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2018 MEDIA PLANNER
1
2018 MEDIA PLANNER asid.org | idcanada.org
July/August 2017
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Diversity. Unity.
MODERN GREEN
THE CHANGING
®
FACE OF DESIGN
THAT'S GOOD
Leadership.
FOR YOU We are thrilled to welcome you to the first issue of I+D, the new magazine of the
American Society of Interior Designers (ASID) and Interior Designers of Canada (IDC). EXPLORE NEW SURFACES
With building and designing to meet We embarked on this amazing journey to produce a joint magazine with the goal
Leadership in Energy and Environmental of bringing a new level of experience to our members and to the design industry
Design (LEED) certifications and as a whole. I+D ushers in a powerful and unified voice for the North American
Diversity by Design How to Succeed in ICONic Profile: market and beyond. It replaces the individual magazines—ICON and D—our
WELL Building Standards increasingly on
Succession Planning Yabu Pushelberg the minds of design professionals, finding organizations previously produced and will raise the bar for what you expect
from a design industry publication.
functional, comfortable, and attractive
From rooftops to interiors—redwood that
products suited to such spaces has become once dotted the New York skyline in the form
This is just the latest in a list of successful collaborations between ASID and
a regular part of doing business. of water towers finds new life in Stickbulb’s
designs. IDC. We have put our collective power together previously for multiple events
Ever-emerging ideas for infusing spaces and, in our shared work and experiences we have found, more than anything,
with elements of biophilic design and common ground. We are witnessing challenges over migration, diversity, and
products that contribute to a more healthy inclusion within our field and our nations at large. We are becoming educated
and sustainable built environment overall on issues of health, wellness, and well-being at the individual and societal level.
were front and center at recent trade shows. And, it is because of the creative and analytical ways in which we look at the
The official bimonthly magazine
New releases took modern day looks at how built environment, that the global community increasingly is turning to design
to keep inhabitants healthy and supported, professionals for solutions to such critical issues.
while also fueling the greater good.
Immersive
I+D will take you across our shared border and to borders beyond to delve deeper
into the topics that drive the design profession. In this issue, you’ll find stories
that reflect on some of the many themes that matter to our industry: creativity,
TOP RIGHT: Sourced from demolished water ingenuity, diversity, unity, and, guiding them all: leadership. In “Diversity by
towers around New York and carbon dated to be Design” (p. 42), we dive into the need for and advantage of a diverse workforce;
Experiences
more than 300 years old, majestic redwood is in “Designed to Dine” (p. 28), we turn our scope to eateries created to immerse
now available across all of Stickbulb’s sleek LED From the sea to the streets to the office— guests in unique experiences; in “Function & Form” (p. 34), we look at the
of the American Society of Interior
fixtures and bespoke installations–including the Bureo’s recycling program in Chile,
Boom chandelier shown here. Net Positiva, provides fishing net collection proliferation of public restrooms that are destinations in themselves and the move
points to keep plastic fishing nets out toward equality in these shared spaces; and in “Putting the ‘Success’ in Succession
IMAGE : YIA N N I TON G PHOTOGRA PHY
of our oceans. Planning” (p. 48), we outline the best paths for individuals looking to advance their
ABOVE LEFT: In partnership with Bureo,
Humanscale is set to produce desk chairs in which careers and the ways in which strong employers can help them get there.
the seating material offers a second life to used
fish nets Bureo collects from the coast of Chile.
Bureo’s process transforms the nets into pellets
As we look at our current audience, we see a diverse readership rich with
IMAGES: TOP ROW: STICK BUL B/SECO N D ROW: HUMAN SCAL E , BUR EO/
that go on to become a variety of products, shared experiences and experiences all their own and we embrace them all.
including skateboards, sunglasses, and, now, To directly serve our French-speaking communities across Canada, and to
ergonomic office chairs.
further enhance the social media and online platforms already in place for
Francophone members, we are producing an entirely French version of each
Designers (ASID) and the Interior
RIGHT: Biophilic inspiration is behind Malta, issue that will be available online. The link to this site can be found on the
an abstract, Arabesque motif from Aspecta by
Metroflor. The design aims to invoke a sense of
“Contents” (p. 10). And, as our readership continues to grow, so too will the
age, change, and the patina of time, as well as languages offered.
sensory variability. The biophilic design treatment
is in addition to the Declare labels from the
I+D will be a truly international magazine that will tell the stories of who we are
International Living Future Institute (ILFI) and
Health Product Declarations from SCS Global as design professionals and why our members’ work is more than just beautiful,
BOTTOM ROW: ASP ECTA, MO HAWK .
Services that accompany the full line of it’s imperative. This issue is just the beginning. We look forward to bringing you
Aspecta flooring products. a brand new design for I+D with our November/December issue and to continually
providing provocative content designed to engage and inspire. We are Americans
FAR RIGHT: Influenced by assemblages of and Canadians, we speak multiple languages, we have unique lives, but we are one
Designers of Canada (IDC)
multihued, multitextured lichens and their
in our belief that design profoundly impacts lives. With our organizations working
regenerative role in our ecosystem, the Lichen
Collection from Mohawk Group is the first together to advance the profession of design, the sky is the limit.
floorcovering to achieve Living Product Challenge
Petal Certification from ILFI. Jason F. McLennan,
the founder of ILFI and the Living Product
Challenge, and his team at McLennan Design
were commissioned by Mohawk to create Lichen.
Randy W. Fiser Tony Brenders
ASID CEO IDC CEO
ANTIQUE WOOD Y0056K-12
14 I+D JULY/AUGUST 2017
16 I+D JULY/AUGUST 2017
Ceragres
UP NEXT
The American Society of Interior Designers
FUTURE PRESENT
Domestic robots; appliances that speak to one another, to our phones, and to our
laptops; Internet of Things—the actuality of such products and concepts may seem
very 21st century but the ideas that led to these modern day developments were
born long before. As the things of science fiction increasingly become available
for everyday life, our expectations for what should be possible only expand. In the
authentic
(ASID) and Interior Designers of Canada
SINCE 1990
(IDC) have combined their respective
September/October issue, I+D will take a look at the products and ideas driving
the Smart Homes of today and what inventions we can look forward to in the
ever-looming future. Flying cars, anyone? Ceramic Porcelain Stone Mosaic Countertops
magazines (ICON & D) to create i+D, a new
North American design magazine with a
broadened international perspective and
reach. i+D will explore the heart of the
design industry and offer unique viewpoints
on design around the world.
