Joaquín Segura January, 2021 - Webflow
←
→
Page content transcription
If your browser does not render page correctly, please read the page content below
Joaquín Segura January, 2021
Joaquín Segura January, 2021 Mexico City, 1980 Lives and works in Mexico City Joaquín Segura has built his artistic imaginary through a symbolic dismantling of grand notions such as history, truth, and power in the context of diverse ideological systems from the 20th and 21st Centuries. He channels his obsessions through propaganda objects, memorabilia and the iconographic legacy of the radical as a starting point for the develop- ment of new readings on the contradictions that permeate geopolitical structures in the contemporary world. His artistic practice constitutes a reflection on the phenomenology of violence and its contextual relations to notions such as sociopolitical micro- climate, asymmetrical history, and the role of ideology in the contemporary world. Some of the most relevant concerns in his recent production revolve around the nature of power and its self-regulating mechanisms, identity conformation processes in highly-unstable environments and the ontological significance of dissent and failure, with a particular emphasis on its materiality. Formally diverse and extremely personal, his oeuvre strives to meditate about the fissure, understood from an encompassing perspective in intimate relationship with the ideas of crisis and the present moment. His work has developed through platforms such as installation, photography, action or video and has been shown in diverse venues such as: Sala de Arte Público Siqueiros, Museo de Arte Carrillo Gil, La Panadería, Museo Tamayo Arte Contemporáneo in Mexico City; El Museo del Barrio, Anthology Film Archives, White Box and apexart in New York; LA>
Joaquín Segura Project selection January, 2021 Wage Labour and Capital Color field abstraction of a pamphlet edition of Marx’s homonymous work, published in 1982 by the disappeared Editorial Cartago, the propaganda imprint of the Argentinian Communist Party which became instrumental in its cultural offensive seeking to freely dis- tribute Marxist literature in Latin America.
Joaquín Segura Project selection January, 2021
Wage Labour and Capital, 2020
Oil on canvas
220 x 150 cm
Joaquín Segura Project selection January, 2021 Five States A recovered .223 cartridge is used to draw the outlines of the five Mexican states which, ac- cording to the 2017 Mexico Index published by the Institute for Economics and Peace, have experienced the most dramatic increase in vi- olence and crime rates, mostly attributed to organized crime and institutionalized corrup- tion.
Joaquín Segura Project selection January, 2021
Five States, 2017
From the series Bellum Omnius Contra
Omnes, 2016 - ongoing
Recovered bullet & intervened wall
Variable measures
Joaquín Segura Project selection January, 2021 Blackouts & Whitewashes #4 Blackouts & Whitewashes #2 Textile rendition of a formerly classified 1987 Handwoven rendition of a highly censored CIA document released under the agency’s page from the KUBARK interrogation pro- Chile Declassification project. The original tocol for subjects of interest. This manual is a document outlines the unstable political cli- 1963 document detailing methods of torture mate in Chile after the implementation of to extract information, later used by CIA oper- Project FUBELT, the intelligence operation atives in various Latin American countries be- through which the US prepared the grounds tween 1982 and 1987, according to declassified for the 1975 military coup in Chile and Pino- intelligence reports from the era. chet’s rise to power. The aftermath of this intervention and its con- tinued support to the military regime reached a critical point with the Letelier-Moffitt mur- ders, in which the former Chilean minister and an American citizen were fatally car- bombed in Washington, DC. All of the con- tent of the document has been removed by the artist except the miscellaneous seals, markings and scribbles that remain after the original document circulated through the intelligence circuit before its declassification.
Joaquín Segura Project selection January, 2021
Blackouts & Whitewashes #4, 2019
Handmade Haute-lisse tapestry
220 x 160 cm
Joaquín Segura Project selection January, 2021
Blackouts & Whitwashes #2, 2015
Handwoven Haute-lisse tapestry
200 x 149 cm
Joaquín Segura Project selection January, 2021 Pyre Installation composed by the accumulation of the exact amount of specific materials needed to reduce a human body to ashes in an open field setting. The quantities of wood, rubber and combus- tible used in this work -25 tires, 1675 lb of wood and 71 liters of gasoline or similar flam- mable liquids- were determined by diverse reports of forensic research teams currently working to solve recurring episodes of vio- lence-related episodes of mass disappearances in various regions of Latin America.
