ART GRAPHIQUE - RECENT ACQUISITIONS IN THE CABINET D'ART GRAPHIQUE 30 MAY - 3 SEPTEMBER 2018 - Centre Pompidou
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COMMUNICATION AND PARTNERSHIPS DEPARTMENT PRESS KIT RECENT ACQUISITIONS IN THE CABINET D'ART GRAPHIQUE 30 MAY - 3 SEPTEMBER 2018 ART GRAPHIQUE #NOUVELLESACQUISITIONS
ACQUISITIONS RÉCENTES
DU CABINET D'ART GRAPHIQUE
30 MAY - 3 SEPTEMBER 2018
April 2018
CONTENTS
communication
and partnerships department
75191 Paris cedex 04 1. PRESS RELEASE PAGE 3
Director
Benoît Parayre 2. SOME WORKS OF THE EXHIBITION PAGE 5
telephone
00 33 (0)1 44 78 12 87
email 3. LIST OF EXHIBITED WORKS PAGE 17
benoit.parayre@centrepompidou.fr
Press officer 4. PRESS VISUALS PAGE 23
Élodie Vincent
telephone
00 33 (0)1 44 78 48 56
5. PRACTICAL INFORMATION PAGE 29
email
elodie.vincent@centrepompidou.fr
www.centrepompidou.fr
PRESS OPENING
FRIDAY 25 MAY 2018
11AM - 1PM
11:30PM GUIDED TOUR
BY JONAS STORSVE
#NOUVELLESACQUISITIONS
PRESS RELEASE
April 2018
communication RECENT ACQUISITIONS IN THE
CABINET D'ART GRAPHIQUE
and partnerships department
Director
Benoît Parayre
+ 33 1 44 78 12 87
benoit.parayre@centrepompidou.fr 30 MAY – 3 SEPTEMBER 2018
Press officer GALERIE D'ART GRAPHIQUE, MUSÉE, NIVEAU 4
Elodie Vincent
+ 33 1 44 78 48 56
elodie.vincent@centrepompidou.fr
centrepompidou.fr Presentations of recent acquisitions by the Department of Prints and Drawings are an
important, regular feature on the programme of the Musée National d'Art Moderne (MNAM),
and the current exhibition offers an opportunity to view an eclectically diverse selection of
some 160 modern and contemporary works on paper.
#NOUVELLESACQUISITIONS
It brings together works by 55 artists of different periods, styles and techniques, illustrating in
their diversity the many possibilities offered by drawing. The chronological display accords
equal weight to modern and contemporary, a stance reflected at the entrance to the exhibition,
where Henri Matisse’s ample preparatory study for the stained glass at the Vence chapel
engages in dialogue with a large collage by contemporary artist Pierre Buraglio.
Certain associations emerge, some more unexpected than others. Kandinsky naturally
Eugène Leroy
Sans titre, vers 1970
appears alongside Paul Klee, his friend and colleague from the Bauhaus, while Karel Appel
Gouache sur papier keeps company with Asger Jorn and Egill Jacobsen, comrades from the early, heroic years of
Collection Centre Pompidou, Paris
© Centre Pompidou, MNAM-CCI/Philippe Migeat/ the Cobra movement. Further on, works on paper by John Cage can be seen alongside those
Dist. RMN-GP
of Jackson Mac Low, another artist close to Fluxus, while Danish painter Per Kirkeby has
© Adagp, Paris 2018
Eugène Leroy for a neighbour. One may note in passing that the works of Leroy, together with
those of Picabia, Wols, de Staël and Giacometti, represent recent acceptances in lieu, for the
most part exhibited for the first time. As a whole, the presentation underlines the
extraordinary diversity of the medium, from the simplest line on paper to the most subtle of
sophistications.
4
The exhibition also offers an opportunity to give public thanks to the many donors whose
generosity has enabled the growth of Museum’s collection of prints and drawings, notable
among them the Kandinsky Society and the New Carlsberg Foundation, whose contribution
has been inestimable.
Established in 1975, the MNAM’s Department of Prints and Drawings is responsible for the Centre
Pompidou’s collection of works on paper, more than 20,000 works in total. The historic part of the
collection, running from 1905 to the 1960s, includes major holdings of works by Artaud, Brauner,
Chagall, Delaunay, Dubuffet, Duchamp, Kandinsky, Kupka, Matisse, Miró and others, while the
contemporary part expands with time, thanks to an energetic acquisitions policy and the generosity
of donors and artists.