I MAG E: ISTOC K.COM/HSTRO NGART
ICONic Profile
YABU PUSHELBERG
i+D is published in partnership by Stamats
YABU PUSHELBERG IS ONE OF THE MOST RECOGNIZED AND RESPECTED
Toronto Ottawa Montreal Dix30 Quebec Halifax ceragres.ca
I+D: What was the spark when you I+D: Is it easier to travel alone and
GLOBAL DESIGN BRANDS, with studios in Toronto and New York, and projects were young that inspired you to be not as a couple, not having to consult
currently underway in 16 countries. George Yabu and Glenn Pushelberg, partners in a designer? on even the smallest of choices?
life as well as business, began their relationship and design firm more than 30 years GEORGE: My father was a craftsman, GEORGE: No. 58 I+D JULY/AUGUST 2017
ago on a shoestring in Toronto. Starting with local small businesses, the firm now a woodworker and boat builder for
GLENN: Yes.
is known for major hospitality projects—seven alone in New York City, including fishermen on the west coast of Canada.
the uber-chic Park Hyatt—and restaurants, such as DALLOYAU Hong Kong. The He made a wooden bath in the basement GEORGE: (laughing) What?
defining YP style is the use of natural products and Asian and European aesthetics, for all eight of us in the family for a
GLENN: It’s occasionally nice to get away
steaming hot scrub-down and soak.
which together create the harmonious experience of an opposite-attracts love affair. and clear your head. But, there was one
There were hand tools he’d brought from
The firm’s work in retail spaces includes clients ranging from Barneys New York
Communications, Inc.
year I went to Asia 10 times and around
Japan and, one day, he was working on a
to Bergdorf Goodman to Louis Vuitton. YP also designs furniture for companies, wooden bowl with a strange looking saw.
the world four times. It was too much.
such as the Toronto and New York retailer Avenue Road. George and Glenn received He explained it was a better design than GEORGE: Alone works if you travel fast—
Canada’s highest honor for their work in 2013, becoming Officers of the Order of western ones, because when you cut go and come back fast.
Canada. They’ve been awarded the James Beard Foundation award for Excellence in wood with it, you pull the saw—it’s more
I+D: Tips for staying sane when
Restaurant Design and have been named Designer of the Year by Contract magazine, accurate; when you push a saw, it tends to
traveling?
as well as inducted into Interior Design magazine’s Hall of Fame. wobble, not when you pull it. That was
the moment. GEORGE: I like to have a few drinks and
I+D caught up with the pair one morning recently at their Hamptons beach house. indulge in the cheeses. And, feel terrible
I+D: Similarities, differences in the
At several points during the conversation, George multitasked by doing the dishes. later. We’re at the point in our lives where
working relationship?
we can travel in the front of the bus, so
GLENN: We’re both analytical, we’re both it’s not so bad. Also, combine business
precise. We’re not wishy-washy in terms with exploring a place. Get the real benefit
I+D: You live and work in Canada and I+D: I’m always interested in how of design. We keep things from being of traveling, which makes you more
the states. What’s the difference? couples who live and work together static and moving forward in terms of a accepting of other people and cultures.
keep from killing each other. relationship and driving the business.
GLENN: The strength of Canadians is I+D: What do you always have with you,
we have a strong talent pool coming GEORGE: (laughing) We’ve murdered I+D: If you could change one trend in in the sense of a talisman or keepsake?
from a solid educational system and a each other at least 20 times. We started design, what would it be?
GEORGE: Tums.
good social structure. With that system, working together, and it went organically
GEORGE: Oh, wow! In the hotel industry,
you get talent that is earnest and hard without a grand plan. So, the relationship GLENN: (laughing) That’s a joke.
for example, people are always saying,
working. We’re products of that system didn’t know it was going to happen. It
“What’s next? What’s trending now?” GEORGE: No.
and give back with philanthropic projects. happened.
We designed a shelter for teenagers in I+D: So the trend you would change is I+D: When you wake up, how long is it
I+D: Do you miss those days
Toronto for homeless LGBT kids; they’re to stop looking for the next trend? before you think about work?
starting out?
endangered in conventional shelters. What
GLENN: Yes. Also, clients simplify designs GEORGE: (laughing) Depends on when
you get in America is more expansive GLENN: As young guys, we weren’t
that are given to them. Some say, “Let’s you touch your phone.
thinking, the idea that anything is possible. real businessmen; we were exploring
retro-style this because it works for
There are strengths on both sides. and expressing our creativity. For many GLENN: Generally, we wake up curious.
restaurants.” Or, “Let’s do ‘classic’ hotels
years now, we’ve been known for luxury We don’t wake up dreading problems.
I+D: How did you find each other? because that worked for a five-star client.”
products and hotels and, of course, we
We’re trying to find that sweet spot where, I+D: What’s the worst advice you ever
GLENN: We went to Ryerson University in still do them. But, the last few years,
yes, there’s memory in what we do, but received?
Toronto from 1972 to 1976 and were part we’ve pushed ourselves on projects with
we want people to feel connected and
of a group of friends. A few years after lesser budgets to still make them great. GLENN: George? I need your help. Worst
empathetic to a space, and defy simplistic
we graduated, we ran into each other on Like working with Ian Schrager on the advice ever?
categories.
the street and hung out. We both said we PUBLIC hotel in Chicago (now
GEORGE: (doing the dishes) Best advice?
couldn’t work where we were living and Ambassador Chicago) and, this fall, I+D: How often do you travel?
Stick with what you believe in and drive
looked for a space together and began south of Times Square, we’re opening a
GLENN, GEORGE: (simultaneously) it home.
working on each other’s projects. We Moxy hotel, a starter brand for Marriott,
All the time.
started in a naïve and natural way. That’s expressing design in a sophisticated way GLENN: No, the worst advice.
I MAGE : SVE T LAN A I H SANOVA
IM AGE: SVETLANA IH SANOVA
where the strength of our firm comes from that isn’t all about money. GLENN: We started the week in Toronto,
GEORGE: Oh. Worst? Easy. A high school
after all these years. the end of the week we were in New York,
teacher said to me, “You want to go into
and now we’re at the beach. Last week,
GEORGE: We have glue that sticks in design? Don’t. You won’t be good at it.”
George went to London and I went to
everything we do.
Bangkok and Hong Kong for four days.
Ambrose Clancy is the editor of the Shelter
island Reporter and a novelist, nonfiction author,
and journalist. His work has appeared in GQ,
The Washington Post, and Los Angeles Times.