Joaquín Segura Project selection January, 2021
Pyre, 2016
Wood, recovered tires, combustible fluid
Variable measuresJoaquín Segura Project selection January, 2021 We demand justice for Francisco Ramirez, José Luis Ramirez and Alvaro Jacinto, who were killed by MULT-PUP - UBISORT-PRI Work from an ongoing collection of banners recovered on-site in various protest sites and political rallies in Mexico City. These are then erased by the application of white paint over the original inscriptions, completely nullifying its content and then arranged specifically in the exhibition space as sculptural objects.
Joaquín Segura Project selection January, 2021
We demand justice for Francisco Ramirez,
José Luis Ramirez and Alvaro Jacinto,
who were killed by MULT-PUP - UBI-
SORT-PRI, 2012
From the series Exercises on Selective Mut-
ism, 2012 - ongoing
Synthetic polymer paint onrecovered banner
206 x 120 cm (Variable)Joaquín Segura Project selection January, 2021 Notes on Mexico Mixed media sculpture composed by an un- binded copy of Notes on Mexico (1822), by J.R. Poinsett, polemic American politician that served as the first diplomatic minister of the US in Mexico until his departure from Mexican territory in 1830, and a rock collect- ed in an urban riot scenario in Mexico City during the late 2013 recurrent civilian pro- tests.
Joaquín Segura Project selection January, 2021
Notes on Mexico, 2014
Recovered projectile and paper
15 x 20 x 15 cmJoaquín Segura Project selection January, 2021 G8 Sculptural installation composed by the re- mains of charred flags. The selection of the countries alluded correspond to the nations that constitute the Group of Eight, an interna- tional forum that brings together the govern- ments of the world´s largest national econo- mies.
Joaquín Segura Project selection January, 2021
G8, 2013
Synthetic fabric & wood
480 x 241 x 300 cmJoaquín Segura Project selection January, 2021 Ideological Clearance (Marx, Lenin, Mao) Handwoven renditions of intervened propa- ganda material edited by the Soviet Ministry of Propaganda during the Communist era, sourced through different channels: antique dealers, second-hand bookstores and flea mar- kets.
Joaquín Segura Project selection January, 2021
Ideological Clearance (Marx, Lenin, Mao),
2015
Site-specific installation
Handwoven Haute-lisse tapestries
Variable measuresJoaquín Segura Project selection January, 2021
Ideological Clearance (Marx), 2015
Handwoven Haute-lisse tapestry
300 x 250 cmJoaquín Segura Project selection January, 2021 The Battle of Hamburger Hill Mixed media sculpture alluding to the infa- mous Vietnam War-era Battle of Hamburg- er Hill, in which the invading US military fought against North-Vietnamese forces in May 1969. The highly questionable military command during the battle caused extreme controver- sy, also due to Richard Nixon´s Vietnamese policy, considered bloody and senseless at the time. This high-casualty 10-day incident was originally just planned as a diversionary tactic, instead leading to a significant loss of human lives in order to achieve doubtful strategic su- periority in the overall armed conflict.
Joaquín Segura Project selection January, 2021
The Battle of Hamburger Hill, 2008
Mixed media
Variable measuresJoaquín Segura Project selection January, 2021 Untitled (Pipe Bomb) Series of photographic works portraying com- mon household items used in the preparation of various homemade incendiary agents and explosives used by an assortment of radical groups from different countries and contexts.
Joaquín Segura Project selection January, 2021
Untitled (Pipe Bomb), 2014
From the series Homemade, 2010 - ongoing
Pigment print on dibond
150 x 74 cmJoaquín Segura Project selection January, 2021 Material Study on Revolt #1 Photographic polyptych portraying diverse materials used as projectiles by civilians in ur- ban riots mainly associated with political in- stability, collected in disturbance scenarios in Mexico City throughout the recurrent pro- tests of 2013.
