DREWEATTS 2018 JEWELLERY, SILVER & PENS
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JEWELLERY, SILVER & PENS DONNINGTON PRIORY | WEDNESDAY 11 APRIL 2018
JEWELLERY, SILVER & PENS
DONNINGTON PRIORY | WEDNESDAY 11 APRIL 2018 | 10.30am
Buyer’s premium is charged per lot FREE ONLINE BIDDING IS AVAILABLE SALE NO. 14089 VIEWING
at 24% of the hammer price (28.8% AT DREWEATTS.COM/LIVE Sunday 8 April: 10am – 2pm
including VAT) up to and including The Dreweatts’ bidding platform Monday 9 April: 9am – 5.30pm
FOR BIDDING AND
£500,000, 20% (24% including VAT) allows you to watch, listen and bid Tuesday 10 April: 9am – 4.30pm
SALE INFORMATION:
of the hammer price from £500,001 from anywhere in the world with no Day of sale: from 8.30am
+ 44 (0) 1635 553 553
up to and including £1,000,000, additional online bidding fees applicable.
jsw@dreweatts.com
and 12% of the hammer price
Live online bidding is also available via dreweatts.com AUCTION
(14.4% including VAT) in excess of
the-saleroom.com. Please note there is Dreweatts
£1,000,001.
a surcharge for bidding via this platform. Donnington Priory
SPECIALISTS:
Newbury
Front cover: Lot 159 James Nicholson FGA, DGA
Berkshire RG14 2JE
TO REGISTER TO BID VIA David Rees
Inside front cover: Lot 28
DREWEATTS.COM/LIVE: Tessa Parry FGA, DGA
Back cover: Lot 122 Existing clients should visit the website Nick Mann
and create a new login, which will be Alexandra Francis GG
Catalogues £15 (£17.50 by post) verified against their existing account. Ian Pickford (Consultant, Silver)
New clients should send us two Terry Taylor MBHI
forms of identification (one to be (Consultant, Watches)
photographic) along with their
registration.
Once verified, clients will be able to bid
in all future auctions.
1
Important Notices to Watch Buyers
DAMAGE, RESTORATION, ALTERATION AUTHENTICATION to any lot. Dreweatts are not shippers and are unable to
Although every effort is made to note any damage, restoration All watch movements have been inspected by Dreweatts offer any advice regarding such regulations.
or alterations, the absence of any such information in catalogue watchmaker and specialists, and we have verified all inventory CONDITION REPORTS
descriptions does not imply the lot is in perfect condition and and movement numbers. For the information of potential Dreweatts condition reports will identify whether a watch
free from any such defects. Prospective buyers should satisfy bidders, all inventory and movement numbers are listed in functions at the time of cataloguing, and suggest possible, but not
themselves as to the condition of any lot prior to bidding. All the catalogue description for the relevant lot. comprehensive, restoration work that may need to be carried out
watches are serviced from time to time, and Dreweatts are IMPORT/EXPORT RESTRICTIONS for the watch to function properly. Dreweatts are unable to test
unable to guarantee that the working parts of any watch watches for accuracy or running to time, and we cannot guarantee
movement, glass or crystal, winding crowns, watch bracelet, There maybe Import Resrictions into some territories
outside the United Kingdom placed on certain watch that any watch will function when purchased form us.
strap or buckle are the manufacturers’ original parts, unless
otherwise stated in the catalogue description. We are unable brands, or on the importation of watches with straps As we have examined all watch movements by removing
to make any representation in our catalogue descriptions or composed of animal skins which may fall under CITES the case backs, we cannot guarantee that water resistant
condition reports as to the authenticty of such parts. Dreweatts Regulations. It is the sole responsibility of the buyer to watches will remain water resistant following purchase from
are unable to make any represenation, nor make any comment comply with all Export/Import regulations and potential us. Dreweatts recommend that any watch purchased from us
on, the authenticity of diamonds, or other gemstones, set into bidders are strongly recommended to check with their is subsequently overhauled by a competent watchmaker to
watch dials, bezels, cases and bracelets. shipping agent as to any such regulations that may apply ensure proper functioning.
Important Notices to Jewellery Buyers
DAMAGE, RESTORATION, ALTERATION or lack of, for certain gemstones, and such reports may be SIGNATURES
Although every effort is made to note any damage, obtained for prospective bidders prior to the sale, provided ‘…by Lacloche,…’ in our opinion is a piece made by or for
restoration or alterations, the absence of any such such requests are made at least three weeks before the sale, the jeweller, bearing relevant signatures, maker’s marks, and
information in catalogue descriptions does not imply the and that the requesting party has pre-paid for such a report. where appropriate, the maker’s inventory number/s.
lot is in perfect condition and free for any such defects. However it is not possible for Dreweatts to obtain reports
for every stone offered in the sale. ‘…signed Lacloche,…’ in our opinion is a piece retained by the
Prospective buyers should satisfy themselves as to the jeweller, but not necessarily made by them. This may also
condition of any lot prior to bidding. In the absence of a gemmological laboratory report, it is mean that the piece has been mounted by the jeweler using
ENHANCEMENT not possible for Dreweatts to make any comment on the stones supplied by the client; a special commission from a
possibility that any gemstone in any lot may have been client’s design; or has been altered or later added to.
Prospective bidders should be aware than many coloured subject to enhancement.
gems have been historically treated by a variety of methods COLOURED STONES OF BURMA (MYANMAR) ORIGIN
to improve their appearance, both in terms of colour and Dreweatts catalogue descriptions and condition reports
adhere to the guidelines laid out in the ‘Blue Book’ of CIBJO, Buyers should be aware that certain territories (notably
transparency. Rubies and sapphires are routinely heat the United States of America) have import restrictions on
treated, emeralds and enhanced through the use of coloured the International Jewellery Confederation.
certain coloured gemstones. All gemstones that maybe of
and transparent oils and resins, and jadiete is routinely WEIGHTS Burma (Myanmar) origin, notably rubies and jadeite, may
stained. These treatments, and others including irradiation All gram weights have been obtained using an electronic require a certificate of origin before they can be imported.
and coating, are generally accepted by the jewellery trade as balance, but weights stated in the catalogue are approximate Prospective bidders for such gemstones should check with
standard practice. Although most treatments are considered and for guidance only, and potential bidders should satisfy their shipper, and relevant Government authorities regarding
to be permanent, those gemstones which have been oiled themselves as to their accuracy. any necessary certification prior to bidding. Whilst Dreweatts
may need to be re-treated to maintain their appearance. are able to suggest a number of Gemmological Laboratories
Any such treatments affect the market value of coloured ‘…approximately 1.20 carats total,…’ all such stone weights are
estimated using standard equipment and formulae, and are for such certification, we are unable to carry out any such
gemstones, and Dreweatts pre-sale estimates published in certification for potential bidders or buyers.
the catalogue assume that all gemstones, unless otherwise subject to the limitations imposed by the mount.
stated in the catalogue, may have been enhanced. Dreweatts ‘…weighing 1.20 carats,…’ where the description reads as such,
may obtain Gemmological Reports from a recognised the stones in question have been removed from the mount
laboratory where appropriate detailing any enhancements, and weighted using an electronic balance.
Detailed condition reports for all lots are available from our website www.dreweatts.com, and upon direct request to the Saleroom.
Please note that Dreweatts are unable to give verbal condition reports for any lot, and all condition reports will be given in writing via our website www.dreweatts.com, or by fax
(fax no: 01635 553 599). Dreweatts jewellery specialists and qualified gemmologists are available during the view to answer any queries.