JULY/AUGUST 2017 I+D 41
40 I+D JULY/AUGUST 2017
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2018 MEDIA PLANNER asid.org | idcanada.org
ABOUT ASID
The American Society of Interior Designers value interior designers provide.
believes that design transforms lives. ASID was founded over 40 years ago
ASID serves the full range of the interior when two organizations became one, but
design profession and practice through the its legacy dates back to the early 1930s. As
Society’s programs, networks, and advocacy. we celebrate nearly 85 years of industry
We thrive on the strength of cross-functional leadership, we are leading the future of
and interdisciplinary relationships among interior design, continuing to integrate
designers of all specialties, including the advantages of local connections with
workplace, healthcare, retail and hospitality, national reach, of small firms with big, and of
education, institutional, and residential. the places we live with the places we work,
We lead interior designers in shared play, and heal.
conversations around topics that matter: ASID has more than 25,000 members
from evidence-based and humancentric engaging in a variety of professional
design to social responsibility, wellbeing, programs and activities through a network
and sustainability. We showcase the impact of 47 chapters throughout North America.
of design on the human experience and the Learn more at www.asid.org
3
2018 MEDIA PLANNER asid.org | idcanada.org
ABOUT IDC
First established in 1972, Interior Designers of Canada (IDC) remains committed
as Canada’s association for the interior designer profession. As the national
advocacy body for interior designers in Canada, IDC has a mandate to provide
a unified voice to advance and promote the Canadian interior design industry
locally, nationally, and internationally. With this goal in mind, IDC provides
valuable and quality professional development opportunities; educates the
public about the importance of hiring qualified interior designers; protects
members’ right to practice through government relations; and works with the
media to promote understanding of the interior design profession.
IDC represents more than 5,000 members including fully qualified interior
designers, Intern members, students, educators and retired members, along
with manufacturers and suppliers who provide products and services for
interior design projects and firms. Learn more at idcanada.org
4
2018 MEDIA PLANNER asid.org | idcanada.org
ASID AUDIENCE
across North America
Design Practitioners
Industry Influencers
Students
6731+ 2120+ 1815+ 14+
More than 25,000 ASID members
Our member’s areas of practice
67%
31%
21%
20%
18%
15%
15%
14%
Residential (single family)
Office/Branded Environment
Hospitality
Residential (multi-housing)
Healthcare
Retail
Education
Government/Institutional
5
2018 MEDIA PLANNER asid.org | idcanada.org
ASID AUDIENCE
25,000+
Total Membership
47
Professional
Chapters
300
Student
Chapters
6
2018 MEDIA PLANNER asid.org | idcanada.org
IDC AUDIENCE
across Canada
Design Practitioners
Industry Influencers
Students
3531+ 85+ 5+ 4+4
More than 5,000 IDC members
Primary Specializations of IDC Members
35%
31%
8%
5%
5%
4%
4%
4%
4%
Workplaces
Residential
Other
Public and Institutional Spaces
Condominiums
Restaurants, Bars and Clubs
Healthcare
Retail
Hotels
7
2018 MEDIA PLANNER asid.org | idcanada.org
IDC AUDIENCE
5,000+
Total Membership
9
Provincial Associations
1%
Newfoundland
11%
British
and Labrador
Columbia
4%
Alberta
3%
Saskatchewan 3%
17%
Manitoba
59%
Quebec
Ontario
1%
Nova
Scotia
1%
Newbrunswick
8
2018 MEDIA PLANNER asid.org | idcanada.org
ADVERTISE
July/August 2017
DESIGNED
Diversity by Design How to Succeed in
Succession Planning
ICONic Profile:
Yabu Pushelberg TO DINE
BY JESSE BRATTER CHAIT
Four design firms dish on the importance of creating
comprehensive experiences for diners
Immersive
Experiences
i+D Magazine presents your brand, services, and
The concept is simple: A restaurant should be designed for people. For
the couple savoring moments of intimate conversation. For unexpected
encounters at the bar. For groups of friends gathered together sharing
laughs and creating memories. Dining out is not just about eating. “A great
dining experience at its heart should be designed for people and how they
want to interact with each other,” says Elizabeth Von Lehe, director of strategy
and concept design for ICRAVE, a design and development firm based in
New York. “A restaurant should be designed for the needs of its context,
products to members of the design community
and great designers should work with their clients to best understand the
emotion and tone—and then unearth opportunities to amplify it.”
In order to maximize the experience for patrons, ICRAVE approaches
restaurant design in a holistic way, entering a project early on to explore
the cuisine, of course, but also the location, the people it will serve, and
all other aspects that make it unique. “Instead of approaching design as a
final phase before opening, we begin with early strategy across all touch
who are eagerly looking forward to reading about
points—physical, digital, and operational—to create not only spaces, but
successful businesses with staying power,” Von Lehe explains. “Only when
we truly understand the problem do we begin to offer design solutions.”
them.
I M AG E : M I K E BU T L E R
I M AGE : M I KE BU T L E R
ICRAVE used stone walls, oversized bamboo,
and floating "bird's nest" pods to emulate a
tropical oasis at Komodo.
28 I+D JULY/AUGUST 2017
HOW IT'S MADE SANITARY CERAMICS
HOW IT'S MADE SANITARY CERAMICS
TOPS ON TOP Trusted Brand: Published nature of design and
Cindy Crawford on Silestone Countertop
One of Duravit’s latest lines of artisanal bathroom
wares—Luv—features pieces dreamed up by
Danish designer Cecilie Manz, who spent much
of her childhood in the workshop of her parents,
Contributors for the American Society of the business and design
I M AGE 3: KI RK CONDYL ES/ I M AGE 4: GL E N M OSHE R/ I M AGE 5: DAN D’E RRI CO
both ceramic artists. Inspired by the simplicity of a
bowl filled with water resting on a table, Manz, who
is the brand’s first female designer collaborator,
Interior Designers (ASID) knowledge that is essential
conceived a vessel, vanity, and mirror combination
I M AGE 1: C HARL ES DU NDAS-SHAW/ I M AGE 2 : VAL ARI E SM I TH/
that feels more like furniture than the typical
bathroom sink and cabinetry. While the warm-
modern aesthetic of Luv reveals a softer side to
Duravit’s collections, its makeup boasts the same
innovation and forward-thinking for which the
brand is known. 2 4
+ Interior Designers of to the profession
“For finer ceramic forms like Luv, Duravit has
developed a material called DuraCeram, which is
thinner and notable for its extreme accuracy, high
strength, and elegant finish,” explains Schroeder,
noting that the material also is used for the new
DuraSquare line. “In this way, a new dimension in
design diversity is achieved: maximum elegance
without any sacrifices in terms of quality,
Canada (IDC)
robustness, and ease of cleaning. This material is 1 3 5
how we are able to achieve such precisely mitered
edges that are especially slender.”
