, 30 dB, AGC 0, 3, 6, 9, 12, 15, 18, 21, 24, 27, 30, 33 dB, AGC
Gamma Curve Selectable No
[60i] 1.6 lux (MAN setting: SS 1/30sec, Iris F1.8, Gain 33dB)
1.2lux (1/30 Shutter Speed, iris/gain [60i] 0.8 lux (MAN setting: SS 1/15sec, Iris F1.8, Gain 33dB)
Minimum Illumination 1.7 lux (LOW LUX mode) 1.7 lux (LOW LUX mode) 1.7 lux (LOW LUX mode)
Auto) [50i] 1.4 lux (MAN setting: SS 1/25sec, Iris F1.8, Gain 33dB)
[50i] 0.7 lux (MAN setting: SS 1/12sec, Iris F1.8, Gain 33dB)
Lens
Lens Mount FIXED
12x (optical), servo 12x (optical), servo/manual
12x (optical), 24x Clear image zoom, 20x (optical), 40x (Clear Image Zoom), 12x (Optical), 24x Clear image zoom,
Zoom Ratio [HD] 24x Clear image zoom, [HD] 24x Clear image zoom,
servo servo/manual 200x Digital zoom, servo/manual
[4K] 18x Clear image zoom [4K] 18x Clear image zoom
f=9.3 - 111.6 mm f = 9.3 - 111.6 mm f = 9.3 - 111.6 mm f=4.1 - 82.0mm f = 2.9-34.8 mm
Focal Length
(35mm equivalent: 29.0 - 348 mm) (16:9) (35mm equivalent: 29.0 - 348 mm) (16:9) 35mm equivalent: 29.0 - 348 mm) (16:9) (35mm equivalent: 28.8 - 576 mm) (16:9) (35mm equivalent: 26.8 - 326.1 mm) (16:9)
Iris F2.8 - F4.5 auto/manual selectable F2.8 - F4.5 auto/manual selectable F2.8 - F4.5 auto/manual selectable F1.6 (Wide) - F3.4 (Tele) auto/manual selectable F1.8 - F3.4 auto/manual selectable
Filter Diameter M62mm M62 mm M62 mm M72 mm M37 mm
Input/Output
XLR-type 3-pin (female) (x2), line/ XLR-type 3-pin (female) (x2), line/ XLR-type 3-pin (female) (x2), line/
Audio Input XLR-type 3-pin (female) (×2) No
mic/mic +48 V selectable mic/mic +48 V selectable mic/mic +48 V selectable
HDMI Output Type A (x1)
BNC type (x1), BNC (x1), 3G/HD/SD
SDI Output No No
selectable
Composite Output No BNC (x1)
GENLOCK-IN No
Audio Output Integrated into Multi/Micro USB jack RCA pin RCA pin Stereo mini jack (x1) RCA pin
TC In/Out No
Integrated into Multi/Micro USB jack,
Remote Stereo mini mini jack ø2.5 mm (x1)
Stereo mini-mini jack (ø2.5 mm)
MI Shoe Yes (x1)
Headphone Output Stereo mini jack (x1)
Option
Wired LAN *required VMC-UAM2 USB adapter No
cable and network adaptor kit CBK-NA1
Monitoring / Built-in Microphone & LED
0.39 type OLED: Approx. 2.36M dots 0.24 type LCD: Approx. 1.56 M dots. 0.24 type LCD: Approx. 1.56 M dots. 0.39-inch* type OLED (1.0cm) Approx. 1.44 M dots 0.39 type OLED: Approx. 1.44M dots
Viewfinder / LCD
3.5 type: Approx. 1.56M dots. 3.5 type LCD monitor: Approx. 1.56 M dots. 3.5 type LCD monitor: Approx. 1.56 M dots. 3.5-inch* type (8.8cm) Approx. 1.56 M dots. 3.0 type LCD monitor: Approx. 921K dots.
Built-in Microphone Omni-directional stereo electret condenser microphone.
Built-in LED Light No Yes No
Media
Memory Stick Pro Duo™ and SD/ Memory Stick Pro Duo™ and SD/ Memory Stick Pro Duo™ and SD/ Memory Stick Pro Duo™ and SD/ Flash Memory 32GB
Internal Memory/Type SDHC/SDXC compatible (x1), SD/ SDHC/SDXC compatible (x1), SD/ SDHC/SDXC compatible (x1), SD/ SDHC/SDXC compatible (x1), SD/ Memory Stick Pro Duo™ and SD/
SDHC/SDXC x1 SDHC/SDXC (x1) SDHC/SDXC (x1) SDHC/SDXC (x1) SDHC/SDXC compatible (x1)
General
Battery-type InfoLITHIUM V
Approx. 150 min. with NP-F570 battery Approx. 240 min. with NP-F770 battery
Approx. 155 min. with NP-FV70A battery Approx. 345 min. with NP-F770 battery
(while recording with LCD, AVCHD 1080/50i FX) (while recording with LCD, AVCHD 1080/60i FX) Approx. 285 min with NP-F570 battery
Battery Operating Time (while recording with LCD, XAVC S 4K (while recording with LCD, AVCHD
Approx. 240 min. with NP-F570 battery Approx. 440 min. with NP-F770 battery (video light Off)
2160/30p, 60Mbps) 1080/60i FX)
(while playing with LCD, AVCHD 1080/50i FX) (while playing with LCD, AVCHD 1080/60i FX)
Wireless Functions Streaming/Wi-Fi remote control No Wi-Fi remote control
NFC Yes No NFC Forum Type 3 Tag compliant
GPS No
Approx. 1800 g (Approx. 3 lb 15 oz ) (body) Approx. 1900 g (Approx. 4 lb 3 oz) (body) Approx .2110 g (Approx. 4 lb 10 oz) (body)
Approx. 955 g (Approx 2 lb 1.7 oz) Approx. 2.80 kg (Approx. 6 lb 2.8 oz)
Weight Approx. 2100 g (Approx. 4 lb 10 oz) (with Approx. 2100 g (Approx. 4 lb 10 oz) (with Approx. 2500 g (Approx. 5 lb 8 oz) (with
(with lens hood,eyecup) (body)
lens hood, ,eyecup, NP-F570 battery) lens hood, eyecup, NP-F770 battery) lens hood, eyecup, NP-F770 battery)
121.0mm × 104.0mm × 274.5mm 171.3 × 187.8 × 371.3 mm Approx. 171.3 × 187.8 × 371.3 mm 176.0 × 199.5 × 385.0 mm
(4 7/8 × 4 1/8 × 10 7/8 inches) (6 3/4 x 7 1/2 x 14 5/8 inches) (Approx. 6 3/4 × 7 3/8 × 14 5/8 inches) (7 × 7 7/8 × 15 1/4 inches) Approx. 265.0 × 235.0 × 455.0 mm
