ART TOK 12 - DHAYDOCK.ORG

Page created by Lester Garner
 
CONTINUE READING
ART TOK 12 - DHAYDOCK.ORG
Art
ToK 12
ART TOK 12 - DHAYDOCK.ORG
What is the purpose of
         Art?
ART TOK 12 - DHAYDOCK.ORG
Key questions
• What is art?
• What is the purpose of art?
• By what standard can art be judged?
• What is the relationship between art and
  truth?
• In terms of art as an Area of Knowledge, how
  is the relationship between art and truth
  similar to and different from the relationship
  between truth and the other AoKs?
ART TOK 12 - DHAYDOCK.ORG
A.
ART TOK 12 - DHAYDOCK.ORG
Audio Clip
B
ART TOK 12 - DHAYDOCK.ORG
C
ART TOK 12 - DHAYDOCK.ORG
Audio Clip

D
ART TOK 12 - DHAYDOCK.ORG
E
ART TOK 12 - DHAYDOCK.ORG
F. Answer based on the object pictured
not the picture
ART TOK 12 - DHAYDOCK.ORG
G. Answer based on the object pictured
not the picture
H
I
C

    J
K
L
M
N
O
P
A.Polish Nobleman, Rembrandt, 1637
          B.Bartok, SQ no. 4 movement IV
          C.Thomas Kinkade, Flower Arch in a Country Cottage
          D.Katy Perry, Roar
          E.Levi’s comercial, 2012
          F. Half Dome

List of
          G.Cheerios box c. 1990
          H.Our Galaxy's Magnetic Field from Planck image Credit & Copyright: ESA/
           Planck; Acknowledgement: M.-A. Miville-Deschênes, CNRS – IAS, U. Paris-XI

works     I. Andy Warhol, 32 Campbells Soup Cans, 1962
          J. Kazimir Malevich, Black Square,White on White, Red Square
          K.Leni Riefenstahl, Triumph of the Will, 1934
          L.Pablo Picaso, Guernica, 1937
          M.Jackson Pollack, Lavender Mist, 1950
          N.Petroglyph from Southern Arizona
          O.Andres Serrano, Piss Christ, 1987

          P. Marcell Duchamp, Fountain, 1917
1. Art should make people think
   2. Art should show some sort of feeling or emotion
           3. Art should be original, unique or new
The purpose of art and knowledge issues
•   The creation of beauty/pleasure

•   Mimesis/Imitation

•   To enable us to feel what others feel/empathy/
    understanding of the human condition
    “To evoke in oneself a feeling one has once experienced, and having evoked it
    in oneself, then, by means of movements, lines, colors, sounds, or forms
    expressed in words, so to transmit that feeling that others may experience the
    same feeling - this is the activity of art.”

•   To create imaginary laboratories in which
    experiments on the human condition can be
    conducted

•   To teach/inform what is right and wrong

•   To create
Aesthetics

           A particular theory or conception of
           beauty or art. Aesthetics answers three
           questions:
           1.What makes something a work of art?
           2.What do we learn from it?
           3.What value does this work have?

 Slides 21-30 were adapted from materials from the Warhol museum. Accessed on
2.10.15 at http://www.warhol.org/education/resourceslessons/Aesthetics-Lesson-4--
                                    Theories/
3 definitions for aesthetics:
1. a particular taste for, or approach to, what is pleasing
   to the senses--especially sight;

2. a branch of philosophy dealing with the nature of art
   and beauty;

3. a particular theory or conception of beauty or art.
• Representation (imitation, realism,
Aesthetic     mimesis)
Theories:   • Expressionism (emotionalism)
            • Formalism
            • Communication of moral and religious
              ideas
            • Symbolic (non-verbal) communication
            • Instrumentalism
            • Institutionalism
            Material adapted from Julie Van Camp, Professor of Philosophy, California State University, Long Beach,
            presentation Teaching Aesthetics. http://www.csulb.edu/~jvancamp/multi/index.html
The essence of art is to
Representation         picture or portray reality.
(imitation, realism,   Good art mirrors the world,
                       imitating nature or some
mimesis):              ideal form.