Our first issue of I+D features a number of design professionals from both 3. Ambrose Clancy, the parent of a millennial, I was surprised
the United States and Canada. Are their insights similar or different? We asked ICONic Profile: Yabu Pushelberg when my Paradigm interviewee noted
our contributing writers about this and other perspectives in the mini-profiles that millennials in leadership face
The author of our “ICONic Profile” series, some of the same challenges related
of authors that follow.
IM AGE : DURAV IT
Ambrose normally has a one-on-one to diversity and inclusion that currently
conversation with his subjects. This issue,
Distribution: Distributed
plague organizations,” she notes. Diana’s
1. Jesse Bratter Chait, 2. Brian Libby, however, he had the pleasure of speaking interview with Trevor Kruse from Toronto
How It’s Made: Sanitary Ceramics; Function & Form with two interviewees—George Yabu revealed how meaningful change can
Designed to Dine and Glenn Pushelberg, founders of occur from the ground up. Diana explains:
Possibly the only activities Brian loves Yabu Pushelberg—occasionally at the “The demographic in design schools has
Jesse is the ultimate multitasker as a more than writing involve travel and same time. Ambrose says, “Glenn and historically been dominated by Caucasian
freelance writer, editor, stylist, and artist sports. Fortunately, he enjoys all three George are wonderful conversationalists,
Other advances include DuraSolid, which is used in a range of the company’s women. But now, an influx of international
based in South Florida—and in authoring a lot (and recently saw one of his sports bringing an eagerness and enjoyment to
Color: students—and much more balanced in
collections like DuraSquare, Luv, Stonetto, and Cape Cod for shower trays two articles in this issue of I+D. For her heroes—Roger Federer—play). While the give and take of a discussion. Like many terms of gender—is changing the face
Eternal Calacatta Gold feature article, “Designed to Dine,” she writing about restroom design and couples who genuinely enjoy each other,
and bathtubs; it’s a cast-mineral material with a matte, velvety finish whose of design offices and bringing a stronger
found all her sources from both the technologies for this issue of I+D, he says, they finish each other’s sentences, and
properties allow for unique molding possibilities, invisible joints and seams, awareness to cultural differences.”
Audience: Members of among ASID+IDC
United States and Canada had one thing “Restrooms to me are the great equalizer don’t seem to mind or even are unaware
and a class B slip resistance. But, perhaps most important in any bathroom in common: “The human experience was of humanity. We all want a combination they’re doing it.” When asked about the 5. Barbara Thau,
setting is sanitation. That’s why Duravit created HygieneGlaze 2.0 as an of utmost importance,” she says. “They of cleanliness, privacy, and ease of use, differences between U.S. and Canadian Back of the Book: Putting the ‘Success’
option for some of its toilets (an upgrade from the original HygieneGlaze). all want diners to feel an emotion. It struck whether we come from Seattle or designers, Ambrose’s view is enlightening: in Succession Planning
me as a nice reminder that no matter Saskatchewan.” The topic is rather “Canadians are more laid-back,
Rather than serve merely as a surface coating, the ingredients are integrated where we live or what’s going on in the utilitarian, but he was surprised to learn in a Californian kind of way. Many
Based in New York, Barbara is—literally—
into the glaze and baked into the ceramic during firing, a process that renders world, we’re all just people in search of the about advances in self-powered toilets an expert on the latest consumer news
Americans, especially in the arts, seem
same thing.” Jesse was fascinated by how and faucets, particularly those that and preferences as a writer who covers
the toilets antibacterial. Six hours after use, 90 percent of all bacteria are to revel in a hair-on-fire attitude, which,
A product designed by Cosentino®
much of the business side of restaurants now can run on a form of hydroelectric the retail and real estate industries,
effectively killed; that number rises to 99.9 percent after 24 hours. curiously, many Canadians seem to be
is taken into account when space planning power. He had this to say about the workplace issues, and lifestyle trends.
enchanted by.”
When interviewing both U.S. and Canadian
ASID+IDC — leading and members throughout
and designing aesthetics. “Elizabeth perspectives of designers from different
IM AG ES : DU RAV IT
Back in 1817 when founder Georg Friedrich Horn built an earthenware factory Von Lehe of ICRAVE, for instance, really cultures: “The trend I really noticed 4. Diana Mosher, resources for this issue’s succession
takes a comprehensive approach, not talking to designers and manufacturers in Diversity by Design planning article, she says, differences
so he could manufacture tableware, he likely didn’t imagine the impact his between the countries simply didn’t arise.
only looking at location, audience, and different countries is the ‘borderlessness’ As an interior design consultant, as well Featuring Symmetry
company would one day make on the world of sanitary ceramics. Duravit’s cuisine for inspiration, but also trying to of design. People in different countries are She did, however, find her Canadian
as a writer, Diana was particularly eager to Tunable, 1 of 3 new
continued commitment to well-being, to creating new technologies and find digital and operational solutions as working collaboratively more than ever. source’s candor about her own transition
write about the need for greater diversity to leading the firm “refreshing.” She also Symmetry models
solutions to make its designs possible, and to the German design ethos of well that will help support a restaurant’s At the same time, cultures themselves and inclusion in all design disciplines.
longevity,” she explains. In contrast, when can vary from region to region or even in noted that all the design professionals
perfectionism and attention to detail prove that his entrepreneurial spirit “Of course, the conversation has been interviewed did express it takes more · 1650K - 8000K
writing “How It’s Made,” Jesse says, “After different communities of one place. Japan, going on for decades,” she says. “But now,
continues to thrive in the Black Forest. touring Duravit’s manufacturing facilities for example, seems to care a lot more than running a firm “to be a fixture in the · 90 CRI
there are new technology-driven resources
TOP: Cecilie Manz, creator of the Luv collection, at work.
“EVEN THOUGH WE ARE LIVING IN AN ERA OF design industry.” · DMX | 0-10V
emerging practitioners North America and at
in the idyllic Black Forest, and seeing each about automated bidets than the rest of that can help those firms that truly want
porcelain product made from scratch by us. But you don’t have to be Japanese to to be more inclusive.” She was especially
ABOVE LEFT: Luv oval above-counter basin on a console in White TECHNOLOGY AND AUTOMATION, WHEN IT COMES TO
Jesse Bratter Chait is a writer, editor, stylist, and artist based in South Florida. Formerly, she was features Structure (made of Quartz); furniture in Stone grey. For an architect, it all comes down to details. PPG PAINTS™ offers an unsurpassed
skilled craftsmen, I truly gained a new
appreciation for the art of ceramic toilets.
design that bidet.” interested to learn about Paradigm, which
editor at Luxe Interiors + Design and associate editor at Florida Design Magazine. She also has penned PRODUCTS WITH SUCH A STEADFAST COMMITMENT uses a data-driven approach. “Drawing
selection of products, colors and tools to help bring every bit of your vision to life.