Dimension (W × H × D) (With the accessories (lens hood, large (With the accessories (lens hood, large (With the accessories (lens hood, large (With the accessories (lens hood, large (Approx. 10 1/2 × 9 3/8 × 18 inches)
eyecup) ,excluding the grip belt and eyecup), excluding the grip belt and eyecup), excluding the grip belt and eyecup), excluding the grip belt and (body)
including the projecting parts) including the projecting parts) including the projecting parts) including the projecting parts)
5
Recording Format
PXW-FS7M2/PXW-FS7M2K PXW-FS7 PXW-FS5M2/FS5M2K PXW-FS5 PXW-Z280 PXW-Z190 PXW-Z150
NTSC / PAL Switchable
Switchable
Recording Format (Video)
59.94p: 600Mbps, 59.94p: 600Mbps,
50p: 500Mbps, 50p: 500Mbps,
XAVC Intra 29.97p: 300Mbps, 29.97p: 300Mbps,
4096 x 2160 25p: 250Mbps, 25p: 250Mbps,
23.98p: 240Mbps 23.98p: 240Mbps
(after Upgrade in Mar.2015) (after Upgrade in Mar.2015)
59.94p: 600Mbps, 59.94p: 600Mbps, 59.94p: 600Mbps,
50p: 500Mbps, 50p: 500Mbps, 50p: 500Mbps,
XAVC Intra
29.97p: 300Mbps, 29.97p: 300Mbps, 29.97p: 300Mbps,
3840 x 2160
25p: 250Mbps, 25p: 250Mbps, 25p: 250Mbps,
23.98p: 240Mbps 23.98p: 240Mbps 23.98p: 240Mbps
59.94p: 222Mbps, 59.94p: 222Mbps, 59.94p: 222Mbps ,
50p: 185Mbps, 50p: 185Mbps, 50p: 185Mbps ,
XAVC Intra
59.94i, 29.97p: 111Mbps, 59.94i, 29.97p: 111Mbps, 59.94i, 29.97p: 111Mbps,
1920 x 1080
50i, 25p: 112Mbps, 50i, 25p: 112Mbps, 50i, 25p: 112Mbps,
23.98p: 89Mbps 23.98p: 89Mbps 23.98p: 89Mbps
XAVC Intra
59.94p:111Mbps, 50p: 112Mbps
1280 x 720
XAVC-Long 59.94p, 50p: 150Mbps, 59.94p, 50p: 150Mbps, 29.97p, 25p, 23.98p: 29.97p, 25p, 23.98p: 100Mbps, 29.97p, 25p, 23.98p: 100Mbps,
59.94p, 50p, 29.97p,25p, 23.98p: 150Mbps
3840 x 2160 29.97p, 25p, 23.98p: 100Mbps 29.97p, 25p, 23.98p: 100Mbps 100Mbps/60Mbps 60Mbps 60Mbps
59.94p, 50p: 50Mbps/35Mbps 59.94p, 50p: 50Mbps/35Mbps
59.94p, 50p, 59.94i, 50i, 29.97p, 59.94p, 50p, 59.94i, 50i, 29.97p, 59.94i, 50i: 50Mbps/35Mbps/ 59.94i, 50i: 50Mbps/35Mbps/ 59.94p, 50p, 59.94i, 50i, 29.97p,
XAVC-Long 59.94i, 50i: 50/35/25Mbps,
25p, 23.98p: 50/35Mbps, 25p, 23.98p: 50/35Mbps, 25Mbps 25Mbps 25p, 23.98p: 50Mbps, 35Mbps
1920 x 1080 59.94p, 50p, 29.97p, 25p, 23.98p: 50/35Mbps
59.94i, 50i: 25Mbps 59.94i, 50i: 25Mbps 29.97p, 25p, 23.98p: 50Mbps/ 29.97p, 25p, 23.98p: 50Mbps/ 59.94i, 50i: 25Mbps
35Mbps 35Mbps
XAVC-Long
59.94p, 50p, 50Mbps 59.94p, 50p: 50Mbps 59.94p, 50p:50Mbps 59.94p, 50p: 50Mbps
1280 x 720
XAVC S 4K
3840 x 2160
XAVC S
1920 x 1080
MPEG HD422 59.94i, 50i, 29.97p, 25p, 23.98p: 59.94i, 50i, 29.97p, 25p, 23.98p: 59.94i, 50i, 29.97p, 25p, 23.98p: 59.94i, 50i, 29.97p, 25p, 23.98p:
Optional *required CBKZ-SLMP Optional *required CBKZ-SLMP
1920 x 1080 50Mbps 50Mbps 50Mbps 50Mbps
MPEG HD422 59.94p, 50p, 29.97p, 25p, 59.94p, 50p, 29.97p, 25p, 59.94p, 50p, 29.97p, 25p, 59.94p, 50p, 29.97p, 25p,
Optional *required CBKZ-SLMP Optional *required CBKZ-SLMP
1280 x 720 23.98p: 50Mbps 23.98p: 50Mbps 23.98p: 50Mbps 23.98p: 50Mbps
MPEG HD420 59.94i, 50i, 29.97p, 25p, 23.98p: 59.94i, 50i, 29.97p, 25p, 23.98p:
Optional *required CBKZ-SLMP Optional *required CBKZ-SLMP
1920 x 1080 35Mbps 35Mbps
MPEG HD420 59.94p, 50p, 29.97p, 25p,
Optional *required CBKZ-SLMP Optional *required CBKZ-SLMP 59.94i, 50i: 35Mbps
1440 x 1080 23.98p: 35Mbps
MPEG HD420 59.94p, 50p, 29.97p, 25p,
Optional *required CBKZ-SLMP Optional *required CBKZ-SLMP 59.94p, 50p: 35Mbps
1280 x 720 23.98p: 35Mbps
MPEG IMX50
720 X 486
MPEG IMX50
720 x 576
59.94p, 50p, 59.94p, 50p,
PS mode (28Mbps) PS mode (28Mbps) 59.94p, 50p: 28Mbps,
AVCHD™
59.94i/50i/29.97p/25p/23.98p, 59.94i/50i/29.97p/25p/23.98p, 59.94i, 50i, 29.97p, 25p, 23.98p:
1920 x 1080
FX mode (24Mbps) FX mode (24Mbps) 24Mbps, 17Mbps
FH mode (17Mbps) FH mode (17Mbps)
AVCHD
1440 x 1080
59.94p, 50p, 59.94p, 50p,
AVCHD FX mode (24Mbps) FX mode (24Mbps) 59.94p, 50p: 24Mbps, 17Mbps,
1280 x 720 FH mode (17Mbps) FH mode (17Mbps) 9Mbps
HQ mode (9Mbps) HQ mode (9Mbps)
DVCAM®
59.94i, 29.97p (NTSC): 25Mbps 59.94i (NTSC): 25Mbps
720 x 480
DVCAM
50i, 25p (PAL): 25Mbps 50i (PAL): 25Mbps
720 x 576
1920 x 1080: 9Mbps,
1280 x 720: 9Mbps,
1280 x 720: 9Mbps, 6Mbps 1280 x 720: 9Mbps,
PROXY H.264 640 x 360: 3Mbps,
640 x 360: 3Mbps 640 x 360: 3Mbps
480 x 270: 1Mbps, 500Kbps
480 x270: 1Mbps, 500Kbps
MP4
6
PXW-Z90 PXW-X70 HXR-NX80 HXR-NX200 HXR-NX100 HXR-NX5R HXR-MC2500
NTSC / PAL Not Switchable
Switchable
Switchable PAL NTSC PAL NTSC PAL NTSC PAL
Recording Format (Video)
XAVC Intra
4096 x 2160
XAVC Intra
3840 x 2160
XAVC Intra
1920 x 1080
XAVC Intra
1280 x 720
29.97p, 25p, 23.98p: 100Mbps.