The extraordinary donation of 1,170 works by Florence and Daniel Guerlain in 2012 has already
featured in a dedicated exhibition held at the Museum the following year, as have the works on
paper forming part of the donation of the Vladimir Potanin Foundation in 2016.
PRESS OPENING THE EXHIBITION
FRIDAY 25 MAI 2018, 11AM –1PM Curator :
guided tour by Jonas Storsve Jonas Storsve
at 11:30PM
Curator of the Cabinet d’art graphique, musée national d’art moderne
Claire Blanchon Jasmin Oezcebi
Production Manager Architect-scenographer
Team of the cabinet d'art graphique :
Jonas Storsve,
Anne Montfort,
Keith Cheng,
Laetitia Pesenti,
Anne Lemonnier,
Macha Daniel, A
nna-Catherine Prud’hom,
Marion Jahan,
Daniel Legué,
Roxanne Sassot.
5
2. SOME WORKS OF THE EXHIBITION
FRANCIS PICABIA
(a.k.a. Francis Martinez de Picabia)
1879, PARIS – 1953, PARIS
PORTRAIT DE TRISTAN TZARA, [1919]
Graphite, gouache and watercolour on paper
Donated in lieu of tax in 2012
As the first meeting between Tristan Tzara and Francis Picabia took place in January 1919, the date of this
portrait by the artist in 1918 is disputed. Probably based on a photograph, Picabia's drawing focuses on
his model's face, the neck with its wing collar and bow tie, and the monocle extended by a long black
ribbon, which descends like a double helix to the edge of the paper. His head is surrounded by a coloured
halo, probably indicating the respect inspired in the artist by Tzara, glorified at the time for his part in
creating the Dada movement in Zürich. This established the Romanian poet as a genuine advocate of
modernity.
6
PAUL KLEE
1879, MÜNCHENBUCHSEE (SWITZERLAND) – 1940, LOCARNO (SWITZERLAND)
TRIPELMARIONETTE,1927
Gouache and watercolour on paper
Donated by the Société Kandinsky, in memory of Thomas Messer, 2013
With its cheerful theme and graphics, Tripelmarionette reflects Klee's poetic and comical spirit; during the
1920s, he often represented characters from comedy, like Pierrot and acrobats. Attracted by the world of
childhood and entertainment, he created around fifty puppets for his son Félix.
At the time, Klee was teaching in the famous Bauhaus school in Weimar, a major inspiration for
experiments in art, performance and choreography between the wars. This drawing is dedicated to a
"long-standing friend", Wassily Kandinsky, with whom Klee shared a mansion at the Bauhaus from 1926.
7
ANTONIN ARTAUD
(a.k.a. Antoine Artaud)
1896, MARSEILLE – 1948, IVRY-SUR-SEINE
LA BALAYETTE, , MAY 1946 (PRODUCED IN THE RODEZ PSYCHIATRIC HOSPITAL)
Graphite on paper
Purchased with help from the Société des Amis of the Musée National d'Art Moderne, 2016
Begun in May 1946 and reworked and signed on 5 November of the same year, La Balayette is one of the
last pieces executed by Artaud in the Rodez psychiatric hospital. As he told Dr Delmas: "This is a chamber
pot turned upside down on a broom." The female face outlined as a skull and the chamber pot helmet
figure nailed to the totem broom handle give this drawing the simultaneously comic and disturbing feel of
a subverted Crucifixion.
Given by the gallery owner Pierre Loeb to Jean Leymarie, this drawing was bought by the Museum in
2016, when the collection of the former director of the Musée National d'Art Moderne was sold.
8
KAREL APPEL
1921, AMSTERDAM (NETHERLANDS) – 2006, ZURICH (SWITZERLAND)
CREATURES FROM OUTER SPACE NO. 2, 1948
Ink on paper
Donated by the Karel Appel Foundation in 2016
1948, the date of this drawing, was a decisive year for Karel Appel. In Amsterdam, he took part in the
foundation of the Dutch Experimental Group, and in Paris, that of CoBrA, with Dotremont, Jacobsen, Jorn,
Pedersen and others. Creatures from outer space no. 2 shows an imaginary, deliberately naïve bestiary
rendered with a synthetic, linear graphism. Chimerical beings and anthropomorphic animals identifiable
from their eyes and legs are arranged as calligraphic signs. They are similar to those of Paul Klee, whose
exhibition at Amsterdam's Stedelijk Museum that year influenced all the artists in the CoBrA group.