Joaquín Segura Project selection January, 2021
Material Study on Revolt #1, 2014
Pigment prints on cotton paper
Polyptych (6 pieces)
45 x 68 cm / eachJoaquín Segura Project selection January, 2021 Like a Long Magnolia BlosLike Blossom Bending to the Windsom Wind Found-object sculpture consisting on an inter- vened newspaper upon which a magnolia tree branch has been placed on top. The newspaper page has been intervened with a hangul tran- scription of a poem written by South-korean dictator Park Chung-Hee, after the death of his wife during in attempted magnicide in Au- gust 1974. The newspaper used was published the day after Park Geun-Hye, daughter of the dictator and former South Korea president until March 2017 was impeached and oust- ed from power due to charges of corruption, causing strong upset among the South-korean people.
Joaquín Segura Project selection January, 2021
Like a Long Magnolia BlosLike Blossom
Bending to the Windsom Wind, 2017
Intervened newspaper and magnolia
branchIntervened branch
40 x 61 x 10 cmJoaquín Segura Project selection January, 2021 The Anarchists and the Bombs Single-channel video in which a sign-language interpreter translates a 1907 text extracted from the persecuted anarchist journal Tierra y Libertad, active in Barcelona in the early 20th century at the height of the Spanish anarcho- syndicalist movement.
Joaquín Segura Project selection January, 2021
The Anarchists and the Bombs, 2013
HD video
11:51 min
https://vimeo.com/62087289Joaquín Segura Project selection January, 2021 The Messiah Complex Ongoing charcoal drawing series of impro- vised explosive devices (IEDs) either confis- cated or disarmed before its intended use by radical groups in various locations of armed conflict throughout the world.
Joaquín Segura Project selection January, 2021
The Messiah Complex, 2012 - ongoing
Charcoal on cotton paper
51 x 69 cm / eachJoaquín Segura Project selection January, 2021
The Messiah Complex, 2012 - ongoing
Charcoal on cotton paper
51 x 69 cm / eachJoaquín Segura Project selection January, 2021
The Messiah Complex, 2012 - ongoing
Charcoal on cotton paper
51 x 69 cm / eachJoaquín Segura Project selection January, 2021 Essay on Reconstruction ( José Martí) Site-specific project developed in El Pantanal, an under-developed settlement in process of regularization, located in the outskirts of Granada, Nicaragua. It consisted in the full reconstruction of an architectural element, formerly in ruins, placed in the middle of this former swamp area. Although its real origin remains unclear, it apparently constituted the remains of a monument erected for Jose Martí after the fall of the Somoza dictatorship. The reconstruction process was executed with active participation of the local community.
Joaquín Segura Project selection January, 2021
Essay on Reconstruction (José Martí), 2014
HD Video, 3 channels
9:29 min
https://vimeo.com/103838129Joaquín Segura Project selection January, 2021 Casa Poporului Multi-channel video shot in location at an abandoned marble quarry in Borsec, a small town in the Eastern region of Transylvania, Romania. According to its inhabitants, a vast quantity of the marble used in the construction of Nicolae Ceauçescu’s People’s Palace comes from this location in the middle of the Carpathians. This building is notorious for a number of reasons, among them, its massive size and the enormous economic and human cost of its ed- ification, executed by a team of 700 architects and 20,000 workmen, then abruptly inter- rupted by the Romanian Revolution in De- cember 1989.
Joaquín Segura Project selection January, 2021
Casa Poporului, 2014
HD Video, 9 channels
4:52 min
https://vimeo.com/125997479Joaquín Segura Project selection January, 2021
On Practice, 2018
Intervened pamphlet. Intervened copy of a
vintage Maoist publication
94 x 74 cmJoaquín Segura Project selection January, 2021
Four Philosophical Thesis, 2014
Photorrealist oil rendition of the cover
page of a vintage copy of Mao Tse-Tung´s
Four Philosophical Thesis.