XAVC-Long 29.97p, 25p, 23.98p: 100Mbps,
60Mbps with CBKZ-X70FX
3840 x 2160 60Mbps
firmware option
59.94p, 50p, 29.97p, 25p, 59.94p, 50p, 29.97p, 25p,
XAVC-Long 23.98p: 50Mbps, 35Mbps 23.98p: 50Mbps, 35Mbps
1920 x 1080 59.94i, 50i: 50Mbps, 35Mbps, 59.94i, 50i: 50Mbps, 35Mbps,
25Mbps 25Mbps
XAVC-Long
59.94p, 50p: 50Mbps 59.94p, 50p:50Mbps
1280 x 720
XAVC S 4K 29.97p, 25p, 23.98p: 100Mbps,
25p, 100Mbps/60Mbps
3840 x 2160 60Mbps
119.88p, 100p: 100Mbps,
59.94p, 59.94p,
60Mbps
XAVC S 29.97p, 50p, 25p, 29.97p, 50p, 25p,
59.94p, 50p: 50/25Mbps 50p, 25p, 50Mbps
1920 x 1080 23.98p, 50Mbps 23.98p, 50Mbps
29.97p, 25p: 50/16Mbps
50Mbps 50Mbps
23.98p: 50Mbps
59.94i, 50i, 29.97p, 25p, 23.98p: 59.94i, 50i, 29.97p, 25p, 23.98p:
MPEG HD422
50Mbps 50Mbps
1920 x 1080
Optional *required CBKZ-SLMP Optional *required CBKZ-SLMP
MPEG HD422 59.94p, 50p: 50Mbps 59.94p, 50p: 50Mbps
1280 x 720 (Optional *required CBKZ-SLMP Optional *required CBKZ-SLMP
59.94i, 50i, 29.97p, 25p, 23.98p: 59.94i, 50i, 29.97p, 25p, 23.98p:
MPEG HD420
HQ mode (35Mbps) HQ mode (35Mbps)
1920 x 1080
(Optional *required CBKZ-SLMP Optional *required CBKZ-SLMP
MPEG HD420 59.94i, 50i: HQ mode (35Mbps) 59.94i, 50i: HQ mode (35Mbps)
1440 x 1080 Optional *required CBKZ-SLMP Optional *required CBKZ-SLMP
MPEG HD420 59.94p, 50p: HQ mode (35Mbps) 59.94p, 50p: HQ mode (35Mbps)
1280 x 720 Optional *required CBKZ-SLMP Optional *required CBKZ-SLMP
MPEG IMX50
720 x 486
MPEG IMX50
720 x 576
59.94p, 59.94p,
59.94p, 50p: PS mode (28Mbps) 59.94p, 50p: PS mode (28Mbps) 50p, 50p, 50p, 59.94p: 28Mbps
PS mode (28Mbps) PS mode (28Mbps) 50p: 28 Mbps
59.94i, 50i: FX mode (24Mbps), 59.94p, 50p: 28Mbps, 59.94i, 59.94i/50i: FX mode (24Mbps), PS mode (28 Mbps) PS mode (28Mbps) PS mode (28Mbps) 59.94i/29.97p/
AVCHD 59.94i/29.97p/ 59.94i/29.97p/ 50i/25p,
FH mode (17Mbps) 50i, 29.97p, 25p, 23.98p: FH mode (17Mbps) 50i/25p, 50i/25p, 50i/25p, 23.98p:
1920 x 1080 23.98p, 23.98p, 24Mbps,
29.97p, 25p, 23.98p: FX mode 24/17Mbps 29.97p/25p/23.98p: FX mode FX mode (24 Mbps) FX mode (24Mbps) FX mode (24Mbps) 24Mbps,
FX mode (24Mbps) FX mode (24Mbps) 17Mbps
(24Mbps) (24Mbps) FH mode (17 Mbps) FH mode (17Mbps) FH mode (17Mbps) 17Mbps
FH mode (17Mbps) FH mode (17Mbps)
50i, 59.94i, 50i, 59.94i, 50i,
AVCHD
59.94i, 50i: LP mode (5Mbps) 59.94i, 50i: LP mode (5Mbps) HQ mode (9 Mbps) HQ mode (9Mbps) HQ mode (9Mbps) HQ mode (9Mbps) HQ mode (9Mbps)
1440 x 1080
LP mode (5 Mbps) LP mode (5Mbps) LP mode (5Mbps) LP mode (5Mbps) LP mode (5Mbps)
50p, 59.94p, 50p, 59.94p, 50p,
59.94p:
AVCHD 59.94p, 50p: 24Mbps/ FX mode (24 Mbps) FX mode (24Mbps) FX mode (24Mbps) FX mode (24Mbps) FX mode (24Mbps) 50p: 24Mbps,
59.94p, 50p: HQ mode (9Mbps) 59.94p, 50p: HQ mode (9Mbps) 24Mbps,
1280 x 720 17Mbps/9Mbps FH mode (17 Mbps) FH mode (17Mbps) FH mode (17Mbps) FH mode (17Mbps) FH mode (17Mbps) 17Mbps, 9Mbps
17Mbps, 9Mbps
HQ mode (9 Mbps) HQ mode (9Mbps) HQ mode (9Mbps) HQ mode (9Mbps) HQ mode (9Mbps)
DVCAM®
59.94i (NTSC): 25Mbps 59.94i, 25 Mbps 59.94i, 25 Mbps 59.94i, 25 Mbps
720 x 480
DVCAM
50i (PAL): 25Mbps 50i, 25 Mbps 50i, 25Mbps 50i, 25Mbps 50i, 25Mbps
720 x 576
1280 x 720: 9Mbps,
1280 x 720: 9Mbps, 1280 x 720:9Mbps,
PROXY H.264 640 x 360: 3Mbps
640 x 360: 3Mbps 640 x 360:3Mbps
(ver 2.0 or above)
MP4
7
SELP18110G sold separately
PXW-FS7M2/PXW-FS7M2K
Ultimate Super35 versatility
FS7 II dramatically improves your experience of Freedom to shoot & move with Electronic Auto
shooting Variable ND
How did we improve on our bestselling FS7? We listened to our Shooting with FS7 II is a truly liberating experience – shoot and
users to create an advanced version of the FS7 with technical, move with no need to worry about changing light conditions,
mechanical and ergonomic enhancements to take your no time wasted fiddling with exposure settings or changing
products to even greater heights. A host of enhancements, filters. Sony’s unrivalled technology continuously adjusts the
from an all-new lens mount to Electronic Auto Variable ND density of the electronic ND Filter without losing resolution while
system and enhanced ergonomics, transform the possibilities maintaining color balance. See FS7 II in action for yourself to
of what you can do. discover how Sony has transformed shooting on the move.