9
© Succession H. Matisse
Photo © Centre Pompidou,
MNAM-CCI/G.Meguerditchian/
dist. RMN-GP
HENRI MATISSE
1869, LE CATEAU-CAMBRÉSIS (NORD DÉPARTEMENT, FRANCE) – 1954, NICE (ALPES-MARITIMES,
FRANCE)
JÉRUSALEM CÉLESTE, 1948
Gouache-covered paper cut out and glued to paper mounted on canvas
Donated by Ms Claude Duthuit in memory of Claude Duthuit in 2013
In 1948, Henri Matisse designed the decoration of the Chapelle du Rosaire in Vence. He created three
versions of the model for the stained-glass windows in cut-out paper before he was satisfied. The Musée
National d'Art Moderne already owns the second version, the Pale Blue Window. The first, which entered
the collections in 2013, is La Jérusalem céleste. The design is striking for the abstract aspect of the
composition, dominated by essentially rectilinear forms. The luminous colouring dominated by yellows
and reds is completely absent from the final version, L’Arbre de vie, now in the Vatican Museum.
10
EUGEN SCHÖNEBECK
1936, DRESDEN
PORTRAIT OF LIZ KERTELGE, 1966
Graphite on paper
Donated by Frieder Burda in 2012
A major figure in German art during the 1960s, the painter and draughtsman Eugen Schönebeck
developed a decidedly figurative style. His attraction to Communism guided his personal vision of Socialist
Eealism, which culminated in large-format portraits. As well as those of Mayakovsky and Mao Zedung,
these included one of the German actress Liz Kertelge. The drawing reflects the New Objectivity
movement and foreshadows the emerging Düsseldorf School of photography in the 1980s. It was one of
the last pieces by Schönebeck, who stopped all work as an artist at the end of 1966.11
EUGÈNE LEROY
1910, TOURCOING (NORD DÉPARTEMENT, FRANCE) – 2000, WASQUEHAL (NORD DÉPARTEMENT,
FRANCE)
UNTITLED, C. 1970
Gouache on paper
Donated in lieu of tax in 2014
Eugène Leroy lived his entire life in the north of France, a long way from the movements of his times.
Nurtured by his studies of the great masters, particularly Rembrandt, he gave himself over assiduously to
the classic exercise of drawing from life. His work, characterised by a thick, viscous material, features
nudes, heads and bodies. This untitled gouache with its assertive territoriality seems like a dance of brush
and colour: it suggests a jubilation not found in his previous work. It is tempting to compare his gestures
with those of various American painters, like Willem de Kooning.12
JOHN CAGE
1912, LOS ANGELES (US) – 1992, NEW YORK (US)
STRINGS 1-62 #5, 1980
STRINGS 1-62 #9, 1980
STRINGS 1-62 #45, 1980
Imprints of ink-covered string on paper
Purchased in 2016
The famous composer John Cage participated in the remarkable venture of the Black Mountain College
with artists like Robert Rauschenberg and Cy Twombly, and also produced numerous drawings. In 1980,
for the series of 72 coloured monotypes entitled Strings, Cage dropped strings soaked in ink onto sheets of
paper. The thickness of the strings, the colour chosen and the height from which they were dropped
depended on parameters determined by consulting the I Ching, the celebrated Chinese book used for
divination, whose principles he already applied in his music.13
HUGUETTE CALAND
(a.k.a. Huguette El Khoury)
1931, BEYROUTH (LEBANON)
CHRISTINE, 1995
Ink, gouache and felt and on paper
Donated by the Cercle International de la Société des Amis du Musée National d'Art Moderne, 2016
In 1964, on the death of her father, the first President of the independent Lebanese Republic, Huguette
Caland abandoned her official activities to become an artist. She studied visual arts at the American
University in Beirut, and left her country in 1970 to live in Paris. She later moved to Los Angeles, in 1988.