                                       Martin Johnson Heade,
                                       Thunderstorm at the Shore,
                                       c. 1870-1871, oil on paper
                                       mounted on canvas attached
                                       to panel 15 3/4 x 23 3/4 in.
                                       Carnegie Museum of Art,
                                       Howard N. Eavenson
                                       Memorial Fund
Expressionism (emotionalism):
                     The essence of art is expression of the
                     inner emotions, feelings, moods, and
                     mental states of the artist. Good art
                     effectively and sincerely brings these
                     inner states to an external
                     objectification.

Willem de Kooning,
Woman VI, 1953
Oil on canvas
The essence of art is “significant
Formalism:   form” - lines, shapes, colors, and
             other formal properties of the
             work; representation, expression,
             and other subject matter are
             irrelevant. Good art uses formal
             elements to trigger an “aesthetic
             emotion” in sensitive observers.

                       Donald Judd, Untitled, 1974,
                       Stainless steel and Plexiglas
                       8 x 194 1/2 x 14 in. Carnegie Museum of Art, Purchase:
                       gift of Mr. and Mrs. Charles Denby, by exchange
Communication of moral and
religious ideas:
                The essence of art is the
                communication of
                important moral and
                religious values from the
                artist to the observer.
                Good art is a form of
                sincere communication
                by the artist that “infects”
                the observers with those
                important moral ideas.

                Simon Bening, St. Gertrude de Nivelles, from the Hours of
                Cardinal Albrecht of Brandenburg (1490-1545), Archbishop and
                Elector of Mainz c. 1522-1523, opaque water-based paint
                mounted on board 7 x 5 in. Carnegie Museum of Art, Bequest of
                Howard A. Noble
Symbolic (non-verbal)
communication: The essence of art is the
                           communication of important
                           ideas and other knowledge
                           through symbolic (non-
                           verbal) languages. Good art
                           communicates its meaning
                           effectively through this non-
                           verbal language.

                    Jacob Ochtervelt, Lady with Servant and Dog, c. 1671-1673, oil
                    on canvas, 27 1/8 x 22 7/8 in. Carnegie Museum of Art, Henry
                    Lee Mason Memorial Fund
Instrumentalism:       The essence of art is
                       its usefulness in
                       helping us to
                       comprehend and
                       improve our overall
                       life experiences.
                       Good art is always a
                       means to some
                       important end.

                   Romare Bearden, Pittsburgh Memories, 1984, collage on
                   board, 28 5/8 x 23 1/2 in. Carnegie Museum of Art, Gift of Mr.
                   and Mrs. Ronald R. Davenport and Mr. and Mrs. Milton A.
                   Washington
Institutionalism:                          Art is determined by status
                                           conferred upon it by the
                                           institutions of the art world
                                           not by an observable
                                           property in the artwork
          Andy Warhol, Brillo
          Soap Pads Box, 1964,
          silkscreen ink and
                                           itself.
          house paint on
          plywood, 17 x 17 x 14
          in. ©AWF

                                  Barry Le Va, On Corner - On
                                  Edge - On Center Shatter
                                  (Within the Series of Layered
                                  Pattern Acts), 1968-1971,
                                  twenty sheets of glass 59 x 79 in.
                                  ( 91 x 150 x 201 cm) Carnegie
                                  Mellon Art Gallery Fund
Knowledge issues

• Whereas most other areas of knowledge have
  some concepts of right and wrong (whether in
  methods or outcomes) art resists this. To what
  extent can art then reveal truth?

• If art is simply about creation, is art a celebration of
  power?

• Do artists have the same ethical obligations that
  constrain other AoKs?

• How does non-representational art contribute to
  knowledge of the world?
You can also read