Shoot and move. Handheld, shoulder-mount or suspended
from a gimbal. FS7 II delivers the spectacular imagery you
expect from Sony.
E mount flexibility extended
E-mount offers unsurpassed compatibility with Sony’s E-mount
lenses, along with simple third-party adapter for PL Mount cinema
lenses, SLR and DSLR glass, and even classic rangefinder lenses.
And for FS7 II there’s an all-new lever lock design. Simply put the
lens in place and rotate the collar until it locks in place. A lens Super 35/APS-C power zoom for 4K movies
release lever provides added security. The process of switching
lens can be simplified to save time. And of course, the E-mount SELP18110G powered zoom lens delivers optimum performance
can take cinema lenses and SLR lenses with a third party adapter, in Super 35/APS-C moviemaking applications, starting at 18 mm
as well as Sony’s E-mount and A-mount lenses. Whatever your wide-angle and extending through an impressive 6.1x zoom
lens requirements, FS7 II has you covered. range with a constant F4 maximum aperture.
Mount System
8G Lens optical performance suitable for 4K throughout the zoom 180 fps High Frame Rates
range. High Frame Rate shots can turn everyday actions into slow-
• Lag-free mechanical manual zoom for high-level, versatile motion ballet, a visual feast of elegant movement. The FS7 II
zoom control. delivers a maximum of 180 frames per second (fps) continuous
• Refined manual focus operation for subtle adjustment. shooting in Full HD. If your project plays at the cinematic 24
• Optical SteadyShot image stabilization helps keep images fps, you get beautiful 7.5x Super Slow Motion. There's no
blur-free as well as minimizing the need to boost ISO in low sacrifice in bit depth and no "windowing" of the sensor. So
light conditions. there's no crop factor, no loss in angle of view. The camera
• Compact, lightweight design ideal for active shooting and also performs Slow & Quick (S&Q) motion from 1 to 180 fps in
when using gimbals. 1 fps increments. So you can alter the narrative by selectively
• Reliable in challenging conditions with a sealed dust and speeding up or slowing down the action.
moisture-resistant design.
You also have the choice of purchasing the FS7 II on its own
Luxurious color at money-saving bitrates
(PXW-FS7M2) or with SELP18110G lens (PXW-FS7M2K). Long-form projects shine with Sony's XAVC™ L (Long GOP)
recording system. Record luxurious QFHD at 59.94p/50p at
a maximum bit rate of 150 Mbps. Or take advantage of the
superior grayscale rendition of 10-bit High Definition, plus the
uncompromised detail of 4:2:2 color – all at budget-friendly
data rates of 50, 35 or even 25 Mbps in HD mode. You can
also record on-board 4K (4096x2160) at cinema standard
24p, 59.94p, 50p, 29.97p, 23.98p or 25p. The camera captures
different color spaces, including the wide ITU-R BT.2020 for
Ultra High Definition.
Other formats include XAVC I (Intra) 4K at 600 Mbps, QFHD
(3840x2160) and Full HD (1920x1080), plus the well-accepted
MPEG HD 422, Apple ProRes 422 (with XDCA-FS7 extension
unit, sold separately), and even outboard RAW recording (with
XDCA-FS7 and outboard recorder, sold separately).
Shoulder mount comfort and control
FS7 delivered a revolution in ergonomics, but we listened
to cinematographers to make FS7 II even more comfortable
to use, especially when operating for hours in the field. The
number of assign buttons is increased from six to ten, all
extra large, while the LCD monitor arm and mic holder can
be swapped for left-eye shooting. The telescoping arm offers
even more settings, allowing the camcorder to be mounted
closer to your body. You no longer need a tool for adjustments.
You can be sure the remarkable Sony smart grip is always at
hand with all the key controls at your fingertips.
Next-generation memory
Long-form programs need media that's both reliable and
affordable. As specified by the CompactFlash Association,
XQD™ memory cards score big on both accounts. Reliability
comes from in-camera recovery. You get very low cost-per-
minute compared to CFast™ cards.
Sony’s G-Series XQD card extends these benefits with “EB
Stream” technology for a blistering 400 Mbps write-speed
and 440 Mbps read-speed. Using our 256GB G-Series card,
you can record approximately 45 minutes of 4K footage at 60P
or 3.5 hours at 30P in 2K. And when it’s finally time to swap out
cards, it’s now even easier – on FS7 II the card protrudes by a
more easily pinchable 8mm.
