The Marianne North Gallery at Kew Gardens - Peter Emery
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Marianne North was a very Intrepid artist who travelled the
World, mostly alone and who produced more than 800 paintings
10But who was Marianne North?
11Who was Marianne North?
• Marianne was born October 24th 1830, to Frederick
North the MP for Hastings and Janet North, the
widow of Robert Shuttleworth of Gawthorpe Hall,
Lancashire
12Who was Marianne North?
• Marianne was born October 24th 1830, to Frederick
North the MP for Hastings and Janet North, the
widow of Robert Shuttleworth of Gawthorpe Hall,
Lancashire
• Janet North already had a daughter, also Janet, from
her first marriage and a son, Charles was born to the
North’s in 1828
13Who was Marianne North?
• Marianne was born October 24th 1830, to Frederick
North the MP for Hastings and Janet North, the
widow of Robert Shuttleworth of Gawthorpe Hall,
Lancashire
• Janet North already had a daughter, also Janet, from
her first marriage and a son, Charles was born to the
North’s in 1828
• As she grew up Marianne divided her time between
the North properties in Hastings and Rougham,
Norfolk and Gawthorpe Hall in Lancashire
14Who was Marianne North?
• Marianne learned to Paint and to sing, correct
pastimes for a Victorian girl of her social class
15Marianne North a normal Victorian?
• Marianne learned to Paint and to sing, correct
pastimes for a Victorian girl of her social class
• Marianne was trained as an artist by Miss Van
Fowinkel and by Valentine Bartholomew, both
Queen Victoria’s flower painters
16Marianne North a normal Victorian?
• Marianne learned to Paint and to sing, correct
pastimes for a Victorian girl of her social class
• Marianne was trained as an artist by Miss Van
Fowinkel and by Valentine Bartholomew, both
Queen Victoria’s flower painters
• Marianne was devoted to her Father but her
mother only accounts for one paragraph in
Marianne’s three volume autobiography
17When did she begin her travels?
• In 1847 the North family undertook a three year tour
of Europe ending with six months in Brussels
18When did she begin her travels?
• In 1847 the North family undertook a three year tour
of Europe ending with six months in Brussels
• Marianne’s mother Janet died in 1855 and Marianne
became housekeeper to her Father in his London flat,
as she had promised her Mother she would
19When did she begin her travels?
• In 1847 the North family undertook a three year tour
of Europe ending with six months in Brussels
• Marianne’s mother Janet died in 1855 and Marianne
became housekeeper to her Father in his London flat,
as she had promised her Mother she would
• Marianne and her Father made a number of travels
together as far afield as Turkey & Egypt
20When did she begin her travels?
• In 1847 the North family undertook a three year tour
of Europe ending with six months in Brussels
• Marianne’s mother Janet died in 1855 and Marianne
became housekeeper to her Father in his London flat,
as she had promised her Mother she would
• Marianne and her Father made a number of travels
together as far afield as Turkey & Egypt
• These journeys came to an end with the death of her
father in 1869 - Marianne was devastated
21Travel alone
• After grieving for two years Marianne began
her solo journeys in 1871 at the age of 41
22Travel alone
• After grieving for two years Marianne began
her solo journeys in 1871 at the age of 41
• Marianne sold Hastings Lodge to fund her
travels and took the London flat, her half
sister Janet continued to live at Gawthorpe
Hall and Charles was given the Norfolk House
23Travel alone
• After grieving for two years Marianne began
her solo journeys in 1871 at the age of 41
• Marianne sold Hastings Lodge to fund her
travels and took the London flat, her half
sister Janet continued to live at Gawthorpe
Hall and Charles was given the Norfolk House
• On her first journey Marianne took her maid
along as company – this was not repeated and
after this Marianne travelled alone
24Where did she go?
• 1871 to 1872 she visited Canada, North America, Jamaica and
Brazil
25Where did she go?
• 1871 to 1872 she visited Canada, North America, Jamaica and
Brazil
• In 1833 to 1877 she visited California, then Japan, Borneo,
Java, Ceylon
26Where did she go?
• 1871 to 1872 she visited Canada, North America, Jamaica and
Brazil
• In 1833 to 1877 she visited California, then Japan, Borneo,
Java, Ceylon
• 1878 to 1879 Marianne undertook an extensive tour of India
27Where did she go?
• 1871 to 1872 she visited Canada, North America, Jamaica and
Brazil
• In 1833 to 1877 she visited California, then Japan, Borneo,
Java, Ceylon
• 1878 to 1879 Marianne undertook an extensive tour of India
• In 1880, after a meeting with Charles Darwin, Marianne
visited Australia, New Zealand and Borneo returning in 1881
via California
28Where did she go?
• 1871 to 1872 she visited Canada, North America, Jamaica and
Brazil
• In 1833 to 1877 she visited California, then Japan, Borneo,
Java, Ceylon
• 1878 to 1879 Marianne undertook an extensive tour of India
• In 1880, after a meeting with Charles Darwin, Marianne
visited Australia, New Zealand and Borneo returning in 1881
via California
• In 1882 to 1883 she visited South Africa and the Seychelles
29Where did she go?