Dreweatts are unable to offer any form of packing, dispatch or shipping services, and clients should make their own collection arrangements for purchased lots. Dreweatts are
happy to suggest the services of a number of dispatch and shipping carriers.
2 www.dreweatts.com | +44 (0) 1635 553 553 BP*: Buyer’s Premium of 24% +VAT
British and Foreign Silver, Electro-Plate and Allied Wares
1
1
[Royal, band leader and military interest]
3
A silver shaped circular salver by Viners,
Sheffield 1945, with a raised moulded rim and
on three scroll feet, engraved with the insignia 3
of the Navy, Army and Air Force Institutes and Ω An Edwardian silver mounted tortoiseshell
a presentation dated 31st January 1946, 31cm page turner by E. Blumenstein & Co., London
(12in) diameter, 872g (28.05 oz) 1903, with a wrythen twist and scroll foliate
embossed handle, 40.5cm (16in) long
The presentation reads To Mark the
Appreciation of the Board and Executive of £120-160
NAAFI of Geraldo’s Personal Contribution to
the successful opening by Her Royal Highness
The Princess Elizabeth of the NAAFI club,
Portsmouth, on the 31st January 1946.
Portsmouth was the first NAAFI built town
club and was the first to have restaurants,
lounges, bars, reading and writing rooms,
music and television rooms, games rooms 2
and ballrooms. It was the first of the eight
post-war NAAFI clubs designed by Ernest 2 4
Martin Joseph (1877-1960) of the London A late Victorian silver shaped circular salver
architectural practice Messrs Joseph. HM by Josiah Williams & Co., of Bristol, London 4
The Queen was a 19-year-old heir to the 1893, Rd. no. 170777, the gadrooned rim with A late Victorian silver three handled bowl
throne at the time. At the opening the music foliage at intervals, the panelled incurve with by Horace Woodward & Co., London 1891,
in the ballroom was provided by Geraldo and shells flanked by scroll foliage, engraved with a Rd. No. 173416, with scroll-capped triple scroll
his Orchestra. Gerald Walcan Bright, better central vacant cartouche, on three gadrooned handles, wrythen moulded in two registers,
known as Geraldo (1904-1974) was a leading bordered bracket feet, 26cm (10in) diameter, on a moulded plain foot, 17cm (6 3/4in) across
English dance band leader. 613g (19.7 oz) handles, 251g (8.05 oz)
£200-300 £180-220 £100-150
3
5
5
A Dutch silver octolobed baluster cream jug, maker’s mark FAH beneath a hammer (not traced), 1814-1953 2nd standard (.833), engraved with
flowers and vacant rococo reserves, 11.3cm (4 1/2in) high; and a twin handled pedestal sugar bowl by The Goldsmiths & Silversmiths Co. Ltd, London
date worn, with a moulded rim and girdle, on a moulded pain foot, 16cm (6 1/4in) across handles, 410g (12.2 oz) gross (2)
£100-150
6
A George IV silver fiddle pattern fish slice
by William Chawner II, London 1826, 30.5cm
(12in) long, 137g (4.4 oz)
£80-120
6
7
A George III old English pattern straining
spoon by Charles Hougham, London 1792,
29cm (11 1/2in) long, 123g (3.95 oz)
7
£100-150
8 8
A matched silver old English feather edge table service, various Together with two late George III old English pattern table spoons by
George III to George V makers and dates, various initials, monograms Peter & William Bateman, London 1806 and 1808, monogrammed,
and crests, comprising: 2933g (94.3 oz) gross
Twelve table forks
Twelve table spoons £1,500-2,000
Twelve dessert forks
Twelve dessert spoons
Ten tea spoons
A sauce ladle;
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9
A matched pair of silver tapering cafe au lait
pots by Garrard & Co. Ltd., London 1907 and
1916, with baluster finials to the ogee domed
covers, scroll thumb pieces and wood loop
handles, 21cm (8 1/4in) high, 1216g (39 oz) gross
£400-600
9
10
A pair of Art Deco silver straight-tapered
cafe au lit pots by Ernest W. Haywood,
Birmingham 1934, with coloured composition
finials and leaf-capped angular handles, 19cm
(7 1/2in) high; and a straight-tapered hotwater
pot by Walker & Hall, Sheffield 1922, with a
wicker covered S-scroll handle, 21.5cm (8 1/2in)
high, 1188g (38.2 oz) gross (3)
£200-300
10
11
Asprey, a bottle of whisky and a silver
tumbler by Asprey Plc, London 1995, the
beaker plain and swollen, 9.5cm (3 3/4in) high,
163g (5.2 oz); the whisky Cutty Sark for Berry
Brothers & Rudd, Discovery, 18 years old, 43%,
70cl, in an Asprey fitted red case, in an Asprey
card box
£200-300
11
5
12
12
A George IV silver fiddle pattern gravy spoon
by William Bateman I, London 1824, engraved
with a script L, 29.5cm (11 3/4in) long, 148g
(4.75 oz)
£80-120
13
A silver octagonal shaped entrée dish, cover
and handle by Atkin Brothers, Sheffield 1936,
with moulded borders and engraved 1939 and
1964, 28.5cm (11 1/4in) long, 1610g (51.75 oz)
£400-600
13
14
A late Victorian silver shaped circular waiter by Charles Stuart Harris,
London 1896, with a raised moulded border, on three pad feet, 15cm
(6in) diameter, 176g (5.65 oz)
£70-100
14
15
An Art Deco silver hotwater pot and sugar basin by
Deakin & Francis, Birmingham 1934-35 (jubilee marks), the
hotwater pot with a brown composition finial and angular
handle, 19.5cm (7 3/4in) high, 748g (24.05 oz) gross
£150-200
15
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16
A hammered silver footed sugar bowl by Guild of Handicraft (George Henry Hart), London
1957, circular with a notched everted rim and foot rim, 11.3cm (4 1/2in) diameter, 239g (7.7 oz)
£100-150
17
A collection of small silver, comprising: a waved rim vase by E. S. Barnsley & Co., Birmingham 1918,
20.5cm (8 1/2in) high, loaded; a William IV fiddle pattern caddy spoon by Eley, Fearn & Chawner,
London 1814, with a shell bowl; a small vase, Birmingham 1976, 10cm (4in) high, loaded; a five
bar toastrack, Sheffield 1945; an octofoil sweet basket by Suckling Ltd, Birmingham 1958; a silver
mounted glass box by Stuart Clifford & Co., London 1924, 9.5cm (3 3/4in) long; a rectangular snuff
16
box in Regency style by Robert Chandler, Birmingham 1911, 8cm (3in) long; a christening spoon
by Garrard & Co., London 1958, initialled, in a Garrard box; a Britannia standard rose terminal
spoon by Garrard & Co., London 1977 (jubilee mark), in a Garrard box; and a set of six tea spoons,
Birmingham 1929, in a case, 367g (11.8 oz) weighable
Please see illustrations on our website
£150-200
18
Ω A Victorian cut glass salad bowl with a silver rim and a pair of
servers by John Grinsell & Sons, Birmingham 1889, each engraved with
a monogram MEA, the bowl 24cm (9 1/2in) diameter, the servers with
ebony handles 26.5cm (10 1/4in) long
£80-120
18
19
19
A silver oval entrée dish and cover by Lee & Wigfull, Sheffield 1933, with
twin fixed loop handles, nulled rims and bands, 28cm (11in) across handles,
1259g (40.45 oz)
£300-500
20
A silver twin handled trophy cup by Walker & Hall, Sheffield 1927, with
leaf-capped handles, an undulating rim and on a moulded circular pedestal
base, engraved Turks Head RFC Cresta Run Cup and various winners,
208.5cm (11in) across handles, 874g (28.1 oz), with an ebonised socle
£220-280
20
7
21
21
An Edwardian silver rounded rectangular three piece tea service by Lee & Wigfull, Sheffield
1906-07, the tea pot with a black composition oblong finial and handle, 27cm (10 1/2in) long,
1106g (35.55 oz) gross
£300-400
22
A Continental silver baluster caster, shield mark and 830, circa 1900, with a bud and calyx finial