9PXW-FS7
Solid-State Memory Camcorder
High-sensitivity 4K Super35 Exmor CMOS Sensor Supports Various Formats
The FS7 is equipped with a Super 35 Exmor CMOS Sensor with The FS7 supports two formats, XAVC and MPEG-2 HD 422, which
approximately 11.6 million total pixels and 8.8 million effective can be selected to suit the application. Two XAVC compression
pixels. The high image readout speed of the image sensor allows systems (IntraFrame and Long GOP) are provided through an
the FS7 to support 4K motion- picture shooting and Super Slow H.264/MPEG-4 AVC codec. IntraFrame supports recording with
Motion. The sensor also realizes a high sensitivity of ISO2000 and 4:2:2 10-bit sampling for 4K and Full HD, as well as a high bit rate
a wide dynamic range of 14 stops. Thanks to its full-pixel readout of up to 600 Mbps*3. In Long GOP, image quality and recording
capability without pixel binning and sophisticated camera time are balanced to allow Full HD shooting with 4:2:2 10-bit
processing, jaggies and moiré are minimized. sampling at 50, 35 or 25 Mbps, making this format suitable for
longer duration shooting. Support is also provided for the MPEG2
HD 422 recording format which is mainly used at broadcast
stations around the world. Supported formats and bit rates are
indicated below.
*3 During 4K 59.94 fps recording.
Support for S-Gamut3.Cine/S-Log3,
S-Gamut3/S-Log3 and Other Log Curves
The FS7 supports such log gamma curves as S-Gamut3. Cine/S-
Log3 and S-Gamut3/S-Log3. Due to the fact that 18% gray is set
at a bright level, S-Log3 is noted for delivering a wider dynamic
range than the 1300% achieved by S-log2 incorporated in a
Full HD Recording with Super Slow Motion camera such as the NEX-FS700R, a difference equal to 1.5 stops.
The FS7 offers Continuous Recording at Full HD image quality The log gamma itself is close to Cineon log, so color correction is
and a frame rate of up to 180fps. This makes it possible to attain easier to perform and it is possible to achieve the look of film. In
up to 7.5x Super Slow Motion when played back at 23.98fps. addition, compared to the color gamut of S-Gamut3.Cine, which
Furthermore, support for unlimited shooting at Super Slow is geared toward reproducing the wide color gamut of DCI-P3
Motion means no more mistimed shots leading to extra takes. It color space used in digital cinema,the color gamut of S-Gamut3
also lets you pick out footage at exactly the point that you want. is geared toward the reproduction of almost all actual colors, and
is thereby suitable for archival purposes. In latest version, S-log2
Internal Recording in 4K*1 Resolution at 60fps*2 which is popular among cinematographers and videographers is
supported as well.
The FS7 supports internal recording at 4Ki resolution as well as a
wide range of frame rates (59.94p, 50p, 29.97p, 25p, and 23.98p). Two XQD Media Slots Support Simultaneous and
Relay Recording
*1 Support for QFHD 3840 x 2160 resolution will be available by the date of launch.
4096 x 2160 resolution support will be provided by firmware update scheduled
for early 2015. Built-in Multi-Interface (MI) Shoe
*2 59.94fps
Mount System
10Built-in ND Filter Unit Extension Unit "XDCA-FS7" for Shooting Support
Clear, 1/4 (2eV), 1/16 (4eV), and Extension Unit "XDCA-FS7" can be connected directly to the PXW-FS7
1/64 (6eV) to enable the use of functions that support the operator's shooting
style or workflow.
Support for
XDCA-FS7
4-channel Audio
Input and Recording
Flexible Design Supports
VCT-FS7
a Wide Range of Shooting Styles
The FS7 is equipped with a shoulder pad for stable shoulder-style
shooting. Users can also choose other supported shooting styles
including handy style, chest style (using the curved rear part of
the FS7), tripod shooting, etc. depending on conditions RAW Output for External 4K/2K RAW Recording
The FS7’s FS RAW Interface can be connected to an HXR-IFR5
interface unit and RAW AXS-R5 recorder to enable external
4K/2K RAW recording. The interface also allows the use of
compatible third-party external recorders. Full HD footage
shot with the unit is time code-synchronized to allow offline
editing of the content.
Precise Timecode Synchronization Provided by
Genlock
Timecode In/Out Functions
Support for Apple ProRes 422 Recording
The FS7 now supports ProRes recording* (ProRes 422 HQ
and ProRes 422)**, providing an easy-to-use environment for
those accustomed to the ProRes workflow. * ProRes recording
requires attachment of the optional XDCA-FS7 extension unit
and a compatible optional power supply (BP-FL75 V-mount
battery, etc.) ** This function does not support simultaneous
recording, S&Q recording, Picture Cache Rec or other special
shooting functions. The corresponding frame rates are listed
below.
Format Resolution Wrap Frame-Rate
59.94i
29.97p
ProRes 422 HQ 1920 × 1080 MOV 23.98p
50i
25p
59.94i
29.97p
ProRes 422 1920 × 1080 MOV 23.98p
50i
25p
11PXW-FS5M2/FS5M2K
New look for unbounded creativity
Stunning New Super 35 Look 4K Super 35 Exmor™ Sensor
FS5 II’s all-new default look is specifi- • 4K resolution: 11.6 million total pixels and 8.8 million* effective pixels deliver 4K resolution.
cally tuned to meet the requirements of • Super 35 size sensor offers ‘bokeh,’ the defocussed backgrounds made
today’s content creators with rich mid- possible by shallow depth of field, as well as excellent low-light sensitivity.
• 14 stops of exposure latitude deliver powerful grayscale rendition
range colours, alluring facial tones and
without crushing shadow detail or blowing out highlight detail.
a softer tonal look tuned with the same
• Record 10bit 4:2:2 in Full HD at up 50Mbps internally.
expertise as Sony’s world-leading VENICE digital cinematography cam- • Record 4K at 60**/50 fps in FS-RAW via a compatible third-party external recorder.
era. Straight out of the camera your content will look fresh and vivid, * RAW output **59.94.
with subjects that really stand out, while still retaining plenty of latitude
for post production refinement due to the high performance Super 35 Mount Flexibility
Exmor™ sensor.