The large drawing Christine dates from her Californian period. Meticulous work in gouache and ink
"embroiders" three female bodies like a tapestry. The precious aspect evokes the work of Gustav Klimt,
while the theme makes it a personal interpretation of Pablo Picasso's Demoiselles d’Avignon.14
SILVIA BÄCHLI
1956, BADEN (SWITZERLAND)
RHOMB (NR. 1), 2015,
Gouache on paper
Donated by the Amis du Centre Pompidou, Cercle International – Europe, 2017
Silvia Bächli is one of the foremost drawing artists of our time. In Rhomb (N.1), the repetition of one motif,
with a free variation in the line in blue gouache, creates a structure in which no lozenge is identical. The
result is an assemblage of four drawings creating the effect of a broken mirror pieced back together. At
the centre of the composition, the artist has seemingly “sewn” the white paper together with “stiches” in
gouache: where the sheets connect, a human figure appears. This unintentional figurative apparition is an
unexpected feature of the abstract composition.15
MAMMA ANDERSSON
(a.k.a. Karin Andersson)
1962, LULEÅ (SWEDEN)
DEN LILLA SYSTERN II / THE LITTLE SISTER II, 2016
Graphite, gouache and acrylic on paper
Donated by the Cercle International de la Société des Amis du Musée National d'Art Moderne, 2016
The Swedish artist Mamma Andersson makes play on a cinematic, theatrical world. She bases her
drawings on reproductions, changing elements or figures by thickly applying paint and transparent
washes. Her melancholy interiors and landscapes are reminiscent of turn of the century Scandinavian
popular art and painting. These two drawings of dolls dressed in late 19th century fashion are typical of
her mysterious, dreamlike, intimate and delicate compositions. Mamma Andersson won the 2018 Drawing
prize awarded by the Fondation d’Art Contemporain Daniel & Florence Guerlain.16
CIPRIAN MURESAN
1977, DEJ (ROMANIA)
PALIMPSEST, 2016
Graphite on paper
Donated by the Contemporary Art Acquisitions Group of the Société des Amis du Musée National d'Art
Moderne, 2017
The themes of the transmission and reception of works of art are central to Romanian artist Ciprian
Muresan’s recent work. With Palimpsest, he has superimposed reproductions of adverts from the
magazine Artforum, which he has blurred, scratched and crossed out, creating very dense, highly-
charged compositions. With virtuosic combinations of motifs, he covers pages in graphite, rubbing out the
colours and fusing adverts and reactive photographs. Through the sole emergence of city and gallery
names, Muresan shows how contemporary art is inextricably bound to a complex network of key figures
and institutions.17
3. LIST OF EXHIBITED WORKS
TOMMA ABTS (1967-) KAREL APPEL (1921–2006)
Untitled no. 12, 2004 Creatures from outer space no. 2, 1948
Graphite and coloured pencil on paper Ink on paper
Donated by la Société des Amis du Musée National Donated by the Karel Appel Foundation in 2016
d'Art Moderne.
2014 contemporary art project
AVIGDOR ARIKHA (1929–2010)
Untitled no. 14, 2004
Graphite and coloured pencil on paper Samuel Beckett, 2 june 1975
Donated by la Société des Amis du Musée National Silverpoint on barium cardboard
d'Art Moderne. Donated in lieu of tax in 2014
2014 contemporary art project
ANTONIN ARTAUD (1896–1948)
DOVE ALLOUCHE (1972-)
La Balayette, May 1946 (produced in the Rodez
IR_81, 2011 psychiatric hospital)
Inkjet print in pigment ink on BFK Rives paper, Graphite on paper
after an 1885 glass plate photograph by Purchased with help from the Société des Amis of
Isaac Roberts, digitised and processed in high the Musée National d'Art Moderne, 2016
definition, highlighted in black Indian ink and
graphite
Purchased in 2012 SILVIA BÄCHLI (1956-)
IR_11, 2011 Rhomb (Nr. 1), 2015,