Feel the new
articles for Modern Luxury Miami and web-exclusive home tours for Architectural Digest. velvety texture For something that we use so intimately on behavioral science research, Paradigm
ABOVE RIGHT: A craftsman at work on one of Duravit's products.
TO DESIGN AND FUNCTION, QUALITY STILL LARGELY on a daily basis, I’d say we should all get to designs diversity and inclusion strategies
know the origins of our commodes a little that identify the barriers and strengths
DEPENDS ON HUMAN SKILL.” bit more.” unique to each organization. I already
ABOVE: Dimensions to fit any room, including On Top figured millennials are the most diverse
smaller ones: DuraSquare handrise basin with – TIM SCHROEDER, DURAVIT USA PRESIDENT FIND PAINT, COLOR RESOURCES AND MORE AT PPGPAINTS.COM/ARCHITECT. generation in the U.S. workforce. But, as
and industry influencers major industry events and
L-Cube mirror.
visalighting.com/products/symmetry
22 I+D JULY/AUGUST 2017 The PPG Paints Logo & Design26
is a trademark and the PPG Logo
I+D JULY/AUGUST is a registered trademark of PPG Industries Ohio, Inc. © 2017 PPG Industries, Inc. All Rights Reserved.
2017
Discover more on silestone.com | Follow Us F T @CosentinoUSA @CosentinoCanada
051941ppgpnt_ArchitectTemplate_New2_9x10_875.indd 1 6/8/17 2:42 PM
interested in the latest conferences
trends and industry news
Burle™ PANEL ©2007 modularArts, Inc.
RESOURCES AND ADVERTISERS HOW IT'S MADE SANITARY CERAMICS
The Gender-
DXV presents the Percy ® Collection Faucets, Pop ® Under Counter Lavatory and AT200 ® SpaLet ® Integrated Bidet toilet
JOURNEY THE WORLD.
ARRIVE TRANSFORMED. Neutral Restroom
Additional Reach: The
Toronto Savor the luxe life in this feminine reimagining
EDITORIAL AMERICAN SOCIETY OF Public restrooms and which citizens have
INTERIOR DESIGNERS
of the Contemporary Movement. Discover the breadth of a right to use men’s or women’s facilities
EDITOR-IN-CHIEF
Jennifer Quail 1152 15th Street NW, Suite 910
our entire collection of bathroom products at dxv.com has become a politicized topic of late.
Washington, D.C. 20005 This DXV bathroom was designed by Alison Habermehl.
At the same time, and perhaps in part as a
CONTRIBUTING WRITERS
Jesse Bratter Chait, Ambrose Clancy,
T: 202.546.3480 result, attention is turning to the design of
F: 202.546.3240 unisex or gender-neutral restrooms. In some
Brian Libby, Diana Mosher, Barbara Thau
Editorial: Provides strategic digital issue is available
www.asid.org
TRANSLATION
cases, such as at Longwood Gardens in
ASID CHAIR, BOARD OF DIRECTORS Pennsylvania, or as is traditionally the case
Sylvie Trudeau
Charisse Johnston, ASID, LEED AP BD+C,
EDITORIAL ADVISORY COMMITTEE Associate AIA
in smaller-scale restrooms in restaurants,
Kati Curtis, ASID, LEED AP, sinks for hand washing are incorporated into
ASID CEO
Kati Curtis Design; individual, closed-door lavatories. “As far as I’m
Randy W. Fiser, Hon. FASID
Ellen S. Fisher, ASID, concerned, it should just be the standard,”
New York School of Interior Design; ASID VICE PRESIDENT, COMMUNICATIONS
Jason Kasper, PIDIM, IDC,
says Longwood’s Paul Redman. “In all of my
Joseph G. Cephas
IDEATE Design Consulting Inc.; future projects, that’s going to be the goal.”
guidance and inspiration in English and French or
Reed Kroloff, jones|kroloff; INTERIOR DESIGNERS
Tim Pittman, Gensler; OF CANADA Longwood is not the only major public facility
Aandra Currie Shearer, IDIBC, IDC
C536-43 Hanna Avenue, to recognize gender-neutral restrooms as the
Toronto, Ontario M6K 1X1 Canada future. At the Kimpton Hotel Allegro in Chicago,
PUBLICATION DESIGN
IM AGE : KOHL ER
T: 416.649.4425
F: 416.921.3660
for example, guests are welcome to choose
GAUTHIER DESIGNERS gender-specific or gender-neutral facilities in
www.idcanada.org
Lisa Tremblay, Principal
Shawn Bedford, Creative Director
the hotel’s lobby. “As a brand, we have a long-
IDC PRESIDENT, BOARD OF MANAGEMENT
lyse Levasseur, Artistic Director clinton hummel, ARIDO, IDC standing commitment to supporting diversity
for a professional interior download the i+D Magazine
Carole Levasseur, Project Coordinator and inclusion at all of our properties,” says
IDC CEO
Marco Scherer, general manager of the hotel.
Nelson™ BLOCK ©2012 modularArts, Inc. U.S. Patent 8,375,665
Tony Brenders
PRODUCTION “At Allegro, our guests are welcome to do their
STAMATS COMMERCIAL
IDC DIRECTOR,
COMMUNICATIONS AND MARKETING
business with the gender they identify with and SMART NEVER LOOKED SO GOOD
BUILDINGS GROUP Pamela Bailey BETTER TOILETS being cleaning a toilet has a certain range of wherever they feel most comfortable.”
Stamats Communications, Inc.
Yet, of course, the real reason we enter a public motion and movement,” Bickerstaffe explains.