Built-in electronic Variable ND Filters
High Frame Rate (HFR) Recording Creative Picture Profiles
FS5 II delivers stunning slow motion imagery, including four seconds of FS5 II features an all-new default look with beautiful highlights and
120fps in 4K, continuous 240fps in 2K RAW when used in partnership with subtle, well rendered facial tones for more emotive visuals where your
a compatible third-party external recorder. subjects naturally stand out. There’s also an addi-
FS5 II also offers High Frame Rate (HFR) cache recording at Full HD 10bit tional nine Picture Profiles, including ones custom-
4:2:2 image quality and a frame rate of up to 240 fps (8 second cache ised for S-Log2, S-Log3 and a profile specifically
recording) and continuous 120fps internal recording in Full HD. tuned to provide vibrant, high contrast visuals for FS5 II
creators who desire a DSLR-stlye look. FS5
Resolution Frame rate Internal/output Continuous / Burst gamma chart (simulated)
4K
60* / 50 Output FS RAW Continuous Clear Image Zoom
(4096x2160)
120 / 100 Output FS RAW Burst four seconds Once you’ve zoomed in at maximum optical magnification, Pixel Super
2K 240 / 200 Resolution technology can enlarge the image by additional 200% in Full
Output FS RAW Continuous
(2048x1080) / 120 / 100
HD. It is also compatible with fixed focal length lenses, so you can zoom
Internal recording Continuous, or burst
120 / 100
Full HD XAVC HD 422 10bit sixteen seconds into a scene while using a prime lens.
(1920x1080) Internal recording
240 / 200 Burst eight seconds
XAVC HD 422 10bit Lightweight, Modular and Robust
* 59.94
Versatile Monitoring
Spectacular HDR Performance
Networked for High Mobility
Demand for HDR content is increasing and FS5 II offers you a choice
• Live stream from any event thanks to a choice of Wi-Fi or built-in wired LAN.
of two powerful workflows. A phenomenal fourteen stops of exposure
• Control FS5 II from your smartphone or tablet.
latitude ensures the highest fidelity in capturing highlights and details • Built-in NFC supports one-touch authentication possible with appropriate devices.
within shadows. • Be first with breaking news thanks to a built-in wired LAN jack for high-
• Instant HDR Workflow is all about speed. Shoot, edit and view content in speed FTP transfer of full resolution content.
Hybrid Log-Gamma (HLG) to deliver content quickly without compromising • GPS function automatically records GPS data.
on imaging expression and quality of content.
Dual SD card slots with independent record control
• S-Log2/3 is the proven choice for premium applications where you wish to
capture as much data as possible for the ultimate flexibility in grading. Multi-interface (MI) Shoe
Dual XLR inputs
TM
Mount System
12PXW-FS5
Solid-State Memory Camcorder
Grab and Shoot with Handheld Super35 Ultimate Mobility
A handheld camera should be able to get you into tight places. To The FS5 is a radical re-imagining of the FS7 for unsurpassed on
work in your lap. To move with the talent. To shoot high and low the go shooting in the most demanding of conditions. With a
angles with equal agility. And a handheld camera should func- body-only weight less than half the FS7 at 0.83kg, you can shoot
tion beautifully against your chest comfortably steadied by your almost anywhere. Handheld operation is simply exceptional as
right hand with all the controls at your fingertips. Sony’s extraor- the superbly balanced chassis is easily configured to shoot from
dinary PXW-FS5 does all of this, and more. high to low angles thanks to a flexible, rotatable grip and a LCD
viewfinder that can be mounted in no less than nine locations.
Mount Flexibility 1 lb 12 oz
Sony’s mount system offers unsurpassed compatibility with
both Sony and third-party lenses. The FS5’s E-Mount can take
Cinema lenses and SLR lenses with a third party adaptor, as well
(0.8Kg)
as Sony’s E-mount and A-mount lenses. So whether buying new
lenses, or making use of lenses you’ve already purchased, the
FS5 makes it easy.
E-mount
Lenses
+
Rotatable Grip
A-mount
Lenses
LA-E series mount adaptors
+ Other Lenses
Third party adaptor
Versatile Monitoring
Mount System
134K Super35 Exmor® Sensor Color, Contrast and the XAVC Codec
The FS5 is built around a Exmor CMOS Sensor that offers all the When quality is everything, make the most of the FS5’s Super35
benefits of a large format sensor in combination with the ex- Exmor sensor and shoot 100Mbps 4K (3840 x 2160) using Sony's
ceptional image readout speeds required for 4K motion-picture advanced XAVC (Long GOP) recording system. In the future, there
shooting and Super Slow Motion. will even be the option to record RAW externally (details to be an-
nounced). If you need a fast turnaround, switch to Full-HD (1920
x 1080)- recording at up to 60p XAVC 10bit 4:2:2 50Mbps. The
RAW Output Option* FS5 has the flexibility to suit how you need to work, today and
Sony’s FS RAW allows user to record 4K (4096x2160) 60p/50p tomorrow.
and continuous 2K (2048x1080) 240fps/200fps on an external
recorder.
Note: Since lens compensation is not compliant with RAW output, distortion might appear
Built-in Electronic Variable ND Filter / Auto ND
under specific condition with use of the SELP18105G, part of PXW-FS5K kit lens. The FS5 is the world's first Super 35mm camcorder* with a
* Requires Version 2.0 firmware or above, plus CBKZ-FS5RIF upgrade kit.
built-in electronic variable Neutral Density (ND) filter, further
expanding the depth of field capability of its large format
10
sensor. Unlike conventional optical ND filters, the electronic
ND filter on the FS5 can be controlled from 1/4ND to 1/128ND
Full HD bit linearly. This makes the FS5 ideal for fast-moving shoots in
changeable environments - there’s no need to change filters as
lighting conditions change and variable control makes it easy
to keep depth of field under control. Furthermore, ND filter can
High Frame Rate (HFR) Recording be set to Auto* to automatically keep the best exposure while
The FS5 offers High Frame keeping the aperture and depth of field.
Rate (HFR) cache record-
*Requires Version 2.0 firmware or above.
ing at Full HD 10bit 4:2:2
image quality and a frame
1/128
rate of up to 240 fps. The
8-second cache record-
ND
ing means no more mis-
timed shots leading to
extra takes. It also lets
you pick out footage at
exactly the point that you
want. It is also possible to
record 120 fps with up to
16-second cache record-
ing. Higher frame rates of
480 fps and 960 fps are
also possible
240 fps
(Actual images)
Instant HDR workflows
Shoot, edit and view HDR content in HLG without the need for
additional colour grading*.
Std. Gamma, ISO1000 F2, No ND Filter (Clear)
As the expanding need for HDR content continues, internet
video platforms and professionals producing corporate or
event content are paying more attention to the added value of
HDR. They need to deliver content quickly, without compromis-
ing on imaging expression and quality of content. To meet this
demand, the PXW-FS5 offers HLG (Hybrid Log Gamma) curve
and BT.2020 color space shooting, in addition to S-Log3, for
easy file-based workflows, whilst achieving the image quality
of HDR. This simple workflow enables the shooting, editing
and viewing of HDR content in HLG, without devoting a lot of
time to post-production work and additional color grading.