Inkjet print in pigment ink on BFK Rives paper, Gouache on paper
after an 1885 glass plate photograph by Donated by the Amis du Centre Pompidou,
Isaac Roberts, digitised and processed in high Cercle International – Europe, 2017
definition, highlighted in black Indian ink and
graphite
Purchased in 2012 ALI BANISADR (1976-)
P.S. 5, 2015
MAMMA ANDERSSON (1962-) P.S. 6, 2015
P.S. 8, 2015
Den lilla systern II / The Little Sister II, 2016 P.S. 9, 2015
Graphite, gouache and acrylic on paper P.S. 12, 2015
Donated by the Cercle International de la Société Charcoal on paper
des Amis du Musée National d'Art Moderne, 2016 Donated by the Thaddaeus Ropac Gallery in 2017
Min ljuva flicka / My Sweet Girl, 2016
Graphite, gouache and acrylic on paper PIERRETTE BLOCH (1928–2017)
Donated by the artist, 2017
Untitled, 2012
Oil pastel on paper
Purchased in 201318
Untitled, 2012 MIRTHA DERMISACHE (1940–2012)
Charcoal on paper
Purchased in 2013 Textos 1 à 8 et 10 à 15, [1970 - 1978]
14 drawings
Untitled, 2012 Indian ink on paper
Charcoal on paper Donated by the artist, 2011
Purchased in 2013
WILHEM FREDDIE (1909–1995)
Untitled, 2012
Oil pastel and charcoal on paper Untitled, 1940
Purchased in 2013 Oil pastel on paper
Donated by Ny Carlsberg Fondet in 2017
Untitled, 2012
Graphite and white pastel on paper
Purchased in 2013 ALBERTO GIACOMETTI (1901–1966)
Portrait d'Aimé Maeght, 1960
PIERRE BURAGLIO (1939-) Ballpoint pen on paper
Donated in lieu of tax 2014
Esper lucat-Warden's band - Stalag VII A,
1987-1988
Assemblage of re-used papers and ROGER-EDGAR GILLET (1924–2004)
canvas cut-offs
Donated by the artist in 2013 Untitled, july 1957
Gouache on paper
Donated by Marion Gillet-Guignon, Christophe
JOHN CAGE (1912–1992) Gillet, Jean-Baptiste Gillet and Delphine Gillet
in 2015
Strings 1-62 #5, 1980
Strings 1-62 #9, 1980
Strings 1-62 #45, 1980 MARGRÉT H.BLÖNDAL (1970-)
Imprints of ink-covered string on paper
Purchased in 2016 Untitled, 2010-2016
Watercolour, graphite and olive oil on paper
Donated by Robert Matta in 2017
HUGUETTE CALAND (1931-)
Christine, 1995 SUSAN HEFUNA (1962-)
Ink, gouache and felt and on paper
Donated by the Cercle International de la Société Building, 2001
des Amis du Musée National d'Art Moderne, 2016 Ink on tracing paper
Donated by Pi Artworks in 2015
SALVADOR DALI (1904–1989)
Building, 2004
Invisible Sleeping Woman, Horse, Lion, 1930 Ink on tracing paper
Ink and graphite on waxed canvas Donated by Pi Artworks in 2015
Purchased in 201519
JACQUES HÉROLD (1910–1987) ASGER JORN (1914–1973)
Untitled (Tête cristallisée), 1942 Aganaks, 1950
Graphite and charcoal on paper Pastel, gouache, watercolour and graphite on paper
Purchased in 2014 Purchased in 2011
CALLUM INNES (1962-) WASSILY KANDINSKY (1866–1944)
Cadmium Orange / Daveys Grey, 2014 Blanc sur noir (White on Black), october 1937
Watercolour on paper Tempera on black paper
Donated by the artist in 2014 Donated by the Société Kandinsky, 2013
Caput Violet / Sap Green, 2014
Watercolour on paper FREDERICK KIESLER (1890–1965)
Donated by the artist in 2014
Project for "Room of superstition", 1947
Cadmium Red Light / Olive Green, 2014 Ink and gouache on paper
Watercolour on paper Purchased in 1914
Donated by the artist in 2014
Phthalo Blue / Scarlet Lake, 2014 PER KIRKEBY (1938-2018)
Watercolour on paper
Donated by the artist in 2014 Untitled, 1983
9 drawings. Ink, graphite and chalk on sketchbook
Transparent Yellow / Light Green Yellow, 2014 pages
Watercolour on paper Donated by the artist, 2013
Donated by the artist in 2014
Heilo Green / Red Orange, 2014 PAUL KLEE (1879–1940)
Watercolour on paper
Donated by the artist in 2014 Tripelmarionette,1927
Gouache and watercolour on paper
Donated by the Société Kandinsky, in memory of
DJOKA IVACKOVIC (1930–2012) Thomas Messer, 2013