T: 800.553.8878, x5025
Tony Dellamaria, President restroom is to answer nature’s call. And, toilets “If you design a toilet that accommodates Gender-neutral restrooms are beginning
Mike Stanley, Publisher today are more high tech than ever. that, you can clean it far more quickly and it to proliferate at the high school and college
designer, as well as insight app on iTunes, Google Play,
Tom Davies, I+D Advertising Director misses fewer areas.” level in some regions as well. In Oregon,
Candy Holub, Production Manager
For starters, Bickerstaffe says, sensors can for example, Seattle-based Mahlum Architects
Linda K. Monroe, Project Manager
indicate not just when to flush or to turn on While many public restrooms today use has designed gender-neutral lavatories for
IM AGES : DU RAV IT
ADVERTISING RATES a faucet, but how much water to use. “We’re waterless urinals, TOTO’s Strang believes Portland’s Grant High School, as well as
introducing more and more sensor technology plumbing can make that problematic. for new dormitories at the University of Oregon
Tom Davies, I+D Advertising Director
into washrooms, which can track usage “We prefer a pint of water to go through there,” in Eugene. “Students are coming out as
tom.davies@stamats.com
T: 319.861.5173 patterns, and also can vary flush performance he says. “We’ve found a greater amount transgender or bisexual at a much earlier
Toll-free: 800.553.8878, x5173 and water volume,” he says. “Instead of a of maintenance and management of oil and age,” explains Mahlum Partner Kurt Haapala.
into the transformative or Amazon.
F: 319.364.4278 preset amount, [such technologies] use scaling are needed with waterless urinals; “Society sometimes doesn’t accept or know
Send comments to editor@asid.org. artificial intelligence to look at what’s in the you get blockage in the line.” where to put them. That causes stress, fear,
TECHNOLOGY MEETS toilet and decide how much water you need.”
Whether it’s answering nature’s call efficiently
and depression that can cause students to
drop out.”
Bickerstaffe also sees smart-phone and cleanly, or adding programmatic elements
TRADITION technology increasingly helping one decide
where to go. “From a very consumer centric
to a restroom space, the key is to approach the
design with a combination of problem-solving
Haapala says while some high-school parents
need time to learn why this approach is
Bradley, the leader in all-in-one handwashing innovation, introduces the Verge® Lavatory System
with new patented WashBar™ technology. The WashBar provides complete handwashing - soap,
point of view,” Bickerstaffe says, “you’ll be able and a desire to create delight. necessary, there is usually little real pushback,
IT'S LIKE SOMETHING OUT OF A FAIRY TALE—lushly dense celebrates the company’s crowning achievements—not only toilets, but also to look at your phone and see the loo is full but which the architect suspects is because all water and dryer - in one uncluttered design, while the Verge basin made of Evero® natural quartz
mountains blanketed with pine trees, charming houses and castles dotting tubs, washbasins, showers, and bathroom furniture. Duravit’s narrative is so the one on the other side of the lobby isn’t.” As Cintas's Bauer says, “It's about creating of us would like more restroom privacy. “It’s is the preferred answer when seeking a refined aesthetic.
the landscape, and sun-drenched rolling rivers teeming with trout. Here entrenched in the town’s history that many of its craftspeople are lifelong an experience.” the most intimate of human activities, where
in the heart of Hornberg, Germany, deep within the Black Forest, you might members of both the brand and the community. Many clients also are looking for ways to we bare ourselves in public settings. Nobody The Verge with WashBar technology: a sleek, intuitive design that is as striking as it is functional.
expect to find a woodsman whittling away at a cuckoo clock or even a reduce human labor spent on cleaning toilets. enjoys that experience in an airport—doing
© AS America, Inc. 2017
Brian Libby is a journalist, photographer, and award-winning
sorcerer casting a magical spell. Instead, you’ll discover something far more “One source of Duravit’s tremendous strength is its deep connection to “I think we’ll get to a point where the toilet filmmaker. His stories have appeared in The New York Times,
your business with a long line of people a
unexpected yet somehow still so enchanting you’ll never look at another the Black Forest. This is why Duravit is, for example, a partner and sponsor is dispensing cleaning materials itself. All The Wall Street Journal, The Atlantic, Dwell, and Metropolis. few inches away.” Designing gender-neutral
Publication of advertising should not be deemed an endorsement by ASID or IDC. ASID, IDC and their publishing
partner reserve the right in the sole and absolute discretion to reject any advertisement at any time submitted one the same: toilets. of the Naturpark Schwarzwald Mitte/Nord [Central/North Black Forest of that can be tracked now at a building’s restrooms, he adds, is “raising the level of
by any party. The opinions expressed in this publication are not necessarily those of ASID, IDC, their staffs, or Nature Park], a large nature reserve that also is part of Germany’s largest level,” Bickerstaffe notes. But, it’s also about privacy so that all of us are more safe, more
publishing partner.
I+D is published bimonthly in January/February, March/April, May/June, July/August, September/October,
Bathroom brand Duravit has spent the last 200 years perfecting the artisanal nature park,” says Tim Schroeder, president of Duravit USA. “Additionally, changing behavior. “Many people flush at welcome, more comfortable in that setting. WASHBAR™ TECHNOLOGY
and November/December by Stamats Communications, Inc. Receipt of I+D is a benefit of membership in ASID craft of making ceramics, even the most intimate kind. The first tip-off is Duravit does everything possible to protect natural elements like water, air, least twice. It’s driven by perceptions of It’s better for everyone; that’s the secret.
and IDC. A portion of each ASID member's annual dues, amounting to $2.42, goes toward the member's I+D
subscription. Periodicals Postage paid at Washington, D.C. and additional mailing offices. POSTMASTER: Send its design center’s stainless-steel-clad façade with a three-story-tall niche and soil—a process that starts with resource-saving manufacturing methods cleanliness,” he explains. With that in mind, We have been advocating that this is not
address changes to: I+D, c/o ASID Customer Service, 1152 15th Street NW, Suite 910, Washington, D.C. 20005. holding a larger-than-life toilet sculpture that soars 23 feet high. Designed that employ technologies, such as water treatment and heat recovery. The Kohler’s Modern Life toilet takes 70 percent about educating society or accepting
Volume 1, Number 1 I+D July/August 2017 (ISSN 1527-0580). Copyright 2017 by the American Society of Interior by Philippe Starck, one of Duravit’s most beloved design partners, the building logical continuation of this is manifested in the products themselves, which less time to clean, with less of a pocket at the ABOVE: Clean, sleek lines from Kohler offer differences. More, it’s let’s raise the level
Designers (ASID). All rights reserved. Contents may not be reproduced by any means, electronic or mechanical
modulararts.com I 206.788.4210 juts out of the ground with a commanding presence and unapologetically are water saving and can be recycled.” top of the bowl that can trap waste. “A human modern style for the loo. of privacy for everyone.”
Contact: Tom Davies | Tom.Davies@stamats.com | 319.861.5173
in whole or in part, without prior written permission of ASID.