Oil on canvas
170 x 109 cmJoaquín Segura Project selection January, 2021
Untitled (White Dove), 2008
Taxidermied dove, hand grenade and safety pin
Variable measuresJoaquín Segura Project selection January, 2021
The Inaugural Address, 2009
Mixed media
18 x 10 x 23 cmJoaquín Segura CV January, 2021
Joaquín Segura cosas, Nueva Vitrina, Exconvento del Carmen, Your False Rebellions Mean Nothing, Arena Exodus II: Mexico in New York – From Orozco
Mexico City, 1980 Guadalajara, Mexico México Arte Contemporáneo, Guadalajara, to Orozco, WhiteBox, New York, USA
Mexico
STUDIES 2015 2019
Curatorial Studies Teratoma Program, CA- La tradición de todas las generaciones muertas, Botched Messiah, LArVa, Guadalajara, Mexico Generation W(ar), Torrance Museum of Art,
NAIA, Mexico City, Mexico Ex Teresa Arte Actual, Mexico City, Mexico Los Angeles, USA
2008
Bachelor in Comunications: Subsystem of Batiente 0.8: ¿Qué ha creado Dios?, Casa del Botched Messiah, Ex Convento Dieguino (du- Signs Taken for Wonders, Jonas Mekas Visual
Cinema and Video, Universidad Iberoameri- Lago, Mexico City, Mexico rante el 36º Festival Internacional Cervanti- Arts Center, Vilnius, Lithuania
cana Campus Santa Fe, Mexico City, Mexico no), Guanajuato, Mexico
2014 La emancipación de la disonancia, Instituto
Photography / Alternative Media, Centro de Estado de excepción, Espacio Mínimo, Madrid, 2007 Cervantes Roma, Rome, Italy; Gran Canaria
la Imagen, Mexico City, Mexico Spain Feelings, Trolebús / Galería, Mexico City, Espacio Digital, Las Palmas, Spain
Mexico
SOLO SHOWS 2013 The Cure of Folly, Galleria Contempo, Trento,
2018 A Glimpse of All Things Gone Wrong, Kostka 2006 Italy
Pyre, Cushion Works, San Francisco, USA Gallery, Prague, Czech Republic Acapulco Golden, O-Lamm, Mexico City,
Mexico 2018
2017 2012 Teatro de operaciones (in collaboration with En-
Nueva narrativa metropolitana, Artere-a, Gua- A Brief History of Breakdown, Yautepec Gal- GROUP SHOWS rique Jezik), Galería Hilario Galguera, Mexico
dalajara, Mexico lery, Mexico City, Mexico 2020 City, Mexico
Good Trouble: Artists Respond to the 2020
2016 2011 Presidential Election, WhiteBox, New York, Gangwon International Biennale 2018: The
Una guerra tal que es la de todos contra todos, Poéticas del deshonor, Sala de Arte Público USA Dictionary of Evil, Gangwon, South Korea
La Ene, Buenos Aires, Argentina Siqueiros, Mexico City, Mexico
XIX Bienal de Pintura Rufino Tamayo, Museo White Anxieties, WhiteBox, New York, USA
Where Of One Cannot Speak, Thereof One 2010 de Arte Contemporáneo de Oaxaca, Oaxaca,
Must Be Silent, Alkovi/Ingredientes, Helsins- Deceive, Inveigle & Obfuscate, Yautepec Gal- Mexico Postrauma, Sala Gasco Arte Contemporáneo,
ki, Finland lery, Mexico City, Mexico Santiago, Chile
Colapso, MAM Chiloé, Chiloé, Chile
El mundo es la totalidad de los hechos, no de las 2009 Nacido en casa. Devenires y porvenires del oficioJoaquín Segura CV January, 2021
de la tapicería Alto Liso en Jalisco, 1968-2018, al Gallery of Victoria, Melbourne, Australia Monterrey, Mexico Self-Organized – Aesthetic Politics of the Artist