* HLG/BT.2020 compatible display required.
Std. Gamma, ISO1000 F2, 1/128ND
14PXW-Z280
World’s first 4K 3-chip Camcorder with 1/2-type Exmor R™ CMOS Image
Sensors, Redefines Handheld Production Image Quality and Workflow
World-leading Handheld 4K 50p/60p* Performance Face Detection Autofocus (AF)
Capture the whole scene with PXW-Z280. An all-new 4K 3CMOS This feature is important especially in more demanding 4K shoot-
1/2-type sensor delivers a deep depth of field with image quality, ing applications, such as recording interviews or lectures, helping
contributing to high resolution, high sensitivity of F12 (59.94p) , a specific person subjects automatically stay in pin-sharp focus.
and wide dynamic range. 4K 4:2:2 10-bit adds vivid imagery and
delicate color gradation.
*59.94p
Instant HDR Workflow
Shoot, edit and view HDR content in HLG without the need for
additional colour grading. Premium content services are switch-
Face Detection AF
ing to HDR and the PXW-Z280 is ready with Hybrid Log-Gamma
(HLG) recording, which allows you to easy file-based workflows,
whilst achieving the image quality of HDR in addition to S-Log3. Revolutionary Networking Capabilities
This simple workflow enables the shooting, editing and viewing Based on the technology developed for Sony’s cloud-based ENG
of HDR content in HLG without devoting a lot of time to post- service, “XDCAM air,” the new camcorder uses Sony’s Quality
production work and additional colour grading. of Service (QoS) for live distribution of high-quality broadcast
content using a Dual Link connection multiplexing two cellular
Built-in Electronic Variable ND Filters networks, assigning Planning Metadata and browsing and get-
ting clips in the recording media on camcorders from a distant
Sony’s ground-breaking integration of electronic variable ND Fil-
broadcast station via the cloud.
ters into the body of a camcorder enables fast, agile shooting.
Moving from shadowy interiors to bright sun-lit exteriors is no
problem. Unlike conventional optical ND filters, the electronic ND The Complete Package for Professional
filter on the PXW-Z280 can be controlled from 1/4ND to 1/128ND Advanced XAVC-Long and XAVC Intra for 4K QFHD and HD, plus
linearly while ND Filters can be set to fully auto. You can even MPEG HD422,MPEG HD and DVCAM to support any workflow.
manually adjust Depth of Field using the iris lens ring, while re- Four-channel audio recording with independent volume dials
lying on the camcorder to maintain constant exposure without enables precise control of external input audio and an attached
changing gain nor shutter speed. MI shoe microphone. 12G-SDI enables 4K 50p / 60p transfer be-
tween long distance using only one
17x Professional Zoom Lens with Three Independent BNC cable and dual MI shoes provide
cable-less connection with Sony’s
Rings with End-stop and Sensor Cropping Extender UWP-D series wireless microphone
The PXW-Z280 is equipped with a 17x professional zoom lens receiver and use of a video light at
able to zoom from 30.3mm to 515mm (35mm equivalent). The the same time.
1/2-inch type lens has three independent control rings with end-
stop, which allows manual control of focus, zoom and iris, making Dual MI Shoe
for better and faster adjustment. * HVL-LBPC and URX-P03D are optional
15PXW-Z190
4K Handheld Camcorder with all-new 1/3-type 3CMOS with 4K 50p/60p*
recording capability, 25x zoom lens and advanced Face Detection AF
* 59.94p
4K 50p/60p Performance Built-in electronic Variable ND Filters
The newly developed three 1/3-type Exmor R CMOS image sen- Moving from shadowy interiors to bright sun-lit exteriors is no
sors capture RGB light independently and deliver 4K 50p/60p problem. PXW-Z190 can be controlled from 1/4ND to 1/128ND
imagery with high resolution and a wide range of gradation. In linearly while ND Filters can be set to fully auto. You can even
HD shooting, 4:2:2 10-bit ensures vivid and rich color content. manually adjust Depth of Field using the iris lens ring, while re-
lying on the camcorder to maintain constant exposure without
25x Optical Zoom Lens with Three Independent Rings changing gain nor shutter speed.
The PXW-Z190 is equipped with a 25x professional zoom lens
able to zoom from 28.8mm to 720mm (35mm equivalent), with Dual Multi-Interface (MI) Shoe and 4ch Audio Input
three independent control rings, which allows manual control of
focus, zoom and iris, making for better and faster adjustment. Instant HDR Workflow
The image can be enlarged without any picture degradation in Shoot, edit and view HDR content in HLG without the need for
an HD mode and a 50x zoom equivalent image is captured with additional colour grading. Premium content services are switch-
sensor cropping extender. ing to HDR and the PXW-Z190 is ready with Hybrid Log-Gamma
(HLG) recording for easy file-based workflows, whilst achieving
the image quality of HDR.
Network Workflow Flexibility
Install the free “Content Browser Mobile” app on your smart-
phone to operate the camera remotely controlling Iris, Zoom,
Focus WB and other functions from the palm of your hand. The
PXW-Z190 is also easily upgraded to offer all the below features
with optional CBKZ-SLNW1.
• High quality QoS Streaming to Network RX station**.
• XDCAM air secure wireless workflow.
• MPEG TS UDP streaming to peripheral common receiver.
25x optical zoom
• FTP Transfer of proxy and high resolution clip to remote servers.
• Trimming proxy and high resolution clip prior to sharing.
Advanced Face Detection AF A Wealth of Formats and Features for Professional
The PXW-Z190 features newly developed Face Detection AF, select- The PXW-Z190 covers a wide range of main formats including
able from Face Priority AF or Face Only AF. Simply keep the person in XAVC-Long, DVCAM. In addition to these formats, MPEG HD 422
frame and however you move to obtain a better angle, you can be and MPEG HD are available with an optional license. Proxy 1080i
confident the PXW-Z190 will keep your subject in pin-sharp focus. up to 9Mbps can be utilized for 4K and HD simultaneous recording.
** Optional
**
16PXW-Z150
4K Handheld Memory Camcorder
Imaging performance with Exmor RS™ sensor Instant HDR workflows
To deliver imaging performance previously impossible for a compact Shoot, edit and view HDR content in HLG without the need for additional
camcorder, Sony has developed the world's first 1.0-inch type stacked colour grading*.