50 InterlockingRock ® designs
made in the USA CLASSIC GOLDEN ERA MODERN CONTEMPORARY BRADLEYCORP.COM/VERGE-WASHBAR
20 I+D JULY/AUGUST 2017 38 I+D JULY/AUGUST 2017
9
2018 MEDIA PLANNER asid.org | idcanada.org asid.org | idcanada.org
CALENDAR
JANUARY/FEBRUARY – DESIGN PERSPECTIVE JULY/AUGUST – DESIGN FOR THE AGES
• Small Cities, Big Design • My Generation
• Be Original: The Industry’s Crusade to Combat Knockoffs • Historic Preservation/Adaptive reuse
• Living by Design: Living/Dining Spaces • Living by Design: The Closet/Storage
• Design Pulse: Austin • Design Pulse: Atlanta
• Business of Design: See, Like, Buy: Design in the Digital Age • Business of Design: Educating the Next Design Generation
SPACE RESERVE 12/5/17 SPACE RESERVE 6/5/18
AD MATERIALS DUE 12/11/17 AD MATERIALS DUE 6/10/18
MARCH/APRIL – THE TRANSPORTATION ISSUE SEPTEMBER/OCTOBER – THE SCIENCE OF DESIGN
• Hub of Design: Airports, train stations, subway terminals, • Biology and the Built Environment
transportation hubs of all kinds • Chemistry: The Material World and its impact on the planet
• Planes, trains, and automobiles: interior designers taking on • Psychology: Color theory for home, office, healthcare and more
private jets, yachts and more • Physiology: The current and future state of ergonomic design,
• Living by Design: The Home Office circadian rhythms, and healthy offices and homes
• Design Pulse: Detroit • Living by Design: Bedrooms
• Business of Design: Presentations in the Modern Age • Design Pulse: Waterloo Region (Canada)
• Business of Design: The Importance of Leadership
SPACE RESERVE 2/5/18
AD MATERIALS DUE 2/9/18 SPACE RESERVE 8/6/18
AD MATERIALS DUE 8/10/18
MAY/JUNE – DESIGNED FOR ENTERTAINMENT
• Theatre/Club design
NOVEMBER/DECEMBER – THE GREAT INTERIOR
• Casino design • Small Spaces: Cities big and small are drawing bigger crowds than ever
• Living by Design: The Outdoor Room • Living by Design: Kitchen & Bath
• Design Pulse: Vancouver • Performance Textiles
• Business of Design: Building Your Brand • Design Pulse: Portland
• Business of Design: Licensing
SPACE RESERVE 4/5/18
AD MATERIALS DUE 4/10/18 SPACE RESERVE 10/5/18
AD MATERIALS DUE 10/10/18
*Dates and editorial content are subject to change at any time
*Submit content for consideration to editor@iplusdmag.com2017 MEDIA PLANNER
2018 MEDIA PLANNER asid.org
asid.org | idcanada.org
PRINT (ASID & IDC)
2017 AD
2018 AD RATES
RATES &
&
SPECIFICATIONS
SPECIFICATIONS
LIVE AREA/ NON BLEED TRIM TRIM + BLEED
TYPE 1x 2x 4x 6x
(0.25” margin* on all sides) (width x height) (0.125” bleed on all sides)
Spread $13,002 $12,347 $11,048 $9,888 17.5” x 10.375” 18” x 10.875” 18.25” x 11.125”
Cover 2 $9,070 $8,693 $7,949 $7,114 8.5” x 10.375” 9” x 10.875” 9.25” x 11.125”
Cover 3 $9,070 $8,693 $7,949 $7,114 8.5” x 10.375” 9” x 10.875” 9.25” x 11.125”
Cover 4 $9,323 $8,945 $8,201 $7,339 8.5” x 10.375” 9” x 10.875” 9.25” x 11.125”
Full Page $7,433 $7,055 $6,311 $5,648 8.5” x 10.375” 9” x 10.875” 9.25” x 11.125”
1/2 Page Horizontal $4,723 $4,484 $4,018 $3,595 8”x 5” – bleed not offered
1/2 Page Vertical $4,723 $4,484 $4,018 $3,595 3.875” x 10.125” – bleed not offered
1/3 Page Square $3,564 $3,388 $3,035 $2,716 5” x 5” – bleed not offered
1/3 Page Vertical $3,564 $3,388 $3,035 $2,716 2.5” x 10.125” – bleed not offered
1/4 Page Vertical $2,732 $2,594 $2,317 $2,074 3.875” x 5” – bleed not offered
1/6 Page Vertical $2,141 $2,027 $1,813 $1,622 2.5” x 5” – bleed not offered
1/8 Page Showroom Ad** $1,134 $1,084 $983 $880 – –
* All type and important details should be inside 0.25” from the trim on all 4 sides.
** Advertisers interested in running a photo of a product or logo, accompanied by text and contact information, can take advantage of the economical Showroom advertising section.
Ad spaces are based on a 1/8-page template and allow for up to 90 words (including basic contact information) and a 1.58” x 2.25” image.
* Industry partners, National Industry Partners, and sponsors
acrossallalllevels
across levelsreceive
receivea apre-negotiated
pre-negotiateddiscount.
discount.
Contact: Tom
Contact: Tom Davies
Davies || Tom.Davies@stamats.com
Tom.Davies@stamats.com || 319.861.5173
3
112018 MEDIA PLANNER asid.org | idcanada.org
PRINT
2018 AD FORMATS &
SPECIFICATIONS
SHOWROOM ADVERTISING SECTION
Advertisers interested in running a photo of be applied to your invoice. i+D will not accept
a product or a logo accompanied by text and responsibility for a digital ad’s content or
contact information, can take advantage of color if a digital proof is not supplied.
the economical Showroom advertising section.
Ad spaces are based on a 1/8-page template Acceptable Transmission Methods
and allow for up to 90 words (including basic
URL: http://IandD.stamats.com
contact information) and a 1.58” x 2.25” image.
USER NAME: IandD
Acceptable File Format PASSWORD: Transfer (case sensitive)
Create a new folder titled with your company
We accept only digital files in the
name. If you are a submitting agency, please
PDF/X-1a format. title the folder with your client’s name.
Ensure that all elements are a minumum of Click on the blue up arrow to upload and
300 dpi and 100% in size. The color space must drag and drop your files into your folder.
be CMYK or grayscale. Do not submit files in Once your files have successfully uploaded,
RGB. Export using an offset of 12 pt (0.1667") please notify Candy Holub, Production
and include trim, bleed, and file information. Manager, by e-mail to: candy.holub@stamats.
com and indicate the file name.