Museo Amparo, Puebla, Mexico Run, Guest Spot The Reinstitute, Baltimore,
Acts of Sedition, WhiteBox, New York, USA Kozmic Blues: entre control/descontrol, Com- USA
Utopía y deriva: relatos en tránsito, Centro de plejo Cultural Universitario BUAP, Puebla,
Arte Bernardo Quintana, Queretaro, Mexico Resonancias desde el jardín de las delicias, Mu- Mexico Motley Mexico, De Balie, Amsterdam, The Netherlands
seo de Arte Carrillo Gil, Mexico City, Mexico Mexico: The Future is Unwritten, Fondazione
2017 #MakeAmericaGreatAgain, WhiteBox, New Ser sensible, La Quiñonera, Mexico City, Mex- Giorgio Cini, Venice, Italy
A revolution from my bed, Young Artist Project York, USA ico
’17, EXCO, Daegu, South Korea Reactivación, Object Not Found, Monterrey,
DIY Fiction, Espacio de Arte Careyes, Car- Pintura, Artere-a, Guadalajara, Mexico Mexico
Repertoires of Contention (in collaboration with eyes, Mexico
Tony Garifalakis), Gertrude Contemporary, 2015 2014
Melbourne, Australia A Certain Urge (Towards Turmoil), EFA Proj- Now? NOW!, Biennal of the Americas 2015, Micro-acciones de emergencia #2, ADN Plat-
ect Space, New York, USA Museum of Contemporary Art Denver, Den- form, Barcelona, Spain
Tres golpes (in collaboration with Javier Barri- ver, USA
os), Fundación CALOSA, Irapuato, Mexico Beyond the Tropics, Museau d’Història de IX Bienal Nicaragüense de Artes Visuales, Fun-
Catalunya, Barcelona, Spain; Teatrin 2 Fera- There Is Only One Catch and That Is Catch 22, dación Ortiz-Gurdian, Managua, Nicaragua
Old Glory, Mulherin New York, New York, la, Bol, Croatia; Centro Cultural de España, Y Gallery, New York, USA
USA Mexico City, Mexico The Lady with the X-ray Eyes, Varna City Art
Paisatges: L’estigma d’allò social, Palmadotze, Gallery, Varna, Bulgaria
La naúsea, Museo de Arte de Zapopan, Gua- The Enemy Within, Area / Lugar de Proyectos, Barcelona, Spain
dalajara, Mexico Caguas, Puerto Rico Les Rencontres Internationales in Berlin, Haus
Beyond the Tropics, Università IUAV di Vene- der Kulturen der Welt, Berlin, Germany
Structural Disparities, Seoul Art Space_Ge- Punk Povera, WUHO, Los Angeles, USA zia; Palazzo Ca’ Tron, Venice, Italy
umcheon, Seoul, South Korea 1a Bienal Nacional del Paisaje, MUSAS - Mu-
Nosotros ya no somos los mismos (Seres de luz Bienal de las Fronteras, Museo de Arte Con- seo de Arte de Sonora, Hermosillo, Mexico
Thin Air, Galería Emma Molina, Monterrey, del trabajo inmaterial), Centro Cultural Matu- temporáneo de Tamaulipas, Matamoros, Mex-
Mexico cana 100, Santiago, Chile; Museo de Arte ico Delirios de Declive, Curro & Poncho, Guadala-
Zapopan, Guadalajara, Mexico jara, Mexico
2016 1ª Bienal Nacional del Paisaje, Museo de Arte
Shut Up and Paint, NGV Collection, Nation- Políticas del polvo, Galería Emma Molina, Carrillo Gil, Mexico City, Mexico Èdra: Connecting Landscapes, Istituto PolaccoJoaquín Segura CV January, 2021
di Roma y Ambasciata del Messico, Rome, Italy Australia Centro, Guadalajara, Mexico en Jalisco, Museo de la Ciudad, Guadalajara,
Mexico
Visible Invisibilización: Aproximaciones en tor- Wherever you roam, MoLAA. Long Beach, Under the Volcano, Andrómeda Contemporá-