to the ogee domed cover, embossed with flower swags on a wrythen moulded ground, 16cm (6
1/4in) high, 120g (3.85 oz)
£80-120
22
23
A late Victorian silver fish and dessert table service by
Harrison Brothers & Howson, Sheffield 1897, engraved
with a monogram FHS, comprising:
The following with pistol grips:
Eighteen fish knives
Eighteen fish forks
A pair of fish servers;
The following in foliate engraved pattern:
Eighteen dessert knives
Eighteen dessert forks;
The following in a foliate engraved dognose pattern:
Four dessert serving spoons, 23cm (9in) long
Two spoons, 18.5cm (7 1/4in) long,
In a walnut and brass mounted canteen box
£800-1,200
23
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24
24
A Victorian silver gilt shaped oval bowl by William Comyns & Sons, London 1890, with a chased floral and C-scroll border, the body with pierced
decoration and chased with ribbons, 28cm (11in), 361g (11.6 oz) long, in a fitted case
£200-300
25
A pair of American silver coloured candlesticks by Black, Starr & Frost, stamped Sterling, with circular sconces, vase shaped capitals, tapering stems
and on circular moulded spreading bases, 22cm (8 1/2in) high, loaded; and an American silver coloured dish by Howard & Co., stamped sterling, with a
beaded border and a pierced scroll band, on four ball feet, 18cm (7in) long, 124g (3.98 oz) weighable
£100-150
26
26
An Italian silver coloured mounted rectangular inkstand, stamped 800 only, circa 1920,
the two glass cube inkwell with bird finials to the domed covers, a box between, the base
with a penrest and engraved decoration, 30cm (11 3/4in) long, loaded; a matching desk
dish en suite, stamped 800 only, with a clear glass liner, 12.5cm (5in) long, loaded; and a
dip pen? en suite
£150-250
27
An Italian silver oil and vinegar frame, maker’s mark IV (not traced), 1824-1872 Kingdom
of Sardinia .800 standard, the central loop handle on a baluster shaft, the pierced bottle 27
holders with winged monopodia supports, the rectangular base with a pierced apron, on
four palmette and paw feet, 29.5cm (11 3/4in) high, 572g (18.4 oz)
£200-300
928
A transitional electro-plated oval soup tureen, cover and
finial, unmarked, circa 1850, the finial formed with two oval
cartouches accolly to back and front, a double domed cover,
a gadrooned rim, two foliate loop handles, the ball-and-claw
feet issuing from bold foliage, 36cm (14in) long
Provenance: the barons, later comtes, van den Steen de Jehay.
The arms of van den Steen de Jehay and van Lichtervelde for
Victor van den Steen de Jehay (1822-1912) and Victorine Marie
Ghislaine van Lichtervelde (1825-1871).
£200-300
28
29
29
A pair of old Sheffield plate five light four branch candelabra, unmarked, circa 1820, with a detachable cone finial, shaped
square sconces and drip trays, curved branches, the shaped square baluster bases with replete foliage, 54.5cm (21 1/2in) high
£300-500
10 www.dreweatts.com | +44 (0) 1635 553 553 BP*: Buyer’s Premium of 24% +VATPlease see the illustrations on our website for lots 30-42
30
Ω A collection of electro-plated items, Together with the following with steel blades socle; a goblet applied with crossed clubs by
to include: a pair of three light candelabra, and xylo handles by Francis Newton & Sons, Elkington & Co., Birmingham 1933, embossed
with foliate chased circular sconces, twin Sheffield: Dunlop (probably to hold a golf ball after a
reeded scroll branches, tapering stems and Twelve table knives hole-in-one), on an ebonised socle; and an
on circular bases, 47.5cm (18 3/4in) high; a A three piece carving set, octofoil bowl, engraved C.L.G.C Eclectic Cup
shaped oval swing handled pedestal basket; 1953, 7.5cm (3in)
a baluster Thermos jug, with angular handle; In an oak canteen box by Francis Newton &
a smaller Thermos jug; two oblong entrée Sons, Sheffield, with two knife rests £100-150
dishes and covers; a meat skewer; a mother of
pearl handled pen knife; together with other £200-300 39
electro-plated items A Spanish silver rounded rectangular card
35 case by Pedro Duran, Madrid 1893, French
£100-150 An Italian silver coloured shaped oval box, swan import marks, embossed and pierced
stamped 800 only, the cover chased and with an overall design of pine cones and
31 engraved with foliate and floral decoration, on scrolls within shaped lozenge reserves, 9cm
A silver plated large water bottle, stand and four ball feet, 14cm (5 1/2in) long, with a velvet (3 1/2in) long; and two Continental vesta cases,
bowl by Calegaro, Italy, of recent manufacture, lining; and an Italian mounted clock, silvered post 1893 French weevil import marks, one
50cm (19 3/4in) high, in a Fitaihi, Saudi Arabia box dial signed Oris, Arabic numerals, blued plain and inset with oval cabochon sapphires;
steel hands, the case engraved with foliate the other with a linear design and a slow
£30-50 decoration, 14.5cm (5 3/4in) long; four napkin match wick (3)
rings, a cast spoon (broken); etc
32 £60-80
Ω A collection of small of silver, comprising: £150-250
an hexagonal capstan inkwell by Walker & Hall, 40
Sheffield 1922; six fiddle pattern dessert spoons 36 A small group of silver, comprising: four
by Lee & Wigfull, Sheffield 1935; an engraved [Golf] Nineteen silver tea spoons, including: circular dwarf candlesticks by Roberts & Dore,
old English sugar sifting spoon by Thomas a set of six by Walker & Hall, Sheffield 1933, the Birmingham 1976, 6cm (2 3/8in) high, loaded;
Hayes, Birmingham 1899; a rounded rectangular terminals with crossed clubs and a ball, in a a set of four kidney shaped napkin rings by
cigarette case, Chester 1906, later presentation box; two with enamelled terminals, most with William Devenport, Birmingham 1928, engine
engraved; a fiddle pattern sugar tongs by initials of Golf Clubs, 264g (8.5 oz) gross turned and initialled; two rat-tail pattern table
John Stone, Exeter 1852; and a wine pourer, spoons by Josiah Williams & Co., London
Birmingham 2000, 512g (16.45 oz) weighable £80-120 1937; and a late Victorian engraved old English
pattern christening spoon and fork by Mark
£120-180 37 Willis, Sheffield 1898, in a leather covered case,
Ω [Golf] Six paper knives engraved with 300g (9.65 oz) weighable
33 golfers or golfing scenes, comprising:
Ω A silver and tortoiseshell mounted circular Victorian silver blade with mother of pearl £100-150
box by W. G. Sothers Ltd., Birmingham 1922, handle by G. Deakin & Co., Sheffield 1852; silver
the tortoiseshell cover inlaid with husk and blade with ivory handle by Alexander Clark & 41
ribbon decoration, on three pad feet, 8.5cm (3 Co Ltd, Sheffield 1925; silver blade with bone A matched set of George III silver parcel
1/4in) diameter, with a velvet liner; a small silver handle by Alexander Clark & Co Ltd, Sheffield gilt later decorated tea spoons, all bottom-
trophy cup by Levi & Salaman, Birmingham 1925; silver with mother of pearl handle by marked with town and maker only, five illegible,
1911, engraved with a monogram, on a circular John Sanderson & Son Ltd, Sheffield 1936; and three by Charles Hougham, one by Henry
pedestal foot, 9cm (3 1/2in) high; together with two with steel blades and xylo handles Bailey, one by Samuel Pemberton and one by
a collection of electro-plated items, to include: James Tookey, 101g (3.25 oz), in a case from W.