CMOS image sensor that delivers amazing imaging performance profes- As the expanding need for HDR content continues, internet video plat-
sionals have come to expect. forms and professionals producing corporate or event content are paying
more attention to the added value of HDR. They need to deliver content
quickly, without compromising on imaging expression and quality of con-
Exmor RS sensor tent. To meet this demand, the PXW-Z150 offers HLG (Hybrid Log Gamma)
Advanced ‘stacked' sensor design allows for a larger signal processing area without curve and BT.2020 color space shooting for easy file-based workflows,
reducing pixel size within a compact chassis. whilst achieving the image quality of HDR. This simple workflow enables
the shooting, editing and viewing of HDR content in HLG, without devot-
Exmor R Exmor RS
ing a lot of time to post-production work and additional color grading.
* HLG/BT.2020 compatible display required.
1.0-inch type Flexible 4K and Full HD recordings
Stunning 4K picture performance is supported with 4K QFHD (3840x2160)
XAVC Long GOP at 100Mbps, while integration with established broadcast
workflow is simplified with Full HD recording in XAVC Long GOP(4:2:2/10bit
Pixel area Hi-speed signal processing circuit 50Mbps) and MPEG-2 HD (50Mbps/35Mbps). You can even use AVCHD to
further expand workflow flexibility.
Networked for high mobility
Sony's G lens with maximum 24× zoom The PXW-Z150 has advanced networking capabilities that give you more
To maximize the quality of your images, the PXW-Z150 has a stunning mobility in your work, allowing you to FTP files directly from the cam-
optical 12x zoom lens that offers high resolution and contrast across the corder or live stream from any event using built-in Wi-Fi® features with
entirety of the image. Sony’s advanced Clear Image Zoom feature doubles no accessories required. Sony’s unique QoS technology*1 dramatically
magnification to 18x when shooting in 4K QFHD and 24x in HD, to fully improves the clarity that’s possible on a wireless connection, giving you
exploit the imaging capabilities of the PXW-Z150's large 1.0-inch type better pictures even with the limitations of today’s real-world networks.
stacked sensor. You can also remotely control the PXW-Z150 with a smartphone or tab-
let, including the ability to adjust settings such as focus, zoom, iris, REC
START/STOP and more using Sony’s Content Browser Mobile*2 software.
Compact and lightweight body
The PXW-Z150 is ergonomically designed to provide a lightweight and High resolution monitoring
easy-to-use shooting experience. Three manual, independent lens rings The PXW-Z150 gives you precise monitoring and low latency, however you
enable smooth, natural adjustment of focusing, zooming and iris control. choose to shoot, with its advanced, wide viewing-angle and high contrast
The camcorder can also be used in full-auto mode or completely manual 0.39 type 1440K dots OLED electronic viewfinder (EVF) with large eye-cap,
for maximum creative control. Exceptional 6.3W power efficiency offers and an easily adjustable, flip-out 3.5-inch*3 type 1550K dots LCD panel.
high performance within a compact handheld body style without com-
promising battery life. Up to 400 minutes with optional NP-F970 battery.* Multi-Interface (MI) Shoe
* While recording XAVC 1080/50i or 60i, 50Mbps with LCD on. The PXW-Z150 takes advantage of Sony’s flexible built-in Multi-Interface
(MI) Shoe, which provides power, signal connections and coordinated
on/off switching to compatible accessories from Sony. For example, you
can connect and control Sony's wireless microphone systems such as the
UWP-D11 or UWP-D12 or attach the HVL-LBPC light.
*1 QoS will initially require a firmware update and PWS-100RX1 receiver.
*2 The Content Browser Mobile application can be downloaded at no additional cost from
the Google Play Store or App Store.
*3 Viewable area measured diagonally.
17PXW-Z90
1.0 type Exmor RS CMOS sensor palm-sized XDCAM 4K camcorder with
XAVC, Fast Hybrid AF, Instant HDR Workflow & 3G-SDI
Revolutionary imaging performance with Exmor RS Instant HDR workflows
Exmor RS is a Sony's CMOS image sensor Shoot, edit and view HDR content in HLG without the need for
that adopts a unique "back- illuminated and additional colour grading*.
stacked structure. A large 14.2-megapixel As the expanding need for HDR content continues, internet
(effective) 1.0-type stacked CMOS image video platforms and professionals producing corporate or event
sensor delivers beautiful background content are paying more attention to the added value of HDR.
bokeh defocus effects and superior They need to deliver content quickly, without compromising
sensitivity for capturing high-quality on imaging expression and quality of content. To meet this
images with less noise, even under dark or demand, the PXW-Z90 offers HLG (Hybrid Log Gamma) curve
bright conditions. This sensor integrates and BT.2020 color space shooting, in addition to S-Log3, for easy
up to 273 phase-detection AF points that file-based workflows, whilst achieving the image quality of HDR.
densely cover approx. 84% of the image This simple workflow enables the shooting, editing and viewing
area, for precise tracking of subjects of HDR content in HLG, without devoting a lot of time to post-
throughout the shooting frame. production work and additional color grading.
* HLG/BT.2020 compatible display required.
Enhanced Fast Hybrid auto focus captures action
Enhanced Fast Hybrid auto focus (AF) is comprised of a number Stunning slow motion in Full HD
of features: Phase-detection AF with up to 273 reference High Frame Rate shots can turn everyday actions into slow motion
points covering approximately 84% of the image area, face ballet and the PXW-Z90 delivers up to 120 frames* per second
detection and lock-on auto focus technology to estimate subject (fps) in Full HD, giving you a maximum of 5 times slow motion
movement. They all work together seamlessly to capture fast- expression. There’s no sacrifice in bit depth and no “windowing”
moving subjects with amazing sharpness. of the sensor. So there’s no crop factor, no loss in angle of view.
Higher frame rates** are also possible at specific resolutions.
* 120fps (NTSC)/100fps (PAL)
** 240, 480, 960 (NTSC)/250, 500, 1000fps (PAL)
Broadcast quality 4K (QFHD) and HD
The PXW-Z90 allows you to record a wide range of 4K (QFHD) and
HD formats for maximum flexibility from this stunning palm-sized
camcorder. The Z90 supports XAVC QFHD 100Mbps recordings
at 30p/25p/24p, XAVC HD Long GOP 422 50Mbps, MPEGHD422
50Mbps*, MPEGHD420 35Mbps and AVCHD.
* MPEG HD recording requires optional licence (CBKZ-SLMP) upgrade.
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