no a la violencia, Museo de Arte Contemporá- USA neo, San Jose, Costa Rica Todo en mi cabeza está padrísimo, Piso 51,
neo Alfredo Zalce, Morelia, Mexico Mexico City, Mexico
2013 Celebrity Skin, WhiteBox Contemporary, San 2011 V Bienal Nacional de Artes Visuales de Yucatán,
Mexico: Inside Out, Modern Art Museum of Diego, USA XV Bienal de Pintura Rufifino Tamayo, Museo Centro de Artes Visuales, Merida, Mexico
Fort Worth, Fort Worth, USA de Arte Contemporáneo de Oaxaca, Oaxaca,
Still Lifes: Invitation to a beheading, Diablo Mexico Sobre ética y obscenidad, La Quiñonera, Mexi-
South of the Border, Anthology Film Archives, Rosso, Panama, Panama co City, Mexico
New York, USA How to philosophize with a hammer, White-
X Bienal Monterrey FEMSA, MARCO, Mon- Box, New York, USA 2010
The Name, The Nose, Museolaboratorio y Ex terrey, Mexico The road to hell is paved…, Las Cienegas Proj-
Manifattura Tabacchi, Città Sant’Angelo, Italy Four Minutes, Thirty-three Seconds, LegalArt, ects, Los Angeles, USA
Body Snatchers, WhiteBox, New York, USA Miami, USA
X Bienal Monterrey FEMSA, Antiguo Colegio Efecto Drácula. Comunidades en transición,
de San Ildefonso, Ciudad de México, Mexico La Quebradora, Mission Cultural Center for Alarma!, Death be Kind, Melbourne, Australia Museo Universitario del Chopo, Mexico City,
Latino Arts, San Francisco, USA Mexico
Trama y urdimbre, Museo de Arte Raúl An- Everything must go, Casey Kaplan Gallery,
guiano, Guadalajara, Mexico The Revelation of What Has Already Been De- New York, USA Chewbacca to Zapata: Revisiting the Myth of
stroyed, Object Not Found, Monterrey, Mexico the Mexican Revolution, Morono Kiang Gal-
Visible Invisibilización: Aproximaciones en tor- Cosmopolis, Pristine Galerie, Monterrey, Mexico lery, Los Angeles, USA
no a la violencia, Museo de la Ciudad, Quere- Take S, Centro de Artes de Sines, Sines, Portugal
taro, Mexico Círculos de Confusión: Caos social y Ficciones Indian Summer, Arena México Arte Contem-
West Is More, Upstairs at the Market Gallery, dominantes, Centro de la Imagen, Mexico poráneo, Guadalajara, Mexico
2012 Los Angeles, USA City, Mexico
XV Bienal de Pintura Rufifino Tamayo, Museo Crossing Boundaries, Qui Vive? II Moscow In-
Tamayo Arte Contemporáneo, Mexico City, Oído Enfático, La Quiñonera, Mexico City, Endism, 24hrArt y Northern Territory Centre ternational Biennale for Young Art, Winzavod
Mexico Mexico for Contemporary Art, Darwin, Australia Centre for Contemporary Art, Moscow, Russia
Crisis Complex, Tin Sheds Gallery, Sydney, DFSAKJLÑAS:)DHKFLAJDHS, Trama Fuerzas básicas: Formas del dibujo reciente Nice & FUBAR, Jaus, Los Angeles, USAJoaquín Segura CV January, 2021
Carry On or Stow Away, Gambia Castle, relia, Mexico Hacia/Desde México DF, Instituto Cervantes Segundo Ciclo de Videoarte Latinoamerica-
Auckland, New Zealand Estocolmo, Stockolm, Sweden no, Institut Valencià d’Art Modern, Valencia,
Marea de Nudos: Tapices contemporáneos del Spain
The Billboard Project, Portugal Arte 10, Lis- Taller Mexicano de Gobelinos, Galería Jesús ID-entity, Transformer y Mexican Cultural In- [PAM] VideoBox @ We are your future, 2