a shaped rectangular entrée dish, cover and £70-100 H. Skinner, 120 The Parade, Leamington
handle, a shaped oval pierced basket; two shaped
circular bowls; a set of four egg cups and a stand; 38 £60-80
and other items, 30g (0.99 oz) weighable [Golf] Five silver small trophies, comprising:
an unusual Edwardian bowl by William 42
£50-70 Comyns, London 1904, with crossed clubs Ω A cased silver mounted eight piece
over a ball applied to the base, on three ball travelling dressing table set by Collett &
34 feet, engraved Willingdon Golf Club, May 1904, Anderson, London 1934, comprising: three
An electro-plated old English pattern table 9.3cm (3 5/8in) diameter; a miniature punch brushes, a tortoiseshell comb and four glass
service by Toye & Co., Sheffield, comprising: bowl by Charles Boyton & Son Ltd, London jars with silver covers, all with engine turned
Six table spoons 1910, engraved Epsom Golf Club Brooks decoration, 53g (1.7 oz) weighable
Twelve dessert forks Memento Scratch- Won By E.A. Field Oct.
Twelve dessert spoons 1911, 9.5cm (3 3/4in) diameter; a twin handled £80-120
Two sauce ladles cup by S. Blanckensee & Son Ltd, Birmingham
A soup ladle; 1929, presentation engraved, on an ebonised
11Small Silver and Objects of Vertu
45
43 44
43 47
A pair of late Victorian silver mounted 44 45
ebonised hardwood nut crackers by Martin, A Victorian silver novelty vesta case cum [Golf] A boxed set of two pin dishes or
Hall & Co., Sheffield 1891, circular with screw-in lighter, maker’s mark mis-struck, Birmingham ashtrays, one in copper, the other silver by
threads, 6.2cm (2 1/2in) diameter, in a case 1871, of horseshoe form to both sides, the Charles Boyton & Son Ltd, London 1937, each
from W. H. Skinner, St Leonards-on-Sea centre engine turned and with a vacant oval embossed with a lady golfer and The Daily
cartouche, the top hinged to reveal the base Telegraph and Morning Post Tournament
£150-200 metal striking plate, the side to be threaded for Lady Golfers, 10cm (4in) diameter, in the
with a wick operated by a spoked wheel, original packaging with paperwork for the
engraved with a monogram, 5cm (2in) long 1939 tournament
£100-150 £60-80
48
50
46 49
No Lot 49
A silver model of the Mary Rose by St.
47 James House Company, Birmingham
An Edwardian silver novelty ring box by Clark 1982, mounted on a marble base with
& Sewell, Birmingham 1907, Rd. No. 430769, a silver plaque, 15cm (6in) long, with a
formed as a coal scuttle, the hinged slope wood stand 51
embossed in the five cherub heads in clouds
pattern, 3.8cm (1 1/2in) high £100-150 51
Three silver miniature or toy copy items,
£80-120 50 comprising: a twin handled bowl, spurious
A pair of copies of Dutch silver miniature or Amsterdam town mark and indistinct maker’s
48 toy candlesticks, spurious Amsterdam town mark, 19th century French import marks,
A French silver gilt mounted enamelled clear mark and the maker’s mark of Arnoldus van 8.3cm (3 1/4in) across handles; a twin handled
glass bowl, apparently no maker’s mark, 1st Geffen, later tax? marks, in a turned design on footed bowl, spurious maker’s mark? J, later
standard, circa 1930, circular with twin loop octagonal bases, 5.5cm (2 1/8in) high Dutch import mark; and a twin handled and
handles, enamelled with oranges in swags, twin lipped sauce boat, spurious Amsterdam
pendent grapes and a basket filled with Arnoldus van Geffen was active from 1728 town mark and the maker’s mark of Arnoldus
oranges and grapes, 7.7cm (3in) high to 1769. van Geffen, later tax? mark, 5cm (2in) long
£200-300 £100-200 £100-200
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No Lot
53
Ω A letter opener and four desk
seals, comprising: a banded agate
handled gilt brass paper knife, circa
1900, 26cm (10in) long; a silver
mounted ivory desk seal, possibly
Austro-Hungarian, circa 1900,
carved with the bust of a young
54
lady, 9.5cm (3 3/4in) long; an ivory
handled desk seal carved with 54
the bust of a man wearing a cap, Two Italian silver parcel gilt models of
9.5cm (3 3/4in) long; an embossed tropical fish, apparently no maker’s marks,
silver example by Matthew John .800 standard, mid 20th century, each on rock
Jessop, Birmingham 1903 and one crystal specimen bases, 6cm (2 1/2in) high; and
in plain silver by G. H. James Ltd, a lapis lazuli veneered octagonal section table
Birmingham 1914? (5) lighter, 9cm (3 1/2in) high (3)
£200-300 £200-300
53
57
55 56
55 56 57
An Austrian silver parcel gilt, gem set and A Continental silver mounted banded agate An aventurine quartz canted rectangular bell
banded agate oblong tazza, Vienna late 19th scent bottle, late 19th century, with scroll and push, possibly Russian, early 20th century,
century, the bowl with an engraved and garnet foliate embossed mounts, the stone fluted, 5.8cm (2 1/4in) long; and an aventurine and
inset rim, a foliate chase calyx beneath, the stem 10cm (4in) high pewter desk seal, the matrix with a monogram,
with four foliate scrolls and supported by four 8.5cm (3 3/8in) long (2)
winged grotesque heads, the platform base £100-150
resting on four tortoise feet, 12.5cm (5in) high £150-250
£600-800
58
A rare pair of Martin’s Margin spectacles, stamped 36BM?, circa 1750, steel with horn inserts or margins
around the glass lenses, the temple hinges with raised slotted screws, the straight arms with ring ends
Benjamin Martin was a London mathematician, instrument and spectacle maker and is credited with
making the first eyeglasses that corrected vision in addition to being a reading aid. Martin made
his visual glasses which had reduced aperture lenses by way of the thick horn margin and in which
the lens tilted inwards so that the axes of the eye converged on the object of regard. This optical
innovation with its extremely distinctive appearance became known as Martin’s Margins.