Acceptable Proofs
To ensure the highest quality of print Notes
reproduction, we ask that all digital files be Receipt of your insertion order indicates your
accompanied by a SWOP-certified proof acceptance of the requirements shown on
that represents the final file at 100%. In the the following Copy and Contract Regulations.
absence of a SWOP-certified proof, the color There is no added charge for bleed. Only
reproduction of the ad will be based on full-page and spread ads can have bleed;
industry standard best practices to achieve fractional bleed ads are not available.
color as accurate as possible from the supplied
digital file. You may request that i+D pull a All material remaining after 12 months will
proof for you at a production charge that will be destroyed.
Contact: Tom Davies | Tom.Davies@stamats.com | 319.861.5173
122018 MEDIA PLANNER asid.org | idcanada.org
ASID
E-NEWSLETTER
Expand your reach and advertise in one
of two ASID monthly e-newsletters: the
ASID Insider and the ASID Chair’s Message.
Distributed to ASID members across North
ASID Insider is distributed on the 2nd Thursday (+/-1-5 days) of each month. America, our e-newsletter open rates
average over 25 percent!
Position 3
Banner Ad
ASID Chair’s Message is distributed on the 1st
Thursday (+/-1-5 days) of each month
Position 1 (Top)
Banner Ad
Position 1
Banner Ad Position 4
Banner Ad
Position 2
Banner Ad
Position 5
Banner Ad
132018 MEDIA PLANNER asid.org | idcanada.org
ASID
E-NEWSLETTER
2018 AD RATES &
SPECIFICATIONS
TYPE RATES DIMENSIONS DISPLAY FILE IMAGE QUALITY FILE SIZE
Chair’s Message Position 1 (Top) Banner Ad 1X $2,000 680W X 125H JPEG, PNG, OR GIF 72 DPI 40K
3X $4,500
Insider Position 1 Banner Ad 1X $1,500 680W X 125H JPEG, PNG, OR GIF 72 DPI 40K
3X $3,900
Insider Position 2 - 3 Banner Ad 1X $1,000 680W X 125H JPEG, PNG, OR GIF 72 DPI 40K
3X $2,400
Insider Position 4 - 5 Banner Ad 1X $800 680W X 125H JPEG, PNG, OR GIF 72 DPI 40K
3X $1,800
*One (1) URL or email link per ad
*JPEG, PNG, and GIF static files only
*3rd party ad server tags are not accepted
*Creative materials are due 14 days before launch dates
*Send files to Morgan Thenhaus, eMedia Production Manager, at Morgan.Thenhaus@stamats.com
*The e-newsletter launch dates may be altered by ASID at anytime.
142018 MEDIA PLANNER asid.org | idcanada.org
ASID.org Events
Page Advertising
Banner Ad Position: 8 available
Each year, ASID facilitates several opportunities for
members and non-members alike to participate in
career building events across the country. Programs
like SCALE: The ASID National Student Summit; The
Leadership Experience for emerging professionals and
mid-careerists; and Platform, a conference for design
industry principles, partners, and owners - ensure that
design professionals at every career stage have a point
of engagement with ASID. With all of these options, it’s
no surprise that the ASID Events Page is one of the most
visited areas of the ASID Website.
Banner Ad
Position
152018 MEDIA PLANNER asid.org | idcanada.org
ASID.org Job Bank
Page Advertising
Position 1 Banner Ad Position 1: 4 available
Banner Ad
Bannner Ad Position 2: 4 available
The ASID Job Bank is the hub for new talent in the
design industry. The job bank allows job seekers to
post their resumes for review by potential employers,
and allows employers to search the database of CVs to
find the perfect candidates for their job openings. The
Job Bank Page is the place to get noticed by interior
designers and corporations alike.
Position 2
Banner Ad
162018 MEDIA PLANNER asid.org | idcanada.org
ASID.ORG
ADVERTISING
2018 AD RATES &
SPECIFICATIONS
TYPE RATES DIMENSIONS DISPLAY FILE IMAGE QUALITY FILE SIZE
Events Page Banner Ad $1,500 1170W X 125H JPEG, PNG, OR GIF 72 DPI 40K
Job Bank Page Banner Ad - position 1 $1,500 1170W X 125H JPEG, PNG, OR GIF 72 DPI 40K
Job Bank Page Banner Ad - position 2 $1,500 300W X 250H JPEG, PNG, OR GIF 72 DPI 40K
*One (1) URL or email link per ad
*JPEG, PNG, and GIF static files only
*3rd party ad server tags are not accepted
*Creative materials are due 14 days before launch dates
*Send files to Morgan Thenhaus, eMedia Production Manager, at Morgan.Thenhaus@stamats.com
172018 MEDIA PLANNER asid.org | idcanada.org
ADVERTISING POLICY
PUBLISHER’S PROTECTIVE CLAUSE
ASID, IDC and the publisher reserve the right to position, revise
or refuse to publish any advertising. Ultimate responsibility for
controlling the content of i+D lies with ASID and IDC. Positioning
of advertisements is at the discretion of the publisher, unless the
advertiser has contracted for a premium guaranteed position. The
advertiser and the advertising agency agree that ASID + IDC shall
not be under any liability for the failure, for any cause, to insert any
advertisement. The publisher shall be entitled to payment upon having
completed the printing or the insertion of the advertisement and
having taken reasonable steps to see that the publication is distributed.
While every effort is made to assure the timely release of each issue,
the publisher accepts no liability for any issue that is published late.
Photographs made for, or additional costs concurred by, advertisers
are charged in addition to earned space rate.
Editorial Style Advertisements adopting a style similar to the regular
editorial style of i+D professional magazine will carry, by way of
disclaimer, the word “Advertisement” immediately above it.
182018 MEDIA PLANNER asid.org | idcanada.org
CONTACTS
Tom Davies Olga Odeide
i+D Advertising Director ASID Vice President,
tom.davies@stamats.com Industry Partnership
319.861.5173 oodeide@asid.org
202.675.2368
Mike Stanley
i+D Publisher Joseph Cephas
mike.stanley@stamats.com ASID Vice President,
800.553.8878 Communications
jcephas@asid.org
Candy Holub 202.800.2124
i+D Production Manager
candy.holub@stamats.com Vesna Plazacic
319.861.5025 IDC Communications Manager
vplazacic@idcanada.org
Morgan Thenhaus 416.649.4429
i+D eMedia Specialist
morgan.thenhaus@stamats.com Pamela Bailey
319.861.5169 IDC Communications and
Marketing Director
Jennifer Quail pbailey@idcanada.org
i+D Editor-in-Chief 416.649.4428
jquail@iplusdmag.com
202.840.6579, ext. 4452
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