boa, Portugal Gallardo, Leon, Mexico stitute, Washington, USA Moscow Biennale of Contemporary Art,
Winzavod Art Center, Moscow, Russia;
Omega, Margaret Lawrence Gallery, Mel- 2009 Intransit, Moti Hasson, New York, USA WhiteBox, New York, USA
bourne, Australia The Man who Fell to Earth, 798 Beijing Bien-
nale 2009, T Art Center, Beijing, China Qui Vive? I Moscow International Biennale Ultramar, Instituto Cervantes, Brasilia, Brazil
Bad Moon Rising 5, UKS, Oslo, Norway for Young Art, National Center for Contem- Luz y Fuerza del Centro, Charro Negro
Asesinos, Live with Animals, Brooklyn, USA porary Art, Moscow, Russia Galería, Guadalajara, Mexico
Creative Tensions, NCCA Yekaterinburg,
Yekaterinburg, Russia Names and Places, Firstdraft, Sidney, Australia Is an artist allowed to do anything?, Dom Lo que mueve al mundo es la fuerza de gravedad,
Umenia y Display, Bratislava, Slovakia Casa Las Monas, Leon, Mexico
(Ready)Media: Hacia una arqueología de los Last Day of Magic, 53º Biennal de Venecia,
medios y la invención en México, Laboratorio ScalaMata Gallery, Venice, Italy Videolab Caldas 2008, Centro da Juventude, 2006
Arte Alameda, Mexico City, Mexico Caldas de Rainha, Portugal Distor, Museo de Arte Carrillo Gil, Mexico
I can’t get no Satisfaction: Contemporary views City, Mexico
Mexicali Biennial 09/10, Ben Maltz Gallery on the everyday, apexart, New York, USA 2007
en Otis College of Art & Design, Los Angeles, Fissures: Works on Video from Mexico, Museo Primer Ciclo de Videoarte Latinoamerica-
USA Bad Moon Rising 3, Boots Contemporary Art del Barrio, New York, USA no, Institut Valencià d’Art Modern, Valencia,
Space, St. Louis, USA Spain
Environments|Videolab, Pátio da Inquisição, Return of the Art Dead, Eastern Alliance y
Coimbra, Portugal Hacia/Desde México DF, Instituto Cervantes NoD Roxy, Prague, Czech Republic Eastern Alliance: Teledivision, MNAC, Bucha-
París, Paris, France rest, Romania; KSA:K, Chisinau, Moldova
Artemergente Bienal Nacional Monterrey Separation Perfected, National Center for
2010, Centro de las Artes y Nave Genera- 2008 Contemporary Art, Moscow, Russia Próximamente..., Museo de Arte Carrillo Gil,
dores, Monterrey, Mexico VIBA, ThisIsNotAGallery, Buenos Aires, Argentina Mexico City, Mexico
Videolab Lagos 2007, Laboratório de Artes
Creación en Movimiento: Jóvenes Creadores The Use of Video in a WC, Gato Vadio, Porto, Criativas y Área 55, Lagos, Portugal video_dumbo: Mexico, D.U.M.B.O. Arts Cen-
2009-2010, Casa de Cultura de Morelia, Mo- Portugal ter, Brooklyn, USAJoaquín Segura CV January, 2021
Les Rencontres Internationales Paris/Berlin, We Are Nothing but the Nerds They Say We Are, Mexico City, Mexico 2000
Cinéma l’Entrepôt, Paris, France Sonora 180, Condesa, Mexico City, Mexico South of North, Fototeka, Los Angeles, USA
Use Your Illusion, Consejo Mexicano de Fo-
Coup, Weiss Pollack Gallery, New York, USA México 70, Casa del Lago, Mexico City, Mexico tografía, Mexico City, Mexico RESIDENCIES
2017, International Artist in Residency, Seoul,