58 £120-160
13A Collection of Scent Bottles, Part I 59 60 A Victorian silver mounted ruby flash cut glass scent bottle, unmarked, A Victorian silver mounted amethyst flash cut glass scent bottle, mid 19th century, with a scroll foliate rounded hinged cover, a push unmarked, mid 19th century, with a scroll flowering foliate rounded thumbpiece, the oblong section bottle deeply cut, 9cm (3 1/2in) high hinged cover, the oblong section bottle deeply cut, 10cm (4in) high £150-250 £150-250 61 62 A Victorian silver mounted amber cut glass scent bottle, unmarked, A Victorian silver mounted dark green cut glass scent bottle, mid 19th century, with a lobed and punch beaded rounded pull-off unmarked, mid 19th century, with a scroll foliate rounded hinged cover, cover, the oblong section bottle deeply cut, 9.5cm (3 3/4in) high the oblong section bottle facet cut, 9cm (3 1/2in) high £100-150 £100-150 14 www.dreweatts.com | +44 (0) 1635 553 553 BP*: Buyer’s Premium of 24% +VAT
63 64
A Victorian silver mounted cranberry glass scent bottle by Miller Two late Victorian silver mounted coloured glass scent bottles, one
Brothers, Birmingham 1895, with a flower embossed rounded apple green, stamped SILVER, with a plain rounded screw cover, the
hinged cover, the cylindrical bottle facet cut, 7cm (3in) high oblong section bottle deeply cut, 7.5cm (3in) high; the second amethyst,
unmarked, with a plain hinged cover, the oblong section bottle deeply
£100-150 and slice cut, 7.5cm (3in) high (2)
£120-160
65
Three late Victorian silver mounted
coloured glass scent bottles, one late
Victorian cranberry by Hilliard & Thomason,
Birmingham 1891, with a plain rounded screw
cover and monogrammed, the cylindrical
bottle facet cut, 6cm (2 3/8in) high; the second
blue, unmarked, with a scroll embossed hinged
cover, the oblong section bottle facet cut, 7cm
(2 3/4in) high; the third blue, unmarked, with
a scroll embossed hinged cover, the oblong
section bottle cross cut, 7cm (2 3/4in) high (3)
£120-160
65
15A Collection of Card Cases, Part IV
70
66
71
68
67
66
Ω Eight various rectangular card cases,
various dates 19th and 20th century, including:
tortoiseshell veneered; mother of pearl and
tortoiseshell; mother of pearl, abalone and
tortoiseshell; one brass and black lac; one
72
leather; and three various early 20th century
plastic (bakelite and casein)
69
£120-160 71
Three marquetry or parquetry rectangular
67 69 card cases, all late 19th/early 20th century, the
An Edwardian silver rectangular envelope An American silver rounded rectangular first in olive wood with a marquetry roundel
form card case by Sampson Mordan & Co., card case by Whiting Manufacturing Co., of the Aedicule in the Church of the Holy
London 1906, Rd. No. 428858, hammered New York, circa 1883, with a basket weave Sepulchre, Jerusalem, titled Ierusalem to a
overall with a vacant roundel to the side design overall;, the front applied with a reserve banner above; the reverse with a temple ruin
hinged flap, green silk lined, with a chain and engraved with a monogram and dated 25th on a mound and L.E.G. incised, 87.7cm (3 3/8in)
suspension ring, 10cm (4in) long December 1883, with a suspension chain, 10cm long; and two parquetry examples, in various
(4in) long woods, each approx. 10cm (4in) long (3)
£100-150
£100-150 £120-160
68
Two late 19th century Indian silver 70 72
rectangular card cases, unmarked, both slip Ω Three Victorian mother of pearl Ω A Victorian shaped rectangular mother of
top, one Kashmiri and chased with a Paisley rectangular card cases, lozenge veneered, pearl card case, mid 19th century, carved with
design of boteh to each side, 9.5cm (3 3/4in) panelled and bird and flower engraved, two a central panel of a young man and woman
long; the smaller with flowering plants to each with ivory edging and one tortoiseshell, two in a tropical landscape, the reverse plain, with
side, 8cm (3in) long (2) 10.5cm (4in) long, one 8.5cm (3 1/4in) long ivory edging, 10cm (4in) long
£100-150 £100-150 £100-150
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73
76 78
77
Two silver card cases and two sleeves, the
first case Edwardian curved rectangular and
hammered by Deakin & Francis, Birmingham
1901, engraved with a crest, 8.2cm (3 1/4in)
long; the second rounded rectangular by W.
H. Haseler Ltd, Birmingham 1920, the front
applied with crossed golf clubs, 8cm (3 1/8in)
77 long; the first sleeve, maker’s mark worn,
75 London 1912, with an oval aperture to the
Ω Three Victorian rectangular mother of front, 6.7cm (2 5/8in) long; the last by Adie &
pearl card cases, all with ivory edging, the first Lovekin Ltd, Birmingham 1913, open to back
73 side-opening and lozenge veneered, the front and front, 6.8cm (2 7/8in) long (4)
A silver coloured card case of satchel form, engraved with a butterfly and flower, silk lined
stamped Sterling and 35, only, probably with paper pockets, 10.8cm (4 1/4in) long; the The crest on the first for BISHE, DEYCOURT,
American, dated 1882, with monogrammed second lozenge veneered, 10cm (4in) long; the DUNNAGE, EARDLEY, GRIGGS, HUGGINGS,
and dated oval reserves on a scroll foliate and last with a central panel carved with a bunch PANTON, SHEIRCLIFF and SHIERCLIFFE.
matted ground, within floral arcaded borders of flowers, the reverse plain, 9.3cm (3 5/8in)
back and front, 9.5cm (3 3/4in) long, with a long (3) £100-150
suspension chain
£120-160 Another vendor
£80-120 78
76 An American silver shaped rectangular
74 Ω A mid Victorian mother of pearl castle top card case by Leonard & Wilson,
Two silver filigree rectangular card cases, rectangular card case, engraved with an Philadelphia, circa 1850, embossed with a
1899-1908 Russian import mark, probably exterior view of the Crystal Palace on a gothic chapel, a tree and flowering foliage, a
Indian, circa 1900, with a flower on a scroll ground scattered with foliage and titled hillside fort above a bridge verso, engraved
ground, within a meander border to back and Building for the Great Exhibition in 1851 in an J.C.C. to the lower edge, 9cm (3 1/2in) long,
front,8.7cm (3 1/2in) long; another, unmarked, oval reserve, the reverse engraved with central 58g (1.85 oz)
possibly by Dirksen Silver Filigree Company, floral spray and scattered foliage, with ivory
engraved Hattie, 9cm (3 1/2in) long (2) edging 10.7cm (4 1/4in) long
£120-160
£120-160 £200-300
17Walking Sticks
79 80 81
Ω Two Queen Anne or George I ivory Ω An Indian bone veneered walking stick, Four silver coloured mounted walking
mounted malacca walking sticks, early 18th 20th century, the shaft gilt and polychrome sticks, mainly early 20th century, the silver gilt
century, the first with a baluster grip with painted with flower and trellis overall design, example stamped 800, probably Italian, ribbed
simple linear decoration and a now filled a brass screw thread and ferrule, 88cm and embossed with flowers, the hardwood
lanyard aperture and a brass collar below, the long; another probably Indian, 20th century, shaft with a steel ferrule; the others unmarked,
stained malacca shaft with metal ferrule, 93.5cm in carved and line inlaid hardwood, with a the first 89.5cm long (4)
long; the second with a rounded knop, a lanyard stylised hoof handle, mother of pearl leaf inlay,
aperture and a metal ferrule, 91.5cm long the ferrule lacking, 94cm long (2) £200-300
£300-500 £100-150
82
Ω Four various walking sticks, the first
Chinese sectional bone, early 20th century,
with a hardwood rounded knop, incised 83 84
with dragon fish, bamboo and pines, rubber Six various walking sticks, the first circa A silver mounted walking stick by W. I.