Untitled, 8 octobre 1962 Ferienlandschaft, 1935
3 drawings. Ink on paper Oil and watercolour on paper
Donated by Eva Roche Ivackovic and Nicolas Former Martin and Karl Flinker collection. Donated
Ivackovic in 2016 by Jacques and Sarah Dars, 2013
EGILL JACOBSEN (1910–1998) Not durch Wasser, 1940
Watercolour and glue-based paint on paper,
Untitled, 1948 mounted on paper
5 drawings. Ink on paper Purchased thanks to the Société Kandinsky fund,
Donated by the Egill and Evelyn Jacobsen 2016
Foundation in 201520
OSKAR KOKOSCHKA (1886–1980) Composition 5 x, [summer of 1915]
Graphite on paper
Jeune fille assise, c. 1921 Purchased through the Heritage Fund in 2017
Watercolour and gouache on paper
Purchased in 2013 Composition 1 t, [1916 / c. 1920]
Graphite on paper
Purchased through the Heritage Fund in 2017
RENÉ LAUBIÈS (1924-2006)
Untitled, 1952 Two plans of cities , [1916 / before 1930]
Ink on cardboard Graphite on paper
Purchased in 2011 Purchased through the Heritage Fund in 2017
Composition 2 a, [1917-1918]
EUGÈNE LEROY (1910–2000) Graphite on paper
Purchased through the Heritage Fund in 2017
Untitled, vers 1970
Gouache on paper Eight Suprematist drawings , [1917 / before 1930]
Donated in lieu of tax in 2014 Graphite on paper
Purchased through the Heritage Fund in 2017
JACKSON MAC LOW (1922–2004) Composition 14 f, [1918]
Graphite on paper
Drawing-Asymmetries, 1961 Purchased through the Heritage Fund in 2017
6 drawings. Ink and felt pen on blotting paper
Purchased in 2017 Composition 3 z, [1919 / before 1930]
Graphite on paper
Purchased through the Heritage Fund in 2017
KASIMIR MALÉVITCH (1878–1935)
Three drawings: Woman’s head, bust and face, MARYAN (1927–1977)
[1908 / before 1930]
Graphite on paper Untitled, 1965
Purchased through the Heritage Fund in 2017 9 drawings. Ink and gouache on paper
Donated by Annette M. Maryan in 2012
Female torso, [1908 / before 1930]
Graphite on paper
Purchased in 1986 ANDRÉ MASSON (1896–1987)
Peasant woman with two children , [1911 / before Portrait de Georges Duthuit, 1945
1930] Graphite on paper
Graphite on paper Donated by Ms Claude Duthuit in 2015
Purchased through the Heritage Fund in 2017
Jnitsa (Combine harvester), cover illustration for the HENRI MATISSE (1869–1954)
book by V. Khlebnikov and A. Kruchonykh, Slovo kak
takovoïe (The Word as Such), Jérusalem céleste, 1948
Saint-Pétersbourg, 1913 Gouache-covered paper cut out and glued to paper
Lithograph on paper mounted on canvas
Purchased through the Heritage Fund in 2017 Donated by Ms Claude Duthuit in memory of Claude
Duthuit in 201321
CIPRIAN MURESAN (1977-) EUGEN SCHÖNEBECK (1936-)
Palimpsest, 2016 Portrait of Liz Kertelge, 1966
3 drawings. Graphite on paper Graphite on paper
Donated by the Contemporary Art Acquisitions Donated by Frieder Burda in 2012
Group of the Société des Amis du Musée National
d'Art Moderne, 2017
ETTORE SPALLETTI (1940-)
GEORGES NOËL (1924–2010) Untitled, 1990-1992
10 drawings. Graphite on paper
Untitled, 1966 Donated by the artist 2012
Collage, watercolour, inks on paper
Donated by Margit Rowell in 2012
NANCY SPERO (1926–2009)
TARO OKAMOTO (1911–1996) Les bourgeois passent ..., 1968
Gouache and ink on paper
La Main douloureuse, 1936 – 1937 Donated by Philip S. Golub in 2011
Ink on paper
Purchased in 2017
NICOLAS DE STAËL (1914–1955)
FRANCIS PICABIA (1879–1953) Composition, 1948
Indian ink and wash on paper
Portrait de Tristan Tzara, [1919] Donated by Ms Claude Duthuit in 2015
Graphite, gouache and watercolour on paper
Donated in lieu of tax in 2012 Table à palette, 1954
Charcoal on paper
Donated in lieu of tax in 2014
DANIEL POMMEREULLE (1937–2003)
Nu avec tête, 1955
Untitled, 1962 Charcoal on paper
6 drawings. Ink on paper Donated in lieu of tax in 2014
Purchased in 2017