Hysterical Horror: Experimental video from Retroactiva, Faro de Oriente, Mexico City, 2003 South Korea
Mexico City, UnionDocs, Brooklyn, USA Mexico Temps nòrdics vs acció mexicana, Panorama,
Barcelona, Spain 2015, Programa de Residencias Artísticas,
Perpetual Art Machine, Scope New York, New Cheap & Chic, O-Itatti, Mexico City, Mexico Puerto Escondido, Mexico
York, USA; Scope Hamptons, Wainscott, Cámara, Museo de Arte Carrillo Gil, Mexico
USA 2004 City, Mexico 2013, FONCA / CONACYT Programa In-
Bordermates Vacation: For the Giant Margari- ternacional de Residencias Artísticas, Prague,
2005 ta, Sundown Salon y Fritz Haeg, Los Angeles, Dadapsicodeli, Ex Teresa Arte Actual, Mexico Czech Republic
Declaraciones, Museo Nacional Centro de USA City, Mexico
Arte Reina Sofía, Madrid, Spain 2013, EMARE European Media Artists in
Abuso de conciencia, Ex Teresa Arte Actual, MHN.01 especímenes, Museo de Historia Nat- Residency Exchange, Utrecht, The Nether-
Fear in the City: Prague, Underground Palace Mexico City, Mexico ural, Mexico City, Mexico lands
Adria, Prague, Czech Republic
MHN.03 recreaciones, Museo de Historia Nat- MHN.02 modificaciones, Museo de Historia 2012, Programa Internacional de Residencias
Free Trade, Outpost for Contemporary Art, ural, Mexico City, Mexico Natural, Mexico City, Mexico Artísticas ADM, Barcelona, Spain
Los Angeles, USA
They’re Motherfuckers... Don’t You Know?, El que se mueva no sale en la foto, Centro de la 2011, ONF Programa de Artista en Residen-
Norteamericanos de tercera... Sudacas de prime- Casa Frissac, Mexico City, Mexico Imagen, Mexico City, Mexico cia, Monterrey, Mexico
ra, The Art Palace, Madrid, Spain
Escalera al cielo, MACO México: Arte Con- 2002 2010, JAiR Programa de Artista en Residen-
The Momentary Seduction of Now, Scope Mi- temporáneo, Mexico City, Mexico El arte mexicano se viste de fiesta, La Panadería, cia, Los Angeles, USA
ami; Townhouse, Miami, USA Mexico City, Mexico
Sábado #6, Bordermates y Revillagigedo 37, 2009, International Artist in Residency Fun-
Tan lejos, tan cerca: la Arena México en Mon- Mexico City, Mexico 2001 dación/Colección Jumex, Santa Monica, USA
terrey, Arcaute Arte Contemporáneo, Mon- Corriendo sin ver, Alianza Francesa Centro
terrey, Mexico Móvil: tiempo diferido, Ex Teresa Arte Actual, San Ángel, Mexico City, Mexico 2008, ISCP/FONCA Programa InternacionalJoaquín Segura CV January, 2021 de Residencias Artísticas, New York, USA GRANTS AND AWARDS 2020, XIX Bienal de Pintura Rufino Tamayo (selected work), Secretaría de Cultura and IN- BAL, Mexico 2018, Sistema Nacional de Creadores del Arte (2018 – 2021), FONCA, Mexico 2010, Artemergente Bienal Nacional Monter- rey (acquisition prize), Monterrey, Mexico 2009, Jóvenes Creadores 2009-2010: Pro- grama de Estímulos a la Creación, FONCA y CONCULTA, Mexico 2006, Programa de Becas y Patrocinios 2006, Fundación/Colección Jumex en colaboración con Outpost for Contemporary Art, Mexico PUBLIC COLLECTIONS National Gallery of Victoria, Melbourne, Aus- tralia Pinacoteca de Nuevo León, Monterrey, Mexico
You can also read