ferrule, 87.5cm long; the second with a silver 1900, the handle of plain curved horn, the Broadway & Co., Birmingham 1981, the handle
coloured handle, early 20th century, ribbed shaft of sectional multicoloured horn and a modelled with a fox with a pheasant in its
and embossed with flowers and foliage, on steel ferrule, 89cm long; the second with a mouth, with a hardwood shaft and a later
a hardwood shaft, 82cm long; and two ivory cast aluminium dog’s head handle,91cm long; rubber ferrule, 96.5cm (38in) long
mounted examples (4) another all bamboo; and others (6)
£100-150
£200-300 £120-160
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A Continental electro-plated steel mounted An electro-plate mounted gadget walking Ω A Continental horn and ivory mounted
walking stick, probably French, circa 1900, the stick, circa 1900, the handle modelled as a walking stick, possibly Black Forest, late 19th
handle modelled as a hound’s head, engraved pig vesta case, its head hinging down with a century, the handle carved as a bull’s head
L.R., the shaft of sectional multicoloured horn striking plate, on a bamboo shaft with a metal with ivory horns and collar, two-colour glass
and a steel ferrule, 84cm (33in) long ferrule, 91.5cm (36in) long eyes, on a lacquered wood shaft with a later
rubber ferrule, 91cm (36in) long
£100-150 £150-250
£100-150
88 89
Ω A Continental ivory mounted gadget Five various walking sticks, including: an Edwardian silver mounted bamboo by E. Blumenstein
walking stick, circa 1900, the ivory handle & Co., London 1906?; a Sunday club example, the handle leather covered, on a cane shaft; a
with a white alloy collar unscrewing to reveal sword stick, the white alloy rounded pommel with the insignia of the United Arab Emirates, circa
a corkscrew, the malacca shaft with a later 1971-2008; two others; and a stag antler and silver mounted black umbrella, worn London marks,
rubber ferrule, 89cm (35in) long ownership inscribed and dated June 1905 (6)
£100-150 £100-150
19Icons 90 91 A 19th century Russian icon of St George with the dragon, tempera A 19th century Russian icon of the Descent into Hell with twelve on panel, 31cm x 24.5cm (12in x 9 3/4in) Church Feasts, tempera on panel, 35cm x 30.5cm (13 1/2in x 12in) £300-500 £250-350 92 93 A 19th century icon of St Veronica, the Veil to the border above, A 19th century Russian icon of the Ascent of Elijah, tempera on panel, tempera on panel, 31cm x 25.5cm (12 1/4in x 10in) 30.5cm x 25.5cm (12in x 10in) £100-200 £200-300 20 www.dreweatts.com | +44 (0) 1635 553 553 BP*: Buyer’s Premium of 24% +VAT
94 95
A 19th century Russian icon of the Finding of John the Baptist’s A 19th century Russian icon of the Resurrection with twelve Church
Head, tempera on panel, 21.5cm x 17cm (8 1/2in x 6 3/4in) Feasts, tempera on panel, 31cm x 26cm (12 1/4in x 10in)
£200-300 £100-200
96 97
A late 19th century Russian icon of the Virgin and Child, tempera on A late 19th century provincial Orthodox icon of the Virgin, tempera on
panel, 23.5cm x 16cm (9 1/4in x 6 1/4in) panel, 29cm x 20.5cm (11 1/2in x 8in)
£100-200 £50-100
21Please see the illustrations on our website for lots 98-106
98 101 103
Ω A George III silver mounted tortoiseshell Mary Pownall (1862-1937), an oval plaster Ω Two unusual early/mid 19th century
oval quizzing glass, unmarked, 7cm (2 3/4in) relief plaque a young lady, shoulder length in miniature magnifying glasses, in ivory and in
long closed; a copy portrait miniature of a fair- profile, signed and dated 1914?, 14cm x 10.5cm, bone, with convex lenses, 4.3cm and 5.5cm
haired young lady in late 18th century style, in an oval wooden frame; English School (circa long; one with a non matching leather
circa 1900, mounted in the cover of an ivory 1835), a silhouette portrait of a lady, painted covered case
bonbonniere box, 8.5cm (3 5/8in) diameter; on card, 8.5cm x 6cm, in a gilt and ebonised
and a lacquered brass and steel folding field frame; and a Bois Durci circular portrait £60-80
microscope, with a turned ivory handle (3) plaque entitled Victoria Queen of England,
moulded mark verso, 11cm diameter (3) 104
£150-250 A Stobwasser lacquer rectangular cigar
Pownall studied in Frankfurt in 1896 and in case, circa 1820, painted Stobwasser Fabrik in
99 Paris from 1897 to 1898 where she tutored Braunschweig and indistinctly titled, painted
Two 19th century folding lorgnettes, both by Auguste Rodin. She then studied in Rome with a lady with a hand mirror within a panel,
unmarked, one in gold the other silver, 6cm from 1898 to 1901. In 1902 she married Alfred on a black ground, 12.5cm (5in) long
and 6.5cm (2 1/2in) long Bromet, a barrister, but she continued to use
her maiden name for her work. In 1935 she £60-80
£70-100 wrote an illustrated autobiography, Response,
under the name Mary Pownall Bromet. Her 105
100 works include one of Edward Villiers, 5th Earl Ω An Australian burra bean vesta case and
Ω A collection of objects, including: a late of Clarendon, first mayor of Watford, the three snuff boxes, the vesta with plated
Victorian silver and mother of pearl fruit knife Harpy Celaeno (Kelvingrove Art Gallery, 1902) mounts and applied with a shield engraved
by Thomas Marples, Sheffield 1899; a silver and Watford War Memorial, Watford Town AE to GB; the snuff boxes in horn and
mounted steel penknife, stamped Sterling Hall (unveiled 1928). tortoiseshell, one also with ivory, the largest
only; a silver swizzle stick, Birmingham 1982; a 9.3cm (3 5/8in) long (4)
silver heart shaped pill box, import marked for £80-120
London 1993; a silver parcel gilt fob medallion, £60-80
Birmingham 1919; and other items 102
Two needlework evening bags, early 20th 106
£70-100 century, the first with a French silver frame, Ω A set of twelve mother of pearl caviar
apparently no maker’s mark, 1838-1972 .800 knives, circa 1930, in a case from The
standard, cast with baskets of fruit and Goldsmiths & Silversmiths Co. Ltd
flowers, the bag with the Princess and the
Frog; the second with a gilt metal part-pierced £60-80
frame, the bag with figures and animals amidst
flowers (2)
£40-60
22 www.dreweatts.com | +44 (0) 1635 553 553 BP*: Buyer’s Premium of 24% +VATPens
107
Platinum, Autumn, a maki-e fountain pen by
Rosui, circa 1930, the black lacquer cap and
barrel with togidashi and takamaki-e autumnal
landscape, the nib stamped 14K, with a lever
filling system, signed Rosui with red kao mark,
13.9cm long
Illustrated in ‘Fountain Pens of the World’, by
Andreas Lambrou, page 378/379
£2,000-3,000
23108 109 Parker, 17, a blue fountain pen, the blue cap and barrel with a single cap Parker, Arrow, a black fountain pen, with a brushed black cap and band, inked; a further Parker, 17, blue fountain pen; three Parker, 17, Lady, barrel, inked; together with a matching rollerball, ballpoint and pencil, fountain pens; and a Parker, 17, green pencil in a burgundy case £80-120 £70-100 110 111 Parker, three green fountain pens, the caps with arrow clips, hooded Parker, Duofold, a black fountain pen, the black cap and barrel with nibs, each with a Parker box; Parker, a blue fountain pen; and a gold an engraved cap band, the nib stamped 14K, inked; together with five plated ballpoint pen further black Parker fountain pens £60-80 £100-150 24 www.dreweatts.com | +44 (0) 1635 553 553 BP*: Buyer’s Premium of 24% +VAT