ALINA SZAPOCZNIKOW (1926–1973)
FRANÇOIS ROUAN (1943-)
Untitled, 1970 - 1971
Untitled, 1967 Ink on paper
Gouache-covered papers, glued Purchased in 2015
Donated by Jacqueline Lafargue in 2017
ANNE TRUITT (1921-2004)
BERNARD SABY (1925–1975)
Untitled, 1966
Untitled, 1951 Acrylic on paper
Charcoal on paper Purchased in 2014
Purchased in 201222
JUAN USLÉ (1954-) Untitled, 1939
Indian ink and wash on paper
Untitled, 2004 Donated by the Comité Pierre Wemaëre in 2012
6 drawings. Watercolour on paper
Donated by the Lelong Gallery in 2013
WOLS (1913–1951)
BRAM VAN VELDE (1895–1981) Untitled (Le Bikini clavier), [1939]
Ink and watercolour on paper
Carnet de Bayonne, encres n°1-7, 1938 Donated in lieu of tax 2011
7 drawing. Ink on paper
Purchased in 2013 Untitled (L'Abcès, les dents et la muse), [1940]
Ink, watercolour and gouache on coloured paper
Donated in lieu of tax 2011
JEAN-PIERRE VIELFAURE (1930–2015)
Le passe muraille, 1962
Mixed media on paper
Donated by Chantal Cusin Berche in 2017
Personnage aux deux soleils rouges, 15 october
1962
Mixed media on paper
Donated by Chantal Cusin Berche in 2017
Le prophète de l’abime, 15 october 1962
Mixed media on paper
Donated by Chantal Cusin Berche in 2017
GÉRARD VULLIAMY (1909– 2005)
Étude pour la partie gauche du Cheval de Troie, 1937
Blue crayon on paper
Donated by Claire Sarti in 2011
PIERRE WEMAËRE (1913-2010)
Untitled, 1938
Ink, ink wash and gouache on paper
Purchased in 2013
Untitled, 1939
Indian ink and ink wash on paper
Purchased in 2013
Untitled, 1939
Indian ink and wash on paper
Donated by the Comité Pierre Wemaëre in 201223
4. PRESS VISUALS
ALL THE WORKS OF ART CONTAINED IN THIS FILE ARE PROTECTED BY THE COPYRIGHT.
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the case of any copyright-holders mentioned below, where more specific terms apply.
The date of broadcast should be notified to the ADAGP by e-mail to audiovisuel@adagp.fr
• For broadcasters that have no general agreement with the ADAGP:
Images of no more than two works illustrating a broadcast relating to a current event may be used free of
charge. For any further images, royalty may be payable;
a request for permission must be submitted in advance to the ADAGP at audiovisuel@adagp.fr.24
CONDITIONS FOR THE REPRODUCTION OF WORKS BY MATISSE IN THE MEDIA IN CONNECTION
WITH EXHIBITIONS
Works are to be reproduced in their entirety.
Reproductions are not to be overprinted with texts or logos.
The copyright notice © Henri Matisse Estate (or its equivalent in the appropriate language) is to be printed
alongside each reproduction.
In the case of special issues, bi-monthlies, monthlies, etc., proofs are to be submitted for quality control
before printing. Only dailies and weeklies are exempt from this requirement, being required only to submit
page layouts showing the position of the images (by e-mail to the address above).
Applicable royalties are to be paid, except in the following cases:
oThe reproduction of an exhibition poster or catalogue cover (reproduced in their entirety).
oInstallation shots of the exhibition, with the works shown on the walls.
oSimple advert featuring subject and location of exhibition, opening hours etc., with no other text or
reportage.
oTwo reproductions of a quarter page at most (in the case of a monographic exhibition).
oOne reproduction of a quarter page at most (in the case of a non-monographic exhibition).
Royalties will be payable in every other case.
Any breach of the above conditions may entail a financial penalty or the payment of royalty where othe-
rwise an exemption was applicable.
LES HERITIERS MATISSE
92 avenue du Général de Gaulle
92130 Issy-les-Moulineaux
Tel: + 33 (0)1 40 93 46 18
Fax: + 33 (0)1 40 93 52 95
gwenaellefossard.lhm@orange.fr25
FRANCIS PICABIA