• 1871 to 1872 she visited Canada, North America, Jamaica and
Brazil
• In 1833 to 1877 she visited California, then Japan, Borneo,
Java, Ceylon
• 1878 to 1879 an extensive tour of India
• In 1880, after a meeting with Charles Darwin, Marianne
visited Australia, New Zealand and Borneo returning in 1881
via California
• In 1882 to 1883 she visited South Africa and the Seychelles
• Finally in 1884 and 1885 Marianne was in Chile to paint the
Monkey Puzzle tree
30The Gallery Decision
• After her trip to India Marianne began to find
it tedious to give private viewings of her
pictures from India to friends and dignitaries
31The Gallery Decision
• After her trip to India Marianne began to find
it tedious to give private viewings of her
pictures from India to friends and dignitaries
• Marianne rented a gallery in Conduit Street,
London for two months to exhibit her
paintings publicly
32The Gallery Decision
• After her trip to India Marianne began to find
it tedious to give private viewings of her
pictures from India to friends and dignitaries
• Marianne rented a gallery in Conduit Street,
London for two months to exhibit her
paintings publicly
• The Pall Mall Gazette, reviewing the exhibition
suggested that these, and the rest of her
paintings, should reside at Kew gardens
33The decision is made
• Marianne decided that she would fund a
gallery to house her paintings
34Where and how?
• Having made the decision to fund a gallery for
her work Marianne began to use her circle of
friends to make it happen
35Where and how?
• Having made the decision to fund a gallery for
her work Marianne began to use her circle of
friends to make it happen
• Marianne wrote to Sir Joseph Hooker, Director
of Kew in August 1879 suggesting that she
build a gallery at Kew and donate her
paintings to the country
36Where and how?
Marianne wrote to Sir Joseph Hooker, Director of Kew
in August 1879 suggesting that she build a gallery at
Kew and donate her paintings to the country
37Where and how?
• Having made the decision to fund a gallery for
her work Marianne began to use her circle of
friends to make it happen
• Marianne wrote to Sir Joseph Hooker, Director
of Kew in August 1879 suggesting that she
build a gallery at Kew and donate her
paintings to the country
• After a short pause Sir Joseph agreed and
selected a suitable site
38Choosing an architect
• Marianne asked a
close family friend,
James Fergusson
FRS, to design and
manage the build of
her gallery
39Choosing an architect
• Marianne asked a close family friend, James
Fergusson, to design and manage the build of
her gallery
• Fergusson was a self made man, rich from ten
years as an Indigo planter in Bengal
40Choosing an architect
• Marianne asked a close family friend, James
Fergusson, to design and manage the build of
her gallery
• Fergusson was a self made man, rich from ten
years as an Indigo planter in Bengal
• A specialist on Indian architecture, writer of
standard works on architecture and winner of
a Gold award from the Royal Society
41The Gallery design
• Despite using a famous architect Marianne
was determined to have the gallery as she
wanted it
42The Gallery design
• Despite using a famous architect Marianne
was determined to have the gallery as she
wanted it
• She asked for and got an arcade around the
side and a classical style
43The Gallery design
• Despite using a famous architect Marianne
was determined to have the gallery as she
wanted it
• She asked for and got an arcade around the
side and a classical style
• Fergusson’s own ideas of lighting resulted in
the clerestory design based on the lighting
used in Greek Temples
44The Gallery design
• Despite using a famous architect Marianne was
determined to have the gallery as she wanted it
• She asked for and got an arcade around the side
and a classical style
• Fergusson’s own ideas of lighting resulted in the
clerestory design based on the lighting used in
Greek Temples
• Marianne wanted refreshments for the ladies, Sir
James refused
45The Gallery design
46The interior design
• Marianne designed the hang of her paintings, taking
almost a year to finalise it
47The interior design
• Marianne designed the hang of her paintings, taking
almost a year to finalise it
• Marianne painted the doorway surrounds showing
plants from the different hemispheres
48The interior design
• Marianne designed the hang of her paintings, taking
almost a year to finalise it
• Marianne painted the doorway surrounds showing
the plants from different hemispheres
• Having been thwarted by Sir James Hooker on
offering tea and coffee to visitors Marianne painted
tea plants over one doorway, coffee plants over the
other
49The interior design
• Marianne designed the hang of her paintings, taking
almost a year to finalise it
• Marianne painted the doorway surrounds showing the
plants from different hemispheres
• Having been thwarted by Sir James Hooker on offering
tea and coffee to visitors Marianne painted tea plants
over one doorway, coffee plants over the other
• The lower walls were ‘planked’ with over 260 slices of
trees, each identified, from her travels around the world.
50The reception to the gallery
• Opened in June 1882, the gallery had an excellent
press with reports appearing as far away as New
York (Times) and Chicago (Tribune)
• The gallery was refurbished in 2008/2009 and the
833 paintings were restored and conserved, the
hang remains almost exactly as Marianne had
designed it
• The gallery remains the only permanent solo
exhibition by a female artist in Britain and one of
the largest ‘one man’ (!) exhibitions in the world
51The gallery today
• The gallery remains the only permanent solo exhibition by a female artist
in Britain and one of the largest ‘one man’ (!) exhibitions in the world
52The gallery today
53The gallery today
54The gallery today
55The gallery today
56The gallery today
57Botanical painting at Kew
The Shirley Sherwood Gallery of Botanical Art is the first
gallery in the world dedicated solely to botanical art. It is
attached to the Marianne North gallery
58The Marianne North Gallery at
Kew Gardens
Thank you for listening - Any Questions?
Peter Emery
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