113
Waterman, a black fountain pen,
the cap with gilt clip and double
cap band, the extra fine nib
stamped 18K 750, cartridge filling
system, inked, with a Waterman
box, guarantee booklet and
cartridge convertor
£70-100
112
Montblanc, Meisterstuck, a black desk stand with pen holder, the rectangular
base with a swivel pen holder, 12 x 8cm
£100-150
115 116
115
Mabie, Todd & Co., Swan, a safety screw cap
black fountain pen, the black cap and barrel
with a repousse cap band, inked
114
Parker, a cased black fountain pen and propelling pencil set, the fountain £60-80
pen with a gilt metal arrow clip and triple cap band, the barrel engraved
with a monogram above Ongar residential school 1909 - 1035, the nib 116
stamped 14K, with plunger filling system, the pencil conforming; Parker, Swan, Mabie, Todd & Co. Ltd., Eternal, a
Duofold, a black fountain pen, the cap with suspension loop and triple cap brown lacquer fountain pen, the cap with
band, the barrel engraved with a monogram, piston filling system; together gilt metal clip and cap band, the nib stamped
with four other Parker pens 14CT, with a lever filling system, inked
£150-250 £70-100
25117 A collection of pens, to include: Parker, 17, a blue lacquer fountain pen, the cap with a gilt metal arrow clip and cap band, hooded nib, with a cartridge filling system, inked; Conway Stewart, 85, a blue marbelled fountain pen, the cap with a gilt metal clip and cap band, the nib stamped 14CT, with a lever filling system, inked; together with other fountain pens and four ballpoint pens £50-80 118 A collection of fountain pens and propelling pencils, to include: Parker, Duofold, a black lacquer fountain pen, the cap with a gilt cap band, the nib stamped 14K, with a piston filling system, inked; Conway Stewart, 388, a green marbled lacquer fountain pen, the cap with a clip and triple cap band, the nib stamped 14CT, with a lever filling system; two other fountain pens; a silver propelling pencil, hallmarked Birmingham 1976, with engine turned decoration and a rectangular shaped vacant reserve; and three other propelling pencils £70-100 26 www.dreweatts.com | +44 (0) 1635 553 553 BP*: Buyer’s Premium of 24% +VAT
119 120 121
Parker, Duofold, a black lacquer fountain pen, A silver propelling pencil by William Parker, an 18 carat gold fountain pen and
the cap with a gilt metal arrow clip and cap Suckling Ltd., Birmingham 1936, with a twist ballpoint pen, hallmarked London 1894, with
band, the nib stamped 14K, with aerometric mechanism; and a rolled gold propelling engine turned decoration, the fountain pen
filling system, inked; and a Parker, Vacumatic, a pencil, with engine turned decoration and a cap with an arrow clip, a hooded nib with
brown lacquer fountain pen, the cap with a gilt rectangular shaped vacant reserve cartridge filling system, inked, in a Parker box
metal arrow clip and double cap band, the nib
stamped 14K, with a piston filling system, inked £50-80 £700-1,000
£30-50
122 123 124
Aurora, Asia, a fountain pen and ballpoint Pineider, a brown lacquer fountain pen, no. Waterman, a marbled black lacquer fountain
pen, in green and orange marbled resin, the 378/1000, the cap with gilt metal clip and cap pen, the cap with a gilt metal clip and cap
nib stamped 18k, in an Aurora case with ink band, with cartridge filling system, uninked, band, fine nib, with cartridge filling system,
pot and paperwork, uninked with a Pineider wooden box, guarantee inked, with a Waterman box
certificate and outer card packaging
£200-300 £60-80
£80-120
27125 126
Caran d’Ache, a white metal ballpoint pen, with engine turned decoration, with a Caran d’Ache A gold coloured Baker’s Pointer Pencil,
box, international guarantee/instruction booklet and outer card packaging; Nino Cerruti, a retailed by Asprey, of polished form engraved
white metal fountain pen and ballpoint pen, with striated decoration, the fountain pen with with initials Y.W, stamped 9ct and Asprey,
a cartridge filling system, uninked, with a Nino Cerruti box and outer card box; Cross, a green 10.8cm long, 15.9g gross
lacquer fountain pen, the cap with gilt metal clip and cap band, the medium nib stamped
18K, with cartridge filling system, uninked, with a Cross box, warranty booklet and cartridge £70-100
convertor; and a cased propelling pencil and ballpoint pen from Valle Del Buttero
£150-250
128 129
A gold coloured propelling pencil by E. Baker A 9 carat gold propelling pencil by E. Baker
127 & Sons, of polished form, with a hinged bale, & Son, for Yard-o-Led, Birmingham 1949, with
A gold coloured propelling pencil, with a engraved with initials A.E.B., stamped 9ct and engine turned decoration, stamped 375 with
telescopic mechanism and removable case, E. Baker & Sons, stamped A. Barrett & Sons 63 full Birmingham hallmarks, maker’s mark E.B.,
stamped 14ct, 24.6g gross & 64 Piccadilly, 11.5cm long, 28.7g gross stamped Yard-o-Led, 12.3cm long, 21.8g gross
£80-120 £70-100 £70-100
28 www.dreweatts.com | +44 (0) 1635 553 553 BP*: Buyer’s Premium of 24% +VAT130 131
A gold coloured propelling pencil by S. Mordan & Co., the heptagonal A 9 carat gold propelling pencil by Sampson Mordan & Co., London
barrel engraved Cyril Davis Aug’ 1935, stamped 9ct and S.Mordan Co., 1936, retailed by Asprey, of polished form, stamped 375 with full London
8.5cm long closed; together with three further pencils, all stamped 375, hallmarks, maker’s mark SM & Co., 7.2cm long closed; together with
74g gross three further pencils, all stamped 375, 80g gross
£250-350 £250-350
133
132 A propelling pencil by S. Mordan & Co., with a hammered finish,
A silver propelling pencil, Birmingham 1876, with engine turned engraved A. J. Stretton from Col. T. B. ShawHellier, stamped S.Mordan &
decoration, with full Birmingham hallmarks, maker’s mark W.H, 5cm Co, 5cm long closed; together with two further propelling pencils, one
long closed; together with four further propelling pencils stamped 375
£70-100 £80-120
29136
135
134 135
S. T. Dupont, a white metal fountain pen and ballpoint pen, Cartier, Pasha de Cartier, a black fountain pen, the gilt metal
with striated decoration, the fountain pen cap with a clip, the nib reeded cap with clip and trinity band, the nib stamped 18K 750,
stamped 18CT, with a cartridge filling system, inked; S. T. Dupont, cartridge filling system, inked
a black lacquer ballpoint pen, with a gilt metal clip; a similar gold
plated example; and a Graf Von Faber Castell miniature ballpoint £80-120
pen, with striated decoration
136
£50-80 Montblanc, Starwalker, a black fineliner pen, the cap with a
white metal clip
£70-100
137
A collection of pens and accessories, to
include: Dunhill, a red lacquer ballpoint pen,
the cap with a clip, with a Dunhill box, booklet,
guarantee card and outer card packaging;