Portrait de Tristan Tzara, 1919
Graphite, gouache and watercolour on paper
62,8 x 45,6 cm
Collection Centre Pompidou, Paris
© Adagp, Paris 2018
Photo © Centre Pompidou, MNAM-CCI/G.Meguerditchian/
Dist. RMN-GP
PAUL KLEE
Tripelmarionette, 1927
Gouache and watercolour on paper
26 x 22,5 cm
Collection Centre Pompidou, Paris
Photo © Centre Pompidou, MNAM-CCI/G.Meguer-
ditchian/Dist. RMN-GP
WILHELM FREDDIE
Untitled, 1940
Oil pastel on paper
50 x 70 cm
Collection Centre Pompidou, Paris
© Adagp, Paris 2018
Photo © Centre Pompidou, MNAM-CCI/Philippe
Migeat/Dist. RMN-GP26
KAREL APPEL
Creatures from outer space no. 2, 1948
Ink on paper
45 x 54 cm
Collection Centre Pompidou, Paris
© Karel Appel Foundation - Adagp, Paris 2018
Photo © Centre Pompidou, MNAM-CCI/G.Meguer-
ditchian/Dist. RMN-GP
HENRI MATISSE
Jérusalem céleste, 1948
Gouache-covered paper cut out and glued to paper
mounted on canvas, 265,5 x 130 cm
Collection Centre Pompidou, Paris
© Succession H. Matisse
Photo © Centre Pompidou, MNAM-CCI/G.Meguer-
ditchian/ dist. RMN-GP
EUGEN SCHÖNEBECK
Portrait de Liz Kertelge, 1966
Graphite on paper , 60,9 x 42,9 cm
Collection Centre Pompidou, Paris
© Adagp, Paris 2018
Photo © Centre Pompidou, MNAM-CCI/G.Meguer-
ditchian/Dist. RMN-GP27
EUGÈNE LEROY
Untitled, c. 1970
Gouache on paper
201 x 150 cm
Collection Centre Pompidou, Paris
© Adagp, Paris 2018
Photo © Centre Pompidou, MNAM-CCI/Philippe
Migeat/Dist. RMN-GP
JOHN CAGE
Strings 1-62 #5, 1980
Strings 1-62 #9, 1980
Strings 1-62 #45, 1980
Imprints of ink-covered string on paper
56 x 76 cm
Collection Centre Pompidou, Paris
© The John Cage Trust
Photo © Centre Pompidou, MNAM-CCI/G.Meguer-
ditchian/Dist. RMN-GP28
HUGUETTE CALAND
Christine, 1995
Ink, gouache and felt and on paper Washi
203 x 203 cm
Collection Centre Pompidou, Paris
© Huguette Caland
Photo © Centre Pompidou, MNAM-CCI/G.Meguer-
ditchian/Dist. RMN-GP
MAMMA ANDERSSON
Den lilla systern II / The Little Sister II, 2016
Graphite, gouache and acrylic on paper
59,5 x 39,5 cm
Collection Centre Pompidou, Paris
© Mamma Andersson
Photo © Centre Pompidou, MNAM-CCI/Philippe
Migeat/Dist. RMN-GP
SILVIA BÄCHLI
Rhomb (Nr.1), 2015
Gouache on paper
205,2 x 145,2 cm
Collection Centre Pompidou, Paris
© Silvia Bächli
Photo © Centre Pompidou, MNAM-CCI/Philippe Migeat/
Dist. RMN-GP29
CIPRIAN MURESAN
Palimpsest, 2016
Graphite on paper
Collection Centre Pompidou, Paris
© Ciprian Muresan
Photo © Centre Pompidou, MNAM-CCI/Dist.
RMN-GP30
5. PRACTICAL INFORMATION
THE EXHIBITION
Curator :
Jonas Storsve
Curator of the Cabinet d’art graphique, musée national d’art moderne.
PUBLIC ACCESS AND PRICING AT THE SAME TIME AT THE CENTRE
Centre Pompidou
75191 Paris cedex 04 CHAGALL, LISSITZKY, MALEVITCH MUTATIONS / CRÉATIONS 2
01 44 78 12 33 L’AVANT-GARDE RUSSE À VITEBSK CODING THE WORLD
metro : Hôtel de Ville, Rambuteau (1918-1922) 15 JUNE - 27 AUGUST 2018
28 MARCH - 16 JULY 2018 press officer
Opening hours : open every day
press officer Timothée Nicot
from 11 am to 9 pm except on Tuesday
Anne-Marie Pereira 01 44 78 45 79
and May 1st
01 44 78 40 69 timothée.nicot@centrepompidou.fr
Price : 14 € anne-marie.pereira@centrepompidou.fr
concessions : 11 € MUTATIONS / CRÉATIONS 2
RYOJI IKEDA
U.A.M
15 JUNE - 27 AUGUST 2018
UNE AVENTURE MODERNE
press officer
30 MAY - 27 AUGUST 2018
Timothée Nicot
press officer
01 44 78 45 79
Dorothée Mireux
timothée.nicot@centrepompidou.fr
01 44 78 46 60
dorothee.mireux@centrepompidou.fr
SABINE WEISS
LES VILLES, LA RUE, L'AUTRE
JEAN-JACQUES LEBEL
20 JUNE-15 OCTOBER 2018
L'OUTREPASSEUR
press officer
30 MAY - 3 SEPTEMBER 2018
Elodie Vincent
press officer
01 44 78 48 56
Timothée Nicot
elodie.vincent@centrepompidou.fr
01 44 78 45 79
timothée.nicot@centrepompidou.fr
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