S. T. Dupont, an engine turned ballpoint pen,
with a S. T. Dupont box; another S. T. Dupont
ballpoint pen in box; Tiffany, a small silver
coloured ballpoint pen, in a Tiffany pouch
and box; Prestige de Geneve, a gilt metal desk
clock and pen holder, with ballpoint pen; and
an Asprey brown lacquer two pen holder, in an
Asprey card box
£150-250
30 www.dreweatts.com | +44 (0) 1635 553 553 BP*: Buyer’s Premium of 24% +VAT138
Cartier, Must de Cartier, a stainless steel
ballpoint pen and propelling pencil, with
reeded decoration, each in a Must de Cartier
box, with a red leather Cartier pen pouch
£100-150
141
140
140
Montblanc, Meisterstuck 4810, a brown lacquer fountain pen, circa 1920,
the cap with a gilt metal clip, the retractable nib stamped 18ct, inked, with a
Montblanc white pouch
£300-500
141
139 S. T. Dupont, Meteorite Premium, a limited edition fountain pen, no.
Waterman, a red marbled lacquer ballpoint pen, with a gilt 005/888, the black lacquer cap and barrel coated in Gibeon Meteorite
metal clip, with a Waterman box, instruction leaflet and white powder, the cap with a white metal clip, the medium nib stamped 14K, with
card sleeve; Cross, a gilt metal ballpoint pen and propelling a cartridge filling system, uninked, with a S. T. Dupont box, international
pencil, with striated decoration; and another matt black guarantee card, instruction booklet, cartridge convertor and outer card
lacquer ballpoint pen packaging
£40-60 £300-500
31143
Cross, a collection of pens, to include: a matt grey fountain pen for Concorde, the cap with a
142 white metal clip, medium nib, with cartridge filling system, uninked, with a Cross box, instruction
142 booklet, cartridge convertor, a box of six cartridges and outer card packaging; a white metal
Montblanc, Meisterstuck Solitaire Doue fountain pen for Concorde; a matt black and gilt metal ballpoint pen and propelling pencil, with
Geometric Dimension Classique, a black gilt metal clips, with a Cross box, instruction booklet and white card sleeve; a gilt metal and
ballpoint pen, with gilt geometric decoration black lacquer fountain pen and and ballpoint pen, with striated decoration, the fountain pen
and clip, with a Montblanc box, service guide/ with a medium nib, cartridge filling system, inked, with a Cross box, guarantee booklet, cartridge
warranty booklet and outer card packaging convertor, and a box of four cartridges; and two other Cross ballpoint pens
£80-120 £100-150
145
Parker, Duofold, a two tone blue marbled fountain pen, the cap with a gilt clip and double
cap band, with a piston filling system; Waterman, a red and black lacquer fineliner pen, with
a Waterman box and outer card sleeve; and a Waterman blue lacquer fineliner pen, with a
Waterman box
144
144 £70-100
Cartier, Must de Cartier, a stainless steel
ballpoint pen, with striated decoration and
a clip, with a Must de Cartier box, guarantee
booklet, instruction booklet and outer card
packaging
£80-120
32 www.dreweatts.com | +44 (0) 1635 553 553 BP*: Buyer’s Premium of 24% +VAT146 147 148
Sheaffer, a brown marbled fountain pen, the Montblanc, Meisterstuck, 146, a black Montblanc, No.32, a black fountain pen, the
cap with the gilt clip and cap band, the nib fountain pen, the black cap and barrel with black cap and barrel with a single cap band,
stamped 14K, inked, in a Sheaffer box triple cap bands, the nib stamped 14K, inked, in inked, in a Montblanc box
a Montblanc box
£70-100 £50-70
£80-120
149 150
Aurora, a silver gilt fountain pen, with geometric decoration, the cap Aurora, Hastil, a white metal fountain pen, the cap with a clip, the nib
with a clip, hooded nib, with a piston filling system, with an Aurora box stamped 14K, with a cartridge filling system, inked, with an Aurora box,
and guarantee certificate; and an Aurora, gold plated fountain pen, instruction leaflet and cartridge convertor; Sheaffer, a silver coloured
with striated decoration, the cap with a clip, medium hooded nib, with ballpoint pen, with knurled decoration, with a Sheaffer box; Lalex, a
a cartridge filling system, with an Aurora box black fountain pen, the cap with white metal clip, a hooded nib, with
cartridge filling system, inked; and a Tombo fountain pen
£80-120
£60-80
33Jewellery
151 158 165
A Victorian Bohemian garnet and half pearl An early 20th century moonstone necklace, A 1920s diamond five stone ring, set with five
dove brooch, circa 1870, set with rose cut the graduating oval cabochon moonstones old brilliant cut diamonds, approximately 1.15
garnets and half pearls, holding in its beak a in collet settings, to a ring bolt clasp, stamped carats total, stamped 18ct, finger size K 1/2
branch, 3.7cm wide 9ct, 48cm long
£700-1,000
£100-150 £150-250
166
152 159 A Victorian and later diamond, ruby and
An early 20th century diamond ring, the A Victorian amethyst bead necklace, circa sapphire bracelet, set with alternating oval
pierced navette shaped panel set with rose 1870, the graduated polished amethyst beads cut rubies, sapphires and old cut diamonds,
cut diamonds, finger size Q 1/2 with gold belcher link connectors, with a central approximately 0.75 carats total, on an
gold capped amethyst orb drop suspended openwork hinged bangle, 5cm inner diameter
£80-120 from a belcher link chain swag, with later
lobster claw attachments, 48cm long £600-800
153
An early 20th century ropetwist buckle, the £800-1,200 167
oval ropetwist buckle with a three prong clasp, Equine interest, a small collection of antique
5cm wide, 21.7g 160 jewellery, comprising a triple horse shoe
An early 20th century amethyst and seed pearl brooch, the central shoe set with graduating
£200-300 pendant, the circular cut amethyst collet set old brilliant cut diamonds, together with a
within an openwork surround set with seed pearls, half pearl set horse shoe, and a diamond and
154 suspending a further circular cut amethyst, on a emerald set shoe, 4.7cm wide; a late Victorian
A pair of early 20th century diamond cluster belcher link chain, stamped 375, 45cm long, 4.9g full cheek snaffle and horse shoe brooch,
earrings, the cluster drops set with rose cut the shoe set with half seed pearls and rubies,
diamonds suspended from further rose cut £150-250 4.2cm wide; and an early 20th century carved
diamonds, with shepherd’s hook fittings, labradorite fox mask stick pin
3.6cm long 161
A cultured pearl pendant, the grey cultured £300-500
£400-600 pearl on a pierced black enamelled setting,
suspending a baroque pearl, 3.9cm long; 168
155 together with a mabé pearl stick pin, the A pair of late 19th century emerald earrings,
A Victorian rock crystal, pearl and onyx 9mm wide mabé pearl in a claw setting the pendant drops with pierced detail, set
pendant, circa 1880, the oval cabochon rock with vari cut emeralds, with shepherd’s hook
crystal within a surround of circular banded £80-120 fittings, 4cm long
onyx and half pearls, 4.9cm long including bale
162 £150-250
£120-160 A late Victorian amethyst and pearl brooch,
circa 1900, the central oval cut amethyst in 169
156 a ropetwist setting between two pearls, in Equine interest, a Victorian diamond set
A Victorian banded onyx brooch, circa 1880, similar settings, 3.8cm long, 4.8g gold hinged bangle, circa 1880, the central
the oval cabochon banded onyx within a bead horseshoe shaped panel set with graduated
work surround, 5cm wide £150-250 old cut diamonds, approximately 0.52 carats
total, to shaped buckle shoulders, inner
£150-250 163 width 5.9cm
A pink tourmaline and diamond ring, the
157 circular cabochon pink tourmaline collet £300-500
A French Aesthetic movement brooch, set within a surround of old cut diamonds,
circa 1870, multi gem and seed pearl set gold approximately 0.28 carats total, finger size R, 3.7g 170
novelty brooch in the form of a jewelled A late Victorian opal stick pin, circa 1900, the
mirror and fan, stamped with French £250-350 oval opal carved with Queen Victoria’s profile,
poincons, 5.5cm long, 9.3g gross in a polished gold setting, 6.4cm long
164
£50-80 An early 20th century sapphire and diamond £120-160
ring, the central circular cut sapphire claw
set between two old brilliant cut diamonds,
approximately 0.25 carats total, to two further
circular cut sapphires, stamped 18ct, finger
size P, 5.5g
£